Items where Subject is "N Visual arts (General) For photography, see TR"
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'Don't Look Now'
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)
16mm film
Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]
1956
Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]
Ingham, Mark (2011) A portrait of Marilyn Miller and me 5611. [Artefact]
1960s
Bowie, Laura ORCID: 0000-0002-9084-2142 (2017) W(al)king through trauma: Wolf Vostell and West Berlin in the 1960s. Canvas, 4. pp. 16-19.
1968
Bowie, Laura ORCID: 0000-0002-9084-2142 (2020) Berlin not for sale: the film lens as a tool of urban exploration in 1960s West Berlin. Journal of Urban History, 48 (4). pp. 835-860. ISSN 1552-6771 (Print), 0096-1442 (Online) (doi:https://doi.org/10.1177/0096144220953419)
1970s
Bowie, Laura ORCID: 0000-0002-9084-2142 (2013) The Rote Armee Fraktion: memory and the construction of art, film and literature. eSharp, 20:1. pp. 1-18.
2011
Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]
Ingham, Mark (2011) A portrait of Marilyn Miller and me 5611. [Artefact]
20th century
Inman, James Stuart (1997) Surrealism since the Second World War with particular reference to surrealism in Czechoslovakia. MPhil thesis, University of Greenwich.
360 video
Farmer, Harry ORCID: 0000-0002-3684-0605 , Bevan, C. ORCID: 0000-0002-2823-420X , Green, D., Rose, M., Cater, K. ORCID: 0000-0002-3435-2392 and Stanton Fraser, D. ORCID: 0000-0002-3062-731X (2021) Did you see what I saw?: Comparing attentional synchrony during 360° video viewing in head mounted display and tablets. Journal of Experimental Psychology: Applied, 27 (2). pp. 324-337. ISSN 1076-898X (Print), 1939-2192 (Online) (doi:https://doi.org/10.1037/xap0000332)
360 visual sound
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Evgenia, Emets, Renaud, Alain, Negrao, David, Havsteen-Franklin, Dominik and Grant, Claire (2022) KIMA Colour: Van Gogh - 360 visual sound art. [Artefact]
360° video
Schmitz, Anastasia, Macquarrie, Andrew, Julier, Simon, Binetti, Nicola and Steed, Anthony (2020) Directing versus attracting attention: exploring the effectiveness of central and peripheral cues in panoramic videos. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 63-72. ISBN 978-1728156088 ; 978-1728156095 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR46266.2020.00024)
3D audio
McArthur, Angela, van Tonder, Cobi, Gaston-Bird, Leslie and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2021) A survey of 3D audio through the browser: practitioner perspectives. In: 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). 8-10 September 2021. Bologna, Italy (online). IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New Jersey, pp. 1-10. ISBN 978-1665409988 ; 978-1665409995 (doi:https://doi.org/10.1109/I3DA48870.2021.9610839)
3D scan
Hobbs, James (2023) "Polytechneiou 1 (Cigarettes)", "Polytechneiou 2 (Petals)", "Polytechneiou (Unstable Grids)". [Show/Exhibition]
Kennedy, Stephen and Withers, Simon ORCID: 0000-0002-0203-359X (2023) Articulating peripheral space: new perspectives in digital heritage. In: Heritages Past and Present. Built and Social: A Conference on Culture, History, Art and Design, 28th - 30th June 2023, Czech Technical University, Prague. (Unpublished)
Withers, Simon ORCID: 0000-0002-0203-359X (2023) A carnival of error: synthetic visions of Maritime Greenwich. In: London Conference in Critical Thought 2023, 30th June - 1st July 2023, School of Social Sciences and Professions, London Metropolitan University Holloway Road, London. (Unpublished)
3D scanning
Wall, Edward Duncan and Withers, Simon ORCID: 0000-0002-0203-359X (2024) Part Forest. [Show/Exhibition]
3D scans
Withers, Simon ORCID: 0000-0002-0203-359X , Hudson, Philip, Kennedy, Stephen and Goodwin, Duncan ORCID: 0000-0003-2524-9059 (2023) Synthetic visions of maritime Greenwich. [Show/Exhibition]
8mm film
Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2014) Digitized direct animation: creating materials for electroacoustic visual music using 8mm film. eContact! Online Journal for Electroacoustic Practices, 15 (4).
abduction
Cole, Tom ORCID: 0000-0001-6031-8377 and Salisbury, John Hamon (2016) Grounded Theory in games research: making the case and exploring the options. In: DIGRA/FDG '16 - Proceedings of the First International Joint conference of DIGRA and FDG. Digital Games Research Association, Finland. ISBN 2342-9666
abstract
Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)
abstract animation
Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 1. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 2. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 3. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Document of Singing Light 1 installation. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Emotion In Abstract Animation: Designing A New Form Of Visual Music. [Show/Exhibition]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2014) Horizon. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Reservoir. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Shadow Sounds 1. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Sky 2. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Song Series Animacy. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2020) Visual music and embodied visceral affect. In: Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , (ed.) Sound and Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:https://doi.org/10.4324/9780429295102-9)
abstraction
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)
abstraction animation
Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective. PhD thesis, University of Greenwich.
Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective: REF Multi-component portfolio. [Dataset] (Unpublished)
abstracts
Patterson, Jennifer ORCID: 0000-0002-8254-7602 (ed.) (2016) The Association for Medical Humanities International Journal: Body Talk: Whose Language? (2016 Conference Abstracts). The Association for Medical Humanities, The University of Greenwich. ISBN 978-0995519305 ISSN 2398-6395
academia
Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055
access
Athique Winterbottom, Anushka, Angell, Roo, Belfield, Andrew, Gibson, Naomi ORCID: 0009-0003-0309-1905 , O'Callaghan, Mattie and Woodgate, Zanna (2024) How Public is Public? [Performance]
Athique Winterbottom, Anushka, Angell, Roo, Dixit, Mitesh, Paulson, Theo, Wilder, Pete and Heaven, Bryony (2024) Technical Solutionism. [Performance]
acting
Mann, Tony (1995) [Book review] Cindy Sherman 1975-1993. The Art Book, 2 (2). p. 34. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)
action-adventure games
McIntosh, Tyler Howard, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2022) Lundheim: exploring affective audio techniques in an action-adventure video game. In: AM '22: Proceedings of the 17th International Audio Mostly Conference. AudioMostly 2022 St. Pölten Austria September 6 - 9, 2022. AudioMostly 2022 . Association for Computing Machinery (ACM), New York, pp. 155-158. ISBN 978-1450397018; (doi:https://doi.org/10.1145/3561212.3561234)
actresses
Mann, Tony (1995) [Book review] Cindy Sherman 1975-1993. The Art Book, 2 (2). p. 34. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)
adaptation
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)
Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Ben Hur Live as post-cinematic adaptation. Journal of Adaptation in Film & Performance, 15 (1/2). pp. 61-75. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp_00069_1)
advertising
Kohrs, Kirsten ORCID: 0000-0003-4302-833X (2020) The language of luxury fashion advertising: Technology of the self and spectacle. Journal of Fashion Marketing and Management. ISSN 1361-2026 (Print), 1361-2026 (Online) (doi:https://doi.org/10.1108/JFMM-02-2020-0029)
aesthetics
Mroz, Matilda (2014) The aesthetics of overflow: Tarkovsky’s Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pamela, (eds.) The Cinema of the Swimming Pool. New Studies in European Cinema (17). Peter Lang AG, Oxford / Bern / Berlin / Bruxelles / Frankfurt am Main / New York / Wien, pp. 169-180. ISBN 978-3034317832
Sigthorsson, Gauti (2008) Sensation for sensation's sake: art and the temptation of 'Wow'! Sjonauki. ISSN 1670-7311
affect
Sigthorsson, Gauti (2008) Sensation for sensation's sake: art and the temptation of 'Wow'! Sjonauki. ISSN 1670-7311
Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2020) How ambient advertising is uniquely placed to make audiences think. Westminster Papers in Communication and Culture, 15 (2). pp. 95-111. ISSN 1744-6716 (Online) (doi:https://doi.org/10.16997/wpcc.346)
Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Alleviating digital fatigue through embodied artistic practice and green space. International Journal of Performance Arts and Digital Media. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2024.2305448)
Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective. PhD thesis, University of Greenwich.
Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective: REF Multi-component portfolio. [Dataset] (Unpublished)
Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:https://doi.org/10.14236/ewic/EVA2018.70)
Affective computing
Cunningham, Stuart, Henry, John and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Augmenting virtual spaces: affective feedback in computer games. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 229-247. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_13)
McIntosh, Tyler Howard, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2022) Lundheim: exploring affective audio techniques in an action-adventure video game. In: AM '22: Proceedings of the 17th International Audio Mostly Conference. AudioMostly 2022 St. Pölten Austria September 6 - 9, 2022. AudioMostly 2022 . Association for Computing Machinery (ACM), New York, pp. 155-158. ISBN 978-1450397018; (doi:https://doi.org/10.1145/3561212.3561234)
affective feedback
Cunningham, Stuart, Henry, John and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Augmenting virtual spaces: affective feedback in computer games. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 229-247. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_13)
affective touch
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]
Affordance
Samson, Audrey and Soon, Winnie (2015) Network affordances: The unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal (24). ISSN 1449-1443 (Online)
African Americans
Dawson, Andrew (2012) Challenging lilywhite Hollywood: African Americans and the demand for racial equality in the motion picture industry, 1963-1974. The Journal of Popular Culture, 45 (6). pp. 1206-1225. ISSN 0022-3840 (Print), 1540-5931 (Online) (doi:https://doi.org/10.1111/jpcu.12005)
ageing in place
Campbell, Sarah ORCID: 0000-0002-2920-7318 , Clark, Andrew ORCID: 0000-0001-8660-8815 , Keady, John ORCID: 0000-0001-8243-6913 , Manji, Kainde, Odzakovic, Elzana, Rummery, Kirstein and Ward, Richard (2023) ‘I can see what's going on without being nosey…’: What matters to people living with dementia about home as revealed through visual home tours. International Journal of Geriatric Psychiatry, 38 (9):e5999. pp. 1-12. ISSN 0885-6230 (Print), 1099-1166 (Online) (doi:https://doi.org/10.1002/gps.5999)
agency
Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)
AI
Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)
Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Borda, Ann and Diprose, Graham (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon. ISBN 978-1780175942 ISSN 1477-9358
Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2022) Screencast videography: understanding experience in the metaverse. In: Future Visualities: Visual Methods & Ethnography in Interdisciplinary Research Symposium, 1st June 2022, Edinburgh Napier University. (Unpublished)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Bowen, Jonathan P., Borda, Ann and Diprose, Graham (eds.) (2021) EVA London (Electronic Visualisation and the Arts): proceedings of EVA London 2021. In: EVA London 2021, Programme Committee, (ed.) AI and the Arts: Artificial Imagination. Proceedings of EVA London 2021 (EVA 2021). 5th July – 9th July 2021. Electronic Workshops in Computing (eWiC) | BCS . British Computer Society, Swindon; London, pp. 1-10. ISBN 978-1780175737 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2021.0)
Algorithm
Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)
Allan Scott
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)
alterbiography
Cole, Tom ORCID: 0000-0001-6031-8377 (2015) The tragedy of betrayal: how the design of Ico and Shadow of the Colossus elicits emotion. In: DiGRA '15 - Proceedings of the 2015 DiGRA International Conference. Lüneburg, Germany, May 14th - 17th 2015. Digital Games Research Association, Finland. ISSN 2342-9666
altered states
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
altered states of consciousness
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2024) The senses beyond: new directions in game engine experiences. In: Giannini, Tula and Bowen, Jonathan P., (eds.) The Arts and Computational Culture: Real and Virtual Worlds. Springer Series on Cultural Computing (SSCC) . Springer, Cham, Switzerland. ISBN 978-3031538643; 978-3031538674; 978-3031538650 (In Press)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2017) Simulating auditory hallucinations in a video game: three prototype mechanisms. In: AM '17: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-5373-1 (doi:https://doi.org/10.1145/3123514.3123532)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Cunningham, Stuart, Roberts, Nathan, Griffiths, Darryl and Roberts, Shaun (2015) Quake Delirium EEG: a pilot study regarding biofeedback-driven visual effects in a computer game. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 335-338. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317420)
alternative
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]
Amazon
Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.
ambient advertising
Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2020) How ambient advertising is uniquely placed to make audiences think. Westminster Papers in Communication and Culture, 15 (2). pp. 95-111. ISSN 1744-6716 (Online) (doi:https://doi.org/10.16997/wpcc.346)
ambiguity
Cole, Thomas ORCID: 0000-0001-6031-8377 , Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)
Cole, Tom ORCID: 0000-0001-6031-8377 (2015) The tragedy of betrayal: how the design of Ico and Shadow of the Colossus elicits emotion. In: DiGRA '15 - Proceedings of the 2015 DiGRA International Conference. Lüneburg, Germany, May 14th - 17th 2015. Digital Games Research Association, Finland. ISSN 2342-9666
ambisonics
Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)
Hill, Andrew ORCID: 0000-0003-1521-0396 , Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]
McArthur, Angela, van Tonder, Cobi, Gaston-Bird, Leslie and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2021) A survey of 3D audio through the browser: practitioner perspectives. In: 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). 8-10 September 2021. Bologna, Italy (online). IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New Jersey, pp. 1-10. ISBN 978-1665409988 ; 978-1665409995 (doi:https://doi.org/10.1109/I3DA48870.2021.9610839)
amphibians
Lawal, Raheem A., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Gent, Darrenlloyd (2023) Representing amphibian perspectives in a 3D game engine. In: Proceedings of EVA London 2023 (EVA 2023). Electronic Workshops in Computing . BCS Learning and Development Ltd, Arts BCS London Office London, UK, pp. 233-235. (doi:https://doi.org/10.14236/ewic/EVA2023.42)
ana-materialism
Golding, Johnny (2012) Ana-materialism and the Pineal Eye: Becoming mouth-breast (or visual arts after Descartes, Bataille, Butler, Deleuze and Synthia with an ‘s’). Philosophy of Photography, 3 (1). pp. 99-120. ISSN 2040-3682 (Print), 2040-3690 (Online) (doi:https://doi.org/10.1386/pop.3.1.99_1)
analogue
Hobbs, James (2021) "It's all right. I came back.". [Show/Exhibition]
analogue/digital
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Elevate me later - an analogue sea in a digital world. In: Papadaki, Elena ORCID: 0000-0002-6653-4334 , (ed.) Exhibiting the Analogue / Exhibiting the Digital – afterthoughts on an exhibition. University of Greenwich Galleries, London, pp. 1-5. ISBN 978-0957343047 (In Press)
animacy
Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)
animation
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)
Sporton, Gregory (2010) The Watertower. [Show/Exhibition]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)
Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)
Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Poem. [Artefact]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Trainscape. [Artefact]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) (in)visible. [Artefact]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)
Antrhopocene
Hobbs, James and Cutler, Amy (2023) "Species Piracy". [Show/Exhibition]
aphoristic text
Golding, Sue and Kennedy, Steve (2009) To tremble the zero: art in the age of algorithmic reproduction. In: Critical Digital Studies Workshop, 4-6 June 2009, Pacific Centre for Technology and Culture at the University of Victoria. (Unpublished)
Apollo 12
Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)
apparatus
Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]
appearances
Finkelstein, Joanne (2010) Fashioned identity and the unreliable image. Critical Studies in Fashion and Beauty, 1 (2). pp. 153-163. ISSN 2040-4417 (doi:https://doi.org/10.1386/csfb.1.2.161_1)
appropriation
Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.
AR
Macquarrie, Andrew and Steed, Anthony (2020) Investigating the perceived strengths and limitations of Free-Viewpoint Video (FVV). Frontiers in Virtual Reality, 1 (11). ISSN 2673-4192 (Online) (doi:https://doi.org/10.3389/frvir.2020.00011)
AR QR codes
Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]
architects
Frith, Ed (2008) Matthew Springett Architects presents models, but no buildings. Building Design (1832). p. 15.
Stoppani, Teresa (2008) Interpreting the Renaissance: princes, cities, architects by Manfredo Tafuri, translated by Daniel Sherer. The Journal of Architecture, 13 (3). pp. 345-354. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360802216997)
architectural concepts
Frith, Ed and Graef, Alexander (2007) Draw like a builder, build like a writer (and the crack is in the detail). The role of the humanities in design creativity international conference, 15-16 Nov 2007, Lincoln, UK. University of Lincoln, Lincoln. ISBN 9781860502224
architectural education
Frith, Ed (2008) Ed Frith of Moving Architecture reviews Lincoln School of Architecture’s show. The Architects' Journal.
Frith, Ed, O'Carroll, Gerrard, Wilson, Peter and Payne, James (2008) Best in show. Building Design (1827). pp. 20-21.
architectural history
Stoppani, Teresa (2007) Dust revolutions. Dust, informe, architecture (notes for a reading of dust in Bataille). The Journal of Architecture, 12 (4). 437 - 447. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360701614714)
Stoppani, Teresa (2007) Representing Venice. One, multiple, impossible. In: Loo, Stephen and Bartsch, Katherine, (eds.) Panorama to Paradise: Scopic Regimes in Architectural and Urban History and Theory, Sydney: proceedings of the SAHANZ Meeting 2007. Society of Architectural Historians, Australia and New Zealand, Adelaide, Australia. ISBN 1920927557
architectural modernity
Stoppani, Teresa (2008) Venetian time and the meander. Log, 12. pp. 131-143. ISSN 1547-4690
architectural theory
Stoppani, Teresa (2007) The building of tension - Manfredo Tafuri's legacy: from operative criticism to historical project, between critical practices and material practices in architecture. In: van Koten, Hamid and Holm, Lorens, (eds.) Reflections on creativity: exploring the role of theory in creative practices. Duncan of Jordanstone College, Dundee, Scotland, UK, pp. 1-17. ISBN 1899837536
architecture
Frith, Ed and Graef, Alexander (2007) Draw like a builder, build like a writer (and the crack is in the detail). The role of the humanities in design creativity international conference, 15-16 Nov 2007, Lincoln, UK. University of Lincoln, Lincoln. ISBN 9781860502224
Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)
Murray, Shaun (2022) Drawing architecture. Design Ecologies, 11 (1). pp. 11-33. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:https://doi.org/10.1386/des_00014_1)
Rabourdin, Caroline ORCID: 0000-0002-9694-0384 (2023) Spatial models and affects: Scanlab’s Frozen Relics / Arctic Works & Framerate / Pulse of the Earth. In: London Conference in Critical Thought 2023, 30th June - 1st July 2023, School of Social Sciences and Professions, London Metropolitan University Holloway Road, London. (Unpublished)
Stoppani, Teresa (2007) Antípodas: proyectos para una nueva cartografía. La Revista de la Facultad 47 al fondo (15). pp. 26-31.
Stoppani, Teresa (2007) Dust projects: on Walter Benjamin's Passagen-Werk and some contemporary dusty makings in architecture. The Journal of Architecture, 12 (5). pp. 543-557. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360701722566)
Stoppani, Teresa (2007) Representing Venice. One, multiple, impossible. In: Loo, Stephen and Bartsch, Katherine, (eds.) Panorama to Paradise: Scopic Regimes in Architectural and Urban History and Theory, Sydney: proceedings of the SAHANZ Meeting 2007. Society of Architectural Historians, Australia and New Zealand, Adelaide, Australia. ISBN 1920927557
architecture students
Frith, Ed (2008) Ed Frith of Moving Architecture reviews Lincoln School of Architecture’s show. The Architects' Journal.
archive
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Index of love. [Show/Exhibition]
Hobbs, James (2021) "It's all right. I came back.". [Show/Exhibition]
Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2016) Death and Memory in the Twenty-First Century. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities and Sciences. Palgrave Macmillan, London, UK, pp. 113-118. ISBN 9781137520579 (doi:https://doi.org/10.1057/9781137520586_14)
Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)
Waterworth, David (2020) 10-4. [Show/Exhibition]
archive footage
Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.
archives
Dawson, Andrew and Holmes, Sean P. (2012) 'Help to preserve the real story of our cinema and television industries': The BECTU History Project and the construction of British media history, 1986–2010. Historical Journal of Film, Radio and Television, 32 (3). pp. 435-448. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2012.699650)
Hobbs, James (2020) Moribund State(s) - Solo multimedia art exhibition. [Show/Exhibition]
art
Adil, Alev (2011) MemoryMap [website]. MemoryMap, London, UK.
Arthur, Mervyn, Baseman, Jordan, Behr, Bernd, Biswas, Sutapa, Chance, Veronique, Cobbing, William, Coldwell, Paul, Cross, David, Dobai, Sarah, Douglas, Lorrice, Drabble, Neil, Gunning, Lucy, Hamann, Sigune, Haywood, Thomas, Ingham, Mark, Kovats, Tania, Lanteri Laura, Jean-Louis, Lebas, Chrystel, Love, Johanna, Mossman, Anna, Newth, Martin, Robertson, Helen, Rowe, Lois, Taylor, Finlay, Treacy, Danny, Wainwright, Chris and Webster, Dave (2011) SCOPE New Photographic Practices. [Show/Exhibition]
Cole, Thomas ORCID: 0000-0001-6031-8377 , Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2022) "select important things". [Show/Exhibition]
Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]
Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]
Ingham, Mark (2012) 120 days and nights of staggering and stammering. [Show/Exhibition]
Ingham, Mark (2011) Art takes Miami 2011. In: Aldrich, Jeffrey, (ed.) Art Takes Miami 2011. Artist Wanted, New York, p. 5. ISBN 9780984871803
Ingham, Mark (2011) Mark Ingham: motion and sound winner Scope Miami 2011. SCOPE Miami 2011. Artists Wanted LLC, New York, pp. 46-47. ISBN 9780984871803
Ingham, Mark (2011) New photographic practices: SCOPE. In: Newth, Martin, (ed.) New Photographic Practices; SCOPE. Camberwell Press, London. ISBN 978-0953639595
Macdonald, Sarah (2021) Tannery Project, Billboard Project #1: Sarah Macdonald. [Show/Exhibition]
Mann, Tony (1995) [Book review] Iterations: The New Image. The Art Book, 2 (2). pp. 32-33. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)
Sigthorsson, Gauti (2008) Sensation for sensation's sake: art and the temptation of 'Wow'! Sjonauki. ISSN 1670-7311
Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)
Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Singing Light 1. [Show/Exhibition]
Art & design
Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)
art and identity
Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]
art and technology
Bowen, Jonathon P., Baker, Camille, Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Edmonds, Ernst, van Helsdingen, Merel and Masson, Terence (2021) EVA London 2021: Keynote summaries. In: EVA London 2021: Electronic Visualisation & the Arts. Proceedings of conference. BCS, The Chartered Institute for IT, 5th -9th July 2021. Proceedings of EVA London 2021 . Science Open, London, pp. 1-6. ISBN 978-1780175737 (doi:https://doi.org/10.14236/ewic/EVA2021.1)
art exhibition
Waterworth, David (2008) Embedded [Group Show]. [Show/Exhibition]
art exhibitions
Mann, Tony (1997) Edinburgh in August. The Art Book, 4 (1). pp. 19-20. ISSN 1467-8357 (doi:https://doi.org/10.1111/1467-8357.00003)
art history
Mann, Tony (1995) [Book review] Colour: Art and Science. The Art Book, 2 (2). p. 26. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00263.x)
art movements
Bowie, Laura ORCID: 0000-0002-9084-2142 (2017) W(al)king through trauma: Wolf Vostell and West Berlin in the 1960s. Canvas, 4. pp. 16-19.
art technology
Troisi, Anna ORCID: 0000-0002-6868-4424 (2018) OB-scene, a live audio/visual performance for photoplethysmograph and female body. Organised Sound, 23 (3). pp. 270-276. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:https://doi.org/10.1017/S1355771818000171)
Artefact Ecology
Masu, Raul, Correia, Nuno N. ORCID: 0000-0002-9999-9162 , Jürgens, Stephan, Feitsch, Jochen and Romão, Teresa (2020) Designing Interactive Sonic Artefacts for Dance Performance: an Ecological Approach. In: AM '20: Proceedings of the 15th International Conference on Audio Mostly. ACM, New York, USA, pp. 122-129. ISBN 978-1450375634 (doi:https://doi.org/10.1145/3411109.3412297)
Arthur Miller
Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]
Ingham, Mark (2011) A portrait of Marilyn Miller and me 5611. [Artefact]
Artifical Intelligence
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Artistic engagements with machine generated voice: Holly Herndon's Holly+ & Jane Frances Dunlop’s select important things. In: Mis/Disinformation and the artifices of authenticity and authentication ICA Pre-Conference, 24th May, 2023, York University, Toronto, Ontario Canada. (Unpublished)
artificial
Macquarrie, Andrew and Steed, Anthony (2018) The effect of transition type in multi-view 360 media. IEEE Transactions on Visualization and Computer Graphics, 24 (4):17617378. pp. 1564-1573. ISSN 1077-2626 (Print), 1941-0506 (Online) (doi:https://doi.org/10.1109/TVCG.2018.2793561)
artificial intelligence
Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2022) GROUPTHINK: telepresence and agency during Live performance. Proceedings of the ACM on Computer Graphics and Interactive Techniques, 5 (4):39. pp. 1-10. ISSN 2577-6193 (Online) (doi:https://doi.org/10.1145/3533610)
Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Dissolving the Horizon Line: navigating disruption caused by AI manipulation of images. Body, Space and Technology, 23 (1). pp. 1-26. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.11214)
artist
Mann, Tony (2003) [Exhibition review] Keith Tyson at Tate Britain. BSHM Newsletter, 47. pp. 46-47.
Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Alleviating digital fatigue through embodied artistic practice and green space. International Journal of Performance Arts and Digital Media. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2024.2305448)
Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Dissolving the Horizon Line: navigating disruption caused by AI manipulation of images. Body, Space and Technology, 23 (1). pp. 1-26. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.11214)
Artist Book
Hobbs, James (2020) Moribund State(s) - Exhibition Catalogue/Artist Book. Project 78 Press, UK. ISBN 978-1838133108
artist print
Hobbs, James (2023) "Polytechneiou 1 (Cigarettes)", "Polytechneiou 2 (Petals)", "Polytechneiou (Unstable Grids)". [Show/Exhibition]
artistic practices
Papadaki, Elena ORCID: 0000-0002-6653-4334 , Arfaras, Mihalis, Schizakis, Stamatis, Garcia, Carla Ambrósio, Dare, Eleanor, Beveridge, Patrick, Hobbs, James, Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , Menotti, Gabriel, Ploeger, Dani, Samson, Audrey, Borras, Michael (a.k.a. Systaime), Krajewska, Klio and Talbot, Michael ORCID: 0000-0001-7198-1422 (eds.) (2020) Exhibiting the Analogue, Exhibiting the Digital: Afterthoughts on an exhibition. University of Greenwich Galleries / Incandescent Square, London. ISBN 978-0957343047
artistic processes and approaches
Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Vision freed from frozen cyclops: interacting with visual media, an artistic, critical and technical practice exploring spatial depth. Body Space Technology, 22 (1). pp. 168-189. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9715)
artistic research
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Artistic engagements with machine generated voice: Holly Herndon's Holly+ & Jane Frances Dunlop’s select important things. In: Mis/Disinformation and the artifices of authenticity and authentication ICA Pre-Conference, 24th May, 2023, York University, Toronto, Ontario Canada. (Unpublished)
artists' residency and exhibition
Waterworth, David and Satom, Saki (2008) To-Lo: Tokyo - London Art Exchange. [Show/Exhibition]
arts
Broadhurst, Susan, Papadaki, Elena ORCID: 0000-0002-6653-4334 , Ploeger, Dani, Goddard, Michael N., O'Brien, Sarah, Taiwo, Olu, Schellewald, Andreas, Chan, Melanie, Lewis, Matt, Dziekan, Vince, Giannachi, Gabriella, Nolasco-Rózsás, Lívia, Katan-Schmid, Einav, Meseguer, Rosell, Borges, Cândida, Vélez, Gabriel Mario, DeLappe, Joseph, Caerols Mateo, Raquel, Kelomees, Raivo, Guljajeva, Varvara, Laas, Oliver, Riegel, Christian, Robinson, Katherine M., Richards, Grayson, Desnoyers-Stewart, John, Smith, Megan L., Riecke, Bernhard E., Dare, Eleanor, Berezina-Blackburn, Vita, Oliszewski, Alex and Mcgarrigle, Conor (eds.) (2020) Radical Immersions: Navigating between virtual/physical environments and information bubbles - DRHA 2019 Conference Proceedings. University of London / DRHA, London. ISBN 978-0900822124; 978-0900822131
Hobbs, James (2020) Nature Morte: Examining the sonic and visual potential of a 16mm film. In: Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , (ed.) Sound and Image. Focal Press, London, pp. 219-225. ISBN 978-0429295102 (doi:https://doi.org/10.4324/9780429295102-15)
Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584
Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055
Maravala, Persis Jadé and Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Post-immersive interventions with ZU-UK. In: Bucknall, Joanna Jayne, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury - Methuen Drama, London, pp. 151-176. ISBN 978-1350269330
Arts Council
Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]
arts-based research
Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)
atmosphere
Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Dissolving the Horizon Line: navigating disruption caused by AI manipulation of images. Body, Space and Technology, 23 (1). pp. 1-26. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.11214)
attention mechanism
Sigger, Neetu, Al-Jawed, Naseer and Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2022) Spatial-temporal autoencoder with attention network for video compression. In: Proceedings of the 17th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications. Online. February 6-8, 2022. Computer Vision Theory and Applications (VISAPP), 4 . Computer Vision Theory and Applications (VISAPP) - SCITEPRESS Digital Library, Setúbal, Portugal, pp. 364-371. ISBN 978-9897585555; ISSN 2184-4321 (doi:https://doi.org/10.5220/0010811900003124)
attentional synchrony
Farmer, Harry ORCID: 0000-0002-3684-0605 , Bevan, C. ORCID: 0000-0002-2823-420X , Green, D., Rose, M., Cater, K. ORCID: 0000-0002-3435-2392 and Stanton Fraser, D. ORCID: 0000-0002-3062-731X (2021) Did you see what I saw?: Comparing attentional synchrony during 360° video viewing in head mounted display and tablets. Journal of Experimental Psychology: Applied, 27 (2). pp. 324-337. ISSN 1076-898X (Print), 1939-2192 (Online) (doi:https://doi.org/10.1037/xap0000332)
Audience
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]
Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene_00016_1)
Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.
audiences' technology
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]
audio
Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)
audio game
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Guillery, Kesia and Andrade Pires, Carlos Eduardo (2022) RADIO GHOST - Lumen Prize Interactive Award. Winner - video submission. [Video]
audio installation
Rabourdin, Caroline ORCID: 0000-0002-9694-0384 (2013) Sounding Space Symposium. [Show/Exhibition]
audio visual
Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)
audio-visual
Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)
audio-visual art
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)
audio-visual media
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
audio-visual music
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)
audiovisual
Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2017) Enabling Audiovisual User Interfaces. [Creative Performance or Reading] (Unpublished)
Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) VOID. [Composition]
Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 and Margetson, Emma ORCID: 0000-0002-1054-1973 (2023) Art of sound: creativity in film sound and electroacoustic music. Sound Design . Focal Press - Routledge, London. ISBN 978-0367755881; 978-1003163077
Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2019) Participation in EMPIRE II, an international touring exhibition, 2017 - 2019. [Show/Exhibition]
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2011) Tiny jungle: psychedelic techniques in audio-visual composition. In: Proceedings of the International Computer Music Conference : Huddersfield, UK : ICMC 2011. Michigan Publishing ; International Computer Music Association (ICMA), San Francisco : International Computer Music Association ; Huddersfield : Centre for Research in New Music, University of Huddersfield, pp. 324-327. ISBN 0984527400 ; 9780984527403
audiovisual media
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)
audiovisual translation
Pettit, Zoë ORCID: 0000-0002-1909-8947 (2012) Translating Tsotsi for the screen. In: Serban, Adriana, Matamala, Anna and Lavaur, Jean-Marc, (eds.) Audiovisual Translation in Close-Up: Practical and Theoretical Approaches. Peter Lang, Bern, Switzerland, pp. 75-91. ISBN 9783034311519
auditory hallucinations
Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2017) Simulating auditory hallucinations in a video game: three prototype mechanisms. In: AM '17: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-5373-1 (doi:https://doi.org/10.1145/3123514.3123532)
augmentation
Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)
augmented
Macquarrie, Andrew and Steed, Anthony (2018) The effect of transition type in multi-view 360 media. IEEE Transactions on Visualization and Computer Graphics, 24 (4):17617378. pp. 1564-1573. ISSN 1077-2626 (Print), 1941-0506 (Online) (doi:https://doi.org/10.1109/TVCG.2018.2793561)
augmented reality
Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)
Macquarrie, Andrew and Steed, Anthony (2020) Investigating the perceived strengths and limitations of Free-Viewpoint Video (FVV). Frontiers in Virtual Reality, 1 (11). ISSN 2673-4192 (Online) (doi:https://doi.org/10.3389/frvir.2020.00011)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)
Yung, Ryan ORCID: 0000-0003-3755-2557 , Le, Truc Hoang, Moyle, Brent and Arcodia, Charles (2022) Towards a typology of virtual events. Tourism Management, 92:104560. ISSN 0261-5177 (Print), 1879-3193 (Online) (doi:https://doi.org/10.1016/j.tourman.2022.104560)
augmented virtuality
Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)
authenticity
Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.
Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Ben Hur Live as post-cinematic adaptation. Journal of Adaptation in Film & Performance, 15 (1/2). pp. 61-75. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp_00069_1)
auto-encoder
Sigger, Neetu, Al-Jawed, Naseer and Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2022) Spatial-temporal autoencoder with attention network for video compression. In: Proceedings of the 17th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications. Online. February 6-8, 2022. Computer Vision Theory and Applications (VISAPP), 4 . Computer Vision Theory and Applications (VISAPP) - SCITEPRESS Digital Library, Setúbal, Portugal, pp. 364-371. ISBN 978-9897585555; ISSN 2184-4321 (doi:https://doi.org/10.5220/0010811900003124)
autoethnography
Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Alleviating digital fatigue through embodied artistic practice and green space. International Journal of Performance Arts and Digital Media. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2024.2305448)
autotheory
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2022) "select important things". [Show/Exhibition]
avant-garde
Cole, Thomas ORCID: 0000-0001-6031-8377 , Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)
avatars
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]
Ballet
Sporton, Gregory (2016) Reviews. Scene, 4 (2). pp. 173-178. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.2.173_5)
Balnakiel
Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48
bauer
Hill, Andrew ORCID: 0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]
Beauty
Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]
Bectu
Dawson, Andrew and Holmes, Sean P. (2012) 'Help to preserve the real story of our cinema and television industries': The BECTU History Project and the construction of British media history, 1986–2010. Historical Journal of Film, Radio and Television, 32 (3). pp. 435-448. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2012.699650)
Bellagio STAMP
Adewumi, Ayomikun Solomon ORCID: 0000-0002-9883-2766 , Onyango, Vincent, Moyo, Dumiso and AlWaer, Husam (2018) A review of selected neighbourhood sustainability assessment frameworks using the Bellagio STAMP. International Journal of Building Pathology and Adaptation, 37 (1). pp. 108-118. ISSN 2398-4708 (Online) (doi:https://doi.org/10.1108/IJBPA-07-2018-0055)
Bereavement
Giaxoglou, Korina, Döveling, Katrin and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Networked emotions: Interdisciplinary perspectives on sharing loss online. Journal of Broadcasting and Electronic Media, 61 (1). ISSN 0883-8151 (Print), 1550-6878 (Online) (doi:https://doi.org/10.1080/08838151.2016.1273927)
Bergson
Mroz, Matilda (2014) The aesthetics of overflow: Tarkovsky’s Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pamela, (eds.) The Cinema of the Swimming Pool. New Studies in European Cinema (17). Peter Lang AG, Oxford / Bern / Berlin / Bruxelles / Frankfurt am Main / New York / Wien, pp. 169-180. ISBN 978-3034317832
Berlin
Bowie, Laura ORCID: 0000-0002-9084-2142 (2017) W(al)king through trauma: Wolf Vostell and West Berlin in the 1960s. Canvas, 4. pp. 16-19.
big data
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]
billboard
Macdonald, Sarah (2021) Tannery Project, Billboard Project #1: Sarah Macdonald. [Show/Exhibition]
bim
Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)
Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyros ORCID: 0000-0001-6122-8701 (2022) Challenges of digital building data usage with a focus on the digital documentation of heritage buildings: results from an online survey. Heritage, 5 (4). pp. 3220-3259. ISSN 2571-9408 (Online) (doi:https://doi.org/10.3390/heritage5040166)
binaural audio
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]
binaural sound
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]
bio-art
Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)
biodiversity
Hobbs, James and Cutler, Amy (2023) "Species Piracy". [Show/Exhibition]
biofeedback
McIntosh, Tyler Howard, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2022) Lundheim: exploring affective audio techniques in an action-adventure video game. In: AM '22: Proceedings of the 17th International Audio Mostly Conference. AudioMostly 2022 St. Pölten Austria September 6 - 9, 2022. AudioMostly 2022 . Association for Computing Machinery (ACM), New York, pp. 155-158. ISBN 978-1450397018; (doi:https://doi.org/10.1145/3561212.3561234)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Cunningham, Stuart, Roberts, Nathan, Griffiths, Darryl and Roberts, Shaun (2015) Quake Delirium EEG: a pilot study regarding biofeedback-driven visual effects in a computer game. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 335-338. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317420)
biography
McClean, Mairead (2008) Bell(a)Exchange III. [Show/Exhibition]
biometrics
Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)
Biopolitics
Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)
biosensors
Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Rahman, Shama (2023) GROUPTHINK: Art, AI & the Internet of Neurons. King's College, King's College.
