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Items where Subject is "N Visual arts (General) For photography, see TR"

Items where Subject is "N Visual arts (General) For photography, see TR"

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'Don't Look Now' 16mm film 1956 1960s 1968 1970s 2011 20th century 360 video 360 visual sound 360° video 3D audio 3D scan 3D scanning 3D scans 8mm film Aardman abduction abstract abstract animation abstraction abstraction animation abstracts academia access acting action-adventure games actresses adaptation advertising aesthetics affect Affective computing affective feedback affective touch Affordance African Americans ageing in place agency AI Algorithm Allan Scott alterbiography altered states altered states of consciousness alternative Amazon ambient advertising ambiguity ambisonics amphibians ana-materialism analogue analogue/digital animacy animated films animation Antrhopocene aphoristic text Apollo 12 apparatus appearances appropriation AR AR QR codes architects architectural concepts architectural education architectural history architectural modernity architectural theory architecture architecture students archive archive footage archives art Art & design Art and Health art and identity art and technology Art as activism art exhibition art exhibitions art history ART IN FLUX art movements art technology Artefact Ecology Arthur Miller Artifical Intelligence artificial Artificial Intelligence artist Artist Book artist print artistic practices artistic processes and approaches artistic research artists' residency and exhibition arts Arts & Health Arts Council arts-based research atmosphere attention mechanism attentional synchrony Audience audiences' technology audio audio experience audio game audio installation audio visual audio-visual audio-visual art audio-visual media audio-visual music audiovisual audiovisual media audiovisual translation auditory hallucinations augmentation augmented augmented reality augmented virtuality authenticity authorship auto-encoder autoethnography autotheory avant-garde avatars Ballet Balnakiel bauer Beauty Bectu Bellagio STAMP Bereavement Bergson Berlin big data billboard bim binaural audio binaural sound bio-art biodiversity biofeedback biography biometrics Biopolitics biosensors Black Love Bluray bodies body body image body interfaces body mind interface body performance Body Talk bone-conducting headphones book illustration book review books boundary object Brexit British film and television industry British film and TV industries British television Britten Broadcasting Entertainment Cinematograph and Technicians Union browser Built Environment cameras Captivate care Carsten Höller cartography case study ceramics challenge Chance chaotic map character design Chicken Run childhood children's book illustration China choreography Chris Ofili Christian Hidaka Cindy Sherman cinema Cinema censorship cinematic Virtual Reality cities co-creation co-design code-switching cognitive cognitive theory Colin MacCabe collaboration collaborative collaborative exhibition Collaborative production collage collectarium Collective collodion photography colour in art comedies communication communications community community art community engagement Community project Composed Instrument composing composite curing Composition computational photography computer and video games computer animation computer art computer graphics computer music concert conference connections consensus approach constructivism constructivist research consumerism contemporary contemporary art contemporary composition contemporary dance contemporary mime contemporary philosophy content analysis content creation context context-aware computing cooking corporeal Craft creative advertising creative computing creative industries creative industries. Site-Specific projections creative methodology creative methods creative writing creativity crime film Cult cultural identity cultural movements cultural politics of space culture Curated event curated exhibition Curated exhibition / projections Curating Curating New Media Curating Russian Cinema curation curriculum customer experience customer journey CX cyber-physical cybernetics cyborg Cyprus Czechoslovakia Dance dance and technology Daphne du Maurier data body data longevity Data storage data technology data visualisations database Death deception deep learning defamiliarisation degree dementia democratic image design Design Education design history Design in Use Design Processes digital digital art digital arts digital building data Digital Compositing digital culture digital death digital documentation digital error digital fatigue digital games digital intimacy digital literacy digital media digital mental health therapy digital modelling digital preservation digital research digital storytelling digital technology digital twin digital/analogue Dilston Grove disabled-led displacement display everyday routines disruption distribution diversity DNA documentation domestic space domesticity Dourish drawing Drawing Architecture drawing biennial Drawing Room Gallery Drawing Room programme Dreaming dualism dubbing duration dust DVD e-sports robotics Eagle Document early cinema ecologies ecology Edinburgh Festival editing of memory editor Editorial design education EEG Eisenstein electro-acoustic electroacoustic electroacoustic music electronic dance music electronic music embodied embodied experience embodying technology emotion emotional emotions empathy empirical methods Enactivism end-of-life planning Engagement England English enstrangement entertainment entrainment environment environmental crisis epistemology equality error ethical consumption ethics eudaimonia Evgenii Bauer Exhibiting in public spaces exhibition exhibition and online auction Exhibition catalogue exhibition practices exhibition programme exhibition review exhibitions Expanded Cinema expanded-archive Experience experience design experiential art experiential marketing experiment experimental Experimental animation experimental digital publication Experimental film Experimentation extended reality extending the senses extraction eye-tracking fandom feasibility study feminism Feminist Art festival field theory film Film Artist film industry film installation Film laboratories film review film studies films fine art first-person representations flexible specialisation fluxus Food-led art Fordism Forest forging of future possibilities fractal philosophy Fred Scott free-viewpoint video free-viewpoint video production freelancers French literature freshwater fauna functional future future human future legacies game AI game audio game design game engines game mechanics game-design gameplay games games for change gaming garden history gardens and outdoor spaces gaze perception Gelitin gender gender representation Generative generative art genetic criticism genre gentrification Georges Bataille Geste curatorial giclee Gilles Deleuze Giovanni Battista Piranesi glitch Global television gong Graduate exhibition Graham and Cook graphic art Graphic Design graphics Green Screen Keying green space Gregory J. Markopoulos grid effect Grotowski grounded theory group show guerrilla marketing guiding attention guilt H.5.1 [information interfaces and presentation] hallucination haptic technology haptics haptics virtual physical blending Harris-SURF-DCT Harvard hbim HCI head-mounted display health and illness discourses health and wellbeing health simulation Henri Bergson heritage buildings historiography history Hobbs Hollywood home invasion home neighbourhood home tours honeymoon horizon line horror censorship housing struggle human computer interaction human interaction/interface human traces humanities hybrid exhibition Hybrid Exhibition - Media Art - Participatory Art hybrid media hybrid presence hydrogen alpha hydrophone Hélène Cixous ICA Ico ideas development identity identity politics ideology illustration image image communication Image manipulation image security image segmentation immanence Immersion immersive immersive exhibition practices immersive experience immersive experiences immersive media immersive practices immersive theatre impact implants improvisation inclusion inclusivity Indigenous art induction industry collaboration information system Instagram installation installation art Installations Institutions et pratiques de l'exposition instruction instruction-based instruction-based performance Interaction interactive Interactive Art interactive media interactive music interactive technology interactive theatre interdisciplinary Interdisciplinary collaboration interdisciplinary translation Interiors International Alliance of Theatrical Stage Employees international exhibition international festival internet internet art interoperability intersubject correlation interview interviews intimacy Intimate public Irene Vrkljan Irish literature Islamic archaeology Islamic architecture Islamic art Jamaica Inn Janine Bourriau John Piper journal Judy Chicago Karen Barad Kathleen Petyarre Keith Tyson Keywords knowledge systems L'écran dans l'espace physique labour movement landscape landscape painting landscape race landscapes LARP lawyer skills Le Corbusier learning learning and teaching Lecture Lee Miller legal institutions legal theme legal themes legal theory letterpress printing LiDAR Light Lights and shadows Lincoln literature live art Live sound editing live visuals lived experience liveness lockdown masks London London 2012 Olympics loneliness Loris Gréaud love Lower Silesia LUX luxury fashion machine learning magazine major events strategy Manchester Manfredo Tafuri Manfredo Tauri mapping identity Mapplethorpe Marilyn Monroe Maritime Greenwich markerless Martin Conway masculinity Material Culture mathematics Matthew Springett McPherson Report meander measurement measuring Media media art media arts media arts philosophy literary England performance media culture media installation media theory Medical Humanities medical images meditation Melancholy Melodia memory memory theatre mental healthcare training metadata metamathematics metaphor metaverse method methodologies methodology Miami MIEB model Mime Mireille Calle-Gruber miscommunication Miscommunications mistake mixed affect mixed media mixed reality mixed reality set-up mobile technologies Monika Oechseler MONO NO AWARE Moribund State[s] Motion Motion capture motion capture apparatus motion picture industry motion processing motion tracking mourning MOVEMENT conference moving image MSA Multi-disciplinary multi-image fusion multichannel concerts multidiscilinary multidisciplinary Multimedia Multimedia Information Systems Multimedia Installation multiplayer multiversal museum-studies museums museums and heritage Music music covers music festivals music scores music visualiation musuems narration narrative Narrative synthesis narrative voice Net art Netflix Network affordances network coding networks neuro-psychologist New Media New Media Curation Nicolas Roeg noise non-fungible tokens (NFTs) non-place non-representational imaging Norman Bryson Norway NOTAM novel writing Noë object based audio objects Oedipus Olympic Games Olympic planning Online open spaces Opera oral history Other pain metaphors painting palimpsest pandemics panorama images panoramic video Parametric relations participation participatory participatory art participatory performance participatory presence participatory theatre participatory visual data patent image Patrick McCabe patronage pedagogy performance performance art performance studies performativity Personal Data Protection Peter Zinovieff phenomenological gaze phenomenology philosophy PhotoEssay photograph photographic image photographs photography physical environments physical theatre physicality Pierre Bourdieu Piper Pixar Place planning and design Platform play player experience playtesting pleasure poetic poetry poetry performance Poland Polish cinema Politics of Space pool porcelain post-cinema post-colonial studies post-digital post-Fordism post-immersive post-war writing posthuman theory practice practice research practice-as-research practice-based research practice-research practices prefigurative politics presence presentation princes printing printing and publishing printmaking privilege‌ Process process control Production production studies Productive consumer public Projection mapping projectors projects proprioception prothesis psychedelic visual music psychedelics Public Public Artwork public engagement public health public performance public space Publication publishing qualitative qualitative research quantum geographies Queen’s House Quentin Blake Quiet race radical print culture Rafael Lozano-Hemmer rate-distortion optimization Raymond Williams re-mapping re-thinking Humanities and Social Sciences reader reading Reality recording reduced visuals reflection Regulation rehearsal relational economic geography remediation Renaissance representation representations of disability research research impact research methods restoration retro video games Reviews rhythm Rita Duffy Robert Capa Robert Mapplethorpe robotics Roland Barthes role of lawyers Roma art Roma history Romani art Rosalind Krauss Russian cinema Russian Film Russian Formalism Rye Lane Peckham scope Scotland screen Screen Actors Guild Screen-based interaction Screen-reliant works screencast screencast videography screenplay screenwriting script scriptwriting Sculpture Sound second screen self-hood self-presentation self-publishing sensation sensationalism senses embodied sensing serious game serious games Shadow of the Colossus shamanism shape analysis shape theory Sharing economy shopping centre silent cinema silent film simulations singing slides Smallfilms SMEs Snow White social change social connectedness social gaming social impact social media social movement history social networking social presence social reproduction soft fascination Software solitude Some Curious Thing song Sonic art sonic economies Sonic Interaction Design Sound sound art sound design sound image sound installation sound-art Sound-image sound/image soundscape ecology Soundtrack South African film space space and time spatial audio spatial depth spatial diffusion Spatial experience Spatiality species piracy spectacle spectatorship spectral sensors spectroscopy speculative design standardised BIM stars startups STEM Stephen Lawrence Gallery stop animation stop motion storage student film students'work Studio Production studio workers subitling Suchman super-resolution support vector machines surrealism surround sound survey sustainability sustainability assessment frameworks sustainability indicators sustainable consumption sustainable development sustainable neighbourhood synesthesia synthetic data synthetic life Synthia systems of production Tannery Arts Tarkovsky Taste teacher-education Teaching technology telepresence television Television formats temperature temporality territorial gobbing terrorism texture Thames gateway The Keyword Project The Other Room The TV Studio Production Handbook theatre theatre sound theatricality thematic analysis theoretical framework theories of perception theory third order Thomas Saraceno time tintinnabuli touch town planning Tracey Emin Tracey Moffat trade unions trance translation strategies trauma travel photography traveller performance Trevor Lamb trumpet Tsotsi TUDOR/THEATRE TUDORS/THEATRE Turner Prize TV TV industry typography Typology UI uncanny unconscious bias undergraduate research unique works on paper united states Unity Unpredictable parameters urban design urban environment urban films urban history urban rehabilitation urban renewal urban space user experience user study user testing UX Venetian time Venice venue construction Vertov video video art video compression video games Video Projection videogames videography Virtual Virtual Art virtual bodies virtual environments virtual events virtual exhibition virtual gifting virtual influencers virtual location virtual physical virtual realities virtual reality virtual reality/mixed reality virtual spaces virtuality Visual visual art visual arts visual attention visual communication visual culture visual discourse Visual Effects visual ethnography visual methods visual music visual patterns of hallucination visual perception visual research visual soliloquy visual sound visual sound art visual sound interface visual structure visualisation visualisations VJ vocality voice studies VR VR/XR Wajda Memorial Wajda monument Walter Benjamin war waste Watch Man Wattpad web audio web-sciences website improvement West Berlin West Germany women filmmakers women in tech work working conditions workplace workshop world cinema World Heritage sIte writing xenofeminism XR Zernike-DCT zero watermarking algorithm “Direct animation”
Number of items at this level: 1881.

'Don't Look Now'

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)

16mm film

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

1956

Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]

Ingham, Mark (2011) A portrait of Marilyn Miller and me 5611. [Artefact]

1960s

Bowie, Laura ORCID: 0000-0002-9084-2142 (2017) W(al)king through trauma: Wolf Vostell and West Berlin in the 1960s. Canvas, 4. pp. 16-19.

1968

Bowie, Laura ORCID: 0000-0002-9084-2142 (2020) Berlin not for sale: the film lens as a tool of urban exploration in 1960s West Berlin. Journal of Urban History, 48 (4). pp. 835-860. ISSN 1552-6771 (Print), 0096-1442 (Online) (doi:https://doi.org/10.1177/0096144220953419)

1970s

Bowie, Laura ORCID: 0000-0002-9084-2142 (2013) The Rote Armee Fraktion: memory and the construction of art, film and literature. eSharp, 20:1. pp. 1-18.

2011

Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]

Ingham, Mark (2011) A portrait of Marilyn Miller and me 5611. [Artefact]

20th century

Inman, James Stuart (1997) Surrealism since the Second World War with particular reference to surrealism in Czechoslovakia. MPhil thesis, University of Greenwich.

360 video

Farmer, Harry ORCID: 0000-0002-3684-0605 , Bevan, C. ORCID: 0000-0002-2823-420X , Green, D., Rose, M., Cater, K. ORCID: 0000-0002-3435-2392 and Stanton Fraser, D. ORCID: 0000-0002-3062-731X (2021) Did you see what I saw?: Comparing attentional synchrony during 360° video viewing in head mounted display and tablets. Journal of Experimental Psychology: Applied, 27 (2). pp. 324-337. ISSN 1076-898X (Print), 1939-2192 (Online) (doi:https://doi.org/10.1037/xap0000332)

360 visual sound

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Evgenia, Emets, Renaud, Alain, Negrao, David, Havsteen-Franklin, Dominik and Grant, Claire (2022) KIMA Colour: Van Gogh - 360 visual sound art. [Artefact]

360° video

Schmitz, Anastasia, Macquarrie, Andrew, Julier, Simon, Binetti, Nicola and Steed, Anthony (2020) Directing versus attracting attention: exploring the effectiveness of central and peripheral cues in panoramic videos. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 63-72. ISBN 978-1728156088 ; 978-1728156095 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR46266.2020.00024)

3D audio

McArthur, Angela, van Tonder, Cobi, Gaston-Bird, Leslie and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2021) A survey of 3D audio through the browser: practitioner perspectives. In: 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). 8-10 September 2021. Bologna, Italy (online). IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New Jersey, pp. 1-10. ISBN 978-1665409988 ; 978-1665409995 (doi:https://doi.org/10.1109/I3DA48870.2021.9610839)

3D scan

Hobbs, James (2023) "Polytechneiou 1 (Cigarettes)", "Polytechneiou 2 (Petals)", "Polytechneiou (Unstable Grids)". [Show/Exhibition]

Kennedy, Stephen and Withers, Simon ORCID: 0000-0002-0203-359X (2023) Articulating peripheral space: new perspectives in digital heritage. In: Heritages Past and Present. Built and Social: A Conference on Culture, History, Art and Design, 28th - 30th June 2023, Czech Technical University, Prague. (Unpublished)

Withers, Simon ORCID: 0000-0002-0203-359X (2023) A carnival of error: synthetic visions of Maritime Greenwich. In: London Conference in Critical Thought 2023, 30th June - 1st July 2023, School of Social Sciences and Professions, London Metropolitan University Holloway Road, London. (Unpublished)

3D scanning

Wall, Edward Duncan and Withers, Simon ORCID: 0000-0002-0203-359X (2024) Part Forest. [Show/Exhibition]

3D scans

Withers, Simon ORCID: 0000-0002-0203-359X , Hudson, Philip, Kennedy, Stephen and Goodwin, Duncan ORCID: 0000-0003-2524-9059 (2023) Synthetic visions of maritime Greenwich. [Show/Exhibition]

8mm film

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2014) Digitized direct animation: creating materials for electroacoustic visual music using 8mm film. eContact! Online Journal for Electroacoustic Practices, 15 (4).

Aardman

Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Young Oh, Min (2023) Chicken Run: Dawn of the Nugget is a fast-paced slapstick extravaganza. The Conversation. ISSN 2201-5639

abduction

Cole, Tom ORCID: 0000-0001-6031-8377 and Salisbury, John Hamon (2016) Grounded Theory in games research: making the case and exploring the options. In: DIGRA/FDG '16 - Proceedings of the First International Joint conference of DIGRA and FDG. Digital Games Research Association, Finland. ISBN 2342-9666

abstract

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)

abstract animation

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 1. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 2. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 3. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Document of Singing Light 1 installation. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Emotion In Abstract Animation: Designing A New Form Of Visual Music. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2014) Horizon. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Reservoir. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Shadow Sounds 1. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Sky 2. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Song Series Animacy. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2020) Visual music and embodied visceral affect. In: Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , (ed.) Sound and Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:https://doi.org/10.4324/9780429295102-9)

abstraction

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

abstraction animation

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective. PhD thesis, University of Greenwich.

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective: REF Multi-component portfolio. [Dataset] (Unpublished)

abstracts

Patterson, Jennifer ORCID: 0000-0002-8254-7602 (ed.) (2016) The Association for Medical Humanities International Journal: Body Talk: Whose Language? (2016 Conference Abstracts). The Association for Medical Humanities, The University of Greenwich. ISBN 978-0995519305 ISSN 2398-6395

academia

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

access

Athique Winterbottom, Anushka, Angell, Roo, Belfield, Andrew, Gibson, Naomi ORCID: 0009-0003-0309-1905 , O'Callaghan, Mattie and Woodgate, Zanna (2024) How Public is Public? [Performance]

Athique Winterbottom, Anushka, Angell, Roo, Dixit, Mitesh, Paulson, Theo, Wilder, Pete and Heaven, Bryony (2024) Technical Solutionism. [Performance]

acting

Mann, Tony (1995) [Book review] Cindy Sherman 1975-1993. The Art Book, 2 (2). p. 34. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

action-adventure games

McIntosh, Tyler Howard, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2022) Lundheim: exploring affective audio techniques in an action-adventure video game. In: AM '22: Proceedings of the 17th International Audio Mostly Conference. AudioMostly 2022 St. Pölten Austria September 6 - 9, 2022. AudioMostly 2022 . Association for Computing Machinery (ACM), New York, pp. 155-158. ISBN 978-1450397018; (doi:https://doi.org/10.1145/3561212.3561234)

actresses

Mann, Tony (1995) [Book review] Cindy Sherman 1975-1993. The Art Book, 2 (2). p. 34. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

adaptation

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)

Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Ben Hur Live as post-cinematic adaptation. Journal of Adaptation in Film & Performance, 15 (1/2). pp. 61-75. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp_00069_1)

advertising

Kohrs, Kirsten ORCID: 0000-0003-4302-833X (2020) The language of luxury fashion advertising: Technology of the self and spectacle. Journal of Fashion Marketing and Management. ISSN 1361-2026 (Print), 1361-2026 (Online) (doi:https://doi.org/10.1108/JFMM-02-2020-0029)

aesthetics

Mroz, Matilda (2014) The aesthetics of overflow: Tarkovsky’s Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pamela, (eds.) The Cinema of the Swimming Pool. New Studies in European Cinema (17). Peter Lang AG, Oxford / Bern / Berlin / Bruxelles / Frankfurt am Main / New York / Wien, pp. 169-180. ISBN 978-3034317832

Sigthorsson, Gauti (2008) Sensation for sensation's sake: art and the temptation of 'Wow'! Sjonauki. ISSN 1670-7311

affect

Sigthorsson, Gauti (2008) Sensation for sensation's sake: art and the temptation of 'Wow'! Sjonauki. ISSN 1670-7311

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2020) How ambient advertising is uniquely placed to make audiences think. Westminster Papers in Communication and Culture, 15 (2). pp. 95-111. ISSN 1744-6716 (Online) (doi:https://doi.org/10.16997/wpcc.346)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Alleviating digital fatigue through embodied artistic practice and green space. International Journal of Performance Arts and Digital Media. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2024.2305448)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective. PhD thesis, University of Greenwich.

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective: REF Multi-component portfolio. [Dataset] (Unpublished)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:https://doi.org/10.14236/ewic/EVA2018.70)

Affective computing

Cunningham, Stuart, Henry, John and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Augmenting virtual spaces: affective feedback in computer games. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 229-247. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_13)

McIntosh, Tyler Howard, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2022) Lundheim: exploring affective audio techniques in an action-adventure video game. In: AM '22: Proceedings of the 17th International Audio Mostly Conference. AudioMostly 2022 St. Pölten Austria September 6 - 9, 2022. AudioMostly 2022 . Association for Computing Machinery (ACM), New York, pp. 155-158. ISBN 978-1450397018; (doi:https://doi.org/10.1145/3561212.3561234)

affective feedback

Cunningham, Stuart, Henry, John and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Augmenting virtual spaces: affective feedback in computer games. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 229-247. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_13)

affective touch

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]

Affordance

Samson, Audrey and Soon, Winnie (2015) Network affordances: The unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal (24). ISSN 1449-1443 (Online)

African Americans

Dawson, Andrew (2012) Challenging lilywhite Hollywood: African Americans and the demand for racial equality in the motion picture industry, 1963-1974. The Journal of Popular Culture, 45 (6). pp. 1206-1225. ISSN 0022-3840 (Print), 1540-5931 (Online) (doi:https://doi.org/10.1111/jpcu.12005)

ageing in place

Campbell, Sarah ORCID: 0000-0002-2920-7318 , Clark, Andrew ORCID: 0000-0001-8660-8815 , Keady, John ORCID: 0000-0001-8243-6913 , Manji, Kainde, Odzakovic, Elzana, Rummery, Kirstein and Ward, Richard (2023) ‘I can see what's going on without being nosey…’: What matters to people living with dementia about home as revealed through visual home tours. International Journal of Geriatric Psychiatry, 38 (9):e5999. pp. 1-12. ISSN 0885-6230 (Print), 1099-1166 (Online) (doi:https://doi.org/10.1002/gps.5999)

agency

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

AI

Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)

Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Borda, Ann and Diprose, Graham (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon. ISBN 978-1780175942 ISSN 1477-9358

Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2022) Screencast videography: understanding experience in the metaverse. In: Future Visualities: Visual Methods & Ethnography in Interdisciplinary Research Symposium, 1st June 2022, Edinburgh Napier University. (Unpublished)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Bowen, Jonathan P., Borda, Ann and Diprose, Graham (eds.) (2021) EVA London (Electronic Visualisation and the Arts): proceedings of EVA London 2021. In: EVA London 2021, Programme Committee, (ed.) AI and the Arts: Artificial Imagination. Proceedings of EVA London 2021 (EVA 2021). 5th July – 9th July 2021. Electronic Workshops in Computing (eWiC) | BCS . British Computer Society, Swindon; London, pp. 1-10. ISBN 978-1780175737 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2021.0)

Algorithm

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

Allan Scott

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)

alterbiography

Cole, Tom ORCID: 0000-0001-6031-8377 (2015) The tragedy of betrayal: how the design of Ico and Shadow of the Colossus elicits emotion. In: DiGRA '15 - Proceedings of the 2015 DiGRA International Conference. Lüneburg, Germany, May 14th - 17th 2015. Digital Games Research Association, Finland. ISSN 2342-9666

altered states

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

altered states of consciousness

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2024) The senses beyond: new directions in game engine experiences. In: Giannini, Tula and Bowen, Jonathan P., (eds.) The Arts and Computational Culture: Real and Virtual Worlds. Springer Series on Cultural Computing (SSCC) . Springer, Cham, Switzerland. ISBN 978-3031538643; 978-3031538674; 978-3031538650 (In Press)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2017) Simulating auditory hallucinations in a video game: three prototype mechanisms. In: AM '17: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-5373-1 (doi:https://doi.org/10.1145/3123514.3123532)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Cunningham, Stuart, Roberts, Nathan, Griffiths, Darryl and Roberts, Shaun (2015) Quake Delirium EEG: a pilot study regarding biofeedback-driven visual effects in a computer game. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 335-338. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317420)

alternative

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]

Amazon

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.

ambient advertising

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2020) How ambient advertising is uniquely placed to make audiences think. Westminster Papers in Communication and Culture, 15 (2). pp. 95-111. ISSN 1744-6716 (Online) (doi:https://doi.org/10.16997/wpcc.346)

ambiguity

Cole, Thomas ORCID: 0000-0001-6031-8377 , Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)

Cole, Tom ORCID: 0000-0001-6031-8377 (2015) The tragedy of betrayal: how the design of Ico and Shadow of the Colossus elicits emotion. In: DiGRA '15 - Proceedings of the 2015 DiGRA International Conference. Lüneburg, Germany, May 14th - 17th 2015. Digital Games Research Association, Finland. ISSN 2342-9666

ambisonics

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 , Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

McArthur, Angela, van Tonder, Cobi, Gaston-Bird, Leslie and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2021) A survey of 3D audio through the browser: practitioner perspectives. In: 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). 8-10 September 2021. Bologna, Italy (online). IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New Jersey, pp. 1-10. ISBN 978-1665409988 ; 978-1665409995 (doi:https://doi.org/10.1109/I3DA48870.2021.9610839)

amphibians

Lawal, Raheem A., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Gent, Darrenlloyd (2023) Representing amphibian perspectives in a 3D game engine. In: Proceedings of EVA London 2023 (EVA 2023). Electronic Workshops in Computing . BCS Learning and Development Ltd, Arts BCS London Office London, UK, pp. 233-235. (doi:https://doi.org/10.14236/ewic/EVA2023.42)

ana-materialism

Golding, Johnny (2012) Ana-materialism and the Pineal Eye: Becoming mouth-breast (or visual arts after Descartes, Bataille, Butler, Deleuze and Synthia with an ‘s’). Philosophy of Photography, 3 (1). pp. 99-120. ISSN 2040-3682 (Print), 2040-3690 (Online) (doi:https://doi.org/10.1386/pop.3.1.99_1)

analogue

Hobbs, James (2021) "It's all right. I came back.". [Show/Exhibition]

analogue/digital

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Elevate me later - an analogue sea in a digital world. In: Papadaki, Elena ORCID: 0000-0002-6653-4334 , (ed.) Exhibiting the Analogue / Exhibiting the Digital – afterthoughts on an exhibition. University of Greenwich Galleries, London, pp. 1-5. ISBN 978-0957343047 (In Press)

animacy

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)

animated films

Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Young Oh, Min (2023) Chicken Run: Dawn of the Nugget is a fast-paced slapstick extravaganza. The Conversation. ISSN 2201-5639

animation

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Watkins, Julie ORCID: 0000-0001-8872-7041 , Flynn, Ryan, Saxena, Dev, Papp, Sara and Lum, Thomas (2024) Shape theory in animation pedagogy and practice. In: Proceedings of EVA London 2024, UK: Electronic Visualisation in the Arts, London, 8th - 12th Jul, 2024. BCS Learning and Development Ltd. - Chartered Institute of IT, London. (In Press)

Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Young Oh, Min (2023) Chicken Run: Dawn of the Nugget is a fast-paced slapstick extravaganza. The Conversation. ISSN 2201-5639

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

Pallant, Chris ORCID: 0000-0002-1308-2565 and Holliday, Christopher (2024) Lucas meets Luxo: Lucasfilm’s Computer Graphics Lab (CGL) and the development of Pixar Animation Studios. In: Ravalli, Richard, (ed.) Lucas: His Hollywood Legacy. University Press of Kentucky. ISBN 978-0813198781 (In Press)

Pallant, Chris ORCID: 0000-0002-1308-2565 and Wells, Paul (2023) Everybody chips in ten cents, and somehow it seems to add up to a Dollar’: exploring the visual toolbox of animation story design. In: Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Literature, Cultural and Media Studies Literature, Cultural and Media Studies (R0) . Palgrave Macmillan - Springer Nature, Cham, Switzerland, pp. 563-585. ISBN 978-3031207686; 978-3031207693 (doi:https://doi.org/10.1007/978-3-031-20769-3_30)

Pallant, Christopher ORCID: 0000-0002-1308-2565 (ed.) (2021) Animation: Critical and Primary Sources. Animation: Critical and Primary Sources, I-IV . Bloomsbury Academic USA, New York. ISBN 978-1501305757; 1501305751

Pallant, Christopher ORCID: 0000-0002-1308-2565 (2022) Beyond Bagpuss: A History of Smallfilms Animation Studio. British Film Institute (BFI) . Bloomsbury Publishing, London. ISBN 978-1839022388; 1839022388; 978-1839022395; 978-1839022418; 978-1839022401

Pallant, Christopher ORCID: 0000-0002-1308-2565 and Holliday, Christopher (eds.) (2022) Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Bloomsbury Open Access, Film & Media Studies 2023 . Bloomsbury Academic, New York. ISBN 978-1501373961; 978-1501351228; 978-1501351204; 978-1501351211

Pallant, Christopher ORCID: 0000-0002-1308-2565 , Humberstone, Nigel and Humberstone, Klive (2023) Revisiting the production of Watership Down through the Arthur Humberstone Animation Archive. In: Lester, Catherine, (ed.) Watership Down: Perspectives On and Beyond Animated Violence. Bloomsbury Open Access, Film & Media Studies 2023 . Bloomsbury Academic, New York, pp. 41-59. ISBN 978-1501376993; 978-1501376979; 978-1501376986; 978-1501376955

Sporton, Gregory (2010) The Watertower. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Poem. [Artefact]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Trainscape. [Artefact]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) (in)visible. [Artefact]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

Antrhopocene

Hobbs, James and Cutler, Amy (2023) "Species Piracy". [Show/Exhibition]

aphoristic text

Golding, Sue and Kennedy, Steve (2009) To tremble the zero: art in the age of algorithmic reproduction. In: Critical Digital Studies Workshop, 4-6 June 2009, Pacific Centre for Technology and Culture at the University of Victoria. (Unpublished)

Apollo 12

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

apparatus

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

appearances

Finkelstein, Joanne (2010) Fashioned identity and the unreliable image. Critical Studies in Fashion and Beauty, 1 (2). pp. 153-163. ISSN 2040-4417 (doi:https://doi.org/10.1386/csfb.1.2.161_1)

appropriation

Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.

