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Acton, Thomas (2010) Is tradition the enemy of history? In: Orta, Lucy, (ed.) Mapping the Invisible: EU-Roma Gypsies. Black Dog Publishing / London College of Fashion, London, UK, pp. 20-23. ISBN 978 1 906155 91 9

Acton, Thomas (2007) Second site. Paradise lost. Open Society Institute / Prestel Publishing, London, UK: New York, pp. 30-32. ISBN 978-3-7913-6145-1

Adewumi, Ayomikun Solomon ORCID: 0000-0002-9883-2766 , Onyango, Vincent, Moyo, Dumiso and AlWaer, Husam (2018) A review of selected neighbourhood sustainability assessment frameworks using the Bellagio STAMP. International Journal of Building Pathology and Adaptation, 37 (1). pp. 108-118. ISSN 2398-4708 (Online) (doi:https://doi.org/10.1108/IJBPA-07-2018-0055)

Adil, A (2009) Becoming the future now. [Creative Performance or Reading]

Adil, Alev (2011) Memory in the dead zone. [Creative Performance or Reading]

Adil, Alev (2011) MemoryMap [website]. MemoryMap, London, UK.

Anderson, Eike Falk, McLoughlin, Leigh, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Kanellos, Emmanouil and Adzhiev, Valery (2024) Approaches to nurturing undergraduate research in the creative industries: a UK multi-institutional exploration. In: COMPUTER GRAPHICS forum: Eurographics Conference 2024 45th Annual Conference of the European Association for computer graphics, 22nd -26th April 2024, Limassol, Cyprus. European Association for Computer Graphics (Eurographics) - John Wiley & Sons Ltd.. ISSN 0167-7055 (Print), 1467-8659 (Online) (doi:https://doi.org/10.1111/cgf.15058)

Arthur, Mervyn, Baseman, Jordan, Behr, Bernd, Biswas, Sutapa, Chance, Veronique, Cobbing, William, Coldwell, Paul, Cross, David, Dobai, Sarah, Douglas, Lorrice, Drabble, Neil, Gunning, Lucy, Hamann, Sigune, Haywood, Thomas, Ingham, Mark, Kovats, Tania, Lanteri Laura, Jean-Louis, Lebas, Chrystel, Love, Johanna, Mossman, Anna, Newth, Martin, Robertson, Helen, Rowe, Lois, Taylor, Finlay, Treacy, Danny, Wainwright, Chris and Webster, Dave (2011) SCOPE New Photographic Practices. [Show/Exhibition]

Athique Winterbottom, Anushka, Angell, Roo, Belfield, Andrew, Gibson, Naomi ORCID: 0009-0003-0309-1905 , O'Callaghan, Mattie and Woodgate, Zanna (2024) How Public is Public? [Performance]

Athique Winterbottom, Anushka, Angell, Roo, Dixit, Mitesh, Paulson, Theo, Wilder, Pete and Heaven, Bryony (2024) Technical Solutionism. [Performance]

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Bailey, Catherine, Madden, Adrian ORCID: 0000-0002-3193-5808 , Alfes, Kerstin and Fletcher, Luke (2015) The meaning, antecedents and outcomes of employee engagement: A narrative synthesis. International Journal of Management Reviews, 19 (1). pp. 31-53. ISSN 1460-8545 (Print), 1468-2370 (Online) (doi:https://doi.org/10.1111/ijmr.12077)

Beard, Sophie and Waller, Allyson (2023) Collectarium Lockdown Masks: How do you feel? [Show/Exhibition]

Beard, Sophie and Waller, Allyson (2023) Publishing Participation. [Performance]

Beard, Sophie, Waller, Allyson and Maloney, Pete (2021) Collectarium lockdown space: sharing domestic transformations and innovations for pandemics. In: Urban Assemblage: The City as Architecture, Media, AI and Big Data, 28th - 30th June 2021, University of Hertfordshire, Hatfield. (Unpublished)

Berryman, Andrea and Patterson, Jennifer ORCID: 0000-0002-8254-7602 (2012) Why Feminist Art matters now. The F-Word.

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Collective Reality. [Creative Performance or Reading]

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Digital Human Twins: Our Future Data Selves 2021 – 2027. MY AI HYBRID BIOTWIN: a series of keynotes, radio interviews, lectures, panels and presentations around key research focus. BBC, University of Greenwich, Tomorrow Unlocked, Ars Electronica, Austrian Federal Economic Chamber, Frequency Festival.

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Fast Forward: tech past, tech future. [Audio]

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2016) Futurefest 2016 and 2018. [Show/Exhibition]

Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2023) Internet of bodies. UNSPECIFIED. (Unpublished)

Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Baker, Camille (2022) Extended senses and embodying technology symposium and exhibition September 2022. [Show/Exhibition] (doi:https://doi.org/10.1007/s00146-020-01137-1)

Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]

Bowen, Jonathan P., Giannini, Tula, Polmeer, Gareth, Gannis, Carla, Gardiner, Jeremy, Kearney, Jonathan, Wands, Bruce and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) States of being: art and identity in digital space and time. In: EVA London 2018: Electronic Visualisation & the Arts. Proceedings of a conference held in London 11th-13th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2018 . BCS: The Chartered Institute for IT, Swindon; London, pp. 1-7. ISBN 978-1780174631 ; 978-1780174632 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2018.1)

Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Borda, Ann and Diprose, Graham (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon. ISBN 978-1780175942 ISSN 1477-9358

Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Borda, Ann and Diprose, Graham (2024) Proceedings of EVA London 2024. Electronic Workshops in Computing (eWiC) . BCS Learning and Development Ltd. - Chartered Institute of IT, Swindon, UK. ISBN 978-1780176925

Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Diprose, Graham (eds.) (2023) Proceedings of EVA London 2023. In: Bowen, Jonathan P., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Diprose, Graham, (eds.) Proceedings of EVA London 2023. BCS London 10–14 July 2023. Electronic Workshops in Computing . EVA London Electronic Visualisation and the Arts - BCS Learning and Development Ltd., Arts BCS London Office, London and Swindon. ISBN 978-1780176161 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2023.0)

Bowen, Jonathon P., Baker, Camille, Boddington, Ghislaine ORCID: 0000-0003-0448-579X , Edmonds, Ernst, van Helsdingen, Merel and Masson, Terence (2021) EVA London 2021: Keynote summaries. In: EVA London 2021: Electronic Visualisation & the Arts. Proceedings of conference. BCS, The Chartered Institute for IT, 5th -9th July 2021. Proceedings of EVA London 2021 . Science Open, London, pp. 1-6. ISBN 978-1780175737 (doi:https://doi.org/10.14236/ewic/EVA2021.1)

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)

Bowie, Laura ORCID: 0000-0002-9084-2142 (2020) Berlin not for sale: the film lens as a tool of urban exploration in 1960s West Berlin. Journal of Urban History, 48 (4). pp. 835-860. ISSN 1552-6771 (Print), 0096-1442 (Online) (doi:https://doi.org/10.1177/0096144220953419)

Bowie, Laura ORCID: 0000-0002-9084-2142 (2022) Book review Photographs and the practice of history: a short primer by Elizabeth Edwards, London, Bloomsbury Academic, 2022, 166 pp., £18 (paperback). Planning Perspectives, 37 (5). pp. 1109-1112. ISSN 0266-5433 (Print), 1466-4518 (Online) (doi:https://doi.org/10.1080/02665433.2022.2111126)

Bowie, Laura ORCID: 0000-0002-9084-2142 (2013) The Rote Armee Fraktion: memory and the construction of art, film and literature. eSharp, 20:1. pp. 1-18.

Bowie, Laura ORCID: 0000-0002-9084-2142 (2017) W(al)king through trauma: Wolf Vostell and West Berlin in the 1960s. Canvas, 4. pp. 16-19.

