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Items where Faculty / Department / Research Groups is "Department of Creative Professions & Digital Arts"

Items where Faculty / Department / Research Groups is "Department of Creative Professions & Digital Arts"

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Article

Brown, Christopher (2017) “Even If You Have Nothing, You Should Keep Filming”: An Interview with Cheng Yu-Chieh on 'Wawa No Cidal' (2015). Senses of Cinema (82). ISSN 1443-4059

Brown, Christopher (2013) Homosexuality in Dog Day Afternoon (1975): Televisual surfaces and a 'natural' man. Film Criticism, 37 (1):3. pp. 35-54. ISSN 0163-5069

Brown, Christopher (2012) Mad About the Boy? Hollywood stardom and masculinity subverted in The Swimmer. Quarterly Review of Film and Video, 29 (4). pp. 356-364. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509201003667226)

Brown, Christopher (2017) Performance enhancement: identity, surface aesthetics, and the direction of actors in Yang Yang 陽陽 (Cheng Yu-Chieh, 2009). Asian Cinema, 28 (1). pp. 23-37. ISSN 1059-440X (Print), 2049-6710 (Online) (doi:https://doi.org/10.1386/ac.28.1.23_1)

Brown, Christopher and Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Stories of a ruined space: filmic and sonic approaches to practice-as-research. Media Practice & Education, 9 (13). ISSN 2574-1136 (Print), 2574-1144 (Online) (doi:https://doi.org/10.1080/25741136.2018.1519989)

Davies, Rosamund ORCID: 0000-0001-8645-8271, Chrysanthi, Angeliki, Berggren, Asa, Earl, Graeme P. and Knibbe, Jarrod (2016) The camera "at the Trowel's Edge": Personal video recording in archaeological research. Journal of Archeological Method and Theory, 23 (1). pp. 238-270. ISSN 1072-5369 (Print), 1573-7764 (Online) (doi:https://doi.org/10.1007/s10816-015-9239-x)

Giaxoglou, Korina, Döveling, Katrin and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Networked emotions: Interdisciplinary perspectives on sharing loss online. Journal of Broadcasting and Electronic Media, 61 (1). ISSN 0883-8151 (Print), 1550-6878 (Online) (doi:https://doi.org/10.1080/08838151.2016.1273927)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:https://doi.org/10.1017/S1355771816000297)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: Reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video. ISSN 1050-9208 (Print), 1543-5326 (Online) (In Press)

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

Hobbs, James (2016) Motion In Form - Photographic Essay. Sequence, 4.

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2019) Science festivals and diversity: Human centred design as a method for social inclusion, increasing diversity and widening participation. International Journal of Science Education. ISSN 0950-0693 (Print), 1464-5289 (Online) (Unpublished)

Lammin, Hannah (2018) Conversing with machines: Affective affinities with vocal bodies. Transformations: Journal of Media, Culture & Technology, 31. ISSN 1444-3775 (Online)

Lammin, Hannah (2018) Krisis as the scene of non-decisional judgement: A performance-fiction for the generic human. Performance Philosophy, 4 (1). pp. 66-85. ISSN 2057-7176 (Online) (doi:https://doi.org/10.21476/PP.2018.41203)

Lammin, Hannah (2018) Seeing in-photo: Non-photography as Positive Barbarism. Parallax, 24 (2). pp. 193-208. ISSN 1353-4645 (Print), 1460-700X (Online) (doi:https://doi.org/10.1080/13534645.2018.1452444)

Lewis, Jesmond (2014) A narrative approach to considering the role of the lecturer in developing autonomy in final year undergraduates. Compass: The Journal of Learning and Teaching at the University of Greenwich, 5 (9). pp. 1-5. ISSN 2044-0081

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Ashford, Rain (2019) Diversity and inclusivity in the age of wearables: A buzzword, a myth, an uncertain reality. Body, Space & Technology, 18 (1). pp. 198-214. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.320)

