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Items where Subject is "N Visual arts (General) For photography, see TR"

Items where Subject is "N Visual arts (General) For photography, see TR"

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'Don't Look Now' 16mm film 1956 2011 20th century 360 video 360° video 3D audio 8mm film abduction abstract abstract animation abstraction abstraction animation abstracts academia acting action-adventure games actresses adaptation advertising aesthetics affect Affective computing affective feedback Affordance African Americans agency AI Algorithm Allan Scott alterbiography altered states altered states of consciousness alternative Amazon ambient advertising ambiguity ambisonics ana-materialism analogue/digital animacy animation aphoristic text Apollo 12 apparatus appearances AR AR QR codes architects architectural concepts architectural education architectural history architectural modernity architectural theory architecture architecture students archive archive footage archives art Art & design art and identity art and technology art exhibition art exhibitions art history art technology Artefact Ecology Arthur Miller artificial artist Artist Book artistic practices artistic research artists' residency and exhibition arts Arts Council arts-based research attention mechanism attentional synchrony Audience audiences' technology audio audio installation audio visual audio-visual audio-visual art audio-visual media audio-visual music audiovisual audiovisual media audiovisual translation auditory hallucinations augmented augmented reality augmented virtuality authenticity auto-encoder avant-garde Ballet Balnakiel bauer Beauty Bectu Bellagio STAMP Bereavement Bergson bim binaural audio binaural sound biofeedback biography Biopolitics Bluray body image body performance Body Talk book illustration book review books boundary object Brexit British film and television industry British film and TV industries Britten Broadcasting Entertainment Cinematograph and Technicians Union browser Built Environment cameras Carsten Höller cartography case study challenge Chance chaotic map childhood children's book illustration China choreography Chris Ofili Christian Hidaka Cindy Sherman cinema Cinema censorship cinematic Virtual Reality cities code-switching cognitive cognitive theory Colin MacCabe collaboration collaborative Collaborative production Collective collodion photography colour in art communication communications community Community project Composed Instrument composing Composition computational photography computer and video games computer art computer music conference consensus approach constructivism constructivist research consumerism contemporary art contemporary composition contemporary dance contemporary mime contemporary philosophy content creation context-aware computing cooking corporeal Craft creative computing creative industries creative industries. Site-Specific projections creative methodology creative writing creativity crime film Cult cultural identity cultural movements cultural politics of space culture Curated event Curated exhibition / projections Curating Curating New Media Curating Russian Cinema curation CX cyber-physical Cyprus Czechoslovakia Dance dance and technology Daphne du Maurier data body Data storage data technology data visualisations database Death deception deep learning defamiliarisation democratic image design Design Education Design in Use Design Processes digital digital art digital arts Digital Compositing digital culture digital death digital error digital fatigue digital games digital intimacy digital media digital preservation digital research digital storytelling digital technology digital/analogue Dilston Grove distribution DNA documentation domestic space domesticity Dourish drawing Dreaming dualism dubbing duration dust DVD Eagle Document early cinema Edinburgh Festival Editorial design education EEG Eisenstein electro-acoustic electroacoustic electroacoustic music electronic dance music electronic music embodied emotion emotional emotions empirical methods Enactivism end-of-life planning Engagement England English enstrangement epistemology error eudaimonia Evgenii Bauer Exhibiting in public spaces exhibition Exhibition catalogue exhibition practices exhibition programme exhibition review exhibitions Expanded Cinema expanded-archive Experience experience design experiential art experiential marketing experimental Experimental film Experimentation extended reality eye-tracking fandom feasibility study feminism Feminist Art festival film Film Artist film industry Film laboratories film studies films fine art flexible specialisation Food-led art Fordism fractal philosophy Fred Scott free-viewpoint video free-viewpoint video production freelancers freshwater fauna functional future future human future legacies game AI game audio game design game mechanics game-design gameplay games garden history gaze perception Gelitin gender Generative generative art genetic criticism genre Georges Bataille Geste curatorial Gilles Deleuze Giovanni Battista Piranesi glitch Global television gong Graduate exhibition Graham and Cook graphic art Graphic Design graphics Green Screen Keying Gregory J. Markopoulos grid effect grounded theory group show guerrilla marketing guiding attention guilt H.5.1 [information interfaces and presentation] hallucination Harris-SURF-DCT hbim HCI head-mounted display health and illness discourses Henri Bergson heritage buildings historiography history Hobbs Hollywood home invasion honeymoon horror censorship human computer interaction human traces humanities hybrid media hydrogen alpha hydrophone ICA Ico identity ideology illustration image image communication Image manipulation image security immanence Immersion immersive immersive exhibition practices immersive media Immersive practices immersive science theatre immersive theatre impact improvisation Indigenous art induction information system Instagram installation installation art Installations Institutions et pratiques de l'exposition Interaction interactive Interactive Art interactive media interactive music interdisciplinary Interdisciplinary collaboration Interiors International Alliance of Theatrical Stage Employees international festival intersubject correlation interview intimacy Intimate public Irish literature Islamic archaeology Islamic architecture Islamic art Jamaica Inn Janine Bourriau John Piper Judy Chicago Karen Barad Kathleen Petyarre Keith Tyson L'écran dans l'espace physique labour movement Landscape landscape painting LARP lawyer skills Le Corbusier learning learning and teaching Lecture Lee Miller legal institutions legal theme legal theory Light Lights and shadows Lincoln literature live visuals Liveness London London 2012 Olympics Loris Gréaud love Lower Silesia LUX luxury fashion major events strategy Manchester Manfredo Tafuri Manfredo Tauri mapping identity Mapplethorpe Marilyn Monroe markerless Martin Conway masculinity Material Culture mathematics Matthew Springett McPherson Report meander measurement Media media arts media arts philosophy literary England performance media culture media theory Medical Humanities medical images meditation Melancholy Melodia memory memory theatre metadata metamathematics metaverse method methodology Miami Mime miscommunication Miscommunications mistake mixed affect mixed media mixed reality mixed reality set-up mobile technologies Monika Oechseler MONO NO AWARE Moribund State[s] Motion Motion capture motion capture apparatus motion picture industry motion processing motion tracking mourning moving image MSA Multi-disciplinary multichannel concerts multidiscilinary multidisciplinary Multimedia Multimedia Information Systems Multimedia Installation multiversal museum-studies museums museums and heritage Music music covers music festivals music scores music visualiation narration narrative Narrative synthesis narrative voice Net art Netflix Network affordances network coding neuro-psychologist New Media New Media Curation Nicolas Roeg Noise non-fungible tokens (NFTs) non-place non-representational imaging Norman Bryson Norway NOTAM novel writing Noë object based audio objects Oedipus Olympic Games Olympic planning Online open spaces Opera oral history Other pain metaphors palimpsest panorama images panoramic video Parametric relations Participation participatory Patrick McCabe patronage pedagogy performance performance art performativity Personal Data Protection Peter Zinovieff philosophy PhotoEssay photograph photographic image photography physical environments physical theatre physicality Pierre Bourdieu Piper Place planning and design Platform play poetic poetry poetry performance Poland Polish cinema Politics of Space pool post-cinema post-colonial studies post-digital post-Fordism post-war writing practice practice-as-research practice-based research practice-research practices presentation princes printing printmaking privilege‌ Process Production Productive consumer public Projection mapping projectors projects psychedelic visual music psychedelics Public Public Artwork public engagement public space Publishing qualitative qualitative research quantum geographies Quentin Blake Quiet Rafael Lozano-Hemmer rate-distortion optimization re-mapping re-thinking Humanities and Social Sciences reading Reality recording reflection Regulation rehearsal relational economic geography remediation Renaissance representation representations of disability research research methods restoration Reviews rhythm Rita Duffy Robert Capa Robert Mapplethorpe Roland Barthes role of lawyers Roma art Roma history Romani art Rosalind Krauss Russian cinema Russian Film Russian Formalism science identity scope Scotland screen Screen Actors Guild Screen-based interaction Screen-reliant works screencast screencast videography screenplay screenwriting script scriptwriting Sculpture Sound second screen self-presentation sensation sensationalism senses embodied serious games Shadow of the Colossus shamanism shape analysis Sharing economy silent cinema silent film singing slides SMASHfestUK SMEs social change social gaming Social media social networking social reproduction soft fascination Software solitude Some Curious Thing song Sonic art sonic economies Sonic Interaction Design Sound sound art sound design sound installation Sound-image sound/image soundscape ecology Soundtrack South African film space space and time spatial audio spatial diffusion Spatial experience Spatiality spectacle spectroscopy speculative design stars Stephen Lawrence Gallery storage students'work Studio Production studio workers subitling Suchman super-resolution surrealism surround sound survey sustainability sustainability assessment frameworks sustainability indicators sustainable development sustainable neighbourhood synesthesia synthetic life Synthia systems of production Tarkovsky Taste teacher-education Teaching technology Television Television formats temporality texture Thames gateway The Other Room The TV Studio Production Handbook theatre thematic analysis theoretical framework theory third order Thomas Saraceno time tintinnabuli town planning Tracey Emin Tracey Moffat trade unions trance translation strategies trauma travel photography traveller performance Trevor Lamb trumpet Tsotsi TUDOR/THEATRE TUDORS/THEATRE Turner Prize TV TV industry typography Typology uncanny united states Unpredictable parameters urban design urban environment urban rehabilitation urban renewal user experience user study user testing UX Venetian time Venice venue construction Vertov video video art video compression video games Video Projection videogames videography Virtual Virtual Art virtual environments virtual gifting virtual influencers virtual physical virtual realities virtual reality Visual visual art visual arts visual attention visual communication visual culture visual discourse Visual Effects visual ethnography visual methods visual music visual patterns of hallucination visual research visual structure visualisation visualisations VJ VR Wajda Memorial Wajda monument Walter Benjamin war waste Watch Man Wattpad web audio web-sciences website improvement work working conditions workplace workshop world cinema writing xenofeminism XR Zernike-DCT zero watermarking algorithm “Direct animation”
Number of items at this level: 1298.

'Don't Look Now'

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)

16mm film

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

1956

Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]

Ingham, Mark (2011) A portrait of Marilyn Miller and me 5611. [Artefact]

2011

Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]

Ingham, Mark (2011) A portrait of Marilyn Miller and me 5611. [Artefact]

20th century

Inman, James Stuart (1997) Surrealism since the Second World War with particular reference to surrealism in Czechoslovakia. MPhil thesis, University of Greenwich.

360 video

Farmer, Harry ORCID: 0000-0002-3684-0605, Bevan, C. ORCID: 0000-0002-2823-420X, Green, D., Rose, M., Cater, K. ORCID: 0000-0002-3435-2392 and Stanton Fraser, D. ORCID: 0000-0002-3062-731X (2021) Did you see what I saw?: Comparing attentional synchrony during 360° video viewing in head mounted display and tablets. Journal of Experimental Psychology: Applied, 27 (2). pp. 324-337. ISSN 1076-898X (Print), 1939-2192 (Online) (doi:https://doi.org/10.1037/xap0000332)

360° video

Schmitz, Anastasia, Macquarrie, Andrew, Julier, Simon, Binetti, Nicola and Steed, Anthony (2020) Directing versus attracting attention: exploring the effectiveness of central and peripheral cues in panoramic videos. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 63-72. ISBN 978-1728156088 ; 978-1728156095 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR46266.2020.00024)

3D audio

McArthur, Angela, van Tonder, Cobi, Gaston-Bird, Leslie and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2021) A survey of 3D audio through the browser: practitioner perspectives. In: 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). 8-10 September 2021. Bologna, Italy (online). IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New Jersey, pp. 1-10. ISBN 978-1665409988 ; 978-1665409995 (doi:https://doi.org/10.1109/I3DA48870.2021.9610839)

8mm film

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2014) Digitized direct animation: creating materials for electroacoustic visual music using 8mm film. eContact! Online Journal for Electroacoustic Practices, 15 (4).

abduction

Cole, Tom ORCID: 0000-0001-6031-8377 and Salisbury, John Hamon (2016) Grounded Theory in games research: making the case and exploring the options. In: DIGRA/FDG '16 - Proceedings of the First International Joint conference of DIGRA and FDG. Digital Games Research Association, Finland. ISBN 2342-9666

abstract

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)

abstract animation

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 1. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 2. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 3. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Document of Singing Light 1 installation. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Emotion In Abstract Animation: Designing A New Form Of Visual Music. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2014) Horizon. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Reservoir. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Shadow Sounds 1. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Sky 2. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Song Series Animacy. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2020) Visual music and embodied visceral affect. In: Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, (ed.) Sound and Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:https://doi.org/10.4324/9780429295102-9)

abstraction

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

abstraction animation

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective. PhD thesis, University of Greenwich.

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective: REF Multi-component portfolio. [Dataset] (Unpublished)

abstracts

Patterson, Jennifer ORCID: 0000-0002-8254-7602 (ed.) (2016) The Association for Medical Humanities International Journal: Body Talk: Whose Language? (2016 Conference Abstracts). The Association for Medical Humanities, The University of Greenwich. ISBN 978-0995519305 ISSN 2398-6395

academia

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

acting

Mann, Tony (1995) [Book review] Cindy Sherman 1975-1993. The Art Book, 2 (2). p. 34. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

action-adventure games

McIntosh, Tyler H., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2022) Lundheim: exploring affective audio techniques in an action-adventure video game. In: AudioMostly'22 St. Pölten University of Applied Sciences, Austria 6-9 September 2022. Association for Computing Machinery (ACM), New York. (In Press) (doi:https://doi.org/10.1145/3561212.3561234)

actresses

Mann, Tony (1995) [Book review] Cindy Sherman 1975-1993. The Art Book, 2 (2). p. 34. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

adaptation

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)

Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Ben Hur Live as post-cinematic adaptation. Journal of Adaptation in Film & Performance, 15 (1/2). pp. 61-75. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp_00069_1)

advertising

Kohrs, Kirsten ORCID: 0000-0003-4302-833X (2020) The language of luxury fashion advertising: Technology of the self and spectacle. Journal of Fashion Marketing and Management. ISSN 1361-2026 (Print), 1361-2026 (Online) (doi:https://doi.org/10.1108/JFMM-02-2020-0029)

aesthetics

Mroz, Matilda (2014) The aesthetics of overflow: Tarkovsky’s Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pamela, (eds.) The Cinema of the Swimming Pool. New Studies in European Cinema (17). Peter Lang AG, Oxford / Bern / Berlin / Bruxelles / Frankfurt am Main / New York / Wien, pp. 169-180. ISBN 978-3034317832

Sigthorsson, Gauti (2008) Sensation for sensation's sake: art and the temptation of 'Wow'! Sjonauki. ISSN 1670-7311

affect

Sigthorsson, Gauti (2008) Sensation for sensation's sake: art and the temptation of 'Wow'! Sjonauki. ISSN 1670-7311

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2020) How ambient advertising is uniquely placed to make audiences think. Westminster Papers in Communication and Culture, 15 (2). pp. 95-111. ISSN 1744-6716 (Online) (doi:https://doi.org/10.16997/wpcc.346)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective. PhD thesis, University of Greenwich.

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective: REF Multi-component portfolio. [Dataset] (Unpublished)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:https://doi.org/10.14236/ewic/EVA2018.70)

Affective computing

Cunningham, Stuart, Henry, John and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Augmenting virtual spaces: affective feedback in computer games. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 229-247. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_13)

McIntosh, Tyler H., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2022) Lundheim: exploring affective audio techniques in an action-adventure video game. In: AudioMostly'22 St. Pölten University of Applied Sciences, Austria 6-9 September 2022. Association for Computing Machinery (ACM), New York. (In Press) (doi:https://doi.org/10.1145/3561212.3561234)

affective feedback

Cunningham, Stuart, Henry, John and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Augmenting virtual spaces: affective feedback in computer games. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 229-247. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_13)

Affordance

Samson, Audrey and Soon, Winnie (2015) Network affordances: The unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal (24). ISSN 1449-1443 (Online)

African Americans

Dawson, Andrew (2012) Challenging lilywhite Hollywood: African Americans and the demand for racial equality in the motion picture industry, 1963-1974. The Journal of Popular Culture, 45 (6). pp. 1206-1225. ISSN 0022-3840 (Print), 1540-5931 (Online) (doi:https://doi.org/10.1111/jpcu.12005)

agency

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)

AI

Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897, Borda, Ann and Diprose, Graham (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon. ISBN 978-1780175942 ISSN 1477-9358

Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2022) Screencast videography: understanding experience in the metaverse. In: Future Visualities: Visual Methods & Ethnography in Interdisciplinary Research Symposium, 1st June 2022, Edinburgh Napier University. (Unpublished)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Bowen, Jonathan P., Borda, Ann and Diprose, Graham (eds.) (2021) EVA London (Electronic Visualisation and the Arts): proceedings of EVA London 2021. In: EVA London 2021, Programme Committee, (ed.) AI and the Arts: Artificial Imagination. Proceedings of EVA London 2021 (EVA 2021). 5th July – 9th July 2021. Electronic Workshops in Computing (eWiC) | BCS . British Computer Society, Swindon; London, pp. 1-10. ISBN 978-1780175737 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2021.0)

Algorithm

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

Allan Scott

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)

alterbiography

Cole, Tom ORCID: 0000-0001-6031-8377 (2015) The tragedy of betrayal: how the design of Ico and Shadow of the Colossus elicits emotion. In: DiGRA '15 - Proceedings of the 2015 DiGRA International Conference. Lüneburg, Germany, May 14th - 17th 2015. Digital Games Research Association, Finland. ISSN 2342-9666

altered states

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

altered states of consciousness

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2017) Simulating auditory hallucinations in a video game: three prototype mechanisms. In: AM '17: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-5373-1 (doi:https://doi.org/10.1145/3123514.3123532)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Griffiths, Darryl and Roberts, Shaun (2015) Quake Delirium EEG: a pilot study regarding biofeedback-driven visual effects in a computer game. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 335-338. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317420)

alternative

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]

Amazon

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.

ambient advertising

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2020) How ambient advertising is uniquely placed to make audiences think. Westminster Papers in Communication and Culture, 15 (2). pp. 95-111. ISSN 1744-6716 (Online) (doi:https://doi.org/10.16997/wpcc.346)

ambiguity

Cole, Thomas ORCID: 0000-0001-6031-8377, Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)

Cole, Tom ORCID: 0000-0001-6031-8377 (2015) The tragedy of betrayal: how the design of Ico and Shadow of the Colossus elicits emotion. In: DiGRA '15 - Proceedings of the 2015 DiGRA International Conference. Lüneburg, Germany, May 14th - 17th 2015. Digital Games Research Association, Finland. ISSN 2342-9666

ambisonics

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

McArthur, Angela, van Tonder, Cobi, Gaston-Bird, Leslie and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2021) A survey of 3D audio through the browser: practitioner perspectives. In: 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). 8-10 September 2021. Bologna, Italy (online). IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New Jersey, pp. 1-10. ISBN 978-1665409988 ; 978-1665409995 (doi:https://doi.org/10.1109/I3DA48870.2021.9610839)

ana-materialism

Golding, Johnny (2012) Ana-materialism and the Pineal Eye: Becoming mouth-breast (or visual arts after Descartes, Bataille, Butler, Deleuze and Synthia with an ‘s’). Philosophy of Photography, 3 (1). pp. 99-120. ISSN 2040-3682 (Print), 2040-3690 (Online) (doi:https://doi.org/10.1386/pop.3.1.99_1)

analogue/digital

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Elevate me later - an analogue sea in a digital world. In: Papadaki, Elena ORCID: 0000-0002-6653-4334, (ed.) Exhibiting the Analogue / Exhibiting the Digital – afterthoughts on an exhibition. University of Greenwich Galleries, London, pp. 1-5. ISBN 978-0957343047 (In Press)

animacy

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)

animation

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

Sporton, Gregory (2010) The Watertower. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

aphoristic text

Golding, Sue and Kennedy, Steve (2009) To tremble the zero: art in the age of algorithmic reproduction. In: Critical Digital Studies Workshop, 4-6 June 2009, Pacific Centre for Technology and Culture at the University of Victoria. (Unpublished)

Apollo 12

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

apparatus

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

appearances

Finkelstein, Joanne (2010) Fashioned identity and the unreliable image. Critical Studies in Fashion and Beauty, 1 (2). pp. 153-163. ISSN 2040-4417 (doi:https://doi.org/10.1386/csfb.1.2.161_1)

AR

Macquarrie, Andrew and Steed, Anthony (2020) Investigating the perceived strengths and limitations of Free-Viewpoint Video (FVV). Frontiers in Virtual Reality, 1 (11). ISSN 2673-4192 (Online) (doi:https://doi.org/10.3389/frvir.2020.00011)

AR QR codes

Boddington, Ghislaine ORCID: 0000-0003-0448-579X, Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]

architects

Frith, Ed (2008) Matthew Springett Architects presents models, but no buildings. Building Design (1832). p. 15.

Stoppani, Teresa (2008) Interpreting the Renaissance: princes, cities, architects by Manfredo Tafuri, translated by Daniel Sherer. The Journal of Architecture, 13 (3). pp. 345-354. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360802216997)

architectural concepts

Frith, Ed and Graef, Alexander (2007) Draw like a builder, build like a writer (and the crack is in the detail). The role of the humanities in design creativity international conference, 15-16 Nov 2007, Lincoln, UK. University of Lincoln, Lincoln. ISBN 9781860502224

architectural education

Frith, Ed (2008) Ed Frith of Moving Architecture reviews Lincoln School of Architecture’s show. The Architects' Journal.

Frith, Ed, O'Carroll, Gerrard, Wilson, Peter and Payne, James (2008) Best in show. Building Design (1827). pp. 20-21.

architectural history

Stoppani, Teresa (2007) Dust revolutions. Dust, informe, architecture (notes for a reading of dust in Bataille). The Journal of Architecture, 12 (4). 437 - 447. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360701614714)

Stoppani, Teresa (2007) Representing Venice. One, multiple, impossible. In: Loo, Stephen and Bartsch, Katherine, (eds.) Panorama to Paradise: Scopic Regimes in Architectural and Urban History and Theory, Sydney: proceedings of the SAHANZ Meeting 2007. Society of Architectural Historians, Australia and New Zealand, Adelaide, Australia. ISBN 1920927557

architectural modernity

Stoppani, Teresa (2008) Venetian time and the meander. Log, 12. pp. 131-143. ISSN 1547-4690

architectural theory

Stoppani, Teresa (2007) The building of tension - Manfredo Tafuri's legacy: from operative criticism to historical project, between critical practices and material practices in architecture. In: van Koten, Hamid and Holm, Lorens, (eds.) Reflections on creativity: exploring the role of theory in creative practices. Duncan of Jordanstone College, Dundee, Scotland, UK, pp. 1-17. ISBN 1899837536

architecture

Frith, Ed and Graef, Alexander (2007) Draw like a builder, build like a writer (and the crack is in the detail). The role of the humanities in design creativity international conference, 15-16 Nov 2007, Lincoln, UK. University of Lincoln, Lincoln. ISBN 9781860502224

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)

Stoppani, Teresa (2007) Antípodas: proyectos para una nueva cartografía. La Revista de la Facultad 47 al fondo (15). pp. 26-31.

Stoppani, Teresa (2007) Dust projects: on Walter Benjamin's Passagen-Werk and some contemporary dusty makings in architecture. The Journal of Architecture, 12 (5). pp. 543-557. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360701722566)

Stoppani, Teresa (2007) Representing Venice. One, multiple, impossible. In: Loo, Stephen and Bartsch, Katherine, (eds.) Panorama to Paradise: Scopic Regimes in Architectural and Urban History and Theory, Sydney: proceedings of the SAHANZ Meeting 2007. Society of Architectural Historians, Australia and New Zealand, Adelaide, Australia. ISBN 1920927557

architecture students

Frith, Ed (2008) Ed Frith of Moving Architecture reviews Lincoln School of Architecture’s show. The Architects' Journal.

archive

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Index of love. [Show/Exhibition]

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2016) Death and Memory in the Twenty-First Century. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities and Sciences. Palgrave Macmillan, London, UK, pp. 113-118. ISBN 9781137520579 (doi:https://doi.org/10.1057/9781137520586_14)

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

Waterworth, David (2020) 10-4. [Show/Exhibition]

archive footage

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

archives

Dawson, Andrew and Holmes, Sean P. (2012) 'Help to preserve the real story of our cinema and television industries': The BECTU History Project and the construction of British media history, 1986–2010. Historical Journal of Film, Radio and Television, 32 (3). pp. 435-448. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2012.699650)

Hobbs, James (2020) Moribund State(s) - Solo multimedia art exhibition. [Show/Exhibition]

art

Adil, Alev (2011) MemoryMap [website]. MemoryMap, London, UK.

Arthur, Mervyn, Baseman, Jordan, Behr, Bernd, Biswas, Sutapa, Chance, Veronique, Cobbing, William, Coldwell, Paul, Cross, David, Dobai, Sarah, Douglas, Lorrice, Drabble, Neil, Gunning, Lucy, Hamann, Sigune, Haywood, Thomas, Ingham, Mark, Kovats, Tania, Lanteri Laura, Jean-Louis, Lebas, Chrystel, Love, Johanna, Mossman, Anna, Newth, Martin, Robertson, Helen, Rowe, Lois, Taylor, Finlay, Treacy, Danny, Wainwright, Chris and Webster, Dave (2011) SCOPE New Photographic Practices. [Show/Exhibition]

Cole, Thomas ORCID: 0000-0001-6031-8377, Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]

Ingham, Mark (2012) 120 days and nights of staggering and stammering. [Show/Exhibition]

Ingham, Mark (2011) Art takes Miami 2011. In: Aldrich, Jeffrey, (ed.) Art Takes Miami 2011. Artist Wanted, New York, p. 5. ISBN 9780984871803

Ingham, Mark (2011) Mark Ingham: motion and sound winner Scope Miami 2011. SCOPE Miami 2011. Artists Wanted LLC, New York, pp. 46-47. ISBN 9780984871803

Ingham, Mark (2011) New photographic practices: SCOPE. In: Newth, Martin, (ed.) New Photographic Practices; SCOPE. Camberwell Press, London. ISBN 978-0953639595

Mann, Tony (1995) [Book review] Iterations: The New Image. The Art Book, 2 (2). pp. 32-33. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

Sigthorsson, Gauti (2008) Sensation for sensation's sake: art and the temptation of 'Wow'! Sjonauki. ISSN 1670-7311

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Singing Light 1. [Show/Exhibition]

Art & design

Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)

art and identity

Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]

art and technology

Bowen, Jonathon P., Baker, Camille, Boddington, Ghislaine ORCID: 0000-0003-0448-579X, Edmonds, Ernst, van Helsdingen, Merel and Masson, Terence (2021) EVA London 2021: Keynote summaries. In: EVA London 2021: Electronic Visualisation & the Arts. Proceedings of conference. BCS, The Chartered Institute for IT, 5th -9th July 2021. Proceedings of EVA London 2021 . Science Open, London, pp. 1-6. ISBN 978-1780175737 (doi:https://doi.org/10.14236/ewic/EVA2021.1)

art exhibition

Waterworth, David (2008) Embedded [Group Show]. [Show/Exhibition]

art exhibitions

Mann, Tony (1997) Edinburgh in August. The Art Book, 4 (1). pp. 19-20. ISSN 1467-8357 (doi:https://doi.org/10.1111/1467-8357.00003)

art history

Mann, Tony (1995) [Book review] Colour: Art and Science. The Art Book, 2 (2). p. 26. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00263.x)

art technology

Troisi, Anna ORCID: 0000-0002-6868-4424 (2018) OB-scene, a live audio/visual performance for photoplethysmograph and female body. Organised Sound, 23 (3). pp. 270-276. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:https://doi.org/10.1017/S1355771818000171)

Artefact Ecology

Masu, Raul, Correia, Nuno N. ORCID: 0000-0002-9999-9162, Jürgens, Stephan, Feitsch, Jochen and Romão, Teresa (2020) Designing Interactive Sonic Artefacts for Dance Performance: an Ecological Approach. In: AM '20: Proceedings of the 15th International Conference on Audio Mostly. ACM, New York, USA, pp. 122-129. ISBN 978-1450375634 (doi:https://doi.org/10.1145/3411109.3412297)

Arthur Miller

Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]

Ingham, Mark (2011) A portrait of Marilyn Miller and me 5611. [Artefact]

artificial

Macquarrie, Andrew and Steed, Anthony (2018) The effect of transition type in multi-view 360 media. IEEE Transactions on Visualization and Computer Graphics, 24 (4):17617378. pp. 1564-1573. ISSN 1077-2626 (Print), 1941-0506 (Online) (doi:https://doi.org/10.1109/TVCG.2018.2793561)

artist

Mann, Tony (2003) [Exhibition review] Keith Tyson at Tate Britain. BSHM Newsletter, 47. pp. 46-47.