Black Love
Brown, Charmaine ORCID: 0000-0002-6471-9706 (2023) Prompts & Logistics: Black Love and/In the City. [Performance] (Unpublished)
Bluray
Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.
bodies
Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.
body image
Patterson, Jennifer ORCID: 0000-0002-8254-7602 (2016) Translations. Body Talk: whose language? Association of Medical Humanities. (Unpublished)
body interfaces
Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)
body mind interface
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]
body performance
Troisi, Anna ORCID: 0000-0002-6868-4424 (2018) OB-scene, a live audio/visual performance for photoplethysmograph and female body. Organised Sound, 23 (3). pp. 270-276. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:https://doi.org/10.1017/S1355771818000171)
Body Talk
Patterson, Jennifer ORCID: 0000-0002-8254-7602 (ed.) (2016) The Association for Medical Humanities International Journal: Body Talk: Whose Language? (2016 Conference Abstracts). The Association for Medical Humanities, The University of Greenwich. ISBN 978-0995519305 ISSN 2398-6395
book illustration
Powers, Alan (2010) Introduction: John Piper in context. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 9-13. ISBN 978-0-9558343-2-5
Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]
book review
Bowie, Laura ORCID: 0000-0002-9084-2142 (2022) Book review Photographs and the practice of history: a short primer by Elizabeth Edwards, London, Bloomsbury Academic, 2022, 166 pp., £18 (paperback). Planning Perspectives, 37 (5). pp. 1109-1112. ISSN 0266-5433 (Print), 1466-4518 (Online) (doi:https://doi.org/10.1080/02665433.2022.2111126)
Mann, Tony (1995) [Book review] Cindy Sherman 1975-1993. The Art Book, 2 (2). p. 34. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)
Mann, Tony (1995) [Book review] Colour: Art and Science. The Art Book, 2 (2). p. 26. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00263.x)
Mann, Tony (1995) [Book review] Iterations: The New Image. The Art Book, 2 (2). pp. 32-33. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)
books
Ingham, Mark (2010) Never judge a book by its movie. In: Inspiring Learners: Equipping the Next Generation of Graduates, 6 July 2010, University of Greenwich. (Unpublished)
boundary object
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2019) The screenplay as boundary object. Journal of Screenwriting, 10 (2). pp. 149-164. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.10.2.149_1)
Brexit
Stabb, Walter (2019) Europe Endless. [Video]
British film and television industry
Dawson, Andrew and Holmes, Sean P. (2014) Culture, Creativity and Disappearing Celluloid. [Video]
British film and TV industries
Dawson, Andrew and Holmes, Sean P. (2012) 'Help to preserve the real story of our cinema and television industries': The BECTU History Project and the construction of British media history, 1986–2010. Historical Journal of Film, Radio and Television, 32 (3). pp. 435-448. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2012.699650)
Britten
Powers, Alan (2010) Benjamin Britten, Piper and Aldeburgh. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 130-135. ISBN 978-0-9558343-2-5
Broadcasting Entertainment Cinematograph and Technicians Union
Dawson, Andrew and Holmes, Sean P. (2012) 'Help to preserve the real story of our cinema and television industries': The BECTU History Project and the construction of British media history, 1986–2010. Historical Journal of Film, Radio and Television, 32 (3). pp. 435-448. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2012.699650)
browser
McArthur, Angela, van Tonder, Cobi, Gaston-Bird, Leslie and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2021) A survey of 3D audio through the browser: practitioner perspectives. In: 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). 8-10 September 2021. Bologna, Italy (online). IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New Jersey, pp. 1-10. ISBN 978-1665409988 ; 978-1665409995 (doi:https://doi.org/10.1109/I3DA48870.2021.9610839)
Built Environment
Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]
cameras
Ingham, Mark (2011) Mark Ingham: motion and sound winner Scope Miami 2011. SCOPE Miami 2011. Artists Wanted LLC, New York, pp. 46-47. ISBN 9780984871803
Captivate
Kennedy, Stephen and Withers, Simon ORCID: 0000-0002-0203-359X (2023) Articulating peripheral space: new perspectives in digital heritage. In: Heritages Past and Present. Built and Social: A Conference on Culture, History, Art and Design, 28th - 30th June 2023, Czech Technical University, Prague. (Unpublished)
Withers, Simon ORCID: 0000-0002-0203-359X (2023) A carnival of error: synthetic visions of Maritime Greenwich. In: London Conference in Critical Thought 2023, 30th June - 1st July 2023, School of Social Sciences and Professions, London Metropolitan University Holloway Road, London. (Unpublished)
Withers, Simon ORCID: 0000-0002-0203-359X , Hudson, Philip, Kennedy, Stephen and Goodwin, Duncan ORCID: 0000-0003-2524-9059 (2023) Synthetic visions of maritime Greenwich. [Show/Exhibition]
Withers, Simon ORCID: 0000-0002-0203-359X and Kennedy, Stephen (2023) Synthetic visions of UNESCO World Heritage sites. In: VI CHAM International Conference “Heritage for a Common Future / Futures for a Common Heritage”, 12th - 15th July 2023, Lisbon. (Unpublished)
care
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2019) Rose Bruford College International Symposium, ‘Interactive experiences: playful junctions and journeys across borders’. In: Rose Bruford College International Symposium, ‘Interactive Experiences: Playful junctions and journeys across borders’, 15th - 17th April 2019, Rose Bruford College, London.
Maravala, Persis-Jadé, Cooper, Emma, Van Der Weide, Nadja and Briscoe, Rachel (2022) Sheffield DocFest ‘Alternate realities summit: the art of connection’. [Performance]
Maravala, Persis-Jadé and Guillery, Kesia (2022) ‘Goodnight, sleep tight: Working within a collapsing system’. [Audio]
Carsten Höller
Sigthorsson, Gauti (2008) Sensation for sensation's sake: art and the temptation of 'Wow'! Sjonauki. ISSN 1670-7311
cartography
Stoppani, Teresa (2007) Antípodas: proyectos para una nueva cartografía. La Revista de la Facultad 47 al fondo (15). pp. 26-31.
case study
Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunnigham, Stuart (2015) Second screen comes to the silver screen: a consumer study regarding mobile technologies in the cinema. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 121-124. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317381)
ceramics
Hobbs, James (2023) "Polytechneiou 1 (Cigarettes)", "Polytechneiou 2 (Petals)", "Polytechneiou (Unstable Grids)". [Show/Exhibition]
challenge
Cole, Thomas ORCID: 0000-0001-6031-8377 , Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)
Chance
Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)
chaotic map
Gong, Cheng ORCID: 0000-0002-0666-2529 , Li, Jingbing ORCID: 0000-0001-6636-4710 , Bhatti, Uzair Aslam, Gong, Ming, Ma, Jixin ORCID: 0000-0001-7458-7412 , Huang, Mengxing and Xue, Xingsi (2021) Robust and secure zero-watermarking algorithm for medical images based on Harris-SURF-DCT and chaotic map. Security and Communication Networks, 2021:3084153. pp. 1-13. ISSN 1939-0114 (Print), 1939-0122 (Online) (doi:https://doi.org/10.1155/2021/3084153)
childhood
Chaplin, Sarah (2008) Child-friendliness in design: can design and architecture lead the way? In: Places to go? place-shaping, safer streets and sustainable transport for a child-friendly public realm. A national conference by Play England, Sustrans, Living Streets and the National Children's Bureau, 20 May 2008, Queen Elizabeth II Conference Centre Westminster London. (Unpublished)
children's book illustration
Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]
China
Ingham, Mark (2011) New photographic practices: SCOPE. In: Newth, Martin, (ed.) New Photographic Practices; SCOPE. Camberwell Press, London. ISBN 978-0953639595
Vlachos, Peter ORCID: 0000-0002-4870-9006 (2003) Paint a true picture of art in China. The Guardian. ISSN 0261-3077
choreography
Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)
Chris Ofili
Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]
Christian Hidaka
Waterworth, David, Brochard, Yves and McDonald, Roger (2011) On cavity: the language of landscape and the gaps in between. Christian Hidaka: Balanced Rock / Waterfall at the Top of the River. Max Wigram Gallery, London, pp. 23-24. ISBN 9780955971310
Cindy Sherman
Mann, Tony (1995) [Book review] Cindy Sherman 1975-1993. The Art Book, 2 (2). p. 34. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)
cinema
Dawson, Andrew (2011) Book review: NYSTROM, DEREK. Hard Hats, Rednecks, and Macho Men. Class in 1970s American Cinema. Oxford University Press, Oxford [etc.] 2009. x, 251 pp.Ill. $24.95; doi:10.1017/S0020859011000137. International Review of Social History, 56 (10). pp. 160-162. ISSN 0020-8590 (Print), 1469-512X (Online) (doi:https://doi.org/10.1017/S0020859011000137)
Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.
Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunnigham, Stuart (2015) Second screen comes to the silver screen: a consumer study regarding mobile technologies in the cinema. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 121-124. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317381)
Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Ben Hur Live as post-cinematic adaptation. Journal of Adaptation in Film & Performance, 15 (1/2). pp. 61-75. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp_00069_1)
Cinema censorship
Mroz, Matilda (2010) Cinema and censorship in post-war Poland. In: Darwin College Humanities and Social Sciences Group series, 25 May 2010, Darwin College, University of Cambridge, UK. (Unpublished)
cinematic Virtual Reality
Hong, Yang, Macquarrie, Andrew and Steed, Anthony (2018) The effect of chair type on users' viewing experience for 360-degree video. In: VRST '18: Proceedings of the 24th ACM Symposium on Virtual Reality Software and Technology. Tokyo Japan. 28 November 2018- 1 December 2018. Association for Computing Machinery (ACM), New York, United States, pp. 1-11. ISBN 978-1450360869 (doi:https://doi.org/10.1145/3281505.3281519)
Macquarrie, Andrew and Steed, Anthony (2017) Cinematic Virtual Reality: evaluating the effect of display type on the viewing experience for panoramic video. In: 2017 IEEE Virtual Reality (VR). March 18-22 2017. Los Angeles, CA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 45-54. ISBN 978-1509066476 ; 978-1509066483 ISSN 2375-5334 (Online) (doi:https://doi.org/10.1109/VR.2017.7892230)
Schmitz, Anastasia, Macquarrie, Andrew, Julier, Simon, Binetti, Nicola and Steed, Anthony (2020) Directing versus attracting attention: exploring the effectiveness of central and peripheral cues in panoramic videos. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 63-72. ISBN 978-1728156088 ; 978-1728156095 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR46266.2020.00024)
cities
Stoppani, Teresa (2008) Interpreting the Renaissance: princes, cities, architects by Manfredo Tafuri, translated by Daniel Sherer. The Journal of Architecture, 13 (3). pp. 345-354. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360802216997)
Stoppani, Teresa (2007) Learning from Manhattan: Rem Koolhaas on the City before the Global and Junkspace. In: Concealing the Designer – The Illusion of the Natural City in the 20th Century, 1-2 June 2007, Berlin, Germany.
co-design
Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2023) New degrees co-created with industry to effect social change. Makings: A Journal Researching the Creative Industries, 4 (1). pp. 1-14. ISSN 2752-3861 (Online)
code-switching
Pettit, Zoë ORCID: 0000-0002-1909-8947 (2012) Translating Tsotsi for the screen. In: Serban, Adriana, Matamala, Anna and Lavaur, Jean-Marc, (eds.) Audiovisual Translation in Close-Up: Practical and Theoretical Approaches. Peter Lang, Bern, Switzerland, pp. 75-91. ISBN 9783034311519
cognitive
Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48
cognitive theory
Cole, Tom ORCID: 0000-0001-6031-8377 (2015) The tragedy of betrayal: how the design of Ico and Shadow of the Colossus elicits emotion. In: DiGRA '15 - Proceedings of the 2015 DiGRA International Conference. Lüneburg, Germany, May 14th - 17th 2015. Digital Games Research Association, Finland. ISSN 2342-9666
Colin MacCabe
Stabb, Walter (2019) Europe Endless. [Video]
collaboration
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2019) The screenplay as boundary object. Journal of Screenwriting, 10 (2). pp. 149-164. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.10.2.149_1)
collaborative
Maffioletti, Catherine (2020) Multicomponent Output 2: Hysterical Together. [Creative Performance or Reading]
collaborative exhibition
Hobbs, James, Waterworth, David and Kennedy, Stephen (2024) "For Want of (Not) Measuring". [Show/Exhibition]
Collaborative production
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)
collage
Bowie, Laura ORCID: 0000-0002-9084-2142 (2017) W(al)king through trauma: Wolf Vostell and West Berlin in the 1960s. Canvas, 4. pp. 16-19.
collectarium
Beard, Sophie and Waller, Allyson (2023) Publishing Participation. [Performance]
Beard, Sophie, Waller, Allyson and Maloney, Pete (2021) Collectarium lockdown space: sharing domestic transformations and innovations for pandemics. In: Urban Assemblage: The City as Architecture, Media, AI and Big Data, 28th - 30th June 2021, University of Hertfordshire, Hatfield. (Unpublished)
Collective
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]
collodion photography
Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)
colour in art
Mann, Tony (1995) [Book review] Colour: Art and Science. The Art Book, 2 (2). p. 26. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00263.x)
comedies
Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2022) On a Lighter Note! New Law Journal, 172 (8006). p. 22. ISSN 0306-6479 (Print), 2046-2239 (Online)
communication
McClean, Mairead (2008) Bell(a)Exchange III. [Show/Exhibition]
Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2020) How ambient advertising is uniquely placed to make audiences think. Westminster Papers in Communication and Culture, 15 (2). pp. 95-111. ISSN 1744-6716 (Online) (doi:https://doi.org/10.16997/wpcc.346)
communications
Calvert, Sheena (2009) [Un]disciplined gestures and [un]common sense: the sensual, acoustic logic(s) of paradox and art. PhD thesis, University of Greenwich.
community
Adil, Alev (2011) MemoryMap [website]. MemoryMap, London, UK.
Beard, Sophie and Waller, Allyson (2023) Publishing Participation. [Performance]
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)
Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]
community art
Hobbs, James and Crabbe, Jono (Ojon) (2023) "Nature Morte" and "H(xy)/V(z)=Ø". [Show/Exhibition]
Community project
Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]
Composed Instrument
Masu, Raul, Correia, Nuno N. ORCID: 0000-0002-9999-9162 , Jürgens, Stephan, Feitsch, Jochen and Romão, Teresa (2020) Designing Interactive Sonic Artefacts for Dance Performance: an Ecological Approach. In: AM '20: Proceedings of the 15th International Conference on Audio Mostly. ACM, New York, USA, pp. 122-129. ISBN 978-1450375634 (doi:https://doi.org/10.1145/3411109.3412297)
composing
Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective. PhD thesis, University of Greenwich.
Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective: REF Multi-component portfolio. [Dataset] (Unpublished)
composite curing
Gao, Xiaoyu ORCID: 0000-0001-5625-3654 , Li, Yingguang, Xu, Ke, Wang, Shixin and Maropoulos, Paul (2023) A step-wise numerical thermal control method for advanced composite curing process using digital image based programming. CIRP Annals - Manufacturing Technology, 72 (1). ISSN 0007-8506 (doi:https://doi.org/10.1016/j.cirp.2023.03.016)
Composition
Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)
Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)
computational photography
Macquarrie, Andrew and Steed, Anthony (2015) Object removal in panoramic media. In: CVMP '15: Proceedings of the 12th European Conference on Visual Media Production. ACM Digital Library (2). Association for Computing Machinery (ACM), New York, United States, pp. 1-10. ISBN 978-1450335607 (doi:https://doi.org/10.1145/2824840.2824844)
computer and video games
Cunningham, Stuart, Henry, John and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Augmenting virtual spaces: affective feedback in computer games. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 229-247. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_13)
computer art
Bowen, Jonathan P., Giannini, Tula, Polmeer, Gareth, Gannis, Carla, Gardiner, Jeremy, Kearney, Jonathan, Wands, Bruce and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) States of being: art and identity in digital space and time. In: EVA London 2018: Electronic Visualisation & the Arts. Proceedings of a conference held in London 11th-13th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2018 . BCS: The Chartered Institute for IT, Swindon; London, pp. 1-7. ISBN 978-1780174631 ; 978-1780174632 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2018.1)
Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Borda, Ann and Diprose, Graham (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon. ISBN 978-1780175942 ISSN 1477-9358
Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Diprose, Graham (eds.) (2023) Proceedings of EVA London 2023. In: Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Diprose, Graham, (eds.) Proceedings of EVA London 2023. BCS London 10–14 July 2023. Electronic Workshops in Computing . EVA London Electronic Visualisation and the Arts - BCS Learning and Development Ltd., Arts BCS London Office, London and Swindon. ISBN 978-1780176161 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2023.0)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2022) Book launch - Explosions in the mind: composing psychedelic sounds and visualisations. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 36-37. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.8)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2014) EEG as a controller for psychedelic visual music in an immersive dome environment. In: EVA London 2014: Proceedings of the EVA London 2014 on Electronic Visualisation and the Arts. Electronic Workshops in Computing (eWiC) | BCS . BCS, The Chartered Institute for IT, Swindon; London. ISBN 978-1780172859 ; 1780172850 (doi:https://doi.org/10.14236/ewic/EVA2014.45)
computer graphics
Rodney, Ross, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Broadhead, Martyn (2023) Retro stylistic transformations in games. In: Proceedings of EVA London 2023. BCS London 10th – 14th July 2023. Electronic Workshops in Computing . EVA London Electronic Visualisation and the Arts - BCS Learning and Development Ltd., Arts BCS London Office, London and Swindon, pp. 240-242. ISBN 978-1780176161 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2023.44)
computer music
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2011) Tiny jungle: psychedelic techniques in audio-visual composition. In: Proceedings of the International Computer Music Conference : Huddersfield, UK : ICMC 2011. Michigan Publishing ; International Computer Music Association (ICMA), San Francisco : International Computer Music Association ; Huddersfield : Centre for Research in New Music, University of Huddersfield, pp. 324-327. ISBN 0984527400 ; 9780984527403
concert
Hobbs, James and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2023) "Polarities/Polaridades". [Show/Exhibition]
conference
Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055
connections
Campbell, Sarah ORCID: 0000-0002-2920-7318 , Clark, Andrew ORCID: 0000-0001-8660-8815 , Keady, John ORCID: 0000-0001-8243-6913 , Manji, Kainde, Odzakovic, Elzana, Rummery, Kirstein and Ward, Richard (2023) ‘I can see what's going on without being nosey…’: What matters to people living with dementia about home as revealed through visual home tours. International Journal of Geriatric Psychiatry, 38 (9):e5999. pp. 1-12. ISSN 0885-6230 (Print), 1099-1166 (Online) (doi:https://doi.org/10.1002/gps.5999)
consensus approach
Adewumi, Ayomikun Solomon ORCID: 0000-0002-9883-2766 , Onyango, Vincent, Moyo, Dumiso and AlWaer, Husam (2018) A review of selected neighbourhood sustainability assessment frameworks using the Bellagio STAMP. International Journal of Building Pathology and Adaptation, 37 (1). pp. 108-118. ISSN 2398-4708 (Online) (doi:https://doi.org/10.1108/IJBPA-07-2018-0055)
constructivism
Cole, Tom ORCID: 0000-0001-6031-8377 and Salisbury, John Hamon (2016) Grounded Theory in games research: making the case and exploring the options. In: DIGRA/FDG '16 - Proceedings of the First International Joint conference of DIGRA and FDG. Digital Games Research Association, Finland. ISBN 2342-9666
constructivist research
Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2018) The Cosmic Pond - REF documentation. [Show/Exhibition]
consumerism
Stacey, Gillian Joyce (2017) Lee Miller. Beyond the muse. A very modern woman: a woman of her time. PhD thesis, University of Greenwich.
contemporary
Maravala, Persis Jadé and Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Post-immersive interventions with ZU-UK. In: Bucknall, Joanna Jayne, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury - Methuen Drama, London, pp. 151-176. ISBN 978-1350269330
contemporary art
Hobbs, James and Vari, Mhairi (2023) Sound/Image 2023 Exhibition. Curated by Jim Hobbs & Mhairi Vari. [Show/Exhibition]
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Elevate me later - an analogue sea in a digital world. In: Papadaki, Elena ORCID: 0000-0002-6653-4334 , (ed.) Exhibiting the Analogue / Exhibiting the Digital – afterthoughts on an exhibition. University of Greenwich Galleries, London, pp. 1-5. ISBN 978-0957343047 (In Press)
Vlachos, Peter ORCID: 0000-0002-4870-9006 (2003) Paint a true picture of art in China. The Guardian. ISSN 0261-3077
contemporary composition
Hill, Andrew ORCID: 0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]
contemporary dance
Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)
contemporary mime
Wallis, Jillian (2015) Reverie. [Creative Performance or Reading]
contemporary philosophy
Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.
content analysis
Zhong, Lina, Xu, Zhongqi, Morrison, Alastair ORCID: 0000-0002-0754-1083 and Li, Yunpeng (2023) Metaverse customer journeys in tourism: building viable virtual worlds. Tourism Review. ISSN 1660-5373 (doi:https://doi.org/10.1108/TR-07-2023-0492)
content creation
Macquarrie, Andrew and Steed, Anthony (2020) Investigating the perceived strengths and limitations of Free-Viewpoint Video (FVV). Frontiers in Virtual Reality, 1 (11). ISSN 2673-4192 (Online) (doi:https://doi.org/10.3389/frvir.2020.00011)
context
Murray, Shaun (2022) Drawing architecture. Design Ecologies, 11 (1). pp. 11-33. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:https://doi.org/10.1386/des_00014_1)
context-aware computing
Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Cunningham, Stuart, Picking, Richard and Williams, Lyall (2015) Holophonor: On the Future Technology of Visual Music. In: Curran, Kevin, (ed.) Recent Advances in Ambient Intelligence and Context-Aware Computing. Recent Advances in Ambient Intelligence and Context-Aware Computing . IGI Global, USA, pp. 143-154. ISBN 9781466672840 ; 1466672846 ; 9781466672857 (doi:https://doi.org/10.4018/978-1-4666-7284-0.ch015)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Cunningham, Stuart, Picking, Richard and Williams, Lyall (2015) Holophonor: designing the visual music instruments of the future. In: Curran, Kevin, (ed.) Recent Advances in Ambient Intelligence and Context-Aware Computing. IGI Global, USA, pp. 143-154. ISBN 9781466672840 ; 9781466672857, 1466672854 ; 1466672846 (doi:https://doi.org/10.4018/978-1-4666-7284-0.ch009)
cooking
Stacey, Gillian Joyce (2017) Lee Miller. Beyond the muse. A very modern woman: a woman of her time. PhD thesis, University of Greenwich.
corporeal
Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]
Craft
Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)
creative advertising
Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2023) New degrees co-created with industry to effect social change. Makings: A Journal Researching the Creative Industries, 4 (1). pp. 1-14. ISSN 2752-3861 (Online)
creative computing
Troisi, Anna ORCID: 0000-0002-6868-4424 (2018) OB-scene, a live audio/visual performance for photoplethysmograph and female body. Organised Sound, 23 (3). pp. 270-276. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:https://doi.org/10.1017/S1355771818000171)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Cyberdreams: visualizing music in extended reality. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 209-227. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_12)
creative industries
Mould, Oli, Vorley, Tim and Liu, Kai (2014) Invisible creativity? Highlighting the hidden impact of freelancing in London's creative industries. European Planning Studies, 22 (12). pp. 2436-2455. ISSN 0965-4313 (Print), 1469-5944 (Online) (doi:https://doi.org/10.1080/09654313.2013.790587)
Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2023) New degrees co-created with industry to effect social change. Makings: A Journal Researching the Creative Industries, 4 (1). pp. 1-14. ISSN 2752-3861 (Online)
creative industries. Site-Specific projections
Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055
creative methodology
Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)
creative methods
Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2023) Creative approaches to user experience in entrepreneurial startups: emerging impact from screencast videography. In: UKAIS Annual Conference 2023, 20th - 21st April 2023, University of Kent. (Unpublished)
creative writing
Smith, Caroline (2007) Hide and seek with rebels: tracing contemporary queer art in cracks and rips. Wasafiri, 22 (1). pp. 32-42. ISSN 0269-0055 (doi:https://doi.org/10.1080/02690050601097609)
creativity
Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)
Dawson, Andrew and Holmes, Sean P. (2012) New perspectives on working in the global film and television industries. Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 1-17. ISBN 9781780930206
Dawson, Andrew and Holmes, Sean P. (eds.) (2012) Working in the global film and television industries: Creativity, systems, space, patronage. Bloomsbury Academic, London, UK. ISBN 9781780930206
Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 and Margetson, Emma ORCID: 0000-0002-1054-1973 (2023) Art of sound: creativity in film sound and electroacoustic music. Sound Design . Focal Press - Routledge, London. ISBN 978-0367755881; 978-1003163077
crime film
Fiddler, Michael ORCID: 0000-0002-0695-6770 (2013) Playing funny games in the last house on the left: the uncanny and the ‘home invasion’ genre. Crime, Media, Culture, 9 (3). pp. 281-299. ISSN 1741-6590 (Print), 1741-6604 (Online) (doi:https://doi.org/10.1177/1741659013511833)
Cult
Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)
cultural identity
Milic, Nela, Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Oh, Jee and Zuabi, Thaer (2011) Mapping and reshaping of cultural identity by digital media [Workshop]. In: ISEA2011: The 17th International Symposium on Electronic Art, 14-21 Sep 2011, Istanbul, Turkey.
cultural movements
Inman, James Stuart (1997) Surrealism since the Second World War with particular reference to surrealism in Czechoslovakia. MPhil thesis, University of Greenwich.
cultural politics of space
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Re-mapping the territory: immersive exhibition practices in the expanded field. Gramma, 27. ISSN 2529-1793 (Online) (doi:https://doi.org/10.26262/gramma.v27i0.8990)
culture
Mann, Tony (1995) [Book review] Iterations: The New Image. The Art Book, 2 (2). pp. 32-33. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)
Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055
Curated event
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:https://doi.org/10.1080/17458927.2015.1042247)
curated exhibition
Hobbs, James and Vari, Mhairi (2023) Sound/Image 2023 Exhibition. Curated by Jim Hobbs & Mhairi Vari. [Show/Exhibition]
Curated exhibition / projections
Papadaki, Elena ORCID: 0000-0002-6653-4334 and Schizakis, Stamatis (2018) Critical Convergence: Greek contemporary artists in dialogue with the (recent) past. [Show/Exhibition]
Curating
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2014) Communicating technology: Interactive design and interdisciplinary collaboration in the digital arts. In: Book of Absracts of DRHA2014: Communication Futures: Connecting Interdisciplinary Design Practices in Arts/Culture, Academia and the Creative Industries. University of Greenwich, pp. 215-216. ISBN 978-1-291-97878-0
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Interactive video installations in public spaces: Rafael Lozano-Hemmer's Under Scan. In: Crisp, Virginia and Menotti Gonring, Gabriel, (eds.) Besides the Screen: Moving Images through Distribution, Promotion and Curation. Palgrave Macmillan, London & New York, pp. 197-212. ISBN 978-1-137-47101-7
Curating New Media
Papadaki, Elena ORCID: 0000-0002-6653-4334 , Ploeger, Dani and Krajewska, Klio (2019) Radical Immersions. [Show/Exhibition]
Curating Russian Cinema
Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Curating Russian Film for International Audiences. [Show/Exhibition] (Submitted)
curation
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]
Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Curating Russian Film for International Audiences. [Show/Exhibition] (Submitted)
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Elevate me later - an analogue sea in a digital world. In: Papadaki, Elena ORCID: 0000-0002-6653-4334 , (ed.) Exhibiting the Analogue / Exhibiting the Digital – afterthoughts on an exhibition. University of Greenwich Galleries, London, pp. 1-5. ISBN 978-0957343047 (In Press)
Waterworth, David (2023) Not Necessarily in the Right Order. [Show/Exhibition]
curriculum
Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2023) New degrees co-created with industry to effect social change. Makings: A Journal Researching the Creative Industries, 4 (1). pp. 1-14. ISSN 2752-3861 (Online)
customer experience
Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2023) Creative approaches to user experience in entrepreneurial startups: emerging impact from screencast videography. In: UKAIS Annual Conference 2023, 20th - 21st April 2023, University of Kent. (Unpublished)
customer journey
Zhong, Lina, Xu, Zhongqi, Morrison, Alastair ORCID: 0000-0002-0754-1083 and Li, Yunpeng (2023) Metaverse customer journeys in tourism: building viable virtual worlds. Tourism Review. ISSN 1660-5373 (doi:https://doi.org/10.1108/TR-07-2023-0492)
CX
Kawaf, Fatema ORCID: 0000-0002-7089-7816 , Bruce, Helen, Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110 , Rooney, Tara and Ngwakwe, Amarachi (2022) Using screencast videography as a customer experience and journey mapping tool: a case study. In: 12th Servsig2022, 16th - 18th June 2022, Glasgow, Scotland.
cyber-physical
Siegel, Lauren ORCID: 0000-0003-2117-8492 , Tussyadiah, Iis ORCID: 0000-0003-0729-1712 and Scarles, Caroline ORCID: 0000-0001-8279-3689 (2022) Cyber-physical traveler performances and Instagram travel photography as ideal impression management. Current Issues in Tourism, 26 (14). pp. 2332-2356. ISSN 1368-3500 (Print), 1747-7603 (Online) (doi:https://doi.org/10.1080/13683500.2022.2086451)
cybernetics
Murray, Shaun (2022) Drawing architecture. Design Ecologies, 11 (1). pp. 11-33. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:https://doi.org/10.1386/des_00014_1)
cyborg
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]
Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)
Cyprus
Adil, Alev (2011) Memory in the dead zone. [Creative Performance or Reading]
Czechoslovakia
Inman, James Stuart (1997) Surrealism since the Second World War with particular reference to surrealism in Czechoslovakia. MPhil thesis, University of Greenwich.
Dance
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]
Masu, Raul, Correia, Nuno N. ORCID: 0000-0002-9999-9162 , Jürgens, Stephan, Feitsch, Jochen and Romão, Teresa (2020) Designing Interactive Sonic Artefacts for Dance Performance: an Ecological Approach. In: AM '20: Proceedings of the 15th International Conference on Audio Mostly. ACM, New York, USA, pp. 122-129. ISBN 978-1450375634 (doi:https://doi.org/10.1145/3411109.3412297)
Sporton, Gregory (2017) The Body and the Intellectual. Scene, 5 (2). pp. 115-126. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.2.115_1)
Sporton, Gregory (2018) The Life of a Dance: Double Take Part II. In: Proceedings from the Document Academy. University of Akron, pp. 1-10.
Sporton, Gregory (2016) Reviews. Scene, 4 (2). pp. 173-178. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.2.173_5)
Sporton, Gregory (2017) Reviews. Scene, 5 (1). pp. 83-88. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.1.83_5)
Sporton, Gregory (2017) The Sporton Professorial Inaugural. [Creative Performance or Reading]
dance and technology
Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2019) Moving Digits: Augmented Dance for Engaged Audience. [Creative Performance or Reading] (Unpublished)
Daphne du Maurier
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)
data body
Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]
data longevity
Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyros ORCID: 0000-0001-6122-8701 (2022) Challenges of digital building data usage with a focus on the digital documentation of heritage buildings: results from an online survey. Heritage, 5 (4). pp. 3220-3259. ISSN 2571-9408 (Online) (doi:https://doi.org/10.3390/heritage5040166)
Data storage
Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)
data technology
Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]
data visualisations
Tsjornaja, Anne, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Broadhead, Martyn (2022) Art(NET)work: visualising interconnected artwork data in VR. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 250-251. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.47)
database
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Index of love. [Show/Exhibition]
Death
Giaxoglou, Korina, Döveling, Katrin and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Networked emotions: Interdisciplinary perspectives on sharing loss online. Journal of Broadcasting and Electronic Media, 61 (1). ISSN 0883-8151 (Print), 1550-6878 (Online) (doi:https://doi.org/10.1080/08838151.2016.1273927)
Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]
Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2016) Death and Memory in the Twenty-First Century. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities and Sciences. Palgrave Macmillan, London, UK, pp. 113-118. ISBN 9781137520579 (doi:https://doi.org/10.1057/9781137520586_14)
Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Love After Death (2016 - 2018). [Show/Exhibition]
deception
Finkelstein, Joanne (2010) Fashioned identity and the unreliable image. Critical Studies in Fashion and Beauty, 1 (2). pp. 153-163. ISSN 2040-4417 (doi:https://doi.org/10.1386/csfb.1.2.161_1)
deep learning
Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2021) Deep-NC: a secure image transmission using deep learning and network coding. Signal Processing: Image Communication, 99:116490. ISSN 0923-5965 (doi:https://doi.org/10.1016/j.image.2021.116490)
Sigger, Neetu, Al-Jawed, Naseer and Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2022) Spatial-temporal autoencoder with attention network for video compression. In: Proceedings of the 17th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications. Online. February 6-8, 2022. Computer Vision Theory and Applications (VISAPP), 4 . Computer Vision Theory and Applications (VISAPP) - SCITEPRESS Digital Library, Setúbal, Portugal, pp. 364-371. ISBN 978-9897585555; ISSN 2184-4321 (doi:https://doi.org/10.5220/0010811900003124)
Vien, Quoc-Tuan, Nguyen, Tuan ORCID: 0000-0003-0055-8218 and Nguyen, Huan (2021) A lightweight secure image super resolution using network coding. In: Proceedings of the 16th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications. 8-11 Feb 2021. Vienna, Austria. VISIGRAPP, 4 . SCITEPRESS, Setúbal, Portugal, pp. 653-660. ISBN 978-9897584886 ISSN 2184-4321 (doi:https://doi.org/10.5220/0010212406530660)
defamiliarisation
Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)
degree
Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2023) New degrees co-created with industry to effect social change. Makings: A Journal Researching the Creative Industries, 4 (1). pp. 1-14. ISSN 2752-3861 (Online)
dementia
Campbell, Sarah ORCID: 0000-0002-2920-7318 , Clark, Andrew ORCID: 0000-0001-8660-8815 , Keady, John ORCID: 0000-0001-8243-6913 , Manji, Kainde, Odzakovic, Elzana, Rummery, Kirstein and Ward, Richard (2023) ‘I can see what's going on without being nosey…’: What matters to people living with dementia about home as revealed through visual home tours. International Journal of Geriatric Psychiatry, 38 (9):e5999. pp. 1-12. ISSN 0885-6230 (Print), 1099-1166 (Online) (doi:https://doi.org/10.1002/gps.5999)
democratic image
Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]
design
Athique Winterbottom, Anushka, Angell, Roo, Belfield, Andrew, Gibson, Naomi ORCID: 0009-0003-0309-1905 , O'Callaghan, Mattie and Woodgate, Zanna (2024) How Public is Public? [Performance]
Athique Winterbottom, Anushka, Angell, Roo, Dixit, Mitesh, Paulson, Theo, Wilder, Pete and Heaven, Bryony (2024) Technical Solutionism. [Performance]
Crowe, Dan, Sudjic, Deyan, Mendez Moyano, Francisco and Vioque Nguyen, Maria (2023) ANIMA Magazine - Issue One. PORT Publishers, Milano.
Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584
Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055
Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2009) Visual arts and 2D – 3D motion typo.graphic design. In: EVA London 2009: Electronic Visualisation & the Arts. Electronic Workshops in Computing (eWiC) (online), 2009 . BCS: The Chartered Institute for IT, Swindon, UK, pp. 192-200. ISBN 978-1-906124-17-5 (pbk) ISSN 1477-9358 (online)
Mendez Moyano, Francisco (2022) Expatriados. Experimenta (93). pp. 46-47. ISSN 1133-9675
Design Education
Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)
design history
Rossi, Guglielmo ORCID: 0000-0002-7850-6904 (2023) You must live your politics: publishing practices and libertarianism in MayDay Rooms Archives. In: Grennan, Rosemary and Bard-Rosenberg, Jacob, (eds.) MayDay Rooms Pamphlets: 02 Agitprop Notes. MayDay Rooms pamphlet series, 02 (2). MayDay Rooms Archives, London, pp. 103-149.
Rossi, Guglielmo ORCID: 0000-0002-7850-6904 (2023) The housing movement: illustrations from the archive. Colouring In, 3 (9). pp. 95-98. ISSN 2752-9533
Design in Use
Masu, Raul, Correia, Nuno N. ORCID: 0000-0002-9999-9162 , Jürgens, Stephan, Feitsch, Jochen and Romão, Teresa (2020) Designing Interactive Sonic Artefacts for Dance Performance: an Ecological Approach. In: AM '20: Proceedings of the 15th International Conference on Audio Mostly. ACM, New York, USA, pp. 122-129. ISBN 978-1450375634 (doi:https://doi.org/10.1145/3411109.3412297)
Design Processes
Masu, Raul, Correia, Nuno N. ORCID: 0000-0002-9999-9162 , Jürgens, Stephan, Feitsch, Jochen and Romão, Teresa (2020) Designing Interactive Sonic Artefacts for Dance Performance: an Ecological Approach. In: AM '20: Proceedings of the 15th International Conference on Audio Mostly. ACM, New York, USA, pp. 122-129. ISBN 978-1450375634 (doi:https://doi.org/10.1145/3411109.3412297)
digital
Adil, Alev (2011) MemoryMap [website]. MemoryMap, London, UK.