Nwonka, Clive (2015) Diversity pie: rethinking social exclusion and diversity policy in the British film industry. Journal of Media Practice, 16 (1). pp. 73-90. ISSN 1468-2753 (doi:https://doi.org/10.1080/14682753.2015.1015802)

Nwonka, Clive James (2016) Hunger as political epistemology. Studies in European Cinema, 13 (2). pp. 134-148. ISSN 1741-1548 (doi:https://doi.org/10.1080/17411548.2016.1210300)

Nwonka, Clive James (2014) 'You’re what’s wrong with me’: Fish Tank, The selfish giant and the language of contemporary British social realism. New Cinemas: Journal of Contemporary Film, 12 (3). ISSN 1474-2756 (doi:https://doi.org/10.1386/ncin.12.3.205_1)

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:https://doi.org/10.1080/17458927.2015.1042247)

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2016) "Le geste curatorial et les œuvres sur écran - L’évolution d’un néologisme vers une tendance majeure". Proteus (10). pp. 64-70. ISSN 2110-557X (Online)

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2019) Digital legacy: Designing with things. Death Studies. ISSN 0748-1187 (Print), 1091-7683 (Online) (In Press) (doi:https://doi.org/10.1080/07481187.2018.1541939)

Samson, Audrey (2015) Erasure, an attempt to surpass datafication. APRJA (A peer-reviewed journal about), 4 (1). ISSN 2245-7755 (Online)

Samson, Audrey and Soon, Winnie (2015) Network affordances: The unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal (24). ISSN 1449-1443 (Online)

Sporton, Gregory (2016) Review from London International Mime Festival. Scene, 4 (1). pp. 89-90. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.1.89_5)

Sporton, Gregory (2016) Reviews. Scene, 4 (2). pp. 173-178. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.2.173_5)

Sporton, Gregory (2017) Reviews. Scene, 5 (1). pp. 83-88. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.1.83_5)

Sporton, Gregory (2018) To a Simple Rock ‘n’ Roll [...] Song, Michael Clark Company, Barbican Theatre, London, 24 October 2017. Scene, 5 (2). pp. 139-140. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.2.139_5)

Watkins, Julie (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120

Watkins, Julie (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.296)

Watkins, Julie (2018) Creating Affective Visual Music. Electronic Visualisation and the Arts (EVA 2018). (doi:https://doi.org/10.14236/ewic/EVA2018.70)

Watkins, Julie (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Moving from Japanese film distribution to production: An interview with Third Window Films’ Adam Torel. Bright Lights Film Journal. ISSN 0147-4049 (Online)

Zhi, Jin (2015) An alternative green screen keying method for film visual effects. International Journal of Multimedia and Its Applications, 7 (2). pp. 1-12. ISSN 0975-5934 (Print), 0975-5578 (Online) (doi:https://doi.org/10.5121/ijma.2015.7201)

Book Section

Balaam, Madeline, Davies, Rosamund ORCID: 0000-0001-8645-8271, Dade-Robertson, Martyn and Fraser, Mike (2014) It usually takes three of us, a few beers and a lot of imagination: a qualitative exploration of what it means and takes to do research. In: Williams, Alison, Jones, Derek and Robertson, Judy, (eds.) BITE: Recipes for Remarkable Research. Sense Publishers, Rotterdam / Boston / Taipei, pp. 14-23. ISBN 978-94-6209-584-7

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2015) Narrative as creative quest: the hero's journey and its alternatives. In: Reisman, Fredericka, (ed.) KIE Handbook of Creativity. KIE Conference Books . KIE Conference, pp. 79-96.