AR

Macquarrie, Andrew and Steed, Anthony (2020) Investigating the perceived strengths and limitations of Free-Viewpoint Video (FVV). Frontiers in Virtual Reality, 1 (11). ISSN 2673-4192 (Online) (doi:https://doi.org/10.3389/frvir.2020.00011)

AR QR codes

Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]

architects

Frith, Ed (2008) Matthew Springett Architects presents models, but no buildings. Building Design (1832). p. 15.

Stoppani, Teresa (2008) Interpreting the Renaissance: princes, cities, architects by Manfredo Tafuri, translated by Daniel Sherer. The Journal of Architecture, 13 (3). pp. 345-354. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360802216997)

architectural concepts

Frith, Ed and Graef, Alexander (2007) Draw like a builder, build like a writer (and the crack is in the detail). The role of the humanities in design creativity international conference, 15-16 Nov 2007, Lincoln, UK. University of Lincoln, Lincoln. ISBN 9781860502224

architectural education

Frith, Ed (2008) Ed Frith of Moving Architecture reviews Lincoln School of Architecture’s show. The Architects' Journal.

Frith, Ed, O'Carroll, Gerrard, Wilson, Peter and Payne, James (2008) Best in show. Building Design (1827). pp. 20-21.

architectural history

Stoppani, Teresa (2007) Dust revolutions. Dust, informe, architecture (notes for a reading of dust in Bataille). The Journal of Architecture, 12 (4). 437 - 447. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360701614714)

Stoppani, Teresa (2007) Representing Venice. One, multiple, impossible. In: Loo, Stephen and Bartsch, Katherine, (eds.) Panorama to Paradise: Scopic Regimes in Architectural and Urban History and Theory, Sydney: proceedings of the SAHANZ Meeting 2007. Society of Architectural Historians, Australia and New Zealand, Adelaide, Australia. ISBN 1920927557

architectural modernity

Stoppani, Teresa (2008) Venetian time and the meander. Log, 12. pp. 131-143. ISSN 1547-4690

architectural theory

Stoppani, Teresa (2007) The building of tension - Manfredo Tafuri's legacy: from operative criticism to historical project, between critical practices and material practices in architecture. In: van Koten, Hamid and Holm, Lorens, (eds.) Reflections on creativity: exploring the role of theory in creative practices. Duncan of Jordanstone College, Dundee, Scotland, UK, pp. 1-17. ISBN 1899837536

architecture

Frith, Ed and Graef, Alexander (2007) Draw like a builder, build like a writer (and the crack is in the detail). The role of the humanities in design creativity international conference, 15-16 Nov 2007, Lincoln, UK. University of Lincoln, Lincoln. ISBN 9781860502224

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)

Murray, Shaun (2022) Drawing architecture. Design Ecologies, 11 (1). pp. 11-33. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:https://doi.org/10.1386/des_00014_1)

Rabourdin, Caroline ORCID: 0000-0002-9694-0384 (2023) Spatial models and affects: Scanlab’s Frozen Relics / Arctic Works & Framerate / Pulse of the Earth. In: London Conference in Critical Thought 2023, 30th June - 1st July 2023, School of Social Sciences and Professions, London Metropolitan University Holloway Road, London. (Unpublished)

Stoppani, Teresa (2007) Antípodas: proyectos para una nueva cartografía. La Revista de la Facultad 47 al fondo (15). pp. 26-31.

Stoppani, Teresa (2007) Dust projects: on Walter Benjamin's Passagen-Werk and some contemporary dusty makings in architecture. The Journal of Architecture, 12 (5). pp. 543-557. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360701722566)

Stoppani, Teresa (2007) Representing Venice. One, multiple, impossible. In: Loo, Stephen and Bartsch, Katherine, (eds.) Panorama to Paradise: Scopic Regimes in Architectural and Urban History and Theory, Sydney: proceedings of the SAHANZ Meeting 2007. Society of Architectural Historians, Australia and New Zealand, Adelaide, Australia. ISBN 1920927557

architecture students

Frith, Ed (2008) Ed Frith of Moving Architecture reviews Lincoln School of Architecture’s show. The Architects' Journal.

archive

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Index of love. [Show/Exhibition]

Hobbs, James (2021) "It's all right. I came back.". [Show/Exhibition]

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2016) Death and Memory in the Twenty-First Century. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities and Sciences. Palgrave Macmillan, London, UK, pp. 113-118. ISBN 9781137520579 (doi:https://doi.org/10.1057/9781137520586_14)

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

Waterworth, David (2020) 10-4. [Show/Exhibition]

archive footage

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

archives

Dawson, Andrew and Holmes, Sean P. (2012) 'Help to preserve the real story of our cinema and television industries': The BECTU History Project and the construction of British media history, 1986–2010. Historical Journal of Film, Radio and Television, 32 (3). pp. 435-448. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2012.699650)

Hobbs, James (2020) Moribund State(s) - Solo multimedia art exhibition. [Show/Exhibition]

art

Adil, Alev (2011) MemoryMap [website]. MemoryMap, London, UK.

Arthur, Mervyn, Baseman, Jordan, Behr, Bernd, Biswas, Sutapa, Chance, Veronique, Cobbing, William, Coldwell, Paul, Cross, David, Dobai, Sarah, Douglas, Lorrice, Drabble, Neil, Gunning, Lucy, Hamann, Sigune, Haywood, Thomas, Ingham, Mark, Kovats, Tania, Lanteri Laura, Jean-Louis, Lebas, Chrystel, Love, Johanna, Mossman, Anna, Newth, Martin, Robertson, Helen, Rowe, Lois, Taylor, Finlay, Treacy, Danny, Wainwright, Chris and Webster, Dave (2011) SCOPE New Photographic Practices. [Show/Exhibition]

Cole, Thomas ORCID: 0000-0001-6031-8377 , Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2022) "select important things". [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]

Ingham, Mark (2012) 120 days and nights of staggering and stammering. [Show/Exhibition]

Ingham, Mark (2011) Art takes Miami 2011. In: Aldrich, Jeffrey, (ed.) Art Takes Miami 2011. Artist Wanted, New York, p. 5. ISBN 9780984871803

Ingham, Mark (2011) Mark Ingham: motion and sound winner Scope Miami 2011. SCOPE Miami 2011. Artists Wanted LLC, New York, pp. 46-47. ISBN 9780984871803

Ingham, Mark (2011) New photographic practices: SCOPE. In: Newth, Martin, (ed.) New Photographic Practices; SCOPE. Camberwell Press, London. ISBN 978-0953639595

Macdonald, Sarah (2021) Tannery Project, Billboard Project #1: Sarah Macdonald. [Show/Exhibition]

Mann, Tony (1995) [Book review] Iterations: The New Image. The Art Book, 2 (2). pp. 32-33. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

Sigthorsson, Gauti (2008) Sensation for sensation's sake: art and the temptation of 'Wow'! Sjonauki. ISSN 1670-7311

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Singing Light 1. [Show/Exhibition]

Art & design

Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)

Art and Health

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Hignell-Tully, Daniel, Grant, Claire, Renaud, Alain and Havsteen-Franklin, Dominik (2024) KIMA: Noise Map - Participatory online art exploring the effect of noise on health. In: Proceedings of EVA London 2024, UK: Electronic Visualisation in the Arts, London, 8th - 12th Jul, 2024. BCS Learning and Development Ltd. - Chartered Institute of IT, London. (In Press)

art and identity

Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]

art and technology

Bowen, Jonathon P., Baker, Camille, Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Edmonds, Ernst, van Helsdingen, Merel and Masson, Terence (2021) EVA London 2021: Keynote summaries. In: EVA London 2021: Electronic Visualisation & the Arts. Proceedings of conference. BCS, The Chartered Institute for IT, 5th -9th July 2021. Proceedings of EVA London 2021 . Science Open, London, pp. 1-6. ISBN 978-1780175737 (doi:https://doi.org/10.14236/ewic/EVA2021.1)

Art as activism

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

art exhibition

Waterworth, David (2008) Embedded [Group Show]. [Show/Exhibition]

art exhibitions

Mann, Tony (1997) Edinburgh in August. The Art Book, 4 (1). pp. 19-20. ISSN 1467-8357 (doi:https://doi.org/10.1111/1467-8357.00003)

art history

Mann, Tony (1995) [Book review] Colour: Art and Science. The Art Book, 2 (2). p. 26. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00263.x)

ART IN FLUX

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Shemza, Aphra and Almena, Maria (2024) TRANSFORMATIONS: Media art between communities and professional practice. In: Giannini, Tula and Bowen, Jonathan P., (eds.) The Arts and Computational Culture: Real and Virtual Worlds. Springer Series on Cultural Computing (SSCC) - Computer Science, Computer Science (R0) . Springer, Cham, Switzerland. ISBN 978-3031538643; 978-3031538674; 978-3031538650; 3031538641 (In Press)

art movements

Bowie, Laura ORCID: 0000-0002-9084-2142 (2017) W(al)king through trauma: Wolf Vostell and West Berlin in the 1960s. Canvas, 4. pp. 16-19.

art technology

Troisi, Anna ORCID: 0000-0002-6868-4424 (2018) OB-scene, a live audio/visual performance for photoplethysmograph and female body. Organised Sound, 23 (3). pp. 270-276. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:https://doi.org/10.1017/S1355771818000171)

Artefact Ecology

Masu, Raul, Correia, Nuno N. ORCID: 0000-0002-9999-9162 , Jürgens, Stephan, Feitsch, Jochen and Romão, Teresa (2020) Designing Interactive Sonic Artefacts for Dance Performance: an Ecological Approach. In: AM '20: Proceedings of the 15th International Conference on Audio Mostly. ACM, New York, USA, pp. 122-129. ISBN 978-1450375634 (doi:https://doi.org/10.1145/3411109.3412297)

Arthur Miller

Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]

Ingham, Mark (2011) A portrait of Marilyn Miller and me 5611. [Artefact]

Artifical Intelligence

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Artistic engagements with machine generated voice: Holly Herndon's Holly+ & Jane Frances Dunlop’s select important things. In: Mis/Disinformation and the artifices of authenticity and authentication ICA Pre-Conference, 24th May, 2023, York University, Toronto, Ontario Canada. (Unpublished)

artificial

Macquarrie, Andrew and Steed, Anthony (2018) The effect of transition type in multi-view 360 media. IEEE Transactions on Visualization and Computer Graphics, 24 (4):17617378. pp. 1564-1573. ISSN 1077-2626 (Print), 1941-0506 (Online) (doi:https://doi.org/10.1109/TVCG.2018.2793561)

Artificial Intelligence

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Hignell-Tully, Daniel and Rahman, Shama (2023) Social Flow: social connectedness and flow in participatory art. In: KONFERENZBAND PROCEEDINGS EVA BERLIN 2023: Elektronische Medien & Kunst, Kultur und Historie, 29th Nov - 1st Dec 2023. 27. Berliner Veranstaltung der internationalen EVA-Serie Electronic Media and Visual Arts . Kunstgewerbemuseum am Kulturforum Potsdamer Platz, Berlin Eine Kooperation zwischen der BTU Brandenburgische Technische Universität Cottbus-Senftenberg, den Staatlichen Museen zu Berlin - Preußischer Kulturbesitz, Berlin, pp. 14-25. ISBN 978-3886098910

Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2022) GROUPTHINK: telepresence and agency during Live performance. Proceedings of the ACM on Computer Graphics and Interactive Techniques, 5 (4):39. pp. 1-10. ISSN 2577-6193 (Online) (doi:https://doi.org/10.1145/3533610)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Dissolving the Horizon Line: navigating disruption caused by AI manipulation of images. Body, Space and Technology, 23 (1). pp. 1-26. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.11214)

artist

Mann, Tony (2003) [Exhibition review] Keith Tyson at Tate Britain. BSHM Newsletter, 47. pp. 46-47.

Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Alleviating digital fatigue through embodied artistic practice and green space. International Journal of Performance Arts and Digital Media. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2024.2305448)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Dissolving the Horizon Line: navigating disruption caused by AI manipulation of images. Body, Space and Technology, 23 (1). pp. 1-26. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.11214)

Artist Book

Hobbs, James (2020) Moribund State(s) - Exhibition Catalogue/Artist Book. Project 78 Press, UK. ISBN 978-1838133108

artist print

Hobbs, James (2023) "Polytechneiou 1 (Cigarettes)", "Polytechneiou 2 (Petals)", "Polytechneiou (Unstable Grids)". [Show/Exhibition]

artistic practices

Papadaki, Elena ORCID: 0000-0002-6653-4334 , Arfaras, Mihalis, Schizakis, Stamatis, Garcia, Carla Ambrósio, Dare, Eleanor, Beveridge, Patrick, Hobbs, James, Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , Menotti, Gabriel, Ploeger, Dani, Samson, Audrey, Borras, Michael (a.k.a. Systaime), Krajewska, Klio and Talbot, Michael ORCID: 0000-0001-7198-1422 (eds.) (2020) Exhibiting the Analogue, Exhibiting the Digital: Afterthoughts on an exhibition. University of Greenwich Galleries / Incandescent Square, London. ISBN 978-0957343047

artistic processes and approaches

Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Vision freed from frozen cyclops: interacting with visual media, an artistic, critical and technical practice exploring spatial depth. Body Space Technology, 22 (1). pp. 168-189. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9715)

artistic research

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Artistic engagements with machine generated voice: Holly Herndon's Holly+ & Jane Frances Dunlop’s select important things. In: Mis/Disinformation and the artifices of authenticity and authentication ICA Pre-Conference, 24th May, 2023, York University, Toronto, Ontario Canada. (Unpublished)

artists' residency and exhibition

Waterworth, David and Satom, Saki (2008) To-Lo: Tokyo - London Art Exchange. [Show/Exhibition]

arts

Broadhurst, Susan, Papadaki, Elena ORCID: 0000-0002-6653-4334 , Ploeger, Dani, Goddard, Michael N., O'Brien, Sarah, Taiwo, Olu, Schellewald, Andreas, Chan, Melanie, Lewis, Matt, Dziekan, Vince, Giannachi, Gabriella, Nolasco-Rózsás, Lívia, Katan-Schmid, Einav, Meseguer, Rosell, Borges, Cândida, Vélez, Gabriel Mario, DeLappe, Joseph, Caerols Mateo, Raquel, Kelomees, Raivo, Guljajeva, Varvara, Laas, Oliver, Riegel, Christian, Robinson, Katherine M., Richards, Grayson, Desnoyers-Stewart, John, Smith, Megan L., Riecke, Bernhard E., Dare, Eleanor, Berezina-Blackburn, Vita, Oliszewski, Alex and Mcgarrigle, Conor (eds.) (2020) Radical Immersions: Navigating between virtual/physical environments and information bubbles - DRHA 2019 Conference Proceedings. University of London / DRHA, London. ISBN 978-0900822124; 978-0900822131

Hobbs, James (2020) Nature Morte: Examining the sonic and visual potential of a 16mm film. In: Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , (ed.) Sound and Image. Focal Press, London, pp. 219-225. ISBN 978-0429295102 (doi:https://doi.org/10.4324/9780429295102-15)

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Maravala, Persis Jadé and Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Post-immersive interventions with ZU-UK. In: Bucknall, Joanna Jayne, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury - Methuen Drama, London, pp. 151-176. ISBN 978-1350269330

Arts & Health

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

Arts Council

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

arts-based research

Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)

atmosphere

Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Dissolving the Horizon Line: navigating disruption caused by AI manipulation of images. Body, Space and Technology, 23 (1). pp. 1-26. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.11214)

attention mechanism

Sigger, Neetu, Al-Jawed, Naseer and Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2022) Spatial-temporal autoencoder with attention network for video compression. In: Proceedings of the 17th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications. Online. February 6-8, 2022. Computer Vision Theory and Applications (VISAPP), 4 . Computer Vision Theory and Applications (VISAPP) - SCITEPRESS Digital Library, Setúbal, Portugal, pp. 364-371. ISBN 978-9897585555; ISSN 2184-4321 (doi:https://doi.org/10.5220/0010811900003124)

attentional synchrony

Farmer, Harry ORCID: 0000-0002-3684-0605 , Bevan, C. ORCID: 0000-0002-2823-420X , Green, D., Rose, M., Cater, K. ORCID: 0000-0002-3435-2392 and Stanton Fraser, D. ORCID: 0000-0002-3062-731X (2021) Did you see what I saw?: Comparing attentional synchrony during 360° video viewing in head mounted display and tablets. Journal of Experimental Psychology: Applied, 27 (2). pp. 324-337. ISSN 1076-898X (Print), 1939-2192 (Online) (doi:https://doi.org/10.1037/xap0000332)

Audience

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene_00016_1)

Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.

audiences' technology

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

audio

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)

audio experience

Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]

audio game

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Guillery, Kesia and Andrade Pires, Carlos Eduardo (2022) RADIO GHOST - Lumen Prize Interactive Award. Winner - video submission. [Video]

audio installation

Rabourdin, Caroline ORCID: 0000-0002-9694-0384 (2013) Sounding Space Symposium. [Show/Exhibition]

audio visual

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

audio-visual

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)

audio-visual art

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

audio-visual media

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

audio-visual music

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

audiovisual

Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2017) Enabling Audiovisual User Interfaces. [Creative Performance or Reading] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) VOID. [Composition]

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 and Margetson, Emma ORCID: 0000-0002-1054-1973 (2023) Art of sound: creativity in film sound and electroacoustic music. Sound Design . Focal Press - Routledge, London. ISBN 978-0367755881; 978-1003163077

Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2019) Participation in EMPIRE II, an international touring exhibition, 2017 - 2019. [Show/Exhibition]

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2011) Tiny jungle: psychedelic techniques in audio-visual composition. In: Proceedings of the International Computer Music Conference : Huddersfield, UK : ICMC 2011. Michigan Publishing ; International Computer Music Association (ICMA), San Francisco : International Computer Music Association ; Huddersfield : Centre for Research in New Music, University of Huddersfield, pp. 324-327. ISBN 0984527400 ; 9780984527403

audiovisual media

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)

audiovisual translation

Pettit, Zoë ORCID: 0000-0002-1909-8947 (2012) Translating Tsotsi for the screen. In: Serban, Adriana, Matamala, Anna and Lavaur, Jean-Marc, (eds.) Audiovisual Translation in Close-Up: Practical and Theoretical Approaches. Peter Lang, Bern, Switzerland, pp. 75-91. ISBN 9783034311519

auditory hallucinations

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2017) Simulating auditory hallucinations in a video game: three prototype mechanisms. In: AM '17: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-5373-1 (doi:https://doi.org/10.1145/3123514.3123532)

augmentation

Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)

augmented

Macquarrie, Andrew and Steed, Anthony (2018) The effect of transition type in multi-view 360 media. IEEE Transactions on Visualization and Computer Graphics, 24 (4):17617378. pp. 1564-1573. ISSN 1077-2626 (Print), 1941-0506 (Online) (doi:https://doi.org/10.1109/TVCG.2018.2793561)

augmented reality

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)

Macquarrie, Andrew and Steed, Anthony (2020) Investigating the perceived strengths and limitations of Free-Viewpoint Video (FVV). Frontiers in Virtual Reality, 1 (11). ISSN 2673-4192 (Online) (doi:https://doi.org/10.3389/frvir.2020.00011)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)

Yung, Ryan ORCID: 0000-0003-3755-2557 , Le, Truc Hoang, Moyle, Brent and Arcodia, Charles (2022) Towards a typology of virtual events. Tourism Management, 92:104560. ISSN 0261-5177 (Print), 1879-3193 (Online) (doi:https://doi.org/10.1016/j.tourman.2022.104560)

augmented virtuality

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)

authenticity

Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.

Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Ben Hur Live as post-cinematic adaptation. Journal of Adaptation in Film & Performance, 15 (1/2). pp. 61-75. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp_00069_1)

authorship

Pallant, Christopher ORCID: 0000-0002-1308-2565 (ed.) (2021) Animation: Critical and Primary Sources. Animation: Critical and Primary Sources, I-IV . Bloomsbury Academic USA, New York. ISBN 978-1501305757; 1501305751

auto-encoder

Sigger, Neetu, Al-Jawed, Naseer and Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2022) Spatial-temporal autoencoder with attention network for video compression. In: Proceedings of the 17th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications. Online. February 6-8, 2022. Computer Vision Theory and Applications (VISAPP), 4 . Computer Vision Theory and Applications (VISAPP) - SCITEPRESS Digital Library, Setúbal, Portugal, pp. 364-371. ISBN 978-9897585555; ISSN 2184-4321 (doi:https://doi.org/10.5220/0010811900003124)

autoethnography

Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Alleviating digital fatigue through embodied artistic practice and green space. International Journal of Performance Arts and Digital Media. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2024.2305448)

autotheory

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2022) "select important things". [Show/Exhibition]

avant-garde

Cole, Thomas ORCID: 0000-0001-6031-8377 , Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)

avatars

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]

Ballet

Sporton, Gregory (2016) Reviews. Scene, 4 (2). pp. 173-178. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.2.173_5)

Balnakiel

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

bauer

Hill, Andrew ORCID: 0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]

Beauty

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Bectu

Dawson, Andrew and Holmes, Sean P. (2012) 'Help to preserve the real story of our cinema and television industries': The BECTU History Project and the construction of British media history, 1986–2010. Historical Journal of Film, Radio and Television, 32 (3). pp. 435-448. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2012.699650)

Bellagio STAMP

Adewumi, Ayomikun Solomon ORCID: 0000-0002-9883-2766 , Onyango, Vincent, Moyo, Dumiso and AlWaer, Husam (2018) A review of selected neighbourhood sustainability assessment frameworks using the Bellagio STAMP. International Journal of Building Pathology and Adaptation, 37 (1). pp. 108-118. ISSN 2398-4708 (Online) (doi:https://doi.org/10.1108/IJBPA-07-2018-0055)

Bereavement

Giaxoglou, Korina, Döveling, Katrin and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Networked emotions: Interdisciplinary perspectives on sharing loss online. Journal of Broadcasting and Electronic Media, 61 (1). ISSN 0883-8151 (Print), 1550-6878 (Online) (doi:https://doi.org/10.1080/08838151.2016.1273927)

Bergson

Mroz, Matilda (2014) The aesthetics of overflow: Tarkovsky’s Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pamela, (eds.) The Cinema of the Swimming Pool. New Studies in European Cinema (17). Peter Lang AG, Oxford / Bern / Berlin / Bruxelles / Frankfurt am Main / New York / Wien, pp. 169-180. ISBN 978-3034317832

Berlin

Bowie, Laura ORCID: 0000-0002-9084-2142 (2017) W(al)king through trauma: Wolf Vostell and West Berlin in the 1960s. Canvas, 4. pp. 16-19.

big data

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]

billboard

Macdonald, Sarah (2021) Tannery Project, Billboard Project #1: Sarah Macdonald. [Show/Exhibition]

bim

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyros ORCID: 0000-0001-6122-8701 (2022) Challenges of digital building data usage with a focus on the digital documentation of heritage buildings: results from an online survey. Heritage, 5 (4). pp. 3220-3259. ISSN 2571-9408 (Online) (doi:https://doi.org/10.3390/heritage5040166)

binaural audio

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

binaural sound

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]

bio-art

Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)

biodiversity

Hobbs, James and Cutler, Amy (2023) "Species Piracy". [Show/Exhibition]

biofeedback

McIntosh, Tyler Howard, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2022) Lundheim: exploring affective audio techniques in an action-adventure video game. In: AM '22: Proceedings of the 17th International Audio Mostly Conference. AudioMostly 2022 St. Pölten Austria September 6 - 9, 2022. AudioMostly 2022 . Association for Computing Machinery (ACM), New York, pp. 155-158. ISBN 978-1450397018; (doi:https://doi.org/10.1145/3561212.3561234)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Cunningham, Stuart, Roberts, Nathan, Griffiths, Darryl and Roberts, Shaun (2015) Quake Delirium EEG: a pilot study regarding biofeedback-driven visual effects in a computer game. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 335-338. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317420)

biography

McClean, Mairead (2008) Bell(a)Exchange III. [Show/Exhibition]

biometrics

Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)

Biopolitics

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

biosensors

Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Rahman, Shama (2023) GROUPTHINK: Art, AI & the Internet of Neurons. King's College, King's College.

