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Items where Subject is "N Visual arts (General) For photography, see TR"

Items where Subject is "N Visual arts (General) For photography, see TR"

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Number of items at this level: 213.


Acton, Thomas (2010) Is tradition the enemy of history? In: Orta, Lucy, (ed.) Mapping the Invisible: EU-Roma Gypsies. Black Dog Publishing / London College of Fashion, London, UK, pp. 20-23. ISBN 978 1 906155 91 9

Acton, Thomas (2007) Second site. Paradise lost. Open Society Institute / Prestel Publishing, London, UK: New York, pp. 30-32. ISBN 978-3-7913-6145-1

Adil, A (2009) Becoming the future now. [Art/Poetry/Short Story Performance or Reading]

Adil, Alev (2011) Memory in the dead zone. [Art/Poetry/Short Story Performance or Reading]

Adil, Alev (2011) MemoryMap [website]. MemoryMap, London, UK.

Arthur, Mervyn, Baseman, Jordan, Behr, Bernd, Biswas, Sutapa, Chance, Veronique, Cobbing, William, Coldwell, Paul, Cross, David, Dobai, Sarah, Douglas, Lorrice, Drabble, Neil, Gunning, Lucy, Hamann, Sigune, Haywood, Thomas, Ingham, Mark, Kovats, Tania, Lanteri Laura, Jean-Louis, Lebas, Chrystel, Love, Johanna, Mossman, Anna, Newth, Martin, Robertson, Helen, Rowe, Lois, Taylor, Finlay, Treacy, Danny, Wainwright, Chris and Webster, Dave (2011) SCOPE New Photographic Practices. [Show/Exhibition]


Bailey, Catherine, Madden, Adrian ORCID: 0000-0002-3193-5808, Alfes, Kerstin and Fletcher, Luke (2015) The meaning, antecedents and outcomes of employee engagement: A narrative synthesis. International Journal of Management Reviews, 19 (1). pp. 31-53. ISSN 1460-8545 (Print), 1468-2370 (Online) (doi:

Berryman, Andrea and Patterson, Jennifer ORCID: 0000-0002-8254-7602 (2012) Why Feminist Art matters now. The F-Word.

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Performance]

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]

Bowen, Jonathan P., Giannini, Tula, Polmeer, Gareth, Gannis, Carla, Gardiner, Jeremy, Kearney, Jonathan, Wands, Bruce and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) States of being: art and identity in digital space and time. In: EVA London 2018: Electronic Visualisation & the Arts. Proceedings of a conference held in London 11th-13th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2018 . BCS: The Chartered Institute for IT, Swindon; London, pp. 1-7. ISBN 978-1780174631 ; 978-1780174632 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:

Broadhurst, Susan, Papadaki, Elena ORCID: 0000-0002-6653-4334, Ploeger, Dani, Goddard, Michael N., O'Brien, Sarah, Taiwo, Olu, Schellewald, Andreas, Chan, Melanie, Lewis, Matt, Dziekan, Vince, Giannachi, Gabriella, Nolasco-Rózsás, Lívia, Katan-Schmid, Einav, Meseguer, Rosell, Borges, Cândida, Vélez, Gabriel Mario, DeLappe, Joseph, Caerols Mateo, Raquel, Kelomees, Raivo, Guljajeva, Varvara, Laas, Oliver, Riegel, Christian, Robinson, Katherine M., Richards, Grayson, Desnoyers-Stewart, John, Smith, Megan L., Riecke, Bernhard E., Dare, Eleanor, Berezina-Blackburn, Vita, Oliszewski, Alex and Mcgarrigle, Conor (eds.) (2020) Radical Immersions: Navigating between virtual/physical environments and information bubbles - DRHA 2019 Conference Proceedings. University of London / DRHA, London. ISBN 978-0900822124 (In Press)

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282


Calvert, Sheena (2009) [Un]disciplined gestures and [un]common sense: the sensual, acoustic logic(s) of paradox and art. PhD thesis, University of Greenwich.