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]
Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)
Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]
Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2022) Screencast videography: understanding experience in the metaverse. In: Future Visualities: Visual Methods & Ethnography in Interdisciplinary Research Symposium, 1st June 2022, Edinburgh Napier University. (Unpublished)
Maffioletti, Catherine (2020) Multicomponent Output 1: Hysteria. [Creative Performance or Reading]
Maffioletti, Catherine (2020) Multicomponent Output 2: Hysterical Together. [Creative Performance or Reading]
Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584
Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2016) Death and Memory in the Twenty-First Century. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities and Sciences. Palgrave Macmillan, London, UK, pp. 113-118. ISBN 9781137520579 (doi:https://doi.org/10.1057/9781137520586_14)
digital art
Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)
Bowen, Jonathan P., Giannini, Tula, Polmeer, Gareth, Gannis, Carla, Gardiner, Jeremy, Kearney, Jonathan, Wands, Bruce and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) States of being: art and identity in digital space and time. In: EVA London 2018: Electronic Visualisation & the Arts. Proceedings of a conference held in London 11th-13th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2018 . BCS: The Chartered Institute for IT, Swindon; London, pp. 1-7. ISBN 978-1780174631 ; 978-1780174632 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2018.1)
Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Borda, Ann and Diprose, Graham (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon. ISBN 978-1780175942 ISSN 1477-9358
Bowen, Jonathon P., Baker, Camille, Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Edmonds, Ernst, van Helsdingen, Merel and Masson, Terence (2021) EVA London 2021: Keynote summaries. In: EVA London 2021: Electronic Visualisation & the Arts. Proceedings of conference. BCS, The Chartered Institute for IT, 5th -9th July 2021. Proceedings of EVA London 2021 . Science Open, London, pp. 1-6. ISBN 978-1780175737 (doi:https://doi.org/10.14236/ewic/EVA2021.1)
Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)
Golding, Sue (2006) The assassination of time (ζeta-philosophy). In: Digital Art Weeks, 12-16 Jul 2006, Eidgenössische Technische Hochschule, Zurich, Switzerland.
Hobbs, James (2021) "It's all right. I came back.". [Show/Exhibition]
Hobbs, James (2020) Moribund State(s) - Solo multimedia art exhibition. [Show/Exhibition]
Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2019) Participation in EMPIRE II, an international touring exhibition, 2017 - 2019. [Show/Exhibition]
digital arts
Hobbs, James and Vari, Mhairi (2023) Sound/Image 2023 Exhibition. Curated by Jim Hobbs & Mhairi Vari. [Show/Exhibition]
Hobbs, James, Waterworth, David and Kennedy, Stephen (2024) "For Want of (Not) Measuring". [Show/Exhibition]
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Bowen, Jonathan P., Borda, Ann and Diprose, Graham (eds.) (2021) EVA London (Electronic Visualisation and the Arts): proceedings of EVA London 2021. In: EVA London 2021, Programme Committee, (ed.) AI and the Arts: Artificial Imagination. Proceedings of EVA London 2021 (EVA 2021). 5th July – 9th July 2021. Electronic Workshops in Computing (eWiC) | BCS . British Computer Society, Swindon; London, pp. 1-10. ISBN 978-1780175737 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2021.0)
digital building data
Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyros ORCID: 0000-0001-6122-8701 (2022) Challenges of digital building data usage with a focus on the digital documentation of heritage buildings: results from an online survey. Heritage, 5 (4). pp. 3220-3259. ISSN 2571-9408 (Online) (doi:https://doi.org/10.3390/heritage5040166)
Digital Compositing
Zhi, Jin (2015) An alternative green screen keying method for film visual effects. International Journal of Multimedia and Its Applications, 7 (2). pp. 1-12. ISSN 0975-5934 (Print), 0975-5578 (Online) (doi:https://doi.org/10.5121/ijma.2015.7201)
digital culture
Bowen, Jonathon P., Baker, Camille, Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Edmonds, Ernst, van Helsdingen, Merel and Masson, Terence (2021) EVA London 2021: Keynote summaries. In: EVA London 2021: Electronic Visualisation & the Arts. Proceedings of conference. BCS, The Chartered Institute for IT, 5th -9th July 2021. Proceedings of EVA London 2021 . Science Open, London, pp. 1-6. ISBN 978-1780175737 (doi:https://doi.org/10.14236/ewic/EVA2021.1)
digital death
Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]
digital documentation
Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyros ORCID: 0000-0001-6122-8701 (2022) Challenges of digital building data usage with a focus on the digital documentation of heritage buildings: results from an online survey. Heritage, 5 (4). pp. 3220-3259. ISSN 2571-9408 (Online) (doi:https://doi.org/10.3390/heritage5040166)
digital error
Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)
digital fatigue
Watkins, Julie ORCID: 0000-0001-8872-7041 (2022) Alleviating digital fatigue: actions to increase life-satisfaction. In: DRHA 2022, 4th - 7th September 2022, Kingston University. (Unpublished)
digital games
Cole, Thomas ORCID: 0000-0001-6031-8377 , Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)
Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)
digital intimacy
Bowen, Jonathon P., Baker, Camille, Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Edmonds, Ernst, van Helsdingen, Merel and Masson, Terence (2021) EVA London 2021: Keynote summaries. In: EVA London 2021: Electronic Visualisation & the Arts. Proceedings of conference. BCS, The Chartered Institute for IT, 5th -9th July 2021. Proceedings of EVA London 2021 . Science Open, London, pp. 1-6. ISBN 978-1780175737 (doi:https://doi.org/10.14236/ewic/EVA2021.1)
digital literacy
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]
digital media
Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Index of love. [Show/Exhibition]
Milic, Nela, Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Oh, Jee and Zuabi, Thaer (2011) Mapping and reshaping of cultural identity by digital media [Workshop]. In: ISEA2011: The 17th International Symposium on Electronic Art, 14-21 Sep 2011, Istanbul, Turkey.
digital mental health therapy
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]
digital modelling
Rabourdin, Caroline ORCID: 0000-0002-9694-0384 (2023) Spatial models and affects: Scanlab’s Frozen Relics / Arctic Works & Framerate / Pulse of the Earth. In: London Conference in Critical Thought 2023, 30th June - 1st July 2023, School of Social Sciences and Professions, London Metropolitan University Holloway Road, London. (Unpublished)
digital preservation
Bowen, Jonathon P., Baker, Camille, Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Edmonds, Ernst, van Helsdingen, Merel and Masson, Terence (2021) EVA London 2021: Keynote summaries. In: EVA London 2021: Electronic Visualisation & the Arts. Proceedings of conference. BCS, The Chartered Institute for IT, 5th -9th July 2021. Proceedings of EVA London 2021 . Science Open, London, pp. 1-6. ISBN 978-1780175737 (doi:https://doi.org/10.14236/ewic/EVA2021.1)
digital research
Broadhurst, Susan, Papadaki, Elena ORCID: 0000-0002-6653-4334 , Ploeger, Dani, Goddard, Michael N., O'Brien, Sarah, Taiwo, Olu, Schellewald, Andreas, Chan, Melanie, Lewis, Matt, Dziekan, Vince, Giannachi, Gabriella, Nolasco-Rózsás, Lívia, Katan-Schmid, Einav, Meseguer, Rosell, Borges, Cândida, Vélez, Gabriel Mario, DeLappe, Joseph, Caerols Mateo, Raquel, Kelomees, Raivo, Guljajeva, Varvara, Laas, Oliver, Riegel, Christian, Robinson, Katherine M., Richards, Grayson, Desnoyers-Stewart, John, Smith, Megan L., Riecke, Bernhard E., Dare, Eleanor, Berezina-Blackburn, Vita, Oliszewski, Alex and Mcgarrigle, Conor (eds.) (2020) Radical Immersions: Navigating between virtual/physical environments and information bubbles - DRHA 2019 Conference Proceedings. University of London / DRHA, London. ISBN 978-0900822124; 978-0900822131
digital storytelling
Pyjas, Gabriela Maria, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Broadhead, Martyn (2022) Storytelling and VR: ιnducing emotions through AI characters. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 194-204. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.37)
digital technology
Mann, Tony (1995) [Book review] Iterations: The New Image. The Art Book, 2 (2). pp. 32-33. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)
digital twin
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]
digital/analogue
Papadaki, Elena ORCID: 0000-0002-6653-4334 , Arfaras, Mihalis, Schizakis, Stamatis, Garcia, Carla Ambrósio, Dare, Eleanor, Beveridge, Patrick, Hobbs, James, Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , Menotti, Gabriel, Ploeger, Dani, Samson, Audrey, Borras, Michael (a.k.a. Systaime), Krajewska, Klio and Talbot, Michael ORCID: 0000-0001-7198-1422 (eds.) (2020) Exhibiting the Analogue, Exhibiting the Digital: Afterthoughts on an exhibition. University of Greenwich Galleries / Incandescent Square, London. ISBN 978-0957343047
Dilston Grove
Ingham, Mark (2012) 120 days and nights of staggering and stammering. [Show/Exhibition]
disabled-led
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2019) Rose Bruford College International Symposium, ‘Interactive experiences: playful junctions and journeys across borders’. In: Rose Bruford College International Symposium, ‘Interactive Experiences: Playful junctions and journeys across borders’, 15th - 17th April 2019, Rose Bruford College, London.
Maravala, Persis-Jadé, Cooper, Emma, Van Der Weide, Nadja and Briscoe, Rachel (2022) Sheffield DocFest ‘Alternate realities summit: the art of connection’. [Performance]
Maravala, Persis-Jadé and Guillery, Kesia (2022) ‘Goodnight, sleep tight: Working within a collapsing system’. [Audio]
displacement
Brown, Charmaine ORCID: 0000-0002-6471-9706 (2023) Prompts & Logistics: Black Love and/In the City. [Performance] (Unpublished)
display everyday routines
Campbell, Sarah ORCID: 0000-0002-2920-7318 , Clark, Andrew ORCID: 0000-0001-8660-8815 , Keady, John ORCID: 0000-0001-8243-6913 , Manji, Kainde, Odzakovic, Elzana, Rummery, Kirstein and Ward, Richard (2023) ‘I can see what's going on without being nosey…’: What matters to people living with dementia about home as revealed through visual home tours. International Journal of Geriatric Psychiatry, 38 (9):e5999. pp. 1-12. ISSN 0885-6230 (Print), 1099-1166 (Online) (doi:https://doi.org/10.1002/gps.5999)
disruption
Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Dissolving the Horizon Line: navigating disruption caused by AI manipulation of images. Body, Space and Technology, 23 (1). pp. 1-26. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.11214)
distribution
Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.
Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)
diversity
Brown, Lucy, Davies, Rosamund ORCID: 0000-0001-8645-8271 and Oyebanjo, Anuoluwapo Olufunke ORCID: 0000-0002-6655-9726 (2022) Recognising and addressing unconscious bias and structural inequalities: a case study within television idea development. Alphaville Journal of Film and Screen Media, 8 (24):6. pp. 97-117. ISSN 2009-4078 (doi:https://doi.org/10.33178/alpha.24.06)
Oyebanjo, Anuoluwapo Olufunke ORCID: 0000-0002-6655-9726 , Brown, Lucy and Davies, Rosamund ORCID: 0000-0001-8645-8271 (2021) Teaching media production: understanding unconscious bias in creative idea development. Media Education Research Journal, 10 (1&2). pp. 1-11. ISSN 2754-0073 (Online) (doi:https://doi.org/10.5281/zenodo.5763747)
Papadaki, Elena ORCID: 0000-0002-6653-4334 , Milliken, Sarah ORCID: 0000-0001-7151-8753 , Lammin, Hannah ORCID: 0000-0002-9752-9335 , Athique Winterbottom, Anushka, McArthur, Angela, Rabourdin, Caroline ORCID: 0000-0002-9694-0384 and Isa, Susanne (2023) Embedding equality, diversity and inclusion in the curriculum. In: SHIFT 2023 conference, 11th - 12th January 2023, London, University of Greenwich. (Unpublished)
Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2023) New degrees co-created with industry to effect social change. Makings: A Journal Researching the Creative Industries, 4 (1). pp. 1-14. ISSN 2752-3861 (Online)
DNA
Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)
documentation
Sporton, Gregory (2018) The Life of a Dance: Double Take Part II. In: Proceedings from the Document Academy. University of Akron, pp. 1-10.
domestic space
Fiddler, Michael ORCID: 0000-0002-0695-6770 (2013) Playing funny games in the last house on the left: the uncanny and the ‘home invasion’ genre. Crime, Media, Culture, 9 (3). pp. 281-299. ISSN 1741-6590 (Print), 1741-6604 (Online) (doi:https://doi.org/10.1177/1741659013511833)
domesticity
Stacey, Gillian Joyce (2017) Lee Miller. Beyond the muse. A very modern woman: a woman of her time. PhD thesis, University of Greenwich.
Dourish
Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)
drawing
Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]
Murray, Shaun (2022) Drawing architecture. Design Ecologies, 11 (1). pp. 11-33. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:https://doi.org/10.1386/des_00014_1)
Drawing Architecture
Murray, Shaun (2022) Drawing conversations. [Show/Exhibition]
drawing biennial
Macdonald, Sarah (2021) Tannery Project, Billboard Project #1: Sarah Macdonald. [Show/Exhibition]
Drawing Room Gallery
Macdonald, Sarah (2021) Tannery Project, Billboard Project #1: Sarah Macdonald. [Show/Exhibition]
Dreaming
Secomb, Linnell (2006) Petyarra and Moffatt: 'Looking from the sky'. Cultural Studies Review, 12 (1). pp. 44-56. ISSN 1446-8123 (Print), 1837-8692 (Online)
dualism
Sporton, Gregory (2017) The Body and the Intellectual. Scene, 5 (2). pp. 115-126. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.2.115_1)
dubbing
Pettit, Zoë ORCID: 0000-0002-1909-8947 (2012) Translating Tsotsi for the screen. In: Serban, Adriana, Matamala, Anna and Lavaur, Jean-Marc, (eds.) Audiovisual Translation in Close-Up: Practical and Theoretical Approaches. Peter Lang, Bern, Switzerland, pp. 75-91. ISBN 9783034311519
duration
Mroz, Matilda (2014) The aesthetics of overflow: Tarkovsky’s Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pamela, (eds.) The Cinema of the Swimming Pool. New Studies in European Cinema (17). Peter Lang AG, Oxford / Bern / Berlin / Bruxelles / Frankfurt am Main / New York / Wien, pp. 169-180. ISBN 978-3034317832
dust
Stoppani, Teresa (2007) Dust projects: on Walter Benjamin's Passagen-Werk and some contemporary dusty makings in architecture. The Journal of Architecture, 12 (5). pp. 543-557. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360701722566)
Stoppani, Teresa (2007) Dust revolutions. Dust, informe, architecture (notes for a reading of dust in Bataille). The Journal of Architecture, 12 (4). 437 - 447. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360701614714)
DVD
Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.
e-sports robotics
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]
Eagle Document
Waterworth, David (2009) Object as subject. [Show/Exhibition]
early cinema
Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Ben Hur Live as post-cinematic adaptation. Journal of Adaptation in Film & Performance, 15 (1/2). pp. 61-75. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp_00069_1)
ecologies
Rabourdin, Caroline ORCID: 0000-0002-9694-0384 (2023) Spatial models and affects: Scanlab’s Frozen Relics / Arctic Works & Framerate / Pulse of the Earth. In: London Conference in Critical Thought 2023, 30th June - 1st July 2023, School of Social Sciences and Professions, London Metropolitan University Holloway Road, London. (Unpublished)
ecology
Murray, Shaun (2022) Drawing architecture. Design Ecologies, 11 (1). pp. 11-33. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:https://doi.org/10.1386/des_00014_1)
Edinburgh Festival
Mann, Tony (1997) Edinburgh in August. The Art Book, 4 (1). pp. 19-20. ISSN 1467-8357 (doi:https://doi.org/10.1111/1467-8357.00003)
editing of memory
Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Poem. [Artefact]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Trainscape. [Artefact]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) (in)visible. [Artefact]
editor
Murray, Shaun (2022) Drawing architecture. Design Ecologies, 11 (1). pp. 11-33. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:https://doi.org/10.1386/des_00014_1)
Editorial design
Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)
education
Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Borda, Ann and Diprose, Graham (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon. ISBN 978-1780175942 ISSN 1477-9358
Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282
EEG
Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Cunningham, Stuart, Roberts, Nathan, Griffiths, Darryl and Roberts, Shaun (2015) Quake Delirium EEG: a pilot study regarding biofeedback-driven visual effects in a computer game. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 335-338. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317420)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2014) EEG as a controller for psychedelic visual music in an immersive dome environment. In: EVA London 2014: Proceedings of the EVA London 2014 on Electronic Visualisation and the Arts. Electronic Workshops in Computing (eWiC) | BCS . BCS, The Chartered Institute for IT, Swindon; London. ISBN 978-1780172859 ; 1780172850 (doi:https://doi.org/10.14236/ewic/EVA2014.45)
Eisenstein
Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Curating Russian Film for International Audiences. [Show/Exhibition] (Submitted)
electro-acoustic
Thompson, Ian ORCID: 0000-0002-7143-8013 , Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]
electroacoustic
Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)
Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]
Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) VOID. [Composition]
Hill, Andrew ORCID: 0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]
Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene_00016_1)
Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)
electroacoustic music
Hill, Andrew ORCID: 0000-0003-1521-0396 , Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]
Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).
Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 and Margetson, Emma ORCID: 0000-0002-1054-1973 (2023) Art of sound: creativity in film sound and electroacoustic music. Sound Design . Focal Press - Routledge, London. ISBN 978-0367755881; 978-1003163077
electronic dance music
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
electronic music
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
embodied
Maffioletti, Catherine (2020) Multicomponent Output 1: Hysteria. [Creative Performance or Reading]
Maffioletti, Catherine (2020) Multicomponent Output 2: Hysterical Together. [Creative Performance or Reading]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)
embodied experience
Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Alleviating digital fatigue through embodied artistic practice and green space. International Journal of Performance Arts and Digital Media. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2024.2305448)
embodying technology
Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)
emotion
Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)
Cole, Tom ORCID: 0000-0001-6031-8377 (2015) The tragedy of betrayal: how the design of Ico and Shadow of the Colossus elicits emotion. In: DiGRA '15 - Proceedings of the 2015 DiGRA International Conference. Lüneburg, Germany, May 14th - 17th 2015. Digital Games Research Association, Finland. ISSN 2342-9666
Cunningham, Stuart, Henry, John and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Augmenting virtual spaces: affective feedback in computer games. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 229-247. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_13)
Giaxoglou, Korina, Döveling, Katrin and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Networked emotions: Interdisciplinary perspectives on sharing loss online. Journal of Broadcasting and Electronic Media, 61 (1). ISSN 0883-8151 (Print), 1550-6878 (Online) (doi:https://doi.org/10.1080/08838151.2016.1273927)
emotional
Cole, Thomas ORCID: 0000-0001-6031-8377 , Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)
emotions
Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) Emotional exploration and the eudaimonic gameplay experience: a grounded theory. In: CHI '22: CHI Conference on Human Factors in Computing Systems. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (470). Association of Computing Machinery (ACM), New York, pp. 1-16. ISBN 978-1450391573 (doi:https://doi.org/10.1145/3491102.3502002)
Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)
empathy
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]
empirical methods
Cole, Tom ORCID: 0000-0001-6031-8377 and Salisbury, John Hamon (2016) Grounded Theory in games research: making the case and exploring the options. In: DIGRA/FDG '16 - Proceedings of the First International Joint conference of DIGRA and FDG. Digital Games Research Association, Finland. ISBN 2342-9666
Enactivism
Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)
end-of-life planning
Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Love After Death (2016 - 2018). [Show/Exhibition]
Engagement
Bailey, Catherine, Madden, Adrian ORCID: 0000-0002-3193-5808 , Alfes, Kerstin and Fletcher, Luke (2015) The meaning, antecedents and outcomes of employee engagement: A narrative synthesis. International Journal of Management Reviews, 19 (1). pp. 31-53. ISSN 1460-8545 (Print), 1468-2370 (Online) (doi:https://doi.org/10.1111/ijmr.12077)
Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2020) How ambient advertising is uniquely placed to make audiences think. Westminster Papers in Communication and Culture, 15 (2). pp. 95-111. ISSN 1744-6716 (Online) (doi:https://doi.org/10.16997/wpcc.346)
England
Turner, Tom (1986) English garden design: history and style since 1650. Antique Collectors' Club Ltd., Woodbridge, England. ISBN 978-0907462255
English
Turner, Tom (1986) English garden design: history and style since 1650. Antique Collectors' Club Ltd., Woodbridge, England. ISBN 978-0907462255
enstrangement
Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)
environment
Rabourdin, Caroline ORCID: 0000-0002-9694-0384 (2023) Spatial models and affects: Scanlab’s Frozen Relics / Arctic Works & Framerate / Pulse of the Earth. In: London Conference in Critical Thought 2023, 30th June - 1st July 2023, School of Social Sciences and Professions, London Metropolitan University Holloway Road, London. (Unpublished)
environmental crisis
Eyborg, Elin, Gandy, Matthew, Ma, Cong, Erwee, Alex, Hoult, Gemma, Athique Winterbottom, Anushka and Angell, Roo (2023) The Gardener not the Garden. [Performance]
Gillingwater, Alan, Wilson, Henry, Johar, Indy, Gibbons, Johanna, Goldsmith, Simon, Athique Winterbottom, Anushka and Angell, Roo (2022) Oikos = Eco = Our Home. [Performance]
Hugin, Amund, Geros, Christina, Wall, Edward Duncan, Botchway, Larry, Jawareesh, Wattan, Athique Winterbottom, Anushka and Angell, Roo (2022) Intersectional Landscapes. [Performance]
Lakhani, Dilip, Guzzon, Giacomo, Datoo, Iman, Vessey, Samuel, Searle, Sui, Athique Winterbottom, Anushka and Angell, Roo (2022) Native Species. [Performance]
Reeves, Frances, Cullum-Fernandez, Kris, Kombol, Meaghan, McGann, Paul, Khonsari, Torange, Athique Winterbottom, Anushka and Angell, Roo (2022) Citizenships. [Performance]
epistemology
Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.
equality
Papadaki, Elena ORCID: 0000-0002-6653-4334 , Milliken, Sarah ORCID: 0000-0001-7151-8753 , Lammin, Hannah ORCID: 0000-0002-9752-9335 , Athique Winterbottom, Anushka, McArthur, Angela, Rabourdin, Caroline ORCID: 0000-0002-9694-0384 and Isa, Susanne (2023) Embedding equality, diversity and inclusion in the curriculum. In: SHIFT 2023 conference, 11th - 12th January 2023, London, University of Greenwich. (Unpublished)
error
Korolkova, Maria ORCID: 0000-0002-1784-3675 and Barker, Timothy (eds.) (2021) Miscommunications: Errors, Mistakes, Media. Thinking Media . Bloomsbury Academic, New York. ISSN 978-1501363856 (Print), 978-1501363832 (Online)
Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)
ethical consumption
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Guillery, Kesia and Andrade Pires, Carlos Eduardo (2022) RADIO GHOST - Lumen Prize Interactive Award. Winner - video submission. [Video]
ethics
Eyborg, Elin, Gandy, Matthew, Ma, Cong, Erwee, Alex, Hoult, Gemma, Athique Winterbottom, Anushka and Angell, Roo (2023) The Gardener not the Garden. [Performance]
eudaimonia
Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) Emotional exploration and the eudaimonic gameplay experience: a grounded theory. In: CHI '22: CHI Conference on Human Factors in Computing Systems. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (470). Association of Computing Machinery (ACM), New York, pp. 1-16. ISBN 978-1450391573 (doi:https://doi.org/10.1145/3491102.3502002)
Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)
Evgenii Bauer
Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)
Exhibiting in public spaces
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Interactive video installations in public spaces: Rafael Lozano-Hemmer's Under Scan. In: Crisp, Virginia and Menotti Gonring, Gabriel, (eds.) Besides the Screen: Moving Images through Distribution, Promotion and Curation. Palgrave Macmillan, London & New York, pp. 197-212. ISBN 978-1-137-47101-7
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2017) Space as Methodology: the politics of exhibiting the moving image in public spaces. In: "The Politics of Space and the Humanities", 15-17 December 2017, Thessaloniki, Greece. (Unpublished)
exhibition
Beard, Sophie and Waller, Allyson (2023) Collectarium Lockdown Masks: How do you feel? [Show/Exhibition]
Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]
Ingham, Mark (2011) Mark Ingham, Marilyn Miller and Me 1956-2011. In: Muraben, Billie, (ed.) New Photographic Practices: SCOPE. Camberwell Press, London, UK, p. 24. ISBN 978-0-9536395-9-5
Mann, Tony (2003) [Exhibition review] Keith Tyson at Tate Britain. BSHM Newsletter, 47. pp. 46-47.
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Elevate me later - an analogue sea in a digital world. In: Papadaki, Elena ORCID: 0000-0002-6653-4334 , (ed.) Exhibiting the Analogue / Exhibiting the Digital – afterthoughts on an exhibition. University of Greenwich Galleries, London, pp. 1-5. ISBN 978-0957343047 (In Press)
Papadaki, Elena ORCID: 0000-0002-6653-4334 , Arfaras, Mihalis, Schizakis, Stamatis, Garcia, Carla Ambrósio, Dare, Eleanor, Beveridge, Patrick, Hobbs, James, Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , Menotti, Gabriel, Ploeger, Dani, Samson, Audrey, Borras, Michael (a.k.a. Systaime), Krajewska, Klio and Talbot, Michael ORCID: 0000-0001-7198-1422 (eds.) (2020) Exhibiting the Analogue, Exhibiting the Digital: Afterthoughts on an exhibition. University of Greenwich Galleries / Incandescent Square, London. ISBN 978-0957343047
Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)
Exhibition catalogue
Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)
Hobbs, James (2020) Moribund State(s) - Exhibition Catalogue/Artist Book. Project 78 Press, UK. ISBN 978-1838133108
exhibition practices
Papadaki, Elena ORCID: 0000-0002-6653-4334 , Arfaras, Mihalis, Schizakis, Stamatis, Garcia, Carla Ambrósio, Dare, Eleanor, Beveridge, Patrick, Hobbs, James, Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , Menotti, Gabriel, Ploeger, Dani, Samson, Audrey, Borras, Michael (a.k.a. Systaime), Krajewska, Klio and Talbot, Michael ORCID: 0000-0001-7198-1422 (eds.) (2020) Exhibiting the Analogue, Exhibiting the Digital: Afterthoughts on an exhibition. University of Greenwich Galleries / Incandescent Square, London. ISBN 978-0957343047
exhibition programme
Waterworth, David (2009) Object as subject. [Show/Exhibition]
Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]
exhibition review
Mann, Tony (1997) Edinburgh in August. The Art Book, 4 (1). pp. 19-20. ISSN 1467-8357 (doi:https://doi.org/10.1111/1467-8357.00003)
exhibitions
Acton, Thomas (2007) Second site. Paradise lost. Open Society Institute / Prestel Publishing, London, UK: New York, pp. 30-32. ISBN 978-3-7913-6145-1
Frith, Ed (2008) Loris Gréaud — french and fanciful. Building Design (1822). p. 21.
Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055
Waterworth, David, Brochard, Yves and McDonald, Roger (2011) On cavity: the language of landscape and the gaps in between. Christian Hidaka: Balanced Rock / Waterfall at the Top of the River. Max Wigram Gallery, London, pp. 23-24. ISBN 9780955971310
Expanded Cinema
Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]
Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).
Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]
Hobbs, James and Crabbe, Jono (Ojon) (2023) "Nature Morte" and "H(xy)/V(z)=Ø". [Show/Exhibition]
Hobbs, James and Cutler, Amy (2023) "Species Piracy". [Show/Exhibition]
Hobbs, James and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2023) "Polarities/Polaridades". [Show/Exhibition]
Hobbs, James and Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Volstarfel: Sobbing and Moaning. An evening of experimental noise, expanded cinema and performance. [Show/Exhibition]
expanded-archive
Waterworth, David (2020) 10-4. [Show/Exhibition]
Experience
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]
Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2022) Screencast videography: understanding experience in the metaverse. In: Future Visualities: Visual Methods & Ethnography in Interdisciplinary Research Symposium, 1st June 2022, Edinburgh Napier University. (Unpublished)
experience design
Kawaf, Fatema ORCID: 0000-0002-7089-7816 , Bruce, Helen, Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110 , Rooney, Tara and Ngwakwe, Amarachi (2022) Using screencast videography as a customer experience and journey mapping tool: a case study. In: 12th Servsig2022, 16th - 18th June 2022, Glasgow, Scotland.
experiential art
Sigthorsson, Gauti (2008) Sensation for sensation's sake: art and the temptation of 'Wow'! Sjonauki. ISSN 1670-7311
experiential marketing
Kohrs, Kirsten ORCID: 0000-0003-4302-833X (2020) The language of luxury fashion advertising: Technology of the self and spectacle. Journal of Fashion Marketing and Management. ISSN 1361-2026 (Print), 1361-2026 (Online) (doi:https://doi.org/10.1108/JFMM-02-2020-0029)
experiment
Mendez Moyano, Francisco (2022) Expatriados. Experimenta (93). pp. 46-47. ISSN 1133-9675
experimental
Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) VOID. [Composition]
experimental digital publication
Calle-Gruber, Mireille, Rabourdin, Caroline ORCID: 0000-0002-9694-0384 , Lewis, Sophie and Chrislip, Matthew (2023) The Essay as rewriting. [Artefact]
Experimental film
Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]
Hill, Andrew ORCID: 0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]
Hobbs, James (2020) Moribund State(s) - Solo multimedia art exhibition. [Show/Exhibition]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.296)
Experimentation
Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)
extended reality
Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)
extending the senses
Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)
extraction
Gillingwater, Alan, Wilson, Henry, Johar, Indy, Gibbons, Johanna, Goldsmith, Simon, Athique Winterbottom, Anushka and Angell, Roo (2022) Oikos = Eco = Our Home. [Performance]
Hugin, Amund, Geros, Christina, Wall, Edward Duncan, Botchway, Larry, Jawareesh, Wattan, Athique Winterbottom, Anushka and Angell, Roo (2022) Intersectional Landscapes. [Performance]
Lakhani, Dilip, Guzzon, Giacomo, Datoo, Iman, Vessey, Samuel, Searle, Sui, Athique Winterbottom, Anushka and Angell, Roo (2022) Native Species. [Performance]
Reeves, Frances, Cullum-Fernandez, Kris, Kombol, Meaghan, McGann, Paul, Khonsari, Torange, Athique Winterbottom, Anushka and Angell, Roo (2022) Citizenships. [Performance]
eye-tracking
Schmitz, Anastasia, Macquarrie, Andrew, Julier, Simon, Binetti, Nicola and Steed, Anthony (2020) Directing versus attracting attention: exploring the effectiveness of central and peripheral cues in panoramic videos. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 63-72. ISBN 978-1728156088 ; 978-1728156095 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR46266.2020.00024)
fandom
Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)
feasibility study
Cunningham, Stuart and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2015) Second screen comes to the silver screen: a technology feasibility study regarding mobile technologies in the cinema. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 228-232. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317400)
feminism
Berryman, Andrea and Patterson, Jennifer ORCID: 0000-0002-8254-7602 (2012) Why Feminist Art matters now. The F-Word.
Maffioletti, Catherine (2020) Multicomponent Output 1: Hysteria. [Creative Performance or Reading]
Maffioletti, Catherine (2020) Multicomponent Output 2: Hysterical Together. [Creative Performance or Reading]
Feminist Art
Berryman, Andrea and Patterson, Jennifer ORCID: 0000-0002-8254-7602 (2012) Why Feminist Art matters now. The F-Word.
festival
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]
field theory
Murray, Shaun (2022) Drawing architecture. Design Ecologies, 11 (1). pp. 11-33. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:https://doi.org/10.1386/des_00014_1)
film
Cheeseman, Katharine (2012) Roadkiller. [Video]
Fox, Kenneth and Lambirth, Andrew (2012) Film and pedagogy: Learning about teaching at the movies. In: Bahloul, Maher and Graham, Carolyn, (eds.) Lights! Camera! Action and the Brain: The Use of Film in Education. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 61-81. ISBN 9781443836579
Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) VOID. [Composition]
Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]
Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]
Hill, Andrew ORCID: 0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]
Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)
Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]
Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48
Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)
Woollard, Christopher C. and Herrero, Juan J. (2004) An information system to exploit the use of metadata within film and television production. Image Technology, 86 (5). pp. 26-32. ISSN 0950-2114
Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.
Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)
Film Artist
Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]
film industry
Dawson, Andrew and Holmes, Sean P. (2012) New perspectives on working in the global film and television industries. Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 1-17. ISBN 9781780930206
Dawson, Andrew and Holmes, Sean P. (eds.) (2012) Working in the global film and television industries: Creativity, systems, space, patronage. Bloomsbury Academic, London, UK. ISBN 9781780930206
film installation
Hobbs, James, Waterworth, David and Kennedy, Stephen (2024) "For Want of (Not) Measuring". [Show/Exhibition]
Film laboratories
Dawson, Andrew and Holmes, Sean P. (2014) Culture, Creativity and Disappearing Celluloid. [Video]
film studies
Dawson, Andrew (2010) Crossing disciplinary borders: history and film studies. In: Teaching visual sources, 12 March 2010, University of Manchester. (Unpublished)
films
Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.
Ingham, Mark (2010) Never judge a book by its movie. In: Inspiring Learners: Equipping the Next Generation of Graduates, 6 July 2010, University of Greenwich. (Unpublished)
Mann, Tony (1995) [Book review] Cindy Sherman 1975-1993. The Art Book, 2 (2). p. 34. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)
Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2022) On a Lighter Note! New Law Journal, 172 (8006). p. 22. ISSN 0306-6479 (Print), 2046-2239 (Online)
Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2021) Top 10 classic Law films. New Law Journal, 171 (7959). pp. 21-22. ISSN 0306-6479 (Print), 2046-2239 (Online)
fine art
Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]
first-person representations
Lawal, Raheem A., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Gent, Darrenlloyd (2023) Representing amphibian perspectives in a 3D game engine. In: Proceedings of EVA London 2023 (EVA 2023). Electronic Workshops in Computing . BCS Learning and Development Ltd, Arts BCS London Office London, UK, pp. 233-235. (doi:https://doi.org/10.14236/ewic/EVA2023.42)
flexible specialisation
Dawson, Andrew (2010) ’Flexible Specialisation’ and New Hollywood: Time for a Paradigm Shift? In: 8th European Social Science History Conference, 13-16 Apr 2010, Ghent, Belgium. (Unpublished)
Dawson, Andrew (2012) Labouring in Hollywood’s motion picture industry and the promise of ‘flexible specialisation’. In: Dawson, Andrew and Holmes, Sean P., (eds.) Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 21-38. ISBN 9781780930206
fluxus
Bowie, Laura ORCID: 0000-0002-9084-2142 (2017) W(al)king through trauma: Wolf Vostell and West Berlin in the 1960s. Canvas, 4. pp. 16-19.