Black Love

Brown, Charmaine ORCID: 0000-0002-6471-9706 (2023) Prompts & Logistics: Black Love and/In the City. [Performance] (Unpublished)

Bluray

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.

bodies

Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.

body

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

body image

Patterson, Jennifer ORCID: 0000-0002-8254-7602 (2016) Translations. Body Talk: whose language? Association of Medical Humanities. (Unpublished)

body interfaces

Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)

body mind interface

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]

body performance

Troisi, Anna ORCID: 0000-0002-6868-4424 (2018) OB-scene, a live audio/visual performance for photoplethysmograph and female body. Organised Sound, 23 (3). pp. 270-276. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:https://doi.org/10.1017/S1355771818000171)

Body Talk

Patterson, Jennifer ORCID: 0000-0002-8254-7602 (ed.) (2016) The Association for Medical Humanities International Journal: Body Talk: Whose Language? (2016 Conference Abstracts). The Association for Medical Humanities, The University of Greenwich. ISBN 978-0995519305 ISSN 2398-6395

bone-conducting headphones

Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]

book illustration

Powers, Alan (2010) Introduction: John Piper in context. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 9-13. ISBN 978-0-9558343-2-5

Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]

book review

Bowie, Laura ORCID: 0000-0002-9084-2142 (2022) Book review Photographs and the practice of history: a short primer by Elizabeth Edwards, London, Bloomsbury Academic, 2022, 166 pp., £18 (paperback). Planning Perspectives, 37 (5). pp. 1109-1112. ISSN 0266-5433 (Print), 1466-4518 (Online) (doi:https://doi.org/10.1080/02665433.2022.2111126)

Mann, Tony (1995) [Book review] Cindy Sherman 1975-1993. The Art Book, 2 (2). p. 34. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

Mann, Tony (1995) [Book review] Colour: Art and Science. The Art Book, 2 (2). p. 26. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00263.x)

Mann, Tony (1995) [Book review] Iterations: The New Image. The Art Book, 2 (2). pp. 32-33. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

books

Ingham, Mark (2010) Never judge a book by its movie. In: Inspiring Learners: Equipping the Next Generation of Graduates, 6 July 2010, University of Greenwich. (Unpublished)

boundary object

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2019) The screenplay as boundary object. Journal of Screenwriting, 10 (2). pp. 149-164. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.10.2.149_1)

Brexit

Stabb, Walter (2019) Europe Endless. [Video]

British film and television industry

Dawson, Andrew and Holmes, Sean P. (2014) Culture, Creativity and Disappearing Celluloid. [Video]

British film and TV industries

Dawson, Andrew and Holmes, Sean P. (2012) 'Help to preserve the real story of our cinema and television industries': The BECTU History Project and the construction of British media history, 1986–2010. Historical Journal of Film, Radio and Television, 32 (3). pp. 435-448. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2012.699650)

British television

Pallant, Christopher ORCID: 0000-0002-1308-2565 (2022) Beyond Bagpuss: A History of Smallfilms Animation Studio. British Film Institute (BFI) . Bloomsbury Publishing, London. ISBN 978-1839022388; 1839022388; 978-1839022395; 978-1839022418; 978-1839022401

Britten

Powers, Alan (2010) Benjamin Britten, Piper and Aldeburgh. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 130-135. ISBN 978-0-9558343-2-5

Broadcasting Entertainment Cinematograph and Technicians Union

Dawson, Andrew and Holmes, Sean P. (2012) 'Help to preserve the real story of our cinema and television industries': The BECTU History Project and the construction of British media history, 1986–2010. Historical Journal of Film, Radio and Television, 32 (3). pp. 435-448. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2012.699650)

browser

McArthur, Angela, van Tonder, Cobi, Gaston-Bird, Leslie and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2021) A survey of 3D audio through the browser: practitioner perspectives. In: 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). 8-10 September 2021. Bologna, Italy (online). IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New Jersey, pp. 1-10. ISBN 978-1665409988 ; 978-1665409995 (doi:https://doi.org/10.1109/I3DA48870.2021.9610839)

Built Environment

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

cameras

Ingham, Mark (2011) Mark Ingham: motion and sound winner Scope Miami 2011. SCOPE Miami 2011. Artists Wanted LLC, New York, pp. 46-47. ISBN 9780984871803

Captivate

Kennedy, Stephen and Withers, Simon ORCID: 0000-0002-0203-359X (2023) Articulating peripheral space: new perspectives in digital heritage. In: Heritages Past and Present. Built and Social: A Conference on Culture, History, Art and Design, 28th - 30th June 2023, Czech Technical University, Prague. (Unpublished)

Withers, Simon ORCID: 0000-0002-0203-359X (2023) A carnival of error: synthetic visions of Maritime Greenwich. In: London Conference in Critical Thought 2023, 30th June - 1st July 2023, School of Social Sciences and Professions, London Metropolitan University Holloway Road, London. (Unpublished)

Withers, Simon ORCID: 0000-0002-0203-359X , Hudson, Philip, Kennedy, Stephen and Goodwin, Duncan ORCID: 0000-0003-2524-9059 (2023) Synthetic visions of maritime Greenwich. [Show/Exhibition]

Withers, Simon ORCID: 0000-0002-0203-359X and Kennedy, Stephen (2023) Synthetic visions of UNESCO World Heritage sites. In: VI CHAM International Conference “Heritage for a Common Future / Futures for a Common Heritage”, 12th - 15th July 2023, Lisbon. (Unpublished)

care

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2019) Rose Bruford College International Symposium, ‘Interactive experiences: playful junctions and journeys across borders’. In: Rose Bruford College International Symposium, ‘Interactive Experiences: Playful junctions and journeys across borders’, 15th - 17th April 2019, Rose Bruford College, London.

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

Maravala, Persis-Jadé, Cooper, Emma, Van Der Weide, Nadja and Briscoe, Rachel (2022) Sheffield DocFest ‘Alternate realities summit: the art of connection’. [Performance]

Maravala, Persis-Jadé and Guillery, Kesia (2022) ‘Goodnight, sleep tight: Working within a collapsing system’. [Audio]

Carsten Höller

Sigthorsson, Gauti (2008) Sensation for sensation's sake: art and the temptation of 'Wow'! Sjonauki. ISSN 1670-7311

cartography

Stoppani, Teresa (2007) Antípodas: proyectos para una nueva cartografía. La Revista de la Facultad 47 al fondo (15). pp. 26-31.

case study

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunnigham, Stuart (2015) Second screen comes to the silver screen: a consumer study regarding mobile technologies in the cinema. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 121-124. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317381)

ceramics

Hobbs, James (2023) "Polytechneiou 1 (Cigarettes)", "Polytechneiou 2 (Petals)", "Polytechneiou (Unstable Grids)". [Show/Exhibition]

challenge

Cole, Thomas ORCID: 0000-0001-6031-8377 , Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)

Chance

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

chaotic map

Gong, Cheng ORCID: 0000-0002-0666-2529 , Li, Jingbing ORCID: 0000-0001-6636-4710 , Bhatti, Uzair Aslam, Gong, Ming, Ma, Jixin ORCID: 0000-0001-7458-7412 , Huang, Mengxing and Xue, Xingsi (2021) Robust and secure zero-watermarking algorithm for medical images based on Harris-SURF-DCT and chaotic map. Security and Communication Networks, 2021:3084153. pp. 1-13. ISSN 1939-0114 (Print), 1939-0122 (Online) (doi:https://doi.org/10.1155/2021/3084153)

character design

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Watkins, Julie ORCID: 0000-0001-8872-7041 , Flynn, Ryan, Saxena, Dev, Papp, Sara and Lum, Thomas (2024) Shape theory in animation pedagogy and practice. In: Proceedings of EVA London 2024, UK: Electronic Visualisation in the Arts, London, 8th - 12th Jul, 2024. BCS Learning and Development Ltd. - Chartered Institute of IT, London. (In Press)

Chicken Run

Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Young Oh, Min (2023) Chicken Run: Dawn of the Nugget is a fast-paced slapstick extravaganza. The Conversation. ISSN 2201-5639

childhood

Chaplin, Sarah (2008) Child-friendliness in design: can design and architecture lead the way? In: Places to go? place-shaping, safer streets and sustainable transport for a child-friendly public realm. A national conference by Play England, Sustrans, Living Streets and the National Children's Bureau, 20 May 2008, Queen Elizabeth II Conference Centre Westminster London. (Unpublished)

children's book illustration

Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]

China

Ingham, Mark (2011) New photographic practices: SCOPE. In: Newth, Martin, (ed.) New Photographic Practices; SCOPE. Camberwell Press, London. ISBN 978-0953639595

Vlachos, Peter ORCID: 0000-0002-4870-9006 (2003) Paint a true picture of art in China. The Guardian. ISSN 0261-3077

choreography

Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)

Chris Ofili

Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]

Christian Hidaka

Waterworth, David, Brochard, Yves and McDonald, Roger (2011) On cavity: the language of landscape and the gaps in between. Christian Hidaka: Balanced Rock / Waterfall at the Top of the River. Max Wigram Gallery, London, pp. 23-24. ISBN 9780955971310

Cindy Sherman

Mann, Tony (1995) [Book review] Cindy Sherman 1975-1993. The Art Book, 2 (2). p. 34. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

cinema

Dawson, Andrew (2011) Book review: NYSTROM, DEREK. Hard Hats, Rednecks, and Macho Men. Class in 1970s American Cinema. Oxford University Press, Oxford [etc.] 2009. x, 251 pp.Ill. $24.95; doi:10.1017/S0020859011000137. International Review of Social History, 56 (10). pp. 160-162. ISSN 0020-8590 (Print), 1469-512X (Online) (doi:https://doi.org/10.1017/S0020859011000137)

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

Pallant, Christopher ORCID: 0000-0002-1308-2565 and Holliday, Christopher (eds.) (2022) Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Bloomsbury Open Access, Film & Media Studies 2023 . Bloomsbury Academic, New York. ISBN 978-1501373961; 978-1501351228; 978-1501351204; 978-1501351211

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunnigham, Stuart (2015) Second screen comes to the silver screen: a consumer study regarding mobile technologies in the cinema. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 121-124. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317381)

Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Ben Hur Live as post-cinematic adaptation. Journal of Adaptation in Film & Performance, 15 (1/2). pp. 61-75. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp_00069_1)

Cinema censorship

Mroz, Matilda (2010) Cinema and censorship in post-war Poland. In: Darwin College Humanities and Social Sciences Group series, 25 May 2010, Darwin College, University of Cambridge, UK. (Unpublished)

cinematic Virtual Reality

Hong, Yang, Macquarrie, Andrew and Steed, Anthony (2018) The effect of chair type on users' viewing experience for 360-degree video. In: VRST '18: Proceedings of the 24th ACM Symposium on Virtual Reality Software and Technology. Tokyo Japan. 28 November 2018- 1 December 2018. Association for Computing Machinery (ACM), New York, United States, pp. 1-11. ISBN 978-1450360869 (doi:https://doi.org/10.1145/3281505.3281519)

Macquarrie, Andrew and Steed, Anthony (2017) Cinematic Virtual Reality: evaluating the effect of display type on the viewing experience for panoramic video. In: 2017 IEEE Virtual Reality (VR). March 18-22 2017. Los Angeles, CA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 45-54. ISBN 978-1509066476 ; 978-1509066483 ISSN 2375-5334 (Online) (doi:https://doi.org/10.1109/VR.2017.7892230)

Schmitz, Anastasia, Macquarrie, Andrew, Julier, Simon, Binetti, Nicola and Steed, Anthony (2020) Directing versus attracting attention: exploring the effectiveness of central and peripheral cues in panoramic videos. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 63-72. ISBN 978-1728156088 ; 978-1728156095 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR46266.2020.00024)

cities

Stoppani, Teresa (2008) Interpreting the Renaissance: princes, cities, architects by Manfredo Tafuri, translated by Daniel Sherer. The Journal of Architecture, 13 (3). pp. 345-354. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360802216997)

Stoppani, Teresa (2007) Learning from Manhattan: Rem Koolhaas on the City before the Global and Junkspace. In: Concealing the Designer – The Illusion of the Natural City in the 20th Century, 1-2 June 2007, Berlin, Germany.

co-creation

Rossi, Guglielmo ORCID: 0000-0002-7850-6904 , Hawkey, Marc and Dawn, Louis (2024) The Greenwich Printing Co-op: collaborative design research, making and publishing. In: Advance HE 'Students as Co-creators’ symposium 2024, 31st Jan, 2024, Online. (Unpublished)

co-design

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2023) New degrees co-created with industry to effect social change. Makings: A Journal Researching the Creative Industries, 4 (1). pp. 1-14. ISSN 2752-3861 (Online)

code-switching

Pettit, Zoë ORCID: 0000-0002-1909-8947 (2012) Translating Tsotsi for the screen. In: Serban, Adriana, Matamala, Anna and Lavaur, Jean-Marc, (eds.) Audiovisual Translation in Close-Up: Practical and Theoretical Approaches. Peter Lang, Bern, Switzerland, pp. 75-91. ISBN 9783034311519

cognitive

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

cognitive theory

Cole, Tom ORCID: 0000-0001-6031-8377 (2015) The tragedy of betrayal: how the design of Ico and Shadow of the Colossus elicits emotion. In: DiGRA '15 - Proceedings of the 2015 DiGRA International Conference. Lüneburg, Germany, May 14th - 17th 2015. Digital Games Research Association, Finland. ISSN 2342-9666

Colin MacCabe

Stabb, Walter (2019) Europe Endless. [Video]

collaboration

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2019) The screenplay as boundary object. Journal of Screenwriting, 10 (2). pp. 149-164. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.10.2.149_1)

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

Rossi, Guglielmo ORCID: 0000-0002-7850-6904 , Hawkey, Marc and Dawn, Louis (2024) The Greenwich Printing Co-op: collaborative design research, making and publishing. In: Advance HE 'Students as Co-creators’ symposium 2024, 31st Jan, 2024, Online. (Unpublished)

Rossi, Guglielmo ORCID: 0000-0002-7850-6904 and Hough, Alex (2023) Learning from the print shop: collaborative design research, making and publishing. [Show/Exhibition]

collaborative

Maffioletti, Catherine (2020) Multicomponent Output 2: Hysterical Together. [Creative Performance or Reading]

collaborative exhibition

Hobbs, James, Waterworth, David and Kennedy, Stephen (2024) "For Want of (Not) Measuring". [Show/Exhibition]

Collaborative production

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)

collage

Bowie, Laura ORCID: 0000-0002-9084-2142 (2017) W(al)king through trauma: Wolf Vostell and West Berlin in the 1960s. Canvas, 4. pp. 16-19.

collectarium

Beard, Sophie and Waller, Allyson (2023) Publishing Participation. [Performance]

Beard, Sophie, Waller, Allyson and Maloney, Pete (2021) Collectarium lockdown space: sharing domestic transformations and innovations for pandemics. In: Urban Assemblage: The City as Architecture, Media, AI and Big Data, 28th - 30th June 2021, University of Hertfordshire, Hatfield. (Unpublished)

Collective

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

collodion photography

Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)

colour in art

Mann, Tony (1995) [Book review] Colour: Art and Science. The Art Book, 2 (2). p. 26. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00263.x)

comedies

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2022) On a Lighter Note! New Law Journal, 172 (8006). p. 22. ISSN 0306-6479 (Print), 2046-2239 (Online)

communication

McClean, Mairead (2008) Bell(a)Exchange III. [Show/Exhibition]

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2020) How ambient advertising is uniquely placed to make audiences think. Westminster Papers in Communication and Culture, 15 (2). pp. 95-111. ISSN 1744-6716 (Online) (doi:https://doi.org/10.16997/wpcc.346)

communications

Calvert, Sheena (2009) [Un]disciplined gestures and [un]common sense: the sensual, acoustic logic(s) of paradox and art. PhD thesis, University of Greenwich.

community

Adil, Alev (2011) MemoryMap [website]. MemoryMap, London, UK.

Beard, Sophie and Waller, Allyson (2023) Publishing Participation. [Performance]

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

community art

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Shemza, Aphra and Almena, Maria (2024) TRANSFORMATIONS: Media art between communities and professional practice. In: Giannini, Tula and Bowen, Jonathan P., (eds.) The Arts and Computational Culture: Real and Virtual Worlds. Springer Series on Cultural Computing (SSCC) - Computer Science, Computer Science (R0) . Springer, Cham, Switzerland. ISBN 978-3031538643; 978-3031538674; 978-3031538650; 3031538641 (In Press)

Hobbs, James and Crabbe, Jono (Ojon) (2023) "Nature Morte" and "H(xy)/V(z)=Ø". [Show/Exhibition]

community engagement

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Shemza, Aphra and Almena, Maria (2024) TRANSFORMATIONS: Media art between communities and professional practice. In: Giannini, Tula and Bowen, Jonathan P., (eds.) The Arts and Computational Culture: Real and Virtual Worlds. Springer Series on Cultural Computing (SSCC) - Computer Science, Computer Science (R0) . Springer, Cham, Switzerland. ISBN 978-3031538643; 978-3031538674; 978-3031538650; 3031538641 (In Press)

Community project

Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]

Composed Instrument

Masu, Raul, Correia, Nuno N. ORCID: 0000-0002-9999-9162 , Jürgens, Stephan, Feitsch, Jochen and Romão, Teresa (2020) Designing Interactive Sonic Artefacts for Dance Performance: an Ecological Approach. In: AM '20: Proceedings of the 15th International Conference on Audio Mostly. ACM, New York, USA, pp. 122-129. ISBN 978-1450375634 (doi:https://doi.org/10.1145/3411109.3412297)

composing

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective. PhD thesis, University of Greenwich.

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective: REF Multi-component portfolio. [Dataset] (Unpublished)

composite curing

Gao, Xiaoyu ORCID: 0000-0001-5625-3654 , Li, Yingguang, Xu, Ke, Wang, Shixin and Maropoulos, Paul (2023) A step-wise numerical thermal control method for advanced composite curing process using digital image based programming. CIRP Annals - Manufacturing Technology, 72 (1). ISSN 0007-8506 (doi:https://doi.org/10.1016/j.cirp.2023.03.016)

Composition

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

computational photography

Macquarrie, Andrew and Steed, Anthony (2015) Object removal in panoramic media. In: CVMP '15: Proceedings of the 12th European Conference on Visual Media Production. ACM Digital Library (2). Association for Computing Machinery (ACM), New York, United States, pp. 1-10. ISBN 978-1450335607 (doi:https://doi.org/10.1145/2824840.2824844)

computer and video games

Cunningham, Stuart, Henry, John and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Augmenting virtual spaces: affective feedback in computer games. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 229-247. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_13)

computer animation

Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Young Oh, Min (2023) Chicken Run: Dawn of the Nugget is a fast-paced slapstick extravaganza. The Conversation. ISSN 2201-5639

computer art

Bowen, Jonathan P., Giannini, Tula, Polmeer, Gareth, Gannis, Carla, Gardiner, Jeremy, Kearney, Jonathan, Wands, Bruce and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) States of being: art and identity in digital space and time. In: EVA London 2018: Electronic Visualisation & the Arts. Proceedings of a conference held in London 11th-13th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2018 . BCS: The Chartered Institute for IT, Swindon; London, pp. 1-7. ISBN 978-1780174631 ; 978-1780174632 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2018.1)

Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Borda, Ann and Diprose, Graham (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon. ISBN 978-1780175942 ISSN 1477-9358

Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Diprose, Graham (eds.) (2023) Proceedings of EVA London 2023. In: Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Diprose, Graham, (eds.) Proceedings of EVA London 2023. BCS London 10–14 July 2023. Electronic Workshops in Computing . EVA London Electronic Visualisation and the Arts - BCS Learning and Development Ltd., Arts BCS London Office, London and Swindon. ISBN 978-1780176161 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2023.0)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2022) Book launch - Explosions in the mind: composing psychedelic sounds and visualisations. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 36-37. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.8)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2014) EEG as a controller for psychedelic visual music in an immersive dome environment. In: EVA London 2014: Proceedings of the EVA London 2014 on Electronic Visualisation and the Arts. Electronic Workshops in Computing (eWiC) | BCS . BCS, The Chartered Institute for IT, Swindon; London. ISBN 978-1780172859 ; 1780172850 (doi:https://doi.org/10.14236/ewic/EVA2014.45)

computer graphics

Rodney, Ross, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Broadhead, Martyn (2023) Retro stylistic transformations in games. In: Proceedings of EVA London 2023. BCS London 10th – 14th July 2023. Electronic Workshops in Computing . EVA London Electronic Visualisation and the Arts - BCS Learning and Development Ltd., Arts BCS London Office, London and Swindon, pp. 240-242. ISBN 978-1780176161 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2023.44)

computer music

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2011) Tiny jungle: psychedelic techniques in audio-visual composition. In: Proceedings of the International Computer Music Conference : Huddersfield, UK : ICMC 2011. Michigan Publishing ; International Computer Music Association (ICMA), San Francisco : International Computer Music Association ; Huddersfield : Centre for Research in New Music, University of Huddersfield, pp. 324-327. ISBN 0984527400 ; 9780984527403

concert

Hobbs, James and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2023) "Polarities/Polaridades". [Show/Exhibition]

conference

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

connections

Campbell, Sarah ORCID: 0000-0002-2920-7318 , Clark, Andrew ORCID: 0000-0001-8660-8815 , Keady, John ORCID: 0000-0001-8243-6913 , Manji, Kainde, Odzakovic, Elzana, Rummery, Kirstein and Ward, Richard (2023) ‘I can see what's going on without being nosey…’: What matters to people living with dementia about home as revealed through visual home tours. International Journal of Geriatric Psychiatry, 38 (9):e5999. pp. 1-12. ISSN 0885-6230 (Print), 1099-1166 (Online) (doi:https://doi.org/10.1002/gps.5999)

consensus approach

Adewumi, Ayomikun Solomon ORCID: 0000-0002-9883-2766 , Onyango, Vincent, Moyo, Dumiso and AlWaer, Husam (2018) A review of selected neighbourhood sustainability assessment frameworks using the Bellagio STAMP. International Journal of Building Pathology and Adaptation, 37 (1). pp. 108-118. ISSN 2398-4708 (Online) (doi:https://doi.org/10.1108/IJBPA-07-2018-0055)

constructivism

Cole, Tom ORCID: 0000-0001-6031-8377 and Salisbury, John Hamon (2016) Grounded Theory in games research: making the case and exploring the options. In: DIGRA/FDG '16 - Proceedings of the First International Joint conference of DIGRA and FDG. Digital Games Research Association, Finland. ISBN 2342-9666

constructivist research

Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2018) The Cosmic Pond - REF documentation. [Show/Exhibition]

consumerism

Stacey, Gillian Joyce (2017) Lee Miller. Beyond the muse. A very modern woman: a woman of her time. PhD thesis, University of Greenwich.

contemporary

Maravala, Persis Jadé and Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Post-immersive interventions with ZU-UK. In: Bucknall, Joanna Jayne, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury - Methuen Drama, London, pp. 151-176. ISBN 978-1350269330

contemporary art

Hobbs, James and Vari, Mhairi (2023) Sound/Image 2023 Exhibition. Curated by Jim Hobbs & Mhairi Vari. [Show/Exhibition]

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Elevate me later - an analogue sea in a digital world. In: Papadaki, Elena ORCID: 0000-0002-6653-4334 , (ed.) Exhibiting the Analogue / Exhibiting the Digital – afterthoughts on an exhibition. University of Greenwich Galleries, London, pp. 1-5. ISBN 978-0957343047 (In Press)

Vlachos, Peter ORCID: 0000-0002-4870-9006 (2003) Paint a true picture of art in China. The Guardian. ISSN 0261-3077

contemporary composition

Hill, Andrew ORCID: 0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]

contemporary dance

Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)

contemporary mime

Wallis, Jillian (2015) Reverie. [Creative Performance or Reading]

contemporary philosophy

Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.

content analysis

Zhong, Lina, Xu, Zhongqi, Morrison, Alastair ORCID: 0000-0002-0754-1083 and Li, Yunpeng (2023) Metaverse customer journeys in tourism: building viable virtual worlds. Tourism Review. ISSN 1660-5373 (doi:https://doi.org/10.1108/TR-07-2023-0492)

content creation

Macquarrie, Andrew and Steed, Anthony (2020) Investigating the perceived strengths and limitations of Free-Viewpoint Video (FVV). Frontiers in Virtual Reality, 1 (11). ISSN 2673-4192 (Online) (doi:https://doi.org/10.3389/frvir.2020.00011)

context

Murray, Shaun (2022) Drawing architecture. Design Ecologies, 11 (1). pp. 11-33. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:https://doi.org/10.1386/des_00014_1)

context-aware computing

Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Cunningham, Stuart, Picking, Richard and Williams, Lyall (2015) Holophonor: On the Future Technology of Visual Music. In: Curran, Kevin, (ed.) Recent Advances in Ambient Intelligence and Context-Aware Computing. Recent Advances in Ambient Intelligence and Context-Aware Computing . IGI Global, USA, pp. 143-154. ISBN 9781466672840 ; 1466672846 ; 9781466672857 (doi:https://doi.org/10.4018/978-1-4666-7284-0.ch015)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Cunningham, Stuart, Picking, Richard and Williams, Lyall (2015) Holophonor: designing the visual music instruments of the future. In: Curran, Kevin, (ed.) Recent Advances in Ambient Intelligence and Context-Aware Computing. IGI Global, USA, pp. 143-154. ISBN 9781466672840 ; 9781466672857, 1466672854 ; 1466672846 (doi:https://doi.org/10.4018/978-1-4666-7284-0.ch009)

cooking

Stacey, Gillian Joyce (2017) Lee Miller. Beyond the muse. A very modern woman: a woman of her time. PhD thesis, University of Greenwich.

corporeal

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Craft

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

creative advertising

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2023) New degrees co-created with industry to effect social change. Makings: A Journal Researching the Creative Industries, 4 (1). pp. 1-14. ISSN 2752-3861 (Online)

creative computing

Troisi, Anna ORCID: 0000-0002-6868-4424 (2018) OB-scene, a live audio/visual performance for photoplethysmograph and female body. Organised Sound, 23 (3). pp. 270-276. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:https://doi.org/10.1017/S1355771818000171)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Cyberdreams: visualizing music in extended reality. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 209-227. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_12)

creative industries

Mould, Oli, Vorley, Tim and Liu, Kai (2014) Invisible creativity? Highlighting the hidden impact of freelancing in London's creative industries. European Planning Studies, 22 (12). pp. 2436-2455. ISSN 0965-4313 (Print), 1469-5944 (Online) (doi:https://doi.org/10.1080/09654313.2013.790587)

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2023) New degrees co-created with industry to effect social change. Makings: A Journal Researching the Creative Industries, 4 (1). pp. 1-14. ISSN 2752-3861 (Online)

creative industries. Site-Specific projections

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

creative methodology

Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)

creative methods

Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2023) Creative approaches to user experience in entrepreneurial startups: emerging impact from screencast videography. In: UKAIS Annual Conference 2023, 20th - 21st April 2023, University of Kent. (Unpublished)

creative writing

Smith, Caroline (2007) Hide and seek with rebels: tracing contemporary queer art in cracks and rips. Wasafiri, 22 (1). pp. 32-42. ISSN 0269-0055 (doi:https://doi.org/10.1080/02690050601097609)

creativity

Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)

Dawson, Andrew and Holmes, Sean P. (2012) New perspectives on working in the global film and television industries. Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 1-17. ISBN 9781780930206

Dawson, Andrew and Holmes, Sean P. (eds.) (2012) Working in the global film and television industries: Creativity, systems, space, patronage. Bloomsbury Academic, London, UK. ISBN 9781780930206

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 and Margetson, Emma ORCID: 0000-0002-1054-1973 (2023) Art of sound: creativity in film sound and electroacoustic music. Sound Design . Focal Press - Routledge, London. ISBN 978-0367755881; 978-1003163077

crime film

Fiddler, Michael ORCID: 0000-0002-0695-6770 (2013) Playing funny games in the last house on the left: the uncanny and the ‘home invasion’ genre. Crime, Media, Culture, 9 (3). pp. 281-299. ISSN 1741-6590 (Print), 1741-6604 (Online) (doi:https://doi.org/10.1177/1741659013511833)

Cult

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

cultural identity

Milic, Nela, Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Oh, Jee and Zuabi, Thaer (2011) Mapping and reshaping of cultural identity by digital media [Workshop]. In: ISEA2011: The 17th International Symposium on Electronic Art, 14-21 Sep 2011, Istanbul, Turkey.

cultural movements

Inman, James Stuart (1997) Surrealism since the Second World War with particular reference to surrealism in Czechoslovakia. MPhil thesis, University of Greenwich.

cultural politics of space

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Re-mapping the territory: immersive exhibition practices in the expanded field. Gramma, 27. ISSN 2529-1793 (Online) (doi:https://doi.org/10.26262/gramma.v27i0.8990)

culture

Mann, Tony (1995) [Book review] Iterations: The New Image. The Art Book, 2 (2). pp. 32-33. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Curated event

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:https://doi.org/10.1080/17458927.2015.1042247)

curated exhibition

Hobbs, James and Vari, Mhairi (2023) Sound/Image 2023 Exhibition. Curated by Jim Hobbs & Mhairi Vari. [Show/Exhibition]

Curated exhibition / projections

Papadaki, Elena ORCID: 0000-0002-6653-4334 and Schizakis, Stamatis (2018) Critical Convergence: Greek contemporary artists in dialogue with the (recent) past. [Show/Exhibition]

Curating

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2014) Communicating technology: Interactive design and interdisciplinary collaboration in the digital arts. In: Book of Absracts of DRHA2014: Communication Futures: Connecting Interdisciplinary Design Practices in Arts/Culture, Academia and the Creative Industries. University of Greenwich, pp. 215-216. ISBN 978-1-291-97878-0

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Interactive video installations in public spaces: Rafael Lozano-Hemmer's Under Scan. In: Crisp, Virginia and Menotti Gonring, Gabriel, (eds.) Besides the Screen: Moving Images through Distribution, Promotion and Curation. Palgrave Macmillan, London & New York, pp. 197-212. ISBN 978-1-137-47101-7

Curating New Media

Papadaki, Elena ORCID: 0000-0002-6653-4334 , Ploeger, Dani and Krajewska, Klio (2019) Radical Immersions. [Show/Exhibition]

Curating Russian Cinema

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Curating Russian Film for International Audiences. [Show/Exhibition] (Submitted)

curation

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Curating Russian Film for International Audiences. [Show/Exhibition] (Submitted)

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Elevate me later - an analogue sea in a digital world. In: Papadaki, Elena ORCID: 0000-0002-6653-4334 , (ed.) Exhibiting the Analogue / Exhibiting the Digital – afterthoughts on an exhibition. University of Greenwich Galleries, London, pp. 1-5. ISBN 978-0957343047 (In Press)

Waterworth, David (2023) Not Necessarily in the Right Order. [Show/Exhibition]

curriculum

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2023) New degrees co-created with industry to effect social change. Makings: A Journal Researching the Creative Industries, 4 (1). pp. 1-14. ISSN 2752-3861 (Online)

customer experience

Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2023) Creative approaches to user experience in entrepreneurial startups: emerging impact from screencast videography. In: UKAIS Annual Conference 2023, 20th - 21st April 2023, University of Kent. (Unpublished)

customer journey

Zhong, Lina, Xu, Zhongqi, Morrison, Alastair ORCID: 0000-0002-0754-1083 and Li, Yunpeng (2023) Metaverse customer journeys in tourism: building viable virtual worlds. Tourism Review. ISSN 1660-5373 (doi:https://doi.org/10.1108/TR-07-2023-0492)

CX

Kawaf, Fatema ORCID: 0000-0002-7089-7816 , Bruce, Helen, Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110 , Rooney, Tara and Ngwakwe, Amarachi (2022) Using screencast videography as a customer experience and journey mapping tool: a case study. In: 12th Servsig2022, 16th - 18th June 2022, Glasgow, Scotland.

cyber-physical

Siegel, Lauren ORCID: 0000-0003-2117-8492 , Tussyadiah, Iis ORCID: 0000-0003-0729-1712 and Scarles, Caroline ORCID: 0000-0001-8279-3689 (2022) Cyber-physical traveler performances and Instagram travel photography as ideal impression management. Current Issues in Tourism, 26 (14). pp. 2332-2356. ISSN 1368-3500 (Print), 1747-7603 (Online) (doi:https://doi.org/10.1080/13683500.2022.2086451)

cybernetics

Murray, Shaun (2022) Drawing architecture. Design Ecologies, 11 (1). pp. 11-33. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:https://doi.org/10.1386/des_00014_1)

cyborg

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]

Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)

Cyprus

Adil, Alev (2011) Memory in the dead zone. [Creative Performance or Reading]

Czechoslovakia

Inman, James Stuart (1997) Surrealism since the Second World War with particular reference to surrealism in Czechoslovakia. MPhil thesis, University of Greenwich.

