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Items where Faculty / Department / Research Groups is "Department of Creative Professions & Digital Arts"

Items where Faculty / Department / Research Groups is "Department of Creative Professions & Digital Arts"

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16mm film Abstract abstract animation Abstract painting Abstract sculpture abstraction academia Activism Adventure Advertising aesthetics affect Affordance Afterlife agency Al Pacino Alcoholism Algorithm alone together Alumni Amazon Analogue and visual arts animacy animation Anna Maloney Archeological method architecture Archive archive footage arduino art Art & design art design Art Direction Artificial intelligence Artists books Artists film arts Arts and Design Arts Council Asian Cinema assemblanges Audience audio audio streaming Audio visual audio-visual audio-visual art audio-visual music audiovisual augmented authenticity Automatic writing Autonomy Ballet BAME Beauty bell bells Ben Gwalchmai Benefits Bereavement binaural bioacoustics Biopic Biopolitics Blackpool Blanking Blu-ray Bluray BME Brains British art British film and television industry British social realism Brown shrimp Browns Built Environment Burt Lancaster bus timetable business Caitlin Thomas careers cello Censorship Chance Cheng Yu-Chieh chorus Cinema Cinematic realism co-curation Co-design coccolith Colbourne collaboration Collaborative production Collage Collective colonial Commercial extinction Communications Community Community project Composition Concrete conference consumption Context Context-based composition continuing bonds Counsell Craft cratfsmanship creative creative industries. Site-Specific projections creative pedagogy creative practice creative processes Creativity Cult Cultural rights Cultural Studies Cultural studies New Labour culture Curated Curated event Curated exhibition / projections Curated film Screening Curating curriculum development Cycling Dance Data Data storage data visualisation Datafication David Josiah Moore Death Death online studies Delete deprivation design Design Education design methodologies Devices Diegesis diffusion Digital Digital Art digital arts Digital Compositing digital creativity Digital Cultural Heritage digital image digital legacy digital media digital research Digital space digital storytelling Digital Technologies digital technology digital workflow digital: identity distribution Diversity DNA Documentary Dourish Drawing Drink Dunkirk Durational composition DVD DVD labels Dylan Thomas dystopia Dérive ecoacoustics Economics Ecosophy Editing Editorial design Education Educational games electro-acoustic electro-acoustic composition Electroacoustic Electroacoustic music electronic music electronic textiles and technological based arts Embodied embodiment Emotion employability Enactivism end-of-life planning enderby wharf engagement environment Erasure Establishment ethics Execution exhaustion Exhibiting in public spaces exhibition Exhibition catalogue Exhibitions Expanded Cinema Experience Experimental Cinema experimental film Experimentation Extinction fandom Femen Festival field recording Fieldwork documentation Film Film Art Film Artist Film laboratories Film portrait Film Studies Filmmaking films Financialisation fizz flash fiction flow Food-led art Formless francois laruelle Free trade zone future legacies Futurists Game design Gender Generative generative composition genre Geste curatorial gesture Global television Global TV Glyka Graduate exhibition Graham and Cook Granularity Graphic Design Graphics Gravity green infrastructure green roofs Green Screen Keying Green Streets greenwich Gregory J. Markopoulos Grid design Griff Rhys Jones Guiness Hackathon haptic harmonics heritage hero's journey Higher Education Hill history Hobbs Hollywood stardom Home Media Homosexuality hospice Hromadske human rights human traces humanities hybrid media Hyperthymesia Identity image Immersion impact impact to society Improvisation inclusivity independent independent cinema Industry Infrastructural tourism Innovation Installation Installations Institutions et pratiques de l'exposition Interaction Interactive Interactive Art interdisciplinary Interdisciplinary collaboration International collaborations Internet interpretation Intimate public Italy Jan Tovey Japan Jerwood Drawing Prize John Berger Kardashian Kimposium krisis L'écran dans l'espace physique Landforming Landscape Language Laugharne leadership Lecture LGBT Light Lights and shadows lilypad Listening littleBits location Location filming locative London loudspeaker orchestra LUX machines maker faire map Mapplethorpe Marionette Masculinity Masculinity landscape Material Culture Materialism Materiality Mattering Maximalism Media media agility Melancholy Memory Mental Health Mime Mimesis Mimetic Mixed media mobile publishing MONO NO AWARE moon Motion moving image Multi-disciplinary Multi-Media multi-media publishing multichannel diffusion multidiscilinary multidisciplinary approaches Multimedia music music download music improvisation music scores myth narrative Narrative research Naturalism Necro-financialisation Necropolitics Net art Netflix Network affordances New Media Curation Noir Noise Non-human Agency non-philosophy Norway NOTAM Novels Noë Obfuscation ongoing research projects Online Opera overtime painting Panay Paper and Sticks Parametric relations Parker Participation participatory Participatory design past Payne Pedagogy perception percussion Performance performativity Personal video recording (PVR) phenomenology Phil Bowen Philosophy Photographic essay photography Place Platform Poetry Politics Politics of Space Pollution Popular Culture post-porduction Posthumous-agents Power practice practice-as-research Practice-based research practices Process producing Production Production Studies Productive consumer public Programme-making Projection mapping Psychogeographies Public Public Artwork Public engagement publication Publishing Queens House Queer Quiet Rafael Lozano-Hemmer Rafaela Hutchinson Ramsgate reader communities Reading Real Realism Reality Reality TV Recordings Reflexive archaeology Regulation Remission representation research residency Reviews Rhetorical realism Rhythm Robert Mapplethorpe robotics Robots royal academy of arts ruin Sally George Sally Herbert Scicomm Science Science Fiction Screen Screen-based interaction Screen-reliant works Screening Sculpture Sculpture Sound Serious games Service User Engagement Sexual rights Sexuality Sexuality Gender Sharing economy Shoreditch Short Film shrimp Sidney Lumet singing Site-specific skyscape smashfest smashfestuk Social social aspects Social death social identity Social media Social Projects Social rights social semiotics society socio-economic Sociology Software Song Sonic art Sonic arts sonic theory Sound sound art Sound design sound recording sound studies Sound Studies Sound Art Technology Temporality Noise sound walk soundscapes Soundtrack space spatial audio Spatial experience Spatiality Spectacle speculative futures speculative design St Leonard's Church staging community Static glow Statistics STEM story cities student autonomy studio practice Studio Production Studio-practice study Suchman Suds surround Surveillance Swimming pool systems theory Taiwanese cinema Taste Teaching Teaching TV Programmes Technological Intimacy technology Television Television formats Text texture The TV Studio Production Handbook theatre things Tilda Swinton time timespace tintinnabulation Trees tunnels Turing test TV TV Production TV Studio TV Studio Production Twitter Type Typology UK distributors Ukraine undergraduate Unpredictable parameters User evaluation Vegetation verse Video video art Video games Video Projection Violence Virtual Visual Visual Effects visual ethnography visual music Visual structure Vlastaras vocal vocals voice Vulnerability Wales walter benjamin Water Wattpad Wawa No Cidal Ways of Seeing Wearables Women in Film & TV Women in Media world cinema writing youth
Number of items at this level: 949.

16mm film

Hobbs, James (2016) Motion In Form - Photographic Essay. Sequence, 4.

Hobbs, James (2015) Motion In Form II. [Show/Exhibition]

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Hobbs, James (2015) Utopia/Dystopia. [Show/Exhibition]

Hobbs, Jim (2015) One Hundred Foot III. [Show/Exhibition]

Abstract

Hill, Andrew ORCID: 0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:https://doi.org/10.1017/S1355771816000297)

Watkins, Julie (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120

abstract animation

Watkins, Julie (2016) Ambience 1. [Video]

Watkins, Julie (2016) Ambience 2. [Video]

Watkins, Julie (2016) Ambience 3. [Video]

Watkins, Julie (2018) Document of Singing Light 1 installation. [Video]

Watkins, Julie (2014) Horizon. [Video]

Watkins, Julie (2015) Reservoir. [Video]

Watkins, Julie (2015) Shadow Sounds 1. [Video]

Watkins, Julie (2018) Sky 2. [Video]

Watkins, Julie (2015) Song Series Animacy. [Video]

Abstract painting

Waterworth, David (2015) Stockwell Depot 1967-79 (Exhibition). [Show/Exhibition]

Abstract sculpture

Waterworth, David (2015) Stockwell Depot 1967-79 (Exhibition). [Show/Exhibition]

abstraction

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

academia

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Activism

Korolkova, Maria (2015) Female, naked and right: Sexual activism the Ukrainian way. In: Finlay, Alan, (ed.) Global Information Society Watch 2015: Sexual Rights and the Internet. Association for Progressive Communications (APC) and Humanist Institute for Cooperation with Developing Countries (Hivos), pp. 268-271. ISBN 978-92-95102-41-5

Adventure

Stabb, Walter (2015) London Edinburgh London. [Video]

Advertising

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2014) Creative Advertising: An Introduction. Laurence King Publishing Ltd., London, UK. ISBN 9781780671192

aesthetics

Kotzen, Benzion ORCID: 0000-0003-3522-0460 (2018) Green roofs: Social and aesthetic aspects. In: Perez, Gabriel and Perini, Katia, (eds.) Nature Based Strategies for Urban and Building Sustainability. Butterworth-Heinemann, pp. 273-281. ISBN 978-0128121504

affect

Lammin, Hannah (2018) Conversing with machines: Affective affinities with vocal bodies. Transformations: Journal of Media, Culture & Technology, 31. ISSN 1444-3775 (Online)

Watkins, Julie (2018) Creating Affective Visual Music. Electronic Visualisation and the Arts (EVA 2018). (doi:https://doi.org/10.14236/ewic/EVA2018.70)

Affordance

Samson, Audrey and Soon, Winnie (2015) Network affordances: The unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal (24). ISSN 1449-1443 (Online)

Afterlife

Samson, Audrey and Tobias Schäfer, Mirko (2016) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Bloomsbury Press. (Submitted)

agency

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2019) Digital legacy: Designing with things. Death Studies. ISSN 0748-1187 (Print), 1091-7683 (Online) (In Press) (doi:https://doi.org/10.1080/07481187.2018.1541939)

Al Pacino

Brown, Christopher (2013) Homosexuality in Dog Day Afternoon (1975): Televisual surfaces and a 'natural' man. Film Criticism, 37 (1):3. pp. 35-54. ISSN 0163-5069

Alcoholism

Cheeseman, Kate (2016) Love Somehow - Promotional video. [Video]

Cheeseman, Kate (2016) 'Love Somehow' (a film about Caitlyn Thomas and her relationship with poet Dylan Thomas). [Video]

Algorithm

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

alone together

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2013) Mirroring Sherry Turkle: A discussion on authenticity, humanity and technology. In: Proceedings of the 19th International Symposium of Electronic Art, ISEA2013, Sydney. ISEA International, the Australian Network for Art & Technology and the University of Sydney, Sydney, Australia. ISBN 9780646913131

Alumni

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Home Media Insights: Book Launch and Guest Talk. [Dataset]

Amazon

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.

Analogue

Hobbs, James (2016) Motion In Form - Photographic Essay. Sequence, 4.

and visual arts

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2013) Mirroring Sherry Turkle: A discussion on authenticity, humanity and technology. In: Proceedings of the 19th International Symposium of Electronic Art, ISEA2013, Sydney. ISEA International, the Australian Network for Art & Technology and the University of Sydney, Sydney, Australia. ISBN 9780646913131

animacy

Watkins, Julie (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120

animation

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

Watkins, Julie (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120

Watkins, Julie (2019) Interactive Visual Music. In: Electronic Visualisation and the Arts (EVA). EVA. (In Press)

Watkins, Julie (2017) SKY. [Video]

Watkins, Julie (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

Anna Maloney

Cheeseman, Kate (2016) 'Love Somehow' (a film about Caitlyn Thomas and her relationship with poet Dylan Thomas). [Video]

Archeological method

Davies, Rosamund ORCID: 0000-0001-8645-8271, Chrysanthi, Angeliki, Berggren, Asa, Earl, Graeme P. and Knibbe, Jarrod (2016) The camera "at the Trowel's Edge": Personal video recording in archaeological research. Journal of Archeological Method and Theory, 23 (1). pp. 238-270. ISSN 1072-5369 (Print), 1573-7764 (Online) (doi:https://doi.org/10.1007/s10816-015-9239-x)

architecture

Brown, Christopher (2018) Coccolith. [Video]

Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832

Cheeseman, Kate and Johns, Harry (2016) The Manifesto, an animated opera about the Italian Futurists. [Video]

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2014) Multidisciplinary design processes. Lulu Press Inc. ISBN 9781291010503

Archive

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2016) Death and Memory in the Twenty-First Century. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities and Sciences. Palgrave Macmillan, London, UK, pp. 113-118. ISBN 9781137520579 (doi:https://doi.org/10.1057/9781137520586_14)

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

archive footage

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

arduino

Lewis, Jesmond and Flynn, Ryan (2014) Sense.Switch.Create Hackathon. In: DRHA Conference 2014, 31 Aug - 2 Sept 2014, University of Greenwich, London, UK. (Unpublished)

art

Cheeseman, Kate and Johns, Harry (2016) The Manifesto, an animated opera about the Italian Futurists. [Video]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hobbs, James (2016) (I)MAGESOUND(S). [Show/Exhibition]

Hobbs, James (2015) Utopia/Dystopia. [Show/Exhibition]

Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]

Hobbs, Jim (2015) One Hundred Foot III. [Show/Exhibition]

Watkins, Julie (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120

Art & design

Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)

art design

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) Book of Abstracts DRHA2014. Lulu. ISBN 9781291978780

Art Direction

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2014) Creative Advertising: An Introduction. Laurence King Publishing Ltd., London, UK. ISBN 9781780671192

Artificial intelligence

Lammin, Hannah (2018) Conversing with machines: Affective affinities with vocal bodies. Transformations: Journal of Media, Culture & Technology, 31. ISSN 1444-3775 (Online)

Artists books

Hirst, Nickie (2015) Read It - A Cut-up Anthology. [Artefact]

Artists film

Hobbs, James (2015) Motion In Form II. [Show/Exhibition]

arts

Griffiths, Wyn and Keith, Lindsay ORCID: 0000-0002-5324-1719 (2015) SMASHfestUK 2015 - Asteroid! Evaluation Report. Project Report. N/A, The Albany, Deptford & The Deptford Lounge. (Unpublished)

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Arts and Design

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2015) Digital Grand Challenge Innovative Multidisciplinary Research Projects and collaborations to redefine problems outside ordinary boundaries. University of Greenwich.