Artist Book

Hobbs, James (2020) Moribund State(s) - Exhibition Catalogue/Artist Book. Project 78 Press, UK. ISBN 978-1838133108

artistic practices

Papadaki, Elena ORCID: 0000-0002-6653-4334, Arfaras, Mihalis, Schizakis, Stamatis, Garcia, Carla Ambrósio, Dare, Eleanor, Beveridge, Patrick, Hobbs, James, Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Menotti, Gabriel, Ploeger, Dani, Samson, Audrey, Borras, Michael (a.k.a. Systaime), Krajewska, Klio and Talbot, Michael ORCID: 0000-0001-7198-1422 (eds.) (2020) Exhibiting the Analogue, Exhibiting the Digital: Afterthoughts on an exhibition. University of Greenwich Galleries / Incandescent Square, London. ISBN 978-0957343047

artistic research

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2022) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Palgrave Macmillan, London. (In Press)

artists' residency and exhibition

Waterworth, David and Satom, Saki (2008) To-Lo: Tokyo - London Art Exchange. [Show/Exhibition]

arts

Broadhurst, Susan, Papadaki, Elena ORCID: 0000-0002-6653-4334, Ploeger, Dani, Goddard, Michael N., O'Brien, Sarah, Taiwo, Olu, Schellewald, Andreas, Chan, Melanie, Lewis, Matt, Dziekan, Vince, Giannachi, Gabriella, Nolasco-Rózsás, Lívia, Katan-Schmid, Einav, Meseguer, Rosell, Borges, Cândida, Vélez, Gabriel Mario, DeLappe, Joseph, Caerols Mateo, Raquel, Kelomees, Raivo, Guljajeva, Varvara, Laas, Oliver, Riegel, Christian, Robinson, Katherine M., Richards, Grayson, Desnoyers-Stewart, John, Smith, Megan L., Riecke, Bernhard E., Dare, Eleanor, Berezina-Blackburn, Vita, Oliszewski, Alex and Mcgarrigle, Conor (eds.) (2020) Radical Immersions: Navigating between virtual/physical environments and information bubbles - DRHA 2019 Conference Proceedings. University of London / DRHA, London. ISBN 978-0900822124 (In Press)

Hobbs, James (2020) Nature Morte: Examining the sonic and visual potential of a 16mm film. In: Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, (ed.) Sound and Image. Focal Press, London, pp. 219-225. ISBN 978-0429295102 (doi:https://doi.org/10.4324/9780429295102-15)

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Arts Council

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

arts-based research

Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)

attention mechanism

Sigger, Neetu, Al-Jawed, Naseer and Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2022) Spatial-temporal autoencoder with attention network for video compression. In: Proceedings of the 17th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications. Online. February 6-8, 2022. Computer Vision Theory and Applications (VISAPP), 4 . Computer Vision Theory and Applications (VISAPP) - SCITEPRESS Digital Library, Setúbal, Portugal, pp. 364-371. ISBN 978-9897585555; ISSN 2184-4321 (doi:https://doi.org/10.5220/0010811900003124)

attentional synchrony

Farmer, Harry ORCID: 0000-0002-3684-0605, Bevan, C. ORCID: 0000-0002-2823-420X, Green, D., Rose, M., Cater, K. ORCID: 0000-0002-3435-2392 and Stanton Fraser, D. ORCID: 0000-0002-3062-731X (2021) Did you see what I saw?: Comparing attentional synchrony during 360° video viewing in head mounted display and tablets. Journal of Experimental Psychology: Applied, 27 (2). pp. 324-337. ISSN 1076-898X (Print), 1939-2192 (Online) (doi:https://doi.org/10.1037/xap0000332)

Audience

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene_00016_1)

audiences' technology

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

audio

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)

audio installation

Rabourdin, Caroline ORCID: 0000-0002-9694-0384 (2013) Sounding Space Symposium. [Show/Exhibition]

audio visual

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

audio-visual

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)

audio-visual art

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

audio-visual media

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

audio-visual music

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

audiovisual

Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2017) Enabling Audiovisual User Interfaces. [Creative Performance or Reading] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) VOID. [Composition]

Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2019) Participation in EMPIRE II, an international touring exhibition, 2017 - 2019. [Show/Exhibition]

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2011) Tiny jungle: psychedelic techniques in audio-visual composition. In: Proceedings of the International Computer Music Conference : Huddersfield, UK : ICMC 2011. Michigan Publishing ; International Computer Music Association (ICMA), San Francisco : International Computer Music Association ; Huddersfield : Centre for Research in New Music, University of Huddersfield, pp. 324-327. ISBN 0984527400 ; 9780984527403

audiovisual media

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)

audiovisual translation

Pettit, Zoë ORCID: 0000-0002-1909-8947 (2012) Translating Tsotsi for the screen. In: Serban, Adriana, Matamala, Anna and Lavaur, Jean-Marc, (eds.) Audiovisual Translation in Close-Up: Practical and Theoretical Approaches. Peter Lang, Bern, Switzerland, pp. 75-91. ISBN 9783034311519

auditory hallucinations

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2017) Simulating auditory hallucinations in a video game: three prototype mechanisms. In: AM '17: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-5373-1 (doi:https://doi.org/10.1145/3123514.3123532)

augmented

Macquarrie, Andrew and Steed, Anthony (2018) The effect of transition type in multi-view 360 media. IEEE Transactions on Visualization and Computer Graphics, 24 (4):17617378. pp. 1564-1573. ISSN 1077-2626 (Print), 1941-0506 (Online) (doi:https://doi.org/10.1109/TVCG.2018.2793561)

augmented reality

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)

Macquarrie, Andrew and Steed, Anthony (2020) Investigating the perceived strengths and limitations of Free-Viewpoint Video (FVV). Frontiers in Virtual Reality, 1 (11). ISSN 2673-4192 (Online) (doi:https://doi.org/10.3389/frvir.2020.00011)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)

augmented virtuality

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)

authenticity

Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Ben Hur Live as post-cinematic adaptation. Journal of Adaptation in Film & Performance, 15 (1/2). pp. 61-75. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp_00069_1)

auto-encoder

Sigger, Neetu, Al-Jawed, Naseer and Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2022) Spatial-temporal autoencoder with attention network for video compression. In: Proceedings of the 17th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications. Online. February 6-8, 2022. Computer Vision Theory and Applications (VISAPP), 4 . Computer Vision Theory and Applications (VISAPP) - SCITEPRESS Digital Library, Setúbal, Portugal, pp. 364-371. ISBN 978-9897585555; ISSN 2184-4321 (doi:https://doi.org/10.5220/0010811900003124)

avant-garde

Cole, Thomas ORCID: 0000-0001-6031-8377, Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)

Ballet

Sporton, Gregory (2016) Reviews. Scene, 4 (2). pp. 173-178. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.2.173_5)

Balnakiel

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

bauer

Hill, Andrew ORCID: 0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]

Beauty

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Bectu

Dawson, Andrew and Holmes, Sean P. (2012) 'Help to preserve the real story of our cinema and television industries': The BECTU History Project and the construction of British media history, 1986–2010. Historical Journal of Film, Radio and Television, 32 (3). pp. 435-448. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2012.699650)

Bellagio STAMP

Adewumi, Ayomikun Solomon ORCID: 0000-0002-9883-2766, Onyango, Vincent, Moyo, Dumiso and AlWaer, Husam (2018) A review of selected neighbourhood sustainability assessment frameworks using the Bellagio STAMP. International Journal of Building Pathology and Adaptation, 37 (1). pp. 108-118. ISSN 2398-4708 (Online) (doi:https://doi.org/10.1108/IJBPA-07-2018-0055)

Bereavement

Giaxoglou, Korina, Döveling, Katrin and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Networked emotions: Interdisciplinary perspectives on sharing loss online. Journal of Broadcasting and Electronic Media, 61 (1). ISSN 0883-8151 (Print), 1550-6878 (Online) (doi:https://doi.org/10.1080/08838151.2016.1273927)

Bergson

Mroz, Matilda (2014) The aesthetics of overflow: Tarkovsky’s Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pamela, (eds.) The Cinema of the Swimming Pool. New Studies in European Cinema (17). Peter Lang AG, Oxford / Bern / Berlin / Bruxelles / Frankfurt am Main / New York / Wien, pp. 169-180. ISBN 978-3034317832

bim

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)

binaural audio

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

binaural sound

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]

biofeedback

McIntosh, Tyler H., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2022) Lundheim: exploring affective audio techniques in an action-adventure video game. In: AudioMostly'22 St. Pölten University of Applied Sciences, Austria 6-9 September 2022. Association for Computing Machinery (ACM), New York. (In Press) (doi:https://doi.org/10.1145/3561212.3561234)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Griffiths, Darryl and Roberts, Shaun (2015) Quake Delirium EEG: a pilot study regarding biofeedback-driven visual effects in a computer game. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 335-338. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317420)

biography

McClean, Mairead (2008) Bell(a)Exchange III. [Show/Exhibition]

Biopolitics

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

Bluray

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.

body image

Patterson, Jennifer ORCID: 0000-0002-8254-7602 (2016) Translations. Body Talk: whose language? Association of Medical Humanities. (Unpublished)

body performance

Troisi, Anna ORCID: 0000-0002-6868-4424 (2018) OB-scene, a live audio/visual performance for photoplethysmograph and female body. Organised Sound, 23 (3). pp. 270-276. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:https://doi.org/10.1017/S1355771818000171)

Body Talk

Patterson, Jennifer ORCID: 0000-0002-8254-7602 (ed.) (2016) The Association for Medical Humanities International Journal: Body Talk: Whose Language? (2016 Conference Abstracts). The Association for Medical Humanities, The University of Greenwich. ISBN 978-0995519305 ISSN 2398-6395

book illustration

Powers, Alan (2010) Introduction: John Piper in context. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 9-13. ISBN 978-0-9558343-2-5

Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]

book review

Mann, Tony (1995) [Book review] Cindy Sherman 1975-1993. The Art Book, 2 (2). p. 34. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

Mann, Tony (1995) [Book review] Colour: Art and Science. The Art Book, 2 (2). p. 26. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00263.x)

Mann, Tony (1995) [Book review] Iterations: The New Image. The Art Book, 2 (2). pp. 32-33. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

books

Ingham, Mark (2010) Never judge a book by its movie. In: Inspiring Learners: Equipping the Next Generation of Graduates, 6 July 2010, University of Greenwich. (Unpublished)

boundary object

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2019) The screenplay as boundary object. Journal of Screenwriting, 10 (2). pp. 149-164. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.10.2.149_1)

Brexit

Stabb, Walter (2019) Europe Endless. [Video]

British film and television industry

Dawson, Andrew and Holmes, Sean P. (2014) Culture, Creativity and Disappearing Celluloid. [Video]

British film and TV industries

Dawson, Andrew and Holmes, Sean P. (2012) 'Help to preserve the real story of our cinema and television industries': The BECTU History Project and the construction of British media history, 1986–2010. Historical Journal of Film, Radio and Television, 32 (3). pp. 435-448. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2012.699650)

Britten

Powers, Alan (2010) Benjamin Britten, Piper and Aldeburgh. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 130-135. ISBN 978-0-9558343-2-5

Broadcasting Entertainment Cinematograph and Technicians Union

Dawson, Andrew and Holmes, Sean P. (2012) 'Help to preserve the real story of our cinema and television industries': The BECTU History Project and the construction of British media history, 1986–2010. Historical Journal of Film, Radio and Television, 32 (3). pp. 435-448. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2012.699650)

browser

McArthur, Angela, van Tonder, Cobi, Gaston-Bird, Leslie and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2021) A survey of 3D audio through the browser: practitioner perspectives. In: 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). 8-10 September 2021. Bologna, Italy (online). IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New Jersey, pp. 1-10. ISBN 978-1665409988 ; 978-1665409995 (doi:https://doi.org/10.1109/I3DA48870.2021.9610839)

Built Environment

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

cameras

Ingham, Mark (2011) Mark Ingham: motion and sound winner Scope Miami 2011. SCOPE Miami 2011. Artists Wanted LLC, New York, pp. 46-47. ISBN 9780984871803

Carsten Höller

Sigthorsson, Gauti (2008) Sensation for sensation's sake: art and the temptation of 'Wow'! Sjonauki. ISSN 1670-7311

cartography

Stoppani, Teresa (2007) Antípodas: proyectos para una nueva cartografía. La Revista de la Facultad 47 al fondo (15). pp. 26-31.

case study

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunnigham, Stuart (2015) Second screen comes to the silver screen: a consumer study regarding mobile technologies in the cinema. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 121-124. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317381)

challenge

Cole, Thomas ORCID: 0000-0001-6031-8377, Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)

Chance

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

chaotic map

Gong, Cheng ORCID: 0000-0002-0666-2529, Li, Jingbing ORCID: 0000-0001-6636-4710, Bhatti, Uzair Aslam, Gong, Ming, Ma, Jixin ORCID: 0000-0001-7458-7412, Huang, Mengxing and Xue, Xingsi (2021) Robust and secure zero-watermarking algorithm for medical images based on Harris-SURF-DCT and chaotic map. Security and Communication Networks, 2021:3084153. pp. 1-13. ISSN 1939-0114 (Print), 1939-0122 (Online) (doi:https://doi.org/10.1155/2021/3084153)

childhood

Chaplin, Sarah (2008) Child-friendliness in design: can design and architecture lead the way? In: Places to go? place-shaping, safer streets and sustainable transport for a child-friendly public realm. A national conference by Play England, Sustrans, Living Streets and the National Children's Bureau, 20 May 2008, Queen Elizabeth II Conference Centre Westminster London. (Unpublished)

children's book illustration

Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]

China

Ingham, Mark (2011) New photographic practices: SCOPE. In: Newth, Martin, (ed.) New Photographic Practices; SCOPE. Camberwell Press, London. ISBN 978-0953639595

Vlachos, Peter ORCID: 0000-0002-4870-9006 (2003) Paint a true picture of art in China. The Guardian. ISSN 0261-3077

choreography

Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)

Chris Ofili

Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]

Christian Hidaka

Waterworth, David, Brochard, Yves and McDonald, Roger (2011) On cavity: the language of landscape and the gaps in between. Christian Hidaka: Balanced Rock / Waterfall at the Top of the River. Max Wigram Gallery, London, pp. 23-24. ISBN 9780955971310

Cindy Sherman

Mann, Tony (1995) [Book review] Cindy Sherman 1975-1993. The Art Book, 2 (2). p. 34. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

cinema

Dawson, Andrew (2011) Book review: NYSTROM, DEREK. Hard Hats, Rednecks, and Macho Men. Class in 1970s American Cinema. Oxford University Press, Oxford [etc.] 2009. x, 251 pp.Ill. $24.95; doi:10.1017/S0020859011000137. International Review of Social History, 56 (10). pp. 160-162. ISSN 0020-8590 (Print), 1469-512X (Online) (doi:https://doi.org/10.1017/S0020859011000137)

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunnigham, Stuart (2015) Second screen comes to the silver screen: a consumer study regarding mobile technologies in the cinema. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 121-124. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317381)

Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Ben Hur Live as post-cinematic adaptation. Journal of Adaptation in Film & Performance, 15 (1/2). pp. 61-75. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp_00069_1)

Cinema censorship

Mroz, Matilda (2010) Cinema and censorship in post-war Poland. In: Darwin College Humanities and Social Sciences Group series, 25 May 2010, Darwin College, University of Cambridge, UK. (Unpublished)

cinematic Virtual Reality

Hong, Yang, Macquarrie, Andrew and Steed, Anthony (2018) The effect of chair type on users' viewing experience for 360-degree video. In: VRST '18: Proceedings of the 24th ACM Symposium on Virtual Reality Software and Technology. Tokyo Japan. 28 November 2018- 1 December 2018. Association for Computing Machinery (ACM), New York, United States, pp. 1-11. ISBN 978-1450360869 (doi:https://doi.org/10.1145/3281505.3281519)

Macquarrie, Andrew and Steed, Anthony (2017) Cinematic Virtual Reality: evaluating the effect of display type on the viewing experience for panoramic video. In: 2017 IEEE Virtual Reality (VR). March 18-22 2017. Los Angeles, CA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 45-54. ISBN 978-1509066476 ; 978-1509066483 ISSN 2375-5334 (Online) (doi:https://doi.org/10.1109/VR.2017.7892230)

Schmitz, Anastasia, Macquarrie, Andrew, Julier, Simon, Binetti, Nicola and Steed, Anthony (2020) Directing versus attracting attention: exploring the effectiveness of central and peripheral cues in panoramic videos. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 63-72. ISBN 978-1728156088 ; 978-1728156095 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR46266.2020.00024)

cities

Stoppani, Teresa (2008) Interpreting the Renaissance: princes, cities, architects by Manfredo Tafuri, translated by Daniel Sherer. The Journal of Architecture, 13 (3). pp. 345-354. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360802216997)

Stoppani, Teresa (2007) Learning from Manhattan: Rem Koolhaas on the City before the Global and Junkspace. In: Concealing the Designer – The Illusion of the Natural City in the 20th Century, 1-2 June 2007, Berlin, Germany.

code-switching

Pettit, Zoë ORCID: 0000-0002-1909-8947 (2012) Translating Tsotsi for the screen. In: Serban, Adriana, Matamala, Anna and Lavaur, Jean-Marc, (eds.) Audiovisual Translation in Close-Up: Practical and Theoretical Approaches. Peter Lang, Bern, Switzerland, pp. 75-91. ISBN 9783034311519

cognitive

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

cognitive theory

Cole, Tom ORCID: 0000-0001-6031-8377 (2015) The tragedy of betrayal: how the design of Ico and Shadow of the Colossus elicits emotion. In: DiGRA '15 - Proceedings of the 2015 DiGRA International Conference. Lüneburg, Germany, May 14th - 17th 2015. Digital Games Research Association, Finland. ISSN 2342-9666

Colin MacCabe

Stabb, Walter (2019) Europe Endless. [Video]

collaboration

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2019) The screenplay as boundary object. Journal of Screenwriting, 10 (2). pp. 149-164. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.10.2.149_1)

collaborative

Maffioletti, Catherine (2020) Multicomponent Output 2: Hysterical Together. [Creative Performance or Reading]

Collaborative production

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)

Collective

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

collodion photography

Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)

colour in art

Mann, Tony (1995) [Book review] Colour: Art and Science. The Art Book, 2 (2). p. 26. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00263.x)

communication

McClean, Mairead (2008) Bell(a)Exchange III. [Show/Exhibition]

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2020) How ambient advertising is uniquely placed to make audiences think. Westminster Papers in Communication and Culture, 15 (2). pp. 95-111. ISSN 1744-6716 (Online) (doi:https://doi.org/10.16997/wpcc.346)

communications

Calvert, Sheena (2009) [Un]disciplined gestures and [un]common sense: the sensual, acoustic logic(s) of paradox and art. PhD thesis, University of Greenwich.

community

Adil, Alev (2011) MemoryMap [website]. MemoryMap, London, UK.

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

Community project

Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]

Composed Instrument

Masu, Raul, Correia, Nuno N. ORCID: 0000-0002-9999-9162, Jürgens, Stephan, Feitsch, Jochen and Romão, Teresa (2020) Designing Interactive Sonic Artefacts for Dance Performance: an Ecological Approach. In: AM '20: Proceedings of the 15th International Conference on Audio Mostly. ACM, New York, USA, pp. 122-129. ISBN 978-1450375634 (doi:https://doi.org/10.1145/3411109.3412297)

composing

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective. PhD thesis, University of Greenwich.

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective: REF Multi-component portfolio. [Dataset] (Unpublished)

Composition

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

computational photography

Macquarrie, Andrew and Steed, Anthony (2015) Object removal in panoramic media. In: CVMP '15: Proceedings of the 12th European Conference on Visual Media Production. ACM Digital Library (2). Association for Computing Machinery (ACM), New York, United States, pp. 1-10. ISBN 978-1450335607 (doi:https://doi.org/10.1145/2824840.2824844)

computer and video games

Cunningham, Stuart, Henry, John and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Augmenting virtual spaces: affective feedback in computer games. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 229-247. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_13)

computer art

Bowen, Jonathan P., Giannini, Tula, Polmeer, Gareth, Gannis, Carla, Gardiner, Jeremy, Kearney, Jonathan, Wands, Bruce and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) States of being: art and identity in digital space and time. In: EVA London 2018: Electronic Visualisation & the Arts. Proceedings of a conference held in London 11th-13th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2018 . BCS: The Chartered Institute for IT, Swindon; London, pp. 1-7. ISBN 978-1780174631 ; 978-1780174632 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2018.1)

Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897, Borda, Ann and Diprose, Graham (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon. ISBN 978-1780175942 ISSN 1477-9358

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2022) Book launch - Explosions in the mind: composing psychedelic sounds and visualisations. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 36-37. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.8)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2014) EEG as a controller for psychedelic visual music in an immersive dome environment. In: EVA London 2014: Proceedings of the EVA London 2014 on Electronic Visualisation and the Arts. Electronic Workshops in Computing (eWiC) | BCS . BCS, The Chartered Institute for IT, Swindon; London. ISBN 978-1780172859 ; 1780172850 (doi:https://doi.org/10.14236/ewic/EVA2014.45)

computer music

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2011) Tiny jungle: psychedelic techniques in audio-visual composition. In: Proceedings of the International Computer Music Conference : Huddersfield, UK : ICMC 2011. Michigan Publishing ; International Computer Music Association (ICMA), San Francisco : International Computer Music Association ; Huddersfield : Centre for Research in New Music, University of Huddersfield, pp. 324-327. ISBN 0984527400 ; 9780984527403

conference

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

consensus approach

Adewumi, Ayomikun Solomon ORCID: 0000-0002-9883-2766, Onyango, Vincent, Moyo, Dumiso and AlWaer, Husam (2018) A review of selected neighbourhood sustainability assessment frameworks using the Bellagio STAMP. International Journal of Building Pathology and Adaptation, 37 (1). pp. 108-118. ISSN 2398-4708 (Online) (doi:https://doi.org/10.1108/IJBPA-07-2018-0055)

constructivism

Cole, Tom ORCID: 0000-0001-6031-8377 and Salisbury, John Hamon (2016) Grounded Theory in games research: making the case and exploring the options. In: DIGRA/FDG '16 - Proceedings of the First International Joint conference of DIGRA and FDG. Digital Games Research Association, Finland. ISBN 2342-9666

constructivist research

Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2018) The Cosmic Pond - REF documentation. [Show/Exhibition]

consumerism

Stacey, Gillian Joyce (2017) Lee Miller. Beyond the muse. A very modern woman: a woman of her time. PhD thesis, University of Greenwich.

contemporary art

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Elevate me later - an analogue sea in a digital world. In: Papadaki, Elena ORCID: 0000-0002-6653-4334, (ed.) Exhibiting the Analogue / Exhibiting the Digital – afterthoughts on an exhibition. University of Greenwich Galleries, London, pp. 1-5. ISBN 978-0957343047 (In Press)

Vlachos, Peter ORCID: 0000-0002-4870-9006 (2003) Paint a true picture of art in China. The Guardian. ISSN 0261-3077

contemporary composition

Hill, Andrew ORCID: 0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]

contemporary dance

Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)

contemporary mime

Wallis, Jillian (2015) Reverie. [Creative Performance or Reading]

contemporary philosophy

Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.

content creation

Macquarrie, Andrew and Steed, Anthony (2020) Investigating the perceived strengths and limitations of Free-Viewpoint Video (FVV). Frontiers in Virtual Reality, 1 (11). ISSN 2673-4192 (Online) (doi:https://doi.org/10.3389/frvir.2020.00011)

context-aware computing

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Picking, Richard and Williams, Lyall (2015) Holophonor: On the Future Technology of Visual Music. In: Curran, Kevin, (ed.) Recent Advances in Ambient Intelligence and Context-Aware Computing. Recent Advances in Ambient Intelligence and Context-Aware Computing . IGI Global, USA, pp. 143-154. ISBN 9781466672840 ; 1466672846 ; 9781466672857 (doi:https://doi.org/10.4018/978-1-4666-7284-0.ch015)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Picking, Richard and Williams, Lyall (2015) Holophonor: designing the visual music instruments of the future. In: Curran, Kevin, (ed.) Recent Advances in Ambient Intelligence and Context-Aware Computing. IGI Global, USA, pp. 143-154. ISBN 9781466672840 ; 9781466672857, 1466672854 ; 1466672846 (doi:https://doi.org/10.4018/978-1-4666-7284-0.ch009)

cooking

Stacey, Gillian Joyce (2017) Lee Miller. Beyond the muse. A very modern woman: a woman of her time. PhD thesis, University of Greenwich.