Chaplin, Sarah (2008) Child-friendliness in design: can design and architecture lead the way? In: Places to go? place-shaping, safer streets and sustainable transport for a child-friendly public realm. A national conference by Play England, Sustrans, Living Streets and the National Children's Bureau, 20 May 2008, Queen Elizabeth II Conference Centre Westminster London. (Unpublished)

Cheeseman, Katharine (2012) Roadkiller. [Video]

Critchley, Emily (2010) First Poetry. [Video]

Critchley, Emily (2010) Some curious thing. [Video]


Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2007) Index of love. [Artefact]

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Index of love. [Show/Exhibition]

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2019) The screenplay as boundary object. Journal of Screenwriting, 10 (2). pp. 149-164. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:

Dawson, Andrew (2011) Book review: NYSTROM, DEREK. Hard Hats, Rednecks, and Macho Men. Class in 1970s American Cinema. Oxford University Press, Oxford [etc.] 2009. x, 251 pp.Ill. $24.95; doi:10.1017/S0020859011000137. International Review of Social History, 56 (10). pp. 160-162. ISSN 0020-8590 (Print), 1469-512X (Online) (doi:

Dawson, Andrew (2005) Book review: Robert S. Birchard, Cecil B. DeMille's Hollywood (Lexington: University of Kentucky Press, 2004, $39.95). Pp. 446. ISBN 0 8131 2324 0; David W. Menefee, The first female stars: women of the silent era (Westport, CT: Praeger, 2004, $44.95). Pp. 249. ISBN 0 275 98259 9. Journal American Studies, 39 (1). pp. 113-114. ISSN 0021-8758 (Print), 1469-5154 (Online) (doi:

Dawson, Andrew (2012) Challenging lilywhite Hollywood: African Americans and the demand for racial equality in the motion picture industry, 1963-1974. The Journal of Popular Culture, 45 (6). pp. 1206-1225. ISSN 0022-3840 (Print), 1540-5931 (Online) (doi:

Dawson, Andrew (2010) Crossing disciplinary borders: history and film studies. In: Teaching visual sources, 12 March 2010, University of Manchester. (Unpublished)

Dawson, Andrew (2010) ’Flexible Specialisation’ and New Hollywood: Time for a Paradigm Shift? In: 8th European Social Science History Conference, 13-16 Apr 2010, Ghent, Belgium. (Unpublished)

Dawson, Andrew (2012) Labouring in Hollywood’s motion picture industry and the promise of ‘flexible specialisation’. In: Dawson, Andrew and Holmes, Sean P., (eds.) Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 21-38. ISBN 9781780930206

Dawson, Andrew and Holmes, Sean P. (2014) Culture, Creativity and Disappearing Celluloid. [Video]

Dawson, Andrew and Holmes, Sean P. (2012) 'Help to preserve the real story of our cinema and television industries': The BECTU History Project and the construction of British media history, 1986–2010. Historical Journal of Film, Radio and Television, 32 (3). pp. 435-448. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:

Dawson, Andrew and Holmes, Sean P. (2012) New perspectives on working in the global film and television industries. Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 1-17. ISBN 9781780930206

Dawson, Andrew and Holmes, Sean P. (eds.) (2012) Working in the global film and television industries: Creativity, systems, space, patronage. Bloomsbury Academic, London, UK. ISBN 9781780930206

Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2017) Enabling Audiovisual User Interfaces. [Performance] (Unpublished)

Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2019) Moving Digits: Augmented Dance for Engaged Audience. [Performance] (Unpublished)


Fiddler, Michael ORCID: 0000-0002-0695-6770 (2013) Playing funny games in the last house on the left: the uncanny and the ‘home invasion’ genre. Crime, Media, Culture, 9 (3). pp. 281-299. ISSN 1741-6590 (Print), 1741-6604 (Online) (doi:

Finkelstein, Joanne (2010) Fashioned identity and the unreliable image. Critical Studies in Fashion and Beauty, 1 (2). pp. 153-163. ISSN 2040-4417 (doi:

Fox, Kenneth and Lambirth, Andrew (2012) Film and pedagogy: Learning about teaching at the movies. In: Bahloul, Maher and Graham, Carolyn, (eds.) Lights! Camera! Action and the Brain: The Use of Film in Education. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 61-81. ISBN 9781443836579

Frith, Ed (2008) Ed Frith of Moving Architecture reviews Lincoln School of Architecture’s show. The Architects' Journal.