Arts Council

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

Asian Cinema

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Distributing Asian cinema, Past and present: Definitions from DVD labels. In: Magnan-Park, Aaron Han Joon, Marchetti, Gina and Tan, See Kam, (eds.) The Palgrave Handbook of Asian Cinema. Literature, Cultural and Media Studies . Palgrave Macmillan. ISBN 978-1349958214 (doi:https://doi.org/10.1057/978-1-349-95822-1)

assemblanges

Samson, Audrey and Gallardo, Francisco (2018) Commercial extinction: The exhaustion of exhaustion. In: Schwabe, Alon, Pascual, Daniel Fernández and Connuck, Jesse, (eds.) The Empire Remains Shop. Columbia Books on Architecture and the City . Columbia University Press, Columbia. ISBN 978-1941332375

Audience

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Performance]

Griffiths, Wyn and Keith, Lindsay ORCID: 0000-0002-5324-1719 (2015) SMASHfestUK 2015 - Asteroid! Evaluation Report. Project Report. N/A, The Albany, Deptford & The Deptford Lounge. (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Dots/Digits: Action/Reaction. In: IMR - Institute for Musical Research, 7 April 2016, Sheffield, UK. (Unpublished)

audio

Watkins, Julie (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120

audio streaming

Breathing Space, (Collective) and Thompson, Ian (2016) RISE. [Show/Exhibition]

Breating Space, (Collective) and Thompson, Ian (2016) RISE. [Performance]

Audio visual

Watkins, Julie (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

audio-visual

Watkins, Julie (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120

Watkins, Julie (2017) SKY. [Video]

audio-visual art

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

audio-visual music

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

audiovisual

Brown, Christopher and Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Stories of a ruined space: filmic and sonic approaches to practice-as-research. Media Practice & Education, 9 (13). ISSN 2574-1136 (Print), 2574-1144 (Online) (doi:https://doi.org/10.1080/25741136.2018.1519989)

Thompson, Ian and Sparkes, Sarah (2019) Participation in EMPIRE II, an international touring exhibition, 2017 - 2019. [Dataset]

augmented

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Sounds of the Cultural Quarter - Application. [Artefact]

authenticity

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2013) Mirroring Sherry Turkle: A discussion on authenticity, humanity and technology. In: Proceedings of the 19th International Symposium of Electronic Art, ISEA2013, Sydney. ISEA International, the Australian Network for Art & Technology and the University of Sydney, Sydney, Australia. ISBN 9780646913131

Automatic writing

Hirst, Nickie (2015) Read It - A Cut-up Anthology. [Artefact]

Autonomy

Lewis, Jesmond (2014) A narrative approach to considering the role of the lecturer in developing autonomy in final year undergraduates. Compass: The Journal of Learning and Teaching at the University of Greenwich, 5 (9). pp. 1-5. ISSN 2044-0081

Ballet

Sporton, Gregory (2016) Reviews. Scene, 4 (2). pp. 173-178. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.2.173_5)

BAME

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2019) Science festivals and diversity: Human centred design as a method for social inclusion, increasing diversity and widening participation. International Journal of Science Education. ISSN 0950-0693 (Print), 1464-5289 (Online) (Unpublished)

Beauty

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

bell

Thompson, Ian, Shiell, Stephen and Wilson, Richard (2016) BELL. [Performance]

bells

Breathing Space, (collective) (2015) HERD. [Performance]

Ben Gwalchmai

Cheeseman, Kate and Johns, Harry (2016) The Manifesto, an animated opera about the Italian Futurists. [Video]

Benefits

Kotzen, Benzion ORCID: 0000-0003-3522-0460 (2018) Economic benefits and costs of green streets. In: Pérez, Gabriel and Perini, Katia, (eds.) Nature Based Strategies for Urban and Building Sustainability. Butterworth-Heinemann, pp. 319-331. ISBN 978-0128121504

Bereavement

Giaxoglou, Korina, Döveling, Katrin and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Networked emotions: Interdisciplinary perspectives on sharing loss online. Journal of Broadcasting and Electronic Media, 61 (1). ISSN 0883-8151 (Print), 1550-6878 (Online) (doi:https://doi.org/10.1080/08838151.2016.1273927)

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Co-Designing with the Bereaved: how Curatorial Dilemmas become Ethical Reflections. [Working Paper] (Submitted)

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Material Legacies Exhibition. [Show/Exhibition]

binaural

Thompson, Ian (2018) Sonos Localia. [Dataset]

bioacoustics

Sparkes, Sarah and Thompson, Ian (2018) The Cosmic Pond. [Dataset]

Biopic

Nwonka, Clive James (2016) Hunger as political epistemology. Studies in European Cinema, 13 (2). pp. 134-148. ISSN 1741-1548 (doi:https://doi.org/10.1080/17411548.2016.1210300)

Biopolitics

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

Blackpool

Breathing Space, (Collective) and Thompson, Ian (2016) RISE. [Show/Exhibition]

Breating Space, (Collective) and Thompson, Ian (2016) RISE. [Performance]

Blanking

Samson, Audrey (2017) Erasure. In: Pritchard, Helen, Snodgrass, Eric and Tyz˙lik-Carver, Magda, (eds.) EXECUTING PRACTICES. Autonomedia (DATA browser 06), pp. 143-154. ISBN 9781570273216

Blu-ray

Wroot, Jonathan ORCID: 0000-0002-6827-728X and Willis, Andy (eds.) (2017) DVD, Blu-ray and Beyond: Navigating Formats and Platforms within Media Consumption. Literature, Cultural and Media Studies . Palgrave Macmillan, Basingstoke. ISBN 978-3319627571 ISSN 978-3319627588 (Online)

Bluray

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.

BME

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2019) Science festivals and diversity: Human centred design as a method for social inclusion, increasing diversity and widening participation. International Journal of Science Education. ISSN 0950-0693 (Print), 1464-5289 (Online) (Unpublished)

Brains

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Jefferies, Janis (2015) ‘Twitter’: Practice in writing: A recipe for creativity & creative interpretation. In: Proceedings of the 21st Symposium on Electronic Arts. ISEA2015: International Symposium on Electronic Art, Vancouver, Canada. ISBN 9781910172001 ISSN 2451-8611

British art

Waterworth, David (2015) Stockwell Depot 1967-79 (Exhibition). [Show/Exhibition]

British film and television industry

Dawson, Andrew and Holmes, Sean P. (2014) Culture, Creativity and Disappearing Celluloid. [Video]

British social realism

Nwonka, Clive James (2014) 'You’re what’s wrong with me’: Fish Tank, The selfish giant and the language of contemporary British social realism. New Cinemas: Journal of Contemporary Film, 12 (3). ISSN 1474-2756 (doi:https://doi.org/10.1386/ncin.12.3.205_1)

Brown shrimp

Gallardo, Francisco and Samson, Audrey (2017) Shrimping under working conditions. In: Pritchard, Helen, Snodgrass, Eric and Tyz ̇lik-Carver, Magda, (eds.) EXECUTING PRACTICES. Autonomedia (DATA browser 06), pp. 253-266. ISBN 9781570273216

Browns

Cheeseman, Kate (2016) Love Somehow - Promotional video. [Video]

Cheeseman, Kate (2016) 'Love Somehow' (a film about Caitlyn Thomas and her relationship with poet Dylan Thomas). [Video]

Built Environment

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

Burt Lancaster

Brown, Christopher (2012) Mad About the Boy? Hollywood stardom and masculinity subverted in The Swimmer. Quarterly Review of Film and Video, 29 (4). pp. 356-364. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509201003667226)

bus timetable

Thompson, Ian (2016) Arrival Time. [Dataset]

business

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2015) Narrative as creative quest: the hero's journey and its alternatives. In: Reisman, Fredericka, (ed.) KIE Handbook of Creativity. KIE Conference Books . KIE Conference, pp. 79-96.

Caitlin Thomas

Cheeseman, Kate (2016) Love Somehow - Promotional video. [Video]

Cheeseman, Kate (2016) 'Love Somehow' (a film about Caitlyn Thomas and her relationship with poet Dylan Thomas). [Video]

careers

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2019) Science festivals and diversity: Human centred design as a method for social inclusion, increasing diversity and widening participation. International Journal of Science Education. ISSN 0950-0693 (Print), 1464-5289 (Online) (Unpublished)

cello

Breathing Space, (collective) (2015) HERD. [Performance]

Censorship

Samson, Audrey (2017) Erasure. In: Pritchard, Helen, Snodgrass, Eric and Tyz˙lik-Carver, Magda, (eds.) EXECUTING PRACTICES. Autonomedia (DATA browser 06), pp. 143-154. ISBN 9781570273216

Chance

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

Cheng Yu-Chieh

Brown, Christopher (2017) “Even If You Have Nothing, You Should Keep Filming”: An Interview with Cheng Yu-Chieh on 'Wawa No Cidal' (2015). Senses of Cinema (82). ISSN 1443-4059

chorus

Breathing Space, (collective) (2015) HERD. [Performance]

Cinema

Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

Cinematic realism

Nwonka, Clive James (2016) Hunger as political epistemology. Studies in European Cinema, 13 (2). pp. 134-148. ISSN 1741-1548 (doi:https://doi.org/10.1080/17411548.2016.1210300)

co-curation

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Co-Designing with the Bereaved: how Curatorial Dilemmas become Ethical Reflections. [Working Paper] (Submitted)

Co-design

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Flynn, Ryan (2015) Explicit and implicit narratives in the co-design of videogames. In: Full Papers/Proceedings of the Digital Research in the Humanities and Arts Conference, DRHA2014, London. University of Greenwich, London, UK, pp. 73-80. ISBN 9781326388584

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Co-Designing with the Bereaved: how Curatorial Dilemmas become Ethical Reflections. [Working Paper] (Submitted)

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Material Legacies Exhibition. [Show/Exhibition]

coccolith

Brown, Christopher (2018) Coccolith. [Video]

Brown, Christopher and Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Stories of a ruined space: filmic and sonic approaches to practice-as-research. Media Practice & Education, 9 (13). ISSN 2574-1136 (Print), 2574-1144 (Online) (doi:https://doi.org/10.1080/25741136.2018.1519989)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: Reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video. ISSN 1050-9208 (Print), 1543-5326 (Online) (In Press)

Colbourne

Hobbs, James (2016) Motion In Form - Photographic Essay. Sequence, 4.

Hobbs, James (2015) Motion In Form II. [Show/Exhibition]

collaboration

Lewis, Jesmond (2013) Encouraging student autonomy through collaborative curriculum development. In: Shift 2013: Sharing Practice, Developing Community, 03/07/2013, University of Greenwich. (Unpublished)

Lewis, Jesmond (2014) A narrative approach to considering the role of the lecturer in developing autonomy in final year undergraduates. Compass: The Journal of Learning and Teaching at the University of Greenwich, 5 (9). pp. 1-5. ISSN 2044-0081

Collaborative production

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)

Collage

Hirst, Nickie (2015) Read It - A Cut-up Anthology. [Artefact]

Collective

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Performance]

colonial

Samson, Audrey and Gallardo, Francisco (2018) Commercial extinction: The exhaustion of exhaustion. In: Schwabe, Alon, Pascual, Daniel Fernández and Connuck, Jesse, (eds.) The Empire Remains Shop. Columbia Books on Architecture and the City . Columbia University Press, Columbia. ISBN 978-1941332375

Commercial extinction

Gallardo, Francisco and Samson, Audrey (2017) Shrimping under working conditions. In: Pritchard, Helen, Snodgrass, Eric and Tyz ̇lik-Carver, Magda, (eds.) EXECUTING PRACTICES. Autonomedia (DATA browser 06), pp. 253-266. ISBN 9781570273216

Samson, Audrey and Gallardo, Francisco (2018) Commercial extinction: The exhaustion of exhaustion. In: Schwabe, Alon, Pascual, Daniel Fernández and Connuck, Jesse, (eds.) The Empire Remains Shop. Columbia Books on Architecture and the City . Columbia University Press, Columbia. ISBN 978-1941332375

Communications

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

Community

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2019) Science festivals and diversity: Human centred design as a method for social inclusion, increasing diversity and widening participation. International Journal of Science Education. ISSN 0950-0693 (Print), 1464-5289 (Online) (Unpublished)

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2019) Science festivals and diversity: Human centred design as a method for social inclusion, increasing diversity and widening participation. International Journal of Science Education. ISSN 0950-0693 (Print), 1464-5289 (Online) (Unpublished)

Community project

Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]

Composition

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:https://doi.org/10.1017/S1355771816000297)

Thompson, Ian (2016) Arrival Time. [Dataset]

Thompson, Ian (2019) Collaborations with Breathing Space Collective. [Dataset]

Watkins, Julie (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

Concrete

Hill, Andrew ORCID: 0000-0003-1521-0396 (2013) Abstracted Journeys. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:https://doi.org/10.1017/S1355771816000297)

conference

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) Book of Abstracts DRHA2014. Lulu. ISBN 9781291978780

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

consumption

Wroot, Jonathan ORCID: 0000-0002-6827-728X and Willis, Andy (eds.) (2017) DVD, Blu-ray and Beyond: Navigating Formats and Platforms within Media Consumption. Literature, Cultural and Media Studies . Palgrave Macmillan, Basingstoke. ISBN 978-3319627571 ISSN 978-3319627588 (Online)

Context

Hill, Andrew ORCID: 0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:https://doi.org/10.1017/S1355771816000297)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: InSONIC2015. ZKM. (Submitted)

Context-based composition

Hill, Andrew ORCID: 0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:https://doi.org/10.1017/S1355771816000297)

continuing bonds

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Material Legacies Exhibition. [Show/Exhibition]

Counsell

Hobbs, James (2015) Motion In Form II. [Show/Exhibition]

Craft

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

cratfsmanship

Petković, Dušan (2017) Weathering the maelstrom: the effect of digital workflows on craft identity in independent cinema. PhD thesis, University of Greenwich.

creative

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2015) Narrative as creative quest: the hero's journey and its alternatives. In: Reisman, Fredericka, (ed.) KIE Handbook of Creativity. KIE Conference Books . KIE Conference, pp. 79-96.

creative industries. Site-Specific projections

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

creative pedagogy

Lewis, Jesmond (2014) Considering the effects and desirability of the employability agenda in Higher Education and the role of a creative pedagogy as an enabling factor. In: Discourse, Power, Resistance Conference 2014, 8-10 April 2014, University of Greenwich, London, UK. (Unpublished)

creative practice

Balaam, Madeline, Davies, Rosamund ORCID: 0000-0001-8645-8271, Dade-Robertson, Martyn and Fraser, Mike (2014) It usually takes three of us, a few beers and a lot of imagination: a qualitative exploration of what it means and takes to do research. In: Williams, Alison, Jones, Derek and Robertson, Judy, (eds.) BITE: Recipes for Remarkable Research. Sense Publishers, Rotterdam / Boston / Taipei, pp. 14-23. ISBN 978-94-6209-584-7

Sporton, Gregory (2015) Digital creativity: Something from nothing. Palgrave Macmillan UK, London, UK. ISBN 9781137486400

creative processes

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2014) Multidisciplinary design processes. Lulu Press Inc. ISBN 9781291010503

Creativity

Brown, Lucy (2017) How to Make the Next Big Global TV Studio Hit. In: South by Southwest (SXSW) Conference and Festivals, 10-19 March 2017, Austin, Texas, USA.

Brown, Lucy and Duthie, Lyndsay (2016) Assessing creativity in TV studio production. In: Media Education Summit, 4-6 Nov 2016, John Cabot University, Rome, Italy.

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2015) Narrative as creative quest: the hero's journey and its alternatives. In: Reisman, Fredericka, (ed.) KIE Handbook of Creativity. KIE Conference Books . KIE Conference, pp. 79-96.

Lewis, Jesmond (2014) Forming a pedagogy that develops creativity in undergraduates working at the junction of art and science. In: DRHA Conference 2014, 31 Aug - 3 Sept 2014, University of Greenwich, London, UK.

Sporton, Gregory (2015) Digital creativity: Something from nothing. Palgrave Macmillan UK, London, UK. ISBN 9781137486400

Cult

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

Cultural rights

Korolkova, Maria (2016) Hromadske TV: A new kind of media, a new form of accountability. Global Information Society Watch 2016: Economic, Social and Cultural Rights (ESCRs) and the Internet. Association for Progressive Communications (APC) and Humanist Institute for Cooperation with Developing Countries (Hivos), pp. 242-245. ISBN 978-92-95102-69-9

Cultural Studies

Nwonka, Clive (2015) Diversity pie: rethinking social exclusion and diversity policy in the British film industry. Journal of Media Practice, 16 (1). pp. 73-90. ISSN 1468-2753 (doi:https://doi.org/10.1080/14682753.2015.1015802)

Cultural studies New Labour

Nwonka, Clive James (2014) 'You’re what’s wrong with me’: Fish Tank, The selfish giant and the language of contemporary British social realism. New Cinemas: Journal of Contemporary Film, 12 (3). ISSN 1474-2756 (doi:https://doi.org/10.1386/ncin.12.3.205_1)

culture

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Curated

Hobbs, Jim (2015) One Hundred Foot III. [Show/Exhibition]

Curated event

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:https://doi.org/10.1080/17458927.2015.1042247)

Curated exhibition / projections

Papadaki, Elena ORCID: 0000-0002-6653-4334 and Schizakis, Stamatis (2018) Critical Convergence: Greek contemporary artists in dialogue with the (recent) past. [Show/Exhibition]

Curated film Screening

Hobbs, James (2016) (I)MAGESOUND(S). [Show/Exhibition]

Curating

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2014) Communicating technology: Interactive design and interdisciplinary collaboration in the digital arts. In: Book of Absracts of DRHA2014: Communication Futures: Connecting Interdisciplinary Design Practices in Arts/Culture, Academia and the Creative Industries. University of Greenwich, pp. 215-216. ISBN 978-1-291-97878-0

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Interactive video installations in public spaces: Rafael Lozano-Hemmer's Under Scan. In: Crisp, Virginia and Menotti Gonring, Gabriel, (eds.) Besides the Screen: Moving Images through Distribution, Promotion and Curation. Palgrave Macmillan, London & New York, pp. 197-212. ISBN 978-1-137-47101-7

curriculum development

Lewis, Jesmond (2013) Encouraging student autonomy through collaborative curriculum development. In: Shift 2013: Sharing Practice, Developing Community, 03/07/2013, University of Greenwich. (Unpublished)

Cycling

Stabb, Walter (2015) London Edinburgh London. [Video]

Dance

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Performance]

Sporton, Gregory (2016) Reviews. Scene, 4 (2). pp. 173-178. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.2.173_5)

Sporton, Gregory (2017) Reviews. Scene, 5 (1). pp. 83-88. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.1.83_5)

Sporton, Gregory (2017) The Sporton Professorial Inaugural. [Performance]

Sporton, Gregory (2018) To a Simple Rock ‘n’ Roll [...] Song, Michael Clark Company, Barbican Theatre, London, 24 October 2017. Scene, 5 (2). pp. 139-140. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.2.139_5)

Data

Samson, Audrey (2017) Goodnight Sweetheart. [Show/Exhibition]

Thompson, Ian (2016) Arrival Time. [Dataset]

Data storage

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

data visualisation

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 and Hirst, Nicola (2016) The Design Studio as a Social Organism and Ecology. In: DRHA Conference 2016, 4th-7th September 2016 WhoLoDancE, University of Brighton. (Unpublished)