corporeal

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Craft

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

creative computing

Troisi, Anna ORCID: 0000-0002-6868-4424 (2018) OB-scene, a live audio/visual performance for photoplethysmograph and female body. Organised Sound, 23 (3). pp. 270-276. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:https://doi.org/10.1017/S1355771818000171)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Cyberdreams: visualizing music in extended reality. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 209-227. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_12)

creative industries

Mould, Oli, Vorley, Tim and Liu, Kai (2014) Invisible creativity? Highlighting the hidden impact of freelancing in London's creative industries. European Planning Studies, 22 (12). pp. 2436-2455. ISSN 0965-4313 (Print), 1469-5944 (Online) (doi:https://doi.org/10.1080/09654313.2013.790587)

creative industries. Site-Specific projections

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

creative methodology

Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)

creative writing

Smith, Caroline (2007) Hide and seek with rebels: tracing contemporary queer art in cracks and rips. Wasafiri, 22 (1). pp. 32-42. ISSN 0269-0055 (doi:https://doi.org/10.1080/02690050601097609)

creativity

Dawson, Andrew and Holmes, Sean P. (2012) New perspectives on working in the global film and television industries. Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 1-17. ISBN 9781780930206

Dawson, Andrew and Holmes, Sean P. (eds.) (2012) Working in the global film and television industries: Creativity, systems, space, patronage. Bloomsbury Academic, London, UK. ISBN 9781780930206

crime film

Fiddler, Michael ORCID: 0000-0002-0695-6770 (2013) Playing funny games in the last house on the left: the uncanny and the ‘home invasion’ genre. Crime, Media, Culture, 9 (3). pp. 281-299. ISSN 1741-6590 (Print), 1741-6604 (Online) (doi:https://doi.org/10.1177/1741659013511833)

Cult

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

cultural identity

Milic, Nela, Maragiannis, Anastasios ORCID: 0000-0002-1662-0189, Oh, Jee and Zuabi, Thaer (2011) Mapping and reshaping of cultural identity by digital media [Workshop]. In: ISEA2011: The 17th International Symposium on Electronic Art, 14-21 Sep 2011, Istanbul, Turkey.

cultural movements

Inman, James Stuart (1997) Surrealism since the Second World War with particular reference to surrealism in Czechoslovakia. MPhil thesis, University of Greenwich.

cultural politics of space

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Re-mapping the territory: immersive exhibition practices in the expanded field. Gramma, 27. ISSN 2529-1793 (Online) (doi:https://doi.org/10.26262/gramma.v27i0.8990)

culture

Mann, Tony (1995) [Book review] Iterations: The New Image. The Art Book, 2 (2). pp. 32-33. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Curated event

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:https://doi.org/10.1080/17458927.2015.1042247)

Curated exhibition / projections

Papadaki, Elena ORCID: 0000-0002-6653-4334 and Schizakis, Stamatis (2018) Critical Convergence: Greek contemporary artists in dialogue with the (recent) past. [Show/Exhibition]

Curating

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2014) Communicating technology: Interactive design and interdisciplinary collaboration in the digital arts. In: Book of Absracts of DRHA2014: Communication Futures: Connecting Interdisciplinary Design Practices in Arts/Culture, Academia and the Creative Industries. University of Greenwich, pp. 215-216. ISBN 978-1-291-97878-0

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Interactive video installations in public spaces: Rafael Lozano-Hemmer's Under Scan. In: Crisp, Virginia and Menotti Gonring, Gabriel, (eds.) Besides the Screen: Moving Images through Distribution, Promotion and Curation. Palgrave Macmillan, London & New York, pp. 197-212. ISBN 978-1-137-47101-7

Curating New Media

Papadaki, Elena ORCID: 0000-0002-6653-4334, Ploeger, Dani and Krajewska, Klio (2019) Radical Immersions. [Show/Exhibition]

Curating Russian Cinema

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Curating Russian Film for International Audiences. [Show/Exhibition] (Submitted)

curation

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Curating Russian Film for International Audiences. [Show/Exhibition] (Submitted)

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Elevate me later - an analogue sea in a digital world. In: Papadaki, Elena ORCID: 0000-0002-6653-4334, (ed.) Exhibiting the Analogue / Exhibiting the Digital – afterthoughts on an exhibition. University of Greenwich Galleries, London, pp. 1-5. ISBN 978-0957343047 (In Press)

CX

Kawaf, Fatema ORCID: 0000-0002-7089-7816, Bruce, Helen, Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110, Rooney, Tara and Ngwakwe, Amarachi (2022) Using screencast videography as a customer experience and journey mapping tool: a case study. In: The 12th International SERVSIG Conference 2022. SERVSIG. (In Press)

cyber-physical

Siegel, Lauren ORCID: 0000-0003-2117-8492, Tussyadiah, Iis ORCID: 0000-0003-0729-1712 and Scarles, Caroline ORCID: 0000-0001-8279-3689 (2022) Cyber-physical traveler performances and Instagram travel photography as ideal impression management. Current Issues in Tourism. ISSN 1368-3500 (Print), 1747-7603 (Online) (In Press) (doi:https://doi.org/10.1080/13683500.2022.2086451)

Cyprus

Adil, Alev (2011) Memory in the dead zone. [Creative Performance or Reading]

Czechoslovakia

Inman, James Stuart (1997) Surrealism since the Second World War with particular reference to surrealism in Czechoslovakia. MPhil thesis, University of Greenwich.

Dance

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

Masu, Raul, Correia, Nuno N. ORCID: 0000-0002-9999-9162, Jürgens, Stephan, Feitsch, Jochen and Romão, Teresa (2020) Designing Interactive Sonic Artefacts for Dance Performance: an Ecological Approach. In: AM '20: Proceedings of the 15th International Conference on Audio Mostly. ACM, New York, USA, pp. 122-129. ISBN 978-1450375634 (doi:https://doi.org/10.1145/3411109.3412297)

Sporton, Gregory (2017) The Body and the Intellectual. Scene, 5 (2). pp. 115-126. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.2.115_1)

Sporton, Gregory (2018) The Life of a Dance: Double Take Part II. In: Proceedings from the Document Academy. University of Akron, pp. 1-10.

Sporton, Gregory (2016) Reviews. Scene, 4 (2). pp. 173-178. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.2.173_5)

Sporton, Gregory (2017) Reviews. Scene, 5 (1). pp. 83-88. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.1.83_5)

Sporton, Gregory (2017) The Sporton Professorial Inaugural. [Creative Performance or Reading]

dance and technology

Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2019) Moving Digits: Augmented Dance for Engaged Audience. [Creative Performance or Reading] (Unpublished)

Daphne du Maurier

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)

data body

Boddington, Ghislaine ORCID: 0000-0003-0448-579X, Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]

Data storage

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

data technology

Boddington, Ghislaine ORCID: 0000-0003-0448-579X, Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]

data visualisations

Tsjornaja, Anne, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Broadhead, Martyn (2022) Art(NET)work: visualising interconnected artwork data in VR. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 250-251. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.47)

database

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Index of love. [Show/Exhibition]

Death

Giaxoglou, Korina, Döveling, Katrin and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Networked emotions: Interdisciplinary perspectives on sharing loss online. Journal of Broadcasting and Electronic Media, 61 (1). ISSN 0883-8151 (Print), 1550-6878 (Online) (doi:https://doi.org/10.1080/08838151.2016.1273927)

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2016) Death and Memory in the Twenty-First Century. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities and Sciences. Palgrave Macmillan, London, UK, pp. 113-118. ISBN 9781137520579 (doi:https://doi.org/10.1057/9781137520586_14)

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Love After Death (2016 - 2018). [Show/Exhibition]

deception

Finkelstein, Joanne (2010) Fashioned identity and the unreliable image. Critical Studies in Fashion and Beauty, 1 (2). pp. 153-163. ISSN 2040-4417 (doi:https://doi.org/10.1386/csfb.1.2.161_1)

deep learning

Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2021) Deep-NC: a secure image transmission using deep learning and network coding. Signal Processing: Image Communication, 99:116490. ISSN 0923-5965 (doi:https://doi.org/10.1016/j.image.2021.116490)

Sigger, Neetu, Al-Jawed, Naseer and Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2022) Spatial-temporal autoencoder with attention network for video compression. In: Proceedings of the 17th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications. Online. February 6-8, 2022. Computer Vision Theory and Applications (VISAPP), 4 . Computer Vision Theory and Applications (VISAPP) - SCITEPRESS Digital Library, Setúbal, Portugal, pp. 364-371. ISBN 978-9897585555; ISSN 2184-4321 (doi:https://doi.org/10.5220/0010811900003124)

Vien, Quoc-Tuan, Nguyen, Tuan ORCID: 0000-0003-0055-8218 and Nguyen, Huan (2021) A lightweight secure image super resolution using network coding. In: Proceedings of the 16th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications. 8-11 Feb 2021. Vienna, Austria. VISIGRAPP, 4 . SCITEPRESS, Setúbal, Portugal, pp. 653-660. ISBN 978-9897584886 ISSN 2184-4321 (doi:https://doi.org/10.5220/0010212406530660)

defamiliarisation

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)

democratic image

Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]

design

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2009) Visual arts and 2D – 3D motion typo.graphic design. In: EVA London 2009: Electronic Visualisation & the Arts. Electronic Workshops in Computing (eWiC) (online), 2009 . BCS: The Chartered Institute for IT, Swindon, UK, pp. 192-200. ISBN 978-1-906124-17-5 (pbk) ISSN 1477-9358 (online)

Design Education

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

Design in Use

Masu, Raul, Correia, Nuno N. ORCID: 0000-0002-9999-9162, Jürgens, Stephan, Feitsch, Jochen and Romão, Teresa (2020) Designing Interactive Sonic Artefacts for Dance Performance: an Ecological Approach. In: AM '20: Proceedings of the 15th International Conference on Audio Mostly. ACM, New York, USA, pp. 122-129. ISBN 978-1450375634 (doi:https://doi.org/10.1145/3411109.3412297)

Design Processes

Masu, Raul, Correia, Nuno N. ORCID: 0000-0002-9999-9162, Jürgens, Stephan, Feitsch, Jochen and Romão, Teresa (2020) Designing Interactive Sonic Artefacts for Dance Performance: an Ecological Approach. In: AM '20: Proceedings of the 15th International Conference on Audio Mostly. ACM, New York, USA, pp. 122-129. ISBN 978-1450375634 (doi:https://doi.org/10.1145/3411109.3412297)

digital

Adil, Alev (2011) MemoryMap [website]. MemoryMap, London, UK.

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]

Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2022) Screencast videography: understanding experience in the metaverse. In: Future Visualities: Visual Methods & Ethnography in Interdisciplinary Research Symposium, 1st June 2022, Edinburgh Napier University. (Unpublished)

Maffioletti, Catherine (2020) Multicomponent Output 1: Hysteria. [Creative Performance or Reading]

Maffioletti, Catherine (2020) Multicomponent Output 2: Hysterical Together. [Creative Performance or Reading]

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2016) Death and Memory in the Twenty-First Century. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities and Sciences. Palgrave Macmillan, London, UK, pp. 113-118. ISBN 9781137520579 (doi:https://doi.org/10.1057/9781137520586_14)

digital art

Bowen, Jonathan P., Giannini, Tula, Polmeer, Gareth, Gannis, Carla, Gardiner, Jeremy, Kearney, Jonathan, Wands, Bruce and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) States of being: art and identity in digital space and time. In: EVA London 2018: Electronic Visualisation & the Arts. Proceedings of a conference held in London 11th-13th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2018 . BCS: The Chartered Institute for IT, Swindon; London, pp. 1-7. ISBN 978-1780174631 ; 978-1780174632 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2018.1)

Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897, Borda, Ann and Diprose, Graham (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon. ISBN 978-1780175942 ISSN 1477-9358

Bowen, Jonathon P., Baker, Camille, Boddington, Ghislaine ORCID: 0000-0003-0448-579X, Edmonds, Ernst, van Helsdingen, Merel and Masson, Terence (2021) EVA London 2021: Keynote summaries. In: EVA London 2021: Electronic Visualisation & the Arts. Proceedings of conference. BCS, The Chartered Institute for IT, 5th -9th July 2021. Proceedings of EVA London 2021 . Science Open, London, pp. 1-6. ISBN 978-1780175737 (doi:https://doi.org/10.14236/ewic/EVA2021.1)

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)

Golding, Sue (2006) The assassination of time (ζeta-philosophy). In: Digital Art Weeks, 12-16 Jul 2006, Eidgenössische Technische Hochschule, Zurich, Switzerland.

Hobbs, James (2020) Moribund State(s) - Solo multimedia art exhibition. [Show/Exhibition]

Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2019) Participation in EMPIRE II, an international touring exhibition, 2017 - 2019. [Show/Exhibition]

digital arts

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Bowen, Jonathan P., Borda, Ann and Diprose, Graham (eds.) (2021) EVA London (Electronic Visualisation and the Arts): proceedings of EVA London 2021. In: EVA London 2021, Programme Committee, (ed.) AI and the Arts: Artificial Imagination. Proceedings of EVA London 2021 (EVA 2021). 5th July – 9th July 2021. Electronic Workshops in Computing (eWiC) | BCS . British Computer Society, Swindon; London, pp. 1-10. ISBN 978-1780175737 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2021.0)

Digital Compositing

Zhi, Jin (2015) An alternative green screen keying method for film visual effects. International Journal of Multimedia and Its Applications, 7 (2). pp. 1-12. ISSN 0975-5934 (Print), 0975-5578 (Online) (doi:https://doi.org/10.5121/ijma.2015.7201)

digital culture

Bowen, Jonathon P., Baker, Camille, Boddington, Ghislaine ORCID: 0000-0003-0448-579X, Edmonds, Ernst, van Helsdingen, Merel and Masson, Terence (2021) EVA London 2021: Keynote summaries. In: EVA London 2021: Electronic Visualisation & the Arts. Proceedings of conference. BCS, The Chartered Institute for IT, 5th -9th July 2021. Proceedings of EVA London 2021 . Science Open, London, pp. 1-6. ISBN 978-1780175737 (doi:https://doi.org/10.14236/ewic/EVA2021.1)

digital death

Boddington, Ghislaine ORCID: 0000-0003-0448-579X, Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]

digital error

Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)

digital fatigue

Watkins, Julie ORCID: 0000-0001-8872-7041 (2022) Alleviating digital fatigue: actions to increase life-satisfaction. In: DRHA 2022, 4th - 7th September 2022, Kingston University. (Unpublished)

digital games

Cole, Thomas ORCID: 0000-0001-6031-8377, Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)

digital intimacy

Bowen, Jonathon P., Baker, Camille, Boddington, Ghislaine ORCID: 0000-0003-0448-579X, Edmonds, Ernst, van Helsdingen, Merel and Masson, Terence (2021) EVA London 2021: Keynote summaries. In: EVA London 2021: Electronic Visualisation & the Arts. Proceedings of conference. BCS, The Chartered Institute for IT, 5th -9th July 2021. Proceedings of EVA London 2021 . Science Open, London, pp. 1-6. ISBN 978-1780175737 (doi:https://doi.org/10.14236/ewic/EVA2021.1)

digital media

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Index of love. [Show/Exhibition]

Milic, Nela, Maragiannis, Anastasios ORCID: 0000-0002-1662-0189, Oh, Jee and Zuabi, Thaer (2011) Mapping and reshaping of cultural identity by digital media [Workshop]. In: ISEA2011: The 17th International Symposium on Electronic Art, 14-21 Sep 2011, Istanbul, Turkey.

digital preservation

Bowen, Jonathon P., Baker, Camille, Boddington, Ghislaine ORCID: 0000-0003-0448-579X, Edmonds, Ernst, van Helsdingen, Merel and Masson, Terence (2021) EVA London 2021: Keynote summaries. In: EVA London 2021: Electronic Visualisation & the Arts. Proceedings of conference. BCS, The Chartered Institute for IT, 5th -9th July 2021. Proceedings of EVA London 2021 . Science Open, London, pp. 1-6. ISBN 978-1780175737 (doi:https://doi.org/10.14236/ewic/EVA2021.1)

digital research

Broadhurst, Susan, Papadaki, Elena ORCID: 0000-0002-6653-4334, Ploeger, Dani, Goddard, Michael N., O'Brien, Sarah, Taiwo, Olu, Schellewald, Andreas, Chan, Melanie, Lewis, Matt, Dziekan, Vince, Giannachi, Gabriella, Nolasco-Rózsás, Lívia, Katan-Schmid, Einav, Meseguer, Rosell, Borges, Cândida, Vélez, Gabriel Mario, DeLappe, Joseph, Caerols Mateo, Raquel, Kelomees, Raivo, Guljajeva, Varvara, Laas, Oliver, Riegel, Christian, Robinson, Katherine M., Richards, Grayson, Desnoyers-Stewart, John, Smith, Megan L., Riecke, Bernhard E., Dare, Eleanor, Berezina-Blackburn, Vita, Oliszewski, Alex and Mcgarrigle, Conor (eds.) (2020) Radical Immersions: Navigating between virtual/physical environments and information bubbles - DRHA 2019 Conference Proceedings. University of London / DRHA, London. ISBN 978-0900822124 (In Press)

digital storytelling

Pyjas, Gabriela Maria, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Broadhead, Martyn (2022) Storytelling and VR: ιnducing emotions through AI characters. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 194-204. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.37)

digital technology

Mann, Tony (1995) [Book review] Iterations: The New Image. The Art Book, 2 (2). pp. 32-33. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

digital/analogue

Papadaki, Elena ORCID: 0000-0002-6653-4334, Arfaras, Mihalis, Schizakis, Stamatis, Garcia, Carla Ambrósio, Dare, Eleanor, Beveridge, Patrick, Hobbs, James, Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Menotti, Gabriel, Ploeger, Dani, Samson, Audrey, Borras, Michael (a.k.a. Systaime), Krajewska, Klio and Talbot, Michael ORCID: 0000-0001-7198-1422 (eds.) (2020) Exhibiting the Analogue, Exhibiting the Digital: Afterthoughts on an exhibition. University of Greenwich Galleries / Incandescent Square, London. ISBN 978-0957343047

Dilston Grove

Ingham, Mark (2012) 120 days and nights of staggering and stammering. [Show/Exhibition]

distribution

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

DNA

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

documentation

Sporton, Gregory (2018) The Life of a Dance: Double Take Part II. In: Proceedings from the Document Academy. University of Akron, pp. 1-10.

domestic space

Fiddler, Michael ORCID: 0000-0002-0695-6770 (2013) Playing funny games in the last house on the left: the uncanny and the ‘home invasion’ genre. Crime, Media, Culture, 9 (3). pp. 281-299. ISSN 1741-6590 (Print), 1741-6604 (Online) (doi:https://doi.org/10.1177/1741659013511833)

domesticity

Stacey, Gillian Joyce (2017) Lee Miller. Beyond the muse. A very modern woman: a woman of her time. PhD thesis, University of Greenwich.

Dourish

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)

drawing

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Dreaming

Secomb, Linnell (2006) Petyarra and Moffatt: 'Looking from the sky'. Cultural Studies Review, 12 (1). pp. 44-56. ISSN 1446-8123 (Print), 1837-8692 (Online)

dualism

Sporton, Gregory (2017) The Body and the Intellectual. Scene, 5 (2). pp. 115-126. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.2.115_1)

dubbing

Pettit, Zoë ORCID: 0000-0002-1909-8947 (2012) Translating Tsotsi for the screen. In: Serban, Adriana, Matamala, Anna and Lavaur, Jean-Marc, (eds.) Audiovisual Translation in Close-Up: Practical and Theoretical Approaches. Peter Lang, Bern, Switzerland, pp. 75-91. ISBN 9783034311519

duration

Mroz, Matilda (2014) The aesthetics of overflow: Tarkovsky’s Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pamela, (eds.) The Cinema of the Swimming Pool. New Studies in European Cinema (17). Peter Lang AG, Oxford / Bern / Berlin / Bruxelles / Frankfurt am Main / New York / Wien, pp. 169-180. ISBN 978-3034317832

dust

Stoppani, Teresa (2007) Dust projects: on Walter Benjamin's Passagen-Werk and some contemporary dusty makings in architecture. The Journal of Architecture, 12 (5). pp. 543-557. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360701722566)

Stoppani, Teresa (2007) Dust revolutions. Dust, informe, architecture (notes for a reading of dust in Bataille). The Journal of Architecture, 12 (4). 437 - 447. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360701614714)

DVD

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.

Eagle Document

Waterworth, David (2009) Object as subject. [Show/Exhibition]

early cinema

Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Ben Hur Live as post-cinematic adaptation. Journal of Adaptation in Film & Performance, 15 (1/2). pp. 61-75. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp_00069_1)

Edinburgh Festival

Mann, Tony (1997) Edinburgh in August. The Art Book, 4 (1). pp. 19-20. ISSN 1467-8357 (doi:https://doi.org/10.1111/1467-8357.00003)

Editorial design

Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)

education

Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897, Borda, Ann and Diprose, Graham (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon. ISBN 978-1780175942 ISSN 1477-9358

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282

EEG

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Griffiths, Darryl and Roberts, Shaun (2015) Quake Delirium EEG: a pilot study regarding biofeedback-driven visual effects in a computer game. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 335-338. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317420)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2014) EEG as a controller for psychedelic visual music in an immersive dome environment. In: EVA London 2014: Proceedings of the EVA London 2014 on Electronic Visualisation and the Arts. Electronic Workshops in Computing (eWiC) | BCS . BCS, The Chartered Institute for IT, Swindon; London. ISBN 978-1780172859 ; 1780172850 (doi:https://doi.org/10.14236/ewic/EVA2014.45)

Eisenstein

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Curating Russian Film for International Audiences. [Show/Exhibition] (Submitted)

electro-acoustic

Thompson, Ian ORCID: 0000-0002-7143-8013, Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]

electroacoustic

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) VOID. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene_00016_1)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

electroacoustic music

Hill, Andrew ORCID: 0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

electronic dance music

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

electronic music

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

embodied

Maffioletti, Catherine (2020) Multicomponent Output 1: Hysteria. [Creative Performance or Reading]

Maffioletti, Catherine (2020) Multicomponent Output 2: Hysterical Together. [Creative Performance or Reading]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)

emotion

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)

Cole, Tom ORCID: 0000-0001-6031-8377 (2015) The tragedy of betrayal: how the design of Ico and Shadow of the Colossus elicits emotion. In: DiGRA '15 - Proceedings of the 2015 DiGRA International Conference. Lüneburg, Germany, May 14th - 17th 2015. Digital Games Research Association, Finland. ISSN 2342-9666

Cunningham, Stuart, Henry, John and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Augmenting virtual spaces: affective feedback in computer games. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 229-247. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_13)

Giaxoglou, Korina, Döveling, Katrin and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Networked emotions: Interdisciplinary perspectives on sharing loss online. Journal of Broadcasting and Electronic Media, 61 (1). ISSN 0883-8151 (Print), 1550-6878 (Online) (doi:https://doi.org/10.1080/08838151.2016.1273927)

emotional

Cole, Thomas ORCID: 0000-0001-6031-8377, Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)

emotions

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) Emotional exploration and the eudaimonic gameplay experience: a grounded theory. In: CHI '22: CHI Conference on Human Factors in Computing Systems. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (470). Association of Computing Machinery (ACM), New York, pp. 1-16. ISBN 978-1450391573 (doi:https://doi.org/10.1145/3491102.3502002)

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)

empirical methods

Cole, Tom ORCID: 0000-0001-6031-8377 and Salisbury, John Hamon (2016) Grounded Theory in games research: making the case and exploring the options. In: DIGRA/FDG '16 - Proceedings of the First International Joint conference of DIGRA and FDG. Digital Games Research Association, Finland. ISBN 2342-9666

Enactivism

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)

end-of-life planning

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Love After Death (2016 - 2018). [Show/Exhibition]

Engagement

Bailey, Catherine, Madden, Adrian ORCID: 0000-0002-3193-5808, Alfes, Kerstin and Fletcher, Luke (2015) The meaning, antecedents and outcomes of employee engagement: A narrative synthesis. International Journal of Management Reviews, 19 (1). pp. 31-53. ISSN 1460-8545 (Print), 1468-2370 (Online) (doi:https://doi.org/10.1111/ijmr.12077)

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2020) How ambient advertising is uniquely placed to make audiences think. Westminster Papers in Communication and Culture, 15 (2). pp. 95-111. ISSN 1744-6716 (Online) (doi:https://doi.org/10.16997/wpcc.346)

England

Turner, Tom (1986) English garden design: history and style since 1650. Antique Collectors' Club Ltd., Woodbridge, England. ISBN 978-0907462255

English

Turner, Tom (1986) English garden design: history and style since 1650. Antique Collectors' Club Ltd., Woodbridge, England. ISBN 978-0907462255

enstrangement

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)

epistemology

Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.

error

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Barker, Timothy (eds.) (2021) Miscommunications: Errors, Mistakes, Media. Thinking Media . Bloomsbury Academic, New York. ISSN 978-1501363856 (Print), 978-1501363832 (Online)

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)

eudaimonia

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) Emotional exploration and the eudaimonic gameplay experience: a grounded theory. In: CHI '22: CHI Conference on Human Factors in Computing Systems. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (470). Association of Computing Machinery (ACM), New York, pp. 1-16. ISBN 978-1450391573 (doi:https://doi.org/10.1145/3491102.3502002)

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)

Evgenii Bauer

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)

Exhibiting in public spaces

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Interactive video installations in public spaces: Rafael Lozano-Hemmer's Under Scan. In: Crisp, Virginia and Menotti Gonring, Gabriel, (eds.) Besides the Screen: Moving Images through Distribution, Promotion and Curation. Palgrave Macmillan, London & New York, pp. 197-212. ISBN 978-1-137-47101-7

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2017) Space as Methodology: the politics of exhibiting the moving image in public spaces. In: "The Politics of Space and the Humanities", 15-17 December 2017, Thessaloniki, Greece. (Unpublished)

exhibition

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Ingham, Mark (2011) Mark Ingham, Marilyn Miller and Me 1956-2011. In: Muraben, Billie, (ed.) New Photographic Practices: SCOPE. Camberwell Press, London, UK, p. 24. ISBN 978-0-9536395-9-5

Mann, Tony (2003) [Exhibition review] Keith Tyson at Tate Britain. BSHM Newsletter, 47. pp. 46-47.