Dance

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

Masu, Raul, Correia, Nuno N. ORCID: 0000-0002-9999-9162 , Jürgens, Stephan, Feitsch, Jochen and Romão, Teresa (2020) Designing Interactive Sonic Artefacts for Dance Performance: an Ecological Approach. In: AM '20: Proceedings of the 15th International Conference on Audio Mostly. ACM, New York, USA, pp. 122-129. ISBN 978-1450375634 (doi:https://doi.org/10.1145/3411109.3412297)

Sporton, Gregory (2017) The Body and the Intellectual. Scene, 5 (2). pp. 115-126. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.2.115_1)

Sporton, Gregory (2018) The Life of a Dance: Double Take Part II. In: Proceedings from the Document Academy. University of Akron, pp. 1-10.

Sporton, Gregory (2016) Reviews. Scene, 4 (2). pp. 173-178. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.2.173_5)

Sporton, Gregory (2017) Reviews. Scene, 5 (1). pp. 83-88. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.1.83_5)

Sporton, Gregory (2017) The Sporton Professorial Inaugural. [Creative Performance or Reading]

dance and technology

Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2019) Moving Digits: Augmented Dance for Engaged Audience. [Creative Performance or Reading] (Unpublished)

Daphne du Maurier

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)

data body

Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]

data longevity

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyros ORCID: 0000-0001-6122-8701 (2022) Challenges of digital building data usage with a focus on the digital documentation of heritage buildings: results from an online survey. Heritage, 5 (4). pp. 3220-3259. ISSN 2571-9408 (Online) (doi:https://doi.org/10.3390/heritage5040166)

Data storage

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

data technology

Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]

data visualisations

Tsjornaja, Anne, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Broadhead, Martyn (2022) Art(NET)work: visualising interconnected artwork data in VR. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 250-251. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.47)

database

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Index of love. [Show/Exhibition]

Death

Giaxoglou, Korina, Döveling, Katrin and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Networked emotions: Interdisciplinary perspectives on sharing loss online. Journal of Broadcasting and Electronic Media, 61 (1). ISSN 0883-8151 (Print), 1550-6878 (Online) (doi:https://doi.org/10.1080/08838151.2016.1273927)

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2016) Death and Memory in the Twenty-First Century. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities and Sciences. Palgrave Macmillan, London, UK, pp. 113-118. ISBN 9781137520579 (doi:https://doi.org/10.1057/9781137520586_14)

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Love After Death (2016 - 2018). [Show/Exhibition]

deception

Finkelstein, Joanne (2010) Fashioned identity and the unreliable image. Critical Studies in Fashion and Beauty, 1 (2). pp. 153-163. ISSN 2040-4417 (doi:https://doi.org/10.1386/csfb.1.2.161_1)

deep learning

Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2021) Deep-NC: a secure image transmission using deep learning and network coding. Signal Processing: Image Communication, 99:116490. ISSN 0923-5965 (doi:https://doi.org/10.1016/j.image.2021.116490)

Sigger, Neetu, Al-Jawed, Naseer and Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2022) Spatial-temporal autoencoder with attention network for video compression. In: Proceedings of the 17th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications. Online. February 6-8, 2022. Computer Vision Theory and Applications (VISAPP), 4 . Computer Vision Theory and Applications (VISAPP) - SCITEPRESS Digital Library, Setúbal, Portugal, pp. 364-371. ISBN 978-9897585555; ISSN 2184-4321 (doi:https://doi.org/10.5220/0010811900003124)

Vien, Quoc-Tuan, Nguyen, Tuan ORCID: 0000-0003-0055-8218 and Nguyen, Huan (2021) A lightweight secure image super resolution using network coding. In: Proceedings of the 16th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications. 8-11 Feb 2021. Vienna, Austria. VISIGRAPP, 4 . SCITEPRESS, Setúbal, Portugal, pp. 653-660. ISBN 978-9897584886 ISSN 2184-4321 (doi:https://doi.org/10.5220/0010212406530660)

defamiliarisation

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)

degree

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2023) New degrees co-created with industry to effect social change. Makings: A Journal Researching the Creative Industries, 4 (1). pp. 1-14. ISSN 2752-3861 (Online)

dementia

Campbell, Sarah ORCID: 0000-0002-2920-7318 , Clark, Andrew ORCID: 0000-0001-8660-8815 , Keady, John ORCID: 0000-0001-8243-6913 , Manji, Kainde, Odzakovic, Elzana, Rummery, Kirstein and Ward, Richard (2023) ‘I can see what's going on without being nosey…’: What matters to people living with dementia about home as revealed through visual home tours. International Journal of Geriatric Psychiatry, 38 (9):e5999. pp. 1-12. ISSN 0885-6230 (Print), 1099-1166 (Online) (doi:https://doi.org/10.1002/gps.5999)

democratic image

Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]

design

Athique Winterbottom, Anushka, Angell, Roo, Belfield, Andrew, Gibson, Naomi ORCID: 0009-0003-0309-1905 , O'Callaghan, Mattie and Woodgate, Zanna (2024) How Public is Public? [Performance]

Athique Winterbottom, Anushka, Angell, Roo, Dixit, Mitesh, Paulson, Theo, Wilder, Pete and Heaven, Bryony (2024) Technical Solutionism. [Performance]

Crowe, Dan, Sudjic, Deyan, Mendez Moyano, Francisco and Vioque Nguyen, Maria (2023) ANIMA Magazine - Issue One. PORT Publishers, Milano.

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2009) Visual arts and 2D – 3D motion typo.graphic design. In: EVA London 2009: Electronic Visualisation & the Arts. Electronic Workshops in Computing (eWiC) (online), 2009 . BCS: The Chartered Institute for IT, Swindon, UK, pp. 192-200. ISBN 978-1-906124-17-5 (pbk) ISSN 1477-9358 (online)

Mendez Moyano, Francisco (2022) Expatriados. Experimenta (93). pp. 46-47. ISSN 1133-9675

Pallant, Chris ORCID: 0000-0002-1308-2565 and Wells, Paul (2023) Everybody chips in ten cents, and somehow it seems to add up to a Dollar’: exploring the visual toolbox of animation story design. In: Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Literature, Cultural and Media Studies Literature, Cultural and Media Studies (R0) . Palgrave Macmillan - Springer Nature, Cham, Switzerland, pp. 563-585. ISBN 978-3031207686; 978-3031207693 (doi:https://doi.org/10.1007/978-3-031-20769-3_30)

Pallant, Christopher ORCID: 0000-0002-1308-2565 and Holliday, Christopher (eds.) (2022) Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Bloomsbury Open Access, Film & Media Studies 2023 . Bloomsbury Academic, New York. ISBN 978-1501373961; 978-1501351228; 978-1501351204; 978-1501351211

Pallant, Christopher ORCID: 0000-0002-1308-2565 , Humberstone, Nigel and Humberstone, Klive (2023) Revisiting the production of Watership Down through the Arthur Humberstone Animation Archive. In: Lester, Catherine, (ed.) Watership Down: Perspectives On and Beyond Animated Violence. Bloomsbury Open Access, Film & Media Studies 2023 . Bloomsbury Academic, New York, pp. 41-59. ISBN 978-1501376993; 978-1501376979; 978-1501376986; 978-1501376955

Design Education

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

design history

Rossi, Guglielmo ORCID: 0000-0002-7850-6904 (2023) You must live your politics: publishing practices and libertarianism in MayDay Rooms Archives. In: Grennan, Rosemary and Bard-Rosenberg, Jacob, (eds.) MayDay Rooms Pamphlets: 02 Agitprop Notes. MayDay Rooms pamphlet series, 02 (2). MayDay Rooms Archives, London, pp. 103-149.

Rossi, Guglielmo ORCID: 0000-0002-7850-6904 (2023) The housing movement: illustrations from the archive. Colouring In, 3 (9). pp. 95-98. ISSN 2752-9533

Design in Use

Masu, Raul, Correia, Nuno N. ORCID: 0000-0002-9999-9162 , Jürgens, Stephan, Feitsch, Jochen and Romão, Teresa (2020) Designing Interactive Sonic Artefacts for Dance Performance: an Ecological Approach. In: AM '20: Proceedings of the 15th International Conference on Audio Mostly. ACM, New York, USA, pp. 122-129. ISBN 978-1450375634 (doi:https://doi.org/10.1145/3411109.3412297)

Design Processes

Masu, Raul, Correia, Nuno N. ORCID: 0000-0002-9999-9162 , Jürgens, Stephan, Feitsch, Jochen and Romão, Teresa (2020) Designing Interactive Sonic Artefacts for Dance Performance: an Ecological Approach. In: AM '20: Proceedings of the 15th International Conference on Audio Mostly. ACM, New York, USA, pp. 122-129. ISBN 978-1450375634 (doi:https://doi.org/10.1145/3411109.3412297)

digital

Adil, Alev (2011) MemoryMap [website]. MemoryMap, London, UK.

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]

Cole, Tom ORCID: 0000-0001-6031-8377 , Denisova, Alena and Iacovides, Jo (2024) 2nd Eudaimonia in digital games workshop. In: Proceedings of ACM Conference (Conference July 2017, Washington, DC, USA). Association for Computing Machinery (ACM), New York, NY, USA. (In Press) (doi:https://doi.org/10.1145/nnnnnnn.nnnnnnn)

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]

Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2022) Screencast videography: understanding experience in the metaverse. In: Future Visualities: Visual Methods & Ethnography in Interdisciplinary Research Symposium, 1st June 2022, Edinburgh Napier University. (Unpublished)

Maffioletti, Catherine (2020) Multicomponent Output 1: Hysteria. [Creative Performance or Reading]

Maffioletti, Catherine (2020) Multicomponent Output 2: Hysterical Together. [Creative Performance or Reading]

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2016) Death and Memory in the Twenty-First Century. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities and Sciences. Palgrave Macmillan, London, UK, pp. 113-118. ISBN 9781137520579 (doi:https://doi.org/10.1057/9781137520586_14)

digital art

Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)

Bowen, Jonathan P., Giannini, Tula, Polmeer, Gareth, Gannis, Carla, Gardiner, Jeremy, Kearney, Jonathan, Wands, Bruce and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) States of being: art and identity in digital space and time. In: EVA London 2018: Electronic Visualisation & the Arts. Proceedings of a conference held in London 11th-13th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2018 . BCS: The Chartered Institute for IT, Swindon; London, pp. 1-7. ISBN 978-1780174631 ; 978-1780174632 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2018.1)

Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Borda, Ann and Diprose, Graham (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon. ISBN 978-1780175942 ISSN 1477-9358

Bowen, Jonathon P., Baker, Camille, Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Edmonds, Ernst, van Helsdingen, Merel and Masson, Terence (2021) EVA London 2021: Keynote summaries. In: EVA London 2021: Electronic Visualisation & the Arts. Proceedings of conference. BCS, The Chartered Institute for IT, 5th -9th July 2021. Proceedings of EVA London 2021 . Science Open, London, pp. 1-6. ISBN 978-1780175737 (doi:https://doi.org/10.14236/ewic/EVA2021.1)

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)

Golding, Sue (2006) The assassination of time (ζeta-philosophy). In: Digital Art Weeks, 12-16 Jul 2006, Eidgenössische Technische Hochschule, Zurich, Switzerland.

Hobbs, James (2021) "It's all right. I came back.". [Show/Exhibition]

Hobbs, James (2020) Moribund State(s) - Solo multimedia art exhibition. [Show/Exhibition]

Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2019) Participation in EMPIRE II, an international touring exhibition, 2017 - 2019. [Show/Exhibition]

digital arts

Hobbs, James and Vari, Mhairi (2023) Sound/Image 2023 Exhibition. Curated by Jim Hobbs & Mhairi Vari. [Show/Exhibition]

Hobbs, James, Waterworth, David and Kennedy, Stephen (2024) "For Want of (Not) Measuring". [Show/Exhibition]

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Bowen, Jonathan P., Borda, Ann and Diprose, Graham (eds.) (2021) EVA London (Electronic Visualisation and the Arts): proceedings of EVA London 2021. In: EVA London 2021, Programme Committee, (ed.) AI and the Arts: Artificial Imagination. Proceedings of EVA London 2021 (EVA 2021). 5th July – 9th July 2021. Electronic Workshops in Computing (eWiC) | BCS . British Computer Society, Swindon; London, pp. 1-10. ISBN 978-1780175737 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2021.0)

digital building data

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyros ORCID: 0000-0001-6122-8701 (2022) Challenges of digital building data usage with a focus on the digital documentation of heritage buildings: results from an online survey. Heritage, 5 (4). pp. 3220-3259. ISSN 2571-9408 (Online) (doi:https://doi.org/10.3390/heritage5040166)

Digital Compositing

Zhi, Jin (2015) An alternative green screen keying method for film visual effects. International Journal of Multimedia and Its Applications, 7 (2). pp. 1-12. ISSN 0975-5934 (Print), 0975-5578 (Online) (doi:https://doi.org/10.5121/ijma.2015.7201)

digital culture

Bowen, Jonathon P., Baker, Camille, Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Edmonds, Ernst, van Helsdingen, Merel and Masson, Terence (2021) EVA London 2021: Keynote summaries. In: EVA London 2021: Electronic Visualisation & the Arts. Proceedings of conference. BCS, The Chartered Institute for IT, 5th -9th July 2021. Proceedings of EVA London 2021 . Science Open, London, pp. 1-6. ISBN 978-1780175737 (doi:https://doi.org/10.14236/ewic/EVA2021.1)

digital death

Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]

digital documentation

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyros ORCID: 0000-0001-6122-8701 (2022) Challenges of digital building data usage with a focus on the digital documentation of heritage buildings: results from an online survey. Heritage, 5 (4). pp. 3220-3259. ISSN 2571-9408 (Online) (doi:https://doi.org/10.3390/heritage5040166)

digital error

Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)

digital fatigue

Watkins, Julie ORCID: 0000-0001-8872-7041 (2022) Alleviating digital fatigue: actions to increase life-satisfaction. In: DRHA 2022, 4th - 7th September 2022, Kingston University. (Unpublished)

digital games

Cole, Thomas ORCID: 0000-0001-6031-8377 , Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)

Cole, Tom ORCID: 0000-0001-6031-8377 , Denisova, Alena and Iacovides, Jo (2024) Eudaimonia in digital games workshop. In: Proceedings of ACM Conference (Conference July 2017, Washington, DC, USA. Association for Computing Machinery (ACM), New York, NY, USA. (In Press) (doi:https://doi.org/10.1145/nnnnnnn.nnnnnnn)

digital intimacy

Bowen, Jonathon P., Baker, Camille, Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Edmonds, Ernst, van Helsdingen, Merel and Masson, Terence (2021) EVA London 2021: Keynote summaries. In: EVA London 2021: Electronic Visualisation & the Arts. Proceedings of conference. BCS, The Chartered Institute for IT, 5th -9th July 2021. Proceedings of EVA London 2021 . Science Open, London, pp. 1-6. ISBN 978-1780175737 (doi:https://doi.org/10.14236/ewic/EVA2021.1)

digital literacy

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]

digital media

Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Index of love. [Show/Exhibition]

Milic, Nela, Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Oh, Jee and Zuabi, Thaer (2011) Mapping and reshaping of cultural identity by digital media [Workshop]. In: ISEA2011: The 17th International Symposium on Electronic Art, 14-21 Sep 2011, Istanbul, Turkey.

digital mental health therapy

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]

digital modelling

Rabourdin, Caroline ORCID: 0000-0002-9694-0384 (2023) Spatial models and affects: Scanlab’s Frozen Relics / Arctic Works & Framerate / Pulse of the Earth. In: London Conference in Critical Thought 2023, 30th June - 1st July 2023, School of Social Sciences and Professions, London Metropolitan University Holloway Road, London. (Unpublished)

digital preservation

Bowen, Jonathon P., Baker, Camille, Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Edmonds, Ernst, van Helsdingen, Merel and Masson, Terence (2021) EVA London 2021: Keynote summaries. In: EVA London 2021: Electronic Visualisation & the Arts. Proceedings of conference. BCS, The Chartered Institute for IT, 5th -9th July 2021. Proceedings of EVA London 2021 . Science Open, London, pp. 1-6. ISBN 978-1780175737 (doi:https://doi.org/10.14236/ewic/EVA2021.1)

digital research

Broadhurst, Susan, Papadaki, Elena ORCID: 0000-0002-6653-4334 , Ploeger, Dani, Goddard, Michael N., O'Brien, Sarah, Taiwo, Olu, Schellewald, Andreas, Chan, Melanie, Lewis, Matt, Dziekan, Vince, Giannachi, Gabriella, Nolasco-Rózsás, Lívia, Katan-Schmid, Einav, Meseguer, Rosell, Borges, Cândida, Vélez, Gabriel Mario, DeLappe, Joseph, Caerols Mateo, Raquel, Kelomees, Raivo, Guljajeva, Varvara, Laas, Oliver, Riegel, Christian, Robinson, Katherine M., Richards, Grayson, Desnoyers-Stewart, John, Smith, Megan L., Riecke, Bernhard E., Dare, Eleanor, Berezina-Blackburn, Vita, Oliszewski, Alex and Mcgarrigle, Conor (eds.) (2020) Radical Immersions: Navigating between virtual/physical environments and information bubbles - DRHA 2019 Conference Proceedings. University of London / DRHA, London. ISBN 978-0900822124; 978-0900822131

digital storytelling

Pyjas, Gabriela Maria, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Broadhead, Martyn (2022) Storytelling and VR: ιnducing emotions through AI characters. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 194-204. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.37)

digital technology

Mann, Tony (1995) [Book review] Iterations: The New Image. The Art Book, 2 (2). pp. 32-33. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

digital twin

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]

digital/analogue

Papadaki, Elena ORCID: 0000-0002-6653-4334 , Arfaras, Mihalis, Schizakis, Stamatis, Garcia, Carla Ambrósio, Dare, Eleanor, Beveridge, Patrick, Hobbs, James, Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , Menotti, Gabriel, Ploeger, Dani, Samson, Audrey, Borras, Michael (a.k.a. Systaime), Krajewska, Klio and Talbot, Michael ORCID: 0000-0001-7198-1422 (eds.) (2020) Exhibiting the Analogue, Exhibiting the Digital: Afterthoughts on an exhibition. University of Greenwich Galleries / Incandescent Square, London. ISBN 978-0957343047

Dilston Grove

Ingham, Mark (2012) 120 days and nights of staggering and stammering. [Show/Exhibition]

disabled-led

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2019) Rose Bruford College International Symposium, ‘Interactive experiences: playful junctions and journeys across borders’. In: Rose Bruford College International Symposium, ‘Interactive Experiences: Playful junctions and journeys across borders’, 15th - 17th April 2019, Rose Bruford College, London.

Maravala, Persis-Jadé, Cooper, Emma, Van Der Weide, Nadja and Briscoe, Rachel (2022) Sheffield DocFest ‘Alternate realities summit: the art of connection’. [Performance]

Maravala, Persis-Jadé and Guillery, Kesia (2022) ‘Goodnight, sleep tight: Working within a collapsing system’. [Audio]

displacement

Brown, Charmaine ORCID: 0000-0002-6471-9706 (2023) Prompts & Logistics: Black Love and/In the City. [Performance] (Unpublished)

display everyday routines

Campbell, Sarah ORCID: 0000-0002-2920-7318 , Clark, Andrew ORCID: 0000-0001-8660-8815 , Keady, John ORCID: 0000-0001-8243-6913 , Manji, Kainde, Odzakovic, Elzana, Rummery, Kirstein and Ward, Richard (2023) ‘I can see what's going on without being nosey…’: What matters to people living with dementia about home as revealed through visual home tours. International Journal of Geriatric Psychiatry, 38 (9):e5999. pp. 1-12. ISSN 0885-6230 (Print), 1099-1166 (Online) (doi:https://doi.org/10.1002/gps.5999)

disruption

Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Dissolving the Horizon Line: navigating disruption caused by AI manipulation of images. Body, Space and Technology, 23 (1). pp. 1-26. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.11214)

distribution

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

diversity

Brown, Lucy, Davies, Rosamund ORCID: 0000-0001-8645-8271 and Oyebanjo, Anuoluwapo Olufunke ORCID: 0000-0002-6655-9726 (2022) Recognising and addressing unconscious bias and structural inequalities: a case study within television idea development. Alphaville Journal of Film and Screen Media, 8 (24):6. pp. 97-117. ISSN 2009-4078 (doi:https://doi.org/10.33178/alpha.24.06)

Oyebanjo, Anuoluwapo Olufunke ORCID: 0000-0002-6655-9726 , Brown, Lucy and Davies, Rosamund ORCID: 0000-0001-8645-8271 (2021) Teaching media production: understanding unconscious bias in creative idea development. Media Education Research Journal, 10 (1&2). pp. 1-11. ISSN 2754-0073 (Online) (doi:https://doi.org/10.5281/zenodo.5763747)

Papadaki, Elena ORCID: 0000-0002-6653-4334 , Milliken, Sarah ORCID: 0000-0001-7151-8753 , Lammin, Hannah ORCID: 0000-0002-9752-9335 , Athique Winterbottom, Anushka, McArthur, Angela, Rabourdin, Caroline ORCID: 0000-0002-9694-0384 and Isa, Susanne (2023) Embedding equality, diversity and inclusion in the curriculum. In: SHIFT 2023 conference, 11th - 12th January 2023, London, University of Greenwich. (Unpublished)

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2023) New degrees co-created with industry to effect social change. Makings: A Journal Researching the Creative Industries, 4 (1). pp. 1-14. ISSN 2752-3861 (Online)

DNA

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

documentation

Sporton, Gregory (2018) The Life of a Dance: Double Take Part II. In: Proceedings from the Document Academy. University of Akron, pp. 1-10.

domestic space

Fiddler, Michael ORCID: 0000-0002-0695-6770 (2013) Playing funny games in the last house on the left: the uncanny and the ‘home invasion’ genre. Crime, Media, Culture, 9 (3). pp. 281-299. ISSN 1741-6590 (Print), 1741-6604 (Online) (doi:https://doi.org/10.1177/1741659013511833)

domesticity

Stacey, Gillian Joyce (2017) Lee Miller. Beyond the muse. A very modern woman: a woman of her time. PhD thesis, University of Greenwich.