Gallardo, Francisco and Samson, Audrey (2017) Shrimping under working conditions. In: Pritchard, Helen, Snodgrass, Eric and Tyz ̇lik-Carver, Magda, (eds.) EXECUTING PRACTICES. Autonomedia (DATA browser 06), pp. 253-266. ISBN 9781570273216

Korolkova, Maria (2015) Female, naked and right: Sexual activism the Ukrainian way. In: Finlay, Alan, (ed.) Global Information Society Watch 2015: Sexual Rights and the Internet. Association for Progressive Communications (APC) and Humanist Institute for Cooperation with Developing Countries (Hivos), pp. 268-271. ISBN 978-92-95102-41-5

Korolkova, Maria (2016) Hromadske TV: A new kind of media, a new form of accountability. Global Information Society Watch 2016: Economic, Social and Cultural Rights (ESCRs) and the Internet. Association for Progressive Communications (APC) and Humanist Institute for Cooperation with Developing Countries (Hivos), pp. 242-245. ISBN 978-92-95102-69-9

Kotzen, Benzion ORCID: 0000-0003-3522-0460 (2018) Economic benefits and costs of green streets. In: Pérez, Gabriel and Perini, Katia, (eds.) Nature Based Strategies for Urban and Building Sustainability. Butterworth-Heinemann, pp. 319-331. ISBN 978-0128121504

Kotzen, Benzion ORCID: 0000-0003-3522-0460 (2018) Green roofs: Social and aesthetic aspects. In: Perez, Gabriel and Perini, Katia, (eds.) Nature Based Strategies for Urban and Building Sustainability. Butterworth-Heinemann, pp. 273-281. ISBN 978-0128121504

Landy, Leigh, Younie, Sarah, Hill, Andrew ORCID: 0000-0003-1521-0396 and Wolf, Motje (2014) The EARS 2 pedagogical project - an eLearning environment to introduce learners to sound-based music. In: King, Andrew and Himonides, Evangelos, (eds.) Proceedings of the Sempre MET2014: Researching Music, Education, Technology: Critical Insights. International Music Education Research Centre (iMerc), pp. 129-134. ISBN 978-1905351299

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Interactive video installations in public spaces: Rafael Lozano-Hemmer's Under Scan. In: Crisp, Virginia and Menotti Gonring, Gabriel, (eds.) Besides the Screen: Moving Images through Distribution, Promotion and Curation. Palgrave Macmillan, London & New York, pp. 197-212. ISBN 978-1-137-47101-7

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2016) Death and Memory in the Twenty-First Century. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities and Sciences. Palgrave Macmillan, London, UK, pp. 113-118. ISBN 9781137520579 (doi:https://doi.org/10.1057/9781137520586_14)

Samson, Audrey (2017) Erasure. In: Pritchard, Helen, Snodgrass, Eric and Tyz˙lik-Carver, Magda, (eds.) EXECUTING PRACTICES. Autonomedia (DATA browser 06), pp. 143-154. ISBN 9781570273216

Samson, Audrey and Gallardo, Francisco (2018) Commercial extinction: The exhaustion of exhaustion. In: Schwabe, Alon, Pascual, Daniel Fernández and Connuck, Jesse, (eds.) The Empire Remains Shop. Columbia Books on Architecture and the City . Columbia University Press, Columbia. ISBN 978-1941332375

Samson, Audrey, Muldtofte, Lea, Soon, Winnie, Snodgrass, Eric and Gallardo, Francisco (2018) Execution. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) Posthuman Glossary. Bloomsbury Academic, pp. 141-145. ISBN 978-1-350-03024-4

Samson, Audrey and Tobias Schäfer, Mirko (2016) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Bloomsbury Press. (Submitted)

Waterworth, David (2015) Reflections on Stockwell Depot. In: Waterworth, David, Cornish, Sam and Green, Louisa, (eds.) Stockwell Depot 1967-79. Ridinghouse, London, pp. 154-160. ISBN 978-1909932050

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Distributing Asian cinema, Past and present: Definitions from DVD labels. In: Magnan-Park, Aaron Han Joon, Marchetti, Gina and Tan, See Kam, (eds.) The Palgrave Handbook of Asian Cinema. Literature, Cultural and Media Studies . Palgrave Macmillan. ISBN 978-1349958214 (doi:https://doi.org/10.1057/978-1-349-95822-1)

Book

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

Kennedy, Stephen (2015) Chaos media: A sonic economy of digital space. Sound studies . Bloomsbury, New York, US. ISBN 9781623567064