Frith, Ed (2008) Loris Gréaud — french and fanciful. Building Design (1822). p. 21.

Frith, Ed (2008) Matthew Springett Architects presents models, but no buildings. Building Design (1832). p. 15.

Frith, Ed (2008) On altering architecture by Fred Scott. The Architects' Journal. pp. 12-13. ISSN 0003-8466

Frith, Ed and Graef, Alexander (2007) Draw like a builder, build like a writer (and the crack is in the detail). The role of the humanities in design creativity international conference, 15-16 Nov 2007, Lincoln, UK. University of Lincoln, Lincoln. ISBN 9781860502224

Frith, Ed, O'Carroll, Gerrard, Wilson, Peter and Payne, James (2008) Best in show. Building Design (1827). pp. 20-21.


Giaxoglou, Korina, Döveling, Katrin and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Networked emotions: Interdisciplinary perspectives on sharing loss online. Journal of Broadcasting and Electronic Media, 61 (1). ISSN 0883-8151 (Print), 1550-6878 (Online) (doi:

Golding, Johnny (2012) Ana-materialism and the Pineal Eye: Becoming mouth-breast (or visual arts after Descartes, Bataille, Butler, Deleuze and Synthia with an ‘s’). Philosophy of Photography, 3 (1). pp. 99-120. ISSN 2040-3682 (Print), 2040-3690 (Online) (doi:

Golding, Johnny (2010) Fractal philosophy (and the small matter of learning how to listen): attunement as the task of art. In: Zepke, Stephen and O'Sullivan, Simon, (eds.) Deleuze and Contemporary Art. Deleuze Connections . Edinburgh University Press, Edinburgh, Scotland, pp. 133-154. ISBN 978-0748638376 (hardback), 9780748638383 (paperback),

Golding, Sue (2010) The Allergic Bodies Conference: Postgraduate/Postdoctoral Research Conference, 2010. In: The Allergic Bodies Postgraduate/Postdoctoral Research Conference, 27 May 2010, University of Greenwich, Maritime Campus.

Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.

Golding, Sue (2009) Trembling the plane of immanence: media arts philosophy and the re-vision of art (or what’s acoustics got to do with the visual?). In: Invited lecture, February, 2009, Royal Academy of Art. (Unpublished)

Golding, Sue (2006) The assassination of time (ζeta-philosophy). In: Digital Art Weeks, 12-16 Jul 2006, Eidgenössische Technische Hochschule, Zurich, Switzerland.

Golding, Sue and Kennedy, Steve (2009) To tremble the zero: art in the age of algorithmic reproduction. In: Critical Digital Studies Workshop, 4-6 June 2009, Pacific Centre for Technology and Culture at the University of Victoria. (Unpublished)

Birmingham City University, Perry Barr, Birmingham, West Midlands B42 2SU (2010) MotivePro: a motion capture apparatus. WO/2010/084348.


Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) VOID. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

Hill, Andrew ORCID: 0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)

Hobbs, James (2020) Moribund State(s) - Exhibition Catalogue/Artist Book. Project 78 Press, UK. ISBN 978-1838133108

Hobbs, James (2020) Moribund State(s) - Solo multimedia art exhibition. [Show/Exhibition]

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Hobbs, James (2020) Nature Morte: Examining the sonic and visual potential of a 16mm film. In: Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, (ed.) Sound and Image. Focal Press, London, pp. 219-225. ISBN 978-0429295102 (doi:

Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]

Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

Holden, Robert (2007) Exhibition. Public city. Architects' Journal, 225 (5). p. 44. ISSN 0003-8466


Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

Ingham, Mark (2012) 120 days and nights of staggering and stammering. [Show/Exhibition]

Ingham, Mark (2008) Ars magna lucis et umbrae. [Show/Exhibition]

Ingham, Mark (2011) Art takes Miami 2011. In: Aldrich, Jeffrey, (ed.) Art Takes Miami 2011. Artist Wanted, New York, p. 5. ISBN 9780984871803

Ingham, Mark (2011) Mark Ingham, Marilyn Miller and Me 1956-2011. In: Muraben, Billie, (ed.) New Photographic Practices: SCOPE. Camberwell Press, London, UK, p. 24. ISBN 978-0-9536395-9-5

Ingham, Mark (2011) Mark Ingham: motion and sound winner Scope Miami 2011. SCOPE Miami 2011. Artists Wanted LLC, New York, pp. 46-47. ISBN 9780984871803

Ingham, Mark (2010) Never judge a book by its movie. In: Inspiring Learners: Equipping the Next Generation of Graduates, 6 July 2010, University of Greenwich. (Unpublished)

Ingham, Mark (2011) New photographic practices: SCOPE. In: Newth, Martin, (ed.) New Photographic Practices; SCOPE. Camberwell Press, London. ISBN 978-0953639595

Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]

Ingham, Mark (2011) A portrait of Marilyn Miller and me 5611. [Artefact]

Inman, James Stuart (1997) Surrealism since the Second World War with particular reference to surrealism in Czechoslovakia. MPhil thesis, University of Greenwich.


Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:


Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:

Kennedy, Stephen (2011) Audiostate. six compositions for film/live art performance. [Show/Exhibition] (Unpublished)

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

Kohrs, Kirsten ORCID: 0000-0003-4302-833X (2020) The language of luxury fashion advertising: Technology of the self and spectacle. Journal of Fashion Marketing and Management. ISSN 1361-2026 (Print), 1361-2026 (Online) (doi:

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Curating Russian Film for International Audiences. [Show/Exhibition] (Submitted)

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Barker, Timothy (eds.) (2021) Miscommunications: Errors, Mistakes, Media. Thinking Media . Bloomsbury Academic, New York. ISSN 978-1501363856 (Print), 978-1501363832 (Online)

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)


Langan, Michael (2009) Astonishing apples: visualising the novel. In: School of Humanities and Social Sciences Research Conference, 28 May 2009, University of Greenwich. (Unpublished)

Liao, Hanwen (2007) London 2012 Olympic development. Urbanism and Architecture, 38 (11). pp. 79-83. ISSN 1673-0232

Liao, Hanwen and Isaac, David (2007) Olympic Haussmannization. Urbanism and Architecture, 38 (11). pp. 12-14. ISSN 1673-0232

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700, Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:


Maffioletti, Catherine (2020) Multicomponent Output 1: Hysteria. [Performance]

Maffioletti, Catherine (2020) Multicomponent Output 2: Hysterical Together. [Performance]

Mann, Tony (1995) [Book review] Cindy Sherman 1975-1993. The Art Book, 2 (2). p. 34. ISSN 1467-8357 (doi:

Mann, Tony (1995) [Book review] Colour: Art and Science. The Art Book, 2 (2). p. 26. ISSN 1467-8357 (doi:

Mann, Tony (1995) [Book review] Iterations: The New Image. The Art Book, 2 (2). pp. 32-33. ISSN 1467-8357 (doi:

Mann, Tony (1997) Edinburgh in August. The Art Book, 4 (1). pp. 19-20. ISSN 1467-8357 (doi:

Mann, Tony (2003) [Exhibition review] Keith Tyson at Tate Britain. BSHM Newsletter, 47. pp. 46-47.