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Elevate me later - an analogue sea in a digital world. In: Papadaki, Elena ORCID: 0000-0002-6653-4334, (ed.) Exhibiting the Analogue / Exhibiting the Digital – afterthoughts on an exhibition. University of Greenwich Galleries, London, pp. 1-5. ISBN 978-0957343047 (In Press)

Papadaki, Elena ORCID: 0000-0002-6653-4334, Arfaras, Mihalis, Schizakis, Stamatis, Garcia, Carla Ambrósio, Dare, Eleanor, Beveridge, Patrick, Hobbs, James, Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Menotti, Gabriel, Ploeger, Dani, Samson, Audrey, Borras, Michael (a.k.a. Systaime), Krajewska, Klio and Talbot, Michael ORCID: 0000-0001-7198-1422 (eds.) (2020) Exhibiting the Analogue, Exhibiting the Digital: Afterthoughts on an exhibition. University of Greenwich Galleries / Incandescent Square, London. ISBN 978-0957343047

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

Exhibition catalogue

Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)

Hobbs, James (2020) Moribund State(s) - Exhibition Catalogue/Artist Book. Project 78 Press, UK. ISBN 978-1838133108

exhibition practices

Papadaki, Elena ORCID: 0000-0002-6653-4334, Arfaras, Mihalis, Schizakis, Stamatis, Garcia, Carla Ambrósio, Dare, Eleanor, Beveridge, Patrick, Hobbs, James, Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Menotti, Gabriel, Ploeger, Dani, Samson, Audrey, Borras, Michael (a.k.a. Systaime), Krajewska, Klio and Talbot, Michael ORCID: 0000-0001-7198-1422 (eds.) (2020) Exhibiting the Analogue, Exhibiting the Digital: Afterthoughts on an exhibition. University of Greenwich Galleries / Incandescent Square, London. ISBN 978-0957343047

exhibition programme

Waterworth, David (2009) Object as subject. [Show/Exhibition]

Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]

exhibition review

Mann, Tony (1997) Edinburgh in August. The Art Book, 4 (1). pp. 19-20. ISSN 1467-8357 (doi:https://doi.org/10.1111/1467-8357.00003)

exhibitions

Acton, Thomas (2007) Second site. Paradise lost. Open Society Institute / Prestel Publishing, London, UK: New York, pp. 30-32. ISBN 978-3-7913-6145-1

Frith, Ed (2008) Loris Gréaud — french and fanciful. Building Design (1822). p. 21.

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Waterworth, David, Brochard, Yves and McDonald, Roger (2011) On cavity: the language of landscape and the gaps in between. Christian Hidaka: Balanced Rock / Waterfall at the Top of the River. Max Wigram Gallery, London, pp. 23-24. ISBN 9780955971310

Expanded Cinema

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

expanded-archive

Waterworth, David (2020) 10-4. [Show/Exhibition]

Experience

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2022) Screencast videography: understanding experience in the metaverse. In: Future Visualities: Visual Methods & Ethnography in Interdisciplinary Research Symposium, 1st June 2022, Edinburgh Napier University. (Unpublished)

experience design

Kawaf, Fatema ORCID: 0000-0002-7089-7816, Bruce, Helen, Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110, Rooney, Tara and Ngwakwe, Amarachi (2022) Using screencast videography as a customer experience and journey mapping tool: a case study. In: The 12th International SERVSIG Conference 2022. SERVSIG. (In Press)

experiential art

Sigthorsson, Gauti (2008) Sensation for sensation's sake: art and the temptation of 'Wow'! Sjonauki. ISSN 1670-7311

experiential marketing

Kohrs, Kirsten ORCID: 0000-0003-4302-833X (2020) The language of luxury fashion advertising: Technology of the self and spectacle. Journal of Fashion Marketing and Management. ISSN 1361-2026 (Print), 1361-2026 (Online) (doi:https://doi.org/10.1108/JFMM-02-2020-0029)

experimental

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) VOID. [Composition]

Experimental film

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]

Hobbs, James (2020) Moribund State(s) - Solo multimedia art exhibition. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.296)

Experimentation

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

extended reality

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)

eye-tracking

Schmitz, Anastasia, Macquarrie, Andrew, Julier, Simon, Binetti, Nicola and Steed, Anthony (2020) Directing versus attracting attention: exploring the effectiveness of central and peripheral cues in panoramic videos. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 63-72. ISBN 978-1728156088 ; 978-1728156095 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR46266.2020.00024)

fandom

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

feasibility study

Cunningham, Stuart and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2015) Second screen comes to the silver screen: a technology feasibility study regarding mobile technologies in the cinema. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 228-232. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317400)

feminism

Berryman, Andrea and Patterson, Jennifer ORCID: 0000-0002-8254-7602 (2012) Why Feminist Art matters now. The F-Word.

Maffioletti, Catherine (2020) Multicomponent Output 1: Hysteria. [Creative Performance or Reading]

Maffioletti, Catherine (2020) Multicomponent Output 2: Hysterical Together. [Creative Performance or Reading]

Feminist Art

Berryman, Andrea and Patterson, Jennifer ORCID: 0000-0002-8254-7602 (2012) Why Feminist Art matters now. The F-Word.

festival

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]

film

Cheeseman, Katharine (2012) Roadkiller. [Video]

Fox, Kenneth and Lambirth, Andrew (2012) Film and pedagogy: Learning about teaching at the movies. In: Bahloul, Maher and Graham, Carolyn, (eds.) Lights! Camera! Action and the Brain: The Use of Film in Education. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 61-81. ISBN 9781443836579

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) VOID. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]

Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

Woollard, Christopher C. and Herrero, Juan J. (2004) An information system to exploit the use of metadata within film and television production. Image Technology, 86 (5). pp. 26-32. ISSN 0950-2114

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

Film Artist

Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]

film industry

Dawson, Andrew and Holmes, Sean P. (2012) New perspectives on working in the global film and television industries. Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 1-17. ISBN 9781780930206

Dawson, Andrew and Holmes, Sean P. (eds.) (2012) Working in the global film and television industries: Creativity, systems, space, patronage. Bloomsbury Academic, London, UK. ISBN 9781780930206

Film laboratories

Dawson, Andrew and Holmes, Sean P. (2014) Culture, Creativity and Disappearing Celluloid. [Video]

film studies

Dawson, Andrew (2010) Crossing disciplinary borders: history and film studies. In: Teaching visual sources, 12 March 2010, University of Manchester. (Unpublished)

films

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

Ingham, Mark (2010) Never judge a book by its movie. In: Inspiring Learners: Equipping the Next Generation of Graduates, 6 July 2010, University of Greenwich. (Unpublished)

Mann, Tony (1995) [Book review] Cindy Sherman 1975-1993. The Art Book, 2 (2). p. 34. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2021) Top 10 classic Law films. New Law Journal, 171 (7959). pp. 21-22. ISSN 0306-6479 (Print), 2046-2239 (Online)

fine art

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

flexible specialisation

Dawson, Andrew (2010) ’Flexible Specialisation’ and New Hollywood: Time for a Paradigm Shift? In: 8th European Social Science History Conference, 13-16 Apr 2010, Ghent, Belgium. (Unpublished)

Dawson, Andrew (2012) Labouring in Hollywood’s motion picture industry and the promise of ‘flexible specialisation’. In: Dawson, Andrew and Holmes, Sean P., (eds.) Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 21-38. ISBN 9781780930206

Food-led art

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

Fordism

Dawson, Andrew (2010) ’Flexible Specialisation’ and New Hollywood: Time for a Paradigm Shift? In: 8th European Social Science History Conference, 13-16 Apr 2010, Ghent, Belgium. (Unpublished)

Dawson, Andrew (2012) Labouring in Hollywood’s motion picture industry and the promise of ‘flexible specialisation’. In: Dawson, Andrew and Holmes, Sean P., (eds.) Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 21-38. ISBN 9781780930206

fractal philosophy

Golding, Johnny (2012) Ana-materialism and the Pineal Eye: Becoming mouth-breast (or visual arts after Descartes, Bataille, Butler, Deleuze and Synthia with an ‘s’). Philosophy of Photography, 3 (1). pp. 99-120. ISSN 2040-3682 (Print), 2040-3690 (Online) (doi:https://doi.org/10.1386/pop.3.1.99_1)

Fred Scott

Frith, Ed (2008) On altering architecture by Fred Scott. The Architects' Journal. pp. 12-13. ISSN 0003-8466

free-viewpoint video

Macquarrie, Andrew and Steed, Anthony (2020) Investigating the perceived strengths and limitations of Free-Viewpoint Video (FVV). Frontiers in Virtual Reality, 1 (11). ISSN 2673-4192 (Online) (doi:https://doi.org/10.3389/frvir.2020.00011)

free-viewpoint video production

Macquarrie, Andrew and Steed, Anthony (2020) Exploring the use of skeletal tracking for cheaper motion graphs and on-set decision making in Free-Viewpoint Video production. In: CVMP '20: European Conference on Visual Media Production. Virtual Event, United Kingdom. December 7 - 8 2020. Association for Computing Machinery (ACM), New York, United States, pp. 1-10. ISBN 978-1450381987 (doi:https://doi.org/10.1145/3429341.3429353)

freelancers

Mould, Oli, Vorley, Tim and Liu, Kai (2014) Invisible creativity? Highlighting the hidden impact of freelancing in London's creative industries. European Planning Studies, 22 (12). pp. 2436-2455. ISSN 0965-4313 (Print), 1469-5944 (Online) (doi:https://doi.org/10.1080/09654313.2013.790587)

freshwater fauna

Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2018) The Cosmic Pond - REF documentation. [Show/Exhibition]

functional

Cole, Thomas ORCID: 0000-0001-6031-8377, Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)

future

Adil, A (2009) Becoming the future now. [Creative Performance or Reading]

future human

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]

future legacies

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Love After Death (2016 - 2018). [Show/Exhibition]

game AI

Pyjas, Gabriela Maria, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Broadhead, Martyn (2022) Storytelling and VR: ιnducing emotions through AI characters. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 194-204. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.37)

game audio

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2017) Simulating auditory hallucinations in a video game: three prototype mechanisms. In: AM '17: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-5373-1 (doi:https://doi.org/10.1145/3123514.3123532)

game design

Cunningham, Stuart, Henry, John and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Augmenting virtual spaces: affective feedback in computer games. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 229-247. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_13)

game mechanics

McIntosh, Tyler H., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2022) Lundheim: exploring affective audio techniques in an action-adventure video game. In: AudioMostly'22 St. Pölten University of Applied Sciences, Austria 6-9 September 2022. Association for Computing Machinery (ACM), New York. (In Press) (doi:https://doi.org/10.1145/3561212.3561234)

game-design

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

gameplay

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) Emotional exploration and the eudaimonic gameplay experience: a grounded theory. In: CHI '22: CHI Conference on Human Factors in Computing Systems. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (470). Association of Computing Machinery (ACM), New York, pp. 1-16. ISBN 978-1450391573 (doi:https://doi.org/10.1145/3491102.3502002)

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)

games

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700, Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

Stenros, Jaakko, Simon, Bart, Hughes, Lynn, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2021) Understanding Liveness in immersive theatre, LARP and Games. In: DIGRA 2022, 7th-11th July 2022, Krakow, Poland. (In Press)

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]

garden history

Turner, Tom (1986) English garden design: history and style since 1650. Antique Collectors' Club Ltd., Woodbridge, England. ISBN 978-0907462255

gaze perception

MacQuarrie, Andrew and Steed, Anthony (2019) Perception of volumetric characters' eye-gaze direction in head-mounted displays. In: 2019 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). Osaka, Japan. 23-27 March 2019. IEEE Xplore . IEEE, Piscataway, New York, pp. 645-654. ISBN 978-1728113777 ; 978-1728113784 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR.2019.8797852)

Gelitin

Sigthorsson, Gauti (2008) Sensation for sensation's sake: art and the temptation of 'Wow'! Sjonauki. ISSN 1670-7311

gender

Dawson, Andrew (2011) Book review: NYSTROM, DEREK. Hard Hats, Rednecks, and Macho Men. Class in 1970s American Cinema. Oxford University Press, Oxford [etc.] 2009. x, 251 pp.Ill. $24.95; doi:10.1017/S0020859011000137. International Review of Social History, 56 (10). pp. 160-162. ISSN 0020-8590 (Print), 1469-512X (Online) (doi:https://doi.org/10.1017/S0020859011000137)

Dawson, Andrew (2005) Book review: Robert S. Birchard, Cecil B. DeMille's Hollywood (Lexington: University of Kentucky Press, 2004, $39.95). Pp. 446. ISBN 0 8131 2324 0; David W. Menefee, The first female stars: women of the silent era (Westport, CT: Praeger, 2004, $44.95). Pp. 249. ISBN 0 275 98259 9. Journal American Studies, 39 (1). pp. 113-114. ISSN 0021-8758 (Print), 1469-5154 (Online) (doi:https://doi.org/10.1017/S0021875805229584)

Generative

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

generative art

Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2017) Enabling Audiovisual User Interfaces. [Creative Performance or Reading] (Unpublished)

genetic criticism

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)

genre

Naylor, Alex (2011) ‘A horror picture at this time is a very hazardous undertaking’: Did British or American censorship end the 1930s horror cycle? The Irish Journal of Gothic and Horror Studies (9). ISSN 2009-0374

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

Georges Bataille

Stoppani, Teresa (2007) Dust revolutions. Dust, informe, architecture (notes for a reading of dust in Bataille). The Journal of Architecture, 12 (4). 437 - 447. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360701614714)

Geste curatorial

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2016) "Le geste curatorial et les œuvres sur écran - L’évolution d’un néologisme vers une tendance majeure". Proteus (10). pp. 64-70. ISSN 2110-557X (Online)

Gilles Deleuze

Golding, Johnny (2010) Fractal philosophy (and the small matter of learning how to listen): attunement as the task of art. In: Zepke, Stephen and O'Sullivan, Simon, (eds.) Deleuze and Contemporary Art. Deleuze Connections . Edinburgh University Press, Edinburgh, Scotland, pp. 133-154. ISBN 978-0748638376 (hardback), 9780748638383 (paperback),

Giovanni Battista Piranesi

Stoppani, Teresa (2008) Translucent and fluid: Piranesi's impossible plan. In: Frascari, Marco, Hale, Jonathan and Starkey, Bradley, (eds.) From Models to Drawings: imagination and representation in architecture. Critiques . Routledge, London, UK, pp. 99-108. ISBN 978-0-415-48798-6 (pbk) 978-0-415-43113-2 (hbk)

glitch

Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Barker, Timothy (eds.) (2021) Miscommunications: Errors, Mistakes, Media. Thinking Media . Bloomsbury Academic, New York. ISSN 978-1501363856 (Print), 978-1501363832 (Online)

Global television

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282

gong

Hill, Andrew ORCID: 0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]

Graduate exhibition

Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)

Graham and Cook

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)

graphic art

Powers, Alan (2010) Introduction: John Piper in context. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 9-13. ISBN 978-0-9558343-2-5

Graphic Design

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

graphics

Calvert, Sheena (2009) [Un]disciplined gestures and [un]common sense: the sensual, acoustic logic(s) of paradox and art. PhD thesis, University of Greenwich.

Green Screen Keying

Zhi, Jin (2015) An alternative green screen keying method for film visual effects. International Journal of Multimedia and Its Applications, 7 (2). pp. 1-12. ISSN 0975-5934 (Print), 0975-5578 (Online) (doi:https://doi.org/10.5121/ijma.2015.7201)

Gregory J. Markopoulos

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:https://doi.org/10.1080/17458927.2015.1042247)

grid effect

Stoppani, Teresa (2007) Grid effect in architecture. In: Defining Space International Interdisciplinary Conference UCD, 11-13 Oct 2007, Dublin. (Unpublished)

grounded theory

Cole, Thomas ORCID: 0000-0001-6031-8377, Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) Emotional exploration and the eudaimonic gameplay experience: a grounded theory. In: CHI '22: CHI Conference on Human Factors in Computing Systems. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (470). Association of Computing Machinery (ACM), New York, pp. 1-16. ISBN 978-1450391573 (doi:https://doi.org/10.1145/3491102.3502002)

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) More than a bit of coding: (un-)Grounded (non-)Theory in HCI. In: CHI EA '22: CHI Conference on Human Factors in Computing Systems Extended Abstracts. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (11). Association of Computing Machinery (ACM), New York, pp. 1-11. ISBN 978-1450391566 (doi:https://doi.org/10.1145/3491101)

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)

Cole, Tom ORCID: 0000-0001-6031-8377 and Salisbury, John Hamon (2016) Grounded Theory in games research: making the case and exploring the options. In: DIGRA/FDG '16 - Proceedings of the First International Joint conference of DIGRA and FDG. Digital Games Research Association, Finland. ISBN 2342-9666

group show

Waterworth, David (2008) Embedded [Group Show]. [Show/Exhibition]

guerrilla marketing

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2020) How ambient advertising is uniquely placed to make audiences think. Westminster Papers in Communication and Culture, 15 (2). pp. 95-111. ISSN 1744-6716 (Online) (doi:https://doi.org/10.16997/wpcc.346)

guiding attention

Schmitz, Anastasia, Macquarrie, Andrew, Julier, Simon, Binetti, Nicola and Steed, Anthony (2020) Directing versus attracting attention: exploring the effectiveness of central and peripheral cues in panoramic videos. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 63-72. ISBN 978-1728156088 ; 978-1728156095 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR46266.2020.00024)

guilt

Cole, Tom ORCID: 0000-0001-6031-8377 (2015) The tragedy of betrayal: how the design of Ico and Shadow of the Colossus elicits emotion. In: DiGRA '15 - Proceedings of the 2015 DiGRA International Conference. Lüneburg, Germany, May 14th - 17th 2015. Digital Games Research Association, Finland. ISSN 2342-9666

H.5.1 [information interfaces and presentation]

Macquarrie, Andrew and Steed, Anthony (2018) The effect of transition type in multi-view 360 media. IEEE Transactions on Visualization and Computer Graphics, 24 (4):17617378. pp. 1564-1573. ISSN 1077-2626 (Print), 1941-0506 (Online) (doi:https://doi.org/10.1109/TVCG.2018.2793561)

hallucination

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)

Harris-SURF-DCT

Gong, Cheng ORCID: 0000-0002-0666-2529, Li, Jingbing ORCID: 0000-0001-6636-4710, Bhatti, Uzair Aslam, Gong, Ming, Ma, Jixin ORCID: 0000-0001-7458-7412, Huang, Mengxing and Xue, Xingsi (2021) Robust and secure zero-watermarking algorithm for medical images based on Harris-SURF-DCT and chaotic map. Security and Communication Networks, 2021:3084153. pp. 1-13. ISSN 1939-0114 (Print), 1939-0122 (Online) (doi:https://doi.org/10.1155/2021/3084153)

hbim

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)

HCI

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) More than a bit of coding: (un-)Grounded (non-)Theory in HCI. In: CHI EA '22: CHI Conference on Human Factors in Computing Systems Extended Abstracts. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (11). Association of Computing Machinery (ACM), New York, pp. 1-11. ISBN 978-1450391566 (doi:https://doi.org/10.1145/3491101)

Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2017) Enabling Audiovisual User Interfaces. [Creative Performance or Reading] (Unpublished)

Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2019) Moving Digits: Augmented Dance for Engaged Audience. [Creative Performance or Reading] (Unpublished)

head-mounted display

Schmitz, Anastasia, Macquarrie, Andrew, Julier, Simon, Binetti, Nicola and Steed, Anthony (2020) Directing versus attracting attention: exploring the effectiveness of central and peripheral cues in panoramic videos. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 63-72. ISBN 978-1728156088 ; 978-1728156095 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR46266.2020.00024)

health and illness discourses

Patterson, Jennifer ORCID: 0000-0002-8254-7602 (ed.) (2016) The Association for Medical Humanities International Journal: Body Talk: Whose Language? (2016 Conference Abstracts). The Association for Medical Humanities, The University of Greenwich. ISBN 978-0995519305 ISSN 2398-6395

Henri Bergson

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2022) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Palgrave Macmillan, London. (In Press)

heritage buildings

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)

historiography

Dawson, Andrew (2010) Crossing disciplinary borders: history and film studies. In: Teaching visual sources, 12 March 2010, University of Manchester. (Unpublished)

Dawson, Andrew (2010) ’Flexible Specialisation’ and New Hollywood: Time for a Paradigm Shift? In: 8th European Social Science History Conference, 13-16 Apr 2010, Ghent, Belgium. (Unpublished)

Dawson, Andrew (2012) Labouring in Hollywood’s motion picture industry and the promise of ‘flexible specialisation’. In: Dawson, Andrew and Holmes, Sean P., (eds.) Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 21-38. ISBN 9781780930206

history

Calvert, Sheena (2009) [Un]disciplined gestures and [un]common sense: the sensual, acoustic logic(s) of paradox and art. PhD thesis, University of Greenwich.

Dawson, Andrew (2010) Crossing disciplinary borders: history and film studies. In: Teaching visual sources, 12 March 2010, University of Manchester. (Unpublished)

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

McClean, Mairead (2008) Bell(a)exchange II. [Show/Exhibition]

Hobbs

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]

Hollywood

Dawson, Andrew (2012) Challenging lilywhite Hollywood: African Americans and the demand for racial equality in the motion picture industry, 1963-1974. The Journal of Popular Culture, 45 (6). pp. 1206-1225. ISSN 0022-3840 (Print), 1540-5931 (Online) (doi:https://doi.org/10.1111/jpcu.12005)

Naylor, Alex (2011) ‘A horror picture at this time is a very hazardous undertaking’: Did British or American censorship end the 1930s horror cycle? The Irish Journal of Gothic and Horror Studies (9). ISSN 2009-0374

home invasion

Fiddler, Michael ORCID: 0000-0002-0695-6770 (2013) Playing funny games in the last house on the left: the uncanny and the ‘home invasion’ genre. Crime, Media, Culture, 9 (3). pp. 281-299. ISSN 1741-6590 (Print), 1741-6604 (Online) (doi:https://doi.org/10.1177/1741659013511833)

honeymoon

Ingham, Mark (2011) A portrait of Marilyn Miller and me 5611. [Artefact]

horror censorship

Naylor, Alex (2011) ‘A horror picture at this time is a very hazardous undertaking’: Did British or American censorship end the 1930s horror cycle? The Irish Journal of Gothic and Horror Studies (9). ISSN 2009-0374

human computer interaction

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) More than a bit of coding: (un-)Grounded (non-)Theory in HCI. In: CHI EA '22: CHI Conference on Human Factors in Computing Systems Extended Abstracts. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (11). Association of Computing Machinery (ACM), New York, pp. 1-11. ISBN 978-1450391566 (doi:https://doi.org/10.1145/3491101)

human traces

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 1. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 2. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 3. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:https://doi.org/10.14236/ewic/EVA2018.70)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Document of Singing Light 1 installation. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2014) Horizon. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Reservoir. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Shadow Sounds 1. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Sky 2. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Song Series Animacy. [Video]

humanities

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584

hybrid media

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

hydrogen alpha

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

hydrophone

Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2018) The Cosmic Pond - REF documentation. [Show/Exhibition]

ICA

Frith, Ed (2008) Loris Gréaud — french and fanciful. Building Design (1822). p. 21.

Ico

Cole, Tom ORCID: 0000-0001-6031-8377 (2015) The tragedy of betrayal: how the design of Ico and Shadow of the Colossus elicits emotion. In: DiGRA '15 - Proceedings of the 2015 DiGRA International Conference. Lüneburg, Germany, May 14th - 17th 2015. Digital Games Research Association, Finland. ISSN 2342-9666

identity

Adil, Alev (2011) Memory in the dead zone. [Creative Performance or Reading]

Finkelstein, Joanne (2010) Fashioned identity and the unreliable image. Critical Studies in Fashion and Beauty, 1 (2). pp. 153-163. ISSN 2040-4417 (doi:https://doi.org/10.1386/csfb.1.2.161_1)

McClean, Mairead (2008) Bell(a)Exchange III. [Show/Exhibition]

McClean, Mairead (2008) Bell(a)exchange II. [Show/Exhibition]

Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)

Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]

ideology

Fox, Kenneth and Lambirth, Andrew (2012) Film and pedagogy: Learning about teaching at the movies. In: Bahloul, Maher and Graham, Carolyn, (eds.) Lights! Camera! Action and the Brain: The Use of Film in Education. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 61-81. ISBN 9781443836579

illustration

Powers, Alan (2010) Benjamin Britten, Piper and Aldeburgh. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 130-135. ISBN 978-0-9558343-2-5

image

Finkelstein, Joanne (2010) Fashioned identity and the unreliable image. Critical Studies in Fashion and Beauty, 1 (2). pp. 153-163. ISSN 2040-4417 (doi:https://doi.org/10.1386/csfb.1.2.161_1)

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

image communication

Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2021) Deep-NC: a secure image transmission using deep learning and network coding. Signal Processing: Image Communication, 99:116490. ISSN 0923-5965 (doi:https://doi.org/10.1016/j.image.2021.116490)

Image manipulation

Macquarrie, Andrew and Steed, Anthony (2015) Object removal in panoramic media. In: CVMP '15: Proceedings of the 12th European Conference on Visual Media Production. ACM Digital Library (2). Association for Computing Machinery (ACM), New York, United States, pp. 1-10. ISBN 978-1450335607 (doi:https://doi.org/10.1145/2824840.2824844)

image security

Vien, Quoc-Tuan, Nguyen, Tuan ORCID: 0000-0003-0055-8218 and Nguyen, Huan (2021) A lightweight secure image super resolution using network coding. In: Proceedings of the 16th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications. 8-11 Feb 2021. Vienna, Austria. VISIGRAPP, 4 . SCITEPRESS, Setúbal, Portugal, pp. 653-660. ISBN 978-9897584886 ISSN 2184-4321 (doi:https://doi.org/10.5220/0010212406530660)

immanence

Golding, Sue (2009) Trembling the plane of immanence: media arts philosophy and the re-vision of art (or what’s acoustics got to do with the visual?). In: Invited lecture, February, 2009, Royal Academy of Art. (Unpublished)

Immersion

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]

immersive

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700, Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]

immersive exhibition practices

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Re-mapping the territory: immersive exhibition practices in the expanded field. Gramma, 27. ISSN 2529-1793 (Online) (doi:https://doi.org/10.26262/gramma.v27i0.8990)

immersive media

Hill, Andrew ORCID: 0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

Immersive practices

Broadhurst, Susan, Papadaki, Elena ORCID: 0000-0002-6653-4334, Ploeger, Dani, Goddard, Michael N., O'Brien, Sarah, Taiwo, Olu, Schellewald, Andreas, Chan, Melanie, Lewis, Matt, Dziekan, Vince, Giannachi, Gabriella, Nolasco-Rózsás, Lívia, Katan-Schmid, Einav, Meseguer, Rosell, Borges, Cândida, Vélez, Gabriel Mario, DeLappe, Joseph, Caerols Mateo, Raquel, Kelomees, Raivo, Guljajeva, Varvara, Laas, Oliver, Riegel, Christian, Robinson, Katherine M., Richards, Grayson, Desnoyers-Stewart, John, Smith, Megan L., Riecke, Bernhard E., Dare, Eleanor, Berezina-Blackburn, Vita, Oliszewski, Alex and Mcgarrigle, Conor (eds.) (2020) Radical Immersions: Navigating between virtual/physical environments and information bubbles - DRHA 2019 Conference Proceedings. University of London / DRHA, London. ISBN 978-0900822124 (In Press)

immersive science theatre

Griffiths, Wyn and Keith, Lindsay ORCID: 0000-0002-5324-1719 (2022) Actors with agency: immersive science theatre and science identity. In: Weitkamp, Emma and Almeida, Carla, (eds.) Science & Theatre: Communicating Science and Technology with Performing Arts. Emerald Publishing Ltd., Bingley, UK, pp. 103-112. ISBN 978-1800436411; 978-1800436411; 978-1800436404; 978-1800436428 (In Press)

immersive theatre

Stenros, Jaakko, Simon, Bart, Hughes, Lynn, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2021) Understanding Liveness in immersive theatre, LARP and Games. In: DIGRA 2022, 7th-11th July 2022, Krakow, Poland. (In Press)

impact

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

improvisation

Thompson, Ian ORCID: 0000-0002-7143-8013, Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]