Dourish

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)

drawing

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Murray, Shaun (2022) Drawing architecture. Design Ecologies, 11 (1). pp. 11-33. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:https://doi.org/10.1386/des_00014_1)

Drawing Architecture

Murray, Shaun (2022) Drawing conversations. [Show/Exhibition]

drawing biennial

Macdonald, Sarah (2021) Tannery Project, Billboard Project #1: Sarah Macdonald. [Show/Exhibition]

Drawing Room Gallery

Macdonald, Sarah (2021) Tannery Project, Billboard Project #1: Sarah Macdonald. [Show/Exhibition]

Drawing Room programme

Macdonald, Sarah (2024) "Dry" (Drawing Biennial 2024, Drawing Room, London). [Show/Exhibition]

Macdonald, Sarah (2021) "Set for Two Variation#2" (Drawing Biennial 2021, Drawing Room, London). [Show/Exhibition]

Dreaming

Secomb, Linnell (2006) Petyarra and Moffatt: 'Looking from the sky'. Cultural Studies Review, 12 (1). pp. 44-56. ISSN 1446-8123 (Print), 1837-8692 (Online)

dualism

Sporton, Gregory (2017) The Body and the Intellectual. Scene, 5 (2). pp. 115-126. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.2.115_1)

dubbing

Pettit, Zoë ORCID: 0000-0002-1909-8947 (2012) Translating Tsotsi for the screen. In: Serban, Adriana, Matamala, Anna and Lavaur, Jean-Marc, (eds.) Audiovisual Translation in Close-Up: Practical and Theoretical Approaches. Peter Lang, Bern, Switzerland, pp. 75-91. ISBN 9783034311519

duration

Mroz, Matilda (2014) The aesthetics of overflow: Tarkovsky’s Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pamela, (eds.) The Cinema of the Swimming Pool. New Studies in European Cinema (17). Peter Lang AG, Oxford / Bern / Berlin / Bruxelles / Frankfurt am Main / New York / Wien, pp. 169-180. ISBN 978-3034317832

dust

Stoppani, Teresa (2007) Dust projects: on Walter Benjamin's Passagen-Werk and some contemporary dusty makings in architecture. The Journal of Architecture, 12 (5). pp. 543-557. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360701722566)

Stoppani, Teresa (2007) Dust revolutions. Dust, informe, architecture (notes for a reading of dust in Bataille). The Journal of Architecture, 12 (4). 437 - 447. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360701614714)

DVD

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.

e-sports robotics

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]

Eagle Document

Waterworth, David (2009) Object as subject. [Show/Exhibition]

early cinema

Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Ben Hur Live as post-cinematic adaptation. Journal of Adaptation in Film & Performance, 15 (1/2). pp. 61-75. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp_00069_1)

ecologies

Rabourdin, Caroline ORCID: 0000-0002-9694-0384 (2023) Spatial models and affects: Scanlab’s Frozen Relics / Arctic Works & Framerate / Pulse of the Earth. In: London Conference in Critical Thought 2023, 30th June - 1st July 2023, School of Social Sciences and Professions, London Metropolitan University Holloway Road, London. (Unpublished)

ecology

Murray, Shaun (2022) Drawing architecture. Design Ecologies, 11 (1). pp. 11-33. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:https://doi.org/10.1386/des_00014_1)

Edinburgh Festival

Mann, Tony (1997) Edinburgh in August. The Art Book, 4 (1). pp. 19-20. ISSN 1467-8357 (doi:https://doi.org/10.1111/1467-8357.00003)

editing of memory

Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Poem. [Artefact]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Trainscape. [Artefact]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) (in)visible. [Artefact]

editor

Murray, Shaun (2022) Drawing architecture. Design Ecologies, 11 (1). pp. 11-33. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:https://doi.org/10.1386/des_00014_1)

Editorial design

Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)

education

Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Borda, Ann and Diprose, Graham (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon. ISBN 978-1780175942 ISSN 1477-9358

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282

EEG

Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Cunningham, Stuart, Roberts, Nathan, Griffiths, Darryl and Roberts, Shaun (2015) Quake Delirium EEG: a pilot study regarding biofeedback-driven visual effects in a computer game. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 335-338. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317420)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2014) EEG as a controller for psychedelic visual music in an immersive dome environment. In: EVA London 2014: Proceedings of the EVA London 2014 on Electronic Visualisation and the Arts. Electronic Workshops in Computing (eWiC) | BCS . BCS, The Chartered Institute for IT, Swindon; London. ISBN 978-1780172859 ; 1780172850 (doi:https://doi.org/10.14236/ewic/EVA2014.45)

Eisenstein

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Curating Russian Film for International Audiences. [Show/Exhibition] (Submitted)

electro-acoustic

Thompson, Ian ORCID: 0000-0002-7143-8013 , Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]

electroacoustic

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) VOID. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene_00016_1)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

electroacoustic music

Hill, Andrew ORCID: 0000-0003-1521-0396 , Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 and Margetson, Emma ORCID: 0000-0002-1054-1973 (2023) Art of sound: creativity in film sound and electroacoustic music. Sound Design . Focal Press - Routledge, London. ISBN 978-0367755881; 978-1003163077

electronic dance music

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

electronic music

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

embodied

Maffioletti, Catherine (2020) Multicomponent Output 1: Hysteria. [Creative Performance or Reading]

Maffioletti, Catherine (2020) Multicomponent Output 2: Hysterical Together. [Creative Performance or Reading]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)

embodied experience

Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Alleviating digital fatigue through embodied artistic practice and green space. International Journal of Performance Arts and Digital Media. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2024.2305448)

embodying technology

Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)

emotion

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)

Cole, Tom ORCID: 0000-0001-6031-8377 (2015) The tragedy of betrayal: how the design of Ico and Shadow of the Colossus elicits emotion. In: DiGRA '15 - Proceedings of the 2015 DiGRA International Conference. Lüneburg, Germany, May 14th - 17th 2015. Digital Games Research Association, Finland. ISSN 2342-9666

Cunningham, Stuart, Henry, John and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Augmenting virtual spaces: affective feedback in computer games. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 229-247. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_13)

Giaxoglou, Korina, Döveling, Katrin and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Networked emotions: Interdisciplinary perspectives on sharing loss online. Journal of Broadcasting and Electronic Media, 61 (1). ISSN 0883-8151 (Print), 1550-6878 (Online) (doi:https://doi.org/10.1080/08838151.2016.1273927)

emotional

Cole, Thomas ORCID: 0000-0001-6031-8377 , Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)

emotions

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) Emotional exploration and the eudaimonic gameplay experience: a grounded theory. In: CHI '22: CHI Conference on Human Factors in Computing Systems. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (470). Association of Computing Machinery (ACM), New York, pp. 1-16. ISBN 978-1450391573 (doi:https://doi.org/10.1145/3491102.3502002)

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)

Cole, Tom ORCID: 0000-0001-6031-8377 , Denisova, Alena and Iacovides, Jo (2024) 2nd Eudaimonia in digital games workshop. In: Proceedings of ACM Conference (Conference July 2017, Washington, DC, USA). Association for Computing Machinery (ACM), New York, NY, USA. (In Press) (doi:https://doi.org/10.1145/nnnnnnn.nnnnnnn)

Cole, Tom ORCID: 0000-0001-6031-8377 , Denisova, Alena and Iacovides, Jo (2024) Eudaimonia in digital games workshop. In: Proceedings of ACM Conference (Conference July 2017, Washington, DC, USA. Association for Computing Machinery (ACM), New York, NY, USA. (In Press) (doi:https://doi.org/10.1145/nnnnnnn.nnnnnnn)

empathy

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]

empirical methods

Cole, Tom ORCID: 0000-0001-6031-8377 and Salisbury, John Hamon (2016) Grounded Theory in games research: making the case and exploring the options. In: DIGRA/FDG '16 - Proceedings of the First International Joint conference of DIGRA and FDG. Digital Games Research Association, Finland. ISBN 2342-9666

Enactivism

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)

end-of-life planning

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Love After Death (2016 - 2018). [Show/Exhibition]

Engagement

Bailey, Catherine, Madden, Adrian ORCID: 0000-0002-3193-5808 , Alfes, Kerstin and Fletcher, Luke (2015) The meaning, antecedents and outcomes of employee engagement: A narrative synthesis. International Journal of Management Reviews, 19 (1). pp. 31-53. ISSN 1460-8545 (Print), 1468-2370 (Online) (doi:https://doi.org/10.1111/ijmr.12077)

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2020) How ambient advertising is uniquely placed to make audiences think. Westminster Papers in Communication and Culture, 15 (2). pp. 95-111. ISSN 1744-6716 (Online) (doi:https://doi.org/10.16997/wpcc.346)

England

Turner, Tom (1986) English garden design: history and style since 1650. Antique Collectors' Club Ltd., Woodbridge, England. ISBN 978-0907462255

English

Turner, Tom (1986) English garden design: history and style since 1650. Antique Collectors' Club Ltd., Woodbridge, England. ISBN 978-0907462255

enstrangement

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)

entertainment

Cole, Tom ORCID: 0000-0001-6031-8377 , Denisova, Alena and Iacovides, Jo (2024) 2nd Eudaimonia in digital games workshop. In: Proceedings of ACM Conference (Conference July 2017, Washington, DC, USA). Association for Computing Machinery (ACM), New York, NY, USA. (In Press) (doi:https://doi.org/10.1145/nnnnnnn.nnnnnnn)

entrainment

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

environment

Rabourdin, Caroline ORCID: 0000-0002-9694-0384 (2023) Spatial models and affects: Scanlab’s Frozen Relics / Arctic Works & Framerate / Pulse of the Earth. In: London Conference in Critical Thought 2023, 30th June - 1st July 2023, School of Social Sciences and Professions, London Metropolitan University Holloway Road, London. (Unpublished)

environmental crisis

Eyborg, Elin, Gandy, Matthew, Ma, Cong, Erwee, Alex, Hoult, Gemma, Athique Winterbottom, Anushka and Angell, Roo (2023) The Gardener not the Garden. [Performance]

Gillingwater, Alan, Wilson, Henry, Johar, Indy, Gibbons, Johanna, Goldsmith, Simon, Athique Winterbottom, Anushka and Angell, Roo (2022) Oikos = Eco = Our Home. [Performance]

Hugin, Amund, Geros, Christina, Wall, Edward Duncan, Botchway, Larry, Jawareesh, Wattan, Athique Winterbottom, Anushka and Angell, Roo (2022) Intersectional Landscapes. [Performance]

Lakhani, Dilip, Guzzon, Giacomo, Datoo, Iman, Vessey, Samuel, Searle, Sui, Athique Winterbottom, Anushka and Angell, Roo (2022) Native Species. [Performance]

Reeves, Frances, Cullum-Fernandez, Kris, Kombol, Meaghan, McGann, Paul, Khonsari, Torange, Athique Winterbottom, Anushka and Angell, Roo (2022) Citizenships. [Performance]

epistemology

Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.

equality

Papadaki, Elena ORCID: 0000-0002-6653-4334 , Milliken, Sarah ORCID: 0000-0001-7151-8753 , Lammin, Hannah ORCID: 0000-0002-9752-9335 , Athique Winterbottom, Anushka, McArthur, Angela, Rabourdin, Caroline ORCID: 0000-0002-9694-0384 and Isa, Susanne (2023) Embedding equality, diversity and inclusion in the curriculum. In: SHIFT 2023 conference, 11th - 12th January 2023, London, University of Greenwich. (Unpublished)

error

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Barker, Timothy (eds.) (2021) Miscommunications: Errors, Mistakes, Media. Thinking Media . Bloomsbury Academic, New York. ISSN 978-1501363856 (Print), 978-1501363832 (Online)

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)

ethical consumption

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Guillery, Kesia and Andrade Pires, Carlos Eduardo (2022) RADIO GHOST - Lumen Prize Interactive Award. Winner - video submission. [Video]

ethics

Eyborg, Elin, Gandy, Matthew, Ma, Cong, Erwee, Alex, Hoult, Gemma, Athique Winterbottom, Anushka and Angell, Roo (2023) The Gardener not the Garden. [Performance]

eudaimonia

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) Emotional exploration and the eudaimonic gameplay experience: a grounded theory. In: CHI '22: CHI Conference on Human Factors in Computing Systems. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (470). Association of Computing Machinery (ACM), New York, pp. 1-16. ISBN 978-1450391573 (doi:https://doi.org/10.1145/3491102.3502002)

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)

Cole, Tom ORCID: 0000-0001-6031-8377 , Denisova, Alena and Iacovides, Jo (2024) 2nd Eudaimonia in digital games workshop. In: Proceedings of ACM Conference (Conference July 2017, Washington, DC, USA). Association for Computing Machinery (ACM), New York, NY, USA. (In Press) (doi:https://doi.org/10.1145/nnnnnnn.nnnnnnn)

Cole, Tom ORCID: 0000-0001-6031-8377 , Denisova, Alena and Iacovides, Jo (2024) Eudaimonia in digital games workshop. In: Proceedings of ACM Conference (Conference July 2017, Washington, DC, USA. Association for Computing Machinery (ACM), New York, NY, USA. (In Press) (doi:https://doi.org/10.1145/nnnnnnn.nnnnnnn)

Evgenii Bauer

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)

Exhibiting in public spaces

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Interactive video installations in public spaces: Rafael Lozano-Hemmer's Under Scan. In: Crisp, Virginia and Menotti Gonring, Gabriel, (eds.) Besides the Screen: Moving Images through Distribution, Promotion and Curation. Palgrave Macmillan, London & New York, pp. 197-212. ISBN 978-1-137-47101-7

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2017) Space as Methodology: the politics of exhibiting the moving image in public spaces. In: "The Politics of Space and the Humanities", 15-17 December 2017, Thessaloniki, Greece. (Unpublished)

exhibition

Beard, Sophie and Waller, Allyson (2023) Collectarium Lockdown Masks: How do you feel? [Show/Exhibition]

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Ingham, Mark (2011) Mark Ingham, Marilyn Miller and Me 1956-2011. In: Muraben, Billie, (ed.) New Photographic Practices: SCOPE. Camberwell Press, London, UK, p. 24. ISBN 978-0-9536395-9-5

Mann, Tony (2003) [Exhibition review] Keith Tyson at Tate Britain. BSHM Newsletter, 47. pp. 46-47.

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Elevate me later - an analogue sea in a digital world. In: Papadaki, Elena ORCID: 0000-0002-6653-4334 , (ed.) Exhibiting the Analogue / Exhibiting the Digital – afterthoughts on an exhibition. University of Greenwich Galleries, London, pp. 1-5. ISBN 978-0957343047 (In Press)

Papadaki, Elena ORCID: 0000-0002-6653-4334 , Arfaras, Mihalis, Schizakis, Stamatis, Garcia, Carla Ambrósio, Dare, Eleanor, Beveridge, Patrick, Hobbs, James, Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , Menotti, Gabriel, Ploeger, Dani, Samson, Audrey, Borras, Michael (a.k.a. Systaime), Krajewska, Klio and Talbot, Michael ORCID: 0000-0001-7198-1422 (eds.) (2020) Exhibiting the Analogue, Exhibiting the Digital: Afterthoughts on an exhibition. University of Greenwich Galleries / Incandescent Square, London. ISBN 978-0957343047

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

exhibition and online auction

Macdonald, Sarah (2024) "Dry" (Drawing Biennial 2024, Drawing Room, London). [Show/Exhibition]

Macdonald, Sarah (2021) "Set for Two Variation#2" (Drawing Biennial 2021, Drawing Room, London). [Show/Exhibition]

Exhibition catalogue

Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)

Hobbs, James (2020) Moribund State(s) - Exhibition Catalogue/Artist Book. Project 78 Press, UK. ISBN 978-1838133108

exhibition practices

Papadaki, Elena ORCID: 0000-0002-6653-4334 , Arfaras, Mihalis, Schizakis, Stamatis, Garcia, Carla Ambrósio, Dare, Eleanor, Beveridge, Patrick, Hobbs, James, Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , Menotti, Gabriel, Ploeger, Dani, Samson, Audrey, Borras, Michael (a.k.a. Systaime), Krajewska, Klio and Talbot, Michael ORCID: 0000-0001-7198-1422 (eds.) (2020) Exhibiting the Analogue, Exhibiting the Digital: Afterthoughts on an exhibition. University of Greenwich Galleries / Incandescent Square, London. ISBN 978-0957343047

exhibition programme

Waterworth, David (2009) Object as subject. [Show/Exhibition]

Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]

exhibition review

Mann, Tony (1997) Edinburgh in August. The Art Book, 4 (1). pp. 19-20. ISSN 1467-8357 (doi:https://doi.org/10.1111/1467-8357.00003)

exhibitions

Acton, Thomas (2007) Second site. Paradise lost. Open Society Institute / Prestel Publishing, London, UK: New York, pp. 30-32. ISBN 978-3-7913-6145-1

Frith, Ed (2008) Loris Gréaud — french and fanciful. Building Design (1822). p. 21.

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Waterworth, David, Brochard, Yves and McDonald, Roger (2011) On cavity: the language of landscape and the gaps in between. Christian Hidaka: Balanced Rock / Waterfall at the Top of the River. Max Wigram Gallery, London, pp. 23-24. ISBN 9780955971310

Expanded Cinema

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Hobbs, James and Crabbe, Jono (Ojon) (2023) "Nature Morte" and "H(xy)/V(z)=Ø". [Show/Exhibition]

Hobbs, James and Cutler, Amy (2023) "Species Piracy". [Show/Exhibition]

Hobbs, James and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2023) "Polarities/Polaridades". [Show/Exhibition]

Hobbs, James and Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Volstarfel: Sobbing and Moaning. An evening of experimental noise, expanded cinema and performance. [Show/Exhibition]

expanded-archive

Waterworth, David (2020) 10-4. [Show/Exhibition]

Experience

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2022) Screencast videography: understanding experience in the metaverse. In: Future Visualities: Visual Methods & Ethnography in Interdisciplinary Research Symposium, 1st June 2022, Edinburgh Napier University. (Unpublished)

experience design

Kawaf, Fatema ORCID: 0000-0002-7089-7816 , Bruce, Helen, Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110 , Rooney, Tara and Ngwakwe, Amarachi (2022) Using screencast videography as a customer experience and journey mapping tool: a case study. In: 12th Servsig2022, 16th - 18th June 2022, Glasgow, Scotland.

experiential art

Sigthorsson, Gauti (2008) Sensation for sensation's sake: art and the temptation of 'Wow'! Sjonauki. ISSN 1670-7311

experiential marketing

Kohrs, Kirsten ORCID: 0000-0003-4302-833X (2020) The language of luxury fashion advertising: Technology of the self and spectacle. Journal of Fashion Marketing and Management. ISSN 1361-2026 (Print), 1361-2026 (Online) (doi:https://doi.org/10.1108/JFMM-02-2020-0029)

experiment

Mendez Moyano, Francisco (2022) Expatriados. Experimenta (93). pp. 46-47. ISSN 1133-9675

experimental

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) VOID. [Composition]

Experimental animation

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Kanellos, Emmanouil and Young Oh, Min (2024) Experimental animation as pedagogical practice. In: AMPS Proceedings Teaching Beyond The Curriculum: Focus on Pedagogy 2023. Virtual: UK, USA, China, 15th -17th Nov, 2023. Architecture Media Politics Society (AMPS). (In Press)

experimental digital publication

Calle-Gruber, Mireille, Rabourdin, Caroline ORCID: 0000-0002-9694-0384 , Lewis, Sophie and Chrislip, Matthew (2023) The Essay as rewriting. [Artefact]

Experimental film

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]

Hobbs, James (2020) Moribund State(s) - Solo multimedia art exhibition. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.296)

Experimentation

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

extended reality

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)

extending the senses

Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)

extraction

Gillingwater, Alan, Wilson, Henry, Johar, Indy, Gibbons, Johanna, Goldsmith, Simon, Athique Winterbottom, Anushka and Angell, Roo (2022) Oikos = Eco = Our Home. [Performance]

Hugin, Amund, Geros, Christina, Wall, Edward Duncan, Botchway, Larry, Jawareesh, Wattan, Athique Winterbottom, Anushka and Angell, Roo (2022) Intersectional Landscapes. [Performance]

Lakhani, Dilip, Guzzon, Giacomo, Datoo, Iman, Vessey, Samuel, Searle, Sui, Athique Winterbottom, Anushka and Angell, Roo (2022) Native Species. [Performance]

Reeves, Frances, Cullum-Fernandez, Kris, Kombol, Meaghan, McGann, Paul, Khonsari, Torange, Athique Winterbottom, Anushka and Angell, Roo (2022) Citizenships. [Performance]

eye-tracking

Schmitz, Anastasia, Macquarrie, Andrew, Julier, Simon, Binetti, Nicola and Steed, Anthony (2020) Directing versus attracting attention: exploring the effectiveness of central and peripheral cues in panoramic videos. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 63-72. ISBN 978-1728156088 ; 978-1728156095 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR46266.2020.00024)

fandom

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

feasibility study

Cunningham, Stuart and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2015) Second screen comes to the silver screen: a technology feasibility study regarding mobile technologies in the cinema. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 228-232. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317400)

feminism

Berryman, Andrea and Patterson, Jennifer ORCID: 0000-0002-8254-7602 (2012) Why Feminist Art matters now. The F-Word.

Maffioletti, Catherine (2020) Multicomponent Output 1: Hysteria. [Creative Performance or Reading]

Maffioletti, Catherine (2020) Multicomponent Output 2: Hysterical Together. [Creative Performance or Reading]

Feminist Art

Berryman, Andrea and Patterson, Jennifer ORCID: 0000-0002-8254-7602 (2012) Why Feminist Art matters now. The F-Word.

festival

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]

field theory

Murray, Shaun (2022) Drawing architecture. Design Ecologies, 11 (1). pp. 11-33. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:https://doi.org/10.1386/des_00014_1)

film

Cheeseman, Katharine (2012) Roadkiller. [Video]

Fox, Kenneth and Lambirth, Andrew (2012) Film and pedagogy: Learning about teaching at the movies. In: Bahloul, Maher and Graham, Carolyn, (eds.) Lights! Camera! Action and the Brain: The Use of Film in Education. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 61-81. ISBN 9781443836579

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) VOID. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]

Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

Woollard, Christopher C. and Herrero, Juan J. (2004) An information system to exploit the use of metadata within film and television production. Image Technology, 86 (5). pp. 26-32. ISSN 0950-2114

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

Film Artist

Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]

film industry

Dawson, Andrew and Holmes, Sean P. (2012) New perspectives on working in the global film and television industries. Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 1-17. ISBN 9781780930206

Dawson, Andrew and Holmes, Sean P. (eds.) (2012) Working in the global film and television industries: Creativity, systems, space, patronage. Bloomsbury Academic, London, UK. ISBN 9781780930206

film installation

Hobbs, James, Waterworth, David and Kennedy, Stephen (2024) "For Want of (Not) Measuring". [Show/Exhibition]

Film laboratories

Dawson, Andrew and Holmes, Sean P. (2014) Culture, Creativity and Disappearing Celluloid. [Video]

film review

Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Young Oh, Min (2023) Chicken Run: Dawn of the Nugget is a fast-paced slapstick extravaganza. The Conversation. ISSN 2201-5639

film studies

Dawson, Andrew (2010) Crossing disciplinary borders: history and film studies. In: Teaching visual sources, 12 March 2010, University of Manchester. (Unpublished)

films

Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Young Oh, Min (2023) Chicken Run: Dawn of the Nugget is a fast-paced slapstick extravaganza. The Conversation. ISSN 2201-5639

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

Ingham, Mark (2010) Never judge a book by its movie. In: Inspiring Learners: Equipping the Next Generation of Graduates, 6 July 2010, University of Greenwich. (Unpublished)

Mann, Tony (1995) [Book review] Cindy Sherman 1975-1993. The Art Book, 2 (2). p. 34. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2022) On a Lighter Note! New Law Journal, 172 (8006). p. 22. ISSN 0306-6479 (Print), 2046-2239 (Online)

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2021) Top 10 classic Law films. New Law Journal, 171 (7959). pp. 21-22. ISSN 0306-6479 (Print), 2046-2239 (Online)

fine art

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

first-person representations

Lawal, Raheem A., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Gent, Darrenlloyd (2023) Representing amphibian perspectives in a 3D game engine. In: Proceedings of EVA London 2023 (EVA 2023). Electronic Workshops in Computing . BCS Learning and Development Ltd, Arts BCS London Office London, UK, pp. 233-235. (doi:https://doi.org/10.14236/ewic/EVA2023.42)

flexible specialisation

Dawson, Andrew (2010) ’Flexible Specialisation’ and New Hollywood: Time for a Paradigm Shift? In: 8th European Social Science History Conference, 13-16 Apr 2010, Ghent, Belgium. (Unpublished)

Dawson, Andrew (2012) Labouring in Hollywood’s motion picture industry and the promise of ‘flexible specialisation’. In: Dawson, Andrew and Holmes, Sean P., (eds.) Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 21-38. ISBN 9781780930206

fluxus

Bowie, Laura ORCID: 0000-0002-9084-2142 (2017) W(al)king through trauma: Wolf Vostell and West Berlin in the 1960s. Canvas, 4. pp. 16-19.

Food-led art

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

Fordism

Dawson, Andrew (2010) ’Flexible Specialisation’ and New Hollywood: Time for a Paradigm Shift? In: 8th European Social Science History Conference, 13-16 Apr 2010, Ghent, Belgium. (Unpublished)

Dawson, Andrew (2012) Labouring in Hollywood’s motion picture industry and the promise of ‘flexible specialisation’. In: Dawson, Andrew and Holmes, Sean P., (eds.) Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 21-38. ISBN 9781780930206

Forest

Wall, Edward Duncan and Withers, Simon ORCID: 0000-0002-0203-359X (2024) Part Forest. [Show/Exhibition]

forging of future possibilities

Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Poem. [Artefact]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Trainscape. [Artefact]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) (in)visible. [Artefact]

fractal philosophy

Golding, Johnny (2012) Ana-materialism and the Pineal Eye: Becoming mouth-breast (or visual arts after Descartes, Bataille, Butler, Deleuze and Synthia with an ‘s’). Philosophy of Photography, 3 (1). pp. 99-120. ISSN 2040-3682 (Print), 2040-3690 (Online) (doi:https://doi.org/10.1386/pop.3.1.99_1)

Fred Scott

Frith, Ed (2008) On altering architecture by Fred Scott. The Architects' Journal. pp. 12-13. ISSN 0003-8466

free-viewpoint video

Macquarrie, Andrew and Steed, Anthony (2020) Investigating the perceived strengths and limitations of Free-Viewpoint Video (FVV). Frontiers in Virtual Reality, 1 (11). ISSN 2673-4192 (Online) (doi:https://doi.org/10.3389/frvir.2020.00011)

free-viewpoint video production

Macquarrie, Andrew and Steed, Anthony (2020) Exploring the use of skeletal tracking for cheaper motion graphs and on-set decision making in Free-Viewpoint Video production. In: CVMP '20: European Conference on Visual Media Production. Virtual Event, United Kingdom. December 7 - 8 2020. Association for Computing Machinery (ACM), New York, United States, pp. 1-10. ISBN 978-1450381987 (doi:https://doi.org/10.1145/3429341.3429353)

freelancers

Mould, Oli, Vorley, Tim and Liu, Kai (2014) Invisible creativity? Highlighting the hidden impact of freelancing in London's creative industries. European Planning Studies, 22 (12). pp. 2436-2455. ISSN 0965-4313 (Print), 1469-5944 (Online) (doi:https://doi.org/10.1080/09654313.2013.790587)

French literature

Calle-Gruber, Mireille, Rabourdin, Caroline ORCID: 0000-0002-9694-0384 , Lewis, Sophie and Chrislip, Matthew (2023) The Essay as rewriting. [Artefact]

freshwater fauna

Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2018) The Cosmic Pond - REF documentation. [Show/Exhibition]

functional

Cole, Thomas ORCID: 0000-0001-6031-8377 , Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)

future

Adil, A (2009) Becoming the future now. [Creative Performance or Reading]

future human

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]

future legacies

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Love After Death (2016 - 2018). [Show/Exhibition]

game AI

Pyjas, Gabriela Maria, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Broadhead, Martyn (2022) Storytelling and VR: ιnducing emotions through AI characters. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 194-204. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.37)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2024) The senses beyond: new directions in game engine experiences. In: Giannini, Tula and Bowen, Jonathan P., (eds.) The Arts and Computational Culture: Real and Virtual Worlds. Springer Series on Cultural Computing (SSCC) . Springer, Cham, Switzerland. ISBN 978-3031538643; 978-3031538674; 978-3031538650 (In Press)

game audio

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2024) The senses beyond: new directions in game engine experiences. In: Giannini, Tula and Bowen, Jonathan P., (eds.) The Arts and Computational Culture: Real and Virtual Worlds. Springer Series on Cultural Computing (SSCC) . Springer, Cham, Switzerland. ISBN 978-3031538643; 978-3031538674; 978-3031538650 (In Press)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2017) Simulating auditory hallucinations in a video game: three prototype mechanisms. In: AM '17: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-5373-1 (doi:https://doi.org/10.1145/3123514.3123532)

game design

Cunningham, Stuart, Henry, John and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Augmenting virtual spaces: affective feedback in computer games. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 229-247. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_13)

game engines

Lawal, Raheem A., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Gent, Darrenlloyd (2023) Representing amphibian perspectives in a 3D game engine. In: Proceedings of EVA London 2023 (EVA 2023). Electronic Workshops in Computing . BCS Learning and Development Ltd, Arts BCS London Office London, UK, pp. 233-235. (doi:https://doi.org/10.14236/ewic/EVA2023.42)

Rodney, Ross, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Broadhead, Martyn (2023) Retro stylistic transformations in games. In: Proceedings of EVA London 2023. BCS London 10th – 14th July 2023. Electronic Workshops in Computing . EVA London Electronic Visualisation and the Arts - BCS Learning and Development Ltd., Arts BCS London Office, London and Swindon, pp. 240-242. ISBN 978-1780176161 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2023.44)

game mechanics

McIntosh, Tyler Howard, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2022) Lundheim: exploring affective audio techniques in an action-adventure video game. In: AM '22: Proceedings of the 17th International Audio Mostly Conference. AudioMostly 2022 St. Pölten Austria September 6 - 9, 2022. AudioMostly 2022 . Association for Computing Machinery (ACM), New York, pp. 155-158. ISBN 978-1450397018; (doi:https://doi.org/10.1145/3561212.3561234)

game-design

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

gameplay

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) Emotional exploration and the eudaimonic gameplay experience: a grounded theory. In: CHI '22: CHI Conference on Human Factors in Computing Systems. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (470). Association of Computing Machinery (ACM), New York, pp. 1-16. ISBN 978-1450391573 (doi:https://doi.org/10.1145/3491102.3502002)

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)

games

Cole, Tom ORCID: 0000-0001-6031-8377 , Denisova, Alena and Iacovides, Jo (2024) 2nd Eudaimonia in digital games workshop. In: Proceedings of ACM Conference (Conference July 2017, Washington, DC, USA). Association for Computing Machinery (ACM), New York, NY, USA. (In Press) (doi:https://doi.org/10.1145/nnnnnnn.nnnnnnn)

Cole, Tom ORCID: 0000-0001-6031-8377 , Denisova, Alena and Iacovides, Jo (2024) Eudaimonia in digital games workshop. In: Proceedings of ACM Conference (Conference July 2017, Washington, DC, USA. Association for Computing Machinery (ACM), New York, NY, USA. (In Press) (doi:https://doi.org/10.1145/nnnnnnn.nnnnnnn)

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

Stenros, Jaakko, Simon, Bart, Hughes, Lynn, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2021) Understanding Liveness in immersive theatre, LARP and Games. In: DIGRA 2022, 7th - 11th July 2022, Krakow, Poland. (Unpublished)