Bozzi, Nicola ORCID: 0000-0003-1506-8078 (2021) Dramatization of the @GANGSTA: Instagram cred in the age of glocalized gang culture. In: Wiest, Julie B., (ed.) Theorizing Criminality and Policing in the Digital Media Age (Studies in Media and Communications, Vol. 20). Studies in Media and Communications, 20 . Emerald Publishing - Communication, Information Technologies, and media Sociology section of the American Sociological Association (CITAMS), Bingley, UK; North America; Japan; India: Malaysia: Asia, pp. 69-88. ISBN 978-1839091124; 978-1839091117 (doi:https://doi.org/10.1108/S2050-206020210000020010)

Bozzi, Nicola ORCID: 0000-0003-1506-8078 (2023) Machine vision and tagging aesthetics: assembling socio-technical subjects through New Media Art. Open Library of Humanities (OLHJ), 9 (2). pp. 1-25. ISSN 2056-6700 (Online) (doi:https://doi.org/10.16995/olh.10023)

Bozzi, Nicola ORCID: 0000-0003-1506-8078 (2020) Tagging aesthetics: from networks to cultural avatars. A Peer-Reviewed Journal About Research Networks (APRJA), 9 (1). pp. 70-81. ISSN 2245-7755 (doi:https://doi.org/10.7146/aprja.v9i1.121490)

Bozzi, Nicola ORCID: 0000-0003-1506-8078 (2020) #digitalnomads, #solotravellers, #remoteworkers: a cultural critique of the traveling entrepreneur on Instagram. Social Media + Society, 6 (2). pp. 1-15. ISSN 2056-3051 (Online) (doi:https://doi.org/10.1177/2056305120926644)

Bozzi, Nicola ORCID: 0000-0003-1506-8078 and Stefano, Brilli (2024) Branding the “Bandito Influencer”: studying cross-platform fame and deviance in the cases of Er Brasiliano and 1727wrldStar. In: Graham, Roderick S., Humer, Stephan G., Lee, Claire Seungeun and Nagy, Veronika, (eds.) The Routledge International Handbook of Online Deviance. Routledge, London, pp. 1-18. ISBN 978-1003277675; 978-1032234472; 1032234474 (doi:https://doi.org/10.4324/9781003277675-43)

Broadhurst, Susan, Papadaki, Elena ORCID: 0000-0002-6653-4334 , Ploeger, Dani, Goddard, Michael N., O'Brien, Sarah, Taiwo, Olu, Schellewald, Andreas, Chan, Melanie, Lewis, Matt, Dziekan, Vince, Giannachi, Gabriella, Nolasco-Rózsás, Lívia, Katan-Schmid, Einav, Meseguer, Rosell, Borges, Cândida, Vélez, Gabriel Mario, DeLappe, Joseph, Caerols Mateo, Raquel, Kelomees, Raivo, Guljajeva, Varvara, Laas, Oliver, Riegel, Christian, Robinson, Katherine M., Richards, Grayson, Desnoyers-Stewart, John, Smith, Megan L., Riecke, Bernhard E., Dare, Eleanor, Berezina-Blackburn, Vita, Oliszewski, Alex and Mcgarrigle, Conor (eds.) (2020) Radical Immersions: Navigating between virtual/physical environments and information bubbles - DRHA 2019 Conference Proceedings. University of London / DRHA, London. ISBN 978-0900822124; 978-0900822131

Brown, Charmaine ORCID: 0000-0002-6471-9706 (2023) Prompts & Logistics: Black Love and/In the City. [Performance] (Unpublished)

Brown, Lucy, Davies, Rosamund ORCID: 0000-0001-8645-8271 and Oyebanjo, Anuoluwapo Olufunke ORCID: 0000-0002-6655-9726 (2022) Recognising and addressing unconscious bias and structural inequalities: a case study within television idea development. Alphaville Journal of Film and Screen Media, 8 (24):6. pp. 97-117. ISSN 2009-4078 (doi:https://doi.org/10.33178/alpha.24.06)

Brown, Lucy and Duthie, Lyndsay (2016) The TV Studio Production Handbook. Television . I.B.Tauris & Co Ltd., London, UK. ISBN 9781784536282

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Calle-Gruber, Mireille, Rabourdin, Caroline ORCID: 0000-0002-9694-0384 , Lewis, Sophie and Chrislip, Matthew (2023) The Essay as rewriting. [Artefact]

Calvert, Sheena (2009) [Un]disciplined gestures and [un]common sense: the sensual, acoustic logic(s) of paradox and art. PhD thesis, University of Greenwich.

Campbell, Sarah ORCID: 0000-0002-2920-7318 , Clark, Andrew ORCID: 0000-0001-8660-8815 , Keady, John ORCID: 0000-0001-8243-6913 , Manji, Kainde, Odzakovic, Elzana, Rummery, Kirstein and Ward, Richard (2023) ‘I can see what's going on without being nosey…’: What matters to people living with dementia about home as revealed through visual home tours. International Journal of Geriatric Psychiatry, 38 (9):e5999. pp. 1-12. ISSN 0885-6230 (Print), 1099-1166 (Online) (doi:https://doi.org/10.1002/gps.5999)

Carta, Silvio ORCID: 0000-0002-7586-3121 , Pintacuda, Luigi, Turchi, Tommaso and Sabiu, Mauro (2024) A QGIS plugin to calculate resilience based on the proximity of urban resources. In: Responsive Cities 2023 Proceedings: Collective Intelligence Design Symposium. Responsive Cities Collective Intelligence Design, 1 . Institut d’Arquitectura Avançada de Catalunya - Institute for Advanced Architecture of Catalonia (IAAC), Barcelona, Spain, pp. 112-126. ISBN 978-8412088571

Chaplin, Sarah (2008) Child-friendliness in design: can design and architecture lead the way? In: Places to go? place-shaping, safer streets and sustainable transport for a child-friendly public realm. A national conference by Play England, Sustrans, Living Streets and the National Children's Bureau, 20 May 2008, Queen Elizabeth II Conference Centre Westminster London. (Unpublished)

Cheeseman, Katharine (2012) Roadkiller. [Video]

Cole, Thomas ORCID: 0000-0001-6031-8377 , Cairns, Paul and Gillies, Marco (2015) Emotional and functional challenge in core and avant-garde games. In: CHI PLAY '15: CHI Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play. London, October 5th - 7th 2015. ACM Conference on Human Factors in Computing Systems (CHI) series . Association of Computing Machinery (ACM), New York, pp. 121-126. ISBN 978-1450334662 (doi:https://doi.org/10.1145/2793107.2793147)

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) Emotional exploration and the eudaimonic gameplay experience: a grounded theory. In: CHI '22: CHI Conference on Human Factors in Computing Systems. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (470). Association of Computing Machinery (ACM), New York, pp. 1-16. ISBN 978-1450391573 (doi:https://doi.org/10.1145/3491102.3502002)

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2022) More than a bit of coding: (un-)Grounded (non-)Theory in HCI. In: CHI EA '22: CHI Conference on Human Factors in Computing Systems Extended Abstracts. LA, New Orleans, USA. 29th April 2022 - 5th May 2022. ACM Conference on Human Factors in Computing Systems (CHI) series (11). Association of Computing Machinery (ACM), New York, pp. 1-11. ISBN 978-1450391566 (doi:https://doi.org/10.1145/3491101)

Cole, Thomas ORCID: 0000-0001-6031-8377 and Gillies, Marco (2019) Thinking and doing: challenge, agency, and the eudaimonic experience in videogames. Games and Culture, 16 (2). pp. 187-207. ISSN 1555-4120 (Print), 1555-4139 (Online) (doi:https://doi.org/10.1177/1555412019881536)

Cole, Tom ORCID: 0000-0001-6031-8377 (2015) The tragedy of betrayal: how the design of Ico and Shadow of the Colossus elicits emotion. In: DiGRA '15 - Proceedings of the 2015 DiGRA International Conference. Lüneburg, Germany, May 14th - 17th 2015. Digital Games Research Association, Finland. ISSN 2342-9666

Cole, Tom ORCID: 0000-0001-6031-8377 , Denisova, Alena and Iacovides, Jo (2023) 2nd Eudaimonia in digital games workshop. In: FDG 2023: Foundations of Digital Games 2023. April 12th - 14th, 2023, Lisbon, Portugal. Association for Computing Machinery (ACM), New York, USA. ISBN 978-1450398558

Cole, Tom ORCID: 0000-0001-6031-8377 , Denisova, Alena and Iacovides, Jo (2023) Workshop on Eudaimonia in Digital Games. In: FDG 2023: Foundations of Digital Games 2023. April 12th - 14th, 2023, Lisbon, Portugal. Association for Computing Machinery (ACM), New York, USA. ISBN 978-1450398558

Cole, Tom ORCID: 0000-0001-6031-8377 and Salisbury, John Hamon (2016) Grounded Theory in games research: making the case and exploring the options. In: DIGRA/FDG '16 - Proceedings of the First International Joint conference of DIGRA and FDG. Digital Games Research Association, Finland. ISBN 2342-9666

Copaceanu, Andrei, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2024) Using voice input to control and interact with a narrative video game. In: Proceedings of EVA London 2024: Electronic Visualisation and the Arts. Electronic Workshops in Computing (eWiC) . BCS: The Chartered Institute for IT, London; Lexington, MA; Berlin; Budapest, pp. 345-347. ISBN 978-1780176925 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2024.66)

Critchley, Emily (2010) First Poetry. [Video]

Critchley, Emily (2010) Some curious thing. [Video]

Crowe, Dan, Sudjic, Deyan, Mendez Moyano, Francisco and Vioque Nguyen, Maria (2023) ANIMA Magazine - Issue One. PORT Publishers, Milano.

