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Between the art canon and the margins: historicizing technology-reliant art via curatorial practice

Between the art canon and the margins: historicizing technology-reliant art via curatorial practice

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2019) Between the art canon and the margins: historicizing technology-reliant art via curatorial practice. Arts, 8 (3):121. ISSN 2076-0752 (doi:https://doi.org/10.3390/arts8030121)

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Abstract

This article explores curatorial practice that has technology-reliant works at its epicentre, arguing that for an efficient methodology to historicize the latter there needs to be a reconfiguration of the curatorial scope and a holistic approach to viewing and documenting exhibitions. Based on theoretical research and install decisions of recent years, the ways in which curatorial practice can be reconfigured within the art canon to inform art history, as well as to accommodate developments in exhibition practices are examined.

Item Type: Article
Uncontrolled Keywords: curatorial practice, technology-reliant works, digital arts, exhibition histories, exhibition documentation
Subjects: N Fine Arts > NX Arts in general
Faculty / Department / Research Group: Faculty of Liberal Arts & Sciences
Faculty of Liberal Arts & Sciences > Department of Creative Professions & Digital Arts
Last Modified: 08 Oct 2019 14:27
Selected for GREAT 2016: None
Selected for GREAT 2017: None
Selected for GREAT 2018: None
Selected for GREAT 2019: None
URI: http://gala.gre.ac.uk/id/eprint/25383

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