Skip navigation

Items where Faculty / Department / Research Groups is "Department of Creative Professions & Digital Arts"

Items where Faculty / Department / Research Groups is "Department of Creative Professions & Digital Arts"

Up a level
Export as [feed] RSS
Group by: Date | Creators | Item Type | Uncontrolled Keywords | No Grouping
Jump to: B | C | D | G | H | K | L | M | N | P | S | T | W | Z
Number of items at this level: 180.

B

Balaam, Madeline, Davies, Rosamund ORCID: 0000-0001-8645-8271, Dade-Robertson, Martyn and Fraser, Mike (2014) It usually takes three of us, a few beers and a lot of imagination: a qualitative exploration of what it means and takes to do research. In: Williams, Alison, Jones, Derek and Robertson, Judy, (eds.) BITE: Recipes for Remarkable Research. Sense Publishers, Rotterdam / Boston / Taipei, pp. 14-23. ISBN 978-94-6209-584-7

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Performance]

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2015) BBC Click (to May 2019) and BBC Digital Planet (from May 2019) for BBC World Service Radio. [Audio]

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Performance]

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Performance]

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) The Games Europe Plays. [Show/Exhibition]

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2018) Society and Artificial Intelligence - a curated series of debates, panels, presentations, videos and writings across 2018-19. LIGHT READING Publishers.

Breathing Space, (Collective) and Thompson, Ian (2016) RISE. [Show/Exhibition]

Breathing Space, (collective) (2015) HERD. [Performance]

Breating Space, (Collective) and Thompson, Ian (2016) RISE. [Performance]

Brown, Christopher (2018) Coccolith. [Video]

Brown, Christopher (2017) “Even If You Have Nothing, You Should Keep Filming”: An Interview with Cheng Yu-Chieh on 'Wawa No Cidal' (2015). Senses of Cinema (82). ISSN 1443-4059

Brown, Christopher (2013) Homosexuality in Dog Day Afternoon (1975): Televisual surfaces and a 'natural' man. Film Criticism, 37 (1):3. pp. 35-54. ISSN 0163-5069

Brown, Christopher (2012) Mad About the Boy? Hollywood stardom and masculinity subverted in The Swimmer. Quarterly Review of Film and Video, 29 (4). pp. 356-364. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509201003667226)

Brown, Christopher (2017) Performance enhancement: identity, surface aesthetics, and the direction of actors in Yang Yang 陽陽 (Cheng Yu-Chieh, 2009). Asian Cinema, 28 (1). pp. 23-37. ISSN 1059-440X (Print), 2049-6710 (Online) (doi:https://doi.org/10.1386/ac.28.1.23_1)

Brown, Christopher (2015) Remission. [Video]

Brown, Christopher (2015) Soap. [Video]

Brown, Christopher and Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Stories of a ruined space: filmic and sonic approaches to practice-as-research. Media Practice & Education, 9 (13). ISSN 2574-1136 (Print), 2574-1144 (Online) (doi:https://doi.org/10.1080/25741136.2018.1519989)

Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832

Brown, Lucy (2017) How to Make the Next Big Global TV Studio Hit. In: South by Southwest (SXSW) Conference and Festivals, 10-19 March 2017, Austin, Texas, USA.

Brown, Lucy (2015) Television production in the Academy: Bringing commercial practices into the classroom. In: New Directions in Film and Television Production Studies, 14-15 April 2015, UWE, Bristol, UK.

Brown, Lucy and Duthie, Lyndsay (2016) Assessing creativity in TV studio production. In: Media Education Summit, 4-6 Nov 2016, John Cabot University, Rome, Italy.

Brown, Lucy and Duthie, Lyndsay (2015) Creating Reality TV -­ The Programme Maker Viewpoint. In: Kimposium! A symposium about all things Kardashian, 26 November 2015, Brunel University London, UK. (Unpublished)

Brown, Lucy and Duthie, Lyndsay (2014) How to make programmes within a commercial and academic context. In: Sightlines: Filmmaking in the Academy, 24-25 November 2014, RMIT University, Melbourne, Australia.

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282

Brown, Lucy and Duthie, Lyndsay (2016) Teaching TV studio production. In: BFI Media Conference, 30 June 2016 - 01 July 2016, BFI, London UK.

Brown, Lucy and Duthie, Lyndsay (2015) Television production: How popular television programmes impact student led productions. In: NEPCA, Northeast Popular/American Culture Association, 30-31 October 2015, Colby Sawyer College, New Hampshire, US.