Cunningham, Stuart, Henry, John and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Augmenting virtual spaces: affective feedback in computer games. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 229-247. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_13)

Cunningham, Stuart and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2015) Second screen comes to the silver screen: a technology feasibility study regarding mobile technologies in the cinema. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 228-232. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317400)

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Dare, Eleanor and Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Bare nothingness: Situated subjects in embodied artists' systems. In: Deliyannis, Ioannis, Kostagiolas, Petros and Banou, Christina, (eds.) Experimental Multimedia Systems for Interactivity and Strategic Innovation. Advances in Multimedia and Interactive Technologies (AMIT) . Information Science Reference (an imprint of IGI Global), Hershey PA, USA, pp. 16-48. ISBN 978-1466686595 (doi:https://doi.org/10.4018/978-1-4666-8659-5.ch002)

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:https://doi.org/10.16997/book4.d)

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.4.2.163_1)

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2007) Index of love. [Artefact]

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Index of love. [Show/Exhibition]

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2019) The screenplay as boundary object. Journal of Screenwriting, 10 (2). pp. 149-164. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.10.2.149_1)

Dawson, Andrew (2011) Book review: NYSTROM, DEREK. Hard Hats, Rednecks, and Macho Men. Class in 1970s American Cinema. Oxford University Press, Oxford [etc.] 2009. x, 251 pp.Ill. $24.95; doi:10.1017/S0020859011000137. International Review of Social History, 56 (10). pp. 160-162. ISSN 0020-8590 (Print), 1469-512X (Online) (doi:https://doi.org/10.1017/S0020859011000137)

Dawson, Andrew (2005) Book review: Robert S. Birchard, Cecil B. DeMille's Hollywood (Lexington: University of Kentucky Press, 2004, $39.95). Pp. 446. ISBN 0 8131 2324 0; David W. Menefee, The first female stars: women of the silent era (Westport, CT: Praeger, 2004, $44.95). Pp. 249. ISBN 0 275 98259 9. Journal American Studies, 39 (1). pp. 113-114. ISSN 0021-8758 (Print), 1469-5154 (Online) (doi:https://doi.org/10.1017/S0021875805229584)

Dawson, Andrew (2012) Challenging lilywhite Hollywood: African Americans and the demand for racial equality in the motion picture industry, 1963-1974. The Journal of Popular Culture, 45 (6). pp. 1206-1225. ISSN 0022-3840 (Print), 1540-5931 (Online) (doi:https://doi.org/10.1111/jpcu.12005)

Dawson, Andrew (2010) Crossing disciplinary borders: history and film studies. In: Teaching visual sources, 12 March 2010, University of Manchester. (Unpublished)

Dawson, Andrew (2010) ’Flexible Specialisation’ and New Hollywood: Time for a Paradigm Shift? In: 8th European Social Science History Conference, 13-16 Apr 2010, Ghent, Belgium. (Unpublished)

Dawson, Andrew (2012) Labouring in Hollywood’s motion picture industry and the promise of ‘flexible specialisation’. In: Dawson, Andrew and Holmes, Sean P., (eds.) Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 21-38. ISBN 9781780930206

Dawson, Andrew and Holmes, Sean P. (2014) Culture, Creativity and Disappearing Celluloid. [Video]

Dawson, Andrew and Holmes, Sean P. (2012) 'Help to preserve the real story of our cinema and television industries': The BECTU History Project and the construction of British media history, 1986–2010. Historical Journal of Film, Radio and Television, 32 (3). pp. 435-448. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2012.699650)

Dawson, Andrew and Holmes, Sean P. (2012) New perspectives on working in the global film and television industries. Working in the global film industries: creativity, systems, space, patronage. Bloomsbury Academic, London, UK, pp. 1-17. ISBN 9781780930206

Dawson, Andrew and Holmes, Sean P. (eds.) (2012) Working in the global film and television industries: Creativity, systems, space, patronage. Bloomsbury Academic, London, UK. ISBN 9781780930206

Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2017) Enabling Audiovisual User Interfaces. [Creative Performance or Reading] (Unpublished)

Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 (2019) Moving Digits: Augmented Dance for Engaged Audience. [Creative Performance or Reading] (Unpublished)

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Artistic engagements with machine generated voice: Holly Herndon's Holly+ & Jane Frances Dunlop’s select important things. In: Mis/Disinformation and the artifices of authenticity and authentication ICA Pre-Conference, 24th May, 2023, York University, Toronto, Ontario Canada. (Unpublished)

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Multivocal theatricalities: articulating data in composites, choruses, crowds. In: Articulating Data: Multivocal Theatricalities, 11th - 12th May, 2023, Inspace, University of Edinburgh.

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Previsualisations. ‘they are just there’: Gertrude Stein’s ‘Landscapes’ and their finite possibilities. In: London Conference in Critical Thought 2023, 30th Jun - 1st Jul, 2023, School of Social Sciences and Professions, London Metropolitan University, London.

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Sonic Wandering in New Landscapes. Gertrude Stein and sonic performativity in Eglė Budvytytė’s Songs from the Compost: mutating bodies, exploding stars. In: Performing Studies international conference (PSi) #28 Uhambo Luyazilawula: Embodied Wandering Practices, 2nd - 5th Aug, 2023, Johannesburg. (Unpublished)

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2024) Theatricality and dissonance: frictions in contemporary networked performance practices. In: Quick, Andrew and Rushton, Richard, (eds.) Theatricality and the Arts Film, Theatre, Art. Edinburgh University Press, Edinburgh, pp. 70-87. ISBN 978-1399511650; 1399511653 (In Press)

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2022) "select important things". [Show/Exhibition]

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Eyborg, Elin, Gandy, Matthew, Ma, Cong, Erwee, Alex, Hoult, Gemma, Athique Winterbottom, Anushka and Angell, Roo (2023) The Gardener not the Garden. [Performance]

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Farmer, Harry ORCID: 0000-0002-3684-0605 , Bevan, C. ORCID: 0000-0002-2823-420X , Green, D., Rose, M., Cater, K. ORCID: 0000-0002-3435-2392 and Stanton Fraser, D. ORCID: 0000-0002-3062-731X (2021) Did you see what I saw?: Comparing attentional synchrony during 360° video viewing in head mounted display and tablets. Journal of Experimental Psychology: Applied, 27 (2). pp. 324-337. ISSN 1076-898X (Print), 1939-2192 (Online) (doi:https://doi.org/10.1037/xap0000332)

Farmer, Harry ORCID: 0000-0002-3684-0605 , Skoulikari, E., Bevan, Chris, Gray, S., Cater, Kirsten and Stanton Fraser, Danae (2024) Using narrative 360° video as a tool to promote breast self-examination. Virtual Reality, 28:34. pp. 1-16. ISSN 1359-4338 (Print), 1434-9957 (Online) (doi:https://doi.org/10.1007/s10055-023-00918-5)

Fiddler, Michael ORCID: 0000-0002-0695-6770 (2013) Playing funny games in the last house on the left: the uncanny and the ‘home invasion’ genre. Crime, Media, Culture, 9 (3). pp. 281-299. ISSN 1741-6590 (Print), 1741-6604 (Online) (doi:https://doi.org/10.1177/1741659013511833)

Finkelstein, Joanne (2010) Fashioned identity and the unreliable image. Critical Studies in Fashion and Beauty, 1 (2). pp. 153-163. ISSN 2040-4417 (doi:https://doi.org/10.1386/csfb.1.2.161_1)

Folorunso, Christopher, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Otero, Nuno ORCID: 0000-0003-2446-8727 (2024) Horror in modern and retro 3D games. In: Proceedings of EVA London 2024: Electronic Visualisation and the Arts. Electronic Workshops in Computing (eWiC) . BCS: The Chartered Institute for IT, pp. 350-352. ISBN 978-1780176925 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2024.68)

Fox, Kenneth and Lambirth, Andrew (2012) Film and pedagogy: Learning about teaching at the movies. In: Bahloul, Maher and Graham, Carolyn, (eds.) Lights! Camera! Action and the Brain: The Use of Film in Education. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 61-81. ISBN 9781443836579

Frith, Ed (2008) Ed Frith of Moving Architecture reviews Lincoln School of Architecture’s show. The Architects' Journal.