Datafication

Samson, Audrey (2015) Erasure, an attempt to surpass datafication. APRJA (A peer-reviewed journal about), 4 (1). ISSN 2245-7755 (Online)

Samson, Audrey (2017) Goodnight Sweetheart. [Show/Exhibition]

Samson, Audrey and Tobias Schäfer, Mirko (2016) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Bloomsbury Press. (Submitted)

David Josiah Moore

Cheeseman, Kate and Johns, Harry (2016) The Manifesto, an animated opera about the Italian Futurists. [Video]

Death

Cheeseman, Kate (2016) Love Somehow - Promotional video. [Video]

Cheeseman, Kate (2016) 'Love Somehow' (a film about Caitlyn Thomas and her relationship with poet Dylan Thomas). [Video]

Gallardo, Francisco and Samson, Audrey (2017) Shrimping under working conditions. In: Pritchard, Helen, Snodgrass, Eric and Tyz ̇lik-Carver, Magda, (eds.) EXECUTING PRACTICES. Autonomedia (DATA browser 06), pp. 253-266. ISBN 9781570273216

Giaxoglou, Korina, Döveling, Katrin and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Networked emotions: Interdisciplinary perspectives on sharing loss online. Journal of Broadcasting and Electronic Media, 61 (1). ISSN 0883-8151 (Print), 1550-6878 (Online) (doi:https://doi.org/10.1080/08838151.2016.1273927)

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2013) Mirroring Sherry Turkle: A discussion on authenticity, humanity and technology. In: Proceedings of the 19th International Symposium of Electronic Art, ISEA2013, Sydney. ISEA International, the Australian Network for Art & Technology and the University of Sydney, Sydney, Australia. ISBN 9780646913131

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2016) Death and Memory in the Twenty-First Century. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities and Sciences. Palgrave Macmillan, London, UK, pp. 113-118. ISBN 9781137520579 (doi:https://doi.org/10.1057/9781137520586_14)

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Love After Death (2016 - 2018). [Show/Exhibition]

Death online studies

Samson, Audrey and Tobias Schäfer, Mirko (2016) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Bloomsbury Press. (Submitted)

Delete

Samson, Audrey (2017) Erasure. In: Pritchard, Helen, Snodgrass, Eric and Tyz˙lik-Carver, Magda, (eds.) EXECUTING PRACTICES. Autonomedia (DATA browser 06), pp. 143-154. ISBN 9781570273216

Samson, Audrey (2015) Erasure, an attempt to surpass datafication. APRJA (A peer-reviewed journal about), 4 (1). ISSN 2245-7755 (Online)

Samson, Audrey (2017) Goodnight Sweetheart. [Show/Exhibition]

deprivation

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2019) Science festivals and diversity: Human centred design as a method for social inclusion, increasing diversity and widening participation. International Journal of Science Education. ISSN 0950-0693 (Print), 1464-5289 (Online) (Unpublished)

design

Davies, Rosamund ORCID: 0000-0001-8645-8271, Potts, Cherry and Rehal, Kam (eds.) (2019) Story Cities – A City Guide for the Imagination. Arachne Press, UK. ISBN 978-1-909208-78-0 (In Press)

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Ashford, Rain (2019) Diversity and inclusivity in the age of wearables: A buzzword, a myth, an uncertain reality. Body, Space & Technology, 18 (1). pp. 198-214. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.320)

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Jefferies, Janis (2015) ‘Twitter’: Practice in writing: A recipe for creativity & creative interpretation. In: Proceedings of the 21st Symposium on Electronic Arts. ISEA2015: International Symposium on Electronic Art, Vancouver, Canada. ISBN 9781910172001 ISSN 2451-8611

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2019) Digital legacy: Designing with things. Death Studies. ISSN 0748-1187 (Print), 1091-7683 (Online) (In Press) (doi:https://doi.org/10.1080/07481187.2018.1541939)

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2014) Creative Advertising: An Introduction. Laurence King Publishing Ltd., London, UK. ISBN 9781780671192

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 and Hirst, Nicola (2016) The Design Studio as a Social Organism and Ecology. In: DRHA Conference 2016, 4th-7th September 2016 WhoLoDancE, University of Brighton. (Unpublished)

Design Education

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

design methodologies

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2014) Multidisciplinary design processes. Lulu Press Inc. ISBN 9781291010503

Devices

Samson, Audrey (2017) Goodnight Sweetheart. [Show/Exhibition]

Diegesis

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: Reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video. ISSN 1050-9208 (Print), 1543-5326 (Online) (In Press)

diffusion

Breathing Space, (Collective) and Thompson, Ian (2016) RISE. [Show/Exhibition]

Breating Space, (Collective) and Thompson, Ian (2016) RISE. [Performance]

Thompson, Ian, Shiell, Stephen and Wilson, Richard (2016) BELL. [Performance]

Digital

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Performance]

Brown, Christopher (2015) Soap. [Video]

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2016) Death and Memory in the Twenty-First Century. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities and Sciences. Palgrave Macmillan, London, UK, pp. 113-118. ISBN 9781137520579 (doi:https://doi.org/10.1057/9781137520586_14)

Digital Art

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595

Hobbs, James (2017) "Vesuvius: (I wish I had _______________)" Jerwood Drawing Prize 2017. [Show/Exhibition]

Thompson, Ian and Sparkes, Sarah (2019) Participation in EMPIRE II, an international touring exhibition, 2017 - 2019. [Dataset]

digital arts

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

Sporton, Gregory (2015) Digital creativity: Something from nothing. Palgrave Macmillan UK, London, UK. ISBN 9781137486400

Digital Compositing

Zhi, Jin (2015) An alternative green screen keying method for film visual effects. International Journal of Multimedia and Its Applications, 7 (2). pp. 1-12. ISSN 0975-5934 (Print), 0975-5578 (Online) (doi:https://doi.org/10.5121/ijma.2015.7201)

digital creativity

Sporton, Gregory (2015) Digital creativity: Something from nothing. Palgrave Macmillan UK, London, UK. ISBN 9781137486400

Digital Cultural Heritage

Papadaki, Elena ORCID: 0000-0002-6653-4334, Maragiannis, Anastasios and Chatzichristodoulou, Maria (2018) Digital Cultural Heritage in the 'land of the ancient': the case of Greece (panel discussion). In: DRHA 2018 - Creative Legacies: Collaborative Practices for Digital Cultural Heritage, 9-12 September 2018, Valletta, Malta. (Unpublished)

digital image

Lammin, Hannah (2018) Seeing in-photo: Non-photography as Positive Barbarism. Parallax, 24 (2). pp. 193-208. ISSN 1353-4645 (Print), 1460-700X (Online) (doi:https://doi.org/10.1080/13534645.2018.1452444)

digital legacy

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2019) Digital legacy: Designing with things. Death Studies. ISSN 0748-1187 (Print), 1091-7683 (Online) (In Press) (doi:https://doi.org/10.1080/07481187.2018.1541939)

digital media

Wroot, Jonathan ORCID: 0000-0002-6827-728X and Willis, Andy (eds.) (2017) DVD, Blu-ray and Beyond: Navigating Formats and Platforms within Media Consumption. Literature, Cultural and Media Studies . Palgrave Macmillan, Basingstoke. ISBN 978-3319627571 ISSN 978-3319627588 (Online)

digital research

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) Book of Abstracts DRHA2014. Lulu. ISBN 9781291978780

Digital space

Kennedy, Stephen (2015) Chaos media: A sonic economy of digital space. Sound studies . Bloomsbury, New York, US. ISBN 9781623567064

digital storytelling

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

Digital Technologies

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189, Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Psarras, Bill (2013) Dérive in the digital grid, breaking the search to get lost. In: Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney. ISEA International Australian Network for Art & Technology University of Sydney, Sydney, Australia. ISBN 9780646913131

digital technology

Petković, Dušan (2017) Weathering the maelstrom: the effect of digital workflows on craft identity in independent cinema. PhD thesis, University of Greenwich.

digital workflow

Petković, Dušan (2017) Weathering the maelstrom: the effect of digital workflows on craft identity in independent cinema. PhD thesis, University of Greenwich.

digital: identity

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2013) Mirroring Sherry Turkle: A discussion on authenticity, humanity and technology. In: Proceedings of the 19th International Symposium of Electronic Art, ISEA2013, Sydney. ISEA International, the Australian Network for Art & Technology and the University of Sydney, Sydney, Australia. ISBN 9780646913131

distribution

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Moving from Japanese film distribution to production: An interview with Third Window Films’ Adam Torel. Bright Lights Film Journal. ISSN 0147-4049 (Online)

Wroot, Jonathan ORCID: 0000-0002-6827-728X and Willis, Andy (eds.) (2017) DVD, Blu-ray and Beyond: Navigating Formats and Platforms within Media Consumption. Literature, Cultural and Media Studies . Palgrave Macmillan, Basingstoke. ISBN 978-3319627571 ISSN 978-3319627588 (Online)

Diversity

Brown, Lucy (2017) How to Make the Next Big Global TV Studio Hit. In: South by Southwest (SXSW) Conference and Festivals, 10-19 March 2017, Austin, Texas, USA.

Griffiths, Wyn and Keith, Lindsay ORCID: 0000-0002-5324-1719 (2015) SMASHfestUK 2015 - Asteroid! Evaluation Report. Project Report. N/A, The Albany, Deptford & The Deptford Lounge. (Unpublished)

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Ashford, Rain (2019) Diversity and inclusivity in the age of wearables: A buzzword, a myth, an uncertain reality. Body, Space & Technology, 18 (1). pp. 198-214. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.320)

Nwonka, Clive (2015) Diversity pie: rethinking social exclusion and diversity policy in the British film industry. Journal of Media Practice, 16 (1). pp. 73-90. ISSN 1468-2753 (doi:https://doi.org/10.1080/14682753.2015.1015802)

DNA

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

Documentary

Stabb, Walter (2015) London Edinburgh London. [Video]

Dourish

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595

Drawing

Hobbs, James (2017) "Vesuvius: (I wish I had _______________)" Jerwood Drawing Prize 2017. [Show/Exhibition]

Drink

Cheeseman, Kate (2015) 'Guiness is Good'. [Video] (Unpublished)

Dunkirk

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: Reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video. ISSN 1050-9208 (Print), 1543-5326 (Online) (In Press)

Durational composition

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Performance]

DVD

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.

Wroot, Jonathan ORCID: 0000-0002-6827-728X and Willis, Andy (eds.) (2017) DVD, Blu-ray and Beyond: Navigating Formats and Platforms within Media Consumption. Literature, Cultural and Media Studies . Palgrave Macmillan, Basingstoke. ISBN 978-3319627571 ISSN 978-3319627588 (Online)

DVD labels

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Distributing Asian cinema, Past and present: Definitions from DVD labels. In: Magnan-Park, Aaron Han Joon, Marchetti, Gina and Tan, See Kam, (eds.) The Palgrave Handbook of Asian Cinema. Literature, Cultural and Media Studies . Palgrave Macmillan. ISBN 978-1349958214 (doi:https://doi.org/10.1057/978-1-349-95822-1)

Dylan Thomas

Cheeseman, Kate (2016) Love Somehow - Promotional video. [Video]

Cheeseman, Kate (2016) 'Love Somehow' (a film about Caitlyn Thomas and her relationship with poet Dylan Thomas). [Video]

dystopia

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2013) Mirroring Sherry Turkle: A discussion on authenticity, humanity and technology. In: Proceedings of the 19th International Symposium of Electronic Art, ISEA2013, Sydney. ISEA International, the Australian Network for Art & Technology and the University of Sydney, Sydney, Australia. ISBN 9780646913131

Dérive

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189, Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Psarras, Bill (2013) Dérive in the digital grid, breaking the search to get lost. In: Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney. ISEA International Australian Network for Art & Technology University of Sydney, Sydney, Australia. ISBN 9780646913131

ecoacoustics

Thompson, Ian (2014) Litus Expromo. [Dataset]

Economics

Kotzen, Benzion ORCID: 0000-0003-3522-0460 (2018) Economic benefits and costs of green streets. In: Pérez, Gabriel and Perini, Katia, (eds.) Nature Based Strategies for Urban and Building Sustainability. Butterworth-Heinemann, pp. 319-331. ISBN 978-0128121504

Ecosophy

Samson, Audrey, Muldtofte, Lea, Soon, Winnie, Snodgrass, Eric and Gallardo, Francisco (2018) Execution. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) Posthuman Glossary. Bloomsbury Academic, pp. 141-145. ISBN 978-1-350-03024-4

Editing

Stabb, Walter (2015) London Edinburgh London. [Video]

Editorial design

Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)

Education

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2014) Multidisciplinary design processes. Lulu Press Inc. ISBN 9781291010503

Educational games

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Flynn, Ryan (2015) Explicit and implicit narratives in the co-design of videogames. In: Full Papers/Proceedings of the Digital Research in the Humanities and Arts Conference, DRHA2014, London. University of Greenwich, London, UK, pp. 73-80. ISBN 9781326388584

electro-acoustic

Thompson, Ian (2014) Litus Expromo. [Dataset]

electro-acoustic composition

Thompson, Ian, Shiell, Stephen and Wilson, Richard (2016) BELL. [Performance]

Electroacoustic

Hill, Andrew ORCID: 0000-0003-1521-0396 (2013) Abstracted Journeys. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Dots/Digits: Action/Reaction. In: IMR - Institute for Musical Research, 7 April 2016, Sheffield, UK. (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Sounds of the Cultural Quarter - Application. [Artefact]

Hill, Andrew ORCID: 0000-0003-1521-0396 Stille Lyd: Part I – NOTAM. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition] (Submitted)

Landy, Leigh, Younie, Sarah, Hill, Andrew ORCID: 0000-0003-1521-0396 and Wolf, Motje (2014) The EARS 2 pedagogical project - an eLearning environment to introduce learners to sound-based music. In: King, Andrew and Himonides, Evangelos, (eds.) Proceedings of the Sempre MET2014: Researching Music, Education, Technology: Critical Insights. International Music Education Research Centre (iMerc), pp. 129-134. ISBN 978-1905351299

Thompson, Ian (2018) Sonos Localia. [Dataset]

Electroacoustic music

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

electronic music

Thompson, Ian (2016) Arrival Time. [Dataset]

Thompson, Ian (2019) Collaborations with Breathing Space Collective. [Dataset]

electronic textiles and technological based arts

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2013) Mirroring Sherry Turkle: A discussion on authenticity, humanity and technology. In: Proceedings of the 19th International Symposium of Electronic Art, ISEA2013, Sydney. ISEA International, the Australian Network for Art & Technology and the University of Sydney, Sydney, Australia. ISBN 9780646913131

Embodied

Watkins, Julie (2019) Interactive Visual Music. In: Electronic Visualisation and the Arts (EVA). EVA. (In Press)

embodiment

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2019) Science festivals and diversity: Human centred design as a method for social inclusion, increasing diversity and widening participation. International Journal of Science Education. ISSN 0950-0693 (Print), 1464-5289 (Online) (Unpublished)

Emotion

Giaxoglou, Korina, Döveling, Katrin and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Networked emotions: Interdisciplinary perspectives on sharing loss online. Journal of Broadcasting and Electronic Media, 61 (1). ISSN 0883-8151 (Print), 1550-6878 (Online) (doi:https://doi.org/10.1080/08838151.2016.1273927)

employability

Lewis, Jesmond (2014) Considering the effects and desirability of the employability agenda in Higher Education and the role of a creative pedagogy as an enabling factor. In: Discourse, Power, Resistance Conference 2014, 8-10 April 2014, University of Greenwich, London, UK. (Unpublished)

Enactivism

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595

end-of-life planning

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Love After Death (2016 - 2018). [Show/Exhibition]

enderby wharf

Thompson, Ian (2014) Litus Expromo. [Dataset]

engagement

Griffiths, Wyn and Keith, Lindsay ORCID: 0000-0002-5324-1719 (2015) SMASHfestUK 2015 - Asteroid! Evaluation Report. Project Report. N/A, The Albany, Deptford & The Deptford Lounge. (Unpublished)

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2019) Science festivals and diversity: Human centred design as a method for social inclusion, increasing diversity and widening participation. International Journal of Science Education. ISSN 0950-0693 (Print), 1464-5289 (Online) (Unpublished)

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2014) Multidisciplinary design processes. Lulu Press Inc. ISBN 9781291010503

environment

Lewis, Jesmond (2014) Forming a pedagogy that develops creativity in undergraduates working at the junction of art and science. In: DRHA Conference 2014, 31 Aug - 3 Sept 2014, University of Greenwich, London, UK.