Food-led art
Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)
Fordism
Dawson, Andrew (2010) ’Flexible Specialisation’ and New Hollywood: Time for a Paradigm Shift? In: 8th European Social Science History Conference, 13-16 Apr 2010, Ghent, Belgium. (Unpublished)
Dawson, Andrew (2012) Labouring in Hollywood’s motion picture industry and the promise of ‘flexible specialisation’. In: Dawson, Andrew and Holmes, Sean P., (eds.) Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 21-38. ISBN 9781780930206
Forest
Wall, Edward Duncan and Withers, Simon ORCID: 0000-0002-0203-359X (2024) Part Forest. [Show/Exhibition]
forging of future possibilities
Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Poem. [Artefact]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Trainscape. [Artefact]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) (in)visible. [Artefact]
fractal philosophy
Golding, Johnny (2012) Ana-materialism and the Pineal Eye: Becoming mouth-breast (or visual arts after Descartes, Bataille, Butler, Deleuze and Synthia with an ‘s’). Philosophy of Photography, 3 (1). pp. 99-120. ISSN 2040-3682 (Print), 2040-3690 (Online) (doi:https://doi.org/10.1386/pop.3.1.99_1)
Fred Scott
Frith, Ed (2008) On altering architecture by Fred Scott. The Architects' Journal. pp. 12-13. ISSN 0003-8466
free-viewpoint video
Macquarrie, Andrew and Steed, Anthony (2020) Investigating the perceived strengths and limitations of Free-Viewpoint Video (FVV). Frontiers in Virtual Reality, 1 (11). ISSN 2673-4192 (Online) (doi:https://doi.org/10.3389/frvir.2020.00011)
free-viewpoint video production
Macquarrie, Andrew and Steed, Anthony (2020) Exploring the use of skeletal tracking for cheaper motion graphs and on-set decision making in Free-Viewpoint Video production. In: CVMP '20: European Conference on Visual Media Production. Virtual Event, United Kingdom. December 7 - 8 2020. Association for Computing Machinery (ACM), New York, United States, pp. 1-10. ISBN 978-1450381987 (doi:https://doi.org/10.1145/3429341.3429353)
freelancers
Mould, Oli, Vorley, Tim and Liu, Kai (2014) Invisible creativity? Highlighting the hidden impact of freelancing in London's creative industries. European Planning Studies, 22 (12). pp. 2436-2455. ISSN 0965-4313 (Print), 1469-5944 (Online) (doi:https://doi.org/10.1080/09654313.2013.790587)
French literature
Calle-Gruber, Mireille, Rabourdin, Caroline ORCID: 0000-0002-9694-0384 , Lewis, Sophie and Chrislip, Matthew (2023) The Essay as rewriting. [Artefact]
freshwater fauna
Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2018) The Cosmic Pond - REF documentation. [Show/Exhibition]
functional
Cole, Thomas ORCID: 0000-0001-6031-8377 , Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)
future
Adil, A (2009) Becoming the future now. [Creative Performance or Reading]
future human
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]
future legacies
Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Love After Death (2016 - 2018). [Show/Exhibition]
game AI
Pyjas, Gabriela Maria, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Broadhead, Martyn (2022) Storytelling and VR: ιnducing emotions through AI characters. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 194-204. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.37)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2024) The senses beyond: new directions in game engine experiences. In: Giannini, Tula and Bowen, Jonathan P., (eds.) The Arts and Computational Culture: Real and Virtual Worlds. Springer Series on Cultural Computing (SSCC) . Springer, Cham, Switzerland. ISBN 978-3031538643; 978-3031538674; 978-3031538650 (In Press)
game audio
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2024) The senses beyond: new directions in game engine experiences. In: Giannini, Tula and Bowen, Jonathan P., (eds.) The Arts and Computational Culture: Real and Virtual Worlds. Springer Series on Cultural Computing (SSCC) . Springer, Cham, Switzerland. ISBN 978-3031538643; 978-3031538674; 978-3031538650 (In Press)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2017) Simulating auditory hallucinations in a video game: three prototype mechanisms. In: AM '17: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-5373-1 (doi:https://doi.org/10.1145/3123514.3123532)
game design
Cunningham, Stuart, Henry, John and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Augmenting virtual spaces: affective feedback in computer games. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 229-247. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_13)
game engines
Lawal, Raheem A., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Gent, Darrenlloyd (2023) Representing amphibian perspectives in a 3D game engine. In: Proceedings of EVA London 2023 (EVA 2023). Electronic Workshops in Computing . BCS Learning and Development Ltd, Arts BCS London Office London, UK, pp. 233-235. (doi:https://doi.org/10.14236/ewic/EVA2023.42)
Rodney, Ross, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Broadhead, Martyn (2023) Retro stylistic transformations in games. In: Proceedings of EVA London 2023. BCS London 10th – 14th July 2023. Electronic Workshops in Computing . EVA London Electronic Visualisation and the Arts - BCS Learning and Development Ltd., Arts BCS London Office, London and Swindon, pp. 240-242. ISBN 978-1780176161 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2023.44)
game mechanics
McIntosh, Tyler Howard, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2022) Lundheim: exploring affective audio techniques in an action-adventure video game. In: AM '22: Proceedings of the 17th International Audio Mostly Conference. AudioMostly 2022 St. Pölten Austria September 6 - 9, 2022. AudioMostly 2022 . Association for Computing Machinery (ACM), New York, pp. 155-158. ISBN 978-1450397018; (doi:https://doi.org/10.1145/3561212.3561234)
game-design
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]
gameplay
Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) Emotional exploration and the eudaimonic gameplay experience: a grounded theory. In: CHI '22: CHI Conference on Human Factors in Computing Systems. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (470). Association of Computing Machinery (ACM), New York, pp. 1-16. ISBN 978-1450391573 (doi:https://doi.org/10.1145/3491102.3502002)
Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)
games
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)
Stenros, Jaakko, Simon, Bart, Hughes, Lynn, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2021) Understanding Liveness in immersive theatre, LARP and Games. In: DIGRA 2022, 7th - 11th July 2022, Krakow, Poland. (Unpublished)
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]
games for change
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Guillery, Kesia and Andrade Pires, Carlos Eduardo (2022) RADIO GHOST - Lumen Prize Interactive Award. Winner - video submission. [Video]
gaming
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]
garden history
Turner, Tom (1986) English garden design: history and style since 1650. Antique Collectors' Club Ltd., Woodbridge, England. ISBN 978-0907462255
gardens and outdoor spaces
Campbell, Sarah ORCID: 0000-0002-2920-7318 , Clark, Andrew ORCID: 0000-0001-8660-8815 , Keady, John ORCID: 0000-0001-8243-6913 , Manji, Kainde, Odzakovic, Elzana, Rummery, Kirstein and Ward, Richard (2023) ‘I can see what's going on without being nosey…’: What matters to people living with dementia about home as revealed through visual home tours. International Journal of Geriatric Psychiatry, 38 (9):e5999. pp. 1-12. ISSN 0885-6230 (Print), 1099-1166 (Online) (doi:https://doi.org/10.1002/gps.5999)
gaze perception
MacQuarrie, Andrew and Steed, Anthony (2019) Perception of volumetric characters' eye-gaze direction in head-mounted displays. In: 2019 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). Osaka, Japan. 23-27 March 2019. IEEE Xplore . IEEE, Piscataway, New York, pp. 645-654. ISBN 978-1728113777 ; 978-1728113784 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR.2019.8797852)
Gelitin
Sigthorsson, Gauti (2008) Sensation for sensation's sake: art and the temptation of 'Wow'! Sjonauki. ISSN 1670-7311
gender
Dawson, Andrew (2011) Book review: NYSTROM, DEREK. Hard Hats, Rednecks, and Macho Men. Class in 1970s American Cinema. Oxford University Press, Oxford [etc.] 2009. x, 251 pp.Ill. $24.95; doi:10.1017/S0020859011000137. International Review of Social History, 56 (10). pp. 160-162. ISSN 0020-8590 (Print), 1469-512X (Online) (doi:https://doi.org/10.1017/S0020859011000137)
Dawson, Andrew (2005) Book review: Robert S. Birchard, Cecil B. DeMille's Hollywood (Lexington: University of Kentucky Press, 2004, $39.95). Pp. 446. ISBN 0 8131 2324 0; David W. Menefee, The first female stars: women of the silent era (Westport, CT: Praeger, 2004, $44.95). Pp. 249. ISBN 0 275 98259 9. Journal American Studies, 39 (1). pp. 113-114. ISSN 0021-8758 (Print), 1469-5154 (Online) (doi:https://doi.org/10.1017/S0021875805229584)
Gillingwater, Alan, Wilson, Henry, Johar, Indy, Gibbons, Johanna, Goldsmith, Simon, Athique Winterbottom, Anushka and Angell, Roo (2022) Oikos = Eco = Our Home. [Performance]
Hugin, Amund, Geros, Christina, Wall, Edward Duncan, Botchway, Larry, Jawareesh, Wattan, Athique Winterbottom, Anushka and Angell, Roo (2022) Intersectional Landscapes. [Performance]
Lakhani, Dilip, Guzzon, Giacomo, Datoo, Iman, Vessey, Samuel, Searle, Sui, Athique Winterbottom, Anushka and Angell, Roo (2022) Native Species. [Performance]
Reeves, Frances, Cullum-Fernandez, Kris, Kombol, Meaghan, McGann, Paul, Khonsari, Torange, Athique Winterbottom, Anushka and Angell, Roo (2022) Citizenships. [Performance]
gender representation
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]
Generative
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]
generative art
Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2017) Enabling Audiovisual User Interfaces. [Creative Performance or Reading] (Unpublished)
genetic criticism
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)
genre
Naylor, Alex (2011) ‘A horror picture at this time is a very hazardous undertaking’: Did British or American censorship end the 1930s horror cycle? The Irish Journal of Gothic and Horror Studies (9). ISSN 2009-0374
Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)
gentrification
Brown, Charmaine ORCID: 0000-0002-6471-9706 (2023) Prompts & Logistics: Black Love and/In the City. [Performance] (Unpublished)
Georges Bataille
Stoppani, Teresa (2007) Dust revolutions. Dust, informe, architecture (notes for a reading of dust in Bataille). The Journal of Architecture, 12 (4). 437 - 447. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360701614714)
Geste curatorial
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2016) "Le geste curatorial et les œuvres sur écran - L’évolution d’un néologisme vers une tendance majeure". Proteus (10). pp. 64-70. ISSN 2110-557X (Online)
giclee
Hobbs, James (2023) "Polytechneiou 1 (Cigarettes)", "Polytechneiou 2 (Petals)", "Polytechneiou (Unstable Grids)". [Show/Exhibition]
Gilles Deleuze
Golding, Johnny (2010) Fractal philosophy (and the small matter of learning how to listen): attunement as the task of art. In: Zepke, Stephen and O'Sullivan, Simon, (eds.) Deleuze and Contemporary Art. Deleuze Connections . Edinburgh University Press, Edinburgh, Scotland, pp. 133-154. ISBN 978-0748638376 (hardback), 9780748638383 (paperback),
Giovanni Battista Piranesi
Stoppani, Teresa (2008) Translucent and fluid: Piranesi's impossible plan. In: Frascari, Marco, Hale, Jonathan and Starkey, Bradley, (eds.) From Models to Drawings: imagination and representation in architecture. Critiques . Routledge, London, UK, pp. 99-108. ISBN 978-0-415-48798-6 (pbk) 978-0-415-43113-2 (hbk)
glitch
Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)
Korolkova, Maria ORCID: 0000-0002-1784-3675 and Barker, Timothy (eds.) (2021) Miscommunications: Errors, Mistakes, Media. Thinking Media . Bloomsbury Academic, New York. ISSN 978-1501363856 (Print), 978-1501363832 (Online)
Global television
Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282
gong
Hill, Andrew ORCID: 0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]
Graduate exhibition
Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)
Graham and Cook
Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)
graphic art
Powers, Alan (2010) Introduction: John Piper in context. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 9-13. ISBN 978-0-9558343-2-5
Graphic Design
Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)
graphics
Calvert, Sheena (2009) [Un]disciplined gestures and [un]common sense: the sensual, acoustic logic(s) of paradox and art. PhD thesis, University of Greenwich.
Green Screen Keying
Zhi, Jin (2015) An alternative green screen keying method for film visual effects. International Journal of Multimedia and Its Applications, 7 (2). pp. 1-12. ISSN 0975-5934 (Print), 0975-5578 (Online) (doi:https://doi.org/10.5121/ijma.2015.7201)
green space
Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Alleviating digital fatigue through embodied artistic practice and green space. International Journal of Performance Arts and Digital Media. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2024.2305448)
Gregory J. Markopoulos
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:https://doi.org/10.1080/17458927.2015.1042247)
grid effect
Stoppani, Teresa (2007) Grid effect in architecture. In: Defining Space International Interdisciplinary Conference UCD, 11-13 Oct 2007, Dublin. (Unpublished)
grounded theory
Cole, Thomas ORCID: 0000-0001-6031-8377 , Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)
Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) Emotional exploration and the eudaimonic gameplay experience: a grounded theory. In: CHI '22: CHI Conference on Human Factors in Computing Systems. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (470). Association of Computing Machinery (ACM), New York, pp. 1-16. ISBN 978-1450391573 (doi:https://doi.org/10.1145/3491102.3502002)
Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) More than a bit of coding: (un-)Grounded (non-)Theory in HCI. In: CHI EA '22: CHI Conference on Human Factors in Computing Systems Extended Abstracts. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (11). Association of Computing Machinery (ACM), New York, pp. 1-11. ISBN 978-1450391566 (doi:https://doi.org/10.1145/3491101)
Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)
Cole, Tom ORCID: 0000-0001-6031-8377 and Salisbury, John Hamon (2016) Grounded Theory in games research: making the case and exploring the options. In: DIGRA/FDG '16 - Proceedings of the First International Joint conference of DIGRA and FDG. Digital Games Research Association, Finland. ISBN 2342-9666
group show
Waterworth, David (2008) Embedded [Group Show]. [Show/Exhibition]
guerrilla marketing
Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2020) How ambient advertising is uniquely placed to make audiences think. Westminster Papers in Communication and Culture, 15 (2). pp. 95-111. ISSN 1744-6716 (Online) (doi:https://doi.org/10.16997/wpcc.346)
guiding attention
Schmitz, Anastasia, Macquarrie, Andrew, Julier, Simon, Binetti, Nicola and Steed, Anthony (2020) Directing versus attracting attention: exploring the effectiveness of central and peripheral cues in panoramic videos. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 63-72. ISBN 978-1728156088 ; 978-1728156095 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR46266.2020.00024)
guilt
Cole, Tom ORCID: 0000-0001-6031-8377 (2015) The tragedy of betrayal: how the design of Ico and Shadow of the Colossus elicits emotion. In: DiGRA '15 - Proceedings of the 2015 DiGRA International Conference. Lüneburg, Germany, May 14th - 17th 2015. Digital Games Research Association, Finland. ISSN 2342-9666
H.5.1 [information interfaces and presentation]
Macquarrie, Andrew and Steed, Anthony (2018) The effect of transition type in multi-view 360 media. IEEE Transactions on Visualization and Computer Graphics, 24 (4):17617378. pp. 1564-1573. ISSN 1077-2626 (Print), 1941-0506 (Online) (doi:https://doi.org/10.1109/TVCG.2018.2793561)
hallucination
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)
haptic technology
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]
haptics
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]
haptics virtual physical blending
Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)
Harris-SURF-DCT
Gong, Cheng ORCID: 0000-0002-0666-2529 , Li, Jingbing ORCID: 0000-0001-6636-4710 , Bhatti, Uzair Aslam, Gong, Ming, Ma, Jixin ORCID: 0000-0001-7458-7412 , Huang, Mengxing and Xue, Xingsi (2021) Robust and secure zero-watermarking algorithm for medical images based on Harris-SURF-DCT and chaotic map. Security and Communication Networks, 2021:3084153. pp. 1-13. ISSN 1939-0114 (Print), 1939-0122 (Online) (doi:https://doi.org/10.1155/2021/3084153)
Harvard
Wall, Edward Duncan and Withers, Simon ORCID: 0000-0002-0203-359X (2024) Part Forest. [Show/Exhibition]
hbim
Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)
HCI
Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) More than a bit of coding: (un-)Grounded (non-)Theory in HCI. In: CHI EA '22: CHI Conference on Human Factors in Computing Systems Extended Abstracts. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (11). Association of Computing Machinery (ACM), New York, pp. 1-11. ISBN 978-1450391566 (doi:https://doi.org/10.1145/3491101)
Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2017) Enabling Audiovisual User Interfaces. [Creative Performance or Reading] (Unpublished)
Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2019) Moving Digits: Augmented Dance for Engaged Audience. [Creative Performance or Reading] (Unpublished)
head-mounted display
Schmitz, Anastasia, Macquarrie, Andrew, Julier, Simon, Binetti, Nicola and Steed, Anthony (2020) Directing versus attracting attention: exploring the effectiveness of central and peripheral cues in panoramic videos. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 63-72. ISBN 978-1728156088 ; 978-1728156095 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR46266.2020.00024)
health and illness discourses
Patterson, Jennifer ORCID: 0000-0002-8254-7602 (ed.) (2016) The Association for Medical Humanities International Journal: Body Talk: Whose Language? (2016 Conference Abstracts). The Association for Medical Humanities, The University of Greenwich. ISBN 978-0995519305 ISSN 2398-6395
health and wellbeing
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]
health simulation
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]
Henri Bergson
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)
heritage buildings
Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)
Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyros ORCID: 0000-0001-6122-8701 (2022) Challenges of digital building data usage with a focus on the digital documentation of heritage buildings: results from an online survey. Heritage, 5 (4). pp. 3220-3259. ISSN 2571-9408 (Online) (doi:https://doi.org/10.3390/heritage5040166)
historiography
Dawson, Andrew (2010) Crossing disciplinary borders: history and film studies. In: Teaching visual sources, 12 March 2010, University of Manchester. (Unpublished)
Dawson, Andrew (2010) ’Flexible Specialisation’ and New Hollywood: Time for a Paradigm Shift? In: 8th European Social Science History Conference, 13-16 Apr 2010, Ghent, Belgium. (Unpublished)
Dawson, Andrew (2012) Labouring in Hollywood’s motion picture industry and the promise of ‘flexible specialisation’. In: Dawson, Andrew and Holmes, Sean P., (eds.) Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 21-38. ISBN 9781780930206
history
Bowie, Laura ORCID: 0000-0002-9084-2142 (2022) Book review Photographs and the practice of history: a short primer by Elizabeth Edwards, London, Bloomsbury Academic, 2022, 166 pp., £18 (paperback). Planning Perspectives, 37 (5). pp. 1109-1112. ISSN 0266-5433 (Print), 1466-4518 (Online) (doi:https://doi.org/10.1080/02665433.2022.2111126)
Bowie, Laura ORCID: 0000-0002-9084-2142 (2013) The Rote Armee Fraktion: memory and the construction of art, film and literature. eSharp, 20:1. pp. 1-18.
Calvert, Sheena (2009) [Un]disciplined gestures and [un]common sense: the sensual, acoustic logic(s) of paradox and art. PhD thesis, University of Greenwich.
Dawson, Andrew (2010) Crossing disciplinary borders: history and film studies. In: Teaching visual sources, 12 March 2010, University of Manchester. (Unpublished)
Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]
McClean, Mairead (2008) Bell(a)exchange II. [Show/Exhibition]
Hobbs
Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]
Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]
Hollywood
Dawson, Andrew (2012) Challenging lilywhite Hollywood: African Americans and the demand for racial equality in the motion picture industry, 1963-1974. The Journal of Popular Culture, 45 (6). pp. 1206-1225. ISSN 0022-3840 (Print), 1540-5931 (Online) (doi:https://doi.org/10.1111/jpcu.12005)
Naylor, Alex (2011) ‘A horror picture at this time is a very hazardous undertaking’: Did British or American censorship end the 1930s horror cycle? The Irish Journal of Gothic and Horror Studies (9). ISSN 2009-0374
home invasion
Fiddler, Michael ORCID: 0000-0002-0695-6770 (2013) Playing funny games in the last house on the left: the uncanny and the ‘home invasion’ genre. Crime, Media, Culture, 9 (3). pp. 281-299. ISSN 1741-6590 (Print), 1741-6604 (Online) (doi:https://doi.org/10.1177/1741659013511833)
home neighbourhood
Campbell, Sarah ORCID: 0000-0002-2920-7318 , Clark, Andrew ORCID: 0000-0001-8660-8815 , Keady, John ORCID: 0000-0001-8243-6913 , Manji, Kainde, Odzakovic, Elzana, Rummery, Kirstein and Ward, Richard (2023) ‘I can see what's going on without being nosey…’: What matters to people living with dementia about home as revealed through visual home tours. International Journal of Geriatric Psychiatry, 38 (9):e5999. pp. 1-12. ISSN 0885-6230 (Print), 1099-1166 (Online) (doi:https://doi.org/10.1002/gps.5999)
home tours
Campbell, Sarah ORCID: 0000-0002-2920-7318 , Clark, Andrew ORCID: 0000-0001-8660-8815 , Keady, John ORCID: 0000-0001-8243-6913 , Manji, Kainde, Odzakovic, Elzana, Rummery, Kirstein and Ward, Richard (2023) ‘I can see what's going on without being nosey…’: What matters to people living with dementia about home as revealed through visual home tours. International Journal of Geriatric Psychiatry, 38 (9):e5999. pp. 1-12. ISSN 0885-6230 (Print), 1099-1166 (Online) (doi:https://doi.org/10.1002/gps.5999)
honeymoon
Ingham, Mark (2011) A portrait of Marilyn Miller and me 5611. [Artefact]
horizon line
Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Dissolving the Horizon Line: navigating disruption caused by AI manipulation of images. Body, Space and Technology, 23 (1). pp. 1-26. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.11214)
horror censorship
Naylor, Alex (2011) ‘A horror picture at this time is a very hazardous undertaking’: Did British or American censorship end the 1930s horror cycle? The Irish Journal of Gothic and Horror Studies (9). ISSN 2009-0374
housing struggle
Rossi, Guglielmo ORCID: 0000-0002-7850-6904 (2023) The housing movement: illustrations from the archive. Colouring In, 3 (9). pp. 95-98. ISSN 2752-9533
human computer interaction
Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) More than a bit of coding: (un-)Grounded (non-)Theory in HCI. In: CHI EA '22: CHI Conference on Human Factors in Computing Systems Extended Abstracts. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (11). Association of Computing Machinery (ACM), New York, pp. 1-11. ISBN 978-1450391566 (doi:https://doi.org/10.1145/3491101)
human interaction/interface
Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2022) GROUPTHINK: telepresence and agency during Live performance. Proceedings of the ACM on Computer Graphics and Interactive Techniques, 5 (4):39. pp. 1-10. ISSN 2577-6193 (Online) (doi:https://doi.org/10.1145/3533610)
human traces
Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 1. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 2. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 3. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:https://doi.org/10.14236/ewic/EVA2018.70)
Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Document of Singing Light 1 installation. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2014) Horizon. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)
Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Reservoir. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Shadow Sounds 1. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Sky 2. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Song Series Animacy. [Video]
humanities
Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584
hybrid exhibition
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Almena, Maria and Shemza, Aphra (2022) Transformations - Hybrid exhibition and event - curated by Dr. Oliver Gingrich, Maria Almena and Aphra Shemza featuring Analema Group's KIMA Colour, KIMA Voice and KIMA Noise and Oliver Gingrich & Shama Rahman's Zeitgeist. [Show/Exhibition]
Hybrid Exhibition - Media Art - Participatory Art
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Almena, Maria and Shemza, Aphra (2022) Access all areas: hybrid exhibition at British Computer Society. [Show/Exhibition]
hybrid media
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)
hybrid presence
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]
hydrogen alpha
Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)
hydrophone
Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2018) The Cosmic Pond - REF documentation. [Show/Exhibition]
Hélène Cixous
Calle-Gruber, Mireille, Rabourdin, Caroline ORCID: 0000-0002-9694-0384 , Lewis, Sophie and Chrislip, Matthew (2023) The Essay as rewriting. [Artefact]
ICA
Frith, Ed (2008) Loris Gréaud — french and fanciful. Building Design (1822). p. 21.
Ico
Cole, Tom ORCID: 0000-0001-6031-8377 (2015) The tragedy of betrayal: how the design of Ico and Shadow of the Colossus elicits emotion. In: DiGRA '15 - Proceedings of the 2015 DiGRA International Conference. Lüneburg, Germany, May 14th - 17th 2015. Digital Games Research Association, Finland. ISSN 2342-9666
ideas development
Oyebanjo, Anuoluwapo Olufunke ORCID: 0000-0002-6655-9726 , Brown, Lucy and Davies, Rosamund ORCID: 0000-0001-8645-8271 (2021) Teaching media production: understanding unconscious bias in creative idea development. Media Education Research Journal, 10 (1&2). pp. 1-11. ISSN 2754-0073 (Online) (doi:https://doi.org/10.5281/zenodo.5763747)
identity
Adil, Alev (2011) Memory in the dead zone. [Creative Performance or Reading]
Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)
Finkelstein, Joanne (2010) Fashioned identity and the unreliable image. Critical Studies in Fashion and Beauty, 1 (2). pp. 153-163. ISSN 2040-4417 (doi:https://doi.org/10.1386/csfb.1.2.161_1)
McClean, Mairead (2008) Bell(a)Exchange III. [Show/Exhibition]
McClean, Mairead (2008) Bell(a)exchange II. [Show/Exhibition]
Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)
Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]
ideology
Fox, Kenneth and Lambirth, Andrew (2012) Film and pedagogy: Learning about teaching at the movies. In: Bahloul, Maher and Graham, Carolyn, (eds.) Lights! Camera! Action and the Brain: The Use of Film in Education. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 61-81. ISBN 9781443836579
illustration
Powers, Alan (2010) Benjamin Britten, Piper and Aldeburgh. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 130-135. ISBN 978-0-9558343-2-5
image
Finkelstein, Joanne (2010) Fashioned identity and the unreliable image. Critical Studies in Fashion and Beauty, 1 (2). pp. 153-163. ISSN 2040-4417 (doi:https://doi.org/10.1386/csfb.1.2.161_1)
Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]
Hobbs, James and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2023) "Polarities/Polaridades". [Show/Exhibition]
Hobbs, James and Vari, Mhairi (2023) Sound/Image 2023 Exhibition. Curated by Jim Hobbs & Mhairi Vari. [Show/Exhibition]
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)
image communication
Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2021) Deep-NC: a secure image transmission using deep learning and network coding. Signal Processing: Image Communication, 99:116490. ISSN 0923-5965 (doi:https://doi.org/10.1016/j.image.2021.116490)
Image manipulation
Macquarrie, Andrew and Steed, Anthony (2015) Object removal in panoramic media. In: CVMP '15: Proceedings of the 12th European Conference on Visual Media Production. ACM Digital Library (2). Association for Computing Machinery (ACM), New York, United States, pp. 1-10. ISBN 978-1450335607 (doi:https://doi.org/10.1145/2824840.2824844)
image security
Vien, Quoc-Tuan, Nguyen, Tuan ORCID: 0000-0003-0055-8218 and Nguyen, Huan (2021) A lightweight secure image super resolution using network coding. In: Proceedings of the 16th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications. 8-11 Feb 2021. Vienna, Austria. VISIGRAPP, 4 . SCITEPRESS, Setúbal, Portugal, pp. 653-660. ISBN 978-9897584886 ISSN 2184-4321 (doi:https://doi.org/10.5220/0010212406530660)
image segmentation
Lin, Wenguang, Yan, Wenchao, Chen, Zhizhen and Xiao, Renbin (2023) Research on product appearance patent spatial shape recognition for multi-image feature fusion. Multimedia Tools and Applications. ISSN 1380-7501 (Print), 1573-7721 (Online) (doi:https://doi.org/10.1007/s11042-023-16477-5)
immanence
Golding, Sue (2009) Trembling the plane of immanence: media arts philosophy and the re-vision of art (or what’s acoustics got to do with the visual?). In: Invited lecture, February, 2009, Royal Academy of Art. (Unpublished)
Immersion
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]
Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)
Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Alleviating digital fatigue through embodied artistic practice and green space. International Journal of Performance Arts and Digital Media. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2024.2305448)
immersive
Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)
Maravala, Persis Jadé and Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Post-immersive interventions with ZU-UK. In: Bucknall, Joanna Jayne, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury - Methuen Drama, London, pp. 151-176. ISBN 978-1350269330
Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.
Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Vision freed from frozen cyclops: interacting with visual media, an artistic, critical and technical practice exploring spatial depth. Body Space Technology, 22 (1). pp. 168-189. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9715)
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]
immersive exhibition practices
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Re-mapping the territory: immersive exhibition practices in the expanded field. Gramma, 27. ISSN 2529-1793 (Online) (doi:https://doi.org/10.26262/gramma.v27i0.8990)
immersive experience
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]
immersive experiences
Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)
immersive media
Hill, Andrew ORCID: 0000-0003-1521-0396 , Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]
immersive practices
Broadhurst, Susan, Papadaki, Elena ORCID: 0000-0002-6653-4334 , Ploeger, Dani, Goddard, Michael N., O'Brien, Sarah, Taiwo, Olu, Schellewald, Andreas, Chan, Melanie, Lewis, Matt, Dziekan, Vince, Giannachi, Gabriella, Nolasco-Rózsás, Lívia, Katan-Schmid, Einav, Meseguer, Rosell, Borges, Cândida, Vélez, Gabriel Mario, DeLappe, Joseph, Caerols Mateo, Raquel, Kelomees, Raivo, Guljajeva, Varvara, Laas, Oliver, Riegel, Christian, Robinson, Katherine M., Richards, Grayson, Desnoyers-Stewart, John, Smith, Megan L., Riecke, Bernhard E., Dare, Eleanor, Berezina-Blackburn, Vita, Oliszewski, Alex and Mcgarrigle, Conor (eds.) (2020) Radical Immersions: Navigating between virtual/physical environments and information bubbles - DRHA 2019 Conference Proceedings. University of London / DRHA, London. ISBN 978-0900822124; 978-0900822131
immersive theatre
Stenros, Jaakko, Simon, Bart, Hughes, Lynn, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2021) Understanding Liveness in immersive theatre, LARP and Games. In: DIGRA 2022, 7th - 11th July 2022, Krakow, Poland. (Unpublished)
impact
Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055
implants
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]
Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)
improvisation
Thompson, Ian ORCID: 0000-0002-7143-8013 , Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]
inclusion
Papadaki, Elena ORCID: 0000-0002-6653-4334 , Milliken, Sarah ORCID: 0000-0001-7151-8753 , Lammin, Hannah ORCID: 0000-0002-9752-9335 , Athique Winterbottom, Anushka, McArthur, Angela, Rabourdin, Caroline ORCID: 0000-0002-9694-0384 and Isa, Susanne (2023) Embedding equality, diversity and inclusion in the curriculum. In: SHIFT 2023 conference, 11th - 12th January 2023, London, University of Greenwich. (Unpublished)
inclusivity
Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2023) New degrees co-created with industry to effect social change. Makings: A Journal Researching the Creative Industries, 4 (1). pp. 1-14. ISSN 2752-3861 (Online)
Indigenous art
Secomb, Linnell (2006) Petyarra and Moffatt: 'Looking from the sky'. Cultural Studies Review, 12 (1). pp. 44-56. ISSN 1446-8123 (Print), 1837-8692 (Online)
induction
Cole, Tom ORCID: 0000-0001-6031-8377 and Salisbury, John Hamon (2016) Grounded Theory in games research: making the case and exploring the options. In: DIGRA/FDG '16 - Proceedings of the First International Joint conference of DIGRA and FDG. Digital Games Research Association, Finland. ISBN 2342-9666
industry collaboration
Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2023) New degrees co-created with industry to effect social change. Makings: A Journal Researching the Creative Industries, 4 (1). pp. 1-14. ISSN 2752-3861 (Online)
information system
Woollard, Christopher C. and Herrero, Juan J. (2004) An information system to exploit the use of metadata within film and television production. Image Technology, 86 (5). pp. 26-32. ISSN 0950-2114
Siegel, Lauren ORCID: 0000-0003-2117-8492 , Tussyadiah, Iis ORCID: 0000-0003-0729-1712 and Scarles, Caroline ORCID: 0000-0001-8279-3689 (2022) Cyber-physical traveler performances and Instagram travel photography as ideal impression management. Current Issues in Tourism, 26 (14). pp. 2332-2356. ISSN 1368-3500 (Print), 1747-7603 (Online) (doi:https://doi.org/10.1080/13683500.2022.2086451)
installation
Arthur, Mervyn, Baseman, Jordan, Behr, Bernd, Biswas, Sutapa, Chance, Veronique, Cobbing, William, Coldwell, Paul, Cross, David, Dobai, Sarah, Douglas, Lorrice, Drabble, Neil, Gunning, Lucy, Hamann, Sigune, Haywood, Thomas, Ingham, Mark, Kovats, Tania, Lanteri Laura, Jean-Louis, Lebas, Chrystel, Love, Johanna, Mossman, Anna, Newth, Martin, Robertson, Helen, Rowe, Lois, Taylor, Finlay, Treacy, Danny, Wainwright, Chris and Webster, Dave (2011) SCOPE New Photographic Practices. [Show/Exhibition]
Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]
Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]
Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]
Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]
Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48
Ingham, Mark (2012) 120 days and nights of staggering and stammering. [Show/Exhibition]
Ingham, Mark (2011) Art takes Miami 2011. In: Aldrich, Jeffrey, (ed.) Art Takes Miami 2011. Artist Wanted, New York, p. 5. ISBN 9780984871803
Ingham, Mark (2011) Mark Ingham: motion and sound winner Scope Miami 2011. SCOPE Miami 2011. Artists Wanted LLC, New York, pp. 46-47. ISBN 9780984871803
Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Love After Death (2016 - 2018). [Show/Exhibition]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)
Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]
installation art
Hobbs, James (2021) "It's all right. I came back.". [Show/Exhibition]
Hobbs, James and Vari, Mhairi (2023) Sound/Image 2023 Exhibition. Curated by Jim Hobbs & Mhairi Vari. [Show/Exhibition]
Ingham, Mark (2008) Ars magna lucis et umbrae. [Show/Exhibition]
Sporton, Gregory and Makiola, Iona (2011) The Watertower: augmented reality gaming for heritage. In: Beale, Katy, (ed.) Museums At Play – Games, Interaction and Learning. MuseumsEtc., Edinburgh, UK and Boston, USA, pp. 347-357. ISBN 9781907697142
Waterworth, David (2023) Not Necessarily in the Right Order. [Show/Exhibition]
Installations
Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055
Institutions et pratiques de l'exposition
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2016) "Le geste curatorial et les œuvres sur écran - L’évolution d’un néologisme vers une tendance majeure". Proteus (10). pp. 64-70. ISSN 2110-557X (Online)
instruction
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Guillery, Kesia and Andrade Pires, Carlos Eduardo (2022) RADIO GHOST - Lumen Prize Interactive Award. Winner - video submission. [Video]
instruction-based
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Guillery, Kesia and Andrade Pires, Carlos Eduardo (2022) RADIO GHOST - Lumen Prize Interactive Award. Winner - video submission. [Video]
Interaction
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]
Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)
Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)
interactive
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)
Maffioletti, Catherine (2020) Multicomponent Output 1: Hysteria. [Creative Performance or Reading]
Maffioletti, Catherine (2020) Multicomponent Output 2: Hysterical Together. [Creative Performance or Reading]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)
Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Vision freed from frozen cyclops: interacting with visual media, an artistic, critical and technical practice exploring spatial depth. Body Space Technology, 22 (1). pp. 168-189. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9715)
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]
Interactive Art
Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]
Mann, Tony (1995) [Book review] Iterations: The New Image. The Art Book, 2 (2). pp. 32-33. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Interactive video installations in public spaces: Rafael Lozano-Hemmer's Under Scan. In: Crisp, Virginia and Menotti Gonring, Gabriel, (eds.) Besides the Screen: Moving Images through Distribution, Promotion and Curation. Palgrave Macmillan, London & New York, pp. 197-212. ISBN 978-1-137-47101-7
interactive media
Cunningham, Stuart, Henry, John and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Augmenting virtual spaces: affective feedback in computer games. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 229-247. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_13)
interactive music
McIntosh, Tyler Howard, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2022) Lundheim: exploring affective audio techniques in an action-adventure video game. In: AM '22: Proceedings of the 17th International Audio Mostly Conference. AudioMostly 2022 St. Pölten Austria September 6 - 9, 2022. AudioMostly 2022 . Association for Computing Machinery (ACM), New York, pp. 155-158. ISBN 978-1450397018; (doi:https://doi.org/10.1145/3561212.3561234)
interactive technology
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]
interdisciplinary
Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055
Interdisciplinary collaboration
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2014) Communicating technology: Interactive design and interdisciplinary collaboration in the digital arts. In: Book of Absracts of DRHA2014: Communication Futures: Connecting Interdisciplinary Design Practices in Arts/Culture, Academia and the Creative Industries. University of Greenwich, pp. 215-216. ISBN 978-1-291-97878-0
interdisciplinary translation
Calle-Gruber, Mireille, Rabourdin, Caroline ORCID: 0000-0002-9694-0384 , Lewis, Sophie and Chrislip, Matthew (2023) The Essay as rewriting. [Artefact]
Interiors
Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)
International Alliance of Theatrical Stage Employees
Dawson, Andrew (2012) Challenging lilywhite Hollywood: African Americans and the demand for racial equality in the motion picture industry, 1963-1974. The Journal of Popular Culture, 45 (6). pp. 1206-1225. ISSN 0022-3840 (Print), 1540-5931 (Online) (doi:https://doi.org/10.1111/jpcu.12005)
international exhibition
Hobbs, James and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2023) "Polarities/Polaridades". [Show/Exhibition]
international festival
Wallis, Jillian (2015) Reverie. [Creative Performance or Reading]
internet
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Internet of bodies. UNSPECIFIED. (Unpublished)
internet art
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2024) Theatricality and dissonance: frictions in contemporary networked performance practices. In: Quick, Andrew and Rushton, Richard, (eds.) Theatricality and the Arts Film, Theatre, Art. Edinburgh University Press, Edinburgh, pp. 70-87. ISBN 978-1399511650; 1399511653 (In Press)
interoperability
Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyros ORCID: 0000-0001-6122-8701 (2022) Challenges of digital building data usage with a focus on the digital documentation of heritage buildings: results from an online survey. Heritage, 5 (4). pp. 3220-3259. ISSN 2571-9408 (Online) (doi:https://doi.org/10.3390/heritage5040166)
intersubject correlation
Farmer, Harry ORCID: 0000-0002-3684-0605 , Bevan, C. ORCID: 0000-0002-2823-420X , Green, D., Rose, M., Cater, K. ORCID: 0000-0002-3435-2392 and Stanton Fraser, D. ORCID: 0000-0002-3062-731X (2021) Did you see what I saw?: Comparing attentional synchrony during 360° video viewing in head mounted display and tablets. Journal of Experimental Psychology: Applied, 27 (2). pp. 324-337. ISSN 1076-898X (Print), 1939-2192 (Online) (doi:https://doi.org/10.1037/xap0000332)
interview
Critchley, Emily (2010) First Poetry. [Video]
interviews
Zhong, Lina, Xu, Zhongqi, Morrison, Alastair ORCID: 0000-0002-0754-1083 and Li, Yunpeng (2023) Metaverse customer journeys in tourism: building viable virtual worlds. Tourism Review. ISSN 1660-5373 (doi:https://doi.org/10.1108/TR-07-2023-0492)
intimacy
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)
Intimate public
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)
Irene Vrkljan
Bowie, Laura ORCID: 0000-0002-9084-2142 (2020) Berlin not for sale: the film lens as a tool of urban exploration in 1960s West Berlin. Journal of Urban History, 48 (4). pp. 835-860. ISSN 1552-6771 (Print), 0096-1442 (Online) (doi:https://doi.org/10.1177/0096144220953419)
Irish literature
Stabb, Walter (2019) Europe Endless. [Video]
Islamic archaeology
Shokoohy, Mehrdad (2007) The experience of Islamic art on the margins of Islam. Journal of Islamic Studies, 18 (3). pp. 452-458. ISSN 0955-2340 (doi:https://doi.org/10.1093/jis/etm050)
Islamic architecture
Shokoohy, Mehrdad (2007) The experience of Islamic art on the margins of Islam. Journal of Islamic Studies, 18 (3). pp. 452-458. ISSN 0955-2340 (doi:https://doi.org/10.1093/jis/etm050)
Islamic art
Shokoohy, Mehrdad (2007) The experience of Islamic art on the margins of Islam. Journal of Islamic Studies, 18 (3). pp. 452-458. ISSN 0955-2340 (doi:https://doi.org/10.1093/jis/etm050)
Jamaica Inn
Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]
Ingham, Mark (2011) A portrait of Marilyn Miller and me 5611. [Artefact]
Janine Bourriau
Mann, Tony (1995) [Book review] Colour: Art and Science. The Art Book, 2 (2). p. 26. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00263.x)
John Piper
Powers, Alan (2010) Introduction: John Piper in context. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 9-13. ISBN 978-0-9558343-2-5
journal
Crowe, Dan, Sudjic, Deyan, Mendez Moyano, Francisco and Vioque Nguyen, Maria (2023) ANIMA Magazine - Issue One. PORT Publishers, Milano.