Frith, Ed (2008) Loris Gréaud — french and fanciful. Building Design (1822). p. 21.

Frith, Ed (2008) Matthew Springett Architects presents models, but no buildings. Building Design (1832). p. 15.

Frith, Ed (2008) On altering architecture by Fred Scott. The Architects' Journal. pp. 12-13. ISSN 0003-8466

Frith, Ed and Graef, Alexander (2007) Draw like a builder, build like a writer (and the crack is in the detail). The role of the humanities in design creativity international conference, 15-16 Nov 2007, Lincoln, UK. University of Lincoln, Lincoln. ISBN 9781860502224

Frith, Ed, O'Carroll, Gerrard, Wilson, Peter and Payne, James (2008) Best in show. Building Design (1827). pp. 20-21.

G

Gao, Xiaoyu ORCID: 0000-0001-5625-3654 , Li, Yingguang, Xu, Ke, Wang, Shixin and Maropoulos, Paul (2023) A step-wise numerical thermal control method for advanced composite curing process using digital image based programming. CIRP Annals - Manufacturing Technology, 72 (1). ISSN 0007-8506 (doi:https://doi.org/10.1016/j.cirp.2023.03.016)

Giaxoglou, Korina, Döveling, Katrin and Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2017) Networked emotions: Interdisciplinary perspectives on sharing loss online. Journal of Broadcasting and Electronic Media, 61 (1). ISSN 0883-8151 (Print), 1550-6878 (Online) (doi:https://doi.org/10.1080/08838151.2016.1273927)

Gillingwater, Alan, Wilson, Henry, Johar, Indy, Gibbons, Johanna, Goldsmith, Simon, Athique Winterbottom, Anushka and Angell, Roo (2022) Oikos = Eco = Our Home. [Performance]

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Almena, Maria and Shemza, Aphra (2022) Access all areas: hybrid exhibition at British Computer Society. [Show/Exhibition]

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Almena, Maria and Shemza, Aphra (2022) Transformations - Hybrid exhibition and event - curated by Dr. Oliver Gingrich, Maria Almena and Aphra Shemza featuring Analema Group's KIMA Colour, KIMA Voice and KIMA Noise and Oliver Gingrich & Shama Rahman's Zeitgeist. [Show/Exhibition]

Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Callus, Paula (2022) Remediated sites: Lumen Prize Virtual Gallery as site of memory and digital assemblage. Leonardo, 55 (5). pp. 475-481. ISSN 0024-094X (Print), 1530-9282 (Online) (doi:https://doi.org/10.1162/leon_a_02251)

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Emets, Evgenia, Renaud, Alain, Negrao, David, Grant, Claire and Havsteen-Franklin, Dominik (2022) KIMA Colour Van Eyck by The Analema Group - 360 video artwork, and guided facilitation videos - by The Analama Group: Evgenia Emets, Alain Renaud, David Negrao and Olive Gingrich - narrated by Mina Raschenbauch. [Artefact]

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Evgenia, Emets, Renaud, Alain, Negrao, David, Havsteen-Franklin, Dominik and Grant, Claire (2022) KIMA Colour: Van Gogh - 360 visual sound art. [Artefact]

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Falk-Anderson, Eike, Tchoudjinof, Deborah, Renaud, Alain, Emets, Evgenia and Negrao, David (2021) New Heritage: new media art between cultural heritage experience and artefact. Proceedings of EVA London 2021. AI and the Arts: Artificial Imagination. 5th July – 9th July 2021. pp. 81-88. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2021.13)

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Hignell-Tully, Daniel, Grant, Claire, Renaud, Alain and Havsteen-Franklin, Dominik (2024) KIMA: Noise Map - Participatory online art exploring the effect of noise on health. In: Proceedings of EVA London 2024. Electronic Workshops in Computing (eWiC) . BCS Learning and Development Ltd. - Chartered Institute of IT, London, pp. 31-38. ISSN 1447-9358 (doi:https://doi.org/10.14236/ewic/EVA2024.7)

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Hignell-Tully, Daniel and Rahman, Shama (2023) Social Flow: social connectedness and flow in participatory art. In: KONFERENZBAND PROCEEDINGS EVA BERLIN 2023: Elektronische Medien & Kunst, Kultur und Historie, 29th Nov - 1st Dec 2023. 27. Berliner Veranstaltung der internationalen EVA-Serie Electronic Media and Visual Arts . Kunstgewerbemuseum am Kulturforum Potsdamer Platz, Berlin Eine Kooperation zwischen der BTU Brandenburgische Technische Universität Cottbus-Senftenberg, den Staatlichen Museen zu Berlin - Preußischer Kulturbesitz, Berlin, pp. 14-25. ISBN 978-3886098910

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Kanellos, Emmanouil and Young Oh, Min (2024) Experimental animation as pedagogical practice. In: AMPS Proceedings Teaching Beyond The Curriculum: Focus on Pedagogy 2023. Architecture Media Politics Society (AMPS), pp. 146-155. ISSN 2398-9467

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia and Negrao, David (2022) KIMA: Voice performance by Analema Group at National Gallery X performed by Victoria Couper. [Creative Performance or Reading]

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia, Negrao, David, Havsteen-Franklin, Dominik and Grant, Claire (2022) KIMA Colour Monet: 360 visual sound art by the Analema Group. [Artefact]

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia, Negrao, David and James, Winter (2022) KIMA Voice performance at Art in Flux Radical Embodiment event at Barbican London. [Creative Performance or Reading]

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Shemza, Aphra and Almena, Maria (2024) TRANSFORMATIONS: Media art between communities and professional practice. In: Giannini, Tula and Bowen, Jonathan P., (eds.) The Arts and Computational Culture: Real and Virtual Worlds. Springer Series on Cultural Computing (SSCC) - Computer Science, Computer Science (R0) . Springer, Cham, Switzerland. ISBN 978-3031538643; 978-3031538674; 978-3031538650; 3031538641

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Watkins, Julie ORCID: 0000-0001-8872-7041 , Flynn, Ryan, Lum, Thomas, Papp, Sara and Saxena, Dev (2024) Shape theory in animation pedagogy and practice. In: Proceedings of EVA London 2024. BCS London, 8th – 12th July 2024. Electronic Workshops in Computing (eWiC) . BCS Learning and Development Ltd. - Chartered Institute of IT, Swindon, UK, pp. 268-273. ISBN 978-1780176925 ISSN 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2024.0)

Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Young Oh, Min (2023) Chicken Run: Dawn of the Nugget is a fast-paced slapstick extravaganza. The Conversation. ISSN 2201-5639

Golding, Johnny (2012) Ana-materialism and the Pineal Eye: Becoming mouth-breast (or visual arts after Descartes, Bataille, Butler, Deleuze and Synthia with an ‘s’). Philosophy of Photography, 3 (1). pp. 99-120. ISSN 2040-3682 (Print), 2040-3690 (Online) (doi:https://doi.org/10.1386/pop.3.1.99_1)

Golding, Johnny (2010) Fractal philosophy (and the small matter of learning how to listen): attunement as the task of art. In: Zepke, Stephen and O'Sullivan, Simon, (eds.) Deleuze and Contemporary Art. Deleuze Connections . Edinburgh University Press, Edinburgh, Scotland, pp. 133-154. ISBN 978-0748638376 (hardback), 9780748638383 (paperback),

Golding, Sue (2010) The Allergic Bodies Conference: Postgraduate/Postdoctoral Research Conference, 2010. In: The Allergic Bodies Postgraduate/Postdoctoral Research Conference, 27 May 2010, University of Greenwich, Maritime Campus.

Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.

Golding, Sue (2009) Trembling the plane of immanence: media arts philosophy and the re-vision of art (or what’s acoustics got to do with the visual?). In: Invited lecture, February, 2009, Royal Academy of Art. (Unpublished)

Golding, Sue (2006) The assassination of time (ζeta-philosophy). In: Digital Art Weeks, 12-16 Jul 2006, Eidgenössische Technische Hochschule, Zurich, Switzerland.