C

Cheeseman, Kate (2015) 'Guiness is Good'. [Video] (Unpublished)

Cheeseman, Kate (2016) Love Somehow - Promotional video. [Video]

Cheeseman, Kate (2016) 'Love Somehow' (a film about Caitlyn Thomas and her relationship with poet Dylan Thomas). [Video]

Cheeseman, Kate and Johns, Harry (2016) The Manifesto, an animated opera about the Italian Futurists. [Video]

D

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2015) Narrative as creative quest: the hero's journey and its alternatives. In: Reisman, Fredericka, (ed.) KIE Handbook of Creativity. KIE Conference Books . KIE Conference, pp. 79-96.

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2020) Trapped - a case study in international co-production. In: Batty, C., Berry, M., Dooley, K., Frankham, B. and Kerrigan, S., (eds.) The Palgrave Handbook of Screen Production. Palgrave Macmillan. ISBN 978-3030217433 (In Press)

Davies, Rosamund ORCID: 0000-0001-8645-8271, Chrysanthi, Angeliki, Berggren, Asa, Earl, Graeme P. and Knibbe, Jarrod (2016) The camera "at the Trowel's Edge": Personal video recording in archaeological research. Journal of Archeological Method and Theory, 23 (1). pp. 238-270. ISSN 1072-5369 (Print), 1573-7764 (Online) (doi:https://doi.org/10.1007/s10816-015-9239-x)

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Flynn, Ryan (2015) Explicit and implicit narratives in the co-design of videogames. In: Full Papers/Proceedings of the Digital Research in the Humanities and Arts Conference, DRHA2014, London. University of Greenwich, London, UK, pp. 73-80. ISBN 9781326388584

Davies, Rosamund ORCID: 0000-0001-8645-8271, Potts, Cherry and Rehal, Kam (eds.) (2019) Story Cities – A City Guide for the Imagination. Arachne Press, UK. ISBN 978-1-909208-78-0 (In Press)

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

Dawson, Andrew and Holmes, Sean P. (2014) Culture, Creativity and Disappearing Celluloid. [Video]

G

Gallardo, Francisco and Samson, Audrey (2017) Shrimping under working conditions. In: Pritchard, Helen, Snodgrass, Eric and Tyz ̇lik-Carver, Magda, (eds.) EXECUTING PRACTICES. Autonomedia (DATA browser 06), pp. 253-266. ISBN 9781570273216

Ghislaine, Boddington ORCID: 0000-0003-0448-579X (2019) The Internet of Bodies - a series of keynotes, lectures, panels and presentations exploring new cyborg futures. Nesta.

Giaxoglou, Korina, Döveling, Katrin and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Networked emotions: Interdisciplinary perspectives on sharing loss online. Journal of Broadcasting and Electronic Media, 61 (1). ISSN 0883-8151 (Print), 1550-6878 (Online) (doi:https://doi.org/10.1080/08838151.2016.1273927)

Griffiths, Wyn, Gaunt, Sarah and Keith, Lindsay ORCID: 0000-0002-5324-1719 (2017) INGENIOUS Survival at SMASHfestUK. Queen Elizabeth Prize for Engineering.

Griffiths, Wyn and Keith, Lindsay ORCID: 0000-0002-5324-1719 (2015) SMASHfestUK 2015 - Asteroid! Evaluation Report. Project Report. N/A, The Albany, Deptford & The Deptford Lounge. (Unpublished)

Griffiths, Wyn and Keith, Lindsay ORCID: 0000-0002-5324-1719 (2017) SMASHfestUK 2017 - Supervolcano! [Show/Exhibition]

H

Hill, Andrew ORCID: 0000-0003-1521-0396 (2013) Abstracted Journeys. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Dots/Digits: Action/Reaction. In: IMR - Institute for Musical Research, 7 April 2016, Sheffield, UK. (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:https://doi.org/10.1017/S1355771816000297)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: Reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video. ISSN 1050-9208 (Print), 1543-5326 (Online) (In Press) (doi:https://doi.org/10.1080/10509208.2019.1593027)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Sounds of the Cultural Quarter - Application. [Artefact]

Hill, Andrew ORCID: 0000-0003-1521-0396 Stille Lyd: Part I – NOTAM. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition] (Submitted)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: InSONIC2015. ZKM. (Submitted)

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

Hirst, Nickie (2015) Read It - A Cut-up Anthology. [Artefact]

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)

Hobbs, James (2017) I am a Karate American egg. [Art/Poetry/Short Story Performance or Reading]

Hobbs, James (2016) (I)MAGESOUND(S). [Show/Exhibition]

Hobbs, James (2016) Motion In Form - Photographic Essay. Sequence, 4.