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2009) Visual arts and 2D – 3D motion typo.graphic design. In: EVA London 2009: Electronic Visualisation & the Arts. Electronic Workshops in Computing (eWiC) (online), 2009 . BCS: The Chartered Institute for IT, Swindon, UK, pp. 192-200. ISBN 978-1-906124-17-5 (pbk) ISSN 1477-9358 (online)

Masu, Raul, Correia, Nuno N. ORCID: 0000-0002-9999-9162, Jürgens, Stephan, Feitsch, Jochen and Romão, Teresa (2020) Designing Interactive Sonic Artefacts for Dance Performance: an Ecological Approach. In: AM '20: Proceedings of the 15th International Conference on Audio Mostly. ACM, New York, USA, pp. 122-129. ISBN 978-1450375634 (doi:

McClean, Mairead (2008) Bell(a)Exchange III. [Show/Exhibition]

McClean, Mairead (2008) Bell(a)exchange II. [Show/Exhibition]

Milic, Nela, Maragiannis, Anastasios ORCID: 0000-0002-1662-0189, Oh, Jee and Zuabi, Thaer (2011) Mapping and reshaping of cultural identity by digital media [Workshop]. In: ISEA2011: The 17th International Symposium on Electronic Art, 14-21 Sep 2011, Istanbul, Turkey.

Mould, Oli, Vorley, Tim and Liu, Kai (2014) Invisible creativity? Highlighting the hidden impact of freelancing in London's creative industries. European Planning Studies, 22 (12). pp. 2436-2455. ISSN 0965-4313 (Print), 1469-5944 (Online) (doi:

Mroz, Matilda (2010) Cinema and censorship in post-war Poland. In: Darwin College Humanities and Social Sciences Group series, 25 May 2010, Darwin College, University of Cambridge, UK. (Unpublished)

Mroz, Matilda (2014) The aesthetics of overflow: Tarkovsky’s Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pamela, (eds.) The Cinema of the Swimming Pool. New Studies in European Cinema (17). Peter Lang AG, Oxford / Bern / Berlin / Bruxelles / Frankfurt am Main / New York / Wien, pp. 169-180. ISBN 978-3034317832

Mroz, Matilda (2014) The monument and the sewer: memory and death in Wajda’s Kanal (1957). Historical Journal of Film, Radio and Television, 34 (4). pp. 528-545. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:


Naylor, Alex (2011) ‘A horror picture at this time is a very hazardous undertaking’: Did British or American censorship end the 1930s horror cycle? The Irish Journal of Gothic and Horror Studies (9). ISSN 2009-0374


Papadaki, Elena ORCID: 0000-0002-6653-4334 (2014) Communicating technology: Interactive design and interdisciplinary collaboration in the digital arts. In: Book of Absracts of DRHA2014: Communication Futures: Connecting Interdisciplinary Design Practices in Arts/Culture, Academia and the Creative Industries. University of Greenwich, pp. 215-216. ISBN 978-1-291-97878-0

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Elevate me later - an analogue sea in a digital world. In: Papadaki, Elena ORCID: 0000-0002-6653-4334, (ed.) Exhibiting the Analogue / Exhibiting the Digital – afterthoughts on an exhibition. University of Greenwich Galleries, London, pp. 1-5. ISBN 978-0957343047 (In Press)

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Interactive video installations in public spaces: Rafael Lozano-Hemmer's Under Scan. In: Crisp, Virginia and Menotti Gonring, Gabriel, (eds.) Besides the Screen: Moving Images through Distribution, Promotion and Curation. Palgrave Macmillan, London & New York, pp. 197-212. ISBN 978-1-137-47101-7

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2016) "Le geste curatorial et les œuvres sur écran - L’évolution d’un néologisme vers une tendance majeure". Proteus (10). pp. 64-70. ISSN 2110-557X (Online)

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2021) Re-mapping the Territory: immersive exhibition practices in the expanded field. Gramma. ISSN 2529-1793 (Online) (In Press)