Indigenous art

Secomb, Linnell (2006) Petyarra and Moffatt: 'Looking from the sky'. Cultural Studies Review, 12 (1). pp. 44-56. ISSN 1446-8123 (Print), 1837-8692 (Online)

induction

Cole, Tom ORCID: 0000-0001-6031-8377 and Salisbury, John Hamon (2016) Grounded Theory in games research: making the case and exploring the options. In: DIGRA/FDG '16 - Proceedings of the First International Joint conference of DIGRA and FDG. Digital Games Research Association, Finland. ISBN 2342-9666

information system

Woollard, Christopher C. and Herrero, Juan J. (2004) An information system to exploit the use of metadata within film and television production. Image Technology, 86 (5). pp. 26-32. ISSN 0950-2114

Instagram

Siegel, Lauren ORCID: 0000-0003-2117-8492, Tussyadiah, Iis ORCID: 0000-0003-0729-1712 and Scarles, Caroline ORCID: 0000-0001-8279-3689 (2022) Cyber-physical traveler performances and Instagram travel photography as ideal impression management. Current Issues in Tourism. ISSN 1368-3500 (Print), 1747-7603 (Online) (In Press) (doi:https://doi.org/10.1080/13683500.2022.2086451)

installation

Arthur, Mervyn, Baseman, Jordan, Behr, Bernd, Biswas, Sutapa, Chance, Veronique, Cobbing, William, Coldwell, Paul, Cross, David, Dobai, Sarah, Douglas, Lorrice, Drabble, Neil, Gunning, Lucy, Hamann, Sigune, Haywood, Thomas, Ingham, Mark, Kovats, Tania, Lanteri Laura, Jean-Louis, Lebas, Chrystel, Love, Johanna, Mossman, Anna, Newth, Martin, Robertson, Helen, Rowe, Lois, Taylor, Finlay, Treacy, Danny, Wainwright, Chris and Webster, Dave (2011) SCOPE New Photographic Practices. [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

Ingham, Mark (2012) 120 days and nights of staggering and stammering. [Show/Exhibition]

Ingham, Mark (2011) Art takes Miami 2011. In: Aldrich, Jeffrey, (ed.) Art Takes Miami 2011. Artist Wanted, New York, p. 5. ISBN 9780984871803

Ingham, Mark (2011) Mark Ingham: motion and sound winner Scope Miami 2011. SCOPE Miami 2011. Artists Wanted LLC, New York, pp. 46-47. ISBN 9780984871803

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Love After Death (2016 - 2018). [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

installation art

Ingham, Mark (2008) Ars magna lucis et umbrae. [Show/Exhibition]

Sporton, Gregory and Makiola, Iona (2011) The Watertower: augmented reality gaming for heritage. In: Beale, Katy, (ed.) Museums At Play – Games, Interaction and Learning. MuseumsEtc., Edinburgh, UK and Boston, USA, pp. 347-357. ISBN 9781907697142

Installations

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Institutions et pratiques de l'exposition

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2016) "Le geste curatorial et les œuvres sur écran - L’évolution d’un néologisme vers une tendance majeure". Proteus (10). pp. 64-70. ISSN 2110-557X (Online)

Interaction

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

interactive

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700, Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

Maffioletti, Catherine (2020) Multicomponent Output 1: Hysteria. [Creative Performance or Reading]

Maffioletti, Catherine (2020) Multicomponent Output 2: Hysterical Together. [Creative Performance or Reading]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]

Interactive Art

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

Mann, Tony (1995) [Book review] Iterations: The New Image. The Art Book, 2 (2). pp. 32-33. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Interactive video installations in public spaces: Rafael Lozano-Hemmer's Under Scan. In: Crisp, Virginia and Menotti Gonring, Gabriel, (eds.) Besides the Screen: Moving Images through Distribution, Promotion and Curation. Palgrave Macmillan, London & New York, pp. 197-212. ISBN 978-1-137-47101-7

interactive media

Cunningham, Stuart, Henry, John and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Augmenting virtual spaces: affective feedback in computer games. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 229-247. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_13)

interactive music

McIntosh, Tyler H., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2022) Lundheim: exploring affective audio techniques in an action-adventure video game. In: AudioMostly'22 St. Pölten University of Applied Sciences, Austria 6-9 September 2022. Association for Computing Machinery (ACM), New York. (In Press) (doi:https://doi.org/10.1145/3561212.3561234)

interdisciplinary

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Interdisciplinary collaboration

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2014) Communicating technology: Interactive design and interdisciplinary collaboration in the digital arts. In: Book of Absracts of DRHA2014: Communication Futures: Connecting Interdisciplinary Design Practices in Arts/Culture, Academia and the Creative Industries. University of Greenwich, pp. 215-216. ISBN 978-1-291-97878-0

Interiors

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)

International Alliance of Theatrical Stage Employees

Dawson, Andrew (2012) Challenging lilywhite Hollywood: African Americans and the demand for racial equality in the motion picture industry, 1963-1974. The Journal of Popular Culture, 45 (6). pp. 1206-1225. ISSN 0022-3840 (Print), 1540-5931 (Online) (doi:https://doi.org/10.1111/jpcu.12005)

international festival

Wallis, Jillian (2015) Reverie. [Creative Performance or Reading]

intersubject correlation

Farmer, Harry ORCID: 0000-0002-3684-0605, Bevan, C. ORCID: 0000-0002-2823-420X, Green, D., Rose, M., Cater, K. ORCID: 0000-0002-3435-2392 and Stanton Fraser, D. ORCID: 0000-0002-3062-731X (2021) Did you see what I saw?: Comparing attentional synchrony during 360° video viewing in head mounted display and tablets. Journal of Experimental Psychology: Applied, 27 (2). pp. 324-337. ISSN 1076-898X (Print), 1939-2192 (Online) (doi:https://doi.org/10.1037/xap0000332)

interview

Critchley, Emily (2010) First Poetry. [Video]

intimacy

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700, Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

Intimate public

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)

Irish literature

Stabb, Walter (2019) Europe Endless. [Video]

Islamic archaeology

Shokoohy, Mehrdad (2007) The experience of Islamic art on the margins of Islam. Journal of Islamic Studies, 18 (3). pp. 452-458. ISSN 0955-2340 (doi:https://doi.org/10.1093/jis/etm050)

Islamic architecture

Shokoohy, Mehrdad (2007) The experience of Islamic art on the margins of Islam. Journal of Islamic Studies, 18 (3). pp. 452-458. ISSN 0955-2340 (doi:https://doi.org/10.1093/jis/etm050)

Islamic art

Shokoohy, Mehrdad (2007) The experience of Islamic art on the margins of Islam. Journal of Islamic Studies, 18 (3). pp. 452-458. ISSN 0955-2340 (doi:https://doi.org/10.1093/jis/etm050)

Jamaica Inn

Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]

Ingham, Mark (2011) A portrait of Marilyn Miller and me 5611. [Artefact]

Janine Bourriau

Mann, Tony (1995) [Book review] Colour: Art and Science. The Art Book, 2 (2). p. 26. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00263.x)

John Piper

Powers, Alan (2010) Introduction: John Piper in context. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 9-13. ISBN 978-0-9558343-2-5

Judy Chicago

Berryman, Andrea and Patterson, Jennifer ORCID: 0000-0002-8254-7602 (2012) Why Feminist Art matters now. The F-Word.

Karen Barad

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2022) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Palgrave Macmillan, London. (In Press)

Kathleen Petyarre

Secomb, Linnell (2006) Petyarra and Moffatt: 'Looking from the sky'. Cultural Studies Review, 12 (1). pp. 44-56. ISSN 1446-8123 (Print), 1837-8692 (Online)

Keith Tyson

Mann, Tony (2003) [Exhibition review] Keith Tyson at Tate Britain. BSHM Newsletter, 47. pp. 46-47.

L'écran dans l'espace physique

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2016) "Le geste curatorial et les œuvres sur écran - L’évolution d’un néologisme vers une tendance majeure". Proteus (10). pp. 64-70. ISSN 2110-557X (Online)

labour movement

Dawson, Andrew (2011) Book review: NYSTROM, DEREK. Hard Hats, Rednecks, and Macho Men. Class in 1970s American Cinema. Oxford University Press, Oxford [etc.] 2009. x, 251 pp.Ill. $24.95; doi:10.1017/S0020859011000137. International Review of Social History, 56 (10). pp. 160-162. ISSN 0020-8590 (Print), 1469-512X (Online) (doi:https://doi.org/10.1017/S0020859011000137)

Landscape

Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]

landscape painting

Waterworth, David, Brochard, Yves and McDonald, Roger (2011) On cavity: the language of landscape and the gaps in between. Christian Hidaka: Balanced Rock / Waterfall at the Top of the River. Max Wigram Gallery, London, pp. 23-24. ISBN 9780955971310

LARP

Stenros, Jaakko, Simon, Bart, Hughes, Lynn, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2021) Understanding Liveness in immersive theatre, LARP and Games. In: DIGRA 2022, 7th-11th July 2022, Krakow, Poland. (In Press)

lawyer skills

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2021) Top 10 classic Law films. New Law Journal, 171 (7959). pp. 21-22. ISSN 0306-6479 (Print), 2046-2239 (Online)

Le Corbusier

Stoppani, Teresa (2008) Venetian time and the meander. Log, 12. pp. 131-143. ISSN 1547-4690

learning

Ingham, Mark (2010) Never judge a book by its movie. In: Inspiring Learners: Equipping the Next Generation of Graduates, 6 July 2010, University of Greenwich. (Unpublished)

learning and teaching

Dawson, Andrew (2010) Crossing disciplinary borders: history and film studies. In: Teaching visual sources, 12 March 2010, University of Manchester. (Unpublished)

Lecture

Sporton, Gregory (2017) The Sporton Professorial Inaugural. [Creative Performance or Reading]

Lee Miller

Stacey, Gillian Joyce (2017) Lee Miller. Beyond the muse. A very modern woman: a woman of her time. PhD thesis, University of Greenwich.

legal institutions

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2021) Top 10 classic Law films. New Law Journal, 171 (7959). pp. 21-22. ISSN 0306-6479 (Print), 2046-2239 (Online)

legal theme

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2021) Top 10 classic Law films. New Law Journal, 171 (7959). pp. 21-22. ISSN 0306-6479 (Print), 2046-2239 (Online)

legal theory

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2021) Top 10 classic Law films. New Law Journal, 171 (7959). pp. 21-22. ISSN 0306-6479 (Print), 2046-2239 (Online)

Light

Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)

Lights and shadows

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:https://doi.org/10.1080/17458927.2015.1042247)

Lincoln

Frith, Ed (2008) Ed Frith of Moving Architecture reviews Lincoln School of Architecture’s show. The Architects' Journal.

literature

Frith, Ed and Graef, Alexander (2007) Draw like a builder, build like a writer (and the crack is in the detail). The role of the humanities in design creativity international conference, 15-16 Nov 2007, Lincoln, UK. University of Lincoln, Lincoln. ISBN 9781860502224

live visuals

Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2017) Enabling Audiovisual User Interfaces. [Creative Performance or Reading] (Unpublished)

Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)

Liveness

Stenros, Jaakko, Simon, Bart, Hughes, Lynn, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2021) Understanding Liveness in immersive theatre, LARP and Games. In: DIGRA 2022, 7th-11th July 2022, Krakow, Poland. (In Press)

Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Ben Hur Live as post-cinematic adaptation. Journal of Adaptation in Film & Performance, 15 (1/2). pp. 61-75. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp_00069_1)

London

Frith, Ed (2008) Loris Gréaud — french and fanciful. Building Design (1822). p. 21.

Frith, Ed, O'Carroll, Gerrard, Wilson, Peter and Payne, James (2008) Best in show. Building Design (1827). pp. 20-21.

Holden, Robert (2007) Exhibition. Public city. Architects' Journal, 225 (5). p. 44. ISSN 0003-8466

Mould, Oli, Vorley, Tim and Liu, Kai (2014) Invisible creativity? Highlighting the hidden impact of freelancing in London's creative industries. European Planning Studies, 22 (12). pp. 2436-2455. ISSN 0965-4313 (Print), 1469-5944 (Online) (doi:https://doi.org/10.1080/09654313.2013.790587)

London 2012 Olympics

Liao, Hanwen (2007) London 2012 Olympic development. Urbanism and Architecture, 38 (11). pp. 79-83. ISSN 1673-0232

Loris Gréaud

Frith, Ed (2008) Loris Gréaud — french and fanciful. Building Design (1822). p. 21.

love

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Index of love. [Show/Exhibition]

Lower Silesia

Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)

LUX

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

luxury fashion

Kohrs, Kirsten ORCID: 0000-0003-4302-833X (2020) The language of luxury fashion advertising: Technology of the self and spectacle. Journal of Fashion Marketing and Management. ISSN 1361-2026 (Print), 1361-2026 (Online) (doi:https://doi.org/10.1108/JFMM-02-2020-0029)

major events strategy

Liao, Hanwen and Isaac, David (2007) Olympic Haussmannization. Urbanism and Architecture, 38 (11). pp. 12-14. ISSN 1673-0232

Manchester

Critchley, Emily (2010) First Poetry. [Video]

Critchley, Emily (2010) Some curious thing. [Video]

Manfredo Tafuri

Stoppani, Teresa (2007) L’histoire assassinée. Manfredo Tafuri and the architecture of the present. In: The Role of the Humanities in Design Creativity, 15-16 Nov 2007, University of Lincoln, UK. (Unpublished)

Stoppani, Teresa (2007) Unfinished business. The historical project after Manfredo Tafuri. In: Rendell, Jane, Hill, Jonathan, Dorrian, Mark and Fraser, Murray, (eds.) Critical architecture. Routledge, London, pp. 22-30. ISBN 9780415415385

Stoppani, Teresa (2007) The building of tension - Manfredo Tafuri's legacy: from operative criticism to historical project, between critical practices and material practices in architecture. In: van Koten, Hamid and Holm, Lorens, (eds.) Reflections on creativity: exploring the role of theory in creative practices. Duncan of Jordanstone College, Dundee, Scotland, UK, pp. 1-17. ISBN 1899837536

Manfredo Tauri

Stoppani, Teresa (2008) Interpreting the Renaissance: princes, cities, architects by Manfredo Tafuri, translated by Daniel Sherer. The Journal of Architecture, 13 (3). pp. 345-354. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360802216997)

mapping identity

Milic, Nela, Maragiannis, Anastasios ORCID: 0000-0002-1662-0189, Oh, Jee and Zuabi, Thaer (2011) Mapping and reshaping of cultural identity by digital media [Workshop]. In: ISEA2011: The 17th International Symposium on Electronic Art, 14-21 Sep 2011, Istanbul, Turkey.

Mapplethorpe

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Marilyn Monroe

Arthur, Mervyn, Baseman, Jordan, Behr, Bernd, Biswas, Sutapa, Chance, Veronique, Cobbing, William, Coldwell, Paul, Cross, David, Dobai, Sarah, Douglas, Lorrice, Drabble, Neil, Gunning, Lucy, Hamann, Sigune, Haywood, Thomas, Ingham, Mark, Kovats, Tania, Lanteri Laura, Jean-Louis, Lebas, Chrystel, Love, Johanna, Mossman, Anna, Newth, Martin, Robertson, Helen, Rowe, Lois, Taylor, Finlay, Treacy, Danny, Wainwright, Chris and Webster, Dave (2011) SCOPE New Photographic Practices. [Show/Exhibition]

Ingham, Mark (2012) 120 days and nights of staggering and stammering. [Show/Exhibition]

Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]

Ingham, Mark (2011) A portrait of Marilyn Miller and me 5611. [Artefact]

markerless

Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)

Martin Conway

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

masculinity

Dawson, Andrew (2011) Book review: NYSTROM, DEREK. Hard Hats, Rednecks, and Macho Men. Class in 1970s American Cinema. Oxford University Press, Oxford [etc.] 2009. x, 251 pp.Ill. $24.95; doi:10.1017/S0020859011000137. International Review of Social History, 56 (10). pp. 160-162. ISSN 0020-8590 (Print), 1469-512X (Online) (doi:https://doi.org/10.1017/S0020859011000137)

Material Culture

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2016) Death and Memory in the Twenty-First Century. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities and Sciences. Palgrave Macmillan, London, UK, pp. 113-118. ISBN 9781137520579 (doi:https://doi.org/10.1057/9781137520586_14)

mathematics

Mann, Tony (2003) [Exhibition review] Keith Tyson at Tate Britain. BSHM Newsletter, 47. pp. 46-47.

Matthew Springett

Frith, Ed (2008) Matthew Springett Architects presents models, but no buildings. Building Design (1832). p. 15.

McPherson Report

Waterworth, David (2009) Object as subject. [Show/Exhibition]

meander

Stoppani, Teresa (2008) Venetian time and the meander. Log, 12. pp. 131-143. ISSN 1547-4690

measurement

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Media

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282

Calvert, Sheena (2009) [Un]disciplined gestures and [un]common sense: the sensual, acoustic logic(s) of paradox and art. PhD thesis, University of Greenwich.

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Barker, Timothy (eds.) (2021) Miscommunications: Errors, Mistakes, Media. Thinking Media . Bloomsbury Academic, New York. ISSN 978-1501363856 (Print), 978-1501363832 (Online)

Vlachos, Peter ORCID: 0000-0002-4870-9006 (2003) Paint a true picture of art in China. The Guardian. ISSN 0261-3077

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

media arts

Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.

Golding, Sue (2009) Trembling the plane of immanence: media arts philosophy and the re-vision of art (or what’s acoustics got to do with the visual?). In: Invited lecture, February, 2009, Royal Academy of Art. (Unpublished)

media arts philosophy literary England performance

Golding, Sue (2010) The Allergic Bodies Conference: Postgraduate/Postdoctoral Research Conference, 2010. In: The Allergic Bodies Postgraduate/Postdoctoral Research Conference, 27 May 2010, University of Greenwich, Maritime Campus.

media culture

Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.

media theory

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Barker, Timothy (eds.) (2021) Miscommunications: Errors, Mistakes, Media. Thinking Media . Bloomsbury Academic, New York. ISSN 978-1501363856 (Print), 978-1501363832 (Online)

Medical Humanities

Patterson, Jennifer ORCID: 0000-0002-8254-7602 (ed.) (2016) The Association for Medical Humanities International Journal: Body Talk: Whose Language? (2016 Conference Abstracts). The Association for Medical Humanities, The University of Greenwich. ISBN 978-0995519305 ISSN 2398-6395

medical images

Gong, Cheng ORCID: 0000-0002-0666-2529, Li, Jingbing ORCID: 0000-0001-6636-4710, Bhatti, Uzair Aslam, Gong, Ming, Ma, Jixin ORCID: 0000-0001-7458-7412, Huang, Mengxing and Xue, Xingsi (2021) Robust and secure zero-watermarking algorithm for medical images based on Harris-SURF-DCT and chaotic map. Security and Communication Networks, 2021:3084153. pp. 1-13. ISSN 1939-0114 (Print), 1939-0122 (Online) (doi:https://doi.org/10.1155/2021/3084153)

Yang, Chengshan ORCID: 0000-0003-1926-8798, Li, Jingbing ORCID: 0000-0001-6636-4710, Bhatti, Uzair Aslam, Liu, Jing, Ma, Jixin, Huang, Mengxing and Xue, Xingsi (2021) Robust zero watermarking algorithm for medical images based on Zernike-DCT. Security and Communication Networks, 2021:4944797. pp. 1-8. ISSN 1939-0114 (Print), 1939-0122 (Online) (doi:https://doi.org/10.1155/2021/4944797)

meditation

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

Melancholy

Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]

Melodia

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Curating Russian Film for International Audiences. [Show/Exhibition] (Submitted)

memory

Adil, Alev (2011) Memory in the dead zone. [Creative Performance or Reading]

Adil, Alev (2011) MemoryMap [website]. MemoryMap, London, UK.

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2022) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Palgrave Macmillan, London. (In Press)

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2007) Index of love. [Artefact]

Dawson, Andrew and Holmes, Sean P. (2012) 'Help to preserve the real story of our cinema and television industries': The BECTU History Project and the construction of British media history, 1986–2010. Historical Journal of Film, Radio and Television, 32 (3). pp. 435-448. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2012.699650)

Hobbs, James (2020) Moribund State(s) - Solo multimedia art exhibition. [Show/Exhibition]

Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

Ingham, Mark (2008) Ars magna lucis et umbrae. [Show/Exhibition]

Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]

McClean, Mairead (2008) Bell(a)Exchange III. [Show/Exhibition]

McClean, Mairead (2008) Bell(a)exchange II. [Show/Exhibition]

Mroz, Matilda (2014) The monument and the sewer: memory and death in Wajda’s Kanal (1957). Historical Journal of Film, Radio and Television, 34 (4). pp. 528-545. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2014.903035)

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2016) Death and Memory in the Twenty-First Century. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities and Sciences. Palgrave Macmillan, London, UK, pp. 113-118. ISBN 9781137520579 (doi:https://doi.org/10.1057/9781137520586_14)

Schmitz, Anastasia, Macquarrie, Andrew, Julier, Simon, Binetti, Nicola and Steed, Anthony (2020) Directing versus attracting attention: exploring the effectiveness of central and peripheral cues in panoramic videos. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 63-72. ISBN 978-1728156088 ; 978-1728156095 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR46266.2020.00024)

Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)

memory theatre

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2022) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Palgrave Macmillan, London. (In Press)

metadata

Woollard, Christopher C. and Herrero, Juan J. (2004) An information system to exploit the use of metadata within film and television production. Image Technology, 86 (5). pp. 26-32. ISSN 0950-2114

metamathematics

Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.

metaverse

Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2022) Screencast videography: understanding experience in the metaverse. In: Future Visualities: Visual Methods & Ethnography in Interdisciplinary Research Symposium, 1st June 2022, Edinburgh Napier University. (Unpublished)

method

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)

methodology

Cole, Tom ORCID: 0000-0001-6031-8377 and Salisbury, John Hamon (2016) Grounded Theory in games research: making the case and exploring the options. In: DIGRA/FDG '16 - Proceedings of the First International Joint conference of DIGRA and FDG. Digital Games Research Association, Finland. ISBN 2342-9666

Dawson, Andrew and Holmes, Sean P. (2012) New perspectives on working in the global film and television industries. Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 1-17. ISBN 9781780930206

Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.

Miami

Ingham, Mark (2011) Art takes Miami 2011. In: Aldrich, Jeffrey, (ed.) Art Takes Miami 2011. Artist Wanted, New York, p. 5. ISBN 9780984871803

Mime

Sporton, Gregory (2016) Review from London International Mime Festival. Scene, 4 (1). pp. 89-90. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.1.89_5)

miscommunication

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)

Miscommunications

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Barker, Timothy (eds.) (2021) Miscommunications: Errors, Mistakes, Media. Thinking Media . Bloomsbury Academic, New York. ISSN 978-1501363856 (Print), 978-1501363832 (Online)

mistake

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)

mixed affect

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) Emotional exploration and the eudaimonic gameplay experience: a grounded theory. In: CHI '22: CHI Conference on Human Factors in Computing Systems. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (470). Association of Computing Machinery (ACM), New York, pp. 1-16. ISBN 978-1450391573 (doi:https://doi.org/10.1145/3491102.3502002)

mixed media

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2007) Index of love. [Artefact]

mixed reality

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)

mixed reality set-up

Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)

mobile technologies

Cunningham, Stuart and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2015) Second screen comes to the silver screen: a technology feasibility study regarding mobile technologies in the cinema. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 228-232. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317400)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunnigham, Stuart (2015) Second screen comes to the silver screen: a consumer study regarding mobile technologies in the cinema. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 121-124. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317381)

Monika Oechseler

Waterworth, David (2009) Object as subject. [Show/Exhibition]

MONO NO AWARE

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

Moribund State[s]

Hobbs, James (2020) Moribund State(s) - Exhibition Catalogue/Artist Book. Project 78 Press, UK. ISBN 978-1838133108

Motion

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

Motion capture

Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)

Macquarrie, Andrew and Steed, Anthony (2020) Improving Free-Viewpoint Video content production using RGB-camera-based skeletal tracking. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 774-775. ISBN 978-1728165325 ; 978-1728165332 (doi:https://doi.org/10.1109/VRW50115.2020.00238)

motion capture apparatus

Birmingham City University, Perry Barr, Birmingham, West Midlands B42 2SU (2010) MotivePro: a motion capture apparatus. WO/2010/084348.

motion picture industry

Dawson, Andrew (2011) Book review: NYSTROM, DEREK. Hard Hats, Rednecks, and Macho Men. Class in 1970s American Cinema. Oxford University Press, Oxford [etc.] 2009. x, 251 pp.Ill. $24.95; doi:10.1017/S0020859011000137. International Review of Social History, 56 (10). pp. 160-162. ISSN 0020-8590 (Print), 1469-512X (Online) (doi:https://doi.org/10.1017/S0020859011000137)

Dawson, Andrew (2005) Book review: Robert S. Birchard, Cecil B. DeMille's Hollywood (Lexington: University of Kentucky Press, 2004, $39.95). Pp. 446. ISBN 0 8131 2324 0; David W. Menefee, The first female stars: women of the silent era (Westport, CT: Praeger, 2004, $44.95). Pp. 249. ISBN 0 275 98259 9. Journal American Studies, 39 (1). pp. 113-114. ISSN 0021-8758 (Print), 1469-5154 (Online) (doi:https://doi.org/10.1017/S0021875805229584)

Dawson, Andrew (2012) Challenging lilywhite Hollywood: African Americans and the demand for racial equality in the motion picture industry, 1963-1974. The Journal of Popular Culture, 45 (6). pp. 1206-1225. ISSN 0022-3840 (Print), 1540-5931 (Online) (doi:https://doi.org/10.1111/jpcu.12005)

Dawson, Andrew (2010) ’Flexible Specialisation’ and New Hollywood: Time for a Paradigm Shift? In: 8th European Social Science History Conference, 13-16 Apr 2010, Ghent, Belgium. (Unpublished)

Dawson, Andrew (2012) Labouring in Hollywood’s motion picture industry and the promise of ‘flexible specialisation’. In: Dawson, Andrew and Holmes, Sean P., (eds.) Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 21-38. ISBN 9781780930206

motion processing

Macquarrie, Andrew and Steed, Anthony (2020) Improving Free-Viewpoint Video content production using RGB-camera-based skeletal tracking. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 774-775. ISBN 978-1728165325 ; 978-1728165332 (doi:https://doi.org/10.1109/VRW50115.2020.00238)

motion tracking

Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2019) Moving Digits: Augmented Dance for Engaged Audience. [Creative Performance or Reading] (Unpublished)

mourning

Mroz, Matilda (2014) The monument and the sewer: memory and death in Wajda’s Kanal (1957). Historical Journal of Film, Radio and Television, 34 (4). pp. 528-545. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2014.903035)

moving image

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.296)

MSA

Frith, Ed (2008) Matthew Springett Architects presents models, but no buildings. Building Design (1832). p. 15.