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]

games for change

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Guillery, Kesia and Andrade Pires, Carlos Eduardo (2022) RADIO GHOST - Lumen Prize Interactive Award. Winner - video submission. [Video]

gaming

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]

garden history

Turner, Tom (1986) English garden design: history and style since 1650. Antique Collectors' Club Ltd., Woodbridge, England. ISBN 978-0907462255

gardens and outdoor spaces

Campbell, Sarah ORCID: 0000-0002-2920-7318 , Clark, Andrew ORCID: 0000-0001-8660-8815 , Keady, John ORCID: 0000-0001-8243-6913 , Manji, Kainde, Odzakovic, Elzana, Rummery, Kirstein and Ward, Richard (2023) ‘I can see what's going on without being nosey…’: What matters to people living with dementia about home as revealed through visual home tours. International Journal of Geriatric Psychiatry, 38 (9):e5999. pp. 1-12. ISSN 0885-6230 (Print), 1099-1166 (Online) (doi:https://doi.org/10.1002/gps.5999)

gaze perception

MacQuarrie, Andrew and Steed, Anthony (2019) Perception of volumetric characters' eye-gaze direction in head-mounted displays. In: 2019 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). Osaka, Japan. 23-27 March 2019. IEEE Xplore . IEEE, Piscataway, New York, pp. 645-654. ISBN 978-1728113777 ; 978-1728113784 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR.2019.8797852)

Gelitin

Sigthorsson, Gauti (2008) Sensation for sensation's sake: art and the temptation of 'Wow'! Sjonauki. ISSN 1670-7311

gender

Dawson, Andrew (2011) Book review: NYSTROM, DEREK. Hard Hats, Rednecks, and Macho Men. Class in 1970s American Cinema. Oxford University Press, Oxford [etc.] 2009. x, 251 pp.Ill. $24.95; doi:10.1017/S0020859011000137. International Review of Social History, 56 (10). pp. 160-162. ISSN 0020-8590 (Print), 1469-512X (Online) (doi:https://doi.org/10.1017/S0020859011000137)

Dawson, Andrew (2005) Book review: Robert S. Birchard, Cecil B. DeMille's Hollywood (Lexington: University of Kentucky Press, 2004, $39.95). Pp. 446. ISBN 0 8131 2324 0; David W. Menefee, The first female stars: women of the silent era (Westport, CT: Praeger, 2004, $44.95). Pp. 249. ISBN 0 275 98259 9. Journal American Studies, 39 (1). pp. 113-114. ISSN 0021-8758 (Print), 1469-5154 (Online) (doi:https://doi.org/10.1017/S0021875805229584)

Gillingwater, Alan, Wilson, Henry, Johar, Indy, Gibbons, Johanna, Goldsmith, Simon, Athique Winterbottom, Anushka and Angell, Roo (2022) Oikos = Eco = Our Home. [Performance]

Hugin, Amund, Geros, Christina, Wall, Edward Duncan, Botchway, Larry, Jawareesh, Wattan, Athique Winterbottom, Anushka and Angell, Roo (2022) Intersectional Landscapes. [Performance]

Lakhani, Dilip, Guzzon, Giacomo, Datoo, Iman, Vessey, Samuel, Searle, Sui, Athique Winterbottom, Anushka and Angell, Roo (2022) Native Species. [Performance]

Reeves, Frances, Cullum-Fernandez, Kris, Kombol, Meaghan, McGann, Paul, Khonsari, Torange, Athique Winterbottom, Anushka and Angell, Roo (2022) Citizenships. [Performance]

gender representation

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]

Generative

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

generative art

Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2017) Enabling Audiovisual User Interfaces. [Creative Performance or Reading] (Unpublished)

genetic criticism

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)

genre

Naylor, Alex (2011) ‘A horror picture at this time is a very hazardous undertaking’: Did British or American censorship end the 1930s horror cycle? The Irish Journal of Gothic and Horror Studies (9). ISSN 2009-0374

Pallant, Christopher ORCID: 0000-0002-1308-2565 (ed.) (2021) Animation: Critical and Primary Sources. Animation: Critical and Primary Sources, I-IV . Bloomsbury Academic USA, New York. ISBN 978-1501305757; 1501305751

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

gentrification

Brown, Charmaine ORCID: 0000-0002-6471-9706 (2023) Prompts & Logistics: Black Love and/In the City. [Performance] (Unpublished)

Georges Bataille

Stoppani, Teresa (2007) Dust revolutions. Dust, informe, architecture (notes for a reading of dust in Bataille). The Journal of Architecture, 12 (4). 437 - 447. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360701614714)

Geste curatorial

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2016) "Le geste curatorial et les œuvres sur écran - L’évolution d’un néologisme vers une tendance majeure". Proteus (10). pp. 64-70. ISSN 2110-557X (Online)

giclee

Hobbs, James (2023) "Polytechneiou 1 (Cigarettes)", "Polytechneiou 2 (Petals)", "Polytechneiou (Unstable Grids)". [Show/Exhibition]

Gilles Deleuze

Golding, Johnny (2010) Fractal philosophy (and the small matter of learning how to listen): attunement as the task of art. In: Zepke, Stephen and O'Sullivan, Simon, (eds.) Deleuze and Contemporary Art. Deleuze Connections . Edinburgh University Press, Edinburgh, Scotland, pp. 133-154. ISBN 978-0748638376 (hardback), 9780748638383 (paperback),

Giovanni Battista Piranesi

Stoppani, Teresa (2008) Translucent and fluid: Piranesi's impossible plan. In: Frascari, Marco, Hale, Jonathan and Starkey, Bradley, (eds.) From Models to Drawings: imagination and representation in architecture. Critiques . Routledge, London, UK, pp. 99-108. ISBN 978-0-415-48798-6 (pbk) 978-0-415-43113-2 (hbk)

glitch

Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Barker, Timothy (eds.) (2021) Miscommunications: Errors, Mistakes, Media. Thinking Media . Bloomsbury Academic, New York. ISSN 978-1501363856 (Print), 978-1501363832 (Online)

Global television

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282

gong

Hill, Andrew ORCID: 0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]

Graduate exhibition

Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)

Graham and Cook

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)

graphic art

Powers, Alan (2010) Introduction: John Piper in context. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 9-13. ISBN 978-0-9558343-2-5

Graphic Design

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

graphics

Calvert, Sheena (2009) [Un]disciplined gestures and [un]common sense: the sensual, acoustic logic(s) of paradox and art. PhD thesis, University of Greenwich.

Green Screen Keying

Zhi, Jin (2015) An alternative green screen keying method for film visual effects. International Journal of Multimedia and Its Applications, 7 (2). pp. 1-12. ISSN 0975-5934 (Print), 0975-5578 (Online) (doi:https://doi.org/10.5121/ijma.2015.7201)

green space

Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Alleviating digital fatigue through embodied artistic practice and green space. International Journal of Performance Arts and Digital Media. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2024.2305448)

Gregory J. Markopoulos

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:https://doi.org/10.1080/17458927.2015.1042247)

grid effect

Stoppani, Teresa (2007) Grid effect in architecture. In: Defining Space International Interdisciplinary Conference UCD, 11-13 Oct 2007, Dublin. (Unpublished)

Grotowski

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

grounded theory

Cole, Thomas ORCID: 0000-0001-6031-8377 , Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) Emotional exploration and the eudaimonic gameplay experience: a grounded theory. In: CHI '22: CHI Conference on Human Factors in Computing Systems. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (470). Association of Computing Machinery (ACM), New York, pp. 1-16. ISBN 978-1450391573 (doi:https://doi.org/10.1145/3491102.3502002)

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) More than a bit of coding: (un-)Grounded (non-)Theory in HCI. In: CHI EA '22: CHI Conference on Human Factors in Computing Systems Extended Abstracts. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (11). Association of Computing Machinery (ACM), New York, pp. 1-11. ISBN 978-1450391566 (doi:https://doi.org/10.1145/3491101)

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)

Cole, Tom ORCID: 0000-0001-6031-8377 and Salisbury, John Hamon (2016) Grounded Theory in games research: making the case and exploring the options. In: DIGRA/FDG '16 - Proceedings of the First International Joint conference of DIGRA and FDG. Digital Games Research Association, Finland. ISBN 2342-9666

group show

Waterworth, David (2008) Embedded [Group Show]. [Show/Exhibition]

guerrilla marketing

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2020) How ambient advertising is uniquely placed to make audiences think. Westminster Papers in Communication and Culture, 15 (2). pp. 95-111. ISSN 1744-6716 (Online) (doi:https://doi.org/10.16997/wpcc.346)

guiding attention

Schmitz, Anastasia, Macquarrie, Andrew, Julier, Simon, Binetti, Nicola and Steed, Anthony (2020) Directing versus attracting attention: exploring the effectiveness of central and peripheral cues in panoramic videos. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 63-72. ISBN 978-1728156088 ; 978-1728156095 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR46266.2020.00024)

guilt

Cole, Tom ORCID: 0000-0001-6031-8377 (2015) The tragedy of betrayal: how the design of Ico and Shadow of the Colossus elicits emotion. In: DiGRA '15 - Proceedings of the 2015 DiGRA International Conference. Lüneburg, Germany, May 14th - 17th 2015. Digital Games Research Association, Finland. ISSN 2342-9666

H.5.1 [information interfaces and presentation]

Macquarrie, Andrew and Steed, Anthony (2018) The effect of transition type in multi-view 360 media. IEEE Transactions on Visualization and Computer Graphics, 24 (4):17617378. pp. 1564-1573. ISSN 1077-2626 (Print), 1941-0506 (Online) (doi:https://doi.org/10.1109/TVCG.2018.2793561)

hallucination

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)

haptic technology

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]

haptics

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]

haptics virtual physical blending

Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)

Harris-SURF-DCT

Gong, Cheng ORCID: 0000-0002-0666-2529 , Li, Jingbing ORCID: 0000-0001-6636-4710 , Bhatti, Uzair Aslam, Gong, Ming, Ma, Jixin ORCID: 0000-0001-7458-7412 , Huang, Mengxing and Xue, Xingsi (2021) Robust and secure zero-watermarking algorithm for medical images based on Harris-SURF-DCT and chaotic map. Security and Communication Networks, 2021:3084153. pp. 1-13. ISSN 1939-0114 (Print), 1939-0122 (Online) (doi:https://doi.org/10.1155/2021/3084153)

Harvard

Wall, Edward Duncan and Withers, Simon ORCID: 0000-0002-0203-359X (2024) Part Forest. [Show/Exhibition]

hbim

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)

HCI

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) More than a bit of coding: (un-)Grounded (non-)Theory in HCI. In: CHI EA '22: CHI Conference on Human Factors in Computing Systems Extended Abstracts. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (11). Association of Computing Machinery (ACM), New York, pp. 1-11. ISBN 978-1450391566 (doi:https://doi.org/10.1145/3491101)

Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2017) Enabling Audiovisual User Interfaces. [Creative Performance or Reading] (Unpublished)

Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2019) Moving Digits: Augmented Dance for Engaged Audience. [Creative Performance or Reading] (Unpublished)

head-mounted display

Schmitz, Anastasia, Macquarrie, Andrew, Julier, Simon, Binetti, Nicola and Steed, Anthony (2020) Directing versus attracting attention: exploring the effectiveness of central and peripheral cues in panoramic videos. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 63-72. ISBN 978-1728156088 ; 978-1728156095 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR46266.2020.00024)

health and illness discourses

Patterson, Jennifer ORCID: 0000-0002-8254-7602 (ed.) (2016) The Association for Medical Humanities International Journal: Body Talk: Whose Language? (2016 Conference Abstracts). The Association for Medical Humanities, The University of Greenwich. ISBN 978-0995519305 ISSN 2398-6395

health and wellbeing

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]

health simulation

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]

Henri Bergson

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)

heritage buildings

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyros ORCID: 0000-0001-6122-8701 (2022) Challenges of digital building data usage with a focus on the digital documentation of heritage buildings: results from an online survey. Heritage, 5 (4). pp. 3220-3259. ISSN 2571-9408 (Online) (doi:https://doi.org/10.3390/heritage5040166)

historiography

Dawson, Andrew (2010) Crossing disciplinary borders: history and film studies. In: Teaching visual sources, 12 March 2010, University of Manchester. (Unpublished)

Dawson, Andrew (2010) ’Flexible Specialisation’ and New Hollywood: Time for a Paradigm Shift? In: 8th European Social Science History Conference, 13-16 Apr 2010, Ghent, Belgium. (Unpublished)

Dawson, Andrew (2012) Labouring in Hollywood’s motion picture industry and the promise of ‘flexible specialisation’. In: Dawson, Andrew and Holmes, Sean P., (eds.) Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 21-38. ISBN 9781780930206

history

Bowie, Laura ORCID: 0000-0002-9084-2142 (2022) Book review Photographs and the practice of history: a short primer by Elizabeth Edwards, London, Bloomsbury Academic, 2022, 166 pp., £18 (paperback). Planning Perspectives, 37 (5). pp. 1109-1112. ISSN 0266-5433 (Print), 1466-4518 (Online) (doi:https://doi.org/10.1080/02665433.2022.2111126)

Bowie, Laura ORCID: 0000-0002-9084-2142 (2013) The Rote Armee Fraktion: memory and the construction of art, film and literature. eSharp, 20:1. pp. 1-18.

Calvert, Sheena (2009) [Un]disciplined gestures and [un]common sense: the sensual, acoustic logic(s) of paradox and art. PhD thesis, University of Greenwich.

Dawson, Andrew (2010) Crossing disciplinary borders: history and film studies. In: Teaching visual sources, 12 March 2010, University of Manchester. (Unpublished)

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

McClean, Mairead (2008) Bell(a)exchange II. [Show/Exhibition]

Pallant, Chris ORCID: 0000-0002-1308-2565 and Holliday, Christopher (2024) Lucas meets Luxo: Lucasfilm’s Computer Graphics Lab (CGL) and the development of Pixar Animation Studios. In: Ravalli, Richard, (ed.) Lucas: His Hollywood Legacy. University Press of Kentucky. ISBN 978-0813198781 (In Press)

Pallant, Christopher ORCID: 0000-0002-1308-2565 and Holliday, Christopher (eds.) (2022) Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Bloomsbury Open Access, Film & Media Studies 2023 . Bloomsbury Academic, New York. ISBN 978-1501373961; 978-1501351228; 978-1501351204; 978-1501351211

Hobbs

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]

Hollywood

Dawson, Andrew (2012) Challenging lilywhite Hollywood: African Americans and the demand for racial equality in the motion picture industry, 1963-1974. The Journal of Popular Culture, 45 (6). pp. 1206-1225. ISSN 0022-3840 (Print), 1540-5931 (Online) (doi:https://doi.org/10.1111/jpcu.12005)

Naylor, Alex (2011) ‘A horror picture at this time is a very hazardous undertaking’: Did British or American censorship end the 1930s horror cycle? The Irish Journal of Gothic and Horror Studies (9). ISSN 2009-0374

home invasion

Fiddler, Michael ORCID: 0000-0002-0695-6770 (2013) Playing funny games in the last house on the left: the uncanny and the ‘home invasion’ genre. Crime, Media, Culture, 9 (3). pp. 281-299. ISSN 1741-6590 (Print), 1741-6604 (Online) (doi:https://doi.org/10.1177/1741659013511833)

home neighbourhood

Campbell, Sarah ORCID: 0000-0002-2920-7318 , Clark, Andrew ORCID: 0000-0001-8660-8815 , Keady, John ORCID: 0000-0001-8243-6913 , Manji, Kainde, Odzakovic, Elzana, Rummery, Kirstein and Ward, Richard (2023) ‘I can see what's going on without being nosey…’: What matters to people living with dementia about home as revealed through visual home tours. International Journal of Geriatric Psychiatry, 38 (9):e5999. pp. 1-12. ISSN 0885-6230 (Print), 1099-1166 (Online) (doi:https://doi.org/10.1002/gps.5999)

home tours

Campbell, Sarah ORCID: 0000-0002-2920-7318 , Clark, Andrew ORCID: 0000-0001-8660-8815 , Keady, John ORCID: 0000-0001-8243-6913 , Manji, Kainde, Odzakovic, Elzana, Rummery, Kirstein and Ward, Richard (2023) ‘I can see what's going on without being nosey…’: What matters to people living with dementia about home as revealed through visual home tours. International Journal of Geriatric Psychiatry, 38 (9):e5999. pp. 1-12. ISSN 0885-6230 (Print), 1099-1166 (Online) (doi:https://doi.org/10.1002/gps.5999)

honeymoon

Ingham, Mark (2011) A portrait of Marilyn Miller and me 5611. [Artefact]

horizon line

Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Dissolving the Horizon Line: navigating disruption caused by AI manipulation of images. Body, Space and Technology, 23 (1). pp. 1-26. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.11214)

horror censorship

Naylor, Alex (2011) ‘A horror picture at this time is a very hazardous undertaking’: Did British or American censorship end the 1930s horror cycle? The Irish Journal of Gothic and Horror Studies (9). ISSN 2009-0374

housing struggle

Rossi, Guglielmo ORCID: 0000-0002-7850-6904 (2023) The housing movement: illustrations from the archive. Colouring In, 3 (9). pp. 95-98. ISSN 2752-9533

human computer interaction

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) More than a bit of coding: (un-)Grounded (non-)Theory in HCI. In: CHI EA '22: CHI Conference on Human Factors in Computing Systems Extended Abstracts. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (11). Association of Computing Machinery (ACM), New York, pp. 1-11. ISBN 978-1450391566 (doi:https://doi.org/10.1145/3491101)

human interaction/interface

Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2022) GROUPTHINK: telepresence and agency during Live performance. Proceedings of the ACM on Computer Graphics and Interactive Techniques, 5 (4):39. pp. 1-10. ISSN 2577-6193 (Online) (doi:https://doi.org/10.1145/3533610)

human traces

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 1. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 2. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 3. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:https://doi.org/10.14236/ewic/EVA2018.70)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Document of Singing Light 1 installation. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2014) Horizon. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Reservoir. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Shadow Sounds 1. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Sky 2. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Song Series Animacy. [Video]

humanities

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584

hybrid exhibition

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Almena, Maria and Shemza, Aphra (2022) Transformations - Hybrid exhibition and event - curated by Dr. Oliver Gingrich, Maria Almena and Aphra Shemza featuring Analema Group's KIMA Colour, KIMA Voice and KIMA Noise and Oliver Gingrich & Shama Rahman's Zeitgeist. [Show/Exhibition]

Hybrid Exhibition - Media Art - Participatory Art

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Almena, Maria and Shemza, Aphra (2022) Access all areas: hybrid exhibition at British Computer Society. [Show/Exhibition]

hybrid media

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

hybrid presence

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]

hydrogen alpha

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

hydrophone

Thompson, Ian ORCID: 0000-0002-7143-8013 and Sparkes, Sarah (2018) The Cosmic Pond - REF documentation. [Show/Exhibition]

Hélène Cixous

Calle-Gruber, Mireille, Rabourdin, Caroline ORCID: 0000-0002-9694-0384 , Lewis, Sophie and Chrislip, Matthew (2023) The Essay as rewriting. [Artefact]

ICA

Frith, Ed (2008) Loris Gréaud — french and fanciful. Building Design (1822). p. 21.

Ico

Cole, Tom ORCID: 0000-0001-6031-8377 (2015) The tragedy of betrayal: how the design of Ico and Shadow of the Colossus elicits emotion. In: DiGRA '15 - Proceedings of the 2015 DiGRA International Conference. Lüneburg, Germany, May 14th - 17th 2015. Digital Games Research Association, Finland. ISSN 2342-9666

ideas development

Oyebanjo, Anuoluwapo Olufunke ORCID: 0000-0002-6655-9726 , Brown, Lucy and Davies, Rosamund ORCID: 0000-0001-8645-8271 (2021) Teaching media production: understanding unconscious bias in creative idea development. Media Education Research Journal, 10 (1&2). pp. 1-11. ISSN 2754-0073 (Online) (doi:https://doi.org/10.5281/zenodo.5763747)

identity

Adil, Alev (2011) Memory in the dead zone. [Creative Performance or Reading]

Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)

Finkelstein, Joanne (2010) Fashioned identity and the unreliable image. Critical Studies in Fashion and Beauty, 1 (2). pp. 153-163. ISSN 2040-4417 (doi:https://doi.org/10.1386/csfb.1.2.161_1)

McClean, Mairead (2008) Bell(a)Exchange III. [Show/Exhibition]

McClean, Mairead (2008) Bell(a)exchange II. [Show/Exhibition]

Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)

Waterworth, David (2008) Seeing ourselves. [Show/Exhibition]

identity politics

Pallant, Christopher ORCID: 0000-0002-1308-2565 (ed.) (2021) Animation: Critical and Primary Sources. Animation: Critical and Primary Sources, I-IV . Bloomsbury Academic USA, New York. ISBN 978-1501305757; 1501305751

ideology

Fox, Kenneth and Lambirth, Andrew (2012) Film and pedagogy: Learning about teaching at the movies. In: Bahloul, Maher and Graham, Carolyn, (eds.) Lights! Camera! Action and the Brain: The Use of Film in Education. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 61-81. ISBN 9781443836579

illustration

Powers, Alan (2010) Benjamin Britten, Piper and Aldeburgh. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 130-135. ISBN 978-0-9558343-2-5

image

Finkelstein, Joanne (2010) Fashioned identity and the unreliable image. Critical Studies in Fashion and Beauty, 1 (2). pp. 153-163. ISSN 2040-4417 (doi:https://doi.org/10.1386/csfb.1.2.161_1)

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Hobbs, James and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2023) "Polarities/Polaridades". [Show/Exhibition]

Hobbs, James and Vari, Mhairi (2023) Sound/Image 2023 Exhibition. Curated by Jim Hobbs & Mhairi Vari. [Show/Exhibition]

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

image communication

Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2021) Deep-NC: a secure image transmission using deep learning and network coding. Signal Processing: Image Communication, 99:116490. ISSN 0923-5965 (doi:https://doi.org/10.1016/j.image.2021.116490)

Image manipulation

Macquarrie, Andrew and Steed, Anthony (2015) Object removal in panoramic media. In: CVMP '15: Proceedings of the 12th European Conference on Visual Media Production. ACM Digital Library (2). Association for Computing Machinery (ACM), New York, United States, pp. 1-10. ISBN 978-1450335607 (doi:https://doi.org/10.1145/2824840.2824844)

image security

Vien, Quoc-Tuan, Nguyen, Tuan ORCID: 0000-0003-0055-8218 and Nguyen, Huan (2021) A lightweight secure image super resolution using network coding. In: Proceedings of the 16th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications. 8-11 Feb 2021. Vienna, Austria. VISIGRAPP, 4 . SCITEPRESS, Setúbal, Portugal, pp. 653-660. ISBN 978-9897584886 ISSN 2184-4321 (doi:https://doi.org/10.5220/0010212406530660)

image segmentation

Lin, Wenguang, Yan, Wenchao, Chen, Zhizhen and Xiao, Renbin (2023) Research on product appearance patent spatial shape recognition for multi-image feature fusion. Multimedia Tools and Applications. ISSN 1380-7501 (Print), 1573-7721 (Online) (doi:https://doi.org/10.1007/s11042-023-16477-5)

immanence

Golding, Sue (2009) Trembling the plane of immanence: media arts philosophy and the re-vision of art (or what’s acoustics got to do with the visual?). In: Invited lecture, February, 2009, Royal Academy of Art. (Unpublished)

Immersion

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]

Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Alleviating digital fatigue through embodied artistic practice and green space. International Journal of Performance Arts and Digital Media. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2024.2305448)

immersive

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

Maravala, Persis Jadé and Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Post-immersive interventions with ZU-UK. In: Bucknall, Joanna Jayne, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury - Methuen Drama, London, pp. 151-176. ISBN 978-1350269330

Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Vision freed from frozen cyclops: interacting with visual media, an artistic, critical and technical practice exploring spatial depth. Body Space Technology, 22 (1). pp. 168-189. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9715)

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]

immersive exhibition practices

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Re-mapping the territory: immersive exhibition practices in the expanded field. Gramma, 27. ISSN 2529-1793 (Online) (doi:https://doi.org/10.26262/gramma.v27i0.8990)

immersive experience

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]

immersive experiences

Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)

immersive media

Hill, Andrew ORCID: 0000-0003-1521-0396 , Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

immersive practices

Broadhurst, Susan, Papadaki, Elena ORCID: 0000-0002-6653-4334 , Ploeger, Dani, Goddard, Michael N., O'Brien, Sarah, Taiwo, Olu, Schellewald, Andreas, Chan, Melanie, Lewis, Matt, Dziekan, Vince, Giannachi, Gabriella, Nolasco-Rózsás, Lívia, Katan-Schmid, Einav, Meseguer, Rosell, Borges, Cândida, Vélez, Gabriel Mario, DeLappe, Joseph, Caerols Mateo, Raquel, Kelomees, Raivo, Guljajeva, Varvara, Laas, Oliver, Riegel, Christian, Robinson, Katherine M., Richards, Grayson, Desnoyers-Stewart, John, Smith, Megan L., Riecke, Bernhard E., Dare, Eleanor, Berezina-Blackburn, Vita, Oliszewski, Alex and Mcgarrigle, Conor (eds.) (2020) Radical Immersions: Navigating between virtual/physical environments and information bubbles - DRHA 2019 Conference Proceedings. University of London / DRHA, London. ISBN 978-0900822124; 978-0900822131

immersive theatre

Stenros, Jaakko, Simon, Bart, Hughes, Lynn, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2021) Understanding Liveness in immersive theatre, LARP and Games. In: DIGRA 2022, 7th - 11th July 2022, Krakow, Poland. (Unpublished)

impact

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

implants

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]

Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)

improvisation

Thompson, Ian ORCID: 0000-0002-7143-8013 , Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]

inclusion

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Hignell-Tully, Daniel and Rahman, Shama (2023) Social Flow: social connectedness and flow in participatory art. In: KONFERENZBAND PROCEEDINGS EVA BERLIN 2023: Elektronische Medien & Kunst, Kultur und Historie, 29th Nov - 1st Dec 2023. 27. Berliner Veranstaltung der internationalen EVA-Serie Electronic Media and Visual Arts . Kunstgewerbemuseum am Kulturforum Potsdamer Platz, Berlin Eine Kooperation zwischen der BTU Brandenburgische Technische Universität Cottbus-Senftenberg, den Staatlichen Museen zu Berlin - Preußischer Kulturbesitz, Berlin, pp. 14-25. ISBN 978-3886098910

Papadaki, Elena ORCID: 0000-0002-6653-4334 , Milliken, Sarah ORCID: 0000-0001-7151-8753 , Lammin, Hannah ORCID: 0000-0002-9752-9335 , Athique Winterbottom, Anushka, McArthur, Angela, Rabourdin, Caroline ORCID: 0000-0002-9694-0384 and Isa, Susanne (2023) Embedding equality, diversity and inclusion in the curriculum. In: SHIFT 2023 conference, 11th - 12th January 2023, London, University of Greenwich. (Unpublished)

inclusivity

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2023) New degrees co-created with industry to effect social change. Makings: A Journal Researching the Creative Industries, 4 (1). pp. 1-14. ISSN 2752-3861 (Online)

Indigenous art

Secomb, Linnell (2006) Petyarra and Moffatt: 'Looking from the sky'. Cultural Studies Review, 12 (1). pp. 44-56. ISSN 1446-8123 (Print), 1837-8692 (Online)

induction

Cole, Tom ORCID: 0000-0001-6031-8377 and Salisbury, John Hamon (2016) Grounded Theory in games research: making the case and exploring the options. In: DIGRA/FDG '16 - Proceedings of the First International Joint conference of DIGRA and FDG. Digital Games Research Association, Finland. ISBN 2342-9666

industry collaboration

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2023) New degrees co-created with industry to effect social change. Makings: A Journal Researching the Creative Industries, 4 (1). pp. 1-14. ISSN 2752-3861 (Online)

information system

Woollard, Christopher C. and Herrero, Juan J. (2004) An information system to exploit the use of metadata within film and television production. Image Technology, 86 (5). pp. 26-32. ISSN 0950-2114

Instagram

Siegel, Lauren ORCID: 0000-0003-2117-8492 , Tussyadiah, Iis ORCID: 0000-0003-0729-1712 and Scarles, Caroline ORCID: 0000-0001-8279-3689 (2022) Cyber-physical traveler performances and Instagram travel photography as ideal impression management. Current Issues in Tourism, 26 (14). pp. 2332-2356. ISSN 1368-3500 (Print), 1747-7603 (Online) (doi:https://doi.org/10.1080/13683500.2022.2086451)

installation

Arthur, Mervyn, Baseman, Jordan, Behr, Bernd, Biswas, Sutapa, Chance, Veronique, Cobbing, William, Coldwell, Paul, Cross, David, Dobai, Sarah, Douglas, Lorrice, Drabble, Neil, Gunning, Lucy, Hamann, Sigune, Haywood, Thomas, Ingham, Mark, Kovats, Tania, Lanteri Laura, Jean-Louis, Lebas, Chrystel, Love, Johanna, Mossman, Anna, Newth, Martin, Robertson, Helen, Rowe, Lois, Taylor, Finlay, Treacy, Danny, Wainwright, Chris and Webster, Dave (2011) SCOPE New Photographic Practices. [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