Erasure

Samson, Audrey (2017) Erasure. In: Pritchard, Helen, Snodgrass, Eric and Tyz˙lik-Carver, Magda, (eds.) EXECUTING PRACTICES. Autonomedia (DATA browser 06), pp. 143-154. ISBN 9781570273216

Establishment

Hobbs, James (2017) I am a Karate American egg. [Art/Poetry/Short Story Performance or Reading]

ethics

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Co-Designing with the Bereaved: how Curatorial Dilemmas become Ethical Reflections. [Working Paper] (Submitted)

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Jefferies, Janis (2016) Intimate technologies: The ethics of simulated relationships. In: ISEA2016, Cultural R>Evolution. Proceedings of the 22nd International Symposium on Electronic Art . School of Creative Media, City University of Hong Kong, Hong Kong. ISBN 978-962-442-397-6

Execution

Samson, Audrey (2017) Erasure. In: Pritchard, Helen, Snodgrass, Eric and Tyz˙lik-Carver, Magda, (eds.) EXECUTING PRACTICES. Autonomedia (DATA browser 06), pp. 143-154. ISBN 9781570273216

exhaustion

Samson, Audrey and Gallardo, Francisco (2018) Commercial extinction: The exhaustion of exhaustion. In: Schwabe, Alon, Pascual, Daniel Fernández and Connuck, Jesse, (eds.) The Empire Remains Shop. Columbia Books on Architecture and the City . Columbia University Press, Columbia. ISBN 978-1941332375

Exhibiting in public spaces

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Interactive video installations in public spaces: Rafael Lozano-Hemmer's Under Scan. In: Crisp, Virginia and Menotti Gonring, Gabriel, (eds.) Besides the Screen: Moving Images through Distribution, Promotion and Curation. Palgrave Macmillan, London & New York, pp. 197-212. ISBN 978-1-137-47101-7

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2017) Space as Methodology: the politics of exhibiting the moving image in public spaces. In: "The Politics of Space and the Humanities", 15-17 December 2017, Thessaloniki, Greece. (Unpublished)

exhibition

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Co-Designing with the Bereaved: how Curatorial Dilemmas become Ethical Reflections. [Working Paper] (Submitted)

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Material Legacies Exhibition. [Show/Exhibition]

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

Exhibition catalogue

Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)

Exhibitions

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Expanded Cinema

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

Hobbs, James (2017) I am a Karate American egg. [Art/Poetry/Short Story Performance or Reading]

Hobbs, James (2016) (I)MAGESOUND(S). [Show/Exhibition]

Hobbs, James (2015) Motion In Form II. [Show/Exhibition]

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Experience

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Performance]

Experimental Cinema

Hobbs, Jim (2015) One Hundred Foot III. [Show/Exhibition]

experimental film

Brown, Christopher (2018) Coccolith. [Video]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hobbs, James (2015) Motion In Form II. [Show/Exhibition]

Hobbs, James (2015) Utopia/Dystopia. [Show/Exhibition]

Watkins, Julie (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.296)

Experimentation

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

Extinction

Samson, Audrey, Muldtofte, Lea, Soon, Winnie, Snodgrass, Eric and Gallardo, Francisco (2018) Execution. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) Posthuman Glossary. Bloomsbury Academic, pp. 141-145. ISBN 978-1-350-03024-4

fandom

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

Femen

Korolkova, Maria (2015) Female, naked and right: Sexual activism the Ukrainian way. In: Finlay, Alan, (ed.) Global Information Society Watch 2015: Sexual Rights and the Internet. Association for Progressive Communications (APC) and Humanist Institute for Cooperation with Developing Countries (Hivos), pp. 268-271. ISBN 978-92-95102-41-5

Festival

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

field recording

Thompson, Ian (2014) Litus Expromo. [Dataset]

Fieldwork documentation

Davies, Rosamund ORCID: 0000-0001-8645-8271, Chrysanthi, Angeliki, Berggren, Asa, Earl, Graeme P. and Knibbe, Jarrod (2016) The camera "at the Trowel's Edge": Personal video recording in archaeological research. Journal of Archeological Method and Theory, 23 (1). pp. 238-270. ISSN 1072-5369 (Print), 1573-7764 (Online) (doi:https://doi.org/10.1007/s10816-015-9239-x)

Film

Brown, Christopher (2013) Homosexuality in Dog Day Afternoon (1975): Televisual surfaces and a 'natural' man. Film Criticism, 37 (1):3. pp. 35-54. ISSN 0163-5069

Brown, Christopher (2012) Mad About the Boy? Hollywood stardom and masculinity subverted in The Swimmer. Quarterly Review of Film and Video, 29 (4). pp. 356-364. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509201003667226)

Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832

Brown, Lucy (2015) Television production in the Academy: Bringing commercial practices into the classroom. In: New Directions in Film and Television Production Studies, 14-15 April 2015, UWE, Bristol, UK.

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: Reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video. ISSN 1050-9208 (Print), 1543-5326 (Online) (In Press)

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)

Hobbs, James (2016) (I)MAGESOUND(S). [Show/Exhibition]

Stabb, Walter (2015) London Edinburgh London. [Video]

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

Wroot, Jonathan ORCID: 0000-0002-6827-728X and Willis, Andy (eds.) (2017) DVD, Blu-ray and Beyond: Navigating Formats and Platforms within Media Consumption. Literature, Cultural and Media Studies . Palgrave Macmillan, Basingstoke. ISBN 978-3319627571 ISSN 978-3319627588 (Online)

Film Art

Stabb, Walter S. (2016) The Seasons In Quincy: Four Portraits of John Berger. [Video]

Film Artist

Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]

Film laboratories

Dawson, Andrew and Holmes, Sean P. (2014) Culture, Creativity and Disappearing Celluloid. [Video]

Film portrait

Stabb, Walter S. (2016) The Seasons In Quincy: Four Portraits of John Berger. [Video]

Film Studies

Nwonka, Clive (2015) Diversity pie: rethinking social exclusion and diversity policy in the British film industry. Journal of Media Practice, 16 (1). pp. 73-90. ISSN 1468-2753 (doi:https://doi.org/10.1080/14682753.2015.1015802)

Nwonka, Clive James (2016) Hunger as political epistemology. Studies in European Cinema, 13 (2). pp. 134-148. ISSN 1741-1548 (doi:https://doi.org/10.1080/17411548.2016.1210300)

Nwonka, Clive James (2014) 'You’re what’s wrong with me’: Fish Tank, The selfish giant and the language of contemporary British social realism. New Cinemas: Journal of Contemporary Film, 12 (3). ISSN 1474-2756 (doi:https://doi.org/10.1386/ncin.12.3.205_1)

Filmmaking

Brown, Lucy and Duthie, Lyndsay (2014) How to make programmes within a commercial and academic context. In: Sightlines: Filmmaking in the Academy, 24-25 November 2014, RMIT University, Melbourne, Australia.

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Moving from Japanese film distribution to production: An interview with Third Window Films’ Adam Torel. Bright Lights Film Journal. ISSN 0147-4049 (Online)

films

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

Financialisation

Gallardo, Francisco and Samson, Audrey (2017) Shrimping under working conditions. In: Pritchard, Helen, Snodgrass, Eric and Tyz ̇lik-Carver, Magda, (eds.) EXECUTING PRACTICES. Autonomedia (DATA browser 06), pp. 253-266. ISBN 9781570273216

fizz

Cheeseman, Kate (2015) 'Guiness is Good'. [Video] (Unpublished)

flash fiction

Davies, Rosamund ORCID: 0000-0001-8645-8271, Potts, Cherry and Rehal, Kam (eds.) (2019) Story Cities – A City Guide for the Imagination. Arachne Press, UK. ISBN 978-1-909208-78-0 (In Press)

flow

Lewis, Jesmond (2013) Encouraging student autonomy through collaborative curriculum development. In: Shift 2013: Sharing Practice, Developing Community, 03/07/2013, University of Greenwich. (Unpublished)

Food-led art

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

Formless

Brown, Christopher (2015) Soap. [Video]

francois laruelle

Lammin, Hannah (2018) Seeing in-photo: Non-photography as Positive Barbarism. Parallax, 24 (2). pp. 193-208. ISSN 1353-4645 (Print), 1460-700X (Online) (doi:https://doi.org/10.1080/13534645.2018.1452444)

Free trade zone

Gallardo, Francisco and Samson, Audrey (2017) Shrimping under working conditions. In: Pritchard, Helen, Snodgrass, Eric and Tyz ̇lik-Carver, Magda, (eds.) EXECUTING PRACTICES. Autonomedia (DATA browser 06), pp. 253-266. ISBN 9781570273216

future legacies

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Love After Death (2016 - 2018). [Show/Exhibition]

Futurists

Cheeseman, Kate and Johns, Harry (2016) The Manifesto, an animated opera about the Italian Futurists. [Video]

Game design

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Flynn, Ryan (2015) Explicit and implicit narratives in the co-design of videogames. In: Full Papers/Proceedings of the Digital Research in the Humanities and Arts Conference, DRHA2014, London. University of Greenwich, London, UK, pp. 73-80. ISBN 9781326388584

Gender

Brown, Christopher (2015) Soap. [Video]

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Ashford, Rain (2019) Diversity and inclusivity in the age of wearables: A buzzword, a myth, an uncertain reality. Body, Space & Technology, 18 (1). pp. 198-214. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.320)

Generative

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Performance]

generative composition

Thompson, Ian (2016) Arrival Time. [Dataset]

genre

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

Geste curatorial

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2016) "Le geste curatorial et les œuvres sur écran - L’évolution d’un néologisme vers une tendance majeure". Proteus (10). pp. 64-70. ISSN 2110-557X (Online)

gesture

Brown, Christopher and Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Stories of a ruined space: filmic and sonic approaches to practice-as-research. Media Practice & Education, 9 (13). ISSN 2574-1136 (Print), 2574-1144 (Online) (doi:https://doi.org/10.1080/25741136.2018.1519989)

Global television

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282

Global TV

Brown, Lucy (2017) How to Make the Next Big Global TV Studio Hit. In: South by Southwest (SXSW) Conference and Festivals, 10-19 March 2017, Austin, Texas, USA.

Glyka

Hobbs, James (2017) I am a Karate American egg. [Art/Poetry/Short Story Performance or Reading]

Graduate exhibition

Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)

Graham and Cook

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595

Granularity

Waterworth, David (2018) Granular: The Material Properties of Noise. [Show/Exhibition]

Graphic Design

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2014) Multidisciplinary design processes. Lulu Press Inc. ISBN 9781291010503

Graphics

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Jefferies, Janis (2015) ‘Twitter’: Practice in writing: A recipe for creativity & creative interpretation. In: Proceedings of the 21st Symposium on Electronic Arts. ISEA2015: International Symposium on Electronic Art, Vancouver, Canada. ISBN 9781910172001 ISSN 2451-8611

Gravity

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: Reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video. ISSN 1050-9208 (Print), 1543-5326 (Online) (In Press)

green infrastructure

Kotzen, Benzion ORCID: 0000-0003-3522-0460 (2018) Green roofs: Social and aesthetic aspects. In: Perez, Gabriel and Perini, Katia, (eds.) Nature Based Strategies for Urban and Building Sustainability. Butterworth-Heinemann, pp. 273-281. ISBN 978-0128121504

green roofs

Kotzen, Benzion ORCID: 0000-0003-3522-0460 (2018) Green roofs: Social and aesthetic aspects. In: Perez, Gabriel and Perini, Katia, (eds.) Nature Based Strategies for Urban and Building Sustainability. Butterworth-Heinemann, pp. 273-281. ISBN 978-0128121504

Green Screen Keying

Zhi, Jin (2015) An alternative green screen keying method for film visual effects. International Journal of Multimedia and Its Applications, 7 (2). pp. 1-12. ISSN 0975-5934 (Print), 0975-5578 (Online) (doi:https://doi.org/10.5121/ijma.2015.7201)

Green Streets

Kotzen, Benzion ORCID: 0000-0003-3522-0460 (2018) Economic benefits and costs of green streets. In: Pérez, Gabriel and Perini, Katia, (eds.) Nature Based Strategies for Urban and Building Sustainability. Butterworth-Heinemann, pp. 319-331. ISBN 978-0128121504

greenwich

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) Book of Abstracts DRHA2014. Lulu. ISBN 9781291978780

Thompson, Ian (2014) Litus Expromo. [Dataset]

Gregory J. Markopoulos

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:https://doi.org/10.1080/17458927.2015.1042247)

Grid design

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189, Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Psarras, Bill (2013) Dérive in the digital grid, breaking the search to get lost. In: Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney. ISEA International Australian Network for Art & Technology University of Sydney, Sydney, Australia. ISBN 9780646913131

Griff Rhys Jones

Cheeseman, Kate (2016) 'Love Somehow' (a film about Caitlyn Thomas and her relationship with poet Dylan Thomas). [Video]

Guiness

Cheeseman, Kate (2015) 'Guiness is Good'. [Video] (Unpublished)

Hackathon

Lewis, Jesmond and Flynn, Ryan (2014) Sense.Switch.Create Hackathon. In: DRHA Conference 2014, 31 Aug - 2 Sept 2014, University of Greenwich, London, UK. (Unpublished)

haptic

Cheeseman, Kate (2015) 'Guiness is Good'. [Video] (Unpublished)

harmonics

Thompson, Ian, Shiell, Stephen and Wilson, Richard (2016) BELL. [Performance]

heritage

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2013) Mirroring Sherry Turkle: A discussion on authenticity, humanity and technology. In: Proceedings of the 19th International Symposium of Electronic Art, ISEA2013, Sydney. ISEA International, the Australian Network for Art & Technology and the University of Sydney, Sydney, Australia. ISBN 9780646913131

hero's journey

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2015) Narrative as creative quest: the hero's journey and its alternatives. In: Reisman, Fredericka, (ed.) KIE Handbook of Creativity. KIE Conference Books . KIE Conference, pp. 79-96.

Higher Education

Lewis, Jesmond (2014) Considering the effects and desirability of the employability agenda in Higher Education and the role of a creative pedagogy as an enabling factor. In: Discourse, Power, Resistance Conference 2014, 8-10 April 2014, University of Greenwich, London, UK. (Unpublished)

Hill

Hobbs, James (2016) (I)MAGESOUND(S). [Show/Exhibition]

history

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Sounds of the Cultural Quarter - Application. [Artefact]

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

Hobbs

Hobbs, James (2017) I am a Karate American egg. [Art/Poetry/Short Story Performance or Reading]

Hobbs, James (2016) (I)MAGESOUND(S). [Show/Exhibition]

Hobbs, James (2016) Motion In Form - Photographic Essay. Sequence, 4.

Hobbs, James (2015) Motion In Form II. [Show/Exhibition]

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]

Hobbs, James (2015) Utopia/Dystopia. [Show/Exhibition]

Hobbs, James (2017) "Vesuvius: (I wish I had _______________)" Jerwood Drawing Prize 2017. [Show/Exhibition]

Hobbs, Jim (2015) One Hundred Foot III. [Show/Exhibition]

Hollywood stardom

Brown, Christopher (2012) Mad About the Boy? Hollywood stardom and masculinity subverted in The Swimmer. Quarterly Review of Film and Video, 29 (4). pp. 356-364. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509201003667226)

Home Media

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Home Media Insights: Book Launch and Guest Talk. [Dataset]

Wroot, Jonathan ORCID: 0000-0002-6827-728X and Willis, Andy (eds.) (2017) DVD, Blu-ray and Beyond: Navigating Formats and Platforms within Media Consumption. Literature, Cultural and Media Studies . Palgrave Macmillan, Basingstoke. ISBN 978-3319627571 ISSN 978-3319627588 (Online)

Homosexuality

Brown, Christopher (2013) Homosexuality in Dog Day Afternoon (1975): Televisual surfaces and a 'natural' man. Film Criticism, 37 (1):3. pp. 35-54. ISSN 0163-5069

hospice

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Co-Designing with the Bereaved: how Curatorial Dilemmas become Ethical Reflections. [Working Paper] (Submitted)

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Material Legacies Exhibition. [Show/Exhibition]

Hromadske

Korolkova, Maria (2016) Hromadske TV: A new kind of media, a new form of accountability. Global Information Society Watch 2016: Economic, Social and Cultural Rights (ESCRs) and the Internet. Association for Progressive Communications (APC) and Humanist Institute for Cooperation with Developing Countries (Hivos), pp. 242-245. ISBN 978-92-95102-69-9

human rights

Lammin, Hannah (2018) Krisis as the scene of non-decisional judgement: A performance-fiction for the generic human. Performance Philosophy, 4 (1). pp. 66-85. ISSN 2057-7176 (Online) (doi:https://doi.org/10.21476/PP.2018.41203)

human traces

Watkins, Julie (2016) Ambience 1. [Video]

Watkins, Julie (2016) Ambience 2. [Video]

Watkins, Julie (2016) Ambience 3. [Video]

Watkins, Julie (2018) Creating Affective Visual Music. Electronic Visualisation and the Arts (EVA 2018). (doi:https://doi.org/10.14236/ewic/EVA2018.70)

Watkins, Julie (2018) Document of Singing Light 1 installation. [Video]

Watkins, Julie (2014) Horizon. [Video]

Watkins, Julie (2019) Interactive Visual Music. In: Electronic Visualisation and the Arts (EVA). EVA. (In Press)

Watkins, Julie (2015) Reservoir. [Video]

Watkins, Julie (2015) Shadow Sounds 1. [Video]

Watkins, Julie (2018) Sky 2. [Video]

Watkins, Julie (2015) Song Series Animacy. [Video]

humanities

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584

hybrid media

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

Hyperthymesia

Samson, Audrey (2017) Erasure. In: Pritchard, Helen, Snodgrass, Eric and Tyz˙lik-Carver, Magda, (eds.) EXECUTING PRACTICES. Autonomedia (DATA browser 06), pp. 143-154. ISBN 9781570273216

Identity

Brown, Christopher (2017) Performance enhancement: identity, surface aesthetics, and the direction of actors in Yang Yang 陽陽 (Cheng Yu-Chieh, 2009). Asian Cinema, 28 (1). pp. 23-37. ISSN 1059-440X (Print), 2049-6710 (Online) (doi:https://doi.org/10.1386/ac.28.1.23_1)

image

Cheeseman, Kate (2015) 'Guiness is Good'. [Video] (Unpublished)

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

Immersion

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Performance]

Sparkes, Sarah and Thompson, Ian (2018) The Cosmic Pond. [Dataset]

Thompson, Ian (2018) Sonos Localia. [Dataset]

Thompson, Ian, Shiell, Stephen and Wilson, Richard (2016) BELL. [Performance]

impact

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2014) Multidisciplinary design processes. Lulu Press Inc. ISBN 9781291010503

impact to society

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2015) Digital Grand Challenge Innovative Multidisciplinary Research Projects and collaborations to redefine problems outside ordinary boundaries. University of Greenwich.