Multi-disciplinary

Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)

multichannel concerts

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene_00016_1)

multidiscilinary

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584

multidisciplinary

Maffioletti, Catherine (2020) Multicomponent Output 1: Hysteria. [Creative Performance or Reading]

Maffioletti, Catherine (2020) Multicomponent Output 2: Hysterical Together. [Creative Performance or Reading]

Multimedia

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Salihbegović, Nuno (2011) Oedipus at Tate Britain. [Creative Performance or Reading]

Multimedia Information Systems

Macquarrie, Andrew and Steed, Anthony (2018) The effect of transition type in multi-view 360 media. IEEE Transactions on Visualization and Computer Graphics, 24 (4):17617378. pp. 1564-1573. ISSN 1077-2626 (Print), 1941-0506 (Online) (doi:https://doi.org/10.1109/TVCG.2018.2793561)

Multimedia Installation

Hobbs, James (2020) Moribund State(s) - Solo multimedia art exhibition. [Show/Exhibition]

multiversal

Golding, Johnny (2012) Ana-materialism and the Pineal Eye: Becoming mouth-breast (or visual arts after Descartes, Bataille, Butler, Deleuze and Synthia with an ‘s’). Philosophy of Photography, 3 (1). pp. 99-120. ISSN 2040-3682 (Print), 2040-3690 (Online) (doi:https://doi.org/10.1386/pop.3.1.99_1)

museum-studies

Waterworth, David (2020) 10-4. [Show/Exhibition]

museums

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Bowen, Jonathan P., Borda, Ann and Diprose, Graham (eds.) (2021) EVA London (Electronic Visualisation and the Arts): proceedings of EVA London 2021. In: EVA London 2021, Programme Committee, (ed.) AI and the Arts: Artificial Imagination. Proceedings of EVA London 2021 (EVA 2021). 5th July – 9th July 2021. Electronic Workshops in Computing (eWiC) | BCS . British Computer Society, Swindon; London, pp. 1-10. ISBN 978-1780175737 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2021.0)

museums and heritage

Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897, Borda, Ann and Diprose, Graham (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon. ISBN 978-1780175942 ISSN 1477-9358

Tsjornaja, Anne, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Broadhead, Martyn (2022) Art(NET)work: visualising interconnected artwork data in VR. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 250-251. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.47)

Music

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Kennedy, Stephen (2011) Audiostate. six compositions for film/live art performance. [Show/Exhibition] (Unpublished)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Emotion In Abstract Animation: Designing A New Form Of Visual Music. [Show/Exhibition]

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Explosions in the mind: Composing Psychedelic Sounds and Visualisations. Palgrave Studies in Sound . Springer Singapore, Singapore. ISBN 978-9811640544

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

music covers

Powers, Alan (2010) Benjamin Britten, Piper and Aldeburgh. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 130-135. ISBN 978-0-9558343-2-5

music festivals

Powers, Alan (2010) Benjamin Britten, Piper and Aldeburgh. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 130-135. ISBN 978-0-9558343-2-5

music scores

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

music visualiation

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Cyberdreams: visualizing music in extended reality. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 209-227. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_12)

narration

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)

narrative

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2007) Index of love. [Artefact]

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Index of love. [Show/Exhibition]

Narrative synthesis

Bailey, Catherine, Madden, Adrian ORCID: 0000-0002-3193-5808, Alfes, Kerstin and Fletcher, Luke (2015) The meaning, antecedents and outcomes of employee engagement: A narrative synthesis. International Journal of Management Reviews, 19 (1). pp. 31-53. ISSN 1460-8545 (Print), 1468-2370 (Online) (doi:https://doi.org/10.1111/ijmr.12077)

narrative voice

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)

Net art

Samson, Audrey and Soon, Winnie (2015) Network affordances: The unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal (24). ISSN 1449-1443 (Online)

Netflix

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.

Network affordances

Samson, Audrey and Soon, Winnie (2015) Network affordances: The unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal (24). ISSN 1449-1443 (Online)

network coding

Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2021) Deep-NC: a secure image transmission using deep learning and network coding. Signal Processing: Image Communication, 99:116490. ISSN 0923-5965 (doi:https://doi.org/10.1016/j.image.2021.116490)

Vien, Quoc-Tuan, Nguyen, Tuan ORCID: 0000-0003-0055-8218 and Nguyen, Huan (2021) A lightweight secure image super resolution using network coding. In: Proceedings of the 16th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications. 8-11 Feb 2021. Vienna, Austria. VISIGRAPP, 4 . SCITEPRESS, Setúbal, Portugal, pp. 653-660. ISBN 978-9897584886 ISSN 2184-4321 (doi:https://doi.org/10.5220/0010212406530660)

neuro-psychologist

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

New Media

Papadaki, Elena ORCID: 0000-0002-6653-4334, Ploeger, Dani and Krajewska, Klio (2019) Radical Immersions. [Show/Exhibition]

New Media Curation

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)

Nicolas Roeg

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)

Noise

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

non-fungible tokens (NFTs)

Bowen, Jonathon P., Baker, Camille, Boddington, Ghislaine ORCID: 0000-0003-0448-579X, Edmonds, Ernst, van Helsdingen, Merel and Masson, Terence (2021) EVA London 2021: Keynote summaries. In: EVA London 2021: Electronic Visualisation & the Arts. Proceedings of conference. BCS, The Chartered Institute for IT, 5th -9th July 2021. Proceedings of EVA London 2021 . Science Open, London, pp. 1-6. ISBN 978-1780175737 (doi:https://doi.org/10.14236/ewic/EVA2021.1)

non-place

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) VOID. [Composition]

non-representational imaging

Golding, Johnny (2012) Ana-materialism and the Pineal Eye: Becoming mouth-breast (or visual arts after Descartes, Bataille, Butler, Deleuze and Synthia with an ‘s’). Philosophy of Photography, 3 (1). pp. 99-120. ISSN 2040-3682 (Print), 2040-3690 (Online) (doi:https://doi.org/10.1386/pop.3.1.99_1)

Norman Bryson

Mann, Tony (1995) [Book review] Cindy Sherman 1975-1993. The Art Book, 2 (2). p. 34. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

Norway

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

NOTAM

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

novel writing

Langan, Michael (2009) Astonishing apples: visualising the novel. In: School of Humanities and Social Sciences Research Conference, 28 May 2009, University of Greenwich. (Unpublished)

Noë

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)

object based audio

Hill, Andrew ORCID: 0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

objects

Waterworth, David (2020) 10-4. [Show/Exhibition]

Oedipus

Salihbegović, Nuno (2011) Oedipus at Tate Britain. [Creative Performance or Reading]

Olympic Games

Liao, Hanwen and Isaac, David (2007) Olympic Haussmannization. Urbanism and Architecture, 38 (11). pp. 12-14. ISSN 1673-0232

Olympic planning

Liao, Hanwen (2007) London 2012 Olympic development. Urbanism and Architecture, 38 (11). pp. 79-83. ISSN 1673-0232

Online

Giaxoglou, Korina, Döveling, Katrin and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Networked emotions: Interdisciplinary perspectives on sharing loss online. Journal of Broadcasting and Electronic Media, 61 (1). ISSN 0883-8151 (Print), 1550-6878 (Online) (doi:https://doi.org/10.1080/08838151.2016.1273927)

open spaces

Holden, Robert (2007) Exhibition. Public city. Architects' Journal, 225 (5). p. 44. ISSN 0003-8466

Opera

Sporton, Gregory (2017) Reviews. Scene, 5 (1). pp. 83-88. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.1.83_5)

oral history

Dawson, Andrew and Holmes, Sean P. (2012) 'Help to preserve the real story of our cinema and television industries': The BECTU History Project and the construction of British media history, 1986–2010. Historical Journal of Film, Radio and Television, 32 (3). pp. 435-448. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2012.699650)

Other

Fiddler, Michael ORCID: 0000-0002-0695-6770 (2013) Playing funny games in the last house on the left: the uncanny and the ‘home invasion’ genre. Crime, Media, Culture, 9 (3). pp. 281-299. ISSN 1741-6590 (Print), 1741-6604 (Online) (doi:https://doi.org/10.1177/1741659013511833)

pain metaphors

Patterson, Jennifer ORCID: 0000-0002-8254-7602 (2016) Translations. Body Talk: whose language? Association of Medical Humanities. (Unpublished)

palimpsest

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)

panorama images

Macquarrie, Andrew and Steed, Anthony (2015) Object removal in panoramic media. In: CVMP '15: Proceedings of the 12th European Conference on Visual Media Production. ACM Digital Library (2). Association for Computing Machinery (ACM), New York, United States, pp. 1-10. ISBN 978-1450335607 (doi:https://doi.org/10.1145/2824840.2824844)

panoramic video

Hong, Yang, Macquarrie, Andrew and Steed, Anthony (2018) The effect of chair type on users' viewing experience for 360-degree video. In: VRST '18: Proceedings of the 24th ACM Symposium on Virtual Reality Software and Technology. Tokyo Japan. 28 November 2018- 1 December 2018. Association for Computing Machinery (ACM), New York, United States, pp. 1-11. ISBN 978-1450360869 (doi:https://doi.org/10.1145/3281505.3281519)

Macquarrie, Andrew and Steed, Anthony (2017) Cinematic Virtual Reality: evaluating the effect of display type on the viewing experience for panoramic video. In: 2017 IEEE Virtual Reality (VR). March 18-22 2017. Los Angeles, CA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 45-54. ISBN 978-1509066476 ; 978-1509066483 ISSN 2375-5334 (Online) (doi:https://doi.org/10.1109/VR.2017.7892230)

Parametric relations

Samson, Audrey and Soon, Winnie (2015) Network affordances: The unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal (24). ISSN 1449-1443 (Online)

Participation

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

participatory

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700, Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]

Patrick McCabe

Stabb, Walter (2019) Europe Endless. [Video]

patronage

Dawson, Andrew and Holmes, Sean P. (2012) New perspectives on working in the global film and television industries. Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 1-17. ISBN 9781780930206

Dawson, Andrew and Holmes, Sean P. (eds.) (2012) Working in the global film and television industries: Creativity, systems, space, patronage. Bloomsbury Academic, London, UK. ISBN 9781780930206

pedagogy

Fox, Kenneth and Lambirth, Andrew (2012) Film and pedagogy: Learning about teaching at the movies. In: Bahloul, Maher and Graham, Carolyn, (eds.) Lights! Camera! Action and the Brain: The Use of Film in Education. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 61-81. ISBN 9781443836579

performance

Adil, A (2009) Becoming the future now. [Creative Performance or Reading]

Adil, Alev (2011) Memory in the dead zone. [Creative Performance or Reading]

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2022) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Palgrave Macmillan, London. (In Press)

Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2017) Enabling Audiovisual User Interfaces. [Creative Performance or Reading] (Unpublished)

Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2019) Moving Digits: Augmented Dance for Engaged Audience. [Creative Performance or Reading] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene_00016_1)

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700, Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

Sporton, Gregory (2017) The Body and the Intellectual. Scene, 5 (2). pp. 115-126. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.2.115_1)

Sporton, Gregory (2018) The Life of a Dance: Double Take Part II. In: Proceedings from the Document Academy. University of Akron, pp. 1-10.

Sporton, Gregory (2016) Review from London International Mime Festival. Scene, 4 (1). pp. 89-90. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.1.89_5)

Sporton, Gregory (2016) Reviews. Scene, 4 (2). pp. 173-178. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.2.173_5)

Sporton, Gregory (2017) The Sporton Professorial Inaugural. [Creative Performance or Reading]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]

performance art

Maffioletti, Catherine (2020) Multicomponent Output 1: Hysteria. [Creative Performance or Reading]

Maffioletti, Catherine (2020) Multicomponent Output 2: Hysterical Together. [Creative Performance or Reading]

performativity

Golding, Johnny (2012) Ana-materialism and the Pineal Eye: Becoming mouth-breast (or visual arts after Descartes, Bataille, Butler, Deleuze and Synthia with an ‘s’). Philosophy of Photography, 3 (1). pp. 99-120. ISSN 2040-3682 (Print), 2040-3690 (Online) (doi:https://doi.org/10.1386/pop.3.1.99_1)

Personal Data Protection

Boddington, Ghislaine ORCID: 0000-0003-0448-579X, Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]

Peter Zinovieff

Critchley, Emily (2010) Some curious thing. [Video]

philosophy

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2022) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Palgrave Macmillan, London. (In Press)

Golding, Johnny (2010) Fractal philosophy (and the small matter of learning how to listen): attunement as the task of art. In: Zepke, Stephen and O'Sullivan, Simon, (eds.) Deleuze and Contemporary Art. Deleuze Connections . Edinburgh University Press, Edinburgh, Scotland, pp. 133-154. ISBN 978-0748638376 (hardback), 9780748638383 (paperback),

Golding, Sue (2009) Trembling the plane of immanence: media arts philosophy and the re-vision of art (or what’s acoustics got to do with the visual?). In: Invited lecture, February, 2009, Royal Academy of Art. (Unpublished)

PhotoEssay

Hobbs, James (2020) Moribund State(s) - Exhibition Catalogue/Artist Book. Project 78 Press, UK. ISBN 978-1838133108

photograph

Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]

Ingham, Mark (2011) A portrait of Marilyn Miller and me 5611. [Artefact]

photographic image

Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]

photography

Arthur, Mervyn, Baseman, Jordan, Behr, Bernd, Biswas, Sutapa, Chance, Veronique, Cobbing, William, Coldwell, Paul, Cross, David, Dobai, Sarah, Douglas, Lorrice, Drabble, Neil, Gunning, Lucy, Hamann, Sigune, Haywood, Thomas, Ingham, Mark, Kovats, Tania, Lanteri Laura, Jean-Louis, Lebas, Chrystel, Love, Johanna, Mossman, Anna, Newth, Martin, Robertson, Helen, Rowe, Lois, Taylor, Finlay, Treacy, Danny, Wainwright, Chris and Webster, Dave (2011) SCOPE New Photographic Practices. [Show/Exhibition]

Calvert, Sheena (2009) [Un]disciplined gestures and [un]common sense: the sensual, acoustic logic(s) of paradox and art. PhD thesis, University of Greenwich.

Hobbs, James (2020) Moribund State(s) - Solo multimedia art exhibition. [Show/Exhibition]

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Ingham, Mark (2008) Ars magna lucis et umbrae. [Show/Exhibition]

Ingham, Mark (2011) Art takes Miami 2011. In: Aldrich, Jeffrey, (ed.) Art Takes Miami 2011. Artist Wanted, New York, p. 5. ISBN 9780984871803

Ingham, Mark (2011) Mark Ingham, Marilyn Miller and Me 1956-2011. In: Muraben, Billie, (ed.) New Photographic Practices: SCOPE. Camberwell Press, London, UK, p. 24. ISBN 978-0-9536395-9-5

Ingham, Mark (2011) Mark Ingham: motion and sound winner Scope Miami 2011. SCOPE Miami 2011. Artists Wanted LLC, New York, pp. 46-47. ISBN 9780984871803

Ingham, Mark (2011) New photographic practices: SCOPE. In: Newth, Martin, (ed.) New Photographic Practices; SCOPE. Camberwell Press, London. ISBN 978-0953639595

physical environments

Broadhurst, Susan, Papadaki, Elena ORCID: 0000-0002-6653-4334, Ploeger, Dani, Goddard, Michael N., O'Brien, Sarah, Taiwo, Olu, Schellewald, Andreas, Chan, Melanie, Lewis, Matt, Dziekan, Vince, Giannachi, Gabriella, Nolasco-Rózsás, Lívia, Katan-Schmid, Einav, Meseguer, Rosell, Borges, Cândida, Vélez, Gabriel Mario, DeLappe, Joseph, Caerols Mateo, Raquel, Kelomees, Raivo, Guljajeva, Varvara, Laas, Oliver, Riegel, Christian, Robinson, Katherine M., Richards, Grayson, Desnoyers-Stewart, John, Smith, Megan L., Riecke, Bernhard E., Dare, Eleanor, Berezina-Blackburn, Vita, Oliszewski, Alex and Mcgarrigle, Conor (eds.) (2020) Radical Immersions: Navigating between virtual/physical environments and information bubbles - DRHA 2019 Conference Proceedings. University of London / DRHA, London. ISBN 978-0900822124 (In Press)

physical theatre

Wallis, Jillian (2015) Reverie. [Creative Performance or Reading]

physicality

Sporton, Gregory (2017) The Body and the Intellectual. Scene, 5 (2). pp. 115-126. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.2.115_1)

Pierre Bourdieu

Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)

Piper

Powers, Alan (2010) Benjamin Britten, Piper and Aldeburgh. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 130-135. ISBN 978-0-9558343-2-5

Place

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

planning and design

Liao, Hanwen (2007) London 2012 Olympic development. Urbanism and Architecture, 38 (11). pp. 79-83. ISSN 1673-0232

Platform

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

play

Chaplin, Sarah (2008) Child-friendliness in design: can design and architecture lead the way? In: Places to go? place-shaping, safer streets and sustainable transport for a child-friendly public realm. A national conference by Play England, Sustrans, Living Streets and the National Children's Bureau, 20 May 2008, Queen Elizabeth II Conference Centre Westminster London. (Unpublished)

poetic

Wallis, Jillian (2015) Reverie. [Creative Performance or Reading]

poetry

Adil, A (2009) Becoming the future now. [Creative Performance or Reading]

Adil, Alev (2011) Memory in the dead zone. [Creative Performance or Reading]

Adil, Alev (2011) MemoryMap [website]. MemoryMap, London, UK.

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2022) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Palgrave Macmillan, London. (In Press)

Critchley, Emily (2010) First Poetry. [Video]

poetry performance

Critchley, Emily (2010) Some curious thing. [Video]

Poland

Mroz, Matilda (2010) Cinema and censorship in post-war Poland. In: Darwin College Humanities and Social Sciences Group series, 25 May 2010, Darwin College, University of Cambridge, UK. (Unpublished)

Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)

Polish cinema

Mroz, Matilda (2014) The monument and the sewer: memory and death in Wajda’s Kanal (1957). Historical Journal of Film, Radio and Television, 34 (4). pp. 528-545. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2014.903035)

Politics of Space

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2017) Space as Methodology: the politics of exhibiting the moving image in public spaces. In: "The Politics of Space and the Humanities", 15-17 December 2017, Thessaloniki, Greece. (Unpublished)

pool

Mroz, Matilda (2014) The aesthetics of overflow: Tarkovsky’s Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pamela, (eds.) The Cinema of the Swimming Pool. New Studies in European Cinema (17). Peter Lang AG, Oxford / Bern / Berlin / Bruxelles / Frankfurt am Main / New York / Wien, pp. 169-180. ISBN 978-3034317832

post-cinema

Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Ben Hur Live as post-cinematic adaptation. Journal of Adaptation in Film & Performance, 15 (1/2). pp. 61-75. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp_00069_1)

post-colonial studies

Smith, Caroline (2007) Hide and seek with rebels: tracing contemporary queer art in cracks and rips. Wasafiri, 22 (1). pp. 32-42. ISSN 0269-0055 (doi:https://doi.org/10.1080/02690050601097609)

post-digital

Watkins, Julie ORCID: 0000-0001-8872-7041 (2022) Animation in post-digital environments: interactions between physical and digital spaces. In: SAS 2022, 27th - 30th June 2022, Teeside University. (Unpublished)

post-Fordism

Dawson, Andrew (2010) ’Flexible Specialisation’ and New Hollywood: Time for a Paradigm Shift? In: 8th European Social Science History Conference, 13-16 Apr 2010, Ghent, Belgium. (Unpublished)

Dawson, Andrew (2012) Labouring in Hollywood’s motion picture industry and the promise of ‘flexible specialisation’. In: Dawson, Andrew and Holmes, Sean P., (eds.) Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 21-38. ISBN 9781780930206

post-war writing

Stacey, Gillian Joyce (2017) Lee Miller. Beyond the muse. A very modern woman: a woman of her time. PhD thesis, University of Greenwich.

practice

Calvert, Sheena (2009) [Un]disciplined gestures and [un]common sense: the sensual, acoustic logic(s) of paradox and art. PhD thesis, University of Greenwich.

McArthur, Angela, van Tonder, Cobi, Gaston-Bird, Leslie and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2021) A survey of 3D audio through the browser: practitioner perspectives. In: 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). 8-10 September 2021. Bologna, Italy (online). IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New Jersey, pp. 1-10. ISBN 978-1665409988 ; 978-1665409995 (doi:https://doi.org/10.1109/I3DA48870.2021.9610839)

practice-as-research

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)

practice-based research

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:https://doi.org/10.14236/ewic/EVA2018.70)

practice-research

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)

practices

Ingham, Mark (2011) New photographic practices: SCOPE. In: Newth, Martin, (ed.) New Photographic Practices; SCOPE. Camberwell Press, London. ISBN 978-0953639595

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

presentation

Milic, Nela, Maragiannis, Anastasios ORCID: 0000-0002-1662-0189, Oh, Jee and Zuabi, Thaer (2011) Mapping and reshaping of cultural identity by digital media [Workshop]. In: ISEA2011: The 17th International Symposium on Electronic Art, 14-21 Sep 2011, Istanbul, Turkey.

princes

Stoppani, Teresa (2008) Interpreting the Renaissance: princes, cities, architects by Manfredo Tafuri, translated by Daniel Sherer. The Journal of Architecture, 13 (3). pp. 345-354. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360802216997)

printing

Powers, Alan (2010) Benjamin Britten, Piper and Aldeburgh. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 130-135. ISBN 978-0-9558343-2-5

printmaking

Powers, Alan (2010) Introduction: John Piper in context. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 9-13. ISBN 978-0-9558343-2-5

privilege‌

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700, Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

Process

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

Production

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

Productive consumer public

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)

Projection mapping

Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]

projectors

Ingham, Mark (2011) Art takes Miami 2011. In: Aldrich, Jeffrey, (ed.) Art Takes Miami 2011. Artist Wanted, New York, p. 5. ISBN 9780984871803

projects

Mould, Oli, Vorley, Tim and Liu, Kai (2014) Invisible creativity? Highlighting the hidden impact of freelancing in London's creative industries. European Planning Studies, 22 (12). pp. 2436-2455. ISSN 0965-4313 (Print), 1469-5944 (Online) (doi:https://doi.org/10.1080/09654313.2013.790587)

psychedelic visual music

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2014) Digitized direct animation: creating materials for electroacoustic visual music using 8mm film. eContact! Online Journal for Electroacoustic Practices, 15 (4).

psychedelics

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

Public

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)

Public Artwork

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

public engagement

Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2018) The Cosmic Pond - REF documentation. [Show/Exhibition]

public space

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700, Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

Publishing

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)

qualitative

Cole, Tom ORCID: 0000-0001-6031-8377 and Salisbury, John Hamon (2016) Grounded Theory in games research: making the case and exploring the options. In: DIGRA/FDG '16 - Proceedings of the First International Joint conference of DIGRA and FDG. Digital Games Research Association, Finland. ISBN 2342-9666

qualitative research

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) More than a bit of coding: (un-)Grounded (non-)Theory in HCI. In: CHI EA '22: CHI Conference on Human Factors in Computing Systems Extended Abstracts. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (11). Association of Computing Machinery (ACM), New York, pp. 1-11. ISBN 978-1450391566 (doi:https://doi.org/10.1145/3491101)

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)

quantum geographies

Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.