Ingham, Mark (2012) 120 days and nights of staggering and stammering. [Show/Exhibition]

Ingham, Mark (2011) Art takes Miami 2011. In: Aldrich, Jeffrey, (ed.) Art Takes Miami 2011. Artist Wanted, New York, p. 5. ISBN 9780984871803

Ingham, Mark (2011) Mark Ingham: motion and sound winner Scope Miami 2011. SCOPE Miami 2011. Artists Wanted LLC, New York, pp. 46-47. ISBN 9780984871803

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Love After Death (2016 - 2018). [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

installation art

Hobbs, James (2021) "It's all right. I came back.". [Show/Exhibition]

Hobbs, James and Vari, Mhairi (2023) Sound/Image 2023 Exhibition. Curated by Jim Hobbs & Mhairi Vari. [Show/Exhibition]

Ingham, Mark (2008) Ars magna lucis et umbrae. [Show/Exhibition]

Sporton, Gregory and Makiola, Iona (2011) The Watertower: augmented reality gaming for heritage. In: Beale, Katy, (ed.) Museums At Play – Games, Interaction and Learning. MuseumsEtc., Edinburgh, UK and Boston, USA, pp. 347-357. ISBN 9781907697142

Waterworth, David (2023) Not Necessarily in the Right Order. [Show/Exhibition]

Installations

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Institutions et pratiques de l'exposition

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2016) "Le geste curatorial et les œuvres sur écran - L’évolution d’un néologisme vers une tendance majeure". Proteus (10). pp. 64-70. ISSN 2110-557X (Online)

instruction

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Guillery, Kesia and Andrade Pires, Carlos Eduardo (2022) RADIO GHOST - Lumen Prize Interactive Award. Winner - video submission. [Video]

instruction-based

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Guillery, Kesia and Andrade Pires, Carlos Eduardo (2022) RADIO GHOST - Lumen Prize Interactive Award. Winner - video submission. [Video]

instruction-based performance

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]

Interaction

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

interactive

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

Maffioletti, Catherine (2020) Multicomponent Output 1: Hysteria. [Creative Performance or Reading]

Maffioletti, Catherine (2020) Multicomponent Output 2: Hysterical Together. [Creative Performance or Reading]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Vision freed from frozen cyclops: interacting with visual media, an artistic, critical and technical practice exploring spatial depth. Body Space Technology, 22 (1). pp. 168-189. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9715)

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]

Interactive Art

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

Mann, Tony (1995) [Book review] Iterations: The New Image. The Art Book, 2 (2). pp. 32-33. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Interactive video installations in public spaces: Rafael Lozano-Hemmer's Under Scan. In: Crisp, Virginia and Menotti Gonring, Gabriel, (eds.) Besides the Screen: Moving Images through Distribution, Promotion and Curation. Palgrave Macmillan, London & New York, pp. 197-212. ISBN 978-1-137-47101-7

interactive media

Cunningham, Stuart, Henry, John and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Augmenting virtual spaces: affective feedback in computer games. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 229-247. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_13)

interactive music

McIntosh, Tyler Howard, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2022) Lundheim: exploring affective audio techniques in an action-adventure video game. In: AM '22: Proceedings of the 17th International Audio Mostly Conference. AudioMostly 2022 St. Pölten Austria September 6 - 9, 2022. AudioMostly 2022 . Association for Computing Machinery (ACM), New York, pp. 155-158. ISBN 978-1450397018; (doi:https://doi.org/10.1145/3561212.3561234)

interactive technology

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]

interactive theatre

Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]

interdisciplinary

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Interdisciplinary collaboration

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2014) Communicating technology: Interactive design and interdisciplinary collaboration in the digital arts. In: Book of Absracts of DRHA2014: Communication Futures: Connecting Interdisciplinary Design Practices in Arts/Culture, Academia and the Creative Industries. University of Greenwich, pp. 215-216. ISBN 978-1-291-97878-0

interdisciplinary translation

Calle-Gruber, Mireille, Rabourdin, Caroline ORCID: 0000-0002-9694-0384 , Lewis, Sophie and Chrislip, Matthew (2023) The Essay as rewriting. [Artefact]

Interiors

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)

International Alliance of Theatrical Stage Employees

Dawson, Andrew (2012) Challenging lilywhite Hollywood: African Americans and the demand for racial equality in the motion picture industry, 1963-1974. The Journal of Popular Culture, 45 (6). pp. 1206-1225. ISSN 0022-3840 (Print), 1540-5931 (Online) (doi:https://doi.org/10.1111/jpcu.12005)

international exhibition

Hobbs, James and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2023) "Polarities/Polaridades". [Show/Exhibition]

international festival

Wallis, Jillian (2015) Reverie. [Creative Performance or Reading]

internet

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Internet of bodies. UNSPECIFIED. (Unpublished)

internet art

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2024) Theatricality and dissonance: frictions in contemporary networked performance practices. In: Quick, Andrew and Rushton, Richard, (eds.) Theatricality and the Arts Film, Theatre, Art. Edinburgh University Press, Edinburgh, pp. 70-87. ISBN 978-1399511650; 1399511653 (In Press)

interoperability

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyros ORCID: 0000-0001-6122-8701 (2022) Challenges of digital building data usage with a focus on the digital documentation of heritage buildings: results from an online survey. Heritage, 5 (4). pp. 3220-3259. ISSN 2571-9408 (Online) (doi:https://doi.org/10.3390/heritage5040166)

intersubject correlation

Farmer, Harry ORCID: 0000-0002-3684-0605 , Bevan, C. ORCID: 0000-0002-2823-420X , Green, D., Rose, M., Cater, K. ORCID: 0000-0002-3435-2392 and Stanton Fraser, D. ORCID: 0000-0002-3062-731X (2021) Did you see what I saw?: Comparing attentional synchrony during 360° video viewing in head mounted display and tablets. Journal of Experimental Psychology: Applied, 27 (2). pp. 324-337. ISSN 1076-898X (Print), 1939-2192 (Online) (doi:https://doi.org/10.1037/xap0000332)

interview

Critchley, Emily (2010) First Poetry. [Video]

interviews

Zhong, Lina, Xu, Zhongqi, Morrison, Alastair ORCID: 0000-0002-0754-1083 and Li, Yunpeng (2023) Metaverse customer journeys in tourism: building viable virtual worlds. Tourism Review. ISSN 1660-5373 (doi:https://doi.org/10.1108/TR-07-2023-0492)

intimacy

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]

Intimate public

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)

Irene Vrkljan

Bowie, Laura ORCID: 0000-0002-9084-2142 (2020) Berlin not for sale: the film lens as a tool of urban exploration in 1960s West Berlin. Journal of Urban History, 48 (4). pp. 835-860. ISSN 1552-6771 (Print), 0096-1442 (Online) (doi:https://doi.org/10.1177/0096144220953419)

Irish literature

Stabb, Walter (2019) Europe Endless. [Video]

Islamic archaeology

Shokoohy, Mehrdad (2007) The experience of Islamic art on the margins of Islam. Journal of Islamic Studies, 18 (3). pp. 452-458. ISSN 0955-2340 (doi:https://doi.org/10.1093/jis/etm050)

Islamic architecture

Shokoohy, Mehrdad (2007) The experience of Islamic art on the margins of Islam. Journal of Islamic Studies, 18 (3). pp. 452-458. ISSN 0955-2340 (doi:https://doi.org/10.1093/jis/etm050)

Islamic art

Shokoohy, Mehrdad (2007) The experience of Islamic art on the margins of Islam. Journal of Islamic Studies, 18 (3). pp. 452-458. ISSN 0955-2340 (doi:https://doi.org/10.1093/jis/etm050)

Jamaica Inn

Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]

Ingham, Mark (2011) A portrait of Marilyn Miller and me 5611. [Artefact]

Janine Bourriau

Mann, Tony (1995) [Book review] Colour: Art and Science. The Art Book, 2 (2). p. 26. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00263.x)

John Piper

Powers, Alan (2010) Introduction: John Piper in context. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 9-13. ISBN 978-0-9558343-2-5

journal

Crowe, Dan, Sudjic, Deyan, Mendez Moyano, Francisco and Vioque Nguyen, Maria (2023) ANIMA Magazine - Issue One. PORT Publishers, Milano.

Judy Chicago

Berryman, Andrea and Patterson, Jennifer ORCID: 0000-0002-8254-7602 (2012) Why Feminist Art matters now. The F-Word.

Karen Barad

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)

Kathleen Petyarre

Secomb, Linnell (2006) Petyarra and Moffatt: 'Looking from the sky'. Cultural Studies Review, 12 (1). pp. 44-56. ISSN 1446-8123 (Print), 1837-8692 (Online)

Keith Tyson

Mann, Tony (2003) [Exhibition review] Keith Tyson at Tate Britain. BSHM Newsletter, 47. pp. 46-47.

Keywords

Stabb, Walter (2020) Keywords For Today. [Video]

knowledge systems

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2022) "select important things". [Show/Exhibition]

L'écran dans l'espace physique

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2016) "Le geste curatorial et les œuvres sur écran - L’évolution d’un néologisme vers une tendance majeure". Proteus (10). pp. 64-70. ISSN 2110-557X (Online)

labour movement

Dawson, Andrew (2011) Book review: NYSTROM, DEREK. Hard Hats, Rednecks, and Macho Men. Class in 1970s American Cinema. Oxford University Press, Oxford [etc.] 2009. x, 251 pp.Ill. $24.95; doi:10.1017/S0020859011000137. International Review of Social History, 56 (10). pp. 160-162. ISSN 0020-8590 (Print), 1469-512X (Online) (doi:https://doi.org/10.1017/S0020859011000137)

landscape

Athique Winterbottom, Anushka, Angell, Roo, Belfield, Andrew, Gibson, Naomi ORCID: 0009-0003-0309-1905 , O'Callaghan, Mattie and Woodgate, Zanna (2024) How Public is Public? [Performance]

Athique Winterbottom, Anushka, Angell, Roo, Dixit, Mitesh, Paulson, Theo, Wilder, Pete and Heaven, Bryony (2024) Technical Solutionism. [Performance]

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Sonic Wandering in New Landscapes. Gertrude Stein and sonic performativity in Eglė Budvytytė’s Songs from the Compost: mutating bodies, exploding stars. In: Performing Studies international conference (PSi) #28 Uhambo Luyazilawula: Embodied Wandering Practices, 2nd - 5th Aug, 2023, Johannesburg. (Unpublished)

Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]

Murray, Shaun (2022) Drawing architecture. Design Ecologies, 11 (1). pp. 11-33. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:https://doi.org/10.1386/des_00014_1)

Wall, Edward Duncan and Withers, Simon ORCID: 0000-0002-0203-359X (2024) Part Forest. [Show/Exhibition]

landscape painting

Waterworth, David, Brochard, Yves and McDonald, Roger (2011) On cavity: the language of landscape and the gaps in between. Christian Hidaka: Balanced Rock / Waterfall at the Top of the River. Max Wigram Gallery, London, pp. 23-24. ISBN 9780955971310

landscape race

Eyborg, Elin, Gandy, Matthew, Ma, Cong, Erwee, Alex, Hoult, Gemma, Athique Winterbottom, Anushka and Angell, Roo (2023) The Gardener not the Garden. [Performance]

Gillingwater, Alan, Wilson, Henry, Johar, Indy, Gibbons, Johanna, Goldsmith, Simon, Athique Winterbottom, Anushka and Angell, Roo (2022) Oikos = Eco = Our Home. [Performance]

Hugin, Amund, Geros, Christina, Wall, Edward Duncan, Botchway, Larry, Jawareesh, Wattan, Athique Winterbottom, Anushka and Angell, Roo (2022) Intersectional Landscapes. [Performance]

Lakhani, Dilip, Guzzon, Giacomo, Datoo, Iman, Vessey, Samuel, Searle, Sui, Athique Winterbottom, Anushka and Angell, Roo (2022) Native Species. [Performance]

Reeves, Frances, Cullum-Fernandez, Kris, Kombol, Meaghan, McGann, Paul, Khonsari, Torange, Athique Winterbottom, Anushka and Angell, Roo (2022) Citizenships. [Performance]

landscapes

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Previsualisations. ‘they are just there’: Gertrude Stein’s ‘Landscapes’ and their finite possibilities. In: London Conference in Critical Thought 2023, 30th Jun - 1st Jul, 2023, School of Social Sciences and Professions, London Metropolitan University, London.

LARP

Stenros, Jaakko, Simon, Bart, Hughes, Lynn, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2021) Understanding Liveness in immersive theatre, LARP and Games. In: DIGRA 2022, 7th - 11th July 2022, Krakow, Poland. (Unpublished)

lawyer skills

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2021) Top 10 classic Law films. New Law Journal, 171 (7959). pp. 21-22. ISSN 0306-6479 (Print), 2046-2239 (Online)

Le Corbusier

Stoppani, Teresa (2008) Venetian time and the meander. Log, 12. pp. 131-143. ISSN 1547-4690

learning

Ingham, Mark (2010) Never judge a book by its movie. In: Inspiring Learners: Equipping the Next Generation of Graduates, 6 July 2010, University of Greenwich. (Unpublished)

learning and teaching

Dawson, Andrew (2010) Crossing disciplinary borders: history and film studies. In: Teaching visual sources, 12 March 2010, University of Manchester. (Unpublished)

Lecture

Sporton, Gregory (2017) The Sporton Professorial Inaugural. [Creative Performance or Reading]

Lee Miller

Stacey, Gillian Joyce (2017) Lee Miller. Beyond the muse. A very modern woman: a woman of her time. PhD thesis, University of Greenwich.

legal institutions

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2021) Top 10 classic Law films. New Law Journal, 171 (7959). pp. 21-22. ISSN 0306-6479 (Print), 2046-2239 (Online)

legal theme

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2021) Top 10 classic Law films. New Law Journal, 171 (7959). pp. 21-22. ISSN 0306-6479 (Print), 2046-2239 (Online)

legal themes

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2022) On a Lighter Note! New Law Journal, 172 (8006). p. 22. ISSN 0306-6479 (Print), 2046-2239 (Online)

legal theory

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2021) Top 10 classic Law films. New Law Journal, 171 (7959). pp. 21-22. ISSN 0306-6479 (Print), 2046-2239 (Online)

letterpress printing

Rossi, Guglielmo ORCID: 0000-0002-7850-6904 and Hough, Alex (2023) Learning from the print shop: collaborative design research, making and publishing. [Show/Exhibition]

LiDAR

Kennedy, Stephen and Withers, Simon ORCID: 0000-0002-0203-359X (2023) Articulating peripheral space: new perspectives in digital heritage. In: Heritages Past and Present. Built and Social: A Conference on Culture, History, Art and Design, 28th - 30th June 2023, Czech Technical University, Prague. (Unpublished)

Wall, Edward Duncan and Withers, Simon ORCID: 0000-0002-0203-359X (2024) Part Forest. [Show/Exhibition]

Withers, Simon ORCID: 0000-0002-0203-359X (2023) A carnival of error: synthetic visions of Maritime Greenwich. In: London Conference in Critical Thought 2023, 30th June - 1st July 2023, School of Social Sciences and Professions, London Metropolitan University Holloway Road, London. (Unpublished)

Withers, Simon ORCID: 0000-0002-0203-359X , Hudson, Philip, Kennedy, Stephen and Goodwin, Duncan ORCID: 0000-0003-2524-9059 (2023) Synthetic visions of maritime Greenwich. [Show/Exhibition]

Withers, Simon ORCID: 0000-0002-0203-359X and Kennedy, Stephen (2023) Synthetic visions of UNESCO World Heritage sites. In: VI CHAM International Conference “Heritage for a Common Future / Futures for a Common Heritage”, 12th - 15th July 2023, Lisbon. (Unpublished)

Light

Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)

Lights and shadows

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:https://doi.org/10.1080/17458927.2015.1042247)

Lincoln

Frith, Ed (2008) Ed Frith of Moving Architecture reviews Lincoln School of Architecture’s show. The Architects' Journal.

literature

Frith, Ed and Graef, Alexander (2007) Draw like a builder, build like a writer (and the crack is in the detail). The role of the humanities in design creativity international conference, 15-16 Nov 2007, Lincoln, UK. University of Lincoln, Lincoln. ISBN 9781860502224

live art

Hobbs, James (2021) "It's all right. I came back.". [Show/Exhibition]

Hobbs, James and Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Volstarfel: Sobbing and Moaning. An evening of experimental noise, expanded cinema and performance. [Show/Exhibition]

Live sound editing

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

live visuals

Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2017) Enabling Audiovisual User Interfaces. [Creative Performance or Reading] (Unpublished)

Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)

lived experience

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

liveness

Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2019) Rose Bruford College International Symposium, ‘Interactive experiences: playful junctions and journeys across borders’. In: Rose Bruford College International Symposium, ‘Interactive Experiences: Playful junctions and journeys across borders’, 15th - 17th April 2019, Rose Bruford College, London.

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

Maravala, Persis-Jadé, Cooper, Emma, Van Der Weide, Nadja and Briscoe, Rachel (2022) Sheffield DocFest ‘Alternate realities summit: the art of connection’. [Performance]

Maravala, Persis-Jadé and Guillery, Kesia (2022) ‘Goodnight, sleep tight: Working within a collapsing system’. [Audio]

Stenros, Jaakko, Simon, Bart, Hughes, Lynn, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2021) Understanding Liveness in immersive theatre, LARP and Games. In: DIGRA 2022, 7th - 11th July 2022, Krakow, Poland. (Unpublished)

Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Ben Hur Live as post-cinematic adaptation. Journal of Adaptation in Film & Performance, 15 (1/2). pp. 61-75. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp_00069_1)

lockdown masks

Beard, Sophie and Waller, Allyson (2023) Publishing Participation. [Performance]

London

Frith, Ed (2008) Loris Gréaud — french and fanciful. Building Design (1822). p. 21.

Frith, Ed, O'Carroll, Gerrard, Wilson, Peter and Payne, James (2008) Best in show. Building Design (1827). pp. 20-21.

Holden, Robert (2007) Exhibition. Public city. Architects' Journal, 225 (5). p. 44. ISSN 0003-8466

Mould, Oli, Vorley, Tim and Liu, Kai (2014) Invisible creativity? Highlighting the hidden impact of freelancing in London's creative industries. European Planning Studies, 22 (12). pp. 2436-2455. ISSN 0965-4313 (Print), 1469-5944 (Online) (doi:https://doi.org/10.1080/09654313.2013.790587)

London 2012 Olympics

Liao, Hanwen (2007) London 2012 Olympic development. Urbanism and Architecture, 38 (11). pp. 79-83. ISSN 1673-0232

loneliness

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2019) Rose Bruford College International Symposium, ‘Interactive experiences: playful junctions and journeys across borders’. In: Rose Bruford College International Symposium, ‘Interactive Experiences: Playful junctions and journeys across borders’, 15th - 17th April 2019, Rose Bruford College, London.

Maravala, Persis-Jadé, Cooper, Emma, Van Der Weide, Nadja and Briscoe, Rachel (2022) Sheffield DocFest ‘Alternate realities summit: the art of connection’. [Performance]

Maravala, Persis-Jadé and Guillery, Kesia (2022) ‘Goodnight, sleep tight: Working within a collapsing system’. [Audio]

Loris Gréaud

Frith, Ed (2008) Loris Gréaud — french and fanciful. Building Design (1822). p. 21.

love

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Index of love. [Show/Exhibition]

Lower Silesia

Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)

LUX

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

luxury fashion

Kohrs, Kirsten ORCID: 0000-0003-4302-833X (2020) The language of luxury fashion advertising: Technology of the self and spectacle. Journal of Fashion Marketing and Management. ISSN 1361-2026 (Print), 1361-2026 (Online) (doi:https://doi.org/10.1108/JFMM-02-2020-0029)

machine learning

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Artistic engagements with machine generated voice: Holly Herndon's Holly+ & Jane Frances Dunlop’s select important things. In: Mis/Disinformation and the artifices of authenticity and authentication ICA Pre-Conference, 24th May, 2023, York University, Toronto, Ontario Canada. (Unpublished)

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Multivocal theatricalities: articulating data in composites, choruses, crowds. In: Articulating Data: Multivocal Theatricalities, 11th - 12th May, 2023, Inspace, University of Edinburgh.

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2022) "select important things". [Show/Exhibition]

magazine

Crowe, Dan, Sudjic, Deyan, Mendez Moyano, Francisco and Vioque Nguyen, Maria (2023) ANIMA Magazine - Issue One. PORT Publishers, Milano.

major events strategy

Liao, Hanwen and Isaac, David (2007) Olympic Haussmannization. Urbanism and Architecture, 38 (11). pp. 12-14. ISSN 1673-0232

Manchester

Critchley, Emily (2010) First Poetry. [Video]

Critchley, Emily (2010) Some curious thing. [Video]

Manfredo Tafuri

Stoppani, Teresa (2007) L’histoire assassinée. Manfredo Tafuri and the architecture of the present. In: The Role of the Humanities in Design Creativity, 15-16 Nov 2007, University of Lincoln, UK. (Unpublished)

Stoppani, Teresa (2007) Unfinished business. The historical project after Manfredo Tafuri. In: Rendell, Jane, Hill, Jonathan, Dorrian, Mark and Fraser, Murray, (eds.) Critical architecture. Routledge, London, pp. 22-30. ISBN 9780415415385

Stoppani, Teresa (2007) The building of tension - Manfredo Tafuri's legacy: from operative criticism to historical project, between critical practices and material practices in architecture. In: van Koten, Hamid and Holm, Lorens, (eds.) Reflections on creativity: exploring the role of theory in creative practices. Duncan of Jordanstone College, Dundee, Scotland, UK, pp. 1-17. ISBN 1899837536

Manfredo Tauri

Stoppani, Teresa (2008) Interpreting the Renaissance: princes, cities, architects by Manfredo Tafuri, translated by Daniel Sherer. The Journal of Architecture, 13 (3). pp. 345-354. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360802216997)

mapping identity

Milic, Nela, Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Oh, Jee and Zuabi, Thaer (2011) Mapping and reshaping of cultural identity by digital media [Workshop]. In: ISEA2011: The 17th International Symposium on Electronic Art, 14-21 Sep 2011, Istanbul, Turkey.

Mapplethorpe

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Marilyn Monroe

Arthur, Mervyn, Baseman, Jordan, Behr, Bernd, Biswas, Sutapa, Chance, Veronique, Cobbing, William, Coldwell, Paul, Cross, David, Dobai, Sarah, Douglas, Lorrice, Drabble, Neil, Gunning, Lucy, Hamann, Sigune, Haywood, Thomas, Ingham, Mark, Kovats, Tania, Lanteri Laura, Jean-Louis, Lebas, Chrystel, Love, Johanna, Mossman, Anna, Newth, Martin, Robertson, Helen, Rowe, Lois, Taylor, Finlay, Treacy, Danny, Wainwright, Chris and Webster, Dave (2011) SCOPE New Photographic Practices. [Show/Exhibition]

Ingham, Mark (2012) 120 days and nights of staggering and stammering. [Show/Exhibition]

Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]

Ingham, Mark (2011) A portrait of Marilyn Miller and me 5611. [Artefact]

Maritime Greenwich

Kennedy, Stephen and Withers, Simon ORCID: 0000-0002-0203-359X (2023) Articulating peripheral space: new perspectives in digital heritage. In: Heritages Past and Present. Built and Social: A Conference on Culture, History, Art and Design, 28th - 30th June 2023, Czech Technical University, Prague. (Unpublished)

Withers, Simon ORCID: 0000-0002-0203-359X (2023) A carnival of error: synthetic visions of Maritime Greenwich. In: London Conference in Critical Thought 2023, 30th June - 1st July 2023, School of Social Sciences and Professions, London Metropolitan University Holloway Road, London. (Unpublished)

Withers, Simon ORCID: 0000-0002-0203-359X , Hudson, Philip, Kennedy, Stephen and Goodwin, Duncan ORCID: 0000-0003-2524-9059 (2023) Synthetic visions of maritime Greenwich. [Show/Exhibition]

Withers, Simon ORCID: 0000-0002-0203-359X and Kennedy, Stephen (2023) Synthetic visions of UNESCO World Heritage sites. In: VI CHAM International Conference “Heritage for a Common Future / Futures for a Common Heritage”, 12th - 15th July 2023, Lisbon. (Unpublished)

markerless

Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)

Martin Conway

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

masculinity

Dawson, Andrew (2011) Book review: NYSTROM, DEREK. Hard Hats, Rednecks, and Macho Men. Class in 1970s American Cinema. Oxford University Press, Oxford [etc.] 2009. x, 251 pp.Ill. $24.95; doi:10.1017/S0020859011000137. International Review of Social History, 56 (10). pp. 160-162. ISSN 0020-8590 (Print), 1469-512X (Online) (doi:https://doi.org/10.1017/S0020859011000137)

Material Culture

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2016) Death and Memory in the Twenty-First Century. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities and Sciences. Palgrave Macmillan, London, UK, pp. 113-118. ISBN 9781137520579 (doi:https://doi.org/10.1057/9781137520586_14)

mathematics

Mann, Tony (2003) [Exhibition review] Keith Tyson at Tate Britain. BSHM Newsletter, 47. pp. 46-47.

Matthew Springett

Frith, Ed (2008) Matthew Springett Architects presents models, but no buildings. Building Design (1832). p. 15.

McPherson Report

Waterworth, David (2009) Object as subject. [Show/Exhibition]

meander

Stoppani, Teresa (2008) Venetian time and the meander. Log, 12. pp. 131-143. ISSN 1547-4690

measurement

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

measuring

Hobbs, James, Waterworth, David and Kennedy, Stephen (2024) "For Want of (Not) Measuring". [Show/Exhibition]

Media

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282

Calvert, Sheena (2009) [Un]disciplined gestures and [un]common sense: the sensual, acoustic logic(s) of paradox and art. PhD thesis, University of Greenwich.

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Barker, Timothy (eds.) (2021) Miscommunications: Errors, Mistakes, Media. Thinking Media . Bloomsbury Academic, New York. ISSN 978-1501363856 (Print), 978-1501363832 (Online)

Oyebanjo, Anuoluwapo Olufunke ORCID: 0000-0002-6655-9726 , Brown, Lucy and Davies, Rosamund ORCID: 0000-0001-8645-8271 (2021) Teaching media production: understanding unconscious bias in creative idea development. Media Education Research Journal, 10 (1&2). pp. 1-11. ISSN 2754-0073 (Online) (doi:https://doi.org/10.5281/zenodo.5763747)

Vlachos, Peter ORCID: 0000-0002-4870-9006 (2003) Paint a true picture of art in China. The Guardian. ISSN 0261-3077

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

media art

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Almena, Maria and Shemza, Aphra (2022) Transformations - Hybrid exhibition and event - curated by Dr. Oliver Gingrich, Maria Almena and Aphra Shemza featuring Analema Group's KIMA Colour, KIMA Voice and KIMA Noise and Oliver Gingrich & Shama Rahman's Zeitgeist. [Show/Exhibition]

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Shemza, Aphra and Almena, Maria (2024) TRANSFORMATIONS: Media art between communities and professional practice. In: Giannini, Tula and Bowen, Jonathan P., (eds.) The Arts and Computational Culture: Real and Virtual Worlds. Springer Series on Cultural Computing (SSCC) - Computer Science, Computer Science (R0) . Springer, Cham, Switzerland. ISBN 978-3031538643; 978-3031538674; 978-3031538650; 3031538641 (In Press)

media arts

Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.