Hobbs, James (2015) Motion In Form II. [Show/Exhibition]

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]

Hobbs, James (2015) Utopia/Dystopia. [Show/Exhibition]

Hobbs, James (2017) "Vesuvius: (I wish I had _______________)" Jerwood Drawing Prize 2017. [Show/Exhibition]

Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

Hobbs, Jim (2015) One Hundred Foot III. [Show/Exhibition]

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

K

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2018) SMASHfestUK Earth and Sky Tour 2017. [Show/Exhibition]

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2019) Science festivals and diversity: Human centred design as a method for social inclusion, increasing diversity and widening participation. International Journal of Science Education. ISSN 0950-0693 (Print), 1464-5289 (Online) (Unpublished)

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2017) Young Innovator Award: The Engineer. SMASHfestUK Survival Village and Young Explainer Programme. In: The Engineer: Collaborate to Innovate Conference, December 7th 2017, The Manufacturing Technology Centre, Coventry.

Keith, Lindsay ORCID: 0000-0002-5324-1719, Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

Kennedy, Stephen (2015) Chaos media: A sonic economy of digital space. Sound studies . Bloomsbury, New York, US. ISBN 9781623567064

Kennedy, Stephen (2018) Future Sounds: The Temporality of Noise. Bloomsbury Academic. ISBN 978-1501321054

Kennedy, Stephen (2019) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford University Press, New York. (In Press)

Korolkova, Maria (2015) Female, naked and right: Sexual activism the Ukrainian way. In: Finlay, Alan, (ed.) Global Information Society Watch 2015: Sexual Rights and the Internet. Association for Progressive Communications (APC) and Humanist Institute for Cooperation with Developing Countries (Hivos), pp. 268-271. ISBN 978-92-95102-41-5

Korolkova, Maria (2016) Hromadske TV: A new kind of media, a new form of accountability. Global Information Society Watch 2016: Economic, Social and Cultural Rights (ESCRs) and the Internet. Association for Progressive Communications (APC) and Humanist Institute for Cooperation with Developing Countries (Hivos), pp. 242-245. ISBN 978-92-95102-69-9

Kotzen, Benzion ORCID: 0000-0003-3522-0460 (2018) Economic benefits and costs of green streets. In: Pérez, Gabriel and Perini, Katia, (eds.) Nature Based Strategies for Urban and Building Sustainability. Butterworth-Heinemann, pp. 319-331. ISBN 978-0128121504

Kotzen, Benzion ORCID: 0000-0003-3522-0460 (2018) Green roofs: Social and aesthetic aspects. In: Perez, Gabriel and Perini, Katia, (eds.) Nature Based Strategies for Urban and Building Sustainability. Butterworth-Heinemann, pp. 273-281. ISBN 978-0128121504

L

Lammin, Hannah ORCID: 0000-0002-9752-9335 (2018) Conversing with machines: Affective affinities with vocal bodies. Transformations: Journal of Media, Culture & Technology, 31. ISSN 1444-3775 (Online)

Lammin, Hannah ORCID: 0000-0002-9752-9335 (2018) Krisis as the scene of non-decisional judgement: A performance-fiction for the generic human. Performance Philosophy, 4 (1). pp. 66-85. ISSN 2057-7176 (Online) (doi:https://doi.org/10.21476/PP.2018.41203)

Lammin, Hannah ORCID: 0000-0002-9752-9335 (2018) Seeing in-photo: Non-photography as Positive Barbarism. Parallax, 24 (2). pp. 193-208. ISSN 1353-4645 (Print), 1460-700X (Online) (doi:https://doi.org/10.1080/13534645.2018.1452444)

Lammin, Hannah Elisabeth ORCID: 0000-0002-9752-9335 (2017) Staging community: a non-philosophical presentation of immanent social experience. PhD thesis, University of Greenwich.