Kennedy, Stephen (2018) Future Sounds: The Temporality of Noise. Bloomsbury Academic. ISBN 978-1501321054

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2014) Multidisciplinary design processes. Lulu Press Inc. ISBN 9781291010503

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2014) Creative Advertising: An Introduction. Laurence King Publishing Ltd., London, UK. ISBN 9781780671192

Sporton, Gregory (2015) Digital creativity: Something from nothing. Palgrave Macmillan UK, London, UK. ISBN 9781137486400

Edited Book

Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832

Davies, Rosamund ORCID: 0000-0001-8645-8271, Potts, Cherry and Rehal, Kam (eds.) (2019) Story Cities – A City Guide for the Imagination. Arachne Press, UK. ISBN 978-1-909208-78-0 (In Press)

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) Book of Abstracts DRHA2014. Lulu. ISBN 9781291978780

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

Wroot, Jonathan ORCID: 0000-0002-6827-728X and Willis, Andy (eds.) (2017) DVD, Blu-ray and Beyond: Navigating Formats and Platforms within Media Consumption. Literature, Cultural and Media Studies . Palgrave Macmillan, Basingstoke. ISBN 978-3319627571 ISSN 978-3319627588 (Online)

Conference Proceedings

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Flynn, Ryan (2015) Explicit and implicit narratives in the co-design of videogames. In: Full Papers/Proceedings of the Digital Research in the Humanities and Arts Conference, DRHA2014, London. University of Greenwich, London, UK, pp. 73-80. ISBN 9781326388584

Hill, Andrew ORCID: 0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: InSONIC2015. ZKM. (Submitted)

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Jefferies, Janis (2015) ‘Twitter’: Practice in writing: A recipe for creativity & creative interpretation. In: Proceedings of the 21st Symposium on Electronic Arts. ISEA2015: International Symposium on Electronic Art, Vancouver, Canada. ISBN 9781910172001 ISSN 2451-8611

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2013) Mirroring Sherry Turkle: A discussion on authenticity, humanity and technology. In: Proceedings of the 19th International Symposium of Electronic Art, ISEA2013, Sydney. ISEA International, the Australian Network for Art & Technology and the University of Sydney, Sydney, Australia. ISBN 9780646913131

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189, Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Psarras, Bill (2013) Dérive in the digital grid, breaking the search to get lost. In: Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney. ISEA International Australian Network for Art & Technology University of Sydney, Sydney, Australia. ISBN 9780646913131

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2014) Communicating technology: Interactive design and interdisciplinary collaboration in the digital arts. In: Book of Absracts of DRHA2014: Communication Futures: Connecting Interdisciplinary Design Practices in Arts/Culture, Academia and the Creative Industries. University of Greenwich, pp. 215-216. ISBN 978-1-291-97878-0

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Jefferies, Janis (2016) Intimate technologies: The ethics of simulated relationships. In: ISEA2016, Cultural R>Evolution. Proceedings of the 22nd International Symposium on Electronic Art . School of Creative Media, City University of Hong Kong, Hong Kong. ISBN 978-962-442-397-6

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

Watkins, Julie (2019) Interactive Visual Music. In: Electronic Visualisation and the Arts (EVA). EVA. (In Press)

Conference or Conference Paper

Brown, Lucy (2017) How to Make the Next Big Global TV Studio Hit. In: South by Southwest (SXSW) Conference and Festivals, 10-19 March 2017, Austin, Texas, USA.

Brown, Lucy (2015) Television production in the Academy: Bringing commercial practices into the classroom. In: New Directions in Film and Television Production Studies, 14-15 April 2015, UWE, Bristol, UK.

Brown, Lucy and Duthie, Lyndsay (2016) Assessing creativity in TV studio production. In: Media Education Summit, 4-6 Nov 2016, John Cabot University, Rome, Italy.