Improvisation

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Performance]

Breathing Space, (Collective) and Thompson, Ian (2016) RISE. [Show/Exhibition]

Breating Space, (Collective) and Thompson, Ian (2016) RISE. [Performance]

Thompson, Ian (2019) Collaborations with Breathing Space Collective. [Dataset]

Thompson, Ian, Shiell, Stephen and Wilson, Richard (2016) BELL. [Performance]

inclusivity

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Ashford, Rain (2019) Diversity and inclusivity in the age of wearables: A buzzword, a myth, an uncertain reality. Body, Space & Technology, 18 (1). pp. 198-214. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.320)

independent

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Moving from Japanese film distribution to production: An interview with Third Window Films’ Adam Torel. Bright Lights Film Journal. ISSN 0147-4049 (Online)

independent cinema

Petković, Dušan (2017) Weathering the maelstrom: the effect of digital workflows on craft identity in independent cinema. PhD thesis, University of Greenwich.

Industry

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Home Media Insights: Book Launch and Guest Talk. [Dataset]

Infrastructural tourism

Samson, Audrey (2017) Erasure. In: Pritchard, Helen, Snodgrass, Eric and Tyz˙lik-Carver, Magda, (eds.) EXECUTING PRACTICES. Autonomedia (DATA browser 06), pp. 143-154. ISBN 9781570273216

Innovation

Brown, Lucy and Duthie, Lyndsay (2016) Assessing creativity in TV studio production. In: Media Education Summit, 4-6 Nov 2016, John Cabot University, Rome, Italy.

Installation

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Performance]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Love After Death (2016 - 2018). [Show/Exhibition]

Thompson, Ian (2016) Arrival Time. [Dataset]

Watkins, Julie (2019) Interactive Visual Music. In: Electronic Visualisation and the Arts (EVA). EVA. (In Press)

Installations

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Institutions et pratiques de l'exposition

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2016) "Le geste curatorial et les œuvres sur écran - L’évolution d’un néologisme vers une tendance majeure". Proteus (10). pp. 64-70. ISSN 2110-557X (Online)

Interaction

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Performance]

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

Interactive

Watkins, Julie (2019) Interactive Visual Music. In: Electronic Visualisation and the Arts (EVA). EVA. (In Press)

Interactive Art

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Interactive video installations in public spaces: Rafael Lozano-Hemmer's Under Scan. In: Crisp, Virginia and Menotti Gonring, Gabriel, (eds.) Besides the Screen: Moving Images through Distribution, Promotion and Curation. Palgrave Macmillan, London & New York, pp. 197-212. ISBN 978-1-137-47101-7

interdisciplinary

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Interdisciplinary collaboration

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2014) Communicating technology: Interactive design and interdisciplinary collaboration in the digital arts. In: Book of Absracts of DRHA2014: Communication Futures: Connecting Interdisciplinary Design Practices in Arts/Culture, Academia and the Creative Industries. University of Greenwich, pp. 215-216. ISBN 978-1-291-97878-0

International collaborations

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) Book of Abstracts DRHA2014. Lulu. ISBN 9781291978780

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2015) Digital Grand Challenge Innovative Multidisciplinary Research Projects and collaborations to redefine problems outside ordinary boundaries. University of Greenwich.

Internet

Korolkova, Maria (2015) Female, naked and right: Sexual activism the Ukrainian way. In: Finlay, Alan, (ed.) Global Information Society Watch 2015: Sexual Rights and the Internet. Association for Progressive Communications (APC) and Humanist Institute for Cooperation with Developing Countries (Hivos), pp. 268-271. ISBN 978-92-95102-41-5

Korolkova, Maria (2016) Hromadske TV: A new kind of media, a new form of accountability. Global Information Society Watch 2016: Economic, Social and Cultural Rights (ESCRs) and the Internet. Association for Progressive Communications (APC) and Humanist Institute for Cooperation with Developing Countries (Hivos), pp. 242-245. ISBN 978-92-95102-69-9

interpretation

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Dots/Digits: Action/Reaction. In: IMR - Institute for Musical Research, 7 April 2016, Sheffield, UK. (Unpublished)

Intimate public

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)

Italy

Cheeseman, Kate and Johns, Harry (2016) The Manifesto, an animated opera about the Italian Futurists. [Video]

Jan Tovey

Cheeseman, Kate (2016) 'Love Somehow' (a film about Caitlyn Thomas and her relationship with poet Dylan Thomas). [Video]

Japan

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Moving from Japanese film distribution to production: An interview with Third Window Films’ Adam Torel. Bright Lights Film Journal. ISSN 0147-4049 (Online)

Jerwood Drawing Prize

Hobbs, James (2017) "Vesuvius: (I wish I had _______________)" Jerwood Drawing Prize 2017. [Show/Exhibition]

John Berger

Stabb, Walter S. (2016) The Seasons In Quincy: Four Portraits of John Berger. [Video]

Kardashian

Brown, Lucy and Duthie, Lyndsay (2015) Creating Reality TV -­ The Programme Maker Viewpoint. In: Kimposium! A symposium about all things Kardashian, 26 November 2015, Brunel University London, UK. (Unpublished)

Kimposium

Brown, Lucy and Duthie, Lyndsay (2015) Creating Reality TV -­ The Programme Maker Viewpoint. In: Kimposium! A symposium about all things Kardashian, 26 November 2015, Brunel University London, UK. (Unpublished)

krisis

Lammin, Hannah (2018) Krisis as the scene of non-decisional judgement: A performance-fiction for the generic human. Performance Philosophy, 4 (1). pp. 66-85. ISSN 2057-7176 (Online) (doi:https://doi.org/10.21476/PP.2018.41203)

L'écran dans l'espace physique

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2016) "Le geste curatorial et les œuvres sur écran - L’évolution d’un néologisme vers une tendance majeure". Proteus (10). pp. 64-70. ISSN 2110-557X (Online)

Landforming

Samson, Audrey (2017) Erasure. In: Pritchard, Helen, Snodgrass, Eric and Tyz˙lik-Carver, Magda, (eds.) EXECUTING PRACTICES. Autonomedia (DATA browser 06), pp. 143-154. ISBN 9781570273216

Landscape

Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]

Language

Hobbs, James (2017) I am a Karate American egg. [Art/Poetry/Short Story Performance or Reading]

Laugharne

Cheeseman, Kate (2016) Love Somehow - Promotional video. [Video]

Cheeseman, Kate (2016) 'Love Somehow' (a film about Caitlyn Thomas and her relationship with poet Dylan Thomas). [Video]

Cheeseman, Kate (2016) 'Love Somehow' (a film about Caitlyn Thomas and her relationship with poet Dylan Thomas). [Video]

leadership

Lewis, Jesmond (2014) Forming a pedagogy that develops creativity in undergraduates working at the junction of art and science. In: DRHA Conference 2014, 31 Aug - 3 Sept 2014, University of Greenwich, London, UK.

Lecture

Sporton, Gregory (2017) The Sporton Professorial Inaugural. [Performance]

LGBT

Brown, Christopher (2015) Remission. [Video]

Light

Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]

Watkins, Julie (2019) Interactive Visual Music. In: Electronic Visualisation and the Arts (EVA). EVA. (In Press)

Lights and shadows

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:https://doi.org/10.1080/17458927.2015.1042247)

lilypad

Lewis, Jesmond and Flynn, Ryan (2014) Sense.Switch.Create Hackathon. In: DRHA Conference 2014, 31 Aug - 2 Sept 2014, University of Greenwich, London, UK. (Unpublished)

Listening

Hill, Andrew ORCID: 0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:https://doi.org/10.1017/S1355771816000297)

littleBits

Lewis, Jesmond and Flynn, Ryan (2014) Sense.Switch.Create Hackathon. In: DRHA Conference 2014, 31 Aug - 2 Sept 2014, University of Greenwich, London, UK. (Unpublished)

location

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Sounds of the Cultural Quarter - Application. [Artefact]

Location filming

Stabb, Walter (2015) London Edinburgh London. [Video]

locative

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Sounds of the Cultural Quarter - Application. [Artefact]

London

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) Book of Abstracts DRHA2014. Lulu. ISBN 9781291978780

loudspeaker orchestra

Hill, Andrew ORCID: 0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: InSONIC2015. ZKM. (Submitted)

LUX

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

machines

Cheeseman, Kate and Johns, Harry (2016) The Manifesto, an animated opera about the Italian Futurists. [Video]

maker faire

Lewis, Jesmond and Flynn, Ryan (2014) Sense.Switch.Create Hackathon. In: DRHA Conference 2014, 31 Aug - 2 Sept 2014, University of Greenwich, London, UK. (Unpublished)

map

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Sounds of the Cultural Quarter - Application. [Artefact]

Mapplethorpe

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Marionette

Cheeseman, Kate and Johns, Harry (2016) The Manifesto, an animated opera about the Italian Futurists. [Video]

Masculinity

Brown, Christopher (2013) Homosexuality in Dog Day Afternoon (1975): Televisual surfaces and a 'natural' man. Film Criticism, 37 (1):3. pp. 35-54. ISSN 0163-5069

Brown, Christopher (2012) Mad About the Boy? Hollywood stardom and masculinity subverted in The Swimmer. Quarterly Review of Film and Video, 29 (4). pp. 356-364. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509201003667226)

Masculinity landscape

Brown, Christopher (2015) Remission. [Video]

Material Culture

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2016) Death and Memory in the Twenty-First Century. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities and Sciences. Palgrave Macmillan, London, UK, pp. 113-118. ISBN 9781137520579 (doi:https://doi.org/10.1057/9781137520586_14)

Materialism

Waterworth, David (2018) Granular: The Material Properties of Noise. [Show/Exhibition]

Materiality

Samson, Audrey (2015) Erasure, an attempt to surpass datafication. APRJA (A peer-reviewed journal about), 4 (1). ISSN 2245-7755 (Online)

Mattering

Samson, Audrey, Muldtofte, Lea, Soon, Winnie, Snodgrass, Eric and Gallardo, Francisco (2018) Execution. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) Posthuman Glossary. Bloomsbury Academic, pp. 141-145. ISBN 978-1-350-03024-4

Maximalism

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Performance]

Media

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282

Korolkova, Maria (2016) Hromadske TV: A new kind of media, a new form of accountability. Global Information Society Watch 2016: Economic, Social and Cultural Rights (ESCRs) and the Internet. Association for Progressive Communications (APC) and Humanist Institute for Cooperation with Developing Countries (Hivos), pp. 242-245. ISBN 978-92-95102-69-9

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2014) Creative Advertising: An Introduction. Laurence King Publishing Ltd., London, UK. ISBN 9781780671192

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

media agility

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

Melancholy

Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]

Memory

Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2016) Death and Memory in the Twenty-First Century. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities and Sciences. Palgrave Macmillan, London, UK, pp. 113-118. ISBN 9781137520579 (doi:https://doi.org/10.1057/9781137520586_14)

Samson, Audrey (2017) Erasure. In: Pritchard, Helen, Snodgrass, Eric and Tyz˙lik-Carver, Magda, (eds.) EXECUTING PRACTICES. Autonomedia (DATA browser 06), pp. 143-154. ISBN 9781570273216

Mental Health

Stabb, Walter (2017) Creative Madness in Song. [Video]

Mime

Sporton, Gregory (2016) Review from London International Mime Festival. Scene, 4 (1). pp. 89-90. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.1.89_5)

Mimesis

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: Reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video. ISSN 1050-9208 (Print), 1543-5326 (Online) (In Press)

Mimetic

Hill, Andrew ORCID: 0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:https://doi.org/10.1017/S1355771816000297)

Mixed media

Hirst, Nickie (2015) Read It - A Cut-up Anthology. [Artefact]

mobile publishing

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

MONO NO AWARE

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

moon

Sparkes, Sarah and Thompson, Ian (2018) The Cosmic Pond. [Dataset]

Motion

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Performance]

moving image

Watkins, Julie (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.296)

Multi-disciplinary

Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)

Multi-Media

Hobbs, James (2017) I am a Karate American egg. [Art/Poetry/Short Story Performance or Reading]

multi-media publishing

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

multichannel diffusion

Hill, Andrew ORCID: 0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: InSONIC2015. ZKM. (Submitted)

multidiscilinary

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584

multidisciplinary approaches

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2015) Digital Grand Challenge Innovative Multidisciplinary Research Projects and collaborations to redefine problems outside ordinary boundaries. University of Greenwich.

Multimedia

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

music

Breathing Space, (Collective) and Thompson, Ian (2016) RISE. [Show/Exhibition]

Breating Space, (Collective) and Thompson, Ian (2016) RISE. [Performance]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2013) Abstracted Journeys. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Dots/Digits: Action/Reaction. In: IMR - Institute for Musical Research, 7 April 2016, Sheffield, UK. (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 Stille Lyd: Part I – NOTAM. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition] (Submitted)

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Landy, Leigh, Younie, Sarah, Hill, Andrew ORCID: 0000-0003-1521-0396 and Wolf, Motje (2014) The EARS 2 pedagogical project - an eLearning environment to introduce learners to sound-based music. In: King, Andrew and Himonides, Evangelos, (eds.) Proceedings of the Sempre MET2014: Researching Music, Education, Technology: Critical Insights. International Music Education Research Centre (iMerc), pp. 129-134. ISBN 978-1905351299

Stabb, Walter (2017) Creative Madness in Song. [Video]

Thompson, Ian (2019) Collaborations with Breathing Space Collective. [Dataset]

Thompson, Ian (2018) Sonos Localia. [Dataset]

music download

Thompson, Ian (2018) Sonos Localia. [Dataset]

music improvisation

Breathing Space, (collective) (2015) HERD. [Performance]

music scores

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

myth

Lammin, Hannah (2018) Krisis as the scene of non-decisional judgement: A performance-fiction for the generic human. Performance Philosophy, 4 (1). pp. 66-85. ISSN 2057-7176 (Online) (doi:https://doi.org/10.21476/PP.2018.41203)

narrative

Brown, Christopher (2018) Coccolith. [Video]

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2015) Narrative as creative quest: the hero's journey and its alternatives. In: Reisman, Fredericka, (ed.) KIE Handbook of Creativity. KIE Conference Books . KIE Conference, pp. 79-96.

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Flynn, Ryan (2015) Explicit and implicit narratives in the co-design of videogames. In: Full Papers/Proceedings of the Digital Research in the Humanities and Arts Conference, DRHA2014, London. University of Greenwich, London, UK, pp. 73-80. ISBN 9781326388584

Davies, Rosamund ORCID: 0000-0001-8645-8271, Potts, Cherry and Rehal, Kam (eds.) (2019) Story Cities – A City Guide for the Imagination. Arachne Press, UK. ISBN 978-1-909208-78-0 (In Press)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: Reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video. ISSN 1050-9208 (Print), 1543-5326 (Online) (In Press)

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2019) Science festivals and diversity: Human centred design as a method for social inclusion, increasing diversity and widening participation. International Journal of Science Education. ISSN 0950-0693 (Print), 1464-5289 (Online) (Unpublished)

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2019) Digital legacy: Designing with things. Death Studies. ISSN 0748-1187 (Print), 1091-7683 (Online) (In Press) (doi:https://doi.org/10.1080/07481187.2018.1541939)

Narrative research

Lewis, Jesmond (2014) A narrative approach to considering the role of the lecturer in developing autonomy in final year undergraduates. Compass: The Journal of Learning and Teaching at the University of Greenwich, 5 (9). pp. 1-5. ISSN 2044-0081

Naturalism

Brown, Christopher (2013) Homosexuality in Dog Day Afternoon (1975): Televisual surfaces and a 'natural' man. Film Criticism, 37 (1):3. pp. 35-54. ISSN 0163-5069

Brown, Christopher (2012) Mad About the Boy? Hollywood stardom and masculinity subverted in The Swimmer. Quarterly Review of Film and Video, 29 (4). pp. 356-364. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509201003667226)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: Reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video. ISSN 1050-9208 (Print), 1543-5326 (Online) (In Press)

Necro-financialisation

Samson, Audrey and Tobias Schäfer, Mirko (2016) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Bloomsbury Press. (Submitted)

Necropolitics

Samson, Audrey, Muldtofte, Lea, Soon, Winnie, Snodgrass, Eric and Gallardo, Francisco (2018) Execution. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) Posthuman Glossary. Bloomsbury Academic, pp. 141-145. ISBN 978-1-350-03024-4

Net art

Samson, Audrey and Soon, Winnie (2015) Network affordances: The unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal (24). ISSN 1449-1443 (Online)

Netflix

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.