Landy, Leigh, Younie, Sarah, Hill, Andrew ORCID: 0000-0003-1521-0396 and Wolf, Motje (2014) The EARS 2 pedagogical project - an eLearning environment to introduce learners to sound-based music. In: King, Andrew and Himonides, Evangelos, (eds.) Proceedings of the Sempre MET2014: Researching Music, Education, Technology: Critical Insights. International Music Education Research Centre (iMerc), pp. 129-134. ISBN 978-1905351299

Lewis, Jesmond (2014) Considering the effects and desirability of the employability agenda in Higher Education and the role of a creative pedagogy as an enabling factor. In: Discourse, Power, Resistance Conference 2014, 8-10 April 2014, University of Greenwich, London, UK. (Unpublished)

Lewis, Jesmond (2013) Encouraging student autonomy through collaborative curriculum development. In: Shift 2013: Sharing Practice, Developing Community, 03/07/2013, University of Greenwich. (Unpublished)

Lewis, Jesmond (2014) Forming a pedagogy that develops creativity in undergraduates working at the junction of art and science. In: DRHA Conference 2014, 31 Aug - 3 Sept 2014, University of Greenwich, London, UK.

Lewis, Jesmond (2014) A narrative approach to considering the role of the lecturer in developing autonomy in final year undergraduates. Compass: The Journal of Learning and Teaching at the University of Greenwich, 5 (9). pp. 1-5. ISSN 2044-0081

Lewis, Jesmond and Flynn, Ryan (2014) Sense.Switch.Create Hackathon. In: DRHA Conference 2014, 31 Aug - 2 Sept 2014, University of Greenwich, London, UK. (Unpublished)

Lindsay, Keith ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2016) SMASHfestUK: A Festival. A big story. An adventure. In: Engage 2016: Inspiring Innovation, November 29th and 20th 2016, Bristol Marriot Royal Hotel.

M

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) Book of Abstracts DRHA2014. Lulu. ISBN 9781291978780

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2015) Digital Grand Challenge Innovative Multidisciplinary Research Projects and collaborations to redefine problems outside ordinary boundaries. University of Greenwich.

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2017) Diversity + inclusivity by design: what is enabled when designers design with and for others? [Show/Exhibition]

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2019) Diversity and inclusivity by design research portfolio. Various Publishers, London. (Unpublished)

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2014) Multidisciplinary design processes. Lulu Press Inc. ISBN 9781291010503

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Ashford, Rain (2019) Diversity and inclusivity in the age of wearables: A buzzword, a myth, an uncertain reality. Body, Space & Technology, 18 (1). pp. 198-214. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.320)

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Jefferies, Janis (2015) ‘Twitter’: Practice in writing: A recipe for creativity & creative interpretation. In: Proceedings of the 21st Symposium on Electronic Arts. ISEA2015: International Symposium on Electronic Art, Vancouver, Canada. ISBN 9781910172001 ISSN 2451-8611

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2013) Mirroring Sherry Turkle: A discussion on authenticity, humanity and technology. In: Proceedings of the 19th International Symposium of Electronic Art, ISEA2013, Sydney. ISEA International, the Australian Network for Art & Technology and the University of Sydney, Sydney, Australia. ISBN 9780646913131

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189, Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Psarras, Bill (2013) Dérive in the digital grid, breaking the search to get lost. In: Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney. ISEA International Australian Network for Art & Technology University of Sydney, Sydney, Australia. ISBN 9780646913131

N

Nwonka, Clive (2015) Diversity pie: rethinking social exclusion and diversity policy in the British film industry. Journal of Media Practice, 16 (1). pp. 73-90. ISSN 1468-2753 (doi:https://doi.org/10.1080/14682753.2015.1015802)

Nwonka, Clive James (2016) Hunger as political epistemology. Studies in European Cinema, 13 (2). pp. 134-148. ISSN 1741-1548 (doi:https://doi.org/10.1080/17411548.2016.1210300)

Nwonka, Clive James (2014) 'You’re what’s wrong with me’: Fish Tank, The selfish giant and the language of contemporary British social realism. New Cinemas: Journal of Contemporary Film, 12 (3). ISSN 1474-2756 (doi:https://doi.org/10.1386/ncin.12.3.205_1)

P

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2014) Communicating technology: Interactive design and interdisciplinary collaboration in the digital arts. In: Book of Absracts of DRHA2014: Communication Futures: Connecting Interdisciplinary Design Practices in Arts/Culture, Academia and the Creative Industries. University of Greenwich, pp. 215-216. ISBN 978-1-291-97878-0

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:https://doi.org/10.1080/17458927.2015.1042247)

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Interactive video installations in public spaces: Rafael Lozano-Hemmer's Under Scan. In: Crisp, Virginia and Menotti Gonring, Gabriel, (eds.) Besides the Screen: Moving Images through Distribution, Promotion and Curation. Palgrave Macmillan, London & New York, pp. 197-212. ISBN 978-1-137-47101-7