Golding, Sue (2009) Trembling the plane of immanence: media arts philosophy and the re-vision of art (or what’s acoustics got to do with the visual?). In: Invited lecture, February, 2009, Royal Academy of Art. (Unpublished)

media arts philosophy literary England performance

Golding, Sue (2010) The Allergic Bodies Conference: Postgraduate/Postdoctoral Research Conference, 2010. In: The Allergic Bodies Postgraduate/Postdoctoral Research Conference, 27 May 2010, University of Greenwich, Maritime Campus.

media culture

Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.

media installation

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2022) "select important things". [Show/Exhibition]

media theory

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2024) Theatricality and dissonance: frictions in contemporary networked performance practices. In: Quick, Andrew and Rushton, Richard, (eds.) Theatricality and the Arts Film, Theatre, Art. Edinburgh University Press, Edinburgh, pp. 70-87. ISBN 978-1399511650; 1399511653 (In Press)

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Barker, Timothy (eds.) (2021) Miscommunications: Errors, Mistakes, Media. Thinking Media . Bloomsbury Academic, New York. ISSN 978-1501363856 (Print), 978-1501363832 (Online)

Medical Humanities

Patterson, Jennifer ORCID: 0000-0002-8254-7602 (ed.) (2016) The Association for Medical Humanities International Journal: Body Talk: Whose Language? (2016 Conference Abstracts). The Association for Medical Humanities, The University of Greenwich. ISBN 978-0995519305 ISSN 2398-6395

medical images

Gong, Cheng ORCID: 0000-0002-0666-2529 , Li, Jingbing ORCID: 0000-0001-6636-4710 , Bhatti, Uzair Aslam, Gong, Ming, Ma, Jixin ORCID: 0000-0001-7458-7412 , Huang, Mengxing and Xue, Xingsi (2021) Robust and secure zero-watermarking algorithm for medical images based on Harris-SURF-DCT and chaotic map. Security and Communication Networks, 2021:3084153. pp. 1-13. ISSN 1939-0114 (Print), 1939-0122 (Online) (doi:https://doi.org/10.1155/2021/3084153)

Yang, Chengshan ORCID: 0000-0003-1926-8798 , Li, Jingbing ORCID: 0000-0001-6636-4710 , Bhatti, Uzair Aslam, Liu, Jing, Ma, Jixin, Huang, Mengxing and Xue, Xingsi (2021) Robust zero watermarking algorithm for medical images based on Zernike-DCT. Security and Communication Networks, 2021:4944797. pp. 1-8. ISSN 1939-0114 (Print), 1939-0122 (Online) (doi:https://doi.org/10.1155/2021/4944797)

meditation

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

Melancholy

Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]

Melodia

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Curating Russian Film for International Audiences. [Show/Exhibition] (Submitted)

memory

Adil, Alev (2011) Memory in the dead zone. [Creative Performance or Reading]

Adil, Alev (2011) MemoryMap [website]. MemoryMap, London, UK.

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)

Bowie, Laura ORCID: 0000-0002-9084-2142 (2013) The Rote Armee Fraktion: memory and the construction of art, film and literature. eSharp, 20:1. pp. 1-18.

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2007) Index of love. [Artefact]

Dawson, Andrew and Holmes, Sean P. (2012) 'Help to preserve the real story of our cinema and television industries': The BECTU History Project and the construction of British media history, 1986–2010. Historical Journal of Film, Radio and Television, 32 (3). pp. 435-448. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2012.699650)

Hobbs, James (2020) Moribund State(s) - Solo multimedia art exhibition. [Show/Exhibition]

Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]

Hobbs, James and Kennedy, Stephen (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

Ingham, Mark (2008) Ars magna lucis et umbrae. [Show/Exhibition]

Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]

McClean, Mairead (2008) Bell(a)Exchange III. [Show/Exhibition]

McClean, Mairead (2008) Bell(a)exchange II. [Show/Exhibition]

Mroz, Matilda (2014) The monument and the sewer: memory and death in Wajda’s Kanal (1957). Historical Journal of Film, Radio and Television, 34 (4). pp. 528-545. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2014.903035)

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2016) Death and Memory in the Twenty-First Century. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities and Sciences. Palgrave Macmillan, London, UK, pp. 113-118. ISBN 9781137520579 (doi:https://doi.org/10.1057/9781137520586_14)

Schmitz, Anastasia, Macquarrie, Andrew, Julier, Simon, Binetti, Nicola and Steed, Anthony (2020) Directing versus attracting attention: exploring the effectiveness of central and peripheral cues in panoramic videos. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 63-72. ISBN 978-1728156088 ; 978-1728156095 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR46266.2020.00024)

Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)

memory theatre

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)

mental healthcare training

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]

metadata

Woollard, Christopher C. and Herrero, Juan J. (2004) An information system to exploit the use of metadata within film and television production. Image Technology, 86 (5). pp. 26-32. ISSN 0950-2114

metamathematics

Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.

metaphor

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Previsualisations. ‘they are just there’: Gertrude Stein’s ‘Landscapes’ and their finite possibilities. In: London Conference in Critical Thought 2023, 30th Jun - 1st Jul, 2023, School of Social Sciences and Professions, London Metropolitan University, London.

metaverse

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]

Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2022) Screencast videography: understanding experience in the metaverse. In: Future Visualities: Visual Methods & Ethnography in Interdisciplinary Research Symposium, 1st June 2022, Edinburgh Napier University. (Unpublished)

Zhong, Lina, Xu, Zhongqi, Morrison, Alastair ORCID: 0000-0002-0754-1083 and Li, Yunpeng (2023) Metaverse customer journeys in tourism: building viable virtual worlds. Tourism Review. ISSN 1660-5373 (doi:https://doi.org/10.1108/TR-07-2023-0492)

method

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)

methodologies

Bowie, Laura ORCID: 0000-0002-9084-2142 (2022) Book review Photographs and the practice of history: a short primer by Elizabeth Edwards, London, Bloomsbury Academic, 2022, 166 pp., £18 (paperback). Planning Perspectives, 37 (5). pp. 1109-1112. ISSN 0266-5433 (Print), 1466-4518 (Online) (doi:https://doi.org/10.1080/02665433.2022.2111126)

methodology

Cole, Tom ORCID: 0000-0001-6031-8377 and Salisbury, John Hamon (2016) Grounded Theory in games research: making the case and exploring the options. In: DIGRA/FDG '16 - Proceedings of the First International Joint conference of DIGRA and FDG. Digital Games Research Association, Finland. ISBN 2342-9666

Dawson, Andrew and Holmes, Sean P. (2012) New perspectives on working in the global film and television industries. Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 1-17. ISBN 9781780930206

Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.

Miami

Ingham, Mark (2011) Art takes Miami 2011. In: Aldrich, Jeffrey, (ed.) Art Takes Miami 2011. Artist Wanted, New York, p. 5. ISBN 9780984871803

MIEB model

Zhong, Lina, Xu, Zhongqi, Morrison, Alastair ORCID: 0000-0002-0754-1083 and Li, Yunpeng (2023) Metaverse customer journeys in tourism: building viable virtual worlds. Tourism Review. ISSN 1660-5373 (doi:https://doi.org/10.1108/TR-07-2023-0492)

Mime

Sporton, Gregory (2016) Review from London International Mime Festival. Scene, 4 (1). pp. 89-90. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.1.89_5)

Mireille Calle-Gruber

Calle-Gruber, Mireille, Rabourdin, Caroline ORCID: 0000-0002-9694-0384 , Lewis, Sophie and Chrislip, Matthew (2023) The Essay as rewriting. [Artefact]

miscommunication

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)

Miscommunications

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Barker, Timothy (eds.) (2021) Miscommunications: Errors, Mistakes, Media. Thinking Media . Bloomsbury Academic, New York. ISSN 978-1501363856 (Print), 978-1501363832 (Online)

mistake

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)

mixed affect

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) Emotional exploration and the eudaimonic gameplay experience: a grounded theory. In: CHI '22: CHI Conference on Human Factors in Computing Systems. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (470). Association of Computing Machinery (ACM), New York, pp. 1-16. ISBN 978-1450391573 (doi:https://doi.org/10.1145/3491102.3502002)

mixed media

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2007) Index of love. [Artefact]

mixed reality

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)

mixed reality set-up

Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)

mobile technologies

Cunningham, Stuart and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2015) Second screen comes to the silver screen: a technology feasibility study regarding mobile technologies in the cinema. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 228-232. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317400)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunnigham, Stuart (2015) Second screen comes to the silver screen: a consumer study regarding mobile technologies in the cinema. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 121-124. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317381)

Monika Oechseler

Waterworth, David (2009) Object as subject. [Show/Exhibition]

MONO NO AWARE

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

Moribund State[s]

Hobbs, James (2020) Moribund State(s) - Exhibition Catalogue/Artist Book. Project 78 Press, UK. ISBN 978-1838133108

Motion

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

Motion capture

Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)

Macquarrie, Andrew and Steed, Anthony (2020) Improving Free-Viewpoint Video content production using RGB-camera-based skeletal tracking. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 774-775. ISBN 978-1728165325 ; 978-1728165332 (doi:https://doi.org/10.1109/VRW50115.2020.00238)

motion capture apparatus

Birmingham City University, Perry Barr, Birmingham, West Midlands B42 2SU (2010) MotivePro: a motion capture apparatus. WO/2010/084348.

motion picture industry

Dawson, Andrew (2011) Book review: NYSTROM, DEREK. Hard Hats, Rednecks, and Macho Men. Class in 1970s American Cinema. Oxford University Press, Oxford [etc.] 2009. x, 251 pp.Ill. $24.95; doi:10.1017/S0020859011000137. International Review of Social History, 56 (10). pp. 160-162. ISSN 0020-8590 (Print), 1469-512X (Online) (doi:https://doi.org/10.1017/S0020859011000137)

Dawson, Andrew (2005) Book review: Robert S. Birchard, Cecil B. DeMille's Hollywood (Lexington: University of Kentucky Press, 2004, $39.95). Pp. 446. ISBN 0 8131 2324 0; David W. Menefee, The first female stars: women of the silent era (Westport, CT: Praeger, 2004, $44.95). Pp. 249. ISBN 0 275 98259 9. Journal American Studies, 39 (1). pp. 113-114. ISSN 0021-8758 (Print), 1469-5154 (Online) (doi:https://doi.org/10.1017/S0021875805229584)

Dawson, Andrew (2012) Challenging lilywhite Hollywood: African Americans and the demand for racial equality in the motion picture industry, 1963-1974. The Journal of Popular Culture, 45 (6). pp. 1206-1225. ISSN 0022-3840 (Print), 1540-5931 (Online) (doi:https://doi.org/10.1111/jpcu.12005)

Dawson, Andrew (2010) ’Flexible Specialisation’ and New Hollywood: Time for a Paradigm Shift? In: 8th European Social Science History Conference, 13-16 Apr 2010, Ghent, Belgium. (Unpublished)

Dawson, Andrew (2012) Labouring in Hollywood’s motion picture industry and the promise of ‘flexible specialisation’. In: Dawson, Andrew and Holmes, Sean P., (eds.) Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 21-38. ISBN 9781780930206

motion processing

Macquarrie, Andrew and Steed, Anthony (2020) Improving Free-Viewpoint Video content production using RGB-camera-based skeletal tracking. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 774-775. ISBN 978-1728165325 ; 978-1728165332 (doi:https://doi.org/10.1109/VRW50115.2020.00238)

motion tracking

Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2019) Moving Digits: Augmented Dance for Engaged Audience. [Creative Performance or Reading] (Unpublished)

mourning

Mroz, Matilda (2014) The monument and the sewer: memory and death in Wajda’s Kanal (1957). Historical Journal of Film, Radio and Television, 34 (4). pp. 528-545. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2014.903035)

MOVEMENT conference

Anderson, Eike Falk, McLoughlin, Leigh, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Kanellos, Emmanouil and Adzhiev, Valery (2024) Approaches to nurturing undergraduate research in the creative industries: a UK multi-institutional exploration. In: Eurographics Conference 2024: 45th Annual Conference of the European Association for computer graphics, 22nd -26th April 2024, Limassol, Cyprus. European Association for Computer Graphics (Eurographics). (In Press)

moving image

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.296)

MSA

Frith, Ed (2008) Matthew Springett Architects presents models, but no buildings. Building Design (1832). p. 15.

Multi-disciplinary

Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)

multi-image fusion

Lin, Wenguang, Yan, Wenchao, Chen, Zhizhen and Xiao, Renbin (2023) Research on product appearance patent spatial shape recognition for multi-image feature fusion. Multimedia Tools and Applications. ISSN 1380-7501 (Print), 1573-7721 (Online) (doi:https://doi.org/10.1007/s11042-023-16477-5)

multichannel concerts

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene_00016_1)

multidiscilinary

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584

multidisciplinary

Maffioletti, Catherine (2020) Multicomponent Output 1: Hysteria. [Creative Performance or Reading]

Maffioletti, Catherine (2020) Multicomponent Output 2: Hysterical Together. [Creative Performance or Reading]

Multimedia

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Salihbegović, Nuno (2011) Oedipus at Tate Britain. [Creative Performance or Reading]

Multimedia Information Systems

Macquarrie, Andrew and Steed, Anthony (2018) The effect of transition type in multi-view 360 media. IEEE Transactions on Visualization and Computer Graphics, 24 (4):17617378. pp. 1564-1573. ISSN 1077-2626 (Print), 1941-0506 (Online) (doi:https://doi.org/10.1109/TVCG.2018.2793561)

Multimedia Installation

Hobbs, James (2020) Moribund State(s) - Solo multimedia art exhibition. [Show/Exhibition]

multiplayer

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Guillery, Kesia and Andrade Pires, Carlos Eduardo (2022) RADIO GHOST - Lumen Prize Interactive Award. Winner - video submission. [Video]

multiversal

Golding, Johnny (2012) Ana-materialism and the Pineal Eye: Becoming mouth-breast (or visual arts after Descartes, Bataille, Butler, Deleuze and Synthia with an ‘s’). Philosophy of Photography, 3 (1). pp. 99-120. ISSN 2040-3682 (Print), 2040-3690 (Online) (doi:https://doi.org/10.1386/pop.3.1.99_1)

museum-studies

Waterworth, David (2020) 10-4. [Show/Exhibition]

museums

Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Bowen, Jonathan P., Borda, Ann and Diprose, Graham (eds.) (2021) EVA London (Electronic Visualisation and the Arts): proceedings of EVA London 2021. In: EVA London 2021, Programme Committee, (ed.) AI and the Arts: Artificial Imagination. Proceedings of EVA London 2021 (EVA 2021). 5th July – 9th July 2021. Electronic Workshops in Computing (eWiC) | BCS . British Computer Society, Swindon; London, pp. 1-10. ISBN 978-1780175737 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2021.0)

museums and heritage

Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Borda, Ann and Diprose, Graham (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon. ISBN 978-1780175942 ISSN 1477-9358

Tsjornaja, Anne, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Broadhead, Martyn (2022) Art(NET)work: visualising interconnected artwork data in VR. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 250-251. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.47)

Music

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2022) GROUPTHINK: telepresence and agency during Live performance. Proceedings of the ACM on Computer Graphics and Interactive Techniques, 5 (4):39. pp. 1-10. ISSN 2577-6193 (Online) (doi:https://doi.org/10.1145/3533610)

Kennedy, Stephen (2011) Audiostate. six compositions for film/live art performance. [Show/Exhibition] (Unpublished)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 and Margetson, Emma ORCID: 0000-0002-1054-1973 (2023) Art of sound: creativity in film sound and electroacoustic music. Sound Design . Focal Press - Routledge, London. ISBN 978-0367755881; 978-1003163077

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Emotion In Abstract Animation: Designing A New Form Of Visual Music. [Show/Exhibition]

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Explosions in the mind: Composing Psychedelic Sounds and Visualisations. Palgrave Studies in Sound . Springer Singapore, Singapore. ISBN 978-9811640544

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2024) The senses beyond: new directions in game engine experiences. In: Giannini, Tula and Bowen, Jonathan P., (eds.) The Arts and Computational Culture: Real and Virtual Worlds. Springer Series on Cultural Computing (SSCC) . Springer, Cham, Switzerland. ISBN 978-3031538643; 978-3031538674; 978-3031538650 (In Press)

music covers

Powers, Alan (2010) Benjamin Britten, Piper and Aldeburgh. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 130-135. ISBN 978-0-9558343-2-5

music festivals

Powers, Alan (2010) Benjamin Britten, Piper and Aldeburgh. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 130-135. ISBN 978-0-9558343-2-5

music scores

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

music visualiation

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Cyberdreams: visualizing music in extended reality. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 209-227. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_12)

musuems

Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Diprose, Graham (eds.) (2023) Proceedings of EVA London 2023. In: Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Diprose, Graham, (eds.) Proceedings of EVA London 2023. BCS London 10–14 July 2023. Electronic Workshops in Computing . EVA London Electronic Visualisation and the Arts - BCS Learning and Development Ltd., Arts BCS London Office, London and Swindon. ISBN 978-1780176161 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2023.0)

narration

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)

narrative

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2007) Index of love. [Artefact]

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Index of love. [Show/Exhibition]

Narrative synthesis

Bailey, Catherine, Madden, Adrian ORCID: 0000-0002-3193-5808 , Alfes, Kerstin and Fletcher, Luke (2015) The meaning, antecedents and outcomes of employee engagement: A narrative synthesis. International Journal of Management Reviews, 19 (1). pp. 31-53. ISSN 1460-8545 (Print), 1468-2370 (Online) (doi:https://doi.org/10.1111/ijmr.12077)

narrative voice

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)

Net art

Samson, Audrey and Soon, Winnie (2015) Network affordances: The unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal (24). ISSN 1449-1443 (Online)

Netflix

Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Young Oh, Min (2023) Chicken Run: Dawn of the Nugget is a fast-paced slapstick extravaganza. The Conversation. ISSN 2201-5639

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.

Network affordances

Samson, Audrey and Soon, Winnie (2015) Network affordances: The unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal (24). ISSN 1449-1443 (Online)

network coding

Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2021) Deep-NC: a secure image transmission using deep learning and network coding. Signal Processing: Image Communication, 99:116490. ISSN 0923-5965 (doi:https://doi.org/10.1016/j.image.2021.116490)

Vien, Quoc-Tuan, Nguyen, Tuan ORCID: 0000-0003-0055-8218 and Nguyen, Huan (2021) A lightweight secure image super resolution using network coding. In: Proceedings of the 16th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications. 8-11 Feb 2021. Vienna, Austria. VISIGRAPP, 4 . SCITEPRESS, Setúbal, Portugal, pp. 653-660. ISBN 978-9897584886 ISSN 2184-4321 (doi:https://doi.org/10.5220/0010212406530660)

networks

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Shemza, Aphra and Almena, Maria (2024) TRANSFORMATIONS: Media art between communities and professional practice. In: Giannini, Tula and Bowen, Jonathan P., (eds.) The Arts and Computational Culture: Real and Virtual Worlds. Springer Series on Cultural Computing (SSCC) - Computer Science, Computer Science (R0) . Springer, Cham, Switzerland. ISBN 978-3031538643; 978-3031538674; 978-3031538650; 3031538641 (In Press)

neuro-psychologist

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

New Media

Papadaki, Elena ORCID: 0000-0002-6653-4334 , Ploeger, Dani and Krajewska, Klio (2019) Radical Immersions. [Show/Exhibition]

New Media Curation

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)

Nicolas Roeg

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)

noise

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Hignell-Tully, Daniel, Grant, Claire, Renaud, Alain and Havsteen-Franklin, Dominik (2024) KIMA: Noise Map - Participatory online art exploring the effect of noise on health. In: Proceedings of EVA London 2024, UK: Electronic Visualisation in the Arts, London, 8th - 12th Jul, 2024. BCS Learning and Development Ltd. - Chartered Institute of IT, London. (In Press)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Hobbs, James, Waterworth, David and Kennedy, Stephen (2024) "For Want of (Not) Measuring". [Show/Exhibition]

Hobbs, James and Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Volstarfel: Sobbing and Moaning. An evening of experimental noise, expanded cinema and performance. [Show/Exhibition]

Kennedy, Stephen and Withers, Simon ORCID: 0000-0002-0203-359X (2023) Articulating peripheral space: new perspectives in digital heritage. In: Heritages Past and Present. Built and Social: A Conference on Culture, History, Art and Design, 28th - 30th June 2023, Czech Technical University, Prague. (Unpublished)

Withers, Simon ORCID: 0000-0002-0203-359X and Kennedy, Stephen (2023) Synthetic visions of UNESCO World Heritage sites. In: VI CHAM International Conference “Heritage for a Common Future / Futures for a Common Heritage”, 12th - 15th July 2023, Lisbon. (Unpublished)

non-fungible tokens (NFTs)

Bowen, Jonathon P., Baker, Camille, Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Edmonds, Ernst, van Helsdingen, Merel and Masson, Terence (2021) EVA London 2021: Keynote summaries. In: EVA London 2021: Electronic Visualisation & the Arts. Proceedings of conference. BCS, The Chartered Institute for IT, 5th -9th July 2021. Proceedings of EVA London 2021 . Science Open, London, pp. 1-6. ISBN 978-1780175737 (doi:https://doi.org/10.14236/ewic/EVA2021.1)

non-place

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) VOID. [Composition]

non-representational imaging

Golding, Johnny (2012) Ana-materialism and the Pineal Eye: Becoming mouth-breast (or visual arts after Descartes, Bataille, Butler, Deleuze and Synthia with an ‘s’). Philosophy of Photography, 3 (1). pp. 99-120. ISSN 2040-3682 (Print), 2040-3690 (Online) (doi:https://doi.org/10.1386/pop.3.1.99_1)

Norman Bryson

Mann, Tony (1995) [Book review] Cindy Sherman 1975-1993. The Art Book, 2 (2). p. 34. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

Norway

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

NOTAM

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

novel writing

Langan, Michael (2009) Astonishing apples: visualising the novel. In: School of Humanities and Social Sciences Research Conference, 28 May 2009, University of Greenwich. (Unpublished)

Noë

Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)

object based audio

Hill, Andrew ORCID: 0000-0003-1521-0396 , Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

objects

Waterworth, David (2020) 10-4. [Show/Exhibition]

Oedipus

Salihbegović, Nuno (2011) Oedipus at Tate Britain. [Creative Performance or Reading]

Olympic Games

Liao, Hanwen and Isaac, David (2007) Olympic Haussmannization. Urbanism and Architecture, 38 (11). pp. 12-14. ISSN 1673-0232

Olympic planning

Liao, Hanwen (2007) London 2012 Olympic development. Urbanism and Architecture, 38 (11). pp. 79-83. ISSN 1673-0232

Online

Giaxoglou, Korina, Döveling, Katrin and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Networked emotions: Interdisciplinary perspectives on sharing loss online. Journal of Broadcasting and Electronic Media, 61 (1). ISSN 0883-8151 (Print), 1550-6878 (Online) (doi:https://doi.org/10.1080/08838151.2016.1273927)

open spaces

Holden, Robert (2007) Exhibition. Public city. Architects' Journal, 225 (5). p. 44. ISSN 0003-8466

Opera

Sporton, Gregory (2017) Reviews. Scene, 5 (1). pp. 83-88. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.1.83_5)

oral history

Dawson, Andrew and Holmes, Sean P. (2012) 'Help to preserve the real story of our cinema and television industries': The BECTU History Project and the construction of British media history, 1986–2010. Historical Journal of Film, Radio and Television, 32 (3). pp. 435-448. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2012.699650)

Other

Fiddler, Michael ORCID: 0000-0002-0695-6770 (2013) Playing funny games in the last house on the left: the uncanny and the ‘home invasion’ genre. Crime, Media, Culture, 9 (3). pp. 281-299. ISSN 1741-6590 (Print), 1741-6604 (Online) (doi:https://doi.org/10.1177/1741659013511833)

pain metaphors

Patterson, Jennifer ORCID: 0000-0002-8254-7602 (2016) Translations. Body Talk: whose language? Association of Medical Humanities. (Unpublished)

painting

Macdonald, Sarah (2021) Tannery Project, Billboard Project #1: Sarah Macdonald. [Show/Exhibition]

palimpsest

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)

pandemics

Beard, Sophie, Waller, Allyson and Maloney, Pete (2021) Collectarium lockdown space: sharing domestic transformations and innovations for pandemics. In: Urban Assemblage: The City as Architecture, Media, AI and Big Data, 28th - 30th June 2021, University of Hertfordshire, Hatfield. (Unpublished)

panorama images

Macquarrie, Andrew and Steed, Anthony (2015) Object removal in panoramic media. In: CVMP '15: Proceedings of the 12th European Conference on Visual Media Production. ACM Digital Library (2). Association for Computing Machinery (ACM), New York, United States, pp. 1-10. ISBN 978-1450335607 (doi:https://doi.org/10.1145/2824840.2824844)

panoramic video

Hong, Yang, Macquarrie, Andrew and Steed, Anthony (2018) The effect of chair type on users' viewing experience for 360-degree video. In: VRST '18: Proceedings of the 24th ACM Symposium on Virtual Reality Software and Technology. Tokyo Japan. 28 November 2018- 1 December 2018. Association for Computing Machinery (ACM), New York, United States, pp. 1-11. ISBN 978-1450360869 (doi:https://doi.org/10.1145/3281505.3281519)

Macquarrie, Andrew and Steed, Anthony (2017) Cinematic Virtual Reality: evaluating the effect of display type on the viewing experience for panoramic video. In: 2017 IEEE Virtual Reality (VR). March 18-22 2017. Los Angeles, CA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 45-54. ISBN 978-1509066476 ; 978-1509066483 ISSN 2375-5334 (Online) (doi:https://doi.org/10.1109/VR.2017.7892230)

Parametric relations

Samson, Audrey and Soon, Winnie (2015) Network affordances: The unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal (24). ISSN 1449-1443 (Online)

participation

Beard, Sophie and Waller, Allyson (2023) Publishing Participation. [Performance]

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

participatory

Beard, Sophie and Waller, Allyson (2023) Publishing Participation. [Performance]

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]

participatory art

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Emets, Evgenia, Renaud, Alain, Negrao, David, Grant, Claire and Havsteen-Franklin, Dominik (2022) KIMA Colour Van Eyck by The Analema Group - 360 video artwork, and guided facilitation videos - by The Analama Group: Evgenia Emets, Alain Renaud, David Negrao and Olive Gingrich - narrated by Mina Raschenbauch. [Artefact]

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Evgenia, Emets, Renaud, Alain, Negrao, David, Havsteen-Franklin, Dominik and Grant, Claire (2022) KIMA Colour: Van Gogh - 360 visual sound art. [Artefact]

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Falk-Anderson, Eike, Tchoudjinof, Deborah, Renaud, Alain, Emets, Evgenia and Negrao, David (2021) New Heritage: new media art between cultural heritage experience and artefact. Proceedings of EVA London 2021. AI and the Arts: Artificial Imagination. 5th July – 9th July 2021. pp. 81-88. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2021.13)

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Havsteen-Franklin, Dominik, Renaud, Alain, Hignell-Tully, Daniel and Grant, Claire (2024) Participatory presence: social connectedness through collaborative art practices. International Journal of Performance Arts and Digital Media. ISSN 1479-4713 (Print), 2040-0934 (Online) (In Press) (doi:https://doi.org/10.1080/14794713.2024.2340418)

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Hignell-Tully, Daniel, Grant, Claire, Renaud, Alain and Havsteen-Franklin, Dominik (2024) KIMA: Noise Map - Participatory online art exploring the effect of noise on health. In: Proceedings of EVA London 2024, UK: Electronic Visualisation in the Arts, London, 8th - 12th Jul, 2024. BCS Learning and Development Ltd. - Chartered Institute of IT, London. (In Press)

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia and Negrao, David (2022) KIMA: Voice performance by Analema Group at National Gallery X performed by Victoria Couper. [Creative Performance or Reading]

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia, Negrao, David, Havsteen-Franklin, Dominik and Grant, Claire (2022) KIMA Colour Monet: 360 visual sound art by the Analema Group. [Artefact]

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia, Negrao, David and James, Winter (2022) KIMA Voice performance at Art in Flux Radical Embodiment event at Barbican London. [Creative Performance or Reading]

Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Rahman, Shama (2023) GROUPTHINK: Art, AI & the Internet of Neurons. King's College, King's College.

Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2021) GROUPTHINK: What happens when we're all connected? Groupthink - a live performance directed by the heartbeats of its viewers. [Creative Performance or Reading]

participatory performance

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2019) Rose Bruford College International Symposium, ‘Interactive experiences: playful junctions and journeys across borders’. In: Rose Bruford College International Symposium, ‘Interactive Experiences: Playful junctions and journeys across borders’, 15th - 17th April 2019, Rose Bruford College, London.

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Guillery, Kesia and Andrade Pires, Carlos Eduardo (2022) RADIO GHOST - Lumen Prize Interactive Award. Winner - video submission. [Video]

Maravala, Persis-Jadé, Cooper, Emma, Van Der Weide, Nadja and Briscoe, Rachel (2022) Sheffield DocFest ‘Alternate realities summit: the art of connection’. [Performance]

Maravala, Persis-Jadé and Guillery, Kesia (2022) ‘Goodnight, sleep tight: Working within a collapsing system’