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The aesthetics of overflow: Tarkovsky’s Nostalghia (1983) in duration

The aesthetics of overflow: Tarkovsky’s Nostalghia (1983) in duration

Mroz, Matilda (2014) The aesthetics of overflow: Tarkovsky’s Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pamela, (eds.) The Cinema of the Swimming Pool. New Studies in European Cinema (17). Peter Lang AG, Oxford / Bern / Berlin / Bruxelles / Frankfurt am Main / New York / Wien, pp. 169-180. ISBN 978-3034317832

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Item Type: Book Section
Additional Information: [1] Chapter 12 in The Cinema of the Swimming Pool. Volume 17, in New Studies In European Cinema (Book series ISSN 1661-0261), edited by Wendy Everett and Axel Goodbody. [2] ISBN 978-3-0343-1783-2 (pb);
Uncontrolled Keywords: Bergson, duration, Tarkovsky, pool, aesthetics, temporality, texture
Subjects: N Fine Arts > N Visual arts (General) For photography, see TR
Faculty / Department / Research Group: Faculty of Architecture, Computing & Humanities
Faculty of Architecture, Computing & Humanities > Department of Literature, Language & Theatre
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Last Modified: 04 Aug 2017 11:42
Selected for GREAT 2016: None
Selected for GREAT 2017: None
Selected for GREAT 2018: None
Selected for GREAT 2019: None
URI: http://gala.gre.ac.uk/id/eprint/9503

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