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2016) "Le geste curatorial et les œuvres sur écran - L’évolution d’un néologisme vers une tendance majeure". Proteus (10). pp. 64-70. ISSN 2110-557X (Online)

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2019) Re-mapping the territory: immersive exhibition practices in the expanded field. Geohumanities. ISSN 2373-566X (Print), 2373-5678 (Online) (In Press)

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2017) Space as Methodology: the politics of exhibiting the moving image in public spaces. In: "The Politics of Space and the Humanities", 15-17 December 2017, Thessaloniki, Greece. (Unpublished)

Papadaki, Elena ORCID: 0000-0002-6653-4334, Maragiannis, Anastasios and Chatzichristodoulou, Maria (2018) Digital Cultural Heritage in the 'land of the ancient': the case of Greece (panel discussion). In: DRHA 2018 - Creative Legacies: Collaborative Practices for Digital Cultural Heritage, 9-12 September 2018, Valletta, Malta. (Unpublished)

Papadaki, Elena ORCID: 0000-0002-6653-4334 and Schizakis, Stamatis (2018) Critical Convergence: Greek contemporary artists in dialogue with the (recent) past. [Show/Exhibition]

Petković, Dušan (2017) Weathering the maelstrom: the effect of digital workflows on craft identity in independent cinema. PhD thesis, University of Greenwich.

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Co-Designing with the Bereaved: how Curatorial Dilemmas become Ethical Reflections. [Working Paper] (Submitted)

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2016) Death and Memory in the Twenty-First Century. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities and Sciences. Palgrave Macmillan, London, UK, pp. 113-118. ISBN 9781137520579 (doi:https://doi.org/10.1057/9781137520586_14)

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2019) Digital legacy: Designing with things. Death Studies. ISSN 0748-1187 (Print), 1091-7683 (Online) (In Press) (doi:https://doi.org/10.1080/07481187.2018.1541939)

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Love After Death (2016 - 2018). [Show/Exhibition]

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Material Legacies Exhibition. [Show/Exhibition]

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Jefferies, Janis (2016) Intimate technologies: The ethics of simulated relationships. In: ISEA2016, Cultural R>Evolution. Proceedings of the 22nd International Symposium on Electronic Art . School of Creative Media, City University of Hong Kong, Hong Kong. ISBN 978-962-442-397-6

S

Samson, Audrey (2017) Erasure. In: Pritchard, Helen, Snodgrass, Eric and Tyz˙lik-Carver, Magda, (eds.) EXECUTING PRACTICES. Autonomedia (DATA browser 06), pp. 143-154. ISBN 9781570273216

Samson, Audrey (2015) Erasure, an attempt to surpass datafication. APRJA (A peer-reviewed journal about), 4 (1). ISSN 2245-7755 (Online)

Samson, Audrey (2017) Goodnight Sweetheart. [Show/Exhibition]

Samson, Audrey and Gallardo, Francisco (2018) Commercial extinction: The exhaustion of exhaustion. In: Schwabe, Alon, Pascual, Daniel Fernández and Connuck, Jesse, (eds.) The Empire Remains Shop. Columbia Books on Architecture and the City . Columbia University Press, Columbia. ISBN 978-1941332375

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

Samson, Audrey, Muldtofte, Lea, Soon, Winnie, Snodgrass, Eric and Gallardo, Francisco (2018) Execution. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) Posthuman Glossary. Bloomsbury Academic, pp. 141-145. ISBN 978-1-350-03024-4

Samson, Audrey and Soon, Winnie (2015) Network affordances: The unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal (24). ISSN 1449-1443 (Online)

Samson, Audrey and Tobias Schäfer, Mirko (2016) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Bloomsbury Press. (Submitted)

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2014) Creative Advertising: An Introduction. Laurence King Publishing Ltd., London, UK. ISBN 978-1780671192

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2018) The STEPS course: support through tutoring, employability and professional skills. Compass: The Journal of Learning and Teaching at the University of Greenwich, 11 (2). ISSN 2044-0081 (doi:https://doi.org/10.21100/compass.v11i2.855)

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 and Hirst, Nicola (2016) The Design Studio as a Social Organism and Ecology. In: DRHA Conference 2016, 4th-7th September 2016 WhoLoDancE, University of Brighton. (Unpublished)

Sparkes, Sarah and Thompson, Ian (2018) The Cosmic Pond. [Dataset]