Brown, Lucy and Duthie, Lyndsay (2015) Creating Reality TV -­ The Programme Maker Viewpoint. In: Kimposium! A symposium about all things Kardashian, 26 November 2015, Brunel University London, UK. (Unpublished)

Brown, Lucy and Duthie, Lyndsay (2014) How to make programmes within a commercial and academic context. In: Sightlines: Filmmaking in the Academy, 24-25 November 2014, RMIT University, Melbourne, Australia.

Brown, Lucy and Duthie, Lyndsay (2016) Teaching TV studio production. In: BFI Media Conference, 30 June 2016 - 01 July 2016, BFI, London UK.

Brown, Lucy and Duthie, Lyndsay (2015) Television production: How popular television programmes impact student led productions. In: NEPCA, Northeast Popular/American Culture Association, 30-31 October 2015, Colby Sawyer College, New Hampshire, US.

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Dots/Digits: Action/Reaction. In: IMR - Institute for Musical Research, 7 April 2016, Sheffield, UK. (Unpublished)

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

Lewis, Jesmond (2014) Considering the effects and desirability of the employability agenda in Higher Education and the role of a creative pedagogy as an enabling factor. In: Discourse, Power, Resistance Conference 2014, 8-10 April 2014, University of Greenwich, London, UK. (Unpublished)

Lewis, Jesmond (2013) Encouraging student autonomy through collaborative curriculum development. In: Shift 2013: Sharing Practice, Developing Community, 03/07/2013, University of Greenwich. (Unpublished)

Lewis, Jesmond (2014) Forming a pedagogy that develops creativity in undergraduates working at the junction of art and science. In: DRHA Conference 2014, 31 Aug - 3 Sept 2014, University of Greenwich, London, UK.

Lewis, Jesmond and Flynn, Ryan (2014) Sense.Switch.Create Hackathon. In: DRHA Conference 2014, 31 Aug - 2 Sept 2014, University of Greenwich, London, UK. (Unpublished)

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2017) Space as Methodology: the politics of exhibiting the moving image in public spaces. In: "The Politics of Space and the Humanities", 15-17 December 2017, Thessaloniki, Greece. (Unpublished)

Papadaki, Elena ORCID: 0000-0002-6653-4334, Maragiannis, Anastasios and Chatzichristodoulou, Maria (2018) Digital Cultural Heritage in the 'land of the ancient': the case of Greece (panel discussion). In: DRHA 2018 - Creative Legacies: Collaborative Practices for Digital Cultural Heritage, 9-12 September 2018, Valletta, Malta. (Unpublished)

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 and Hirst, Nicola (2016) The Design Studio as a Social Organism and Ecology. In: DRHA Conference 2016, 4th-7th September 2016 WhoLoDancE, University of Brighton. (Unpublished)

Working Paper

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Co-Designing with the Bereaved: how Curatorial Dilemmas become Ethical Reflections. [Working Paper] (Submitted)

Monograph

Griffiths, Wyn and Keith, Lindsay ORCID: 0000-0002-5324-1719 (2015) SMASHfestUK 2015 - Asteroid! Evaluation Report. Project Report. N/A, The Albany, Deptford & The Deptford Lounge. (Unpublished)

Thesis

Lammin, Hannah Elisabeth (2017) Staging community: a non-philosophical presentation of immanent social experience. PhD thesis, University of Greenwich.

Petković, Dušan (2017) Weathering the maelstrom: the effect of digital workflows on craft identity in independent cinema. PhD thesis, University of Greenwich.