Quentin Blake

Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]

Quiet

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

Rafael Lozano-Hemmer

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:https://doi.org/10.1080/17458927.2015.1042247)

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Interactive video installations in public spaces: Rafael Lozano-Hemmer's Under Scan. In: Crisp, Virginia and Menotti Gonring, Gabriel, (eds.) Besides the Screen: Moving Images through Distribution, Promotion and Curation. Palgrave Macmillan, London & New York, pp. 197-212. ISBN 978-1-137-47101-7

rate-distortion optimization

Sigger, Neetu, Al-Jawed, Naseer and Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2022) Spatial-temporal autoencoder with attention network for video compression. In: Proceedings of the 17th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications. Online. February 6-8, 2022. Computer Vision Theory and Applications (VISAPP), 4 . Computer Vision Theory and Applications (VISAPP) - SCITEPRESS Digital Library, Setúbal, Portugal, pp. 364-371. ISBN 978-9897585555; ISSN 2184-4321 (doi:https://doi.org/10.5220/0010811900003124)

re-mapping

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Re-mapping the territory: immersive exhibition practices in the expanded field. Gramma, 27. ISSN 2529-1793 (Online) (doi:https://doi.org/10.26262/gramma.v27i0.8990)

re-thinking Humanities and Social Sciences

Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.

reading

Critchley, Emily (2010) First Poetry. [Video]

Reality

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

recording

Hill, Andrew ORCID: 0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]

reflection

Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]

Regulation

Giaxoglou, Korina, Döveling, Katrin and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Networked emotions: Interdisciplinary perspectives on sharing loss online. Journal of Broadcasting and Electronic Media, 61 (1). ISSN 0883-8151 (Print), 1550-6878 (Online) (doi:https://doi.org/10.1080/08838151.2016.1273927)

rehearsal

Golding, Johnny (2012) Ana-materialism and the Pineal Eye: Becoming mouth-breast (or visual arts after Descartes, Bataille, Butler, Deleuze and Synthia with an ‘s’). Philosophy of Photography, 3 (1). pp. 99-120. ISSN 2040-3682 (Print), 2040-3690 (Online) (doi:https://doi.org/10.1386/pop.3.1.99_1)

relational economic geography

Mould, Oli, Vorley, Tim and Liu, Kai (2014) Invisible creativity? Highlighting the hidden impact of freelancing in London's creative industries. European Planning Studies, 22 (12). pp. 2436-2455. ISSN 0965-4313 (Print), 1469-5944 (Online) (doi:https://doi.org/10.1080/09654313.2013.790587)

remediation

Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Ben Hur Live as post-cinematic adaptation. Journal of Adaptation in Film & Performance, 15 (1/2). pp. 61-75. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp_00069_1)

Renaissance

Stoppani, Teresa (2008) Interpreting the Renaissance: princes, cities, architects by Manfredo Tafuri, translated by Daniel Sherer. The Journal of Architecture, 13 (3). pp. 345-354. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360802216997)

representation

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

representations of disability

Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]

research

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584

Papadaki, Elena ORCID: 0000-0002-6653-4334, Arfaras, Mihalis, Schizakis, Stamatis, Garcia, Carla Ambrósio, Dare, Eleanor, Beveridge, Patrick, Hobbs, James, Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Menotti, Gabriel, Ploeger, Dani, Samson, Audrey, Borras, Michael (a.k.a. Systaime), Krajewska, Klio and Talbot, Michael ORCID: 0000-0001-7198-1422 (eds.) (2020) Exhibiting the Analogue, Exhibiting the Digital: Afterthoughts on an exhibition. University of Greenwich Galleries / Incandescent Square, London. ISBN 978-0957343047

research methods

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) More than a bit of coding: (un-)Grounded (non-)Theory in HCI. In: CHI EA '22: CHI Conference on Human Factors in Computing Systems Extended Abstracts. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (11). Association of Computing Machinery (ACM), New York, pp. 1-11. ISBN 978-1450391566 (doi:https://doi.org/10.1145/3491101)

restoration

Frith, Ed (2008) On altering architecture by Fred Scott. The Architects' Journal. pp. 12-13. ISSN 0003-8466

Reviews

Sporton, Gregory (2017) Reviews. Scene, 5 (1). pp. 83-88. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.1.83_5)

rhythm

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:https://doi.org/10.14236/ewic/EVA2018.70)

Rita Duffy

Stabb, Walter (2019) Europe Endless. [Video]

Robert Capa

Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]

Robert Mapplethorpe

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

Roland Barthes

Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)

role of lawyers

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2021) Top 10 classic Law films. New Law Journal, 171 (7959). pp. 21-22. ISSN 0306-6479 (Print), 2046-2239 (Online)

Roma art

Acton, Thomas (2010) Is tradition the enemy of history? In: Orta, Lucy, (ed.) Mapping the Invisible: EU-Roma Gypsies. Black Dog Publishing / London College of Fashion, London, UK, pp. 20-23. ISBN 978 1 906155 91 9

Roma history

Acton, Thomas (2010) Is tradition the enemy of history? In: Orta, Lucy, (ed.) Mapping the Invisible: EU-Roma Gypsies. Black Dog Publishing / London College of Fashion, London, UK, pp. 20-23. ISBN 978 1 906155 91 9

Romani art

Acton, Thomas (2007) Second site. Paradise lost. Open Society Institute / Prestel Publishing, London, UK: New York, pp. 30-32. ISBN 978-3-7913-6145-1

Rosalind Krauss

Mann, Tony (1995) [Book review] Cindy Sherman 1975-1993. The Art Book, 2 (2). p. 34. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

Russian cinema

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)

Russian Film

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Curating Russian Film for International Audiences. [Show/Exhibition] (Submitted)

Russian Formalism

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)

science identity

Griffiths, Wyn and Keith, Lindsay ORCID: 0000-0002-5324-1719 (2022) Actors with agency: immersive science theatre and science identity. In: Weitkamp, Emma and Almeida, Carla, (eds.) Science & Theatre: Communicating Science and Technology with Performing Arts. Emerald Publishing Ltd., Bingley, UK, pp. 103-112. ISBN 978-1800436411; 978-1800436411; 978-1800436404; 978-1800436428 (In Press)

scope

Ingham, Mark (2011) Art takes Miami 2011. In: Aldrich, Jeffrey, (ed.) Art Takes Miami 2011. Artist Wanted, New York, p. 5. ISBN 9780984871803

Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]

Scotland

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

screen

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2009) Visual arts and 2D – 3D motion typo.graphic design. In: EVA London 2009: Electronic Visualisation & the Arts. Electronic Workshops in Computing (eWiC) (online), 2009 . BCS: The Chartered Institute for IT, Swindon, UK, pp. 192-200. ISBN 978-1-906124-17-5 (pbk) ISSN 1477-9358 (online)

Screen Actors Guild

Dawson, Andrew (2012) Challenging lilywhite Hollywood: African Americans and the demand for racial equality in the motion picture industry, 1963-1974. The Journal of Popular Culture, 45 (6). pp. 1206-1225. ISSN 0022-3840 (Print), 1540-5931 (Online) (doi:https://doi.org/10.1111/jpcu.12005)

Screen-based interaction

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2014) Communicating technology: Interactive design and interdisciplinary collaboration in the digital arts. In: Book of Absracts of DRHA2014: Communication Futures: Connecting Interdisciplinary Design Practices in Arts/Culture, Academia and the Creative Industries. University of Greenwich, pp. 215-216. ISBN 978-1-291-97878-0

Screen-reliant works

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:https://doi.org/10.1080/17458927.2015.1042247)

screencast

Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2022) Screencast videography: understanding experience in the metaverse. In: Future Visualities: Visual Methods & Ethnography in Interdisciplinary Research Symposium, 1st June 2022, Edinburgh Napier University. (Unpublished)

screencast videography

Kawaf, Fatema ORCID: 0000-0002-7089-7816, Bruce, Helen, Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110, Rooney, Tara and Ngwakwe, Amarachi (2022) Using screencast videography as a customer experience and journey mapping tool: a case study. In: The 12th International SERVSIG Conference 2022. SERVSIG. (In Press)

screenplay

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2019) The screenplay as boundary object. Journal of Screenwriting, 10 (2). pp. 149-164. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.10.2.149_1)

screenwriting

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2019) The screenplay as boundary object. Journal of Screenwriting, 10 (2). pp. 149-164. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.10.2.149_1)

script

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2019) The screenplay as boundary object. Journal of Screenwriting, 10 (2). pp. 149-164. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.10.2.149_1)

scriptwriting

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2019) The screenplay as boundary object. Journal of Screenwriting, 10 (2). pp. 149-164. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.10.2.149_1)

Sculpture Sound

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

second screen

Cunningham, Stuart and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2015) Second screen comes to the silver screen: a technology feasibility study regarding mobile technologies in the cinema. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 228-232. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317400)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunnigham, Stuart (2015) Second screen comes to the silver screen: a consumer study regarding mobile technologies in the cinema. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 121-124. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317381)

self-presentation

Siegel, Lauren ORCID: 0000-0003-2117-8492, Tussyadiah, Iis ORCID: 0000-0003-0729-1712 and Scarles, Caroline ORCID: 0000-0001-8279-3689 (2022) Cyber-physical traveler performances and Instagram travel photography as ideal impression management. Current Issues in Tourism. ISSN 1368-3500 (Print), 1747-7603 (Online) (In Press) (doi:https://doi.org/10.1080/13683500.2022.2086451)

sensation

Sigthorsson, Gauti (2008) Sensation for sensation's sake: art and the temptation of 'Wow'! Sjonauki. ISSN 1670-7311

sensationalism

Vlachos, Peter ORCID: 0000-0002-4870-9006 (2003) Paint a true picture of art in China. The Guardian. ISSN 0261-3077

senses embodied

Watkins, Julie ORCID: 0000-0001-8872-7041 (2022) Extended senses: unfolding space. In: Extended Senses 2022, 8th - 9th September 2022, University of Greenwich.

serious games

Sporton, Gregory and Makiola, Iona (2011) The Watertower: augmented reality gaming for heritage. In: Beale, Katy, (ed.) Museums At Play – Games, Interaction and Learning. MuseumsEtc., Edinburgh, UK and Boston, USA, pp. 347-357. ISBN 9781907697142

Shadow of the Colossus

Cole, Tom ORCID: 0000-0001-6031-8377 (2015) The tragedy of betrayal: how the design of Ico and Shadow of the Colossus elicits emotion. In: DiGRA '15 - Proceedings of the 2015 DiGRA International Conference. Lüneburg, Germany, May 14th - 17th 2015. Digital Games Research Association, Finland. ISSN 2342-9666

shamanism

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

shape analysis

Macquarrie, Andrew and Steed, Anthony (2020) Exploring the use of skeletal tracking for cheaper motion graphs and on-set decision making in Free-Viewpoint Video production. In: CVMP '20: European Conference on Visual Media Production. Virtual Event, United Kingdom. December 7 - 8 2020. Association for Computing Machinery (ACM), New York, United States, pp. 1-10. ISBN 978-1450381987 (doi:https://doi.org/10.1145/3429341.3429353)

Macquarrie, Andrew and Steed, Anthony (2020) Improving Free-Viewpoint Video content production using RGB-camera-based skeletal tracking. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 774-775. ISBN 978-1728165325 ; 978-1728165332 (doi:https://doi.org/10.1109/VRW50115.2020.00238)

Sharing economy

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)

silent cinema

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Curating Russian Film for International Audiences. [Show/Exhibition] (Submitted)

silent film

Hill, Andrew ORCID: 0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)

singing

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

slides

Ingham, Mark (2011) Mark Ingham: motion and sound winner Scope Miami 2011. SCOPE Miami 2011. Artists Wanted LLC, New York, pp. 46-47. ISBN 9780984871803

SMASHfestUK

Griffiths, Wyn and Keith, Lindsay ORCID: 0000-0002-5324-1719 (2022) Actors with agency: immersive science theatre and science identity. In: Weitkamp, Emma and Almeida, Carla, (eds.) Science & Theatre: Communicating Science and Technology with Performing Arts. Emerald Publishing Ltd., Bingley, UK, pp. 103-112. ISBN 978-1800436411; 978-1800436411; 978-1800436404; 978-1800436428 (In Press)

SMEs

Kawaf, Fatema ORCID: 0000-0002-7089-7816, Bruce, Helen, Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110, Rooney, Tara and Ngwakwe, Amarachi (2022) Using screencast videography as a customer experience and journey mapping tool: a case study. In: The 12th International SERVSIG Conference 2022. SERVSIG. (In Press)

social change

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2020) How ambient advertising is uniquely placed to make audiences think. Westminster Papers in Communication and Culture, 15 (2). pp. 95-111. ISSN 1744-6716 (Online) (doi:https://doi.org/10.16997/wpcc.346)

social gaming

Cunningham, Stuart, Henry, John and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Augmenting virtual spaces: affective feedback in computer games. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 229-247. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_13)

Social media

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

social networking

Siegel, Lauren ORCID: 0000-0003-2117-8492, Tussyadiah, Iis ORCID: 0000-0003-0729-1712 and Scarles, Caroline ORCID: 0000-0001-8279-3689 (2022) Cyber-physical traveler performances and Instagram travel photography as ideal impression management. Current Issues in Tourism. ISSN 1368-3500 (Print), 1747-7603 (Online) (In Press) (doi:https://doi.org/10.1080/13683500.2022.2086451)

social reproduction

Fox, Kenneth and Lambirth, Andrew (2012) Film and pedagogy: Learning about teaching at the movies. In: Bahloul, Maher and Graham, Carolyn, (eds.) Lights! Camera! Action and the Brain: The Use of Film in Education. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 61-81. ISBN 9781443836579

soft fascination

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

Software

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

solitude

Cole, Thomas ORCID: 0000-0001-6031-8377, Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)

Some Curious Thing

Critchley, Emily (2010) Some curious thing. [Video]

song

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)

Sonic art

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

sonic economies

Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.

Sonic Interaction Design

Masu, Raul, Correia, Nuno N. ORCID: 0000-0002-9999-9162, Jürgens, Stephan, Feitsch, Jochen and Romão, Teresa (2020) Designing Interactive Sonic Artefacts for Dance Performance: an Ecological Approach. In: AM '20: Proceedings of the 15th International Conference on Audio Mostly. ACM, New York, USA, pp. 122-129. ISBN 978-1450375634 (doi:https://doi.org/10.1145/3411109.3412297)

Sound

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2022) Book launch - Explosions in the mind: composing psychedelic sounds and visualisations. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 36-37. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.8)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2014) EEG as a controller for psychedelic visual music in an immersive dome environment. In: EVA London 2014: Proceedings of the EVA London 2014 on Electronic Visualisation and the Arts. Electronic Workshops in Computing (eWiC) | BCS . BCS, The Chartered Institute for IT, Swindon; London. ISBN 978-1780172859 ; 1780172850 (doi:https://doi.org/10.14236/ewic/EVA2014.45)

sound art

Hill, Andrew ORCID: 0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2018) The Cosmic Pond - REF documentation. [Show/Exhibition]

sound design

Hill, Andrew ORCID: 0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

McIntosh, Tyler H., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2022) Lundheim: exploring affective audio techniques in an action-adventure video game. In: AudioMostly'22 St. Pölten University of Applied Sciences, Austria 6-9 September 2022. Association for Computing Machinery (ACM), New York. (In Press) (doi:https://doi.org/10.1145/3561212.3561234)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Explosions in the mind: Composing Psychedelic Sounds and Visualisations. Palgrave Studies in Sound . Springer Singapore, Singapore. ISBN 978-9811640544

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2013) Visual patterns of hallucination as a basis for sonic arts composition. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-2659-9 (doi:https://doi.org/10.1145/2544114.2544125)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2017) Simulating auditory hallucinations in a video game: three prototype mechanisms. In: AM '17: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-5373-1 (doi:https://doi.org/10.1145/3123514.3123532)

sound installation

Golding, Sue and Kennedy, Steve (2009) To tremble the zero: art in the age of algorithmic reproduction. In: Critical Digital Studies Workshop, 4-6 June 2009, Pacific Centre for Technology and Culture at the University of Victoria. (Unpublished)

Sound-image

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

sound/image

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Singing Light 1. [Show/Exhibition]

soundscape ecology

Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2018) The Cosmic Pond - REF documentation. [Show/Exhibition]

Soundtrack

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]

South African film

Pettit, Zoë ORCID: 0000-0002-1909-8947 (2012) Translating Tsotsi for the screen. In: Serban, Adriana, Matamala, Anna and Lavaur, Jean-Marc, (eds.) Audiovisual Translation in Close-Up: Practical and Theoretical Approaches. Peter Lang, Bern, Switzerland, pp. 75-91. ISBN 9783034311519

space

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) VOID. [Composition]

McClean, Mairead (2008) Bell(a)exchange II. [Show/Exhibition]

Stoppani, Teresa (2007) Dust revolutions. Dust, informe, architecture (notes for a reading of dust in Bataille). The Journal of Architecture, 12 (4). 437 - 447. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360701614714)

space and time

Secomb, Linnell (2006) Petyarra and Moffatt: 'Looking from the sky'. Cultural Studies Review, 12 (1). pp. 44-56. ISSN 1446-8123 (Print), 1837-8692 (Online)

spatial audio

Hill, Andrew ORCID: 0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

spatial diffusion

Thompson, Ian ORCID: 0000-0002-7143-8013, Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]

Spatial experience

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:https://doi.org/10.1080/17458927.2015.1042247)

Spatiality

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2014) Communicating technology: Interactive design and interdisciplinary collaboration in the digital arts. In: Book of Absracts of DRHA2014: Communication Futures: Connecting Interdisciplinary Design Practices in Arts/Culture, Academia and the Creative Industries. University of Greenwich, pp. 215-216. ISBN 978-1-291-97878-0

spectacle

Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Ben Hur Live as post-cinematic adaptation. Journal of Adaptation in Film & Performance, 15 (1/2). pp. 61-75. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp_00069_1)

spectroscopy

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

speculative design

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Love After Death (2016 - 2018). [Show/Exhibition]

stars

Dawson, Andrew (2005) Book review: Robert S. Birchard, Cecil B. DeMille's Hollywood (Lexington: University of Kentucky Press, 2004, $39.95). Pp. 446. ISBN 0 8131 2324 0; David W. Menefee, The first female stars: women of the silent era (Westport, CT: Praeger, 2004, $44.95). Pp. 249. ISBN 0 275 98259 9. Journal American Studies, 39 (1). pp. 113-114. ISSN 0021-8758 (Print), 1469-5154 (Online) (doi:https://doi.org/10.1017/S0021875805229584)

Stephen Lawrence Gallery

Waterworth, David (2009) Object as subject. [Show/Exhibition]

storage

Waterworth, David (2020) 10-4. [Show/Exhibition]

students'work

Frith, Ed, O'Carroll, Gerrard, Wilson, Peter and Payne, James (2008) Best in show. Building Design (1827). pp. 20-21.

Studio Production

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282

studio workers

Dawson, Andrew (2012) Challenging lilywhite Hollywood: African Americans and the demand for racial equality in the motion picture industry, 1963-1974. The Journal of Popular Culture, 45 (6). pp. 1206-1225. ISSN 0022-3840 (Print), 1540-5931 (Online) (doi:https://doi.org/10.1111/jpcu.12005)

subitling

Pettit, Zoë ORCID: 0000-0002-1909-8947 (2012) Translating Tsotsi for the screen. In: Serban, Adriana, Matamala, Anna and Lavaur, Jean-Marc, (eds.) Audiovisual Translation in Close-Up: Practical and Theoretical Approaches. Peter Lang, Bern, Switzerland, pp. 75-91. ISBN 9783034311519

Suchman

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)

super-resolution

Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2021) Deep-NC: a secure image transmission using deep learning and network coding. Signal Processing: Image Communication, 99:116490. ISSN 0923-5965 (doi:https://doi.org/10.1016/j.image.2021.116490)

surrealism

Inman, James Stuart (1997) Surrealism since the Second World War with particular reference to surrealism in Czechoslovakia. MPhil thesis, University of Greenwich.

surround sound

Hill, Andrew ORCID: 0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

survey

McArthur, Angela, van Tonder, Cobi, Gaston-Bird, Leslie and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2021) A survey of 3D audio through the browser: practitioner perspectives. In: 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). 8-10 September 2021. Bologna, Italy (online). IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New Jersey, pp. 1-10. ISBN 978-1665409988 ; 978-1665409995 (doi:https://doi.org/10.1109/I3DA48870.2021.9610839)

sustainability

Boddington, Ghislaine ORCID: 0000-0003-0448-579X, Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]

sustainability assessment frameworks

Adewumi, Ayomikun Solomon ORCID: 0000-0002-9883-2766, Onyango, Vincent, Moyo, Dumiso and AlWaer, Husam (2018) A review of selected neighbourhood sustainability assessment frameworks using the Bellagio STAMP. International Journal of Building Pathology and Adaptation, 37 (1). pp. 108-118. ISSN 2398-4708 (Online) (doi:https://doi.org/10.1108/IJBPA-07-2018-0055)

sustainability indicators

Adewumi, Ayomikun Solomon ORCID: 0000-0002-9883-2766, Onyango, Vincent, Moyo, Dumiso and AlWaer, Husam (2018) A review of selected neighbourhood sustainability assessment frameworks using the Bellagio STAMP. International Journal of Building Pathology and Adaptation, 37 (1). pp. 108-118. ISSN 2398-4708 (Online) (doi:https://doi.org/10.1108/IJBPA-07-2018-0055)

sustainable development

Liao, Hanwen and Isaac, David (2007) Olympic Haussmannization. Urbanism and Architecture, 38 (11). pp. 12-14. ISSN 1673-0232

sustainable neighbourhood

Adewumi, Ayomikun Solomon ORCID: 0000-0002-9883-2766, Onyango, Vincent, Moyo, Dumiso and AlWaer, Husam (2018) A review of selected neighbourhood sustainability assessment frameworks using the Bellagio STAMP. International Journal of Building Pathology and Adaptation, 37 (1). pp. 108-118. ISSN 2398-4708 (Online) (doi:https://doi.org/10.1108/IJBPA-07-2018-0055)

synesthesia

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)

synthetic life

Golding, Johnny (2012) Ana-materialism and the Pineal Eye: Becoming mouth-breast (or visual arts after Descartes, Bataille, Butler, Deleuze and Synthia with an ‘s’). Philosophy of Photography, 3 (1). pp. 99-120. ISSN 2040-3682 (Print), 2040-3690 (Online) (doi:https://doi.org/10.1386/pop.3.1.99_1)

Synthia

Golding, Johnny (2012) Ana-materialism and the Pineal Eye: Becoming mouth-breast (or visual arts after Descartes, Bataille, Butler, Deleuze and Synthia with an ‘s’). Philosophy of Photography, 3 (1). pp. 99-120. ISSN 2040-3682 (Print), 2040-3690 (Online) (doi:https://doi.org/10.1386/pop.3.1.99_1)

systems of production

Dawson, Andrew and Holmes, Sean P. (2012) New perspectives on working in the global film and television industries. Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 1-17. ISBN 9781780930206

Tarkovsky

Mroz, Matilda (2014) The aesthetics of overflow: Tarkovsky’s Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pamela, (eds.) The Cinema of the Swimming Pool. New Studies in European Cinema (17). Peter Lang AG, Oxford / Bern / Berlin / Bruxelles / Frankfurt am Main / New York / Wien, pp. 169-180. ISBN 978-3034317832

Taste

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

teacher-education

Fox, Kenneth and Lambirth, Andrew (2012) Film and pedagogy: Learning about teaching at the movies. In: Bahloul, Maher and Graham, Carolyn, (eds.) Lights! Camera! Action and the Brain: The Use of Film in Education. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 61-81. ISBN 9781443836579

Teaching

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282

technology

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Barker, Timothy (eds.) (2021) Miscommunications: Errors, Mistakes, Media. Thinking Media . Bloomsbury Academic, New York. ISSN 978-1501363856 (Print), 978-1501363832 (Online)

Television

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282

Woollard, Christopher C. and Herrero, Juan J. (2004) An information system to exploit the use of metadata within film and television production. Image Technology, 86 (5). pp. 26-32. ISSN 0950-2114

Television formats

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282

temporality

Mroz, Matilda (2014) The aesthetics of overflow: Tarkovsky’s Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pamela, (eds.) The Cinema of the Swimming Pool. New Studies in European Cinema (17). Peter Lang AG, Oxford / Bern / Berlin / Bruxelles / Frankfurt am Main / New York / Wien, pp. 169-180. ISBN 978-3034317832

texture

Mroz, Matilda (2014) The aesthetics of overflow: Tarkovsky’s Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pamela, (eds.) The Cinema of the Swimming Pool. New Studies in European Cinema (17). Peter Lang AG, Oxford / Bern / Berlin / Bruxelles / Frankfurt am Main / New York / Wien, pp. 169-180. ISBN 978-3034317832

Thames gateway

Frith, Ed and Graef, Alexander (2007) Draw like a builder, build like a writer (and the crack is in the detail). The role of the humanities in design creativity international conference, 15-16 Nov 2007, Lincoln, UK. University of Lincoln, Lincoln. ISBN 9781860502224

The Other Room

Critchley, Emily (2010) First Poetry. [Video]

The TV Studio Production Handbook

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282

theatre

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700, Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

Salihbegović, Nuno (2011) Oedipus at Tate Britain. [Creative Performance or Reading]

Sporton, Gregory (2017) Reviews. Scene, 5 (1). pp. 83-88. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.1.83_5)

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]

thematic analysis

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) More than a bit of coding: (un-)Grounded (non-)Theory in HCI. In: CHI EA '22: CHI Conference on Human Factors in Computing Systems Extended Abstracts. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (11). Association of Computing Machinery (ACM), New York, pp. 1-11. ISBN 978-1450391566 (doi:https://doi.org/10.1145/3491101)

theoretical framework

Kohrs, Kirsten ORCID: 0000-0003-4302-833X (2020) The language of luxury fashion advertising: Technology of the self and spectacle. Journal of Fashion Marketing and Management. ISSN 1361-2026 (Print), 1361-2026 (Online) (doi:https://doi.org/10.1108/JFMM-02-2020-0029)

theory

Calvert, Sheena (2009) [Un]disciplined gestures and [un]common sense: the sensual, acoustic logic(s) of paradox and art. PhD thesis, University of Greenwich.

third order

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Thomas Saraceno

Sigthorsson, Gauti (2008) Sensation for sensation's sake: art and the temptation of 'Wow'! Sjonauki. ISSN 1670-7311

time

Adil, A (2009) Becoming the future now. [Creative Performance or Reading]

Golding, Sue (2006) The assassination of time (ζeta-philosophy). In: Digital Art Weeks, 12-16 Jul 2006, Eidgenössische Technische Hochschule, Zurich, Switzerland.

tintinnabuli

Thompson, Ian ORCID: 0000-0002-7143-8013, Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]

town planning

Holden, Robert (2007) Exhibition. Public city. Architects' Journal, 225 (5). p. 44. ISSN 0003-8466

Tracey Emin

Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]

Tracey Moffat

Secomb, Linnell (2006) Petyarra and Moffatt: 'Looking from the sky'. Cultural Studies Review, 12 (1). pp. 44-56. ISSN 1446-8123 (Print), 1837-8692 (Online)

trade unions

Dawson, Andrew and Holmes, Sean P. (2012) 'Help to preserve the real story of our cinema and television industries': The BECTU History Project and the construction of British media history, 1986–2010. Historical Journal of Film, Radio and Television, 32 (3). pp. 435-448. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2012.699650)

trance

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

translation strategies

Pettit, Zoë ORCID: 0000-0002-1909-8947 (2012) Translating Tsotsi for the screen. In: Serban, Adriana, Matamala, Anna and Lavaur, Jean-Marc, (eds.) Audiovisual Translation in Close-Up: Practical and Theoretical Approaches. Peter Lang, Bern, Switzerland, pp. 75-91. ISBN 9783034311519

trauma

Mroz, Matilda (2014) The monument and the sewer: memory and death in Wajda’s Kanal (1957). Historical Journal of Film, Radio and Television, 34 (4). pp. 528-545. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2014.903035)

travel photography

Siegel, Lauren ORCID: 0000-0003-2117-8492, Tussyadiah, Iis ORCID: 0000-0003-0729-1712 and Scarles, Caroline ORCID: 0000-0001-8279-3689 (2022) Cyber-physical traveler performances and Instagram travel photography as ideal impression management. Current Issues in Tourism. ISSN 1368-3500 (Print), 1747-7603 (Online) (In Press) (doi:https://doi.org/10.1080/13683500.2022.2086451)

traveller performance

Siegel, Lauren ORCID: 0000-0003-2117-8492, Tussyadiah, Iis ORCID: 0000-0003-0729-1712 and Scarles, Caroline ORCID: 0000-0001-8279-3689 (2022) Cyber-physical traveler performances and Instagram travel photography as ideal impression management. Current Issues in Tourism. ISSN 1368-3500 (Print), 1747-7603 (Online) (In Press) (doi:https://doi.org/10.1080/13683500.2022.2086451)

Trevor Lamb

Mann, Tony (1995) [Book review] Colour: Art and Science. The Art Book, 2 (2). p. 26. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00263.x)

trumpet

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

Tsotsi

Pettit, Zoë ORCID: 0000-0002-1909-8947 (2012) Translating Tsotsi for the screen. In: Serban, Adriana, Matamala, Anna and Lavaur, Jean-Marc, (eds.) Audiovisual Translation in Close-Up: Practical and Theoretical Approaches. Peter Lang, Bern, Switzerland, pp. 75-91. ISBN 9783034311519

TUDOR/THEATRE

Solanke, Adeola (2018) Clip from The Court Must Have a Queen by Ade Solanke. [Video]

TUDORS/THEATRE

Solanke, Adeola (2018) The Court Must Have a Queen by Ade Solanke - production stills. [Image] (Unpublished)

Turner Prize

Mann, Tony (2003) [Exhibition review] Keith Tyson at Tate Britain. BSHM Newsletter, 47. pp. 46-47.