Sporton, Gregory (2015) Digital creativity: Something from nothing. Palgrave Macmillan UK, London, UK. ISBN 9781137486400

Sporton, Gregory (2016) Review from London International Mime Festival. Scene, 4 (1). pp. 89-90. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.1.89_5)

Sporton, Gregory (2016) Reviews. Scene, 4 (2). pp. 173-178. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.2.173_5)

Sporton, Gregory (2017) Reviews. Scene, 5 (1). pp. 83-88. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.1.83_5)

Sporton, Gregory (2017) The Sporton Professorial Inaugural. [Performance]

Sporton, Gregory (2018) To a Simple Rock ‘n’ Roll [...] Song, Michael Clark Company, Barbican Theatre, London, 24 October 2017. Scene, 5 (2). pp. 139-140. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.2.139_5)

Stabb, Walter (2017) Creative Madness in Song. [Video]

Stabb, Walter (2015) London Edinburgh London. [Video]

Stabb, Walter S. (2016) The Seasons In Quincy: Four Portraits of John Berger. [Video]

T

Thompson, Ian (2016) Arrival Time. [Dataset]

Thompson, Ian (2019) Collaborations with Breathing Space Collective. [Dataset]

Thompson, Ian (2014) Litus Expromo. [Dataset]

Thompson, Ian (2018) Sonos Localia. [Dataset]

Thompson, Ian, Shiell, Stephen and Wilson, Richard (2016) BELL. [Performance]

Thompson, Ian and Sparkes, Sarah (2019) Participation in EMPIRE II, an international touring exhibition, 2017 - 2019. [Dataset]

W

Waterworth, David (2018) Granular: The Material Properties of Noise. [Show/Exhibition]

Waterworth, David (2019) Pathways in the Serlachius Foundation Collection and its extended constituencies. [Show/Exhibition]

Waterworth, David (2015) Reflections on Stockwell Depot. In: Waterworth, David, Cornish, Sam and Green, Louisa, (eds.) Stockwell Depot 1967-79. Ridinghouse, London, pp. 154-160. ISBN 978-1909932050

Waterworth, David (2015) Stockwell Depot 1967-79 (Exhibition). [Show/Exhibition]

Watkins, Julie (2016) Ambience 1. [Video]

Watkins, Julie (2016) Ambience 2. [Video]

Watkins, Julie (2016) Ambience 3. [Video]

Watkins, Julie (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120

Watkins, Julie (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.296)

Watkins, Julie (2018) Creating Affective Visual Music. Electronic Visualisation and the Arts (EVA 2018). (doi:https://doi.org/10.14236/ewic/EVA2018.70)

Watkins, Julie (2018) Document of Singing Light 1 installation. [Video]

Watkins, Julie (2014) Horizon. [Video]

Watkins, Julie (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)

Watkins, Julie (2015) Reservoir. [Video]

Watkins, Julie (2017) SKY. [Video]

Watkins, Julie (2015) Shadow Sounds 1. [Video]

Watkins, Julie (2018) Sky 2. [Video]

Watkins, Julie (2015) Song Series Animacy. [Video]

Watkins, Julie (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Distributing Asian cinema, Past and present: Definitions from DVD labels. In: Magnan-Park, Aaron Han Joon, Marchetti, Gina and Tan, See Kam, (eds.) The Palgrave Handbook of Asian Cinema. Literature, Cultural and Media Studies . Palgrave Macmillan. ISBN 978-1349958214 (doi:https://doi.org/10.1057/978-1-349-95822-1)

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Home Media Insights: Book Launch and Guest Talk. [Dataset]

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Moving from Japanese film distribution to production: An interview with Third Window Films’ Adam Torel. Bright Lights Film Journal. ISSN 0147-4049 (Online)

Wroot, Jonathan ORCID: 0000-0002-6827-728X and Willis, Andy (eds.) (2017) DVD, Blu-ray and Beyond: Navigating Formats and Platforms within Media Consumption. Literature, Cultural and Media Studies . Palgrave Macmillan, Basingstoke. ISBN 978-3319627571 ISSN 978-3319627588 (Online)

Z

Zhi, Jin (2015) An alternative green screen keying method for film visual effects. International Journal of Multimedia and Its Applications, 7 (2). pp. 1-12. ISSN 0975-5934 (Print), 0975-5578 (Online) (doi:https://doi.org/10.5121/ijma.2015.7201)

This list was generated on Sat Aug 17 17:15:55 2019 UTC.