Artefact

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Sounds of the Cultural Quarter - Application. [Artefact]

Hirst, Nickie (2015) Read It - A Cut-up Anthology. [Artefact]

Show/Exhibition

Breathing Space, (Collective) and Thompson, Ian (2016) RISE. [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hobbs, James (2016) (I)MAGESOUND(S). [Show/Exhibition]

Hobbs, James (2015) Motion In Form II. [Show/Exhibition]

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]

Hobbs, James (2015) Utopia/Dystopia. [Show/Exhibition]

Hobbs, James (2017) "Vesuvius: (I wish I had _______________)" Jerwood Drawing Prize 2017. [Show/Exhibition]

Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

Hobbs, Jim (2015) One Hundred Foot III. [Show/Exhibition]

Papadaki, Elena ORCID: 0000-0002-6653-4334 and Schizakis, Stamatis (2018) Critical Convergence: Greek contemporary artists in dialogue with the (recent) past. [Show/Exhibition]

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Love After Death (2016 - 2018). [Show/Exhibition]

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Material Legacies Exhibition. [Show/Exhibition]

Samson, Audrey (2017) Goodnight Sweetheart. [Show/Exhibition]

Waterworth, David (2018) Granular: The Material Properties of Noise. [Show/Exhibition]

Waterworth, David (2015) Stockwell Depot 1967-79 (Exhibition). [Show/Exhibition]

Composition

Hill, Andrew ORCID: 0000-0003-1521-0396 (2013) Abstracted Journeys. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 Stille Lyd: Part I – NOTAM. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition] (Submitted)

Performance

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Performance]

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Performance]

Breathing Space, (collective) (2015) HERD. [Performance]

Breating Space, (Collective) and Thompson, Ian (2016) RISE. [Performance]

Sporton, Gregory (2017) The Sporton Professorial Inaugural. [Performance]

Thompson, Ian, Shiell, Stephen and Wilson, Richard (2016) BELL. [Performance]

Art/Poetry/Short Story Performance or Reading

Hobbs, James (2017) I am a Karate American egg. [Art/Poetry/Short Story Performance or Reading]

Video

Brown, Christopher (2018) Coccolith. [Video]

Brown, Christopher (2015) Remission. [Video]

Brown, Christopher (2015) Soap. [Video]

Cheeseman, Kate (2015) 'Guiness is Good'. [Video] (Unpublished)

Cheeseman, Kate (2016) Love Somehow - Promotional video. [Video]

Cheeseman, Kate (2016) 'Love Somehow' (a film about Caitlyn Thomas and her relationship with poet Dylan Thomas). [Video]

Cheeseman, Kate and Johns, Harry (2016) The Manifesto, an animated opera about the Italian Futurists. [Video]

Dawson, Andrew and Holmes, Sean P. (2014) Culture, Creativity and Disappearing Celluloid. [Video]

Stabb, Walter (2017) Creative Madness in Song. [Video]

Stabb, Walter (2015) London Edinburgh London. [Video]

Stabb, Walter S. (2016) The Seasons In Quincy: Four Portraits of John Berger. [Video]

Watkins, Julie (2016) Ambience 1. [Video]

Watkins, Julie (2016) Ambience 2. [Video]

Watkins, Julie (2016) Ambience 3. [Video]

Watkins, Julie (2018) Document of Singing Light 1 installation. [Video]

Watkins, Julie (2014) Horizon. [Video]

Watkins, Julie (2015) Reservoir. [Video]

Watkins, Julie (2017) SKY. [Video]

Watkins, Julie (2015) Shadow Sounds 1. [Video]

Watkins, Julie (2018) Sky 2. [Video]

Watkins, Julie (2015) Song Series Animacy. [Video]

Dataset

Sparkes, Sarah and Thompson, Ian (2018) The Cosmic Pond. [Dataset]

Thompson, Ian (2016) Arrival Time. [Dataset]

Thompson, Ian (2019) Collaborations with Breathing Space Collective. [Dataset]

Thompson, Ian (2014) Litus Expromo. [Dataset]

Thompson, Ian (2018) Sonos Localia. [Dataset]

Thompson, Ian and Sparkes, Sarah (2019) Participation in EMPIRE II, an international touring exhibition, 2017 - 2019. [Dataset]

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Home Media Insights: Book Launch and Guest Talk. [Dataset]

Other

Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2015) Digital Grand Challenge Innovative Multidisciplinary Research Projects and collaborations to redefine problems outside ordinary boundaries. University of Greenwich.

This list was generated on Mon Jun 24 18:51:35 2019 UTC.