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2017) Space as Methodology: the politics of exhibiting the moving image in public spaces. In: "The Politics of Space and the Humanities", 15-17 December 2017, Thessaloniki, Greece. (Unpublished)

Papadaki, Elena ORCID: 0000-0002-6653-4334, Arfaras, Mihalis, Schizakis, Stamatis, Garcia, Carla Ambrósio, Dare, Eleanor, Beveridge, Patrick, Hobbs, James, Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Menotti, Gabriel, Ploeger, Dani, Samson, Audrey, Borras, Michael (a.k.a. Systaime), Krajewska, Klio and Talbot, Michael ORCID: 0000-0001-7198-1422 (eds.) (2020) Exhibiting the Analogue, Exhibiting the Digital: Afterthoughts on an exhibition. University of Greenwich Galleries / Incandescent Square, London. ISBN 978-0957343047

Papadaki, Elena ORCID: 0000-0002-6653-4334, Ploeger, Dani and Krajewska, Klio (2019) Radical Immersions. [Show/Exhibition]

Papadaki, Elena ORCID: 0000-0002-6653-4334 and Schizakis, Stamatis (2018) Critical Convergence: Greek contemporary artists in dialogue with the (recent) past. [Show/Exhibition]

Patterson, Jennifer ORCID: 0000-0002-8254-7602 (ed.) (2016) The Association for Medical Humanities International Journal: Body Talk: Whose Language? (2016 Conference Abstracts). The Association for Medical Humanities, The University of Greenwich. ISBN 978-0995519305 ISSN 2398-6395

Patterson, Jennifer ORCID: 0000-0002-8254-7602 (2016) Translations. Body Talk: whose language? Association of Medical Humanities. (Unpublished)

Pettit, Zoë ORCID: 0000-0002-1909-8947 (2012) Translating Tsotsi for the screen. In: Serban, Adriana, Matamala, Anna and Lavaur, Jean-Marc, (eds.) Audiovisual Translation in Close-Up: Practical and Theoretical Approaches. Peter Lang, Bern, Switzerland, pp. 75-91. ISBN 9783034311519

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2016) Death and Memory in the Twenty-First Century. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities and Sciences. Palgrave Macmillan, London, UK, pp. 113-118. ISBN 9781137520579 (doi:

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Love After Death (2016 - 2018). [Show/Exhibition]

Powers, Alan (2010) Benjamin Britten, Piper and Aldeburgh. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 130-135. ISBN 978-0-9558343-2-5

Powers, Alan (2010) Introduction: John Piper in context. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 9-13. ISBN 978-0-9558343-2-5


Rabourdin, Caroline ORCID: 0000-0002-9694-0384 (2013) Sounding Space Symposium. [Show/Exhibition]


Salihbegović, Fahrudin (2013) Directing Cyber Theatre. Academica - Akademska grupa, Belgrade, Serbia. ISBN 9788688835060

Salihbegović, Nuno (2011) Oedipus at Tate Britain. [Performance]

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:

Samson, Audrey and Soon, Winnie (2015) Network affordances: The unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal (24). ISSN 1449-1443 (Online)

Secomb, Linnell (2006) Petyarra and Moffatt: 'Looking from the sky'. Cultural Studies Review, 12 (1). pp. 44-56. ISSN 1446-8123 (Print), 1837-8692 (Online)

Shokoohy, Mehrdad (2007) The experience of Islamic art on the margins of Islam. Journal of Islamic Studies, 18 (3). pp. 452-458. ISSN 0955-2340 (doi:

Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:

Sigthorsson, Gauti (2008) Sensation for sensation's sake: art and the temptation of 'Wow'! Sjonauki. ISSN 1670-7311

Smith, Caroline (2007) Hide and seek with rebels: tracing contemporary queer art in cracks and rips. Wasafiri, 22 (1). pp. 32-42. ISSN 0269-0055 (doi:

Solanke, Adeola (2018) Clip from The Court Must Have a Queen by Ade Solanke. [Video]