Golding, Sue and Kennedy, Steve ORCID: 0000-0003-1119-9505 (2009) To tremble the zero: art in the age of algorithmic reproduction. In: Critical Digital Studies Workshop, 4-6 June 2009, Pacific Centre for Technology and Culture at the University of Victoria. (Unpublished)

Gong, Cheng ORCID: 0000-0002-0666-2529 , Li, Jingbing ORCID: 0000-0001-6636-4710 , Bhatti, Uzair Aslam, Gong, Ming, Ma, Jixin ORCID: 0000-0001-7458-7412 , Huang, Mengxing and Xue, Xingsi (2021) Robust and secure zero-watermarking algorithm for medical images based on Harris-SURF-DCT and chaotic map. Security and Communication Networks, 2021:3084153. pp. 1-13. ISSN 1939-0114 (Print), 1939-0122 (Online) (doi:https://doi.org/10.1155/2021/3084153)

Birmingham City University, Perry Barr, Birmingham, West Midlands B42 2SU (2010) MotivePro: a motion capture apparatus. WO/2010/084348.

Greuter, Stefan ORCID: 0000-0001-5487-0237 , Mulvany, Gerard and Myers, Misha ORCID: 0000-0002-4355-6602 (2023) The immersive archive. International Journal of Performance Arts and Digital Media, 19 (3). pp. 405-423. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2023.2223747)

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Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) VOID. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 , Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

Hill, Andrew ORCID: 0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]

Hirst, Nicola (2014) Everything looks the same in digital design. In: DRHA Conference 2014, 31 August - 2 September 2014, University of Greenwich, London, UK. (Unpublished)

Hirst, Nicola (2016) This is Change - CPDA Exhibition Catalogue 2016. University of Greenwich. (Unpublished)

Hobbs, James (2021) "It's all right. I came back.". [Show/Exhibition]

Hobbs, James (2020) Moribund State(s) - Exhibition Catalogue/Artist Book. Project 78 Press, UK. ISBN 978-1838133108

Hobbs, James (2020) Moribund State(s) - Solo multimedia art exhibition. [Show/Exhibition]

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Hobbs, James (2020) Nature Morte: Examining the sonic and visual potential of a 16mm film. In: Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , (ed.) Sound and Image. Focal Press, London, pp. 219-225. ISBN 978-0429295102 (doi:https://doi.org/10.4324/9780429295102-15)

Hobbs, James (2015) Panoramic Decelerator. [Show/Exhibition]

Hobbs, James (2023) "Polytechneiou 1 (Cigarettes)", "Polytechneiou 2 (Petals)", "Polytechneiou (Unstable Grids)". [Show/Exhibition]

Hobbs, James and Crabbe, Jono (Ojon) (2023) "Nature Morte" and "H(xy)/V(z)=Ø". [Show/Exhibition]

Hobbs, James and Cutler, Amy (2023) "Species Piracy". [Show/Exhibition]

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Hobbs, James and Kanellos, Emmanouil (2016) STORM BREWING. [Show/Exhibition]

Hobbs, James and Kennedy, Stephen ORCID: 0000-0003-1119-9505 (2016) Broken Plate - Drawing on the Past, Looking to the Future. [Show/Exhibition]

Hobbs, James and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2023) "Polarities/Polaridades". [Show/Exhibition]

Hobbs, James and Vari, Mhairi (2023) Sound/Image 2023 Exhibition. Curated by Jim Hobbs & Mhairi Vari. [Show/Exhibition]

Hobbs, James, Waterworth, David and Kennedy, Stephen ORCID: 0000-0003-1119-9505 (2024) "For Want of (Not) Measuring". [Show/Exhibition]

Hobbs, James and Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Volstarfel: Sobbing and Moaning. An evening of experimental noise, expanded cinema and performance. [Show/Exhibition]

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

Holden, Robert (2007) Exhibition. Public city. Architects' Journal, 225 (5). p. 44. ISSN 0003-8466

Holzberg, Billy, Gibbs, Jacqueline and Lehtonen, Aura ORCID: 0000-0001-6330-4640 (2025) Bad Sex: sexuality, gender and affect in contemporary TV. Library of Gender and Popular Culture . Bloomsbury Academic, London. ISBN 978-1350418561 (In Press)

Hong, Yang, Macquarrie, Andrew and Steed, Anthony (2018) The effect of chair type on users' viewing experience for 360-degree video. In: VRST '18: Proceedings of the 24th ACM Symposium on Virtual Reality Software and Technology. Tokyo Japan. 28 November 2018- 1 December 2018. Association for Computing Machinery (ACM), New York, United States, pp. 1-11. ISBN 978-1450360869 (doi:https://doi.org/10.1145/3281505.3281519)

Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Rahman, Shama (2023) GROUPTHINK: Art, AI & the Internet of Neurons. King's College, King's College.

Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2021) GROUPTHINK: What happens when we're all connected? Groupthink - a live performance directed by the heartbeats of its viewers. [Creative Performance or Reading]

Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2022) GROUPTHINK: telepresence and agency during Live performance. Proceedings of the ACM on Computer Graphics and Interactive Techniques, 5 (4):39. pp. 1-10. ISSN 2577-6193 (Online) (doi:https://doi.org/10.1145/3533610)

Hugin, Amund, Geros, Christina, Wall, Edward Duncan, Botchway, Larry, Jawareesh, Wattan, Athique Winterbottom, Anushka and Angell, Roo (2022) Intersectional Landscapes. [Performance]

I

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

Ingham, Mark (2012) 120 days and nights of staggering and stammering. [Show/Exhibition]

Ingham, Mark (2008) Ars magna lucis et umbrae. [Show/Exhibition]

Ingham, Mark (2011) Art takes Miami 2011. In: Aldrich, Jeffrey, (ed.) Art Takes Miami 2011. Artist Wanted, New York, p. 5. ISBN 9780984871803

Ingham, Mark (2011) Mark Ingham, Marilyn Miller and Me 1956-2011. In: Muraben, Billie, (ed.) New Photographic Practices: SCOPE. Camberwell Press, London, UK, p. 24. ISBN 978-0-9536395-9-5

Ingham, Mark (2011) Mark Ingham: motion and sound winner Scope Miami 2011. SCOPE Miami 2011. Artists Wanted LLC, New York, pp. 46-47. ISBN 9780984871803

Ingham, Mark (2010) Never judge a book by its movie. In: Inspiring Learners: Equipping the Next Generation of Graduates, 6 July 2010, University of Greenwich. (Unpublished)

Ingham, Mark (2011) New photographic practices: SCOPE. In: Newth, Martin, (ed.) New Photographic Practices; SCOPE. Camberwell Press, London. ISBN 978-0953639595

Ingham, Mark (2011) The landscape of Marilyn Miller and me 5611. [Artefact]

Ingham, Mark (2011) A portrait of Marilyn Miller and me 5611. [Artefact]

Inman, James Stuart (1997) Surrealism since the Second World War with particular reference to surrealism in Czechoslovakia. MPhil thesis, University of Greenwich.

J

Jürgens, Stephan, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Masu, Raul (2020) Designing glitch procedures and visualisation workflows for markerless live motion capture of contemporary dance. In: MOCO '20: Proceedings of the 7th International Conference on Movement and Computing. ACM, Jersey City, NJ, USA, pp. 1-8. ISBN 978-1450375054 (doi:https://doi.org/10.1145/3401956.3404225)

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Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2023) Creative approaches to user experience in entrepreneurial startups: emerging impact from screencast videography. In: UKAIS Annual Conference 2023, 20th - 21st April 2023, University of Kent. (Unpublished)

Kawaf, Fatema ORCID: 0000-0002-7089-7816 (2022) Screencast videography: understanding experience in the metaverse. In: Future Visualities: Visual Methods & Ethnography in Interdisciplinary Research Symposium, 1st June 2022, Edinburgh Napier University. (Unpublished)

Kawaf, Fatema ORCID: 0000-0002-7089-7816 , Bruce, Helen, Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110 , Rooney, Tara and Ngwakwe, Amarachi (2022) Using screencast videography as a customer experience and journey mapping tool: a case study. In: 12th Servsig2022, 16th - 18th June 2022, Glasgow, Scotland.