Judy Chicago
Berryman, Andrea and Patterson, Jennifer ORCID: 0000-0002-8254-7602 (2012) Why Feminist Art matters now. The F-Word.
Karen Barad
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)
Kathleen Petyarre
Secomb, Linnell (2006) Petyarra and Moffatt: 'Looking from the sky'. Cultural Studies Review, 12 (1). pp. 44-56. ISSN 1446-8123 (Print), 1837-8692 (Online)
Keith Tyson
Mann, Tony (2003) [Exhibition review] Keith Tyson at Tate Britain. BSHM Newsletter, 47. pp. 46-47.
Keywords
Stabb, Walter (2020) Keywords For Today. [Video]
knowledge systems
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2022) "select important things". [Show/Exhibition]
L'écran dans l'espace physique
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2016) "Le geste curatorial et les œuvres sur écran - L’évolution d’un néologisme vers une tendance majeure". Proteus (10). pp. 64-70. ISSN 2110-557X (Online)
labour movement
Dawson, Andrew (2011) Book review: NYSTROM, DEREK. Hard Hats, Rednecks, and Macho Men. Class in 1970s American Cinema. Oxford University Press, Oxford [etc.] 2009. x, 251 pp.Ill. $24.95; doi:10.1017/S0020859011000137. International Review of Social History, 56 (10). pp. 160-162. ISSN 0020-8590 (Print), 1469-512X (Online) (doi:https://doi.org/10.1017/S0020859011000137)
landscape
Athique Winterbottom, Anushka, Angell, Roo, Belfield, Andrew, Gibson, Naomi ORCID: 0009-0003-0309-1905 , O'Callaghan, Mattie and Woodgate, Zanna (2024) How Public is Public? [Performance]
Athique Winterbottom, Anushka, Angell, Roo, Dixit, Mitesh, Paulson, Theo, Wilder, Pete and Heaven, Bryony (2024) Technical Solutionism. [Performance]
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Sonic Wandering in New Landscapes. Gertrude Stein and sonic performativity in Eglė Budvytytė’s Songs from the Compost: mutating bodies, exploding stars. In: Performing Studies international conference (PSi) #28 Uhambo Luyazilawula: Embodied Wandering Practices, 2nd - 5th Aug, 2023, Johannesburg. (Unpublished)
Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]
Murray, Shaun (2022) Drawing architecture. Design Ecologies, 11 (1). pp. 11-33. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:https://doi.org/10.1386/des_00014_1)
Wall, Edward Duncan and Withers, Simon ORCID: 0000-0002-0203-359X (2024) Part Forest. [Show/Exhibition]
landscape painting
Waterworth, David, Brochard, Yves and McDonald, Roger (2011) On cavity: the language of landscape and the gaps in between. Christian Hidaka: Balanced Rock / Waterfall at the Top of the River. Max Wigram Gallery, London, pp. 23-24. ISBN 9780955971310
landscape race
Eyborg, Elin, Gandy, Matthew, Ma, Cong, Erwee, Alex, Hoult, Gemma, Athique Winterbottom, Anushka and Angell, Roo (2023) The Gardener not the Garden. [Performance]
Gillingwater, Alan, Wilson, Henry, Johar, Indy, Gibbons, Johanna, Goldsmith, Simon, Athique Winterbottom, Anushka and Angell, Roo (2022) Oikos = Eco = Our Home. [Performance]
Hugin, Amund, Geros, Christina, Wall, Edward Duncan, Botchway, Larry, Jawareesh, Wattan, Athique Winterbottom, Anushka and Angell, Roo (2022) Intersectional Landscapes. [Performance]
Lakhani, Dilip, Guzzon, Giacomo, Datoo, Iman, Vessey, Samuel, Searle, Sui, Athique Winterbottom, Anushka and Angell, Roo (2022) Native Species. [Performance]
Reeves, Frances, Cullum-Fernandez, Kris, Kombol, Meaghan, McGann, Paul, Khonsari, Torange, Athique Winterbottom, Anushka and Angell, Roo (2022) Citizenships. [Performance]
landscapes
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Previsualisations. ‘they are just there’: Gertrude Stein’s ‘Landscapes’ and their finite possibilities. In: London Conference in Critical Thought 2023, 30th Jun - 1st Jul, 2023, School of Social Sciences and Professions, London Metropolitan University, London.
LARP
Stenros, Jaakko, Simon, Bart, Hughes, Lynn, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2021) Understanding Liveness in immersive theatre, LARP and Games. In: DIGRA 2022, 7th - 11th July 2022, Krakow, Poland. (Unpublished)
lawyer skills
Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2021) Top 10 classic Law films. New Law Journal, 171 (7959). pp. 21-22. ISSN 0306-6479 (Print), 2046-2239 (Online)
Le Corbusier
Stoppani, Teresa (2008) Venetian time and the meander. Log, 12. pp. 131-143. ISSN 1547-4690
learning
Ingham, Mark (2010) Never judge a book by its movie. In: Inspiring Learners: Equipping the Next Generation of Graduates, 6 July 2010, University of Greenwich. (Unpublished)
learning and teaching
Dawson, Andrew (2010) Crossing disciplinary borders: history and film studies. In: Teaching visual sources, 12 March 2010, University of Manchester. (Unpublished)
Lecture
Sporton, Gregory (2017) The Sporton Professorial Inaugural. [Creative Performance or Reading]
Lee Miller
Stacey, Gillian Joyce (2017) Lee Miller. Beyond the muse. A very modern woman: a woman of her time. PhD thesis, University of Greenwich.
legal institutions
Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2021) Top 10 classic Law films. New Law Journal, 171 (7959). pp. 21-22. ISSN 0306-6479 (Print), 2046-2239 (Online)
legal theme
Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2021) Top 10 classic Law films. New Law Journal, 171 (7959). pp. 21-22. ISSN 0306-6479 (Print), 2046-2239 (Online)
legal themes
Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2022) On a Lighter Note! New Law Journal, 172 (8006). p. 22. ISSN 0306-6479 (Print), 2046-2239 (Online)
legal theory
Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2021) Top 10 classic Law films. New Law Journal, 171 (7959). pp. 21-22. ISSN 0306-6479 (Print), 2046-2239 (Online)
LiDAR
Kennedy, Stephen and Withers, Simon ORCID: 0000-0002-0203-359X (2023) Articulating peripheral space: new perspectives in digital heritage. In: Heritages Past and Present. Built and Social: A Conference on Culture, History, Art and Design, 28th - 30th June 2023, Czech Technical University, Prague. (Unpublished)
Wall, Edward Duncan and Withers, Simon ORCID: 0000-0002-0203-359X (2024) Part Forest. [Show/Exhibition]
Withers, Simon ORCID: 0000-0002-0203-359X (2023) A carnival of error: synthetic visions of Maritime Greenwich. In: London Conference in Critical Thought 2023, 30th June - 1st July 2023, School of Social Sciences and Professions, London Metropolitan University Holloway Road, London. (Unpublished)
Withers, Simon ORCID: 0000-0002-0203-359X , Hudson, Philip, Kennedy, Stephen and Goodwin, Duncan ORCID: 0000-0003-2524-9059 (2023) Synthetic visions of maritime Greenwich. [Show/Exhibition]
Withers, Simon ORCID: 0000-0002-0203-359X and Kennedy, Stephen (2023) Synthetic visions of UNESCO World Heritage sites. In: VI CHAM International Conference “Heritage for a Common Future / Futures for a Common Heritage”, 12th - 15th July 2023, Lisbon. (Unpublished)
Light
Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)
Lights and shadows
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:https://doi.org/10.1080/17458927.2015.1042247)
Lincoln
Frith, Ed (2008) Ed Frith of Moving Architecture reviews Lincoln School of Architecture’s show. The Architects' Journal.
literature
Frith, Ed and Graef, Alexander (2007) Draw like a builder, build like a writer (and the crack is in the detail). The role of the humanities in design creativity international conference, 15-16 Nov 2007, Lincoln, UK. University of Lincoln, Lincoln. ISBN 9781860502224
live art
Hobbs, James (2021) "It's all right. I came back.". [Show/Exhibition]
Hobbs, James and Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Volstarfel: Sobbing and Moaning. An evening of experimental noise, expanded cinema and performance. [Show/Exhibition]
live visuals
Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2017) Enabling Audiovisual User Interfaces. [Creative Performance or Reading] (Unpublished)
Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)
liveness
Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2019) Rose Bruford College International Symposium, ‘Interactive experiences: playful junctions and journeys across borders’. In: Rose Bruford College International Symposium, ‘Interactive Experiences: Playful junctions and journeys across borders’, 15th - 17th April 2019, Rose Bruford College, London.
Maravala, Persis-Jadé, Cooper, Emma, Van Der Weide, Nadja and Briscoe, Rachel (2022) Sheffield DocFest ‘Alternate realities summit: the art of connection’. [Performance]
Maravala, Persis-Jadé and Guillery, Kesia (2022) ‘Goodnight, sleep tight: Working within a collapsing system’. [Audio]
Stenros, Jaakko, Simon, Bart, Hughes, Lynn, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2021) Understanding Liveness in immersive theatre, LARP and Games. In: DIGRA 2022, 7th - 11th July 2022, Krakow, Poland. (Unpublished)
Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Ben Hur Live as post-cinematic adaptation. Journal of Adaptation in Film & Performance, 15 (1/2). pp. 61-75. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp_00069_1)
lockdown masks
Beard, Sophie and Waller, Allyson (2023) Publishing Participation. [Performance]
London
Frith, Ed (2008) Loris Gréaud — french and fanciful. Building Design (1822). p. 21.
Frith, Ed, O'Carroll, Gerrard, Wilson, Peter and Payne, James (2008) Best in show. Building Design (1827). pp. 20-21.
Holden, Robert (2007) Exhibition. Public city. Architects' Journal, 225 (5). p. 44. ISSN 0003-8466
Mould, Oli, Vorley, Tim and Liu, Kai (2014) Invisible creativity? Highlighting the hidden impact of freelancing in London's creative industries. European Planning Studies, 22 (12). pp. 2436-2455. ISSN 0965-4313 (Print), 1469-5944 (Online) (doi:https://doi.org/10.1080/09654313.2013.790587)
London 2012 Olympics
Liao, Hanwen (2007) London 2012 Olympic development. Urbanism and Architecture, 38 (11). pp. 79-83. ISSN 1673-0232
loneliness
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2019) Rose Bruford College International Symposium, ‘Interactive experiences: playful junctions and journeys across borders’. In: Rose Bruford College International Symposium, ‘Interactive Experiences: Playful junctions and journeys across borders’, 15th - 17th April 2019, Rose Bruford College, London.
Maravala, Persis-Jadé, Cooper, Emma, Van Der Weide, Nadja and Briscoe, Rachel (2022) Sheffield DocFest ‘Alternate realities summit: the art of connection’. [Performance]
Maravala, Persis-Jadé and Guillery, Kesia (2022) ‘Goodnight, sleep tight: Working within a collapsing system’. [Audio]
Loris Gréaud
Frith, Ed (2008) Loris Gréaud — french and fanciful. Building Design (1822). p. 21.
love
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Index of love. [Show/Exhibition]
Lower Silesia
Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)
LUX
Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]
luxury fashion
Kohrs, Kirsten ORCID: 0000-0003-4302-833X (2020) The language of luxury fashion advertising: Technology of the self and spectacle. Journal of Fashion Marketing and Management. ISSN 1361-2026 (Print), 1361-2026 (Online) (doi:https://doi.org/10.1108/JFMM-02-2020-0029)
machine learning
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Artistic engagements with machine generated voice: Holly Herndon's Holly+ & Jane Frances Dunlop’s select important things. In: Mis/Disinformation and the artifices of authenticity and authentication ICA Pre-Conference, 24th May, 2023, York University, Toronto, Ontario Canada. (Unpublished)
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Multivocal theatricalities: articulating data in composites, choruses, crowds. In: Articulating Data: Multivocal Theatricalities, 11th - 12th May, 2023, Inspace, University of Edinburgh.
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2022) "select important things". [Show/Exhibition]
magazine
Crowe, Dan, Sudjic, Deyan, Mendez Moyano, Francisco and Vioque Nguyen, Maria (2023) ANIMA Magazine - Issue One. PORT Publishers, Milano.
major events strategy
Liao, Hanwen and Isaac, David (2007) Olympic Haussmannization. Urbanism and Architecture, 38 (11). pp. 12-14. ISSN 1673-0232
Manchester
Critchley, Emily (2010) First Poetry. [Video]
Critchley, Emily (2010) Some curious thing. [Video]
Manfredo Tafuri
Stoppani, Teresa (2007) L’histoire assassinée. Manfredo Tafuri and the architecture of the present. In: The Role of the Humanities in Design Creativity, 15-16 Nov 2007, University of Lincoln, UK. (Unpublished)
Stoppani, Teresa (2007) Unfinished business. The historical project after Manfredo Tafuri. In: Rendell, Jane, Hill, Jonathan, Dorrian, Mark and Fraser, Murray, (eds.) Critical architecture. Routledge, London, pp. 22-30. ISBN 9780415415385
Stoppani, Teresa (2007) The building of tension - Manfredo Tafuri's legacy: from operative criticism to historical project, between critical practices and material practices in architecture. In: van Koten, Hamid and Holm, Lorens, (eds.) Reflections on creativity: exploring the role of theory in creative practices. Duncan of Jordanstone College, Dundee, Scotland, UK, pp. 1-17. ISBN 1899837536
Manfredo Tauri
Stoppani, Teresa (2008) Interpreting the Renaissance: princes, cities, architects by Manfredo Tafuri, translated by Daniel Sherer. The Journal of Architecture, 13 (3). pp. 345-354. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360802216997)
mapping identity
Milic, Nela, Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Oh, Jee and Zuabi, Thaer (2011) Mapping and reshaping of cultural identity by digital media [Workshop]. In: ISEA2011: The 17th International Symposium on Electronic Art, 14-21 Sep 2011, Istanbul, Turkey.
Mapplethorpe
Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]
Marilyn Monroe
Arthur, Mervyn, Baseman, Jordan, Behr, Bernd, Biswas, Sutapa, Chance, Veronique, Cobbing, William, Coldwell, Paul, Cross, David, Dobai, Sarah, Douglas, Lorrice, Drabble, Neil, Gunning, Lucy, Hamann, Sigune, Haywood, Thomas, Ingham, Mark, Kovats, Tania, Lanteri Laura, Jean-Louis, Lebas, Chrystel, Love, Johanna, Mossman, Anna, Newth, Martin, Robertson, Helen, Rowe, Lois, Taylor, Finlay, Treacy, Danny, Wainwright, Chris and Webster, Dave (2011) SCOPE New Photographic Practices. [Show/Exhibition]
Ingham, Mark (2012) 120 days and nights of staggering and stammering. [Show/Exhibition]
Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]
Ingham, Mark (2011) A portrait of Marilyn Miller and me 5611. [Artefact]
Maritime Greenwich
Kennedy, Stephen and Withers, Simon ORCID: 0000-0002-0203-359X (2023) Articulating peripheral space: new perspectives in digital heritage. In: Heritages Past and Present. Built and Social: A Conference on Culture, History, Art and Design, 28th - 30th June 2023, Czech Technical University, Prague. (Unpublished)
Withers, Simon ORCID: 0000-0002-0203-359X (2023) A carnival of error: synthetic visions of Maritime Greenwich. In: London Conference in Critical Thought 2023, 30th June - 1st July 2023, School of Social Sciences and Professions, London Metropolitan University Holloway Road, London. (Unpublished)
Withers, Simon ORCID: 0000-0002-0203-359X , Hudson, Philip, Kennedy, Stephen and Goodwin, Duncan ORCID: 0000-0003-2524-9059 (2023) Synthetic visions of maritime Greenwich. [Show/Exhibition]
Withers, Simon ORCID: 0000-0002-0203-359X and Kennedy, Stephen (2023) Synthetic visions of UNESCO World Heritage sites. In: VI CHAM International Conference “Heritage for a Common Future / Futures for a Common Heritage”, 12th - 15th July 2023, Lisbon. (Unpublished)
markerless
Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)
Martin Conway
Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48
masculinity
Dawson, Andrew (2011) Book review: NYSTROM, DEREK. Hard Hats, Rednecks, and Macho Men. Class in 1970s American Cinema. Oxford University Press, Oxford [etc.] 2009. x, 251 pp.Ill. $24.95; doi:10.1017/S0020859011000137. International Review of Social History, 56 (10). pp. 160-162. ISSN 0020-8590 (Print), 1469-512X (Online) (doi:https://doi.org/10.1017/S0020859011000137)
Material Culture
Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2016) Death and Memory in the Twenty-First Century. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities and Sciences. Palgrave Macmillan, London, UK, pp. 113-118. ISBN 9781137520579 (doi:https://doi.org/10.1057/9781137520586_14)
mathematics
Mann, Tony (2003) [Exhibition review] Keith Tyson at Tate Britain. BSHM Newsletter, 47. pp. 46-47.
Matthew Springett
Frith, Ed (2008) Matthew Springett Architects presents models, but no buildings. Building Design (1832). p. 15.
McPherson Report
Waterworth, David (2009) Object as subject. [Show/Exhibition]
meander
Stoppani, Teresa (2008) Venetian time and the meander. Log, 12. pp. 131-143. ISSN 1547-4690
measurement
Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]
measuring
Hobbs, James, Waterworth, David and Kennedy, Stephen (2024) "For Want of (Not) Measuring". [Show/Exhibition]
Media
Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282
Calvert, Sheena (2009) [Un]disciplined gestures and [un]common sense: the sensual, acoustic logic(s) of paradox and art. PhD thesis, University of Greenwich.
Korolkova, Maria ORCID: 0000-0002-1784-3675 and Barker, Timothy (eds.) (2021) Miscommunications: Errors, Mistakes, Media. Thinking Media . Bloomsbury Academic, New York. ISSN 978-1501363856 (Print), 978-1501363832 (Online)
Oyebanjo, Anuoluwapo Olufunke ORCID: 0000-0002-6655-9726 , Brown, Lucy and Davies, Rosamund ORCID: 0000-0001-8645-8271 (2021) Teaching media production: understanding unconscious bias in creative idea development. Media Education Research Journal, 10 (1&2). pp. 1-11. ISSN 2754-0073 (Online) (doi:https://doi.org/10.5281/zenodo.5763747)
Vlachos, Peter ORCID: 0000-0002-4870-9006 (2003) Paint a true picture of art in China. The Guardian. ISSN 0261-3077
Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)
media art
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Almena, Maria and Shemza, Aphra (2022) Transformations - Hybrid exhibition and event - curated by Dr. Oliver Gingrich, Maria Almena and Aphra Shemza featuring Analema Group's KIMA Colour, KIMA Voice and KIMA Noise and Oliver Gingrich & Shama Rahman's Zeitgeist. [Show/Exhibition]
media arts
Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.
Golding, Sue (2009) Trembling the plane of immanence: media arts philosophy and the re-vision of art (or what’s acoustics got to do with the visual?). In: Invited lecture, February, 2009, Royal Academy of Art. (Unpublished)
media arts philosophy literary England performance
Golding, Sue (2010) The Allergic Bodies Conference: Postgraduate/Postdoctoral Research Conference, 2010. In: The Allergic Bodies Postgraduate/Postdoctoral Research Conference, 27 May 2010, University of Greenwich, Maritime Campus.
media culture
Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.
media installation
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2022) "select important things". [Show/Exhibition]
media theory
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2024) Theatricality and dissonance: frictions in contemporary networked performance practices. In: Quick, Andrew and Rushton, Richard, (eds.) Theatricality and the Arts Film, Theatre, Art. Edinburgh University Press, Edinburgh, pp. 70-87. ISBN 978-1399511650; 1399511653 (In Press)
Korolkova, Maria ORCID: 0000-0002-1784-3675 and Barker, Timothy (eds.) (2021) Miscommunications: Errors, Mistakes, Media. Thinking Media . Bloomsbury Academic, New York. ISSN 978-1501363856 (Print), 978-1501363832 (Online)
Medical Humanities
Patterson, Jennifer ORCID: 0000-0002-8254-7602 (ed.) (2016) The Association for Medical Humanities International Journal: Body Talk: Whose Language? (2016 Conference Abstracts). The Association for Medical Humanities, The University of Greenwich. ISBN 978-0995519305 ISSN 2398-6395
medical images
Gong, Cheng ORCID: 0000-0002-0666-2529 , Li, Jingbing ORCID: 0000-0001-6636-4710 , Bhatti, Uzair Aslam, Gong, Ming, Ma, Jixin ORCID: 0000-0001-7458-7412 , Huang, Mengxing and Xue, Xingsi (2021) Robust and secure zero-watermarking algorithm for medical images based on Harris-SURF-DCT and chaotic map. Security and Communication Networks, 2021:3084153. pp. 1-13. ISSN 1939-0114 (Print), 1939-0122 (Online) (doi:https://doi.org/10.1155/2021/3084153)
Yang, Chengshan ORCID: 0000-0003-1926-8798 , Li, Jingbing ORCID: 0000-0001-6636-4710 , Bhatti, Uzair Aslam, Liu, Jing, Ma, Jixin, Huang, Mengxing and Xue, Xingsi (2021) Robust zero watermarking algorithm for medical images based on Zernike-DCT. Security and Communication Networks, 2021:4944797. pp. 1-8. ISSN 1939-0114 (Print), 1939-0122 (Online) (doi:https://doi.org/10.1155/2021/4944797)
meditation
Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]
Melancholy
Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]
Melodia
Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Curating Russian Film for International Audiences. [Show/Exhibition] (Submitted)
memory
Adil, Alev (2011) Memory in the dead zone. [Creative Performance or Reading]
Adil, Alev (2011) MemoryMap [website]. MemoryMap, London, UK.
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)
Bowie, Laura ORCID: 0000-0002-9084-2142 (2013) The Rote Armee Fraktion: memory and the construction of art, film and literature. eSharp, 20:1. pp. 1-18.
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2007) Index of love. [Artefact]
Dawson, Andrew and Holmes, Sean P. (2012) 'Help to preserve the real story of our cinema and television industries': The BECTU History Project and the construction of British media history, 1986–2010. Historical Journal of Film, Radio and Television, 32 (3). pp. 435-448. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2012.699650)
Hobbs, James (2020) Moribund State(s) - Solo multimedia art exhibition. [Show/Exhibition]
Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]
Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]
Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48
Ingham, Mark (2008) Ars magna lucis et umbrae. [Show/Exhibition]
Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]
McClean, Mairead (2008) Bell(a)Exchange III. [Show/Exhibition]
McClean, Mairead (2008) Bell(a)exchange II. [Show/Exhibition]
Mroz, Matilda (2014) The monument and the sewer: memory and death in Wajda’s Kanal (1957). Historical Journal of Film, Radio and Television, 34 (4). pp. 528-545. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2014.903035)
Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2016) Death and Memory in the Twenty-First Century. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities and Sciences. Palgrave Macmillan, London, UK, pp. 113-118. ISBN 9781137520579 (doi:https://doi.org/10.1057/9781137520586_14)
Schmitz, Anastasia, Macquarrie, Andrew, Julier, Simon, Binetti, Nicola and Steed, Anthony (2020) Directing versus attracting attention: exploring the effectiveness of central and peripheral cues in panoramic videos. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 63-72. ISBN 978-1728156088 ; 978-1728156095 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR46266.2020.00024)
Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)
memory theatre
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)
mental healthcare training
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]
metadata
Woollard, Christopher C. and Herrero, Juan J. (2004) An information system to exploit the use of metadata within film and television production. Image Technology, 86 (5). pp. 26-32. ISSN 0950-2114
metamathematics
Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.
metaphor
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Previsualisations. ‘they are just there’: Gertrude Stein’s ‘Landscapes’ and their finite possibilities. In: London Conference in Critical Thought 2023, 30th Jun - 1st Jul, 2023, School of Social Sciences and Professions, London Metropolitan University, London.
metaverse
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]
Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2022) Screencast videography: understanding experience in the metaverse. In: Future Visualities: Visual Methods & Ethnography in Interdisciplinary Research Symposium, 1st June 2022, Edinburgh Napier University. (Unpublished)
Zhong, Lina, Xu, Zhongqi, Morrison, Alastair ORCID: 0000-0002-0754-1083 and Li, Yunpeng (2023) Metaverse customer journeys in tourism: building viable virtual worlds. Tourism Review. ISSN 1660-5373 (doi:https://doi.org/10.1108/TR-07-2023-0492)
method
Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)
methodologies
Bowie, Laura ORCID: 0000-0002-9084-2142 (2022) Book review Photographs and the practice of history: a short primer by Elizabeth Edwards, London, Bloomsbury Academic, 2022, 166 pp., £18 (paperback). Planning Perspectives, 37 (5). pp. 1109-1112. ISSN 0266-5433 (Print), 1466-4518 (Online) (doi:https://doi.org/10.1080/02665433.2022.2111126)
methodology
Cole, Tom ORCID: 0000-0001-6031-8377 and Salisbury, John Hamon (2016) Grounded Theory in games research: making the case and exploring the options. In: DIGRA/FDG '16 - Proceedings of the First International Joint conference of DIGRA and FDG. Digital Games Research Association, Finland. ISBN 2342-9666
Dawson, Andrew and Holmes, Sean P. (2012) New perspectives on working in the global film and television industries. Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 1-17. ISBN 9781780930206
Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.
Miami
Ingham, Mark (2011) Art takes Miami 2011. In: Aldrich, Jeffrey, (ed.) Art Takes Miami 2011. Artist Wanted, New York, p. 5. ISBN 9780984871803
MIEB model
Zhong, Lina, Xu, Zhongqi, Morrison, Alastair ORCID: 0000-0002-0754-1083 and Li, Yunpeng (2023) Metaverse customer journeys in tourism: building viable virtual worlds. Tourism Review. ISSN 1660-5373 (doi:https://doi.org/10.1108/TR-07-2023-0492)
Mime
Sporton, Gregory (2016) Review from London International Mime Festival. Scene, 4 (1). pp. 89-90. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.1.89_5)
Mireille Calle-Gruber
Calle-Gruber, Mireille, Rabourdin, Caroline ORCID: 0000-0002-9694-0384 , Lewis, Sophie and Chrislip, Matthew (2023) The Essay as rewriting. [Artefact]
miscommunication
Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)
Miscommunications
Korolkova, Maria ORCID: 0000-0002-1784-3675 and Barker, Timothy (eds.) (2021) Miscommunications: Errors, Mistakes, Media. Thinking Media . Bloomsbury Academic, New York. ISSN 978-1501363856 (Print), 978-1501363832 (Online)
mistake
Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)
mixed affect
Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) Emotional exploration and the eudaimonic gameplay experience: a grounded theory. In: CHI '22: CHI Conference on Human Factors in Computing Systems. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (470). Association of Computing Machinery (ACM), New York, pp. 1-16. ISBN 978-1450391573 (doi:https://doi.org/10.1145/3491102.3502002)
mixed media
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2007) Index of love. [Artefact]
mixed reality
Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)
mixed reality set-up
Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)
mobile technologies
Cunningham, Stuart and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2015) Second screen comes to the silver screen: a technology feasibility study regarding mobile technologies in the cinema. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 228-232. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317400)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunnigham, Stuart (2015) Second screen comes to the silver screen: a consumer study regarding mobile technologies in the cinema. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 121-124. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317381)
Monika Oechseler
Waterworth, David (2009) Object as subject. [Show/Exhibition]
MONO NO AWARE
Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.
Moribund State[s]
Hobbs, James (2020) Moribund State(s) - Exhibition Catalogue/Artist Book. Project 78 Press, UK. ISBN 978-1838133108
Motion
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]
Motion capture
Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)
Macquarrie, Andrew and Steed, Anthony (2020) Improving Free-Viewpoint Video content production using RGB-camera-based skeletal tracking. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 774-775. ISBN 978-1728165325 ; 978-1728165332 (doi:https://doi.org/10.1109/VRW50115.2020.00238)
motion capture apparatus
Birmingham City University, Perry Barr, Birmingham, West Midlands B42 2SU (2010) MotivePro: a motion capture apparatus. WO/2010/084348.
motion picture industry
Dawson, Andrew (2011) Book review: NYSTROM, DEREK. Hard Hats, Rednecks, and Macho Men. Class in 1970s American Cinema. Oxford University Press, Oxford [etc.] 2009. x, 251 pp.Ill. $24.95; doi:10.1017/S0020859011000137. International Review of Social History, 56 (10). pp. 160-162. ISSN 0020-8590 (Print), 1469-512X (Online) (doi:https://doi.org/10.1017/S0020859011000137)
Dawson, Andrew (2005) Book review: Robert S. Birchard, Cecil B. DeMille's Hollywood (Lexington: University of Kentucky Press, 2004, $39.95). Pp. 446. ISBN 0 8131 2324 0; David W. Menefee, The first female stars: women of the silent era (Westport, CT: Praeger, 2004, $44.95). Pp. 249. ISBN 0 275 98259 9. Journal American Studies, 39 (1). pp. 113-114. ISSN 0021-8758 (Print), 1469-5154 (Online) (doi:https://doi.org/10.1017/S0021875805229584)
Dawson, Andrew (2012) Challenging lilywhite Hollywood: African Americans and the demand for racial equality in the motion picture industry, 1963-1974. The Journal of Popular Culture, 45 (6). pp. 1206-1225. ISSN 0022-3840 (Print), 1540-5931 (Online) (doi:https://doi.org/10.1111/jpcu.12005)
Dawson, Andrew (2010) ’Flexible Specialisation’ and New Hollywood: Time for a Paradigm Shift? In: 8th European Social Science History Conference, 13-16 Apr 2010, Ghent, Belgium. (Unpublished)
Dawson, Andrew (2012) Labouring in Hollywood’s motion picture industry and the promise of ‘flexible specialisation’. In: Dawson, Andrew and Holmes, Sean P., (eds.) Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 21-38. ISBN 9781780930206
motion processing
Macquarrie, Andrew and Steed, Anthony (2020) Improving Free-Viewpoint Video content production using RGB-camera-based skeletal tracking. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 774-775. ISBN 978-1728165325 ; 978-1728165332 (doi:https://doi.org/10.1109/VRW50115.2020.00238)
motion tracking
Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2019) Moving Digits: Augmented Dance for Engaged Audience. [Creative Performance or Reading] (Unpublished)
mourning
Mroz, Matilda (2014) The monument and the sewer: memory and death in Wajda’s Kanal (1957). Historical Journal of Film, Radio and Television, 34 (4). pp. 528-545. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2014.903035)
moving image
Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.296)
MSA
Frith, Ed (2008) Matthew Springett Architects presents models, but no buildings. Building Design (1832). p. 15.
Multi-disciplinary
Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)
multi-image fusion
Lin, Wenguang, Yan, Wenchao, Chen, Zhizhen and Xiao, Renbin (2023) Research on product appearance patent spatial shape recognition for multi-image feature fusion. Multimedia Tools and Applications. ISSN 1380-7501 (Print), 1573-7721 (Online) (doi:https://doi.org/10.1007/s11042-023-16477-5)
multichannel concerts
Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene_00016_1)
multidiscilinary
Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584
multidisciplinary
Maffioletti, Catherine (2020) Multicomponent Output 1: Hysteria. [Creative Performance or Reading]
Maffioletti, Catherine (2020) Multicomponent Output 2: Hysterical Together. [Creative Performance or Reading]
Multimedia
Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]
Salihbegović, Nuno (2011) Oedipus at Tate Britain. [Creative Performance or Reading]
Multimedia Information Systems
Macquarrie, Andrew and Steed, Anthony (2018) The effect of transition type in multi-view 360 media. IEEE Transactions on Visualization and Computer Graphics, 24 (4):17617378. pp. 1564-1573. ISSN 1077-2626 (Print), 1941-0506 (Online) (doi:https://doi.org/10.1109/TVCG.2018.2793561)
Multimedia Installation
Hobbs, James (2020) Moribund State(s) - Solo multimedia art exhibition. [Show/Exhibition]
multiplayer
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Guillery, Kesia and Andrade Pires, Carlos Eduardo (2022) RADIO GHOST - Lumen Prize Interactive Award. Winner - video submission. [Video]
multiversal
Golding, Johnny (2012) Ana-materialism and the Pineal Eye: Becoming mouth-breast (or visual arts after Descartes, Bataille, Butler, Deleuze and Synthia with an ‘s’). Philosophy of Photography, 3 (1). pp. 99-120. ISSN 2040-3682 (Print), 2040-3690 (Online) (doi:https://doi.org/10.1386/pop.3.1.99_1)
museum-studies
Waterworth, David (2020) 10-4. [Show/Exhibition]
museums
Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Bowen, Jonathan P., Borda, Ann and Diprose, Graham (eds.) (2021) EVA London (Electronic Visualisation and the Arts): proceedings of EVA London 2021. In: EVA London 2021, Programme Committee, (ed.) AI and the Arts: Artificial Imagination. Proceedings of EVA London 2021 (EVA 2021). 5th July – 9th July 2021. Electronic Workshops in Computing (eWiC) | BCS . British Computer Society, Swindon; London, pp. 1-10. ISBN 978-1780175737 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2021.0)
museums and heritage
Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Borda, Ann and Diprose, Graham (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon. ISBN 978-1780175942 ISSN 1477-9358
Tsjornaja, Anne, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Broadhead, Martyn (2022) Art(NET)work: visualising interconnected artwork data in VR. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 250-251. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.47)
Music
Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)
Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]
Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]
Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]
Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2022) GROUPTHINK: telepresence and agency during Live performance. Proceedings of the ACM on Computer Graphics and Interactive Techniques, 5 (4):39. pp. 1-10. ISSN 2577-6193 (Online) (doi:https://doi.org/10.1145/3533610)
Kennedy, Stephen (2011) Audiostate. six compositions for film/live art performance. [Show/Exhibition] (Unpublished)
Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 and Margetson, Emma ORCID: 0000-0002-1054-1973 (2023) Art of sound: creativity in film sound and electroacoustic music. Sound Design . Focal Press - Routledge, London. ISBN 978-0367755881; 978-1003163077
Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Emotion In Abstract Animation: Designing A New Form Of Visual Music. [Show/Exhibition]
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Explosions in the mind: Composing Psychedelic Sounds and Visualisations. Palgrave Studies in Sound . Springer Singapore, Singapore. ISBN 978-9811640544
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2024) The senses beyond: new directions in game engine experiences. In: Giannini, Tula and Bowen, Jonathan P., (eds.) The Arts and Computational Culture: Real and Virtual Worlds. Springer Series on Cultural Computing (SSCC) . Springer, Cham, Switzerland. ISBN 978-3031538643; 978-3031538674; 978-3031538650 (In Press)
music covers
Powers, Alan (2010) Benjamin Britten, Piper and Aldeburgh. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 130-135. ISBN 978-0-9558343-2-5
music festivals
Powers, Alan (2010) Benjamin Britten, Piper and Aldeburgh. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 130-135. ISBN 978-0-9558343-2-5
music scores
Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.
music visualiation
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Cyberdreams: visualizing music in extended reality. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 209-227. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_12)
musuems
Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Diprose, Graham (eds.) (2023) Proceedings of EVA London 2023. In: Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Diprose, Graham, (eds.) Proceedings of EVA London 2023. BCS London 10–14 July 2023. Electronic Workshops in Computing . EVA London Electronic Visualisation and the Arts - BCS Learning and Development Ltd., Arts BCS London Office, London and Swindon. ISBN 978-1780176161 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2023.0)
narration
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)
narrative
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2007) Index of love. [Artefact]
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Index of love. [Show/Exhibition]
Narrative synthesis
Bailey, Catherine, Madden, Adrian ORCID: 0000-0002-3193-5808 , Alfes, Kerstin and Fletcher, Luke (2015) The meaning, antecedents and outcomes of employee engagement: A narrative synthesis. International Journal of Management Reviews, 19 (1). pp. 31-53. ISSN 1460-8545 (Print), 1468-2370 (Online) (doi:https://doi.org/10.1111/ijmr.12077)
narrative voice
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)
Net art
Samson, Audrey and Soon, Winnie (2015) Network affordances: The unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal (24). ISSN 1449-1443 (Online)
Netflix
Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.