Network affordances

Samson, Audrey and Soon, Winnie (2015) Network affordances: The unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal (24). ISSN 1449-1443 (Online)

New Media Curation

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595

Noir

Brown, Christopher (2015) Soap. [Video]

Noise

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Waterworth, David (2018) Granular: The Material Properties of Noise. [Show/Exhibition]

Non-human Agency

Samson, Audrey, Muldtofte, Lea, Soon, Winnie, Snodgrass, Eric and Gallardo, Francisco (2018) Execution. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) Posthuman Glossary. Bloomsbury Academic, pp. 141-145. ISBN 978-1-350-03024-4

non-philosophy

Lammin, Hannah (2018) Krisis as the scene of non-decisional judgement: A performance-fiction for the generic human. Performance Philosophy, 4 (1). pp. 66-85. ISSN 2057-7176 (Online) (doi:https://doi.org/10.21476/PP.2018.41203)

Lammin, Hannah (2018) Seeing in-photo: Non-photography as Positive Barbarism. Parallax, 24 (2). pp. 193-208. ISSN 1353-4645 (Print), 1460-700X (Online) (doi:https://doi.org/10.1080/13534645.2018.1452444)

Norway

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition] (Submitted)

NOTAM

Hill, Andrew ORCID: 0000-0003-1521-0396 Stille Lyd: Part I – NOTAM. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition] (Submitted)

Novels

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Jefferies, Janis (2015) ‘Twitter’: Practice in writing: A recipe for creativity & creative interpretation. In: Proceedings of the 21st Symposium on Electronic Arts. ISEA2015: International Symposium on Electronic Art, Vancouver, Canada. ISBN 9781910172001 ISSN 2451-8611

Noë

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595

Obfuscation

Samson, Audrey (2017) Erasure. In: Pritchard, Helen, Snodgrass, Eric and Tyz˙lik-Carver, Magda, (eds.) EXECUTING PRACTICES. Autonomedia (DATA browser 06), pp. 143-154. ISBN 9781570273216

ongoing research projects

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2015) Digital Grand Challenge Innovative Multidisciplinary Research Projects and collaborations to redefine problems outside ordinary boundaries. University of Greenwich.

Online

Giaxoglou, Korina, Döveling, Katrin and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Networked emotions: Interdisciplinary perspectives on sharing loss online. Journal of Broadcasting and Electronic Media, 61 (1). ISSN 0883-8151 (Print), 1550-6878 (Online) (doi:https://doi.org/10.1080/08838151.2016.1273927)

Opera

Sporton, Gregory (2017) Reviews. Scene, 5 (1). pp. 83-88. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.1.83_5)

overtime

Thompson, Ian (2014) Litus Expromo. [Dataset]

painting

Cheeseman, Kate and Johns, Harry (2016) The Manifesto, an animated opera about the Italian Futurists. [Video]

Panay

Brown, Christopher (2017) “Even If You Have Nothing, You Should Keep Filming”: An Interview with Cheng Yu-Chieh on 'Wawa No Cidal' (2015). Senses of Cinema (82). ISSN 1443-4059

Paper and Sticks

Cheeseman, Kate (2016) Love Somehow - Promotional video. [Video]

Cheeseman, Kate (2016) 'Love Somehow' (a film about Caitlyn Thomas and her relationship with poet Dylan Thomas). [Video]

Parametric relations

Samson, Audrey and Soon, Winnie (2015) Network affordances: The unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal (24). ISSN 1449-1443 (Online)

Parker

Hobbs, James (2015) Motion In Form II. [Show/Exhibition]

Participation

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Performance]

participatory

Sparkes, Sarah and Thompson, Ian (2018) The Cosmic Pond. [Dataset]

Participatory design

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Flynn, Ryan (2015) Explicit and implicit narratives in the co-design of videogames. In: Full Papers/Proceedings of the Digital Research in the Humanities and Arts Conference, DRHA2014, London. University of Greenwich, London, UK, pp. 73-80. ISBN 9781326388584

past

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Sounds of the Cultural Quarter - Application. [Artefact]

Payne

Hobbs, James (2016) Motion In Form - Photographic Essay. Sequence, 4.

Pedagogy

Landy, Leigh, Younie, Sarah, Hill, Andrew ORCID: 0000-0003-1521-0396 and Wolf, Motje (2014) The EARS 2 pedagogical project - an eLearning environment to introduce learners to sound-based music. In: King, Andrew and Himonides, Evangelos, (eds.) Proceedings of the Sempre MET2014: Researching Music, Education, Technology: Critical Insights. International Music Education Research Centre (iMerc), pp. 129-134. ISBN 978-1905351299

Lewis, Jesmond (2014) Forming a pedagogy that develops creativity in undergraduates working at the junction of art and science. In: DRHA Conference 2014, 31 Aug - 3 Sept 2014, University of Greenwich, London, UK.

perception

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Dots/Digits: Action/Reaction. In: IMR - Institute for Musical Research, 7 April 2016, Sheffield, UK. (Unpublished)

percussion

Breathing Space, (collective) (2015) HERD. [Performance]

Performance

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Performance]

Breathing Space, (Collective) and Thompson, Ian (2016) RISE. [Show/Exhibition]

Breating Space, (Collective) and Thompson, Ian (2016) RISE. [Performance]

Brown, Christopher (2017) Performance enhancement: identity, surface aesthetics, and the direction of actors in Yang Yang 陽陽 (Cheng Yu-Chieh, 2009). Asian Cinema, 28 (1). pp. 23-37. ISSN 1059-440X (Print), 2049-6710 (Online) (doi:https://doi.org/10.1386/ac.28.1.23_1)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: InSONIC2015. ZKM. (Submitted)

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hobbs, James (2017) I am a Karate American egg. [Art/Poetry/Short Story Performance or Reading]

Hobbs, James (2016) (I)MAGESOUND(S). [Show/Exhibition]

Hobbs, James (2016) Motion In Form - Photographic Essay. Sequence, 4.

Hobbs, James (2015) Motion In Form II. [Show/Exhibition]

Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

Sporton, Gregory (2016) Review from London International Mime Festival. Scene, 4 (1). pp. 89-90. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.1.89_5)

Sporton, Gregory (2016) Reviews. Scene, 4 (2). pp. 173-178. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.2.173_5)

Sporton, Gregory (2017) The Sporton Professorial Inaugural. [Performance]

Sporton, Gregory (2018) To a Simple Rock ‘n’ Roll [...] Song, Michael Clark Company, Barbican Theatre, London, 24 October 2017. Scene, 5 (2). pp. 139-140. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.2.139_5)

Thompson, Ian (2019) Collaborations with Breathing Space Collective. [Dataset]

Watkins, Julie (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

performativity

Lammin, Hannah (2018) Krisis as the scene of non-decisional judgement: A performance-fiction for the generic human. Performance Philosophy, 4 (1). pp. 66-85. ISSN 2057-7176 (Online) (doi:https://doi.org/10.21476/PP.2018.41203)

Personal video recording (PVR)

Davies, Rosamund ORCID: 0000-0001-8645-8271, Chrysanthi, Angeliki, Berggren, Asa, Earl, Graeme P. and Knibbe, Jarrod (2016) The camera "at the Trowel's Edge": Personal video recording in archaeological research. Journal of Archeological Method and Theory, 23 (1). pp. 238-270. ISSN 1072-5369 (Print), 1573-7764 (Online) (doi:https://doi.org/10.1007/s10816-015-9239-x)

phenomenology

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Dots/Digits: Action/Reaction. In: IMR - Institute for Musical Research, 7 April 2016, Sheffield, UK. (Unpublished)

Phil Bowen

Cheeseman, Kate (2016) 'Love Somehow' (a film about Caitlyn Thomas and her relationship with poet Dylan Thomas). [Video]

Philosophy

Lammin, Hannah Elisabeth (2017) Staging community: a non-philosophical presentation of immanent social experience. PhD thesis, University of Greenwich.

Photographic essay

Hobbs, James (2016) Motion In Form - Photographic Essay. Sequence, 4.

photography

Lammin, Hannah (2018) Seeing in-photo: Non-photography as Positive Barbarism. Parallax, 24 (2). pp. 193-208. ISSN 1353-4645 (Print), 1460-700X (Online) (doi:https://doi.org/10.1080/13534645.2018.1452444)

Place

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

Platform

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Performance]

Poetry

Cheeseman, Kate (2016) Love Somehow - Promotional video. [Video]

Cheeseman, Kate (2016) 'Love Somehow' (a film about Caitlyn Thomas and her relationship with poet Dylan Thomas). [Video]

Hirst, Nickie (2015) Read It - A Cut-up Anthology. [Artefact]

Politics

Nwonka, Clive (2015) Diversity pie: rethinking social exclusion and diversity policy in the British film industry. Journal of Media Practice, 16 (1). pp. 73-90. ISSN 1468-2753 (doi:https://doi.org/10.1080/14682753.2015.1015802)

Nwonka, Clive James (2016) Hunger as political epistemology. Studies in European Cinema, 13 (2). pp. 134-148. ISSN 1741-1548 (doi:https://doi.org/10.1080/17411548.2016.1210300)

Nwonka, Clive James (2014) 'You’re what’s wrong with me’: Fish Tank, The selfish giant and the language of contemporary British social realism. New Cinemas: Journal of Contemporary Film, 12 (3). ISSN 1474-2756 (doi:https://doi.org/10.1386/ncin.12.3.205_1)

Politics of Space

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2017) Space as Methodology: the politics of exhibiting the moving image in public spaces. In: "The Politics of Space and the Humanities", 15-17 December 2017, Thessaloniki, Greece. (Unpublished)

Pollution

Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832

Popular Culture

Brown, Lucy and Duthie, Lyndsay (2015) Television production: How popular television programmes impact student led productions. In: NEPCA, Northeast Popular/American Culture Association, 30-31 October 2015, Colby Sawyer College, New Hampshire, US.

post-porduction

Petković, Dušan (2017) Weathering the maelstrom: the effect of digital workflows on craft identity in independent cinema. PhD thesis, University of Greenwich.

Posthumous-agents

Samson, Audrey and Tobias Schäfer, Mirko (2016) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Bloomsbury Press. (Submitted)

Power

Hobbs, James (2017) I am a Karate American egg. [Art/Poetry/Short Story Performance or Reading]

practice

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2014) Multidisciplinary design processes. Lulu Press Inc. ISBN 9781291010503

practice-as-research

Brown, Christopher (2018) Coccolith. [Video]

Practice-based research

Watkins, Julie (2018) Creating Affective Visual Music. Electronic Visualisation and the Arts (EVA 2018). (doi:https://doi.org/10.14236/ewic/EVA2018.70)

practices

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Process

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

producing

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Moving from Japanese film distribution to production: An interview with Third Window Films’ Adam Torel. Bright Lights Film Journal. ISSN 0147-4049 (Online)

Production

Brown, Lucy (2017) How to Make the Next Big Global TV Studio Hit. In: South by Southwest (SXSW) Conference and Festivals, 10-19 March 2017, Austin, Texas, USA.

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

Production Studies

Brown, Lucy (2015) Television production in the Academy: Bringing commercial practices into the classroom. In: New Directions in Film and Television Production Studies, 14-15 April 2015, UWE, Bristol, UK.

Productive consumer public

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)

Programme-making

Brown, Lucy and Duthie, Lyndsay (2014) How to make programmes within a commercial and academic context. In: Sightlines: Filmmaking in the Academy, 24-25 November 2014, RMIT University, Melbourne, Australia.

Projection mapping

Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]

Psychogeographies

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189, Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Psarras, Bill (2013) Dérive in the digital grid, breaking the search to get lost. In: Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney. ISEA International Australian Network for Art & Technology University of Sydney, Sydney, Australia. ISBN 9780646913131

Public

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Performance]

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2019) Science festivals and diversity: Human centred design as a method for social inclusion, increasing diversity and widening participation. International Journal of Science Education. ISSN 0950-0693 (Print), 1464-5289 (Online) (Unpublished)

Public Artwork

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

Public engagement

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

publication

Davies, Rosamund ORCID: 0000-0001-8645-8271, Potts, Cherry and Rehal, Kam (eds.) (2019) Story Cities – A City Guide for the Imagination. Arachne Press, UK. ISBN 978-1-909208-78-0 (In Press)

Publishing

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

Queens House

Thompson, Ian (2014) Litus Expromo. [Dataset]

Queer

Brown, Christopher (2015) Soap. [Video]

Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832

Quiet

Hill, Andrew ORCID: 0000-0003-1521-0396 Stille Lyd: Part I – NOTAM. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition] (Submitted)

Rafael Lozano-Hemmer

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:https://doi.org/10.1080/17458927.2015.1042247)

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Interactive video installations in public spaces: Rafael Lozano-Hemmer's Under Scan. In: Crisp, Virginia and Menotti Gonring, Gabriel, (eds.) Besides the Screen: Moving Images through Distribution, Promotion and Curation. Palgrave Macmillan, London & New York, pp. 197-212. ISBN 978-1-137-47101-7

Rafaela Hutchinson

Cheeseman, Kate (2016) 'Love Somehow' (a film about Caitlyn Thomas and her relationship with poet Dylan Thomas). [Video]

Ramsgate

Brown, Christopher (2018) Coccolith. [Video]

Brown, Christopher and Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Stories of a ruined space: filmic and sonic approaches to practice-as-research. Media Practice & Education, 9 (13). ISSN 2574-1136 (Print), 2574-1144 (Online) (doi:https://doi.org/10.1080/25741136.2018.1519989)

reader communities

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

Reading

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Jefferies, Janis (2015) ‘Twitter’: Practice in writing: A recipe for creativity & creative interpretation. In: Proceedings of the 21st Symposium on Electronic Arts. ISEA2015: International Symposium on Electronic Art, Vancouver, Canada. ISBN 9781910172001 ISSN 2451-8611

Real

Hill, Andrew ORCID: 0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:https://doi.org/10.1017/S1355771816000297)

Realism

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: Reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video. ISSN 1050-9208 (Print), 1543-5326 (Online) (In Press)

Reality

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Performance]

Reality TV

Brown, Lucy and Duthie, Lyndsay (2015) Creating Reality TV -­ The Programme Maker Viewpoint. In: Kimposium! A symposium about all things Kardashian, 26 November 2015, Brunel University London, UK. (Unpublished)

Recordings

Hill, Andrew ORCID: 0000-0003-1521-0396 (2013) Abstracted Journeys. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Sounds of the Cultural Quarter - Application. [Artefact]

Reflexive archaeology

Davies, Rosamund ORCID: 0000-0001-8645-8271, Chrysanthi, Angeliki, Berggren, Asa, Earl, Graeme P. and Knibbe, Jarrod (2016) The camera "at the Trowel's Edge": Personal video recording in archaeological research. Journal of Archeological Method and Theory, 23 (1). pp. 238-270. ISSN 1072-5369 (Print), 1573-7764 (Online) (doi:https://doi.org/10.1007/s10816-015-9239-x)

Regulation

Giaxoglou, Korina, Döveling, Katrin and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Networked emotions: Interdisciplinary perspectives on sharing loss online. Journal of Broadcasting and Electronic Media, 61 (1). ISSN 0883-8151 (Print), 1550-6878 (Online) (doi:https://doi.org/10.1080/08838151.2016.1273927)

Remission

Brown, Christopher (2015) Remission. [Video]

representation

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

research

Balaam, Madeline, Davies, Rosamund ORCID: 0000-0001-8645-8271, Dade-Robertson, Martyn and Fraser, Mike (2014) It usually takes three of us, a few beers and a lot of imagination: a qualitative exploration of what it means and takes to do research. In: Williams, Alison, Jones, Derek and Robertson, Judy, (eds.) BITE: Recipes for Remarkable Research. Sense Publishers, Rotterdam / Boston / Taipei, pp. 14-23. ISBN 978-94-6209-584-7

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584

residency

Sparkes, Sarah and Thompson, Ian (2018) The Cosmic Pond. [Dataset]

Reviews

Sporton, Gregory (2017) Reviews. Scene, 5 (1). pp. 83-88. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.1.83_5)