Kennedy, Stephen ORCID: 0000-0003-1119-9505 (2011) Audiostate. six compositions for film/live art performance. [Show/Exhibition] (Unpublished)

Kennedy, Stephen ORCID: 0000-0003-1119-9505 and Withers, Simon ORCID: 0000-0002-0203-359X (2023) Articulating peripheral space: new perspectives in digital heritage. In: Heritages Past and Present. Built and Social: A Conference on Culture, History, Art and Design, 28th - 30th June 2023, Czech Technical University, Prague. (Unpublished)

Kennedy, Stephen ORCID: 0000-0003-1119-9505 and Withers, Simon ORCID: 0000-0002-0203-359X (2024) Time, Space, and Monumentality: a few minutes before midnight on Wednesday 4th September 2024. In: Time, Space, and Monumentality, 4th Sep, 2024, University of Greenwich, London. (Unpublished)

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyridon (2021) The role of extended realities in heritage buildings representation. In: Proceedings ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. ARQUEOLÓGICA 2.0 & 3rd GEORES . Universitat Politècnica de València, Valencia, pp. 193-205. (doi:https://doi.org/10.4995/Arqueologica9.2021.12109)

Khalil, Ahmed ORCID: 0000-0003-2078-7122 and Stravoravdis, Spyros ORCID: 0000-0001-6122-8701 (2022) Challenges of digital building data usage with a focus on the digital documentation of heritage buildings: results from an online survey. Heritage, 5 (4). pp. 3220-3259. ISSN 2571-9408 (Online) (doi:https://doi.org/10.3390/heritage5040166)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene_00016_1)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 and Margetson, Emma ORCID: 0000-0002-1054-1973 (2023) Art of sound: creativity in film sound and electroacoustic music. Sound Design . Focal Press - Routledge, London. ISBN 978-0367755881; 978-1003163077

Kohrs, Kirsten ORCID: 0000-0003-4302-833X (2020) The language of luxury fashion advertising: Technology of the self and spectacle. Journal of Fashion Marketing and Management. ISSN 1361-2026 (Print), 1361-2026 (Online) (doi:https://doi.org/10.1108/JFMM-02-2020-0029)

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Curating Russian Film for International Audiences. [Show/Exhibition] (Submitted)

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Barker, Timothy (eds.) (2021) Miscommunications: Errors, Mistakes, Media. Thinking Media . Bloomsbury Academic, New York. ISSN 978-1501363856 (Print), 978-1501363832 (Online)

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)

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Lakhani, Dilip, Guzzon, Giacomo, Datoo, Iman, Vessey, Samuel, Searle, Sui, Athique Winterbottom, Anushka and Angell, Roo (2022) Native Species. [Performance]

Langan, Michael (2009) Astonishing apples: visualising the novel. In: School of Humanities and Social Sciences Research Conference, 28 May 2009, University of Greenwich. (Unpublished)

Lawal, Raheem A., Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Gent, Darrenlloyd (2023) Representing amphibian perspectives in a 3D game engine. In: Proceedings of EVA London 2023 (EVA 2023). Electronic Workshops in Computing . BCS Learning and Development Ltd, Arts BCS London Office London, UK, pp. 233-235. (doi:https://doi.org/10.14236/ewic/EVA2023.42)

Liao, Hanwen (2007) London 2012 Olympic development. Urbanism and Architecture, 38 (11). pp. 79-83. ISSN 1673-0232

Liao, Hanwen and Isaac, David (2007) Olympic Haussmannization. Urbanism and Architecture, 38 (11). pp. 12-14. ISSN 1673-0232

Lin, Wenguang, Yan, Wenchao, Chen, Zhizhen ORCID: 0000-0001-6656-5854 and Xiao, Renbin (2023) Research on product appearance patent spatial shape recognition for multi-image feature fusion. Multimedia Tools and Applications. ISSN 1380-7501 (Print), 1573-7721 (Online) (doi:https://doi.org/10.1007/s11042-023-16477-5)

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2019) Rose Bruford College International Symposium, ‘Interactive experiences: playful junctions and journeys across borders’. In: Rose Bruford College International Symposium, ‘Interactive Experiences: Playful junctions and journeys across borders’, 15th - 17th April 2019, Rose Bruford College, London.

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Guillery, Kesia and Andrade Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 (2022) RADIO GHOST - Lumen Prize Interactive Award. Winner - video submission. [Video]

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MacQuarrie, Andrew and Steed, Anthony (2019) Perception of volumetric characters' eye-gaze direction in head-mounted displays. In: 2019 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). Osaka, Japan. 23-27 March 2019. IEEE Xplore . IEEE, Piscataway, New York, pp. 645-654. ISBN 978-1728113777 ; 978-1728113784 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR.2019.8797852)

Macdonald, Sarah (2024) "Dry" (Drawing Biennial 2024, Drawing Room, London). [Show/Exhibition]

Macdonald, Sarah (2021) "Set for Two Variation#2" (Drawing Biennial 2021, Drawing Room, London). [Show/Exhibition]

Macdonald, Sarah (2021) Tannery Project, Billboard Project #1: Sarah Macdonald. [Show/Exhibition]

Macquarrie, Andrew and Steed, Anthony (2017) Cinematic Virtual Reality: evaluating the effect of display type on the viewing experience for panoramic video. In: 2017 IEEE Virtual Reality (VR). March 18-22 2017. Los Angeles, CA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 45-54. ISBN 978-1509066476 ; 978-1509066483 ISSN 2375-5334 (Online) (doi:https://doi.org/10.1109/VR.2017.7892230)

Macquarrie, Andrew and Steed, Anthony (2020) Exploring the use of skeletal tracking for cheaper motion graphs and on-set decision making in Free-Viewpoint Video production. In: CVMP '20: European Conference on Visual Media Production. Virtual Event, United Kingdom. December 7 - 8 2020. Association for Computing Machinery (ACM), New York, United States, pp. 1-10. ISBN 978-1450381987 (doi:https://doi.org/10.1145/3429341.3429353)

Macquarrie, Andrew and Steed, Anthony (2020) Improving Free-Viewpoint Video content production using RGB-camera-based skeletal tracking. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 774-775. ISBN 978-1728165325 ; 978-1728165332 (doi:https://doi.org/10.1109/VRW50115.2020.00238)

Macquarrie, Andrew and Steed, Anthony (2020) Investigating the perceived strengths and limitations of Free-Viewpoint Video (FVV). Frontiers in Virtual Reality, 1 (11). ISSN 2673-4192 (Online) (doi:https://doi.org/10.3389/frvir.2020.00011)

Macquarrie, Andrew and Steed, Anthony (2015) Object removal in panoramic media. In: CVMP '15: Proceedings of the 12th European Conference on Visual Media Production. ACM Digital Library (2). Association for Computing Machinery (ACM), New York, United States, pp. 1-10. ISBN 978-1450335607 (doi:https://doi.org/10.1145/2824840.2824844)

Macquarrie, Andrew and Steed, Anthony (2018) The effect of transition type in multi-view 360 media. IEEE Transactions on Visualization and Computer Graphics, 24 (4):17617378. pp. 1564-1573. ISSN 1077-2626 (Print), 1941-0506 (Online) (doi:https://doi.org/10.1109/TVCG.2018.2793561)

Maffioletti, Catherine (2023) Multicomponent Output. University of Greenwich.

Maffioletti, Catherine (2020) Multicomponent Output 1: Hysteria. [Creative Performance or Reading]

Maffioletti, Catherine and Brunner, Richard (2023) Red Clover. Bracken. Black Cohosh. [Video]

Maffioletti, Catherine (2020) Multicomponent Output 2: Hysterical Together. [Creative Performance or Reading]

Mann, Tony (1995) [Book review] Cindy Sherman 1975-1993. The Art Book, 2 (2). p. 34. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

Mann, Tony (1995) [Book review] Colour: Art and Science. The Art Book, 2 (2). p. 26. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00263.x)

Mann, Tony (1995) [Book review] Iterations: The New Image. The Art Book, 2 (2). pp. 32-33. ISSN 1467-8357 (doi:https://doi.org/10.1111/j.1467-8357.1995.tb00268.x)

Mann, Tony (1997) Edinburgh in August. The Art Book, 4 (1). pp. 19-20. ISSN 1467-8357 (doi:https://doi.org/10.1111/1467-8357.00003)

Mann, Tony (2003) [Exhibition review] Keith Tyson at Tate Britain. BSHM Newsletter, 47. pp. 46-47.