Network affordances
Samson, Audrey and Soon, Winnie (2015) Network affordances: The unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal (24). ISSN 1449-1443 (Online)
network coding
Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2021) Deep-NC: a secure image transmission using deep learning and network coding. Signal Processing: Image Communication, 99:116490. ISSN 0923-5965 (doi:https://doi.org/10.1016/j.image.2021.116490)
Vien, Quoc-Tuan, Nguyen, Tuan ORCID: 0000-0003-0055-8218 and Nguyen, Huan (2021) A lightweight secure image super resolution using network coding. In: Proceedings of the 16th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications. 8-11 Feb 2021. Vienna, Austria. VISIGRAPP, 4 . SCITEPRESS, Setúbal, Portugal, pp. 653-660. ISBN 978-9897584886 ISSN 2184-4321 (doi:https://doi.org/10.5220/0010212406530660)
neuro-psychologist
Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48
New Media
Papadaki, Elena ORCID: 0000-0002-6653-4334 , Ploeger, Dani and Krajewska, Klio (2019) Radical Immersions. [Show/Exhibition]
New Media Curation
Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)
Nicolas Roeg
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)
Noise
Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)
Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]
Hobbs, James, Waterworth, David and Kennedy, Stephen (2024) "For Want of (Not) Measuring". [Show/Exhibition]
Hobbs, James and Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Volstarfel: Sobbing and Moaning. An evening of experimental noise, expanded cinema and performance. [Show/Exhibition]
Kennedy, Stephen and Withers, Simon ORCID: 0000-0002-0203-359X (2023) Articulating peripheral space: new perspectives in digital heritage. In: Heritages Past and Present. Built and Social: A Conference on Culture, History, Art and Design, 28th - 30th June 2023, Czech Technical University, Prague. (Unpublished)
Withers, Simon ORCID: 0000-0002-0203-359X and Kennedy, Stephen (2023) Synthetic visions of UNESCO World Heritage sites. In: VI CHAM International Conference “Heritage for a Common Future / Futures for a Common Heritage”, 12th - 15th July 2023, Lisbon. (Unpublished)
non-fungible tokens (NFTs)
Bowen, Jonathon P., Baker, Camille, Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Edmonds, Ernst, van Helsdingen, Merel and Masson, Terence (2021) EVA London 2021: Keynote summaries. In: EVA London 2021: Electronic Visualisation & the Arts. Proceedings of conference. BCS, The Chartered Institute for IT, 5th -9th July 2021. Proceedings of EVA London 2021 . Science Open, London, pp. 1-6. ISBN 978-1780175737 (doi:https://doi.org/10.14236/ewic/EVA2021.1)
non-place
Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) VOID. [Composition]
non-representational imaging
Golding, Johnny (2012) Ana-materialism and the Pineal Eye: Becoming mouth-breast (or visual arts after Descartes, Bataille, Butler, Deleuze and Synthia with an ‘s’). Philosophy of Photography, 3 (1). pp. 99-120. ISSN 2040-3682 (Print), 2040-3690 (Online) (doi:https://doi.org/10.1386/pop.3.1.99_1)
Norman Bryson
Mann, Tony (1995) [Book review] Cindy Sherman 1975-1993. The Art Book, 2 (2). p. 34. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)
Norway
Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]
NOTAM
Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]
novel writing
Langan, Michael (2009) Astonishing apples: visualising the novel. In: School of Humanities and Social Sciences Research Conference, 28 May 2009, University of Greenwich. (Unpublished)
Noë
Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)
object based audio
Hill, Andrew ORCID: 0000-0003-1521-0396 , Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]
objects
Waterworth, David (2020) 10-4. [Show/Exhibition]
Oedipus
Salihbegović, Nuno (2011) Oedipus at Tate Britain. [Creative Performance or Reading]
Olympic Games
Liao, Hanwen and Isaac, David (2007) Olympic Haussmannization. Urbanism and Architecture, 38 (11). pp. 12-14. ISSN 1673-0232
Olympic planning
Liao, Hanwen (2007) London 2012 Olympic development. Urbanism and Architecture, 38 (11). pp. 79-83. ISSN 1673-0232
Online
Giaxoglou, Korina, Döveling, Katrin and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Networked emotions: Interdisciplinary perspectives on sharing loss online. Journal of Broadcasting and Electronic Media, 61 (1). ISSN 0883-8151 (Print), 1550-6878 (Online) (doi:https://doi.org/10.1080/08838151.2016.1273927)
open spaces
Holden, Robert (2007) Exhibition. Public city. Architects' Journal, 225 (5). p. 44. ISSN 0003-8466
Opera
Sporton, Gregory (2017) Reviews. Scene, 5 (1). pp. 83-88. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.1.83_5)
oral history
Dawson, Andrew and Holmes, Sean P. (2012) 'Help to preserve the real story of our cinema and television industries': The BECTU History Project and the construction of British media history, 1986–2010. Historical Journal of Film, Radio and Television, 32 (3). pp. 435-448. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2012.699650)
Other
Fiddler, Michael ORCID: 0000-0002-0695-6770 (2013) Playing funny games in the last house on the left: the uncanny and the ‘home invasion’ genre. Crime, Media, Culture, 9 (3). pp. 281-299. ISSN 1741-6590 (Print), 1741-6604 (Online) (doi:https://doi.org/10.1177/1741659013511833)
pain metaphors
Patterson, Jennifer ORCID: 0000-0002-8254-7602 (2016) Translations. Body Talk: whose language? Association of Medical Humanities. (Unpublished)
painting
Macdonald, Sarah (2021) Tannery Project, Billboard Project #1: Sarah Macdonald. [Show/Exhibition]
palimpsest
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)
pandemics
Beard, Sophie, Waller, Allyson and Maloney, Pete (2021) Collectarium lockdown space: sharing domestic transformations and innovations for pandemics. In: Urban Assemblage: The City as Architecture, Media, AI and Big Data, 28th - 30th June 2021, University of Hertfordshire, Hatfield. (Unpublished)
panorama images
Macquarrie, Andrew and Steed, Anthony (2015) Object removal in panoramic media. In: CVMP '15: Proceedings of the 12th European Conference on Visual Media Production. ACM Digital Library (2). Association for Computing Machinery (ACM), New York, United States, pp. 1-10. ISBN 978-1450335607 (doi:https://doi.org/10.1145/2824840.2824844)
panoramic video
Hong, Yang, Macquarrie, Andrew and Steed, Anthony (2018) The effect of chair type on users' viewing experience for 360-degree video. In: VRST '18: Proceedings of the 24th ACM Symposium on Virtual Reality Software and Technology. Tokyo Japan. 28 November 2018- 1 December 2018. Association for Computing Machinery (ACM), New York, United States, pp. 1-11. ISBN 978-1450360869 (doi:https://doi.org/10.1145/3281505.3281519)
Macquarrie, Andrew and Steed, Anthony (2017) Cinematic Virtual Reality: evaluating the effect of display type on the viewing experience for panoramic video. In: 2017 IEEE Virtual Reality (VR). March 18-22 2017. Los Angeles, CA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 45-54. ISBN 978-1509066476 ; 978-1509066483 ISSN 2375-5334 (Online) (doi:https://doi.org/10.1109/VR.2017.7892230)
Parametric relations
Samson, Audrey and Soon, Winnie (2015) Network affordances: The unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal (24). ISSN 1449-1443 (Online)
participation
Beard, Sophie and Waller, Allyson (2023) Publishing Participation. [Performance]
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]
participatory
Beard, Sophie and Waller, Allyson (2023) Publishing Participation. [Performance]
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]
participatory art
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Emets, Evgenia, Renaud, Alain, Negrao, David, Grant, Claire and Havsteen-Franklin, Dominik (2022) KIMA Colour Van Eyck by The Analema Group - 360 video artwork, and guided facilitation videos - by The Analama Group: Evgenia Emets, Alain Renaud, David Negrao and Olive Gingrich - narrated by Mina Raschenbauch. [Artefact]
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Evgenia, Emets, Renaud, Alain, Negrao, David, Havsteen-Franklin, Dominik and Grant, Claire (2022) KIMA Colour: Van Gogh - 360 visual sound art. [Artefact]
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Falk-Anderson, Eike, Tchoudjinof, Deborah, Renaud, Alain, Emets, Evgenia and Negrao, David (2021) New Heritage: new media art between cultural heritage experience and artefact. Proceedings of EVA London 2021. AI and the Arts: Artificial Imagination. 5th July – 9th July 2021. pp. 81-88. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2021.13)
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia and Negrao, David (2022) KIMA: Voice performance by Analema Group at National Gallery X performed by Victoria Couper. [Creative Performance or Reading]
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia, Negrao, David, Havsteen-Franklin, Dominik and Grant, Claire (2022) KIMA Colour Monet: 360 visual sound art by the Analema Group. [Artefact]
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia, Negrao, David and James, Winter (2022) KIMA Voice performance at Art in Flux Radical Embodiment event at Barbican London. [Creative Performance or Reading]
Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Rahman, Shama (2023) GROUPTHINK: Art, AI & the Internet of Neurons. King's College, King's College.
Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2021) GROUPTHINK: What happens when we're all connected? Groupthink - a live performance directed by the heartbeats of its viewers. [Creative Performance or Reading]
participatory performance
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2019) Rose Bruford College International Symposium, ‘Interactive experiences: playful junctions and journeys across borders’. In: Rose Bruford College International Symposium, ‘Interactive Experiences: Playful junctions and journeys across borders’, 15th - 17th April 2019, Rose Bruford College, London.
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Guillery, Kesia and Andrade Pires, Carlos Eduardo (2022) RADIO GHOST - Lumen Prize Interactive Award. Winner - video submission. [Video]
Maravala, Persis-Jadé, Cooper, Emma, Van Der Weide, Nadja and Briscoe, Rachel (2022) Sheffield DocFest ‘Alternate realities summit: the art of connection’. [Performance]
Maravala, Persis-Jadé and Guillery, Kesia (2022) ‘Goodnight, sleep tight: Working within a collapsing system’. [Audio]
participatory visual data
Campbell, Sarah ORCID: 0000-0002-2920-7318 , Clark, Andrew ORCID: 0000-0001-8660-8815 , Keady, John ORCID: 0000-0001-8243-6913 , Manji, Kainde, Odzakovic, Elzana, Rummery, Kirstein and Ward, Richard (2023) ‘I can see what's going on without being nosey…’: What matters to people living with dementia about home as revealed through visual home tours. International Journal of Geriatric Psychiatry, 38 (9):e5999. pp. 1-12. ISSN 0885-6230 (Print), 1099-1166 (Online) (doi:https://doi.org/10.1002/gps.5999)
patent image
Lin, Wenguang, Yan, Wenchao, Chen, Zhizhen and Xiao, Renbin (2023) Research on product appearance patent spatial shape recognition for multi-image feature fusion. Multimedia Tools and Applications. ISSN 1380-7501 (Print), 1573-7721 (Online) (doi:https://doi.org/10.1007/s11042-023-16477-5)
Patrick McCabe
Stabb, Walter (2019) Europe Endless. [Video]
patronage
Dawson, Andrew and Holmes, Sean P. (2012) New perspectives on working in the global film and television industries. Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 1-17. ISBN 9781780930206
Dawson, Andrew and Holmes, Sean P. (eds.) (2012) Working in the global film and television industries: Creativity, systems, space, patronage. Bloomsbury Academic, London, UK. ISBN 9781780930206
pedagogy
Fox, Kenneth and Lambirth, Andrew (2012) Film and pedagogy: Learning about teaching at the movies. In: Bahloul, Maher and Graham, Carolyn, (eds.) Lights! Camera! Action and the Brain: The Use of Film in Education. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 61-81. ISBN 9781443836579
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2024) The senses beyond: new directions in game engine experiences. In: Giannini, Tula and Bowen, Jonathan P., (eds.) The Arts and Computational Culture: Real and Virtual Worlds. Springer Series on Cultural Computing (SSCC) . Springer, Cham, Switzerland. ISBN 978-3031538643; 978-3031538674; 978-3031538650 (In Press)
performance
Adil, A (2009) Becoming the future now. [Creative Performance or Reading]
Adil, Alev (2011) Memory in the dead zone. [Creative Performance or Reading]
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)
Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2017) Enabling Audiovisual User Interfaces. [Creative Performance or Reading] (Unpublished)
Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2019) Moving Digits: Augmented Dance for Engaged Audience. [Creative Performance or Reading] (Unpublished)
Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)
Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]
Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]
Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]
Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Rahman, Shama (2023) GROUPTHINK: Art, AI & the Internet of Neurons. King's College, King's College.
Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2021) GROUPTHINK: What happens when we're all connected? Groupthink - a live performance directed by the heartbeats of its viewers. [Creative Performance or Reading]
Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2022) GROUPTHINK: telepresence and agency during Live performance. Proceedings of the ACM on Computer Graphics and Interactive Techniques, 5 (4):39. pp. 1-10. ISSN 2577-6193 (Online) (doi:https://doi.org/10.1145/3533610)
Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene_00016_1)
Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)
Maravala, Persis Jadé and Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Post-immersive interventions with ZU-UK. In: Bucknall, Joanna Jayne, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury - Methuen Drama, London, pp. 151-176. ISBN 978-1350269330
Sporton, Gregory (2017) The Body and the Intellectual. Scene, 5 (2). pp. 115-126. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.2.115_1)
Sporton, Gregory (2018) The Life of a Dance: Double Take Part II. In: Proceedings from the Document Academy. University of Akron, pp. 1-10.
Sporton, Gregory (2016) Review from London International Mime Festival. Scene, 4 (1). pp. 89-90. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.1.89_5)
Sporton, Gregory (2016) Reviews. Scene, 4 (2). pp. 173-178. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.2.173_5)
Sporton, Gregory (2017) The Sporton Professorial Inaugural. [Creative Performance or Reading]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]
performance art
Hobbs, James and Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Volstarfel: Sobbing and Moaning. An evening of experimental noise, expanded cinema and performance. [Show/Exhibition]
Maffioletti, Catherine (2020) Multicomponent Output 1: Hysteria. [Creative Performance or Reading]
Maffioletti, Catherine (2020) Multicomponent Output 2: Hysterical Together. [Creative Performance or Reading]
performance studies
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Previsualisations. ‘they are just there’: Gertrude Stein’s ‘Landscapes’ and their finite possibilities. In: London Conference in Critical Thought 2023, 30th Jun - 1st Jul, 2023, School of Social Sciences and Professions, London Metropolitan University, London.
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2024) Theatricality and dissonance: frictions in contemporary networked performance practices. In: Quick, Andrew and Rushton, Richard, (eds.) Theatricality and the Arts Film, Theatre, Art. Edinburgh University Press, Edinburgh, pp. 70-87. ISBN 978-1399511650; 1399511653 (In Press)
performativity
Golding, Johnny (2012) Ana-materialism and the Pineal Eye: Becoming mouth-breast (or visual arts after Descartes, Bataille, Butler, Deleuze and Synthia with an ‘s’). Philosophy of Photography, 3 (1). pp. 99-120. ISSN 2040-3682 (Print), 2040-3690 (Online) (doi:https://doi.org/10.1386/pop.3.1.99_1)
Personal Data Protection
Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]
Peter Zinovieff
Critchley, Emily (2010) Some curious thing. [Video]
phenomenological gaze
Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Alleviating digital fatigue through embodied artistic practice and green space. International Journal of Performance Arts and Digital Media. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2024.2305448)
phenomenology
Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Dissolving the Horizon Line: navigating disruption caused by AI manipulation of images. Body, Space and Technology, 23 (1). pp. 1-26. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.11214)
philosophy
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)
Golding, Johnny (2010) Fractal philosophy (and the small matter of learning how to listen): attunement as the task of art. In: Zepke, Stephen and O'Sullivan, Simon, (eds.) Deleuze and Contemporary Art. Deleuze Connections . Edinburgh University Press, Edinburgh, Scotland, pp. 133-154. ISBN 978-0748638376 (hardback), 9780748638383 (paperback),
Golding, Sue (2009) Trembling the plane of immanence: media arts philosophy and the re-vision of art (or what’s acoustics got to do with the visual?). In: Invited lecture, February, 2009, Royal Academy of Art. (Unpublished)
PhotoEssay
Hobbs, James (2020) Moribund State(s) - Exhibition Catalogue/Artist Book. Project 78 Press, UK. ISBN 978-1838133108
photograph
Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]
Ingham, Mark (2011) A portrait of Marilyn Miller and me 5611. [Artefact]
photographic image
Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]
photographs
Bowie, Laura ORCID: 0000-0002-9084-2142 (2022) Book review Photographs and the practice of history: a short primer by Elizabeth Edwards, London, Bloomsbury Academic, 2022, 166 pp., £18 (paperback). Planning Perspectives, 37 (5). pp. 1109-1112. ISSN 0266-5433 (Print), 1466-4518 (Online) (doi:https://doi.org/10.1080/02665433.2022.2111126)
photography
Arthur, Mervyn, Baseman, Jordan, Behr, Bernd, Biswas, Sutapa, Chance, Veronique, Cobbing, William, Coldwell, Paul, Cross, David, Dobai, Sarah, Douglas, Lorrice, Drabble, Neil, Gunning, Lucy, Hamann, Sigune, Haywood, Thomas, Ingham, Mark, Kovats, Tania, Lanteri Laura, Jean-Louis, Lebas, Chrystel, Love, Johanna, Mossman, Anna, Newth, Martin, Robertson, Helen, Rowe, Lois, Taylor, Finlay, Treacy, Danny, Wainwright, Chris and Webster, Dave (2011) SCOPE New Photographic Practices. [Show/Exhibition]
Calvert, Sheena (2009) [Un]disciplined gestures and [un]common sense: the sensual, acoustic logic(s) of paradox and art. PhD thesis, University of Greenwich.
Hobbs, James (2020) Moribund State(s) - Solo multimedia art exhibition. [Show/Exhibition]
Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]
Ingham, Mark (2008) Ars magna lucis et umbrae. [Show/Exhibition]
Ingham, Mark (2011) Art takes Miami 2011. In: Aldrich, Jeffrey, (ed.) Art Takes Miami 2011. Artist Wanted, New York, p. 5. ISBN 9780984871803
Ingham, Mark (2011) Mark Ingham, Marilyn Miller and Me 1956-2011. In: Muraben, Billie, (ed.) New Photographic Practices: SCOPE. Camberwell Press, London, UK, p. 24. ISBN 978-0-9536395-9-5
Ingham, Mark (2011) Mark Ingham: motion and sound winner Scope Miami 2011. SCOPE Miami 2011. Artists Wanted LLC, New York, pp. 46-47. ISBN 9780984871803
Ingham, Mark (2011) New photographic practices: SCOPE. In: Newth, Martin, (ed.) New Photographic Practices; SCOPE. Camberwell Press, London. ISBN 978-0953639595
physical environments
Broadhurst, Susan, Papadaki, Elena ORCID: 0000-0002-6653-4334 , Ploeger, Dani, Goddard, Michael N., O'Brien, Sarah, Taiwo, Olu, Schellewald, Andreas, Chan, Melanie, Lewis, Matt, Dziekan, Vince, Giannachi, Gabriella, Nolasco-Rózsás, Lívia, Katan-Schmid, Einav, Meseguer, Rosell, Borges, Cândida, Vélez, Gabriel Mario, DeLappe, Joseph, Caerols Mateo, Raquel, Kelomees, Raivo, Guljajeva, Varvara, Laas, Oliver, Riegel, Christian, Robinson, Katherine M., Richards, Grayson, Desnoyers-Stewart, John, Smith, Megan L., Riecke, Bernhard E., Dare, Eleanor, Berezina-Blackburn, Vita, Oliszewski, Alex and Mcgarrigle, Conor (eds.) (2020) Radical Immersions: Navigating between virtual/physical environments and information bubbles - DRHA 2019 Conference Proceedings. University of London / DRHA, London. ISBN 978-0900822124; 978-0900822131
physical theatre
Wallis, Jillian (2015) Reverie. [Creative Performance or Reading]
physicality
Sporton, Gregory (2017) The Body and the Intellectual. Scene, 5 (2). pp. 115-126. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.2.115_1)
Pierre Bourdieu
Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)
Piper
Powers, Alan (2010) Benjamin Britten, Piper and Aldeburgh. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 130-135. ISBN 978-0-9558343-2-5
Place
Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]
planning and design
Liao, Hanwen (2007) London 2012 Olympic development. Urbanism and Architecture, 38 (11). pp. 79-83. ISSN 1673-0232
Platform
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]
play
Chaplin, Sarah (2008) Child-friendliness in design: can design and architecture lead the way? In: Places to go? place-shaping, safer streets and sustainable transport for a child-friendly public realm. A national conference by Play England, Sustrans, Living Streets and the National Children's Bureau, 20 May 2008, Queen Elizabeth II Conference Centre Westminster London. (Unpublished)
poetic
Wallis, Jillian (2015) Reverie. [Creative Performance or Reading]
poetry
Adil, A (2009) Becoming the future now. [Creative Performance or Reading]
Adil, Alev (2011) Memory in the dead zone. [Creative Performance or Reading]
Adil, Alev (2011) MemoryMap [website]. MemoryMap, London, UK.
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)
Critchley, Emily (2010) First Poetry. [Video]
poetry performance
Critchley, Emily (2010) Some curious thing. [Video]
Poland
Mroz, Matilda (2010) Cinema and censorship in post-war Poland. In: Darwin College Humanities and Social Sciences Group series, 25 May 2010, Darwin College, University of Cambridge, UK. (Unpublished)
Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)
Polish cinema
Mroz, Matilda (2014) The monument and the sewer: memory and death in Wajda’s Kanal (1957). Historical Journal of Film, Radio and Television, 34 (4). pp. 528-545. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2014.903035)
Politics of Space
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2017) Space as Methodology: the politics of exhibiting the moving image in public spaces. In: "The Politics of Space and the Humanities", 15-17 December 2017, Thessaloniki, Greece. (Unpublished)
pool
Mroz, Matilda (2014) The aesthetics of overflow: Tarkovsky’s Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pamela, (eds.) The Cinema of the Swimming Pool. New Studies in European Cinema (17). Peter Lang AG, Oxford / Bern / Berlin / Bruxelles / Frankfurt am Main / New York / Wien, pp. 169-180. ISBN 978-3034317832
porcelain
Hobbs, James (2023) "Polytechneiou 1 (Cigarettes)", "Polytechneiou 2 (Petals)", "Polytechneiou (Unstable Grids)". [Show/Exhibition]
post-cinema
Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Ben Hur Live as post-cinematic adaptation. Journal of Adaptation in Film & Performance, 15 (1/2). pp. 61-75. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp_00069_1)
post-colonial studies
Smith, Caroline (2007) Hide and seek with rebels: tracing contemporary queer art in cracks and rips. Wasafiri, 22 (1). pp. 32-42. ISSN 0269-0055 (doi:https://doi.org/10.1080/02690050601097609)
post-digital
Watkins, Julie ORCID: 0000-0001-8872-7041 (2022) Animation in post-digital environments: interactions between physical and digital spaces. In: SAS 2022, 27th - 30th June 2022, Teeside University. (Unpublished)
post-Fordism
Dawson, Andrew (2010) ’Flexible Specialisation’ and New Hollywood: Time for a Paradigm Shift? In: 8th European Social Science History Conference, 13-16 Apr 2010, Ghent, Belgium. (Unpublished)
Dawson, Andrew (2012) Labouring in Hollywood’s motion picture industry and the promise of ‘flexible specialisation’. In: Dawson, Andrew and Holmes, Sean P., (eds.) Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 21-38. ISBN 9781780930206
post-immersive
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2019) Rose Bruford College International Symposium, ‘Interactive experiences: playful junctions and journeys across borders’. In: Rose Bruford College International Symposium, ‘Interactive Experiences: Playful junctions and journeys across borders’, 15th - 17th April 2019, Rose Bruford College, London.
Maravala, Persis-Jadé, Cooper, Emma, Van Der Weide, Nadja and Briscoe, Rachel (2022) Sheffield DocFest ‘Alternate realities summit: the art of connection’. [Performance]
Maravala, Persis-Jadé and Guillery, Kesia (2022) ‘Goodnight, sleep tight: Working within a collapsing system’. [Audio]
post-war writing
Stacey, Gillian Joyce (2017) Lee Miller. Beyond the muse. A very modern woman: a woman of her time. PhD thesis, University of Greenwich.
posthuman theory
Rabourdin, Caroline ORCID: 0000-0002-9694-0384 (2023) Spatial models and affects: Scanlab’s Frozen Relics / Arctic Works & Framerate / Pulse of the Earth. In: London Conference in Critical Thought 2023, 30th June - 1st July 2023, School of Social Sciences and Professions, London Metropolitan University Holloway Road, London. (Unpublished)
practice
Calvert, Sheena (2009) [Un]disciplined gestures and [un]common sense: the sensual, acoustic logic(s) of paradox and art. PhD thesis, University of Greenwich.
McArthur, Angela, van Tonder, Cobi, Gaston-Bird, Leslie and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2021) A survey of 3D audio through the browser: practitioner perspectives. In: 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). 8-10 September 2021. Bologna, Italy (online). IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New Jersey, pp. 1-10. ISBN 978-1665409988 ; 978-1665409995 (doi:https://doi.org/10.1109/I3DA48870.2021.9610839)
practice-as-research
Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)
practice-based research
Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:https://doi.org/10.14236/ewic/EVA2018.70)
practice-research
Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)
practices
Ingham, Mark (2011) New photographic practices: SCOPE. In: Newth, Martin, (ed.) New Photographic Practices; SCOPE. Camberwell Press, London. ISBN 978-0953639595
Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055
prefigurative politics
Rossi, Guglielmo ORCID: 0000-0002-7850-6904 (2023) You must live your politics: publishing practices and libertarianism in MayDay Rooms Archives. In: Grennan, Rosemary and Bard-Rosenberg, Jacob, (eds.) MayDay Rooms Pamphlets: 02 Agitprop Notes. MayDay Rooms pamphlet series, 02 (2). MayDay Rooms Archives, London, pp. 103-149.
presence
Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)
Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Callus, Paula (2022) Remediated sites: Lumen Prize Virtual Gallery as site of memory and digital assemblage. Leonardo, 55 (5). pp. 475-481. ISSN 0024-094X (Print), 1530-9282 (Online) (doi:https://doi.org/10.1162/leon_a_02251)
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia and Negrao, David (2022) KIMA: Voice performance by Analema Group at National Gallery X performed by Victoria Couper. [Creative Performance or Reading]
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia, Negrao, David and James, Winter (2022) KIMA Voice performance at Art in Flux Radical Embodiment event at Barbican London. [Creative Performance or Reading]
presentation
Milic, Nela, Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Oh, Jee and Zuabi, Thaer (2011) Mapping and reshaping of cultural identity by digital media [Workshop]. In: ISEA2011: The 17th International Symposium on Electronic Art, 14-21 Sep 2011, Istanbul, Turkey.
princes
Stoppani, Teresa (2008) Interpreting the Renaissance: princes, cities, architects by Manfredo Tafuri, translated by Daniel Sherer. The Journal of Architecture, 13 (3). pp. 345-354. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360802216997)
printing
Powers, Alan (2010) Benjamin Britten, Piper and Aldeburgh. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 130-135. ISBN 978-0-9558343-2-5
printmaking
Powers, Alan (2010) Introduction: John Piper in context. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 9-13. ISBN 978-0-9558343-2-5
privilege
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)
Process
Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)
process control
Gao, Xiaoyu ORCID: 0000-0001-5625-3654 , Li, Yingguang, Xu, Ke, Wang, Shixin and Maropoulos, Paul (2023) A step-wise numerical thermal control method for advanced composite curing process using digital image based programming. CIRP Annals - Manufacturing Technology, 72 (1). ISSN 0007-8506 (doi:https://doi.org/10.1016/j.cirp.2023.03.016)
Production
Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)
Productive consumer public
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)
Projection mapping
Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]
projectors
Ingham, Mark (2011) Art takes Miami 2011. In: Aldrich, Jeffrey, (ed.) Art Takes Miami 2011. Artist Wanted, New York, p. 5. ISBN 9780984871803
projects
Mould, Oli, Vorley, Tim and Liu, Kai (2014) Invisible creativity? Highlighting the hidden impact of freelancing in London's creative industries. European Planning Studies, 22 (12). pp. 2436-2455. ISSN 0965-4313 (Print), 1469-5944 (Online) (doi:https://doi.org/10.1080/09654313.2013.790587)
proprioception
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]
prothesis
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]
psychedelic visual music
Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2014) Digitized direct animation: creating materials for electroacoustic visual music using 8mm film. eContact! Online Journal for Electroacoustic Practices, 15 (4).
psychedelics
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
Public
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)
Public Artwork
Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]
public engagement
Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2018) The Cosmic Pond - REF documentation. [Show/Exhibition]
public performance
Hobbs, James and Crabbe, Jono (Ojon) (2023) "Nature Morte" and "H(xy)/V(z)=Ø". [Show/Exhibition]
public space
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)
Publication
Waller, Allyson and Beard, Sophie (eds.) (2022) Collectarium Lockdown Masks. Lockdown Masks . Collectarium, London, UK. ISBN 978-1399933810
publishing
Beard, Sophie and Waller, Allyson (2023) Publishing Participation. [Performance]
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)
Rossi, Guglielmo ORCID: 0000-0002-7850-6904 (2023) You must live your politics: publishing practices and libertarianism in MayDay Rooms Archives. In: Grennan, Rosemary and Bard-Rosenberg, Jacob, (eds.) MayDay Rooms Pamphlets: 02 Agitprop Notes. MayDay Rooms pamphlet series, 02 (2). MayDay Rooms Archives, London, pp. 103-149.
Rossi, Guglielmo ORCID: 0000-0002-7850-6904 (2023) The housing movement: illustrations from the archive. Colouring In, 3 (9). pp. 95-98. ISSN 2752-9533
qualitative
Cole, Tom ORCID: 0000-0001-6031-8377 and Salisbury, John Hamon (2016) Grounded Theory in games research: making the case and exploring the options. In: DIGRA/FDG '16 - Proceedings of the First International Joint conference of DIGRA and FDG. Digital Games Research Association, Finland. ISBN 2342-9666
qualitative research
Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) More than a bit of coding: (un-)Grounded (non-)Theory in HCI. In: CHI EA '22: CHI Conference on Human Factors in Computing Systems Extended Abstracts. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (11). Association of Computing Machinery (ACM), New York, pp. 1-11. ISBN 978-1450391566 (doi:https://doi.org/10.1145/3491101)
Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)
quantum geographies
Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.
Queen’s House
Withers, Simon ORCID: 0000-0002-0203-359X , Hudson, Philip, Kennedy, Stephen and Goodwin, Duncan ORCID: 0000-0003-2524-9059 (2023) Synthetic visions of maritime Greenwich. [Show/Exhibition]
Quentin Blake
Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]
Quiet
Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]
race
Athique Winterbottom, Anushka, Angell, Roo, Belfield, Andrew, Gibson, Naomi ORCID: 0009-0003-0309-1905 , O'Callaghan, Mattie and Woodgate, Zanna (2024) How Public is Public? [Performance]
Athique Winterbottom, Anushka, Angell, Roo, Dixit, Mitesh, Paulson, Theo, Wilder, Pete and Heaven, Bryony (2024) Technical Solutionism. [Performance]
radical print culture
Rossi, Guglielmo ORCID: 0000-0002-7850-6904 (2023) You must live your politics: publishing practices and libertarianism in MayDay Rooms Archives. In: Grennan, Rosemary and Bard-Rosenberg, Jacob, (eds.) MayDay Rooms Pamphlets: 02 Agitprop Notes. MayDay Rooms pamphlet series, 02 (2). MayDay Rooms Archives, London, pp. 103-149.
Rafael Lozano-Hemmer
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:https://doi.org/10.1080/17458927.2015.1042247)
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Interactive video installations in public spaces: Rafael Lozano-Hemmer's Under Scan. In: Crisp, Virginia and Menotti Gonring, Gabriel, (eds.) Besides the Screen: Moving Images through Distribution, Promotion and Curation. Palgrave Macmillan, London & New York, pp. 197-212. ISBN 978-1-137-47101-7
rate-distortion optimization
Sigger, Neetu, Al-Jawed, Naseer and Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2022) Spatial-temporal autoencoder with attention network for video compression. In: Proceedings of the 17th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications. Online. February 6-8, 2022. Computer Vision Theory and Applications (VISAPP), 4 . Computer Vision Theory and Applications (VISAPP) - SCITEPRESS Digital Library, Setúbal, Portugal, pp. 364-371. ISBN 978-9897585555; ISSN 2184-4321 (doi:https://doi.org/10.5220/0010811900003124)
Raymond Williams
Stabb, Walter (2020) Keywords For Today. [Video]
re-mapping
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Re-mapping the territory: immersive exhibition practices in the expanded field. Gramma, 27. ISSN 2529-1793 (Online) (doi:https://doi.org/10.26262/gramma.v27i0.8990)
re-thinking Humanities and Social Sciences
Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.
reader
Murray, Shaun (2022) Drawing architecture. Design Ecologies, 11 (1). pp. 11-33. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:https://doi.org/10.1386/des_00014_1)
reading
Critchley, Emily (2010) First Poetry. [Video]
Reality
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]
recording
Hill, Andrew ORCID: 0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]
reduced visuals
Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Alleviating digital fatigue through embodied artistic practice and green space. International Journal of Performance Arts and Digital Media. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2024.2305448)
reflection
Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]
Regulation
Giaxoglou, Korina, Döveling, Katrin and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Networked emotions: Interdisciplinary perspectives on sharing loss online. Journal of Broadcasting and Electronic Media, 61 (1). ISSN 0883-8151 (Print), 1550-6878 (Online) (doi:https://doi.org/10.1080/08838151.2016.1273927)
rehearsal
Golding, Johnny (2012) Ana-materialism and the Pineal Eye: Becoming mouth-breast (or visual arts after Descartes, Bataille, Butler, Deleuze and Synthia with an ‘s’). Philosophy of Photography, 3 (1). pp. 99-120. ISSN 2040-3682 (Print), 2040-3690 (Online) (doi:https://doi.org/10.1386/pop.3.1.99_1)
relational economic geography
Mould, Oli, Vorley, Tim and Liu, Kai (2014) Invisible creativity? Highlighting the hidden impact of freelancing in London's creative industries. European Planning Studies, 22 (12). pp. 2436-2455. ISSN 0965-4313 (Print), 1469-5944 (Online) (doi:https://doi.org/10.1080/09654313.2013.790587)
remediation
Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Ben Hur Live as post-cinematic adaptation. Journal of Adaptation in Film & Performance, 15 (1/2). pp. 61-75. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp_00069_1)
Renaissance
Stoppani, Teresa (2008) Interpreting the Renaissance: princes, cities, architects by Manfredo Tafuri, translated by Daniel Sherer. The Journal of Architecture, 13 (3). pp. 345-354. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360802216997)
representation
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)
representations of disability
Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]
research
Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584
Papadaki, Elena ORCID: 0000-0002-6653-4334 , Arfaras, Mihalis, Schizakis, Stamatis, Garcia, Carla Ambrósio, Dare, Eleanor, Beveridge, Patrick, Hobbs, James, Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , Menotti, Gabriel, Ploeger, Dani, Samson, Audrey, Borras, Michael (a.k.a. Systaime), Krajewska, Klio and Talbot, Michael ORCID: 0000-0001-7198-1422 (eds.) (2020) Exhibiting the Analogue, Exhibiting the Digital: Afterthoughts on an exhibition. University of Greenwich Galleries / Incandescent Square, London. ISBN 978-0957343047
research impact
Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2023) Creative approaches to user experience in entrepreneurial startups: emerging impact from screencast videography. In: UKAIS Annual Conference 2023, 20th - 21st April 2023, University of Kent. (Unpublished)
research methods
Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) More than a bit of coding: (un-)Grounded (non-)Theory in HCI. In: CHI EA '22: CHI Conference on Human Factors in Computing Systems Extended Abstracts. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (11). Association of Computing Machinery (ACM), New York, pp. 1-11. ISBN 978-1450391566 (doi:https://doi.org/10.1145/3491101)
restoration
Frith, Ed (2008) On altering architecture by Fred Scott. The Architects' Journal. pp. 12-13. ISSN 0003-8466
retro video games
Rodney, Ross, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Broadhead, Martyn (2023) Retro stylistic transformations in games. In: Proceedings of EVA London 2023. BCS London 10th – 14th July 2023. Electronic Workshops in Computing . EVA London Electronic Visualisation and the Arts - BCS Learning and Development Ltd., Arts BCS London Office, London and Swindon, pp. 240-242. ISBN 978-1780176161 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2023.44)
Reviews
Sporton, Gregory (2017) Reviews. Scene, 5 (1). pp. 83-88. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.1.83_5)
rhythm
Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:https://doi.org/10.14236/ewic/EVA2018.70)
Rita Duffy
Stabb, Walter (2019) Europe Endless. [Video]
Robert Capa
Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]
Robert Mapplethorpe
Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.