Rhetorical realism

Nwonka, Clive James (2016) Hunger as political epistemology. Studies in European Cinema, 13 (2). pp. 134-148. ISSN 1741-1548 (doi:https://doi.org/10.1080/17411548.2016.1210300)

Rhythm

Watkins, Julie (2018) Creating Affective Visual Music. Electronic Visualisation and the Arts (EVA 2018). (doi:https://doi.org/10.14236/ewic/EVA2018.70)

Robert Mapplethorpe

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

robotics

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2013) Mirroring Sherry Turkle: A discussion on authenticity, humanity and technology. In: Proceedings of the 19th International Symposium of Electronic Art, ISEA2013, Sydney. ISEA International, the Australian Network for Art & Technology and the University of Sydney, Sydney, Australia. ISBN 9780646913131

Robots

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Jefferies, Janis (2016) Intimate technologies: The ethics of simulated relationships. In: ISEA2016, Cultural R>Evolution. Proceedings of the 22nd International Symposium on Electronic Art . School of Creative Media, City University of Hong Kong, Hong Kong. ISBN 978-962-442-397-6

royal academy of arts

Breathing Space, (collective) (2015) HERD. [Performance]

ruin

Brown, Christopher (2018) Coccolith. [Video]

Sally George

Cheeseman, Kate (2016) 'Love Somehow' (a film about Caitlyn Thomas and her relationship with poet Dylan Thomas). [Video]

Sally Herbert

Cheeseman, Kate (2016) 'Love Somehow' (a film about Caitlyn Thomas and her relationship with poet Dylan Thomas). [Video]

Scicomm

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

Science

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

Science Fiction

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Jefferies, Janis (2016) Intimate technologies: The ethics of simulated relationships. In: ISEA2016, Cultural R>Evolution. Proceedings of the 22nd International Symposium on Electronic Art . School of Creative Media, City University of Hong Kong, Hong Kong. ISBN 978-962-442-397-6

Screen

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Jefferies, Janis (2015) ‘Twitter’: Practice in writing: A recipe for creativity & creative interpretation. In: Proceedings of the 21st Symposium on Electronic Arts. ISEA2015: International Symposium on Electronic Art, Vancouver, Canada. ISBN 9781910172001 ISSN 2451-8611

Screen-based interaction

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2014) Communicating technology: Interactive design and interdisciplinary collaboration in the digital arts. In: Book of Absracts of DRHA2014: Communication Futures: Connecting Interdisciplinary Design Practices in Arts/Culture, Academia and the Creative Industries. University of Greenwich, pp. 215-216. ISBN 978-1-291-97878-0

Screen-reliant works

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:https://doi.org/10.1080/17458927.2015.1042247)

Screening

Hobbs, James (2015) Utopia/Dystopia. [Show/Exhibition]

Hobbs, Jim (2015) One Hundred Foot III. [Show/Exhibition]

Sculpture

Samson, Audrey (2017) Goodnight Sweetheart. [Show/Exhibition]

Waterworth, David (2015) Reflections on Stockwell Depot. In: Waterworth, David, Cornish, Sam and Green, Louisa, (eds.) Stockwell Depot 1967-79. Ridinghouse, London, pp. 154-160. ISBN 978-1909932050

Sculpture Sound

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Serious games

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Flynn, Ryan (2015) Explicit and implicit narratives in the co-design of videogames. In: Full Papers/Proceedings of the Digital Research in the Humanities and Arts Conference, DRHA2014, London. University of Greenwich, London, UK, pp. 73-80. ISBN 9781326388584

Service User Engagement

Stabb, Walter (2017) Creative Madness in Song. [Video]

Sexual rights

Korolkova, Maria (2015) Female, naked and right: Sexual activism the Ukrainian way. In: Finlay, Alan, (ed.) Global Information Society Watch 2015: Sexual Rights and the Internet. Association for Progressive Communications (APC) and Humanist Institute for Cooperation with Developing Countries (Hivos), pp. 268-271. ISBN 978-92-95102-41-5

Sexuality

Brown, Christopher (2015) Remission. [Video]

Brown, Christopher (2015) Soap. [Video]

Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832

Sexuality Gender

Brown, Christopher (2013) Homosexuality in Dog Day Afternoon (1975): Televisual surfaces and a 'natural' man. Film Criticism, 37 (1):3. pp. 35-54. ISSN 0163-5069

Sharing economy

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)

Shoreditch

Thompson, Ian, Shiell, Stephen and Wilson, Richard (2016) BELL. [Performance]

Short Film

Hobbs, James (2015) Utopia/Dystopia. [Show/Exhibition]

shrimp

Samson, Audrey and Gallardo, Francisco (2018) Commercial extinction: The exhaustion of exhaustion. In: Schwabe, Alon, Pascual, Daniel Fernández and Connuck, Jesse, (eds.) The Empire Remains Shop. Columbia Books on Architecture and the City . Columbia University Press, Columbia. ISBN 978-1941332375

Sidney Lumet

Brown, Christopher (2013) Homosexuality in Dog Day Afternoon (1975): Televisual surfaces and a 'natural' man. Film Criticism, 37 (1):3. pp. 35-54. ISSN 0163-5069

singing

Watkins, Julie (2017) SKY. [Video]

Watkins, Julie (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

Site-specific

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Performance]

Thompson, Ian (2019) Collaborations with Breathing Space Collective. [Dataset]

skyscape

Watkins, Julie (2017) SKY. [Video]

smashfest

Griffiths, Wyn and Keith, Lindsay ORCID: 0000-0002-5324-1719 (2015) SMASHfestUK 2015 - Asteroid! Evaluation Report. Project Report. N/A, The Albany, Deptford & The Deptford Lounge. (Unpublished)

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

smashfestuk

Griffiths, Wyn and Keith, Lindsay ORCID: 0000-0002-5324-1719 (2015) SMASHfestUK 2015 - Asteroid! Evaluation Report. Project Report. N/A, The Albany, Deptford & The Deptford Lounge. (Unpublished)

Social

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

Kotzen, Benzion ORCID: 0000-0003-3522-0460 (2018) Economic benefits and costs of green streets. In: Pérez, Gabriel and Perini, Katia, (eds.) Nature Based Strategies for Urban and Building Sustainability. Butterworth-Heinemann, pp. 319-331. ISBN 978-0128121504

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2014) Multidisciplinary design processes. Lulu Press Inc. ISBN 9781291010503

social aspects

Kotzen, Benzion ORCID: 0000-0003-3522-0460 (2018) Green roofs: Social and aesthetic aspects. In: Perez, Gabriel and Perini, Katia, (eds.) Nature Based Strategies for Urban and Building Sustainability. Butterworth-Heinemann, pp. 273-281. ISBN 978-0128121504

Social death

Gallardo, Francisco and Samson, Audrey (2017) Shrimping under working conditions. In: Pritchard, Helen, Snodgrass, Eric and Tyz ̇lik-Carver, Magda, (eds.) EXECUTING PRACTICES. Autonomedia (DATA browser 06), pp. 253-266. ISBN 9781570273216

social identity

Lammin, Hannah Elisabeth (2017) Staging community: a non-philosophical presentation of immanent social experience. PhD thesis, University of Greenwich.

Social media

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

Samson, Audrey and Tobias Schäfer, Mirko (2016) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Bloomsbury Press. (Submitted)

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 and Hirst, Nicola (2016) The Design Studio as a Social Organism and Ecology. In: DRHA Conference 2016, 4th-7th September 2016 WhoLoDancE, University of Brighton. (Unpublished)

Social Projects

Stabb, Walter (2017) Creative Madness in Song. [Video]

Social rights

Korolkova, Maria (2016) Hromadske TV: A new kind of media, a new form of accountability. Global Information Society Watch 2016: Economic, Social and Cultural Rights (ESCRs) and the Internet. Association for Progressive Communications (APC) and Humanist Institute for Cooperation with Developing Countries (Hivos), pp. 242-245. ISBN 978-92-95102-69-9

social semiotics

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 and Hirst, Nicola (2016) The Design Studio as a Social Organism and Ecology. In: DRHA Conference 2016, 4th-7th September 2016 WhoLoDancE, University of Brighton. (Unpublished)

society

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2014) Multidisciplinary design processes. Lulu Press Inc. ISBN 9781291010503

socio-economic

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2019) Science festivals and diversity: Human centred design as a method for social inclusion, increasing diversity and widening participation. International Journal of Science Education. ISSN 0950-0693 (Print), 1464-5289 (Online) (Unpublished)

Sociology

Nwonka, Clive (2015) Diversity pie: rethinking social exclusion and diversity policy in the British film industry. Journal of Media Practice, 16 (1). pp. 73-90. ISSN 1468-2753 (doi:https://doi.org/10.1080/14682753.2015.1015802)

Nwonka, Clive James (2014) 'You’re what’s wrong with me’: Fish Tank, The selfish giant and the language of contemporary British social realism. New Cinemas: Journal of Contemporary Film, 12 (3). ISSN 1474-2756 (doi:https://doi.org/10.1386/ncin.12.3.205_1)

Software

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Performance]

Song

Stabb, Walter (2017) Creative Madness in Song. [Video]

Watkins, Julie (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120

Sonic art

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

Thompson, Ian (2016) Arrival Time. [Dataset]

Thompson, Ian (2018) Sonos Localia. [Dataset]

Sonic arts

Kennedy, Stephen (2015) Chaos media: A sonic economy of digital space. Sound studies . Bloomsbury, New York, US. ISBN 9781623567064

sonic theory

Lammin, Hannah (2018) Conversing with machines: Affective affinities with vocal bodies. Transformations: Journal of Media, Culture & Technology, 31. ISSN 1444-3775 (Online)

Sound

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Performance]

Breathing Space, (Collective) and Thompson, Ian (2016) RISE. [Show/Exhibition]

Breating Space, (Collective) and Thompson, Ian (2016) RISE. [Performance]

Cheeseman, Kate (2015) 'Guiness is Good'. [Video] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2013) Abstracted Journeys. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Dots/Digits: Action/Reaction. In: IMR - Institute for Musical Research, 7 April 2016, Sheffield, UK. (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:https://doi.org/10.1017/S1355771816000297)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: Reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video. ISSN 1050-9208 (Print), 1543-5326 (Online) (In Press)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Sounds of the Cultural Quarter - Application. [Artefact]

Hill, Andrew ORCID: 0000-0003-1521-0396 Stille Lyd: Part I – NOTAM. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition] (Submitted)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: InSONIC2015. ZKM. (Submitted)

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hobbs, James (2016) (I)MAGESOUND(S). [Show/Exhibition]

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

Kennedy, Stephen (2015) Chaos media: A sonic economy of digital space. Sound studies . Bloomsbury, New York, US. ISBN 9781623567064

Landy, Leigh, Younie, Sarah, Hill, Andrew ORCID: 0000-0003-1521-0396 and Wolf, Motje (2014) The EARS 2 pedagogical project - an eLearning environment to introduce learners to sound-based music. In: King, Andrew and Himonides, Evangelos, (eds.) Proceedings of the Sempre MET2014: Researching Music, Education, Technology: Critical Insights. International Music Education Research Centre (iMerc), pp. 129-134. ISBN 978-1905351299

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189, Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Psarras, Bill (2013) Dérive in the digital grid, breaking the search to get lost. In: Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney. ISEA International Australian Network for Art & Technology University of Sydney, Sydney, Australia. ISBN 9780646913131

sound art

Sparkes, Sarah and Thompson, Ian (2018) The Cosmic Pond. [Dataset]

Thompson, Ian (2016) Arrival Time. [Dataset]

Thompson, Ian (2019) Collaborations with Breathing Space Collective. [Dataset]

Thompson, Ian (2014) Litus Expromo. [Dataset]

Sound design

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Performance]

Breathing Space, (Collective) and Thompson, Ian (2016) RISE. [Show/Exhibition]

Breating Space, (Collective) and Thompson, Ian (2016) RISE. [Performance]

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

Thompson, Ian (2019) Collaborations with Breathing Space Collective. [Dataset]

Thompson, Ian, Shiell, Stephen and Wilson, Richard (2016) BELL. [Performance]

sound recording

Thompson, Ian (2018) Sonos Localia. [Dataset]

sound studies

Thompson, Ian (2018) Sonos Localia. [Dataset]

Sound Studies Sound Art Technology Temporality Noise

Kennedy, Stephen (2018) Future Sounds: The Temporality of Noise. Bloomsbury Academic. ISBN 978-1501321054

sound walk

Sparkes, Sarah and Thompson, Ian (2018) The Cosmic Pond. [Dataset]

soundscapes

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Sounds of the Cultural Quarter - Application. [Artefact]

Soundtrack

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

space

Balaam, Madeline, Davies, Rosamund ORCID: 0000-0001-8645-8271, Dade-Robertson, Martyn and Fraser, Mike (2014) It usually takes three of us, a few beers and a lot of imagination: a qualitative exploration of what it means and takes to do research. In: Williams, Alison, Jones, Derek and Robertson, Judy, (eds.) BITE: Recipes for Remarkable Research. Sense Publishers, Rotterdam / Boston / Taipei, pp. 14-23. ISBN 978-94-6209-584-7

Brown, Christopher (2018) Coccolith. [Video]

Brown, Christopher and Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Stories of a ruined space: filmic and sonic approaches to practice-as-research. Media Practice & Education, 9 (13). ISSN 2574-1136 (Print), 2574-1144 (Online) (doi:https://doi.org/10.1080/25741136.2018.1519989)

spatial audio

Hill, Andrew ORCID: 0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: InSONIC2015. ZKM. (Submitted)

Spatial experience

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:https://doi.org/10.1080/17458927.2015.1042247)

Spatiality

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2014) Communicating technology: Interactive design and interdisciplinary collaboration in the digital arts. In: Book of Absracts of DRHA2014: Communication Futures: Connecting Interdisciplinary Design Practices in Arts/Culture, Academia and the Creative Industries. University of Greenwich, pp. 215-216. ISBN 978-1-291-97878-0

Spectacle

Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832

speculative futures

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2013) Mirroring Sherry Turkle: A discussion on authenticity, humanity and technology. In: Proceedings of the 19th International Symposium of Electronic Art, ISEA2013, Sydney. ISEA International, the Australian Network for Art & Technology and the University of Sydney, Sydney, Australia. ISBN 9780646913131

speculative design

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Love After Death (2016 - 2018). [Show/Exhibition]

St Leonard's Church

Thompson, Ian, Shiell, Stephen and Wilson, Richard (2016) BELL. [Performance]

staging community

Lammin, Hannah Elisabeth (2017) Staging community: a non-philosophical presentation of immanent social experience. PhD thesis, University of Greenwich.

Static glow

Samson, Audrey and Tobias Schäfer, Mirko (2016) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Bloomsbury Press. (Submitted)

Statistics

Gallardo, Francisco and Samson, Audrey (2017) Shrimping under working conditions. In: Pritchard, Helen, Snodgrass, Eric and Tyz ̇lik-Carver, Magda, (eds.) EXECUTING PRACTICES. Autonomedia (DATA browser 06), pp. 253-266. ISBN 9781570273216

STEM

Griffiths, Wyn and Keith, Lindsay ORCID: 0000-0002-5324-1719 (2015) SMASHfestUK 2015 - Asteroid! Evaluation Report. Project Report. N/A, The Albany, Deptford & The Deptford Lounge. (Unpublished)

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

story cities

Davies, Rosamund ORCID: 0000-0001-8645-8271, Potts, Cherry and Rehal, Kam (eds.) (2019) Story Cities – A City Guide for the Imagination. Arachne Press, UK. ISBN 978-1-909208-78-0 (In Press)

student autonomy

Lewis, Jesmond (2013) Encouraging student autonomy through collaborative curriculum development. In: Shift 2013: Sharing Practice, Developing Community, 03/07/2013, University of Greenwich. (Unpublished)

studio practice

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 and Hirst, Nicola (2016) The Design Studio as a Social Organism and Ecology. In: DRHA Conference 2016, 4th-7th September 2016 WhoLoDancE, University of Brighton. (Unpublished)

Waterworth, David (2015) Stockwell Depot 1967-79 (Exhibition). [Show/Exhibition]

Studio Production

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282

Studio-practice

Waterworth, David (2015) Reflections on Stockwell Depot. In: Waterworth, David, Cornish, Sam and Green, Louisa, (eds.) Stockwell Depot 1967-79. Ridinghouse, London, pp. 154-160. ISBN 978-1909932050

study

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2019) Science festivals and diversity: Human centred design as a method for social inclusion, increasing diversity and widening participation. International Journal of Science Education. ISSN 0950-0693 (Print), 1464-5289 (Online) (Unpublished)

Suchman

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595

Suds

Kotzen, Benzion ORCID: 0000-0003-3522-0460 (2018) Economic benefits and costs of green streets. In: Pérez, Gabriel and Perini, Katia, (eds.) Nature Based Strategies for Urban and Building Sustainability. Butterworth-Heinemann, pp. 319-331. ISBN 978-0128121504

surround

Hill, Andrew ORCID: 0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: InSONIC2015. ZKM. (Submitted)

Surveillance

Samson, Audrey (2017) Erasure. In: Pritchard, Helen, Snodgrass, Eric and Tyz˙lik-Carver, Magda, (eds.) EXECUTING PRACTICES. Autonomedia (DATA browser 06), pp. 143-154. ISBN 9781570273216

Samson, Audrey (2015) Erasure, an attempt to surpass datafication. APRJA (A peer-reviewed journal about), 4 (1). ISSN 2245-7755 (Online)

Samson, Audrey (2017) Goodnight Sweetheart. [Show/Exhibition]

Swimming pool

Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832

systems theory

Lewis, Jesmond (2014) Forming a pedagogy that develops creativity in undergraduates working at the junction of art and science. In: DRHA Conference 2014, 31 Aug - 3 Sept 2014, University of Greenwich, London, UK.