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2015) DRHA2014 Proceedings / Full Papers. LuLu, London, UK. ISBN 9781326388584

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (ed.) (2014) Exhibitions & Performances DRHA2014. Lulu Press Inc. ISBN 978-1291991055

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2009) Visual arts and 2D – 3D motion typo.graphic design. In: EVA London 2009: Electronic Visualisation & the Arts. Electronic Workshops in Computing (eWiC) (online), 2009 . BCS: The Chartered Institute for IT, Swindon, UK, pp. 192-200. ISBN 978-1-906124-17-5 (pbk) ISSN 1477-9358 (online)

Maravala, Persis Jadé and Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Post-immersive interventions with ZU-UK. In: Bucknall, Joanna Jayne, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury - Methuen Drama, London, pp. 151-176. ISBN 978-1350269330

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]

Maravala, Persis-Jadé, Cooper, Emma, Van Der Weide, Nadja and Briscoe, Rachel (2022) Sheffield DocFest ‘Alternate realities summit: the art of connection’. [Performance]

Maravala, Persis-Jadé and Guillery, Kesia (2022) ‘Goodnight, sleep tight: Working within a collapsing system’. [Audio]

Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.

Masu, Raul, Correia, Nuno N. ORCID: 0000-0002-9999-9162 , Jürgens, Stephan, Feitsch, Jochen and Romão, Teresa (2020) Designing Interactive Sonic Artefacts for Dance Performance: an Ecological Approach. In: AM '20: Proceedings of the 15th International Conference on Audio Mostly. ACM, New York, USA, pp. 122-129. ISBN 978-1450375634 (doi:https://doi.org/10.1145/3411109.3412297)

McArthur, Angela, van Tonder, Cobi, Gaston-Bird, Leslie and Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2021) A survey of 3D audio through the browser: practitioner perspectives. In: 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). 8-10 September 2021. Bologna, Italy (online). IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New Jersey, pp. 1-10. ISBN 978-1665409988 ; 978-1665409995 (doi:https://doi.org/10.1109/I3DA48870.2021.9610839)

McClean, Mairead (2008) Bell(a)Exchange III. [Show/Exhibition]

McClean, Mairead (2008) Bell(a)exchange II. [Show/Exhibition]

McIntosh, Tyler Howard, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2022) Lundheim: exploring affective audio techniques in an action-adventure video game. In: AM '22: Proceedings of the 17th International Audio Mostly Conference. AudioMostly 2022 St. Pölten Austria September 6 - 9, 2022. AudioMostly 2022 . Association for Computing Machinery (ACM), New York, pp. 155-158. ISBN 978-1450397018; (doi:https://doi.org/10.1145/3561212.3561234)

McLaughlin, James ORCID: 0000-0002-2146-6884 , Turner, Jane, Weston, Sarah and Condron, Aiden (2024) Editorial. Theatre, Dance and Performance Training, 15 (2):1. pp. 135-142. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2024.2365586)

Mendez Moyano, Francisco (2022) Expatriados. Experimenta (93). pp. 46-47. ISSN 1133-9675

Milic, Nela, Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Oh, Jee and Zuabi, Thaer (2011) Mapping and reshaping of cultural identity by digital media [Workshop]. In: ISEA2011: The 17th International Symposium on Electronic Art, 14-21 Sep 2011, Istanbul, Turkey.

Mo, Lab (2024) Rehearsed reading of stage play "The Gardener" at "Theatre503". [Play, Short Story or Poetry]

Mo, Lab Ky (2024) Human Rights Observers. [Video]

Mo, Lab Ky (2021) The Uncertain Kingdom: British People. [Video]

Mould, Oli, Vorley, Tim and Liu, Kai (2014) Invisible creativity? Highlighting the hidden impact of freelancing in London's creative industries. European Planning Studies, 22 (12). pp. 2436-2455. ISSN 0965-4313 (Print), 1469-5944 (Online) (doi:https://doi.org/10.1080/09654313.2013.790587)

Mroz, Matilda (2010) Cinema and censorship in post-war Poland. In: Darwin College Humanities and Social Sciences Group series, 25 May 2010, Darwin College, University of Cambridge, UK. (Unpublished)

Mroz, Matilda (2014) The aesthetics of overflow: Tarkovsky’s Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pamela, (eds.) The Cinema of the Swimming Pool. New Studies in European Cinema (17). Peter Lang AG, Oxford / Bern / Berlin / Bruxelles / Frankfurt am Main / New York / Wien, pp. 169-180. ISBN 978-3034317832

Mroz, Matilda (2014) The monument and the sewer: memory and death in Wajda’s Kanal (1957). Historical Journal of Film, Radio and Television, 34 (4). pp. 528-545. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2014.903035)

Murray, Shaun (2022) Drawing architecture. Design Ecologies, 11 (1). pp. 11-33. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:https://doi.org/10.1386/des_00014_1)

Murray, Shaun (2022) Drawing conversations. [Show/Exhibition]

N

Naylor, Alex (2011) ‘A horror picture at this time is a very hazardous undertaking’: Did British or American censorship end the 1930s horror cycle? The Irish Journal of Gothic and Horror Studies (9). ISSN 2009-0374

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Oke, Jagunmolu Bamidele, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Otero, Nuno ORCID: 0000-0003-2446-8727 (2024) Enhanced squad behaviour in tactical action games. In: Proceedings of EVA London 2024: Electronic Visualisation and the Arts. Electronic Workshops in Computing (eWiC) . BCS: The Chartered Institute for IT, London; Lexington, MA; Berlin; Budapest, pp. 356-358. ISBN 978-1780176925 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2024.70)

Oyebanjo, Anuoluwapo Olufunke ORCID: 0000-0002-6655-9726 , Brown, Lucy and Davies, Rosamund ORCID: 0000-0001-8645-8271 (2021) Teaching media production: understanding unconscious bias in creative idea development. Media Education Research Journal, 10 (1&2). pp. 1-11. ISSN 2754-0073 (Online) (doi:https://doi.org/10.5281/zenodo.5763747)

P

Pallant, Chris ORCID: 0000-0002-1308-2565 and Holliday, Christopher (2024) Lucas meets Luxo: Lucasfilm’s Computer Graphics Lab (CGL) and the development of Pixar Animation Studios. In: Ravalli, Richard, (ed.) Lucas: His Hollywood Legacy. University Press of Kentucky. ISBN 978-0813198781 (In Press)

Pallant, Chris ORCID: 0000-0002-1308-2565 and Wells, Paul (2023) Everybody chips in ten cents, and somehow it seems to add up to a Dollar’: exploring the visual toolbox of animation story design. In: Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Literature, Cultural and Media Studies Literature, Cultural and Media Studies (R0) . Palgrave Macmillan - Springer Nature, Cham, Switzerland, pp. 563-585. ISBN 978-3031207686; 978-3031207693 (doi:https://doi.org/10.1007/978-3-031-20769-3_30)

Pallant, Christopher ORCID: 0000-0002-1308-2565 (ed.) (2021) Animation: Critical and Primary Sources. Animation: Critical and Primary Sources, I-IV . Bloomsbury Academic USA, New York. ISBN 978-1501305757; 1501305751

Pallant, Christopher ORCID: 0000-0002-1308-2565 (2022) Beyond Bagpuss: A History of Smallfilms Animation Studio. British Film Institute (BFI) . Bloomsbury Publishing, London. ISBN 978-1839022388; 1839022388; 978-1839022395; 978-1839022418; 978-1839022401

Pallant, Christopher ORCID: 0000-0002-1308-2565 and Holliday, Christopher (eds.) (2022) Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Bloomsbury Open Access, Film & Media Studies 2023 . Bloomsbury Academic, New York. ISBN 978-1501373961; 978-1501351228; 978-1501351204; 978-1501351211

Pallant, Christopher ORCID: 0000-0002-1308-2565 , Humberstone, Nigel and Humberstone, Klive (2023) Revisiting the production of Watership Down through the Arthur Humberstone Animation Archive. In: Lester, Catherine, (ed.) Watership Down: Perspectives On and Beyond Animated Violence. Bloomsbury Open Access, Film & Media Studies 2023 . Bloomsbury Academic, New York, pp. 41-59. ISBN 978-1501376993; 978-1501376979; 978-1501376986; 978-1501376955

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2014) Communicating technology: Interactive design and interdisciplinary collaboration in the digital arts. In: Book of Absracts of DRHA2014: Communication Futures: Connecting Interdisciplinary Design Practices in Arts/Culture, Academia and the Creative Industries. University of Greenwich, pp. 215-216. ISBN 978-1-291-97878-0