robotics
Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)
Roland Barthes
Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)
role of lawyers
Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2021) Top 10 classic Law films. New Law Journal, 171 (7959). pp. 21-22. ISSN 0306-6479 (Print), 2046-2239 (Online)
Roma art
Acton, Thomas (2010) Is tradition the enemy of history? In: Orta, Lucy, (ed.) Mapping the Invisible: EU-Roma Gypsies. Black Dog Publishing / London College of Fashion, London, UK, pp. 20-23. ISBN 978 1 906155 91 9
Roma history
Acton, Thomas (2010) Is tradition the enemy of history? In: Orta, Lucy, (ed.) Mapping the Invisible: EU-Roma Gypsies. Black Dog Publishing / London College of Fashion, London, UK, pp. 20-23. ISBN 978 1 906155 91 9
Romani art
Acton, Thomas (2007) Second site. Paradise lost. Open Society Institute / Prestel Publishing, London, UK: New York, pp. 30-32. ISBN 978-3-7913-6145-1
Rosalind Krauss
Mann, Tony (1995) [Book review] Cindy Sherman 1975-1993. The Art Book, 2 (2). p. 34. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)
Russian cinema
Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)
Russian Film
Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Curating Russian Film for International Audiences. [Show/Exhibition] (Submitted)
Russian Formalism
Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)
Rye Lane Peckham
Brown, Charmaine ORCID: 0000-0002-6471-9706 (2023) Prompts & Logistics: Black Love and/In the City. [Performance] (Unpublished)
scope
Ingham, Mark (2011) Art takes Miami 2011. In: Aldrich, Jeffrey, (ed.) Art Takes Miami 2011. Artist Wanted, New York, p. 5. ISBN 9780984871803
Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]
Scotland
Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48
screen
Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2009) Visual arts and 2D – 3D motion typo.graphic design. In: EVA London 2009: Electronic Visualisation & the Arts. Electronic Workshops in Computing (eWiC) (online), 2009 . BCS: The Chartered Institute for IT, Swindon, UK, pp. 192-200. ISBN 978-1-906124-17-5 (pbk) ISSN 1477-9358 (online)
Screen Actors Guild
Dawson, Andrew (2012) Challenging lilywhite Hollywood: African Americans and the demand for racial equality in the motion picture industry, 1963-1974. The Journal of Popular Culture, 45 (6). pp. 1206-1225. ISSN 0022-3840 (Print), 1540-5931 (Online) (doi:https://doi.org/10.1111/jpcu.12005)
Screen-based interaction
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2014) Communicating technology: Interactive design and interdisciplinary collaboration in the digital arts. In: Book of Absracts of DRHA2014: Communication Futures: Connecting Interdisciplinary Design Practices in Arts/Culture, Academia and the Creative Industries. University of Greenwich, pp. 215-216. ISBN 978-1-291-97878-0
Screen-reliant works
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:https://doi.org/10.1080/17458927.2015.1042247)
screencast
Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2022) Screencast videography: understanding experience in the metaverse. In: Future Visualities: Visual Methods & Ethnography in Interdisciplinary Research Symposium, 1st June 2022, Edinburgh Napier University. (Unpublished)
screencast videography
Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2023) Creative approaches to user experience in entrepreneurial startups: emerging impact from screencast videography. In: UKAIS Annual Conference 2023, 20th - 21st April 2023, University of Kent. (Unpublished)
Kawaf, Fatema ORCID: 0000-0002-7089-7816 , Bruce, Helen, Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110 , Rooney, Tara and Ngwakwe, Amarachi (2022) Using screencast videography as a customer experience and journey mapping tool: a case study. In: 12th Servsig2022, 16th - 18th June 2022, Glasgow, Scotland.
screenplay
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2019) The screenplay as boundary object. Journal of Screenwriting, 10 (2). pp. 149-164. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.10.2.149_1)
screenwriting
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2019) The screenplay as boundary object. Journal of Screenwriting, 10 (2). pp. 149-164. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.10.2.149_1)
script
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2019) The screenplay as boundary object. Journal of Screenwriting, 10 (2). pp. 149-164. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.10.2.149_1)
scriptwriting
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2019) The screenplay as boundary object. Journal of Screenwriting, 10 (2). pp. 149-164. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.10.2.149_1)
Sculpture Sound
Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]
second screen
Cunningham, Stuart and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2015) Second screen comes to the silver screen: a technology feasibility study regarding mobile technologies in the cinema. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 228-232. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317400)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunnigham, Stuart (2015) Second screen comes to the silver screen: a consumer study regarding mobile technologies in the cinema. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 121-124. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317381)
self-hood
Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)
self-presentation
Siegel, Lauren ORCID: 0000-0003-2117-8492 , Tussyadiah, Iis ORCID: 0000-0003-0729-1712 and Scarles, Caroline ORCID: 0000-0001-8279-3689 (2022) Cyber-physical traveler performances and Instagram travel photography as ideal impression management. Current Issues in Tourism, 26 (14). pp. 2332-2356. ISSN 1368-3500 (Print), 1747-7603 (Online) (doi:https://doi.org/10.1080/13683500.2022.2086451)
sensation
Sigthorsson, Gauti (2008) Sensation for sensation's sake: art and the temptation of 'Wow'! Sjonauki. ISSN 1670-7311
sensationalism
Vlachos, Peter ORCID: 0000-0002-4870-9006 (2003) Paint a true picture of art in China. The Guardian. ISSN 0261-3077
senses embodied
Watkins, Julie ORCID: 0000-0001-8872-7041 (2022) Extended senses: unfolding space. In: Extended Senses 2022, 8th - 9th September 2022, University of Greenwich.
sensing
Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)
serious game
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Guillery, Kesia and Andrade Pires, Carlos Eduardo (2022) RADIO GHOST - Lumen Prize Interactive Award. Winner - video submission. [Video]
serious games
Sporton, Gregory and Makiola, Iona (2011) The Watertower: augmented reality gaming for heritage. In: Beale, Katy, (ed.) Museums At Play – Games, Interaction and Learning. MuseumsEtc., Edinburgh, UK and Boston, USA, pp. 347-357. ISBN 9781907697142
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2024) The senses beyond: new directions in game engine experiences. In: Giannini, Tula and Bowen, Jonathan P., (eds.) The Arts and Computational Culture: Real and Virtual Worlds. Springer Series on Cultural Computing (SSCC) . Springer, Cham, Switzerland. ISBN 978-3031538643; 978-3031538674; 978-3031538650 (In Press)
Shadow of the Colossus
Cole, Tom ORCID: 0000-0001-6031-8377 (2015) The tragedy of betrayal: how the design of Ico and Shadow of the Colossus elicits emotion. In: DiGRA '15 - Proceedings of the 2015 DiGRA International Conference. Lüneburg, Germany, May 14th - 17th 2015. Digital Games Research Association, Finland. ISSN 2342-9666
shamanism
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
shape analysis
Macquarrie, Andrew and Steed, Anthony (2020) Exploring the use of skeletal tracking for cheaper motion graphs and on-set decision making in Free-Viewpoint Video production. In: CVMP '20: European Conference on Visual Media Production. Virtual Event, United Kingdom. December 7 - 8 2020. Association for Computing Machinery (ACM), New York, United States, pp. 1-10. ISBN 978-1450381987 (doi:https://doi.org/10.1145/3429341.3429353)
Macquarrie, Andrew and Steed, Anthony (2020) Improving Free-Viewpoint Video content production using RGB-camera-based skeletal tracking. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 774-775. ISBN 978-1728165325 ; 978-1728165332 (doi:https://doi.org/10.1109/VRW50115.2020.00238)
Sharing economy
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)
shopping centre
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Guillery, Kesia and Andrade Pires, Carlos Eduardo (2022) RADIO GHOST - Lumen Prize Interactive Award. Winner - video submission. [Video]
silent cinema
Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Curating Russian Film for International Audiences. [Show/Exhibition] (Submitted)
silent film
Hill, Andrew ORCID: 0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]
Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)
simulations
Lawal, Raheem A., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Gent, Darrenlloyd (2023) Representing amphibian perspectives in a 3D game engine. In: Proceedings of EVA London 2023 (EVA 2023). Electronic Workshops in Computing . BCS Learning and Development Ltd, Arts BCS London Office London, UK, pp. 233-235. (doi:https://doi.org/10.14236/ewic/EVA2023.42)
singing
Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)
slides
Ingham, Mark (2011) Mark Ingham: motion and sound winner Scope Miami 2011. SCOPE Miami 2011. Artists Wanted LLC, New York, pp. 46-47. ISBN 9780984871803
SMEs
Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2023) Creative approaches to user experience in entrepreneurial startups: emerging impact from screencast videography. In: UKAIS Annual Conference 2023, 20th - 21st April 2023, University of Kent. (Unpublished)
Kawaf, Fatema ORCID: 0000-0002-7089-7816 , Bruce, Helen, Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110 , Rooney, Tara and Ngwakwe, Amarachi (2022) Using screencast videography as a customer experience and journey mapping tool: a case study. In: 12th Servsig2022, 16th - 18th June 2022, Glasgow, Scotland.
social change
Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2020) How ambient advertising is uniquely placed to make audiences think. Westminster Papers in Communication and Culture, 15 (2). pp. 95-111. ISSN 1744-6716 (Online) (doi:https://doi.org/10.16997/wpcc.346)
social connectedness
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Emets, Evgenia, Renaud, Alain, Negrao, David, Grant, Claire and Havsteen-Franklin, Dominik (2022) KIMA Colour Van Eyck by The Analema Group - 360 video artwork, and guided facilitation videos - by The Analama Group: Evgenia Emets, Alain Renaud, David Negrao and Olive Gingrich - narrated by Mina Raschenbauch. [Artefact]
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Falk-Anderson, Eike, Tchoudjinof, Deborah, Renaud, Alain, Emets, Evgenia and Negrao, David (2021) New Heritage: new media art between cultural heritage experience and artefact. Proceedings of EVA London 2021. AI and the Arts: Artificial Imagination. 5th July – 9th July 2021. pp. 81-88. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2021.13)
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia, Negrao, David, Havsteen-Franklin, Dominik and Grant, Claire (2022) KIMA Colour Monet: 360 visual sound art by the Analema Group. [Artefact]
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia, Negrao, David and James, Winter (2022) KIMA Voice performance at Art in Flux Radical Embodiment event at Barbican London. [Creative Performance or Reading]
social gaming
Cunningham, Stuart, Henry, John and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Augmenting virtual spaces: affective feedback in computer games. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 229-247. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_13)
social impact
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Almena, Maria and Shemza, Aphra (2022) Transformations - Hybrid exhibition and event - curated by Dr. Oliver Gingrich, Maria Almena and Aphra Shemza featuring Analema Group's KIMA Colour, KIMA Voice and KIMA Noise and Oliver Gingrich & Shama Rahman's Zeitgeist. [Show/Exhibition]
social media
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]
Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)
social movement history
Rossi, Guglielmo ORCID: 0000-0002-7850-6904 (2023) The housing movement: illustrations from the archive. Colouring In, 3 (9). pp. 95-98. ISSN 2752-9533
social networking
Siegel, Lauren ORCID: 0000-0003-2117-8492 , Tussyadiah, Iis ORCID: 0000-0003-0729-1712 and Scarles, Caroline ORCID: 0000-0001-8279-3689 (2022) Cyber-physical traveler performances and Instagram travel photography as ideal impression management. Current Issues in Tourism, 26 (14). pp. 2332-2356. ISSN 1368-3500 (Print), 1747-7603 (Online) (doi:https://doi.org/10.1080/13683500.2022.2086451)
social presence
Yung, Ryan ORCID: 0000-0003-3755-2557 , Le, Truc Hoang, Moyle, Brent and Arcodia, Charles (2022) Towards a typology of virtual events. Tourism Management, 92:104560. ISSN 0261-5177 (Print), 1879-3193 (Online) (doi:https://doi.org/10.1016/j.tourman.2022.104560)
social reproduction
Fox, Kenneth and Lambirth, Andrew (2012) Film and pedagogy: Learning about teaching at the movies. In: Bahloul, Maher and Graham, Carolyn, (eds.) Lights! Camera! Action and the Brain: The Use of Film in Education. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 61-81. ISBN 9781443836579
soft fascination
Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]
Software
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]
solitude
Cole, Thomas ORCID: 0000-0001-6031-8377 , Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)
Some Curious Thing
Critchley, Emily (2010) Some curious thing. [Video]
song
Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)
Sonic art
Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).
Hobbs, James and Vari, Mhairi (2023) Sound/Image 2023 Exhibition. Curated by Jim Hobbs & Mhairi Vari. [Show/Exhibition]
sonic economies
Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.
Sonic Interaction Design
Masu, Raul, Correia, Nuno N. ORCID: 0000-0002-9999-9162 , Jürgens, Stephan, Feitsch, Jochen and Romão, Teresa (2020) Designing Interactive Sonic Artefacts for Dance Performance: an Ecological Approach. In: AM '20: Proceedings of the 15th International Conference on Audio Mostly. ACM, New York, USA, pp. 122-129. ISBN 978-1450375634 (doi:https://doi.org/10.1145/3411109.3412297)
Sound
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]
Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)
Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]
Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]
Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]
Hobbs, James and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2023) "Polarities/Polaridades". [Show/Exhibition]
Hobbs, James and Vari, Mhairi (2023) Sound/Image 2023 Exhibition. Curated by Jim Hobbs & Mhairi Vari. [Show/Exhibition]
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)
Kennedy, Stephen and Withers, Simon ORCID: 0000-0002-0203-359X (2023) Articulating peripheral space: new perspectives in digital heritage. In: Heritages Past and Present. Built and Social: A Conference on Culture, History, Art and Design, 28th - 30th June 2023, Czech Technical University, Prague. (Unpublished)
Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)
Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 and Margetson, Emma ORCID: 0000-0002-1054-1973 (2023) Art of sound: creativity in film sound and electroacoustic music. Sound Design . Focal Press - Routledge, London. ISBN 978-0367755881; 978-1003163077
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2022) Book launch - Explosions in the mind: composing psychedelic sounds and visualisations. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 36-37. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.8)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2014) EEG as a controller for psychedelic visual music in an immersive dome environment. In: EVA London 2014: Proceedings of the EVA London 2014 on Electronic Visualisation and the Arts. Electronic Workshops in Computing (eWiC) | BCS . BCS, The Chartered Institute for IT, Swindon; London. ISBN 978-1780172859 ; 1780172850 (doi:https://doi.org/10.14236/ewic/EVA2014.45)
Withers, Simon ORCID: 0000-0002-0203-359X and Kennedy, Stephen (2023) Synthetic visions of UNESCO World Heritage sites. In: VI CHAM International Conference “Heritage for a Common Future / Futures for a Common Heritage”, 12th - 15th July 2023, Lisbon. (Unpublished)
sound art
Hill, Andrew ORCID: 0000-0003-1521-0396 , Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]
Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]
Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2018) The Cosmic Pond - REF documentation. [Show/Exhibition]
sound design
Hill, Andrew ORCID: 0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]
Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.
Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)
Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 and Margetson, Emma ORCID: 0000-0002-1054-1973 (2023) Art of sound: creativity in film sound and electroacoustic music. Sound Design . Focal Press - Routledge, London. ISBN 978-0367755881; 978-1003163077
McIntosh, Tyler Howard, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2022) Lundheim: exploring affective audio techniques in an action-adventure video game. In: AM '22: Proceedings of the 17th International Audio Mostly Conference. AudioMostly 2022 St. Pölten Austria September 6 - 9, 2022. AudioMostly 2022 . Association for Computing Machinery (ACM), New York, pp. 155-158. ISBN 978-1450397018; (doi:https://doi.org/10.1145/3561212.3561234)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Explosions in the mind: Composing Psychedelic Sounds and Visualisations. Palgrave Studies in Sound . Springer Singapore, Singapore. ISBN 978-9811640544
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2013) Visual patterns of hallucination as a basis for sonic arts composition. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-2659-9 (doi:https://doi.org/10.1145/2544114.2544125)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2017) Simulating auditory hallucinations in a video game: three prototype mechanisms. In: AM '17: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-5373-1 (doi:https://doi.org/10.1145/3123514.3123532)
sound image
Hobbs, James (2021) "It's all right. I came back.". [Show/Exhibition]
sound installation
Golding, Sue and Kennedy, Steve (2009) To tremble the zero: art in the age of algorithmic reproduction. In: Critical Digital Studies Workshop, 4-6 June 2009, Pacific Centre for Technology and Culture at the University of Victoria. (Unpublished)
sound-art
Waterworth, David (2023) Not Necessarily in the Right Order. [Show/Exhibition]
Sound-image
Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]
sound/image
Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Singing Light 1. [Show/Exhibition]
soundscape ecology
Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2018) The Cosmic Pond - REF documentation. [Show/Exhibition]
Soundtrack
Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)
Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]
Hill, Andrew ORCID: 0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]
Hill, Andrew ORCID: 0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]
South African film
Pettit, Zoë ORCID: 0000-0002-1909-8947 (2012) Translating Tsotsi for the screen. In: Serban, Adriana, Matamala, Anna and Lavaur, Jean-Marc, (eds.) Audiovisual Translation in Close-Up: Practical and Theoretical Approaches. Peter Lang, Bern, Switzerland, pp. 75-91. ISBN 9783034311519
space
Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) VOID. [Composition]
McClean, Mairead (2008) Bell(a)exchange II. [Show/Exhibition]
Stoppani, Teresa (2007) Dust revolutions. Dust, informe, architecture (notes for a reading of dust in Bataille). The Journal of Architecture, 12 (4). 437 - 447. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360701614714)
space and time
Secomb, Linnell (2006) Petyarra and Moffatt: 'Looking from the sky'. Cultural Studies Review, 12 (1). pp. 44-56. ISSN 1446-8123 (Print), 1837-8692 (Online)
spatial audio
Hill, Andrew ORCID: 0000-0003-1521-0396 , Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]
spatial depth
Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Vision freed from frozen cyclops: interacting with visual media, an artistic, critical and technical practice exploring spatial depth. Body Space Technology, 22 (1). pp. 168-189. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9715)
spatial diffusion
Thompson, Ian ORCID: 0000-0002-7143-8013 , Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]
Spatial experience
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:https://doi.org/10.1080/17458927.2015.1042247)
Spatiality
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2014) Communicating technology: Interactive design and interdisciplinary collaboration in the digital arts. In: Book of Absracts of DRHA2014: Communication Futures: Connecting Interdisciplinary Design Practices in Arts/Culture, Academia and the Creative Industries. University of Greenwich, pp. 215-216. ISBN 978-1-291-97878-0
species piracy
Hobbs, James and Cutler, Amy (2023) "Species Piracy". [Show/Exhibition]
spectacle
Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Ben Hur Live as post-cinematic adaptation. Journal of Adaptation in Film & Performance, 15 (1/2). pp. 61-75. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp_00069_1)
spectral sensors
Hobbs, James (2021) "It's all right. I came back.". [Show/Exhibition]
spectroscopy
Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)
speculative design
Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Love After Death (2016 - 2018). [Show/Exhibition]
standardised BIM
Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyros ORCID: 0000-0001-6122-8701 (2022) Challenges of digital building data usage with a focus on the digital documentation of heritage buildings: results from an online survey. Heritage, 5 (4). pp. 3220-3259. ISSN 2571-9408 (Online) (doi:https://doi.org/10.3390/heritage5040166)
stars
Dawson, Andrew (2005) Book review: Robert S. Birchard, Cecil B. DeMille's Hollywood (Lexington: University of Kentucky Press, 2004, $39.95). Pp. 446. ISBN 0 8131 2324 0; David W. Menefee, The first female stars: women of the silent era (Westport, CT: Praeger, 2004, $44.95). Pp. 249. ISBN 0 275 98259 9. Journal American Studies, 39 (1). pp. 113-114. ISSN 0021-8758 (Print), 1469-5154 (Online) (doi:https://doi.org/10.1017/S0021875805229584)
startups
Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2023) Creative approaches to user experience in entrepreneurial startups: emerging impact from screencast videography. In: UKAIS Annual Conference 2023, 20th - 21st April 2023, University of Kent. (Unpublished)
STEM
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]
Stephen Lawrence Gallery
Waterworth, David (2009) Object as subject. [Show/Exhibition]
storage
Waterworth, David (2020) 10-4. [Show/Exhibition]
student film
Bowie, Laura ORCID: 0000-0002-9084-2142 (2020) Berlin not for sale: the film lens as a tool of urban exploration in 1960s West Berlin. Journal of Urban History, 48 (4). pp. 835-860. ISSN 1552-6771 (Print), 0096-1442 (Online) (doi:https://doi.org/10.1177/0096144220953419)
students'work
Frith, Ed, O'Carroll, Gerrard, Wilson, Peter and Payne, James (2008) Best in show. Building Design (1827). pp. 20-21.
Studio Production
Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282
studio workers
Dawson, Andrew (2012) Challenging lilywhite Hollywood: African Americans and the demand for racial equality in the motion picture industry, 1963-1974. The Journal of Popular Culture, 45 (6). pp. 1206-1225. ISSN 0022-3840 (Print), 1540-5931 (Online) (doi:https://doi.org/10.1111/jpcu.12005)
subitling
Pettit, Zoë ORCID: 0000-0002-1909-8947 (2012) Translating Tsotsi for the screen. In: Serban, Adriana, Matamala, Anna and Lavaur, Jean-Marc, (eds.) Audiovisual Translation in Close-Up: Practical and Theoretical Approaches. Peter Lang, Bern, Switzerland, pp. 75-91. ISBN 9783034311519
Suchman
Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)
super-resolution
Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2021) Deep-NC: a secure image transmission using deep learning and network coding. Signal Processing: Image Communication, 99:116490. ISSN 0923-5965 (doi:https://doi.org/10.1016/j.image.2021.116490)
support vector machines
Lin, Wenguang, Yan, Wenchao, Chen, Zhizhen and Xiao, Renbin (2023) Research on product appearance patent spatial shape recognition for multi-image feature fusion. Multimedia Tools and Applications. ISSN 1380-7501 (Print), 1573-7721 (Online) (doi:https://doi.org/10.1007/s11042-023-16477-5)
surrealism
Inman, James Stuart (1997) Surrealism since the Second World War with particular reference to surrealism in Czechoslovakia. MPhil thesis, University of Greenwich.
surround sound
Hill, Andrew ORCID: 0000-0003-1521-0396 , Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]
survey
McArthur, Angela, van Tonder, Cobi, Gaston-Bird, Leslie and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2021) A survey of 3D audio through the browser: practitioner perspectives. In: 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). 8-10 September 2021. Bologna, Italy (online). IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New Jersey, pp. 1-10. ISBN 978-1665409988 ; 978-1665409995 (doi:https://doi.org/10.1109/I3DA48870.2021.9610839)
sustainability
Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Guillery, Kesia and Andrade Pires, Carlos Eduardo (2022) RADIO GHOST - Lumen Prize Interactive Award. Winner - video submission. [Video]
sustainability assessment frameworks
Adewumi, Ayomikun Solomon ORCID: 0000-0002-9883-2766 , Onyango, Vincent, Moyo, Dumiso and AlWaer, Husam (2018) A review of selected neighbourhood sustainability assessment frameworks using the Bellagio STAMP. International Journal of Building Pathology and Adaptation, 37 (1). pp. 108-118. ISSN 2398-4708 (Online) (doi:https://doi.org/10.1108/IJBPA-07-2018-0055)
sustainability indicators
Adewumi, Ayomikun Solomon ORCID: 0000-0002-9883-2766 , Onyango, Vincent, Moyo, Dumiso and AlWaer, Husam (2018) A review of selected neighbourhood sustainability assessment frameworks using the Bellagio STAMP. International Journal of Building Pathology and Adaptation, 37 (1). pp. 108-118. ISSN 2398-4708 (Online) (doi:https://doi.org/10.1108/IJBPA-07-2018-0055)
sustainable consumption
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Guillery, Kesia and Andrade Pires, Carlos Eduardo (2022) RADIO GHOST - Lumen Prize Interactive Award. Winner - video submission. [Video]
sustainable development
Liao, Hanwen and Isaac, David (2007) Olympic Haussmannization. Urbanism and Architecture, 38 (11). pp. 12-14. ISSN 1673-0232
sustainable neighbourhood
Adewumi, Ayomikun Solomon ORCID: 0000-0002-9883-2766 , Onyango, Vincent, Moyo, Dumiso and AlWaer, Husam (2018) A review of selected neighbourhood sustainability assessment frameworks using the Bellagio STAMP. International Journal of Building Pathology and Adaptation, 37 (1). pp. 108-118. ISSN 2398-4708 (Online) (doi:https://doi.org/10.1108/IJBPA-07-2018-0055)
synesthesia
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)
synthetic data
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]
synthetic life
Golding, Johnny (2012) Ana-materialism and the Pineal Eye: Becoming mouth-breast (or visual arts after Descartes, Bataille, Butler, Deleuze and Synthia with an ‘s’). Philosophy of Photography, 3 (1). pp. 99-120. ISSN 2040-3682 (Print), 2040-3690 (Online) (doi:https://doi.org/10.1386/pop.3.1.99_1)
Synthia
Golding, Johnny (2012) Ana-materialism and the Pineal Eye: Becoming mouth-breast (or visual arts after Descartes, Bataille, Butler, Deleuze and Synthia with an ‘s’). Philosophy of Photography, 3 (1). pp. 99-120. ISSN 2040-3682 (Print), 2040-3690 (Online) (doi:https://doi.org/10.1386/pop.3.1.99_1)
systems of production
Dawson, Andrew and Holmes, Sean P. (2012) New perspectives on working in the global film and television industries. Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 1-17. ISBN 9781780930206
Tannery Arts
Macdonald, Sarah (2021) Tannery Project, Billboard Project #1: Sarah Macdonald. [Show/Exhibition]
Tarkovsky
Mroz, Matilda (2014) The aesthetics of overflow: Tarkovsky’s Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pamela, (eds.) The Cinema of the Swimming Pool. New Studies in European Cinema (17). Peter Lang AG, Oxford / Bern / Berlin / Bruxelles / Frankfurt am Main / New York / Wien, pp. 169-180. ISBN 978-3034317832
Taste
Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)
teacher-education
Fox, Kenneth and Lambirth, Andrew (2012) Film and pedagogy: Learning about teaching at the movies. In: Bahloul, Maher and Graham, Carolyn, (eds.) Lights! Camera! Action and the Brain: The Use of Film in Education. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 61-81. ISBN 9781443836579
Teaching
Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282
technology
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]
Korolkova, Maria ORCID: 0000-0002-1784-3675 and Barker, Timothy (eds.) (2021) Miscommunications: Errors, Mistakes, Media. Thinking Media . Bloomsbury Academic, New York. ISSN 978-1501363856 (Print), 978-1501363832 (Online)
telepresence
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]
Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)
television
Brown, Lucy, Davies, Rosamund ORCID: 0000-0001-8645-8271 and Oyebanjo, Anuoluwapo Olufunke ORCID: 0000-0002-6655-9726 (2022) Recognising and addressing unconscious bias and structural inequalities: a case study within television idea development. Alphaville Journal of Film and Screen Media, 8 (24):6. pp. 97-117. ISSN 2009-4078 (doi:https://doi.org/10.33178/alpha.24.06)
Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282
Woollard, Christopher C. and Herrero, Juan J. (2004) An information system to exploit the use of metadata within film and television production. Image Technology, 86 (5). pp. 26-32. ISSN 0950-2114
Television formats
Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282
temperature
Gao, Xiaoyu ORCID: 0000-0001-5625-3654 , Li, Yingguang, Xu, Ke, Wang, Shixin and Maropoulos, Paul (2023) A step-wise numerical thermal control method for advanced composite curing process using digital image based programming. CIRP Annals - Manufacturing Technology, 72 (1). ISSN 0007-8506 (doi:https://doi.org/10.1016/j.cirp.2023.03.016)
temporality
Mroz, Matilda (2014) The aesthetics of overflow: Tarkovsky’s Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pamela, (eds.) The Cinema of the Swimming Pool. New Studies in European Cinema (17). Peter Lang AG, Oxford / Bern / Berlin / Bruxelles / Frankfurt am Main / New York / Wien, pp. 169-180. ISBN 978-3034317832
territorial gobbing
Hobbs, James and Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Volstarfel: Sobbing and Moaning. An evening of experimental noise, expanded cinema and performance. [Show/Exhibition]
terrorism
Bowie, Laura ORCID: 0000-0002-9084-2142 (2013) The Rote Armee Fraktion: memory and the construction of art, film and literature. eSharp, 20:1. pp. 1-18.
texture
Mroz, Matilda (2014) The aesthetics of overflow: Tarkovsky’s Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pamela, (eds.) The Cinema of the Swimming Pool. New Studies in European Cinema (17). Peter Lang AG, Oxford / Bern / Berlin / Bruxelles / Frankfurt am Main / New York / Wien, pp. 169-180. ISBN 978-3034317832
Thames gateway
Frith, Ed and Graef, Alexander (2007) Draw like a builder, build like a writer (and the crack is in the detail). The role of the humanities in design creativity international conference, 15-16 Nov 2007, Lincoln, UK. University of Lincoln, Lincoln. ISBN 9781860502224
The Keyword Project
Stabb, Walter (2020) Keywords For Today. [Video]
The Other Room
Critchley, Emily (2010) First Poetry. [Video]
The TV Studio Production Handbook
Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282
theatre
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)
Maravala, Persis Jadé and Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Post-immersive interventions with ZU-UK. In: Bucknall, Joanna Jayne, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury - Methuen Drama, London, pp. 151-176. ISBN 978-1350269330
Salihbegović, Nuno (2011) Oedipus at Tate Britain. [Creative Performance or Reading]
Sporton, Gregory (2017) Reviews. Scene, 5 (1). pp. 83-88. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.1.83_5)
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]
theatricality
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Artistic engagements with machine generated voice: Holly Herndon's Holly+ & Jane Frances Dunlop’s select important things. In: Mis/Disinformation and the artifices of authenticity and authentication ICA Pre-Conference, 24th May, 2023, York University, Toronto, Ontario Canada. (Unpublished)
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Multivocal theatricalities: articulating data in composites, choruses, crowds. In: Articulating Data: Multivocal Theatricalities, 11th - 12th May, 2023, Inspace, University of Edinburgh.
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Sonic Wandering in New Landscapes. Gertrude Stein and sonic performativity in Eglė Budvytytė’s Songs from the Compost: mutating bodies, exploding stars. In: Performing Studies international conference (PSi) #28 Uhambo Luyazilawula: Embodied Wandering Practices, 2nd - 5th Aug, 2023, Johannesburg. (Unpublished)
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2024) Theatricality and dissonance: frictions in contemporary networked performance practices. In: Quick, Andrew and Rushton, Richard, (eds.) Theatricality and the Arts Film, Theatre, Art. Edinburgh University Press, Edinburgh, pp. 70-87. ISBN 978-1399511650; 1399511653 (In Press)
thematic analysis
Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) More than a bit of coding: (un-)Grounded (non-)Theory in HCI. In: CHI EA '22: CHI Conference on Human Factors in Computing Systems Extended Abstracts. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (11). Association of Computing Machinery (ACM), New York, pp. 1-11. ISBN 978-1450391566 (doi:https://doi.org/10.1145/3491101)
theoretical framework
Kohrs, Kirsten ORCID: 0000-0003-4302-833X (2020) The language of luxury fashion advertising: Technology of the self and spectacle. Journal of Fashion Marketing and Management. ISSN 1361-2026 (Print), 1361-2026 (Online) (doi:https://doi.org/10.1108/JFMM-02-2020-0029)
theories of perception
Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Dissolving the Horizon Line: navigating disruption caused by AI manipulation of images. Body, Space and Technology, 23 (1). pp. 1-26. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.11214)
theory
Calvert, Sheena (2009) [Un]disciplined gestures and [un]common sense: the sensual, acoustic logic(s) of paradox and art. PhD thesis, University of Greenwich.
third order
Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)
Thomas Saraceno
Sigthorsson, Gauti (2008) Sensation for sensation's sake: art and the temptation of 'Wow'! Sjonauki. ISSN 1670-7311
time
Adil, A (2009) Becoming the future now. [Creative Performance or Reading]
Golding, Sue (2006) The assassination of time (ζeta-philosophy). In: Digital Art Weeks, 12-16 Jul 2006, Eidgenössische Technische Hochschule, Zurich, Switzerland.
tintinnabuli
Thompson, Ian ORCID: 0000-0002-7143-8013 , Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]
touch
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2019) Rose Bruford College International Symposium, ‘Interactive experiences: playful junctions and journeys across borders’. In: Rose Bruford College International Symposium, ‘Interactive Experiences: Playful junctions and journeys across borders’, 15th - 17th April 2019, Rose Bruford College, London.
Maravala, Persis-Jadé, Cooper, Emma, Van Der Weide, Nadja and Briscoe, Rachel (2022) Sheffield DocFest ‘Alternate realities summit: the art of connection’. [Performance]
Maravala, Persis-Jadé and Guillery, Kesia (2022) ‘Goodnight, sleep tight: Working within a collapsing system’. [Audio]
town planning
Holden, Robert (2007) Exhibition. Public city. Architects' Journal, 225 (5). p. 44. ISSN 0003-8466
Tracey Emin
Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]
Tracey Moffat
Secomb, Linnell (2006) Petyarra and Moffatt: 'Looking from the sky'. Cultural Studies Review, 12 (1). pp. 44-56. ISSN 1446-8123 (Print), 1837-8692 (Online)
trade unions
Dawson, Andrew and Holmes, Sean P. (2012) 'Help to preserve the real story of our cinema and television industries': The BECTU History Project and the construction of British media history, 1986–2010. Historical Journal of Film, Radio and Television, 32 (3). pp. 435-448. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2012.699650)
trance
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
translation strategies
Pettit, Zoë ORCID: 0000-0002-1909-8947 (2012) Translating Tsotsi for the screen. In: Serban, Adriana, Matamala, Anna and Lavaur, Jean-Marc, (eds.) Audiovisual Translation in Close-Up: Practical and Theoretical Approaches. Peter Lang, Bern, Switzerland, pp. 75-91. ISBN 9783034311519
trauma
Mroz, Matilda (2014) The monument and the sewer: memory and death in Wajda’s Kanal (1957). Historical Journal of Film, Radio and Television, 34 (4). pp. 528-545. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2014.903035)
travel photography
Siegel, Lauren ORCID: 0000-0003-2117-8492 , Tussyadiah, Iis ORCID: 0000-0003-0729-1712 and Scarles, Caroline ORCID: 0000-0001-8279-3689 (2022) Cyber-physical traveler performances and Instagram travel photography as ideal impression management. Current Issues in Tourism, 26 (14). pp. 2332-2356. ISSN 1368-3500 (Print), 1747-7603 (Online) (doi:https://doi.org/10.1080/13683500.2022.2086451)
traveller performance
Siegel, Lauren ORCID: 0000-0003-2117-8492 , Tussyadiah, Iis ORCID: 0000-0003-0729-1712 and Scarles, Caroline ORCID: 0000-0001-8279-3689 (2022) Cyber-physical traveler performances and Instagram travel photography as ideal impression management. Current Issues in Tourism, 26 (14). pp. 2332-2356. ISSN 1368-3500 (Print), 1747-7603 (Online) (doi:https://doi.org/10.1080/13683500.2022.2086451)
Trevor Lamb
Mann, Tony (1995) [Book review] Colour: Art and Science. The Art Book, 2 (2). p. 26. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00263.x)
trumpet
Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)
Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)
Tsotsi
Pettit, Zoë ORCID: 0000-0002-1909-8947 (2012) Translating Tsotsi for the screen. In: Serban, Adriana, Matamala, Anna and Lavaur, Jean-Marc, (eds.) Audiovisual Translation in Close-Up: Practical and Theoretical Approaches. Peter Lang, Bern, Switzerland, pp. 75-91. ISBN 9783034311519
TUDOR/THEATRE
Solanke, Adeola (2018) Clip from The Court Must Have a Queen by Ade Solanke. [Video]
TUDORS/THEATRE
Solanke, Adeola (2018) The Court Must Have a Queen by Ade Solanke - production stills. [Image] (Unpublished)
Turner Prize
Mann, Tony (2003) [Exhibition review] Keith Tyson at Tate Britain. BSHM Newsletter, 47. pp. 46-47.
TV
Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282
Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)
TV industry
Dawson, Andrew and Holmes, Sean P. (2012) New perspectives on working in the global film and television industries. Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 1-17. ISBN 9781780930206
Dawson, Andrew and Holmes, Sean P. (eds.) (2012) Working in the global film and television industries: Creativity, systems, space, patronage. Bloomsbury Academic, London, UK. ISBN 9781780930206
typography
Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2009) Visual arts and 2D – 3D motion typo.graphic design. In: EVA London 2009: Electronic Visualisation & the Arts. Electronic Workshops in Computing (eWiC) (online), 2009 . BCS: The Chartered Institute for IT, Swindon, UK, pp. 192-200. ISBN 978-1-906124-17-5 (pbk) ISSN 1477-9358 (online)
Typology
Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)
UI
Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2023) Creative approaches to user experience in entrepreneurial startups: emerging impact from screencast videography. In: UKAIS Annual Conference 2023, 20th - 21st April 2023, University of Kent. (Unpublished)
uncanny
Fiddler, Michael ORCID: 0000-0002-0695-6770 (2013) Playing funny games in the last house on the left: the uncanny and the ‘home invasion’ genre. Crime, Media, Culture, 9 (3). pp. 281-299. ISSN 1741-6590 (Print), 1741-6604 (Online) (doi:https://doi.org/10.1177/1741659013511833)
unconscious bias
Brown, Lucy, Davies, Rosamund ORCID: 0000-0001-8645-8271 and Oyebanjo, Anuoluwapo Olufunke ORCID: 0000-0002-6655-9726 (2022) Recognising and addressing unconscious bias and structural inequalities: a case study within television idea development. Alphaville Journal of Film and Screen Media, 8 (24):6. pp. 97-117. ISSN 2009-4078 (doi:https://doi.org/10.33178/alpha.24.06)
Oyebanjo, Anuoluwapo Olufunke ORCID: 0000-0002-6655-9726 , Brown, Lucy and Davies, Rosamund ORCID: 0000-0001-8645-8271 (2021) Teaching media production: understanding unconscious bias in creative idea development. Media Education Research Journal, 10 (1&2). pp. 1-11. ISSN 2754-0073 (Online) (doi:https://doi.org/10.5281/zenodo.5763747)
united states
Dawson, Andrew (2011) Book review: NYSTROM, DEREK. Hard Hats, Rednecks, and Macho Men. Class in 1970s American Cinema. Oxford University Press, Oxford [etc.] 2009. x, 251 pp.Ill. $24.95; doi:10.1017/S0020859011000137. International Review of Social History, 56 (10). pp. 160-162. ISSN 0020-8590 (Print), 1469-512X (Online) (doi:https://doi.org/10.1017/S0020859011000137)
Dawson, Andrew (2005) Book review: Robert S. Birchard, Cecil B. DeMille's Hollywood (Lexington: University of Kentucky Press, 2004, $39.95). Pp. 446. ISBN 0 8131 2324 0; David W. Menefee, The first female stars: women of the silent era (Westport, CT: Praeger, 2004, $44.95). Pp. 249. ISBN 0 275 98259 9. Journal American Studies, 39 (1). pp. 113-114. ISSN 0021-8758 (Print), 1469-5154 (Online) (doi:https://doi.org/10.1017/S0021875805229584)
Dawson, Andrew (2010) ’Flexible Specialisation’ and New Hollywood: Time for a Paradigm Shift? In: 8th European Social Science History Conference, 13-16 Apr 2010, Ghent, Belgium. (Unpublished)
Dawson, Andrew (2012) Labouring in Hollywood’s motion picture industry and the promise of ‘flexible specialisation’. In: Dawson, Andrew and Holmes, Sean P., (eds.) Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 21-38. ISBN 9781780930206
Unity
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2019) Rose Bruford College International Symposium, ‘Interactive experiences: playful junctions and journeys across borders’. In: Rose Bruford College International Symposium, ‘Interactive Experiences: Playful junctions and journeys across borders’, 15th - 17th April 2019, Rose Bruford College, London.