TV

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

TV industry

Dawson, Andrew and Holmes, Sean P. (2012) New perspectives on working in the global film and television industries. Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 1-17. ISBN 9781780930206

Dawson, Andrew and Holmes, Sean P. (eds.) (2012) Working in the global film and television industries: Creativity, systems, space, patronage. Bloomsbury Academic, London, UK. ISBN 9781780930206

typography

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2009) Visual arts and 2D – 3D motion typo.graphic design. In: EVA London 2009: Electronic Visualisation & the Arts. Electronic Workshops in Computing (eWiC) (online), 2009 . BCS: The Chartered Institute for IT, Swindon, UK, pp. 192-200. ISBN 978-1-906124-17-5 (pbk) ISSN 1477-9358 (online)

Typology

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)

uncanny

Fiddler, Michael ORCID: 0000-0002-0695-6770 (2013) Playing funny games in the last house on the left: the uncanny and the ‘home invasion’ genre. Crime, Media, Culture, 9 (3). pp. 281-299. ISSN 1741-6590 (Print), 1741-6604 (Online) (doi:https://doi.org/10.1177/1741659013511833)

united states

Dawson, Andrew (2011) Book review: NYSTROM, DEREK. Hard Hats, Rednecks, and Macho Men. Class in 1970s American Cinema. Oxford University Press, Oxford [etc.] 2009. x, 251 pp.Ill. $24.95; doi:10.1017/S0020859011000137. International Review of Social History, 56 (10). pp. 160-162. ISSN 0020-8590 (Print), 1469-512X (Online) (doi:https://doi.org/10.1017/S0020859011000137)

Dawson, Andrew (2005) Book review: Robert S. Birchard, Cecil B. DeMille's Hollywood (Lexington: University of Kentucky Press, 2004, $39.95). Pp. 446. ISBN 0 8131 2324 0; David W. Menefee, The first female stars: women of the silent era (Westport, CT: Praeger, 2004, $44.95). Pp. 249. ISBN 0 275 98259 9. Journal American Studies, 39 (1). pp. 113-114. ISSN 0021-8758 (Print), 1469-5154 (Online) (doi:https://doi.org/10.1017/S0021875805229584)

Dawson, Andrew (2010) ’Flexible Specialisation’ and New Hollywood: Time for a Paradigm Shift? In: 8th European Social Science History Conference, 13-16 Apr 2010, Ghent, Belgium. (Unpublished)

Dawson, Andrew (2012) Labouring in Hollywood’s motion picture industry and the promise of ‘flexible specialisation’. In: Dawson, Andrew and Holmes, Sean P., (eds.) Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 21-38. ISBN 9781780930206

Unpredictable parameters

Samson, Audrey and Soon, Winnie (2015) Network affordances: The unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal (24). ISSN 1449-1443 (Online)

urban design

Chaplin, Sarah (2008) Child-friendliness in design: can design and architecture lead the way? In: Places to go? place-shaping, safer streets and sustainable transport for a child-friendly public realm. A national conference by Play England, Sustrans, Living Streets and the National Children's Bureau, 20 May 2008, Queen Elizabeth II Conference Centre Westminster London. (Unpublished)

Holden, Robert (2007) Exhibition. Public city. Architects' Journal, 225 (5). p. 44. ISSN 0003-8466

Stoppani, Teresa (2007) Learning from Manhattan: Rem Koolhaas on the City before the Global and Junkspace. In: Concealing the Designer – The Illusion of the Natural City in the 20th Century, 1-2 June 2007, Berlin, Germany.

urban environment

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Re-mapping the territory: immersive exhibition practices in the expanded field. Gramma, 27. ISSN 2529-1793 (Online) (doi:https://doi.org/10.26262/gramma.v27i0.8990)

urban rehabilitation

Liao, Hanwen and Isaac, David (2007) Olympic Haussmannization. Urbanism and Architecture, 38 (11). pp. 12-14. ISSN 1673-0232

urban renewal

Waterworth, David (2009) Object as subject. [Show/Exhibition]

user experience

Cunningham, Stuart, Henry, John and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Augmenting virtual spaces: affective feedback in computer games. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 229-247. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_13)

Kawaf, Fatema ORCID: 0000-0002-7089-7816, Bruce, Helen, Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110, Rooney, Tara and Ngwakwe, Amarachi (2022) Using screencast videography as a customer experience and journey mapping tool: a case study. In: The 12th International SERVSIG Conference 2022. SERVSIG. (In Press)

user study

Hong, Yang, Macquarrie, Andrew and Steed, Anthony (2018) The effect of chair type on users' viewing experience for 360-degree video. In: VRST '18: Proceedings of the 24th ACM Symposium on Virtual Reality Software and Technology. Tokyo Japan. 28 November 2018- 1 December 2018. Association for Computing Machinery (ACM), New York, United States, pp. 1-11. ISBN 978-1450360869 (doi:https://doi.org/10.1145/3281505.3281519)

MacQuarrie, Andrew and Steed, Anthony (2019) Perception of volumetric characters' eye-gaze direction in head-mounted displays. In: 2019 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). Osaka, Japan. 23-27 March 2019. IEEE Xplore . IEEE, Piscataway, New York, pp. 645-654. ISBN 978-1728113777 ; 978-1728113784 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR.2019.8797852)

Macquarrie, Andrew and Steed, Anthony (2017) Cinematic Virtual Reality: evaluating the effect of display type on the viewing experience for panoramic video. In: 2017 IEEE Virtual Reality (VR). March 18-22 2017. Los Angeles, CA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 45-54. ISBN 978-1509066476 ; 978-1509066483 ISSN 2375-5334 (Online) (doi:https://doi.org/10.1109/VR.2017.7892230)

user testing

Kawaf, Fatema ORCID: 0000-0002-7089-7816, Bruce, Helen, Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110, Rooney, Tara and Ngwakwe, Amarachi (2022) Using screencast videography as a customer experience and journey mapping tool: a case study. In: The 12th International SERVSIG Conference 2022. SERVSIG. (In Press)

UX

Kawaf, Fatema ORCID: 0000-0002-7089-7816, Bruce, Helen, Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110, Rooney, Tara and Ngwakwe, Amarachi (2022) Using screencast videography as a customer experience and journey mapping tool: a case study. In: The 12th International SERVSIG Conference 2022. SERVSIG. (In Press)

Venetian time

Stoppani, Teresa (2008) Venetian time and the meander. Log, 12. pp. 131-143. ISSN 1547-4690

Venice

Stoppani, Teresa (2007) Representing Venice. One, multiple, impossible. In: Loo, Stephen and Bartsch, Katherine, (eds.) Panorama to Paradise: Scopic Regimes in Architectural and Urban History and Theory, Sydney: proceedings of the SAHANZ Meeting 2007. Society of Architectural Historians, Australia and New Zealand, Adelaide, Australia. ISBN 1920927557

Stoppani, Teresa (2008) Venetian time and the meander. Log, 12. pp. 131-143. ISSN 1547-4690

venue construction

Liao, Hanwen (2007) London 2012 Olympic development. Urbanism and Architecture, 38 (11). pp. 79-83. ISSN 1673-0232

Vertov

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Curating Russian Film for International Audiences. [Show/Exhibition] (Submitted)

video

Arthur, Mervyn, Baseman, Jordan, Behr, Bernd, Biswas, Sutapa, Chance, Veronique, Cobbing, William, Coldwell, Paul, Cross, David, Dobai, Sarah, Douglas, Lorrice, Drabble, Neil, Gunning, Lucy, Hamann, Sigune, Haywood, Thomas, Ingham, Mark, Kovats, Tania, Lanteri Laura, Jean-Louis, Lebas, Chrystel, Love, Johanna, Mossman, Anna, Newth, Martin, Robertson, Helen, Rowe, Lois, Taylor, Finlay, Treacy, Danny, Wainwright, Chris and Webster, Dave (2011) SCOPE New Photographic Practices. [Show/Exhibition]

Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]

Ingham, Mark (2012) 120 days and nights of staggering and stammering. [Show/Exhibition]

Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2019) Participation in EMPIRE II, an international touring exhibition, 2017 - 2019. [Show/Exhibition]

video art

Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2019) Participation in EMPIRE II, an international touring exhibition, 2017 - 2019. [Show/Exhibition]

video compression

Sigger, Neetu, Al-Jawed, Naseer and Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2022) Spatial-temporal autoencoder with attention network for video compression. In: Proceedings of the 17th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications. Online. February 6-8, 2022. Computer Vision Theory and Applications (VISAPP), 4 . Computer Vision Theory and Applications (VISAPP) - SCITEPRESS Digital Library, Setúbal, Portugal, pp. 364-371. ISBN 978-9897585555; ISSN 2184-4321 (doi:https://doi.org/10.5220/0010811900003124)

video games

McIntosh, Tyler H., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2022) Lundheim: exploring affective audio techniques in an action-adventure video game. In: AudioMostly'22 St. Pölten University of Applied Sciences, Austria 6-9 September 2022. Association for Computing Machinery (ACM), New York. (In Press) (doi:https://doi.org/10.1145/3561212.3561234)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Griffiths, Darryl and Roberts, Shaun (2015) Quake Delirium EEG: a pilot study regarding biofeedback-driven visual effects in a computer game. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 335-338. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317420)

Video Projection

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

videogames

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) Emotional exploration and the eudaimonic gameplay experience: a grounded theory. In: CHI '22: CHI Conference on Human Factors in Computing Systems. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (470). Association of Computing Machinery (ACM), New York, pp. 1-16. ISBN 978-1450391573 (doi:https://doi.org/10.1145/3491102.3502002)

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)

Cole, Tom ORCID: 0000-0001-6031-8377 (2015) The tragedy of betrayal: how the design of Ico and Shadow of the Colossus elicits emotion. In: DiGRA '15 - Proceedings of the 2015 DiGRA International Conference. Lüneburg, Germany, May 14th - 17th 2015. Digital Games Research Association, Finland. ISSN 2342-9666

videography

Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2022) Screencast videography: understanding experience in the metaverse. In: Future Visualities: Visual Methods & Ethnography in Interdisciplinary Research Symposium, 1st June 2022, Edinburgh Napier University. (Unpublished)

Virtual

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2009) Visual arts and 2D – 3D motion typo.graphic design. In: EVA London 2009: Electronic Visualisation & the Arts. Electronic Workshops in Computing (eWiC) (online), 2009 . BCS: The Chartered Institute for IT, Swindon, UK, pp. 192-200. ISBN 978-1-906124-17-5 (pbk) ISSN 1477-9358 (online)

Virtual Art

Papadaki, Elena ORCID: 0000-0002-6653-4334, Ploeger, Dani and Krajewska, Klio (2019) Radical Immersions. [Show/Exhibition]

virtual environments

Broadhurst, Susan, Papadaki, Elena ORCID: 0000-0002-6653-4334, Ploeger, Dani, Goddard, Michael N., O'Brien, Sarah, Taiwo, Olu, Schellewald, Andreas, Chan, Melanie, Lewis, Matt, Dziekan, Vince, Giannachi, Gabriella, Nolasco-Rózsás, Lívia, Katan-Schmid, Einav, Meseguer, Rosell, Borges, Cândida, Vélez, Gabriel Mario, DeLappe, Joseph, Caerols Mateo, Raquel, Kelomees, Raivo, Guljajeva, Varvara, Laas, Oliver, Riegel, Christian, Robinson, Katherine M., Richards, Grayson, Desnoyers-Stewart, John, Smith, Megan L., Riecke, Bernhard E., Dare, Eleanor, Berezina-Blackburn, Vita, Oliszewski, Alex and Mcgarrigle, Conor (eds.) (2020) Radical Immersions: Navigating between virtual/physical environments and information bubbles - DRHA 2019 Conference Proceedings. University of London / DRHA, London. ISBN 978-0900822124 (In Press)

virtual gifting

Boddington, Ghislaine ORCID: 0000-0003-0448-579X, Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]

virtual influencers

Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2022) Screencast videography: understanding experience in the metaverse. In: Future Visualities: Visual Methods & Ethnography in Interdisciplinary Research Symposium, 1st June 2022, Edinburgh Napier University. (Unpublished)

virtual physical

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]

virtual realities

Macquarrie, Andrew and Steed, Anthony (2018) The effect of transition type in multi-view 360 media. IEEE Transactions on Visualization and Computer Graphics, 24 (4):17617378. pp. 1564-1573. ISSN 1077-2626 (Print), 1941-0506 (Online) (doi:https://doi.org/10.1109/TVCG.2018.2793561)

virtual reality

Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897, Borda, Ann and Diprose, Graham (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon. ISBN 978-1780175942 ISSN 1477-9358

Farmer, Harry ORCID: 0000-0002-3684-0605, Bevan, C. ORCID: 0000-0002-2823-420X, Green, D., Rose, M., Cater, K. ORCID: 0000-0002-3435-2392 and Stanton Fraser, D. ORCID: 0000-0002-3062-731X (2021) Did you see what I saw?: Comparing attentional synchrony during 360° video viewing in head mounted display and tablets. Journal of Experimental Psychology: Applied, 27 (2). pp. 324-337. ISSN 1076-898X (Print), 1939-2192 (Online) (doi:https://doi.org/10.1037/xap0000332)

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)

MacQuarrie, Andrew and Steed, Anthony (2019) Perception of volumetric characters' eye-gaze direction in head-mounted displays. In: 2019 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). Osaka, Japan. 23-27 March 2019. IEEE Xplore . IEEE, Piscataway, New York, pp. 645-654. ISBN 978-1728113777 ; 978-1728113784 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR.2019.8797852)

Macquarrie, Andrew and Steed, Anthony (2020) Improving Free-Viewpoint Video content production using RGB-camera-based skeletal tracking. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 774-775. ISBN 978-1728165325 ; 978-1728165332 (doi:https://doi.org/10.1109/VRW50115.2020.00238)

Macquarrie, Andrew and Steed, Anthony (2020) Investigating the perceived strengths and limitations of Free-Viewpoint Video (FVV). Frontiers in Virtual Reality, 1 (11). ISSN 2673-4192 (Online) (doi:https://doi.org/10.3389/frvir.2020.00011)

Pyjas, Gabriela Maria, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Broadhead, Martyn (2022) Storytelling and VR: ιnducing emotions through AI characters. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 194-204. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.37)

Sporton, Gregory and Makiola, Iona (2011) The Watertower: augmented reality gaming for heritage. In: Beale, Katy, (ed.) Museums At Play – Games, Interaction and Learning. MuseumsEtc., Edinburgh, UK and Boston, USA, pp. 347-357. ISBN 9781907697142

Tsjornaja, Anne, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Broadhead, Martyn (2022) Art(NET)work: visualising interconnected artwork data in VR. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 250-251. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.47)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2022) Book launch - Explosions in the mind: composing psychedelic sounds and visualisations. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 36-37. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.8)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Cyberdreams: visualizing music in extended reality. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 209-227. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_12)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Explosions in the mind: Composing Psychedelic Sounds and Visualisations. Palgrave Studies in Sound . Springer Singapore, Singapore. ISBN 978-9811640544

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

Visual

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)

visual art

Golding, Sue (2009) Trembling the plane of immanence: media arts philosophy and the re-vision of art (or what’s acoustics got to do with the visual?). In: Invited lecture, February, 2009, Royal Academy of Art. (Unpublished)

Langan, Michael (2009) Astonishing apples: visualising the novel. In: School of Humanities and Social Sciences Research Conference, 28 May 2009, University of Greenwich. (Unpublished)

visual arts

Calvert, Sheena (2009) [Un]disciplined gestures and [un]common sense: the sensual, acoustic logic(s) of paradox and art. PhD thesis, University of Greenwich.

Smith, Caroline (2007) Hide and seek with rebels: tracing contemporary queer art in cracks and rips. Wasafiri, 22 (1). pp. 32-42. ISSN 0269-0055 (doi:https://doi.org/10.1080/02690050601097609)

visual attention

Farmer, Harry ORCID: 0000-0002-3684-0605, Bevan, C. ORCID: 0000-0002-2823-420X, Green, D., Rose, M., Cater, K. ORCID: 0000-0002-3435-2392 and Stanton Fraser, D. ORCID: 0000-0002-3062-731X (2021) Did you see what I saw?: Comparing attentional synchrony during 360° video viewing in head mounted display and tablets. Journal of Experimental Psychology: Applied, 27 (2). pp. 324-337. ISSN 1076-898X (Print), 1939-2192 (Online) (doi:https://doi.org/10.1037/xap0000332)

visual communication

Kohrs, Kirsten ORCID: 0000-0003-4302-833X (2020) The language of luxury fashion advertising: Technology of the self and spectacle. Journal of Fashion Marketing and Management. ISSN 1361-2026 (Print), 1361-2026 (Online) (doi:https://doi.org/10.1108/JFMM-02-2020-0029)

visual culture

Langan, Michael (2009) Astonishing apples: visualising the novel. In: School of Humanities and Social Sciences Research Conference, 28 May 2009, University of Greenwich. (Unpublished)

Smith, Caroline (2007) Hide and seek with rebels: tracing contemporary queer art in cracks and rips. Wasafiri, 22 (1). pp. 32-42. ISSN 0269-0055 (doi:https://doi.org/10.1080/02690050601097609)

Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]

visual discourse

Kohrs, Kirsten ORCID: 0000-0003-4302-833X (2020) The language of luxury fashion advertising: Technology of the self and spectacle. Journal of Fashion Marketing and Management. ISSN 1361-2026 (Print), 1361-2026 (Online) (doi:https://doi.org/10.1108/JFMM-02-2020-0029)

Visual Effects

Zhi, Jin (2015) An alternative green screen keying method for film visual effects. International Journal of Multimedia and Its Applications, 7 (2). pp. 1-12. ISSN 0975-5934 (Print), 0975-5578 (Online) (doi:https://doi.org/10.5121/ijma.2015.7201)

visual ethnography

Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)

visual methods

Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2022) Screencast videography: understanding experience in the metaverse. In: Future Visualities: Visual Methods & Ethnography in Interdisciplinary Research Symposium, 1st June 2022, Edinburgh Napier University. (Unpublished)

visual music

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 1. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 2. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 3. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.296)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective. PhD thesis, University of Greenwich.

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective: REF Multi-component portfolio. [Dataset] (Unpublished)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:https://doi.org/10.14236/ewic/EVA2018.70)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Document of Singing Light 1 installation. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2014) Horizon. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Reservoir. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Shadow Sounds 1. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Sky 2. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Song Series Animacy. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2020) Visual music and embodied visceral affect. In: Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, (ed.) Sound and Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:https://doi.org/10.4324/9780429295102-9)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Picking, Richard and Williams, Lyall (2015) Holophonor: On the Future Technology of Visual Music. In: Curran, Kevin, (ed.) Recent Advances in Ambient Intelligence and Context-Aware Computing. Recent Advances in Ambient Intelligence and Context-Aware Computing . IGI Global, USA, pp. 143-154. ISBN 9781466672840 ; 1466672846 ; 9781466672857 (doi:https://doi.org/10.4018/978-1-4666-7284-0.ch015)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Picking, Richard and Williams, Lyall (2015) Holophonor: designing the visual music instruments of the future. In: Curran, Kevin, (ed.) Recent Advances in Ambient Intelligence and Context-Aware Computing. IGI Global, USA, pp. 143-154. ISBN 9781466672840 ; 9781466672857, 1466672854 ; 1466672846 (doi:https://doi.org/10.4018/978-1-4666-7284-0.ch009)

visual patterns of hallucination

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2013) Visual patterns of hallucination as a basis for sonic arts composition. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-2659-9 (doi:https://doi.org/10.1145/2544114.2544125)

visual research

Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2022) Screencast videography: understanding experience in the metaverse. In: Future Visualities: Visual Methods & Ethnography in Interdisciplinary Research Symposium, 1st June 2022, Edinburgh Napier University. (Unpublished)

visual structure

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:https://doi.org/10.14236/ewic/EVA2018.70)

visualisation

Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2019) Moving Digits: Augmented Dance for Engaged Audience. [Creative Performance or Reading] (Unpublished)

Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)

visualisations

Bowen, Jonathan P., Giannini, Tula, Polmeer, Gareth, Gannis, Carla, Gardiner, Jeremy, Kearney, Jonathan, Wands, Bruce and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) States of being: art and identity in digital space and time. In: EVA London 2018: Electronic Visualisation & the Arts. Proceedings of a conference held in London 11th-13th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2018 . BCS: The Chartered Institute for IT, Swindon; London, pp. 1-7. ISBN 978-1780174631 ; 978-1780174632 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2018.1)

Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897, Borda, Ann and Diprose, Graham (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon. ISBN 978-1780175942 ISSN 1477-9358

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Explosions in the mind: Composing Psychedelic Sounds and Visualisations. Palgrave Studies in Sound . Springer Singapore, Singapore. ISBN 978-9811640544

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Bowen, Jonathan P., Borda, Ann and Diprose, Graham (eds.) (2021) EVA London (Electronic Visualisation and the Arts): proceedings of EVA London 2021. In: EVA London 2021, Programme Committee, (ed.) AI and the Arts: Artificial Imagination. Proceedings of EVA London 2021 (EVA 2021). 5th July – 9th July 2021. Electronic Workshops in Computing (eWiC) | BCS . British Computer Society, Swindon; London, pp. 1-10. ISBN 978-1780175737 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2021.0)

VJ

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Cyberdreams: visualizing music in extended reality. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 209-227. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_12)

VR

Macquarrie, Andrew and Steed, Anthony (2020) Investigating the perceived strengths and limitations of Free-Viewpoint Video (FVV). Frontiers in Virtual Reality, 1 (11). ISSN 2673-4192 (Online) (doi:https://doi.org/10.3389/frvir.2020.00011)

Wajda Memorial

Mroz, Matilda (2014) The monument and the sewer: memory and death in Wajda’s Kanal (1957). Historical Journal of Film, Radio and Television, 34 (4). pp. 528-545. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2014.903035)

Wajda monument

Mroz, Matilda (2010) Cinema and censorship in post-war Poland. In: Darwin College Humanities and Social Sciences Group series, 25 May 2010, Darwin College, University of Cambridge, UK. (Unpublished)

Walter Benjamin

Secomb, Linnell (2006) Petyarra and Moffatt: 'Looking from the sky'. Cultural Studies Review, 12 (1). pp. 44-56. ISSN 1446-8123 (Print), 1837-8692 (Online)

Stoppani, Teresa (2007) Dust projects: on Walter Benjamin's Passagen-Werk and some contemporary dusty makings in architecture. The Journal of Architecture, 12 (5). pp. 543-557. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360701722566)

war

Mroz, Matilda (2010) Cinema and censorship in post-war Poland. In: Darwin College Humanities and Social Sciences Group series, 25 May 2010, Darwin College, University of Cambridge, UK. (Unpublished)

waste

Waterworth, David (2020) 10-4. [Show/Exhibition]

Watch Man

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

Wattpad

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)

web audio

McArthur, Angela, van Tonder, Cobi, Gaston-Bird, Leslie and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2021) A survey of 3D audio through the browser: practitioner perspectives. In: 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). 8-10 September 2021. Bologna, Italy (online). IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New Jersey, pp. 1-10. ISBN 978-1665409988 ; 978-1665409995 (doi:https://doi.org/10.1109/I3DA48870.2021.9610839)

web-sciences

Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.

website improvement

Kawaf, Fatema ORCID: 0000-0002-7089-7816, Bruce, Helen, Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110, Rooney, Tara and Ngwakwe, Amarachi (2022) Using screencast videography as a customer experience and journey mapping tool: a case study. In: The 12th International SERVSIG Conference 2022. SERVSIG. (In Press)

work

Dawson, Andrew and Holmes, Sean P. (2012) 'Help to preserve the real story of our cinema and television industries': The BECTU History Project and the construction of British media history, 1986–2010. Historical Journal of Film, Radio and Television, 32 (3). pp. 435-448. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2012.699650)

working conditions

Dawson, Andrew and Holmes, Sean P. (2012) New perspectives on working in the global film and television industries. Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 1-17. ISBN 9781780930206

Dawson, Andrew and Holmes, Sean P. (eds.) (2012) Working in the global film and television industries: Creativity, systems, space, patronage. Bloomsbury Academic, London, UK. ISBN 9781780930206

workplace

Dawson, Andrew and Holmes, Sean P. (2012) New perspectives on working in the global film and television industries. Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 1-17. ISBN 9781780930206

Dawson, Andrew and Holmes, Sean P. (eds.) (2012) Working in the global film and television industries: Creativity, systems, space, patronage. Bloomsbury Academic, London, UK. ISBN 9781780930206

workshop

Milic, Nela, Maragiannis, Anastasios ORCID: 0000-0002-1662-0189, Oh, Jee and Zuabi, Thaer (2011) Mapping and reshaping of cultural identity by digital media [Workshop]. In: ISEA2011: The 17th International Symposium on Electronic Art, 14-21 Sep 2011, Istanbul, Turkey.

world cinema

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

writing

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2019) The screenplay as boundary object. Journal of Screenwriting, 10 (2). pp. 149-164. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.10.2.149_1)

xenofeminism

Troisi, Anna ORCID: 0000-0002-6868-4424 (2018) OB-scene, a live audio/visual performance for photoplethysmograph and female body. Organised Sound, 23 (3). pp. 270-276. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:https://doi.org/10.1017/S1355771818000171)

XR

Macquarrie, Andrew and Steed, Anthony (2020) Investigating the perceived strengths and limitations of Free-Viewpoint Video (FVV). Frontiers in Virtual Reality, 1 (11). ISSN 2673-4192 (Online) (doi:https://doi.org/10.3389/frvir.2020.00011)

Zernike-DCT

Yang, Chengshan ORCID: 0000-0003-1926-8798, Li, Jingbing ORCID: 0000-0001-6636-4710, Bhatti, Uzair Aslam, Liu, Jing, Ma, Jixin, Huang, Mengxing and Xue, Xingsi (2021) Robust zero watermarking algorithm for medical images based on Zernike-DCT. Security and Communication Networks, 2021:4944797. pp. 1-8. ISSN 1939-0114 (Print), 1939-0122 (Online) (doi:https://doi.org/10.1155/2021/4944797)

zero watermarking algorithm

Yang, Chengshan ORCID: 0000-0003-1926-8798, Li, Jingbing ORCID: 0000-0001-6636-4710, Bhatti, Uzair Aslam, Liu, Jing, Ma, Jixin, Huang, Mengxing and Xue, Xingsi (2021) Robust zero watermarking algorithm for medical images based on Zernike-DCT. Security and Communication Networks, 2021:4944797. pp. 1-8. ISSN 1939-0114 (Print), 1939-0122 (Online) (doi:https://doi.org/10.1155/2021/4944797)

“Direct animation”

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2014) Digitized direct animation: creating materials for electroacoustic visual music using 8mm film. eContact! Online Journal for Electroacoustic Practices, 15 (4).

This list was generated on Tue Sep 27 12:09:03 2022 UTC.