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Curating lights and shadows, or the remapping of the lived experience of space. The Senses and Society, 10 (02). pp. 217-236. ISSN 1745-8927 (Print), 1745-8935 (Online) (doi:https://doi.org/10.1080/17458927.2015.1042247)

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Elevate me later - an analogue sea in a digital world. In: Papadaki, Elena ORCID: 0000-0002-6653-4334 , (ed.) Exhibiting the Analogue / Exhibiting the Digital – afterthoughts on an exhibition. University of Greenwich Galleries, London, pp. 1-5. ISBN 978-0957343047 (In Press)

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2015) Interactive video installations in public spaces: Rafael Lozano-Hemmer's Under Scan. In: Crisp, Virginia and Menotti Gonring, Gabriel, (eds.) Besides the Screen: Moving Images through Distribution, Promotion and Curation. Palgrave Macmillan, London & New York, pp. 197-212. ISBN 978-1-137-47101-7

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2016) "Le geste curatorial et les œuvres sur écran - L’évolution d’un néologisme vers une tendance majeure". Proteus (10). pp. 64-70. ISSN 2110-557X (Online)

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Re-mapping the territory: immersive exhibition practices in the expanded field. Gramma, 27. ISSN 2529-1793 (Online) (doi:https://doi.org/10.26262/gramma.v27i0.8990)

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2017) Space as Methodology: the politics of exhibiting the moving image in public spaces. In: "The Politics of Space and the Humanities", 15-17 December 2017, Thessaloniki, Greece. (Unpublished)

Papadaki, Elena ORCID: 0000-0002-6653-4334 , Arfaras, Mihalis, Schizakis, Stamatis, Garcia, Carla Ambrósio, Dare, Eleanor, Beveridge, Patrick, Hobbs, James, Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , Menotti, Gabriel, Ploeger, Dani, Samson, Audrey, Borras, Michael (a.k.a. Systaime), Krajewska, Klio and Talbot, Michael ORCID: 0000-0001-7198-1422 (eds.) (2020) Exhibiting the Analogue, Exhibiting the Digital: Afterthoughts on an exhibition. University of Greenwich Galleries / Incandescent Square, London. ISBN 978-0957343047

Papadaki, Elena ORCID: 0000-0002-6653-4334 , Milliken, Sarah ORCID: 0000-0001-7151-8753 , Lammin, Hannah ORCID: 0000-0002-9752-9335 , Athique Winterbottom, Anushka, McArthur, Angela, Rabourdin, Caroline ORCID: 0000-0002-9694-0384 and Isa, Susanne (2023) Embedding equality, diversity and inclusion in the curriculum. In: SHIFT 2023 conference, 11th - 12th January 2023, London, University of Greenwich. (Unpublished)

Papadaki, Elena ORCID: 0000-0002-6653-4334 , Ploeger, Dani and Krajewska, Klio (2019) Radical Immersions. [Show/Exhibition]

Papadaki, Elena ORCID: 0000-0002-6653-4334 and Schizakis, Stamatis (2018) Critical Convergence: Greek contemporary artists in dialogue with the (recent) past. [Show/Exhibition]

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2024) Shifting Monoliths: Unstable Noise and Bass. [Creative Performance or Reading]

Patterson, Jennifer ORCID: 0000-0002-8254-7602 (ed.) (2016) The Association for Medical Humanities International Journal: Body Talk: Whose Language? (2016 Conference Abstracts). The Association for Medical Humanities, The University of Greenwich. ISBN 978-0995519305 ISSN 2398-6395

Patterson, Jennifer ORCID: 0000-0002-8254-7602 (2016) Translations. Body Talk: whose language? Association of Medical Humanities. (Unpublished)

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2022) On a Lighter Note! New Law Journal, 172 (8006). p. 22. ISSN 0306-6479 (Print), 2046-2239 (Online)

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2021) Top 10 classic Law films. New Law Journal, 171 (7959). pp. 21-22. ISSN 0306-6479 (Print), 2046-2239 (Online)

Pettit, Zoë ORCID: 0000-0002-1909-8947 (2012) Translating Tsotsi for the screen. In: Serban, Adriana, Matamala, Anna and Lavaur, Jean-Marc, (eds.) Audiovisual Translation in Close-Up: Practical and Theoretical Approaches. Peter Lang, Bern, Switzerland, pp. 75-91. ISBN 9783034311519

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2016) Death and Memory in the Twenty-First Century. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities and Sciences. Palgrave Macmillan, London, UK, pp. 113-118. ISBN 9781137520579 (doi:https://doi.org/10.1057/9781137520586_14)

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Love After Death (2016 - 2018). [Show/Exhibition]

Powers, Alan (2010) Benjamin Britten, Piper and Aldeburgh. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 130-135. ISBN 978-0-9558343-2-5

Powers, Alan (2010) Introduction: John Piper in context. In: Fowler-Wright, Hugh, (ed.) Piper in Print: Books, Dustwrappers, Periodicals & Ephemera. Artists' Choice Editions, London, UK, pp. 9-13. ISBN 978-0-9558343-2-5

Pyjas, Gabriela Maria, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Broadhead, Martyn (2022) Storytelling and VR: ιnducing emotions through AI characters. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 194-204. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.37)

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Rabourdin, Caroline ORCID: 0000-0002-9694-0384 (2013) Sounding Space Symposium. [Show/Exhibition]

Rabourdin, Caroline ORCID: 0000-0002-9694-0384 (2023) Spatial models and affects: Scanlab’s Frozen Relics / Arctic Works & Framerate / Pulse of the Earth. In: London Conference in Critical Thought 2023, 30th June - 1st July 2023, School of Social Sciences and Professions, London Metropolitan University Holloway Road, London. (Unpublished)

Reeves, Frances, Cullum-Fernandez, Kris, Kombol, Meaghan, McGann, Paul, Khonsari, Torange, Athique Winterbottom, Anushka and Angell, Roo (2022) Citizenships. [Performance]

Rodney, Ross, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Broadhead, Martyn (2023) Retro stylistic transformations in games. In: Proceedings of EVA London 2023. BCS London 10th – 14th July 2023. Electronic Workshops in Computing . EVA London Electronic Visualisation and the Arts - BCS Learning and Development Ltd., Arts BCS London Office, London and Swindon, pp. 240-242. ISBN 978-1780176161 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2023.44)

Rossi, Guglielmo ORCID: 0000-0002-7850-6904 (2023) You must live your politics: publishing practices and libertarianism in MayDay Rooms Archives. In: Grennan, Rosemary and Bard-Rosenberg, Jacob, (eds.) MayDay Rooms Pamphlets: 02 Agitprop Notes. MayDay Rooms pamphlet series, 02 (2). MayDay Rooms Archives, London, pp. 103-149.

Rossi, Guglielmo ORCID: 0000-0002-7850-6904 (2023) The housing movement: illustrations from the archive. Colouring In, 3 (9). pp. 95-98. ISSN 2752-9533

Rossi, Guglielmo ORCID: 0000-0002-7850-6904 , Hawkey, Marc and Dawn, Louis (2024) The Greenwich Printing Co-op: collaborative design research, making and publishing. In: Advance HE 'Students as Co-creators’ symposium 2024, 31st Jan, 2024, Online. (Unpublished)

Rossi, Guglielmo ORCID: 0000-0002-7850-6904 and Hough, Alex (2023) Learning from the print shop: collaborative design research, making and publishing. [Show/Exhibition]

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Salihbegović, Fahrudin (2013) Directing Cyber Theatre. Academica - Akademska grupa, Belgrade, Serbia. ISBN 9788688835060

Salihbegović, Nuno (2011) Oedipus at Tate Britain. [Creative Performance or Reading]

Samson, Audrey, Gallardo, Francisco and FRAUD, - (2017) Let them eat cake! In: Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition. ACM Publications, New York, pp. 428-429. ISBN 978-1-4503-4403-6 (doi:https://doi.org/10.1145/3059454.3059495)

Samson, Audrey and Soon, Winnie (2015) Network affordances: The unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal (24). ISSN 1449-1443 (Online)

Schmitz, Anastasia, Macquarrie, Andrew, Julier, Simon, Binetti, Nicola and Steed, Anthony (2020) Directing versus attracting attention: exploring the effectiveness of central and peripheral cues in panoramic videos. In: 2020 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). 22-26 March 2020. Atlanta, GA, USA