Maravala, Persis-Jadé, Cooper, Emma, Van Der Weide, Nadja and Briscoe, Rachel (2022) Sheffield DocFest ‘Alternate realities summit: the art of connection’. [Performance]
Maravala, Persis-Jadé and Guillery, Kesia (2022) ‘Goodnight, sleep tight: Working within a collapsing system’. [Audio]
Unpredictable parameters
Samson, Audrey and Soon, Winnie (2015) Network affordances: The unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal (24). ISSN 1449-1443 (Online)
urban design
Chaplin, Sarah (2008) Child-friendliness in design: can design and architecture lead the way? In: Places to go? place-shaping, safer streets and sustainable transport for a child-friendly public realm. A national conference by Play England, Sustrans, Living Streets and the National Children's Bureau, 20 May 2008, Queen Elizabeth II Conference Centre Westminster London. (Unpublished)
Holden, Robert (2007) Exhibition. Public city. Architects' Journal, 225 (5). p. 44. ISSN 0003-8466
Stoppani, Teresa (2007) Learning from Manhattan: Rem Koolhaas on the City before the Global and Junkspace. In: Concealing the Designer – The Illusion of the Natural City in the 20th Century, 1-2 June 2007, Berlin, Germany.
urban environment
Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Re-mapping the territory: immersive exhibition practices in the expanded field. Gramma, 27. ISSN 2529-1793 (Online) (doi:https://doi.org/10.26262/gramma.v27i0.8990)
urban films
Bowie, Laura ORCID: 0000-0002-9084-2142 (2020) Berlin not for sale: the film lens as a tool of urban exploration in 1960s West Berlin. Journal of Urban History, 48 (4). pp. 835-860. ISSN 1552-6771 (Print), 0096-1442 (Online) (doi:https://doi.org/10.1177/0096144220953419)
urban history
Bowie, Laura ORCID: 0000-0002-9084-2142 (2022) Book review Photographs and the practice of history: a short primer by Elizabeth Edwards, London, Bloomsbury Academic, 2022, 166 pp., £18 (paperback). Planning Perspectives, 37 (5). pp. 1109-1112. ISSN 0266-5433 (Print), 1466-4518 (Online) (doi:https://doi.org/10.1080/02665433.2022.2111126)
urban rehabilitation
Liao, Hanwen and Isaac, David (2007) Olympic Haussmannization. Urbanism and Architecture, 38 (11). pp. 12-14. ISSN 1673-0232
urban renewal
Waterworth, David (2009) Object as subject. [Show/Exhibition]
urban space
Bowie, Laura ORCID: 0000-0002-9084-2142 (2020) Berlin not for sale: the film lens as a tool of urban exploration in 1960s West Berlin. Journal of Urban History, 48 (4). pp. 835-860. ISSN 1552-6771 (Print), 0096-1442 (Online) (doi:https://doi.org/10.1177/0096144220953419)
Bowie, Laura ORCID: 0000-0002-9084-2142 (2017) W(al)king through trauma: Wolf Vostell and West Berlin in the 1960s. Canvas, 4. pp. 16-19.
user experience
Cunningham, Stuart, Henry, John and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Augmenting virtual spaces: affective feedback in computer games. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 229-247. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_13)
Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2023) Creative approaches to user experience in entrepreneurial startups: emerging impact from screencast videography. In: UKAIS Annual Conference 2023, 20th - 21st April 2023, University of Kent. (Unpublished)
Kawaf, Fatema ORCID: 0000-0002-7089-7816 , Bruce, Helen, Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110 , Rooney, Tara and Ngwakwe, Amarachi (2022) Using screencast videography as a customer experience and journey mapping tool: a case study. In: 12th Servsig2022, 16th - 18th June 2022, Glasgow, Scotland.
user study
Hong, Yang, Macquarrie, Andrew and Steed, Anthony (2018) The effect of chair type on users' viewing experience for 360-degree video. In: VRST '18: Proceedings of the 24th ACM Symposium on Virtual Reality Software and Technology. Tokyo Japan. 28 November 2018- 1 December 2018. Association for Computing Machinery (ACM), New York, United States, pp. 1-11. ISBN 978-1450360869 (doi:https://doi.org/10.1145/3281505.3281519)
MacQuarrie, Andrew and Steed, Anthony (2019) Perception of volumetric characters' eye-gaze direction in head-mounted displays. In: 2019 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). Osaka, Japan. 23-27 March 2019. IEEE Xplore . IEEE, Piscataway, New York, pp. 645-654. ISBN 978-1728113777 ; 978-1728113784 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR.2019.8797852)
Macquarrie, Andrew and Steed, Anthony (2017) Cinematic Virtual Reality: evaluating the effect of display type on the viewing experience for panoramic video. In: 2017 IEEE Virtual Reality (VR). March 18-22 2017. Los Angeles, CA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 45-54. ISBN 978-1509066476 ; 978-1509066483 ISSN 2375-5334 (Online) (doi:https://doi.org/10.1109/VR.2017.7892230)
user testing
Kawaf, Fatema ORCID: 0000-0002-7089-7816 , Bruce, Helen, Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110 , Rooney, Tara and Ngwakwe, Amarachi (2022) Using screencast videography as a customer experience and journey mapping tool: a case study. In: 12th Servsig2022, 16th - 18th June 2022, Glasgow, Scotland.
UX
Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2023) Creative approaches to user experience in entrepreneurial startups: emerging impact from screencast videography. In: UKAIS Annual Conference 2023, 20th - 21st April 2023, University of Kent. (Unpublished)
Kawaf, Fatema ORCID: 0000-0002-7089-7816 , Bruce, Helen, Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110 , Rooney, Tara and Ngwakwe, Amarachi (2022) Using screencast videography as a customer experience and journey mapping tool: a case study. In: 12th Servsig2022, 16th - 18th June 2022, Glasgow, Scotland.
Venetian time
Stoppani, Teresa (2008) Venetian time and the meander. Log, 12. pp. 131-143. ISSN 1547-4690
Venice
Stoppani, Teresa (2007) Representing Venice. One, multiple, impossible. In: Loo, Stephen and Bartsch, Katherine, (eds.) Panorama to Paradise: Scopic Regimes in Architectural and Urban History and Theory, Sydney: proceedings of the SAHANZ Meeting 2007. Society of Architectural Historians, Australia and New Zealand, Adelaide, Australia. ISBN 1920927557
Stoppani, Teresa (2008) Venetian time and the meander. Log, 12. pp. 131-143. ISSN 1547-4690
venue construction
Liao, Hanwen (2007) London 2012 Olympic development. Urbanism and Architecture, 38 (11). pp. 79-83. ISSN 1673-0232
Vertov
Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Curating Russian Film for International Audiences. [Show/Exhibition] (Submitted)
video
Arthur, Mervyn, Baseman, Jordan, Behr, Bernd, Biswas, Sutapa, Chance, Veronique, Cobbing, William, Coldwell, Paul, Cross, David, Dobai, Sarah, Douglas, Lorrice, Drabble, Neil, Gunning, Lucy, Hamann, Sigune, Haywood, Thomas, Ingham, Mark, Kovats, Tania, Lanteri Laura, Jean-Louis, Lebas, Chrystel, Love, Johanna, Mossman, Anna, Newth, Martin, Robertson, Helen, Rowe, Lois, Taylor, Finlay, Treacy, Danny, Wainwright, Chris and Webster, Dave (2011) SCOPE New Photographic Practices. [Show/Exhibition]
Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]
Ingham, Mark (2012) 120 days and nights of staggering and stammering. [Show/Exhibition]
Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2019) Participation in EMPIRE II, an international touring exhibition, 2017 - 2019. [Show/Exhibition]
video art
Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2019) Participation in EMPIRE II, an international touring exhibition, 2017 - 2019. [Show/Exhibition]
video compression
Sigger, Neetu, Al-Jawed, Naseer and Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2022) Spatial-temporal autoencoder with attention network for video compression. In: Proceedings of the 17th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications. Online. February 6-8, 2022. Computer Vision Theory and Applications (VISAPP), 4 . Computer Vision Theory and Applications (VISAPP) - SCITEPRESS Digital Library, Setúbal, Portugal, pp. 364-371. ISBN 978-9897585555; ISSN 2184-4321 (doi:https://doi.org/10.5220/0010811900003124)
video games
McIntosh, Tyler Howard, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2022) Lundheim: exploring affective audio techniques in an action-adventure video game. In: AM '22: Proceedings of the 17th International Audio Mostly Conference. AudioMostly 2022 St. Pölten Austria September 6 - 9, 2022. AudioMostly 2022 . Association for Computing Machinery (ACM), New York, pp. 155-158. ISBN 978-1450397018; (doi:https://doi.org/10.1145/3561212.3561234)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2024) The senses beyond: new directions in game engine experiences. In: Giannini, Tula and Bowen, Jonathan P., (eds.) The Arts and Computational Culture: Real and Virtual Worlds. Springer Series on Cultural Computing (SSCC) . Springer, Cham, Switzerland. ISBN 978-3031538643; 978-3031538674; 978-3031538650 (In Press)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Cunningham, Stuart, Roberts, Nathan, Griffiths, Darryl and Roberts, Shaun (2015) Quake Delirium EEG: a pilot study regarding biofeedback-driven visual effects in a computer game. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 335-338. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317420)
Video Projection
Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]
videogames
Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) Emotional exploration and the eudaimonic gameplay experience: a grounded theory. In: CHI '22: CHI Conference on Human Factors in Computing Systems. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (470). Association of Computing Machinery (ACM), New York, pp. 1-16. ISBN 978-1450391573 (doi:https://doi.org/10.1145/3491102.3502002)
Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)
Cole, Tom ORCID: 0000-0001-6031-8377 (2015) The tragedy of betrayal: how the design of Ico and Shadow of the Colossus elicits emotion. In: DiGRA '15 - Proceedings of the 2015 DiGRA International Conference. Lüneburg, Germany, May 14th - 17th 2015. Digital Games Research Association, Finland. ISSN 2342-9666
videography
Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2022) Screencast videography: understanding experience in the metaverse. In: Future Visualities: Visual Methods & Ethnography in Interdisciplinary Research Symposium, 1st June 2022, Edinburgh Napier University. (Unpublished)
Virtual
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]
Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2009) Visual arts and 2D – 3D motion typo.graphic design. In: EVA London 2009: Electronic Visualisation & the Arts. Electronic Workshops in Computing (eWiC) (online), 2009 . BCS: The Chartered Institute for IT, Swindon, UK, pp. 192-200. ISBN 978-1-906124-17-5 (pbk) ISSN 1477-9358 (online)
Virtual Art
Papadaki, Elena ORCID: 0000-0002-6653-4334 , Ploeger, Dani and Krajewska, Klio (2019) Radical Immersions. [Show/Exhibition]
virtual bodies
Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)
virtual environments
Broadhurst, Susan, Papadaki, Elena ORCID: 0000-0002-6653-4334 , Ploeger, Dani, Goddard, Michael N., O'Brien, Sarah, Taiwo, Olu, Schellewald, Andreas, Chan, Melanie, Lewis, Matt, Dziekan, Vince, Giannachi, Gabriella, Nolasco-Rózsás, Lívia, Katan-Schmid, Einav, Meseguer, Rosell, Borges, Cândida, Vélez, Gabriel Mario, DeLappe, Joseph, Caerols Mateo, Raquel, Kelomees, Raivo, Guljajeva, Varvara, Laas, Oliver, Riegel, Christian, Robinson, Katherine M., Richards, Grayson, Desnoyers-Stewart, John, Smith, Megan L., Riecke, Bernhard E., Dare, Eleanor, Berezina-Blackburn, Vita, Oliszewski, Alex and Mcgarrigle, Conor (eds.) (2020) Radical Immersions: Navigating between virtual/physical environments and information bubbles - DRHA 2019 Conference Proceedings. University of London / DRHA, London. ISBN 978-0900822124; 978-0900822131
virtual events
Yung, Ryan ORCID: 0000-0003-3755-2557 , Le, Truc Hoang, Moyle, Brent and Arcodia, Charles (2022) Towards a typology of virtual events. Tourism Management, 92:104560. ISSN 0261-5177 (Print), 1879-3193 (Online) (doi:https://doi.org/10.1016/j.tourman.2022.104560)
virtual exhibition
Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Callus, Paula (2022) Remediated sites: Lumen Prize Virtual Gallery as site of memory and digital assemblage. Leonardo, 55 (5). pp. 475-481. ISSN 0024-094X (Print), 1530-9282 (Online) (doi:https://doi.org/10.1162/leon_a_02251)
virtual gifting
Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]
virtual influencers
Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2022) Screencast videography: understanding experience in the metaverse. In: Future Visualities: Visual Methods & Ethnography in Interdisciplinary Research Symposium, 1st June 2022, Edinburgh Napier University. (Unpublished)
virtual location
Yung, Ryan ORCID: 0000-0003-3755-2557 , Le, Truc Hoang, Moyle, Brent and Arcodia, Charles (2022) Towards a typology of virtual events. Tourism Management, 92:104560. ISSN 0261-5177 (Print), 1879-3193 (Online) (doi:https://doi.org/10.1016/j.tourman.2022.104560)
virtual physical
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]
virtual realities
Macquarrie, Andrew and Steed, Anthony (2018) The effect of transition type in multi-view 360 media. IEEE Transactions on Visualization and Computer Graphics, 24 (4):17617378. pp. 1564-1573. ISSN 1077-2626 (Print), 1941-0506 (Online) (doi:https://doi.org/10.1109/TVCG.2018.2793561)
virtual reality
Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Borda, Ann and Diprose, Graham (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon. ISBN 978-1780175942 ISSN 1477-9358
Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Diprose, Graham (eds.) (2023) Proceedings of EVA London 2023. In: Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Diprose, Graham, (eds.) Proceedings of EVA London 2023. BCS London 10–14 July 2023. Electronic Workshops in Computing . EVA London Electronic Visualisation and the Arts - BCS Learning and Development Ltd., Arts BCS London Office, London and Swindon. ISBN 978-1780176161 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2023.0)
Farmer, Harry ORCID: 0000-0002-3684-0605 , Bevan, C. ORCID: 0000-0002-2823-420X , Green, D., Rose, M., Cater, K. ORCID: 0000-0002-3435-2392 and Stanton Fraser, D. ORCID: 0000-0002-3062-731X (2021) Did you see what I saw?: Comparing attentional synchrony during 360° video viewing in head mounted display and tablets. Journal of Experimental Psychology: Applied, 27 (2). pp. 324-337. ISSN 1076-898X (Print), 1939-2192 (Online) (doi:https://doi.org/10.1037/xap0000332)
Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)
MacQuarrie, Andrew and Steed, Anthony (2019) Perception of volumetric characters' eye-gaze direction in head-mounted displays. In: 2019 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). Osaka, Japan. 23-27 March 2019. IEEE Xplore . IEEE, Piscataway, New York, pp. 645-654. ISBN 978-1728113777 ; 978-1728113784 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR.2019.8797852)
Macquarrie, Andrew and Steed, Anthony (2020) Improving Free-Viewpoint Video content production using RGB-camera-based skeletal tracking. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 774-775. ISBN 978-1728165325 ; 978-1728165332 (doi:https://doi.org/10.1109/VRW50115.2020.00238)
Macquarrie, Andrew and Steed, Anthony (2020) Investigating the perceived strengths and limitations of Free-Viewpoint Video (FVV). Frontiers in Virtual Reality, 1 (11). ISSN 2673-4192 (Online) (doi:https://doi.org/10.3389/frvir.2020.00011)
Pyjas, Gabriela Maria, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Broadhead, Martyn (2022) Storytelling and VR: ιnducing emotions through AI characters. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 194-204. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.37)
Sporton, Gregory and Makiola, Iona (2011) The Watertower: augmented reality gaming for heritage. In: Beale, Katy, (ed.) Museums At Play – Games, Interaction and Learning. MuseumsEtc., Edinburgh, UK and Boston, USA, pp. 347-357. ISBN 9781907697142
Tsjornaja, Anne, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Broadhead, Martyn (2022) Art(NET)work: visualising interconnected artwork data in VR. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 250-251. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.47)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2022) Book launch - Explosions in the mind: composing psychedelic sounds and visualisations. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 36-37. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.8)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Cyberdreams: visualizing music in extended reality. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 209-227. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_12)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Explosions in the mind: Composing Psychedelic Sounds and Visualisations. Palgrave Studies in Sound . Springer Singapore, Singapore. ISBN 978-9811640544
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2024) The senses beyond: new directions in game engine experiences. In: Giannini, Tula and Bowen, Jonathan P., (eds.) The Arts and Computational Culture: Real and Virtual Worlds. Springer Series on Cultural Computing (SSCC) . Springer, Cham, Switzerland. ISBN 978-3031538643; 978-3031538674; 978-3031538650 (In Press)
Yung, Ryan ORCID: 0000-0003-3755-2557 , Le, Truc Hoang, Moyle, Brent and Arcodia, Charles (2022) Towards a typology of virtual events. Tourism Management, 92:104560. ISSN 0261-5177 (Print), 1879-3193 (Online) (doi:https://doi.org/10.1016/j.tourman.2022.104560)
virtual reality/mixed reality
Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)
virtual spaces
Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Callus, Paula (2022) Remediated sites: Lumen Prize Virtual Gallery as site of memory and digital assemblage. Leonardo, 55 (5). pp. 475-481. ISSN 0024-094X (Print), 1530-9282 (Online) (doi:https://doi.org/10.1162/leon_a_02251)
virtuality
Yung, Ryan ORCID: 0000-0003-3755-2557 , Le, Truc Hoang, Moyle, Brent and Arcodia, Charles (2022) Towards a typology of virtual events. Tourism Management, 92:104560. ISSN 0261-5177 (Print), 1879-3193 (Online) (doi:https://doi.org/10.1016/j.tourman.2022.104560)
Visual
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)
visual art
Golding, Sue (2009) Trembling the plane of immanence: media arts philosophy and the re-vision of art (or what’s acoustics got to do with the visual?). In: Invited lecture, February, 2009, Royal Academy of Art. (Unpublished)
Langan, Michael (2009) Astonishing apples: visualising the novel. In: School of Humanities and Social Sciences Research Conference, 28 May 2009, University of Greenwich. (Unpublished)
visual arts
Calvert, Sheena (2009) [Un]disciplined gestures and [un]common sense: the sensual, acoustic logic(s) of paradox and art. PhD thesis, University of Greenwich.
Smith, Caroline (2007) Hide and seek with rebels: tracing contemporary queer art in cracks and rips. Wasafiri, 22 (1). pp. 32-42. ISSN 0269-0055 (doi:https://doi.org/10.1080/02690050601097609)
visual attention
Farmer, Harry ORCID: 0000-0002-3684-0605 , Bevan, C. ORCID: 0000-0002-2823-420X , Green, D., Rose, M., Cater, K. ORCID: 0000-0002-3435-2392 and Stanton Fraser, D. ORCID: 0000-0002-3062-731X (2021) Did you see what I saw?: Comparing attentional synchrony during 360° video viewing in head mounted display and tablets. Journal of Experimental Psychology: Applied, 27 (2). pp. 324-337. ISSN 1076-898X (Print), 1939-2192 (Online) (doi:https://doi.org/10.1037/xap0000332)
visual communication
Kohrs, Kirsten ORCID: 0000-0003-4302-833X (2020) The language of luxury fashion advertising: Technology of the self and spectacle. Journal of Fashion Marketing and Management. ISSN 1361-2026 (Print), 1361-2026 (Online) (doi:https://doi.org/10.1108/JFMM-02-2020-0029)
visual culture
Bowie, Laura ORCID: 0000-0002-9084-2142 (2022) Book review Photographs and the practice of history: a short primer by Elizabeth Edwards, London, Bloomsbury Academic, 2022, 166 pp., £18 (paperback). Planning Perspectives, 37 (5). pp. 1109-1112. ISSN 0266-5433 (Print), 1466-4518 (Online) (doi:https://doi.org/10.1080/02665433.2022.2111126)
Bowie, Laura ORCID: 0000-0002-9084-2142 (2013) The Rote Armee Fraktion: memory and the construction of art, film and literature. eSharp, 20:1. pp. 1-18.
Langan, Michael (2009) Astonishing apples: visualising the novel. In: School of Humanities and Social Sciences Research Conference, 28 May 2009, University of Greenwich. (Unpublished)
Smith, Caroline (2007) Hide and seek with rebels: tracing contemporary queer art in cracks and rips. Wasafiri, 22 (1). pp. 32-42. ISSN 0269-0055 (doi:https://doi.org/10.1080/02690050601097609)
Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]
visual discourse
Kohrs, Kirsten ORCID: 0000-0003-4302-833X (2020) The language of luxury fashion advertising: Technology of the self and spectacle. Journal of Fashion Marketing and Management. ISSN 1361-2026 (Print), 1361-2026 (Online) (doi:https://doi.org/10.1108/JFMM-02-2020-0029)
Visual Effects
Zhi, Jin (2015) An alternative green screen keying method for film visual effects. International Journal of Multimedia and Its Applications, 7 (2). pp. 1-12. ISSN 0975-5934 (Print), 0975-5578 (Online) (doi:https://doi.org/10.5121/ijma.2015.7201)
visual ethnography
Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)
visual methods
Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2022) Screencast videography: understanding experience in the metaverse. In: Future Visualities: Visual Methods & Ethnography in Interdisciplinary Research Symposium, 1st June 2022, Edinburgh Napier University. (Unpublished)
visual music
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)
Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 1. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 2. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 3. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.296)
Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective. PhD thesis, University of Greenwich.
Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective: REF Multi-component portfolio. [Dataset] (Unpublished)
Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:https://doi.org/10.14236/ewic/EVA2018.70)
Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Document of Singing Light 1 installation. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2014) Horizon. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)
Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Reservoir. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Shadow Sounds 1. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Sky 2. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Song Series Animacy. [Video]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2020) Visual music and embodied visceral affect. In: Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , (ed.) Sound and Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:https://doi.org/10.4324/9780429295102-9)
Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Cunningham, Stuart, Picking, Richard and Williams, Lyall (2015) Holophonor: On the Future Technology of Visual Music. In: Curran, Kevin, (ed.) Recent Advances in Ambient Intelligence and Context-Aware Computing. Recent Advances in Ambient Intelligence and Context-Aware Computing . IGI Global, USA, pp. 143-154. ISBN 9781466672840 ; 1466672846 ; 9781466672857 (doi:https://doi.org/10.4018/978-1-4666-7284-0.ch015)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Cunningham, Stuart, Picking, Richard and Williams, Lyall (2015) Holophonor: designing the visual music instruments of the future. In: Curran, Kevin, (ed.) Recent Advances in Ambient Intelligence and Context-Aware Computing. IGI Global, USA, pp. 143-154. ISBN 9781466672840 ; 9781466672857, 1466672854 ; 1466672846 (doi:https://doi.org/10.4018/978-1-4666-7284-0.ch009)
visual patterns of hallucination
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2013) Visual patterns of hallucination as a basis for sonic arts composition. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-2659-9 (doi:https://doi.org/10.1145/2544114.2544125)
visual perception
Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Vision freed from frozen cyclops: interacting with visual media, an artistic, critical and technical practice exploring spatial depth. Body Space Technology, 22 (1). pp. 168-189. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9715)
visual research
Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2023) Creative approaches to user experience in entrepreneurial startups: emerging impact from screencast videography. In: UKAIS Annual Conference 2023, 20th - 21st April 2023, University of Kent. (Unpublished)
Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2022) Screencast videography: understanding experience in the metaverse. In: Future Visualities: Visual Methods & Ethnography in Interdisciplinary Research Symposium, 1st June 2022, Edinburgh Napier University. (Unpublished)
visual soliloquy
Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Poem. [Artefact]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Trainscape. [Artefact]
Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) (in)visible. [Artefact]
visual sound
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Emets, Evgenia, Renaud, Alain, Negrao, David, Grant, Claire and Havsteen-Franklin, Dominik (2022) KIMA Colour Van Eyck by The Analema Group - 360 video artwork, and guided facilitation videos - by The Analama Group: Evgenia Emets, Alain Renaud, David Negrao and Olive Gingrich - narrated by Mina Raschenbauch. [Artefact]
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Evgenia, Emets, Renaud, Alain, Negrao, David, Havsteen-Franklin, Dominik and Grant, Claire (2022) KIMA Colour: Van Gogh - 360 visual sound art. [Artefact]
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Falk-Anderson, Eike, Tchoudjinof, Deborah, Renaud, Alain, Emets, Evgenia and Negrao, David (2021) New Heritage: new media art between cultural heritage experience and artefact. Proceedings of EVA London 2021. AI and the Arts: Artificial Imagination. 5th July – 9th July 2021. pp. 81-88. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2021.13)
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia and Negrao, David (2022) KIMA: Voice performance by Analema Group at National Gallery X performed by Victoria Couper. [Creative Performance or Reading]
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia, Negrao, David and James, Winter (2022) KIMA Voice performance at Art in Flux Radical Embodiment event at Barbican London. [Creative Performance or Reading]
Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2021) GROUPTHINK: What happens when we're all connected? Groupthink - a live performance directed by the heartbeats of its viewers. [Creative Performance or Reading]
visual sound art
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Almena, Maria and Shemza, Aphra (2022) Transformations - Hybrid exhibition and event - curated by Dr. Oliver Gingrich, Maria Almena and Aphra Shemza featuring Analema Group's KIMA Colour, KIMA Voice and KIMA Noise and Oliver Gingrich & Shama Rahman's Zeitgeist. [Show/Exhibition]
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia, Negrao, David, Havsteen-Franklin, Dominik and Grant, Claire (2022) KIMA Colour Monet: 360 visual sound art by the Analema Group. [Artefact]
Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Rahman, Shama (2023) GROUPTHINK: Art, AI & the Internet of Neurons. King's College, King's College.
visual sound interface
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia and Negrao, David (2022) KIMA: Voice performance by Analema Group at National Gallery X performed by Victoria Couper. [Creative Performance or Reading]
visual structure
Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:https://doi.org/10.14236/ewic/EVA2018.70)
visualisation
Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2019) Moving Digits: Augmented Dance for Engaged Audience. [Creative Performance or Reading] (Unpublished)
Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)
Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)
visualisations
Bowen, Jonathan P., Giannini, Tula, Polmeer, Gareth, Gannis, Carla, Gardiner, Jeremy, Kearney, Jonathan, Wands, Bruce and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) States of being: art and identity in digital space and time. In: EVA London 2018: Electronic Visualisation & the Arts. Proceedings of a conference held in London 11th-13th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2018 . BCS: The Chartered Institute for IT, Swindon; London, pp. 1-7. ISBN 978-1780174631 ; 978-1780174632 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2018.1)
Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Borda, Ann and Diprose, Graham (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon. ISBN 978-1780175942 ISSN 1477-9358
Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Diprose, Graham (eds.) (2023) Proceedings of EVA London 2023. In: Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Diprose, Graham, (eds.) Proceedings of EVA London 2023. BCS London 10–14 July 2023. Electronic Workshops in Computing . EVA London Electronic Visualisation and the Arts - BCS Learning and Development Ltd., Arts BCS London Office, London and Swindon. ISBN 978-1780176161 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2023.0)
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Explosions in the mind: Composing Psychedelic Sounds and Visualisations. Palgrave Studies in Sound . Springer Singapore, Singapore. ISBN 978-9811640544
Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Bowen, Jonathan P., Borda, Ann and Diprose, Graham (eds.) (2021) EVA London (Electronic Visualisation and the Arts): proceedings of EVA London 2021. In: EVA London 2021, Programme Committee, (ed.) AI and the Arts: Artificial Imagination. Proceedings of EVA London 2021 (EVA 2021). 5th July – 9th July 2021. Electronic Workshops in Computing (eWiC) | BCS . British Computer Society, Swindon; London, pp. 1-10. ISBN 978-1780175737 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2021.0)
VJ
Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Cyberdreams: visualizing music in extended reality. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 209-227. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_12)
vocality
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Multivocal theatricalities: articulating data in composites, choruses, crowds. In: Articulating Data: Multivocal Theatricalities, 11th - 12th May, 2023, Inspace, University of Edinburgh.
voice studies
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Sonic Wandering in New Landscapes. Gertrude Stein and sonic performativity in Eglė Budvytytė’s Songs from the Compost: mutating bodies, exploding stars. In: Performing Studies international conference (PSi) #28 Uhambo Luyazilawula: Embodied Wandering Practices, 2nd - 5th Aug, 2023, Johannesburg. (Unpublished)
VR
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2019) Rose Bruford College International Symposium, ‘Interactive experiences: playful junctions and journeys across borders’. In: Rose Bruford College International Symposium, ‘Interactive Experiences: Playful junctions and journeys across borders’, 15th - 17th April 2019, Rose Bruford College, London.
Macquarrie, Andrew and Steed, Anthony (2020) Investigating the perceived strengths and limitations of Free-Viewpoint Video (FVV). Frontiers in Virtual Reality, 1 (11). ISSN 2673-4192 (Online) (doi:https://doi.org/10.3389/frvir.2020.00011)
Maravala, Persis-Jadé, Cooper, Emma, Van Der Weide, Nadja and Briscoe, Rachel (2022) Sheffield DocFest ‘Alternate realities summit: the art of connection’. [Performance]
Maravala, Persis-Jadé and Guillery, Kesia (2022) ‘Goodnight, sleep tight: Working within a collapsing system’. [Audio]
VR/XR
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]
Wajda Memorial
Mroz, Matilda (2014) The monument and the sewer: memory and death in Wajda’s Kanal (1957). Historical Journal of Film, Radio and Television, 34 (4). pp. 528-545. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2014.903035)
Wajda monument
Mroz, Matilda (2010) Cinema and censorship in post-war Poland. In: Darwin College Humanities and Social Sciences Group series, 25 May 2010, Darwin College, University of Cambridge, UK. (Unpublished)
Walter Benjamin
Secomb, Linnell (2006) Petyarra and Moffatt: 'Looking from the sky'. Cultural Studies Review, 12 (1). pp. 44-56. ISSN 1446-8123 (Print), 1837-8692 (Online)
Stoppani, Teresa (2007) Dust projects: on Walter Benjamin's Passagen-Werk and some contemporary dusty makings in architecture. The Journal of Architecture, 12 (5). pp. 543-557. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360701722566)
war
Mroz, Matilda (2010) Cinema and censorship in post-war Poland. In: Darwin College Humanities and Social Sciences Group series, 25 May 2010, Darwin College, University of Cambridge, UK. (Unpublished)
waste
Waterworth, David (2020) 10-4. [Show/Exhibition]
Watch Man
Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48
Wattpad
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)
web audio
McArthur, Angela, van Tonder, Cobi, Gaston-Bird, Leslie and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2021) A survey of 3D audio through the browser: practitioner perspectives. In: 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). 8-10 September 2021. Bologna, Italy (online). IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New Jersey, pp. 1-10. ISBN 978-1665409988 ; 978-1665409995 (doi:https://doi.org/10.1109/I3DA48870.2021.9610839)
web-sciences
Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.
website improvement
Kawaf, Fatema ORCID: 0000-0002-7089-7816 , Bruce, Helen, Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110 , Rooney, Tara and Ngwakwe, Amarachi (2022) Using screencast videography as a customer experience and journey mapping tool: a case study. In: 12th Servsig2022, 16th - 18th June 2022, Glasgow, Scotland.
West Berlin
Bowie, Laura ORCID: 0000-0002-9084-2142 (2020) Berlin not for sale: the film lens as a tool of urban exploration in 1960s West Berlin. Journal of Urban History, 48 (4). pp. 835-860. ISSN 1552-6771 (Print), 0096-1442 (Online) (doi:https://doi.org/10.1177/0096144220953419)
West Germany
Bowie, Laura ORCID: 0000-0002-9084-2142 (2013) The Rote Armee Fraktion: memory and the construction of art, film and literature. eSharp, 20:1. pp. 1-18.
women filmmakers
Bowie, Laura ORCID: 0000-0002-9084-2142 (2020) Berlin not for sale: the film lens as a tool of urban exploration in 1960s West Berlin. Journal of Urban History, 48 (4). pp. 835-860. ISSN 1552-6771 (Print), 0096-1442 (Online) (doi:https://doi.org/10.1177/0096144220953419)
women in tech
Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]
work
Dawson, Andrew and Holmes, Sean P. (2012) 'Help to preserve the real story of our cinema and television industries': The BECTU History Project and the construction of British media history, 1986–2010. Historical Journal of Film, Radio and Television, 32 (3). pp. 435-448. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2012.699650)
working conditions
Dawson, Andrew and Holmes, Sean P. (2012) New perspectives on working in the global film and television industries. Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 1-17. ISBN 9781780930206
Dawson, Andrew and Holmes, Sean P. (eds.) (2012) Working in the global film and television industries: Creativity, systems, space, patronage. Bloomsbury Academic, London, UK. ISBN 9781780930206
workplace
Dawson, Andrew and Holmes, Sean P. (2012) New perspectives on working in the global film and television industries. Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 1-17. ISBN 9781780930206
Dawson, Andrew and Holmes, Sean P. (eds.) (2012) Working in the global film and television industries: Creativity, systems, space, patronage. Bloomsbury Academic, London, UK. ISBN 9781780930206
workshop
Beard, Sophie and Waller, Allyson (2023) Collectarium Lockdown Masks: How do you feel? [Show/Exhibition]
Milic, Nela, Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Oh, Jee and Zuabi, Thaer (2011) Mapping and reshaping of cultural identity by digital media [Workshop]. In: ISEA2011: The 17th International Symposium on Electronic Art, 14-21 Sep 2011, Istanbul, Turkey.
world cinema
Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)
World Heritage sIte
Withers, Simon ORCID: 0000-0002-0203-359X (2023) A carnival of error: synthetic visions of Maritime Greenwich. In: London Conference in Critical Thought 2023, 30th June - 1st July 2023, School of Social Sciences and Professions, London Metropolitan University Holloway Road, London. (Unpublished)
writing
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2019) The screenplay as boundary object. Journal of Screenwriting, 10 (2). pp. 149-164. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.10.2.149_1)
xenofeminism
Troisi, Anna ORCID: 0000-0002-6868-4424 (2018) OB-scene, a live audio/visual performance for photoplethysmograph and female body. Organised Sound, 23 (3). pp. 270-276. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:https://doi.org/10.1017/S1355771818000171)
XR
Macquarrie, Andrew and Steed, Anthony (2020) Investigating the perceived strengths and limitations of Free-Viewpoint Video (FVV). Frontiers in Virtual Reality, 1 (11). ISSN 2673-4192 (Online) (doi:https://doi.org/10.3389/frvir.2020.00011)
Zernike-DCT
Yang, Chengshan ORCID: 0000-0003-1926-8798 , Li, Jingbing ORCID: 0000-0001-6636-4710 , Bhatti, Uzair Aslam, Liu, Jing, Ma, Jixin, Huang, Mengxing and Xue, Xingsi (2021) Robust zero watermarking algorithm for medical images based on Zernike-DCT. Security and Communication Networks, 2021:4944797. pp. 1-8. ISSN 1939-0114 (Print), 1939-0122 (Online) (doi:https://doi.org/10.1155/2021/4944797)
zero watermarking algorithm
Yang, Chengshan ORCID: 0000-0003-1926-8798 , Li, Jingbing ORCID: 0000-0001-6636-4710 , Bhatti, Uzair Aslam, Liu, Jing, Ma, Jixin, Huang, Mengxing and Xue, Xingsi (2021) Robust zero watermarking algorithm for medical images based on Zernike-DCT. Security and Communication Networks, 2021:4944797. pp. 1-8. ISSN 1939-0114 (Print), 1939-0122 (Online) (doi:https://doi.org/10.1155/2021/4944797)
“Direct animation”
Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2014) Digitized direct animation: creating materials for electroacoustic visual music using 8mm film. eContact! Online Journal for Electroacoustic Practices, 15 (4).