Taiwanese cinema

Brown, Christopher (2017) “Even If You Have Nothing, You Should Keep Filming”: An Interview with Cheng Yu-Chieh on 'Wawa No Cidal' (2015). Senses of Cinema (82). ISSN 1443-4059

Brown, Christopher (2017) Performance enhancement: identity, surface aesthetics, and the direction of actors in Yang Yang 陽陽 (Cheng Yu-Chieh, 2009). Asian Cinema, 28 (1). pp. 23-37. ISSN 1059-440X (Print), 2049-6710 (Online) (doi:https://doi.org/10.1386/ac.28.1.23_1)

Taste

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

Teaching

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282

Teaching TV Programmes

Brown, Lucy and Duthie, Lyndsay (2016) Teaching TV studio production. In: BFI Media Conference, 30 June 2016 - 01 July 2016, BFI, London UK.

Technological Intimacy

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Jefferies, Janis (2016) Intimate technologies: The ethics of simulated relationships. In: ISEA2016, Cultural R>Evolution. Proceedings of the 22nd International Symposium on Electronic Art . School of Creative Media, City University of Hong Kong, Hong Kong. ISBN 978-962-442-397-6

technology

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Ashford, Rain (2019) Diversity and inclusivity in the age of wearables: A buzzword, a myth, an uncertain reality. Body, Space & Technology, 18 (1). pp. 198-214. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.320)

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Jefferies, Janis (2015) ‘Twitter’: Practice in writing: A recipe for creativity & creative interpretation. In: Proceedings of the 21st Symposium on Electronic Arts. ISEA2015: International Symposium on Electronic Art, Vancouver, Canada. ISBN 9781910172001 ISSN 2451-8611

Television

Brown, Christopher (2013) Homosexuality in Dog Day Afternoon (1975): Televisual surfaces and a 'natural' man. Film Criticism, 37 (1):3. pp. 35-54. ISSN 0163-5069

Brown, Lucy (2017) How to Make the Next Big Global TV Studio Hit. In: South by Southwest (SXSW) Conference and Festivals, 10-19 March 2017, Austin, Texas, USA.

Brown, Lucy and Duthie, Lyndsay (2016) Assessing creativity in TV studio production. In: Media Education Summit, 4-6 Nov 2016, John Cabot University, Rome, Italy.

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282

Brown, Lucy and Duthie, Lyndsay (2015) Television production: How popular television programmes impact student led productions. In: NEPCA, Northeast Popular/American Culture Association, 30-31 October 2015, Colby Sawyer College, New Hampshire, US.

Television formats

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282

Text

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189, Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Psarras, Bill (2013) Dérive in the digital grid, breaking the search to get lost. In: Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney. ISEA International Australian Network for Art & Technology University of Sydney, Sydney, Australia. ISBN 9780646913131

texture

Brown, Christopher and Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Stories of a ruined space: filmic and sonic approaches to practice-as-research. Media Practice & Education, 9 (13). ISSN 2574-1136 (Print), 2574-1144 (Online) (doi:https://doi.org/10.1080/25741136.2018.1519989)

The TV Studio Production Handbook

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282

theatre

Hill, Andrew ORCID: 0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: InSONIC2015. ZKM. (Submitted)

Lammin, Hannah Elisabeth (2017) Staging community: a non-philosophical presentation of immanent social experience. PhD thesis, University of Greenwich.

Sporton, Gregory (2017) Reviews. Scene, 5 (1). pp. 83-88. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.1.83_5)

Sporton, Gregory (2018) To a Simple Rock ‘n’ Roll [...] Song, Michael Clark Company, Barbican Theatre, London, 24 October 2017. Scene, 5 (2). pp. 139-140. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.2.139_5)

things

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2019) Digital legacy: Designing with things. Death Studies. ISSN 0748-1187 (Print), 1091-7683 (Online) (In Press) (doi:https://doi.org/10.1080/07481187.2018.1541939)

Tilda Swinton

Stabb, Walter S. (2016) The Seasons In Quincy: Four Portraits of John Berger. [Video]

time

Balaam, Madeline, Davies, Rosamund ORCID: 0000-0001-8645-8271, Dade-Robertson, Martyn and Fraser, Mike (2014) It usually takes three of us, a few beers and a lot of imagination: a qualitative exploration of what it means and takes to do research. In: Williams, Alison, Jones, Derek and Robertson, Judy, (eds.) BITE: Recipes for Remarkable Research. Sense Publishers, Rotterdam / Boston / Taipei, pp. 14-23. ISBN 978-94-6209-584-7

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Performance]

timespace

Balaam, Madeline, Davies, Rosamund ORCID: 0000-0001-8645-8271, Dade-Robertson, Martyn and Fraser, Mike (2014) It usually takes three of us, a few beers and a lot of imagination: a qualitative exploration of what it means and takes to do research. In: Williams, Alison, Jones, Derek and Robertson, Judy, (eds.) BITE: Recipes for Remarkable Research. Sense Publishers, Rotterdam / Boston / Taipei, pp. 14-23. ISBN 978-94-6209-584-7

tintinnabulation

Thompson, Ian, Shiell, Stephen and Wilson, Richard (2016) BELL. [Performance]

Trees

Kotzen, Benzion ORCID: 0000-0003-3522-0460 (2018) Economic benefits and costs of green streets. In: Pérez, Gabriel and Perini, Katia, (eds.) Nature Based Strategies for Urban and Building Sustainability. Butterworth-Heinemann, pp. 319-331. ISBN 978-0128121504

tunnels

Brown, Christopher (2018) Coccolith. [Video]

Turing test

Lammin, Hannah (2018) Conversing with machines: Affective affinities with vocal bodies. Transformations: Journal of Media, Culture & Technology, 31. ISSN 1444-3775 (Online)

TV

Brown, Lucy (2015) Television production in the Academy: Bringing commercial practices into the classroom. In: New Directions in Film and Television Production Studies, 14-15 April 2015, UWE, Bristol, UK.

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282

Korolkova, Maria (2016) Hromadske TV: A new kind of media, a new form of accountability. Global Information Society Watch 2016: Economic, Social and Cultural Rights (ESCRs) and the Internet. Association for Progressive Communications (APC) and Humanist Institute for Cooperation with Developing Countries (Hivos), pp. 242-245. ISBN 978-92-95102-69-9

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

Wroot, Jonathan ORCID: 0000-0002-6827-728X and Willis, Andy (eds.) (2017) DVD, Blu-ray and Beyond: Navigating Formats and Platforms within Media Consumption. Literature, Cultural and Media Studies . Palgrave Macmillan, Basingstoke. ISBN 978-3319627571 ISSN 978-3319627588 (Online)

TV Production

Brown, Lucy and Duthie, Lyndsay (2016) Teaching TV studio production. In: BFI Media Conference, 30 June 2016 - 01 July 2016, BFI, London UK.

Brown, Lucy and Duthie, Lyndsay (2015) Television production: How popular television programmes impact student led productions. In: NEPCA, Northeast Popular/American Culture Association, 30-31 October 2015, Colby Sawyer College, New Hampshire, US.

TV Studio

Brown, Lucy and Duthie, Lyndsay (2016) Teaching TV studio production. In: BFI Media Conference, 30 June 2016 - 01 July 2016, BFI, London UK.

TV Studio Production

Brown, Lucy and Duthie, Lyndsay (2016) Assessing creativity in TV studio production. In: Media Education Summit, 4-6 Nov 2016, John Cabot University, Rome, Italy.

Twitter

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Jefferies, Janis (2015) ‘Twitter’: Practice in writing: A recipe for creativity & creative interpretation. In: Proceedings of the 21st Symposium on Electronic Arts. ISEA2015: International Symposium on Electronic Art, Vancouver, Canada. ISBN 9781910172001 ISSN 2451-8611

Type

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Jefferies, Janis (2015) ‘Twitter’: Practice in writing: A recipe for creativity & creative interpretation. In: Proceedings of the 21st Symposium on Electronic Arts. ISEA2015: International Symposium on Electronic Art, Vancouver, Canada. ISBN 9781910172001 ISSN 2451-8611

Typology

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595

UK distributors

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Distributing Asian cinema, Past and present: Definitions from DVD labels. In: Magnan-Park, Aaron Han Joon, Marchetti, Gina and Tan, See Kam, (eds.) The Palgrave Handbook of Asian Cinema. Literature, Cultural and Media Studies . Palgrave Macmillan. ISBN 978-1349958214 (doi:https://doi.org/10.1057/978-1-349-95822-1)

Ukraine

Korolkova, Maria (2016) Hromadske TV: A new kind of media, a new form of accountability. Global Information Society Watch 2016: Economic, Social and Cultural Rights (ESCRs) and the Internet. Association for Progressive Communications (APC) and Humanist Institute for Cooperation with Developing Countries (Hivos), pp. 242-245. ISBN 978-92-95102-69-9

undergraduate

Lewis, Jesmond (2014) Forming a pedagogy that develops creativity in undergraduates working at the junction of art and science. In: DRHA Conference 2014, 31 Aug - 3 Sept 2014, University of Greenwich, London, UK.

Unpredictable parameters

Samson, Audrey and Soon, Winnie (2015) Network affordances: The unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal (24). ISSN 1449-1443 (Online)

User evaluation

Davies, Rosamund ORCID: 0000-0001-8645-8271, Chrysanthi, Angeliki, Berggren, Asa, Earl, Graeme P. and Knibbe, Jarrod (2016) The camera "at the Trowel's Edge": Personal video recording in archaeological research. Journal of Archeological Method and Theory, 23 (1). pp. 238-270. ISSN 1072-5369 (Print), 1573-7764 (Online) (doi:https://doi.org/10.1007/s10816-015-9239-x)

Vegetation

Kotzen, Benzion ORCID: 0000-0003-3522-0460 (2018) Economic benefits and costs of green streets. In: Pérez, Gabriel and Perini, Katia, (eds.) Nature Based Strategies for Urban and Building Sustainability. Butterworth-Heinemann, pp. 319-331. ISBN 978-0128121504

verse

Cheeseman, Kate (2016) Love Somehow - Promotional video. [Video]

Cheeseman, Kate (2016) 'Love Somehow' (a film about Caitlyn Thomas and her relationship with poet Dylan Thomas). [Video]

Video

Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]

Thompson, Ian and Sparkes, Sarah (2019) Participation in EMPIRE II, an international touring exhibition, 2017 - 2019. [Dataset]

video art

Thompson, Ian and Sparkes, Sarah (2019) Participation in EMPIRE II, an international touring exhibition, 2017 - 2019. [Dataset]

Video games

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Flynn, Ryan (2015) Explicit and implicit narratives in the co-design of videogames. In: Full Papers/Proceedings of the Digital Research in the Humanities and Arts Conference, DRHA2014, London. University of Greenwich, London, UK, pp. 73-80. ISBN 9781326388584

Video Projection

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

Violence

Samson, Audrey, Muldtofte, Lea, Soon, Winnie, Snodgrass, Eric and Gallardo, Francisco (2018) Execution. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) Posthuman Glossary. Bloomsbury Academic, pp. 141-145. ISBN 978-1-350-03024-4

Virtual

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Performance]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:https://doi.org/10.1017/S1355771816000297)

Visual

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Performance]

Watkins, Julie (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120

Visual Effects

Zhi, Jin (2015) An alternative green screen keying method for film visual effects. International Journal of Multimedia and Its Applications, 7 (2). pp. 1-12. ISSN 0975-5934 (Print), 0975-5578 (Online) (doi:https://doi.org/10.5121/ijma.2015.7201)

visual ethnography

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 and Hirst, Nicola (2016) The Design Studio as a Social Organism and Ecology. In: DRHA Conference 2016, 4th-7th September 2016 WhoLoDancE, University of Brighton. (Unpublished)

visual music

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

Watkins, Julie (2016) Ambience 1. [Video]

Watkins, Julie (2016) Ambience 2. [Video]

Watkins, Julie (2016) Ambience 3. [Video]

Watkins, Julie (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.296)

Watkins, Julie (2018) Creating Affective Visual Music. Electronic Visualisation and the Arts (EVA 2018). (doi:https://doi.org/10.14236/ewic/EVA2018.70)

Watkins, Julie (2018) Document of Singing Light 1 installation. [Video]

Watkins, Julie (2014) Horizon. [Video]

Watkins, Julie (2019) Interactive Visual Music. In: Electronic Visualisation and the Arts (EVA). EVA. (In Press)

Watkins, Julie (2015) Reservoir. [Video]

Watkins, Julie (2017) SKY. [Video]

Watkins, Julie (2015) Shadow Sounds 1. [Video]

Watkins, Julie (2018) Sky 2. [Video]

Watkins, Julie (2015) Song Series Animacy. [Video]

Watkins, Julie (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

Visual structure

Watkins, Julie (2018) Creating Affective Visual Music. Electronic Visualisation and the Arts (EVA 2018). (doi:https://doi.org/10.14236/ewic/EVA2018.70)

Vlastaras

Hobbs, James (2017) I am a Karate American egg. [Art/Poetry/Short Story Performance or Reading]

vocal

Breathing Space, (Collective) and Thompson, Ian (2016) RISE. [Show/Exhibition]

Breathing Space, (collective) (2015) HERD. [Performance]

Breating Space, (Collective) and Thompson, Ian (2016) RISE. [Performance]

vocals

Thompson, Ian (2019) Collaborations with Breathing Space Collective. [Dataset]

voice

Lammin, Hannah (2018) Conversing with machines: Affective affinities with vocal bodies. Transformations: Journal of Media, Culture & Technology, 31. ISSN 1444-3775 (Online)

Vulnerability

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Jefferies, Janis (2016) Intimate technologies: The ethics of simulated relationships. In: ISEA2016, Cultural R>Evolution. Proceedings of the 22nd International Symposium on Electronic Art . School of Creative Media, City University of Hong Kong, Hong Kong. ISBN 978-962-442-397-6

Wales

Cheeseman, Kate (2016) Love Somehow - Promotional video. [Video]

Cheeseman, Kate (2016) 'Love Somehow' (a film about Caitlyn Thomas and her relationship with poet Dylan Thomas). [Video]

walter benjamin

Lammin, Hannah (2018) Seeing in-photo: Non-photography as Positive Barbarism. Parallax, 24 (2). pp. 193-208. ISSN 1353-4645 (Print), 1460-700X (Online) (doi:https://doi.org/10.1080/13534645.2018.1452444)

Water

Kotzen, Benzion ORCID: 0000-0003-3522-0460 (2018) Economic benefits and costs of green streets. In: Pérez, Gabriel and Perini, Katia, (eds.) Nature Based Strategies for Urban and Building Sustainability. Butterworth-Heinemann, pp. 319-331. ISBN 978-0128121504

Wattpad

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)

Wawa No Cidal

Brown, Christopher (2017) “Even If You Have Nothing, You Should Keep Filming”: An Interview with Cheng Yu-Chieh on 'Wawa No Cidal' (2015). Senses of Cinema (82). ISSN 1443-4059

Ways of Seeing

Stabb, Walter S. (2016) The Seasons In Quincy: Four Portraits of John Berger. [Video]

Wearables

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Ashford, Rain (2019) Diversity and inclusivity in the age of wearables: A buzzword, a myth, an uncertain reality. Body, Space & Technology, 18 (1). pp. 198-214. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.320)

Women in Film & TV

Brown, Lucy (2017) How to Make the Next Big Global TV Studio Hit. In: South by Southwest (SXSW) Conference and Festivals, 10-19 March 2017, Austin, Texas, USA.

Women in Media

Brown, Lucy (2017) How to Make the Next Big Global TV Studio Hit. In: South by Southwest (SXSW) Conference and Festivals, 10-19 March 2017, Austin, Texas, USA.

world cinema

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

writing

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 and Jefferies, Janis (2015) ‘Twitter’: Practice in writing: A recipe for creativity & creative interpretation. In: Proceedings of the 21st Symposium on Electronic Arts. ISEA2015: International Symposium on Electronic Art, Vancouver, Canada. ISBN 9781910172001 ISSN 2451-8611

youth

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2019) Science festivals and diversity: Human centred design as a method for social inclusion, increasing diversity and widening participation. International Journal of Science Education. ISSN 0950-0693 (Print), 1464-5289 (Online) (Unpublished)

This list was generated on Mon Jun 24 18:51:35 2019 UTC.