Solanke, Adeola (2018) The Court Must Have a Queen by Ade Solanke - production stills. [Image] (Unpublished)

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2020) How ambient advertising is uniquely placed to make audiences think. Westminster Papers in Communication and Culture, 15 (2). pp. 95-111. ISSN 1744-6716 (Online) (doi:

Sporton, Gregory (2017) The Body and the Intellectual. Scene, 5 (2). pp. 115-126. ISSN 2044-3714 (doi:

Sporton, Gregory (2018) The Life of a Dance: Double Take Part II. In: Proceedings from the Document Academy. University of Akron, pp. 1-10.

Sporton, Gregory (2016) Review from London International Mime Festival. Scene, 4 (1). pp. 89-90. ISSN 2044-3714 (doi:

Sporton, Gregory (2016) Reviews. Scene, 4 (2). pp. 173-178. ISSN 2044-3714 (doi:

Sporton, Gregory (2017) Reviews. Scene, 5 (1). pp. 83-88. ISSN 2044-3714 (doi:

Sporton, Gregory (2017) The Sporton Professorial Inaugural. [Performance]

Sporton, Gregory (2010) The Watertower. [Show/Exhibition]

Sporton, Gregory and Makiola, Iona (2011) The Watertower: augmented reality gaming for heritage. In: Beale, Katy, (ed.) Museums At Play – Games, Interaction and Learning. MuseumsEtc., Edinburgh, UK and Boston, USA, pp. 347-357. ISBN 9781907697142

Stabb, Walter (2019) Europe Endless. [Video]

Stacey, Gillian Joyce (2017) Lee Miller. Beyond the muse. A very modern woman: a woman of her time. PhD thesis, University of Greenwich.

Stoppani, Teresa (2007) Antípodas: proyectos para una nueva cartografía. La Revista de la Facultad 47 al fondo (15). pp. 26-31.

Stoppani, Teresa (2007) Dust projects: on Walter Benjamin's Passagen-Werk and some contemporary dusty makings in architecture. The Journal of Architecture, 12 (5). pp. 543-557. ISSN 1360-2365 (doi:

Stoppani, Teresa (2007) Dust revolutions. Dust, informe, architecture (notes for a reading of dust in Bataille). The Journal of Architecture, 12 (4). 437 - 447. ISSN 1360-2365 (doi:

Stoppani, Teresa (2007) Grid effect in architecture. In: Defining Space International Interdisciplinary Conference UCD, 11-13 Oct 2007, Dublin. (Unpublished)

Stoppani, Teresa (2008) Interpreting the Renaissance: princes, cities, architects by Manfredo Tafuri, translated by Daniel Sherer. The Journal of Architecture, 13 (3). pp. 345-354. ISSN 1360-2365 (doi:

Stoppani, Teresa (2007) Learning from Manhattan: Rem Koolhaas on the City before the Global and Junkspace. In: Concealing the Designer – The Illusion of the Natural City in the 20th Century, 1-2 June 2007, Berlin, Germany.

Stoppani, Teresa (2007) L’histoire assassinée. Manfredo Tafuri and the architecture of the present. In: The Role of the Humanities in Design Creativity, 15-16 Nov 2007, University of Lincoln, UK. (Unpublished)

Stoppani, Teresa (2007) Representing Venice. One, multiple, impossible. In: Loo, Stephen and Bartsch, Katherine, (eds.) Panorama to Paradise: Scopic Regimes in Architectural and Urban History and Theory, Sydney: proceedings of the SAHANZ Meeting 2007. Society of Architectural Historians, Australia and New Zealand, Adelaide, Australia. ISBN 1920927557

Stoppani, Teresa (2008) Translucent and fluid: Piranesi's impossible plan. In: Frascari, Marco, Hale, Jonathan and Starkey, Bradley, (eds.) From Models to Drawings: imagination and representation in architecture. Critiques . Routledge, London, UK, pp. 99-108. ISBN 978-0-415-48798-6 (pbk) 978-0-415-43113-2 (hbk)

Stoppani, Teresa (2007) Unfinished business. The historical project after Manfredo Tafuri. In: Rendell, Jane, Hill, Jonathan, Dorrian, Mark and Fraser, Murray, (eds.) Critical architecture. Routledge, London, pp. 22-30. ISBN 9780415415385

Stoppani, Teresa (2008) Venetian time and the meander. Log, 12. pp. 131-143. ISSN 1547-4690

Stoppani, Teresa (2007) The building of tension - Manfredo Tafuri's legacy: from operative criticism to historical project, between critical practices and material practices in architecture. In: van Koten, Hamid and Holm, Lorens, (eds.) Reflections on creativity: exploring the role of theory in creative practices. Duncan of Jordanstone College, Dundee, Scotland, UK, pp. 1-17. ISBN 1899837536


Thompson, Ian ORCID: 0000-0002-7143-8013, Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]

Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2018) The Cosmic Pond - REF documentation. [Show/Exhibition]

Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2019) Participation in EMPIRE II, an international touring exhibition, 2017 - 2019. [Show/Exhibition]

Troisi, Anna ORCID: 0000-0002-6868-4424 (2018) OB-scene, a live audio/visual performance for photoplethysmograph and female body. Organised Sound, 23 (3). pp. 270-276. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:

Turner, Tom (1986) English garden design: history and style since 1650. Antique Collectors' Club Ltd., Woodbridge, England. ISBN 978-0907462255


Vlachos, Peter ORCID: 0000-0002-4870-9006 (2003) Paint a true picture of art in China. The Guardian. ISSN 0261-3077


Wallis, Jillian (2015) Reverie. [Performance]

Waterworth, David (2020) 10-4. [Show/Exhibition]

Waterworth, David (2008) Embedded [Group Show]. [Show/Exhibition]

Waterworth, David (2009) Object as subject. [Show/Exhibition]

Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]

Waterworth, David, Brochard, Yves and McDonald, Roger (2011) On cavity: the language of landscape and the gaps in between. Christian Hidaka: Balanced Rock / Waterfall at the Top of the River. Max Wigram Gallery, London, pp. 23-24. ISBN 9780955971310

Waterworth, David and Satom, Saki (2008) To-Lo: Tokyo - London Art Exchange. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 1. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 2. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 3. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective. PhD thesis, University of Greenwich.

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective: REF Multi-component portfolio. [Dataset] (Unpublished)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Document of Singing Light 1 installation. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Emotion In Abstract Animation: Designing A New Form Of Visual Music. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2014) Horizon. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Reservoir. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Shadow Sounds 1. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Singing Light 1. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Sky 2. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Song Series Animacy. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2020) Visual music and embodied visceral affect. In: Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, (ed.) Sound and Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Bowen, Jonathan P., Borda, Ann and Diprose, Graham (2021) EVA London (Electronic Visualisation and the Arts): proceedings of EVA London 2021. In: AI and the Arts: Artificial Imagination. Proceedings of EVA London 2021 (EVA 2021). 5th July – 9th July 2021. Electronic Workshops in Computing (eWiC) | BCS . British Computer Society, Swindon; London, pp. 1-10. ISBN 978-1-78017-573-7 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2017) Simulating auditory hallucinations in a video game: three prototype mechanisms. In: AM '17: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-5373-1 (doi:

Woollard, Christopher C. and Herrero, Juan J. (2004) An information system to exploit the use of metadata within film and television production. Image Technology, 86 (5). pp. 26-32. ISSN 0950-2114

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)


Zhi, Jin (2015) An alternative green screen keying method for film visual effects. International Journal of Multimedia and Its Applications, 7 (2). pp. 1-12. ISSN 0975-5934 (Print), 0975-5578 (Online) (doi:

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Art/Poetry/Short Story Performance or Reading]

This list was generated on Sat Oct 16 04:07:25 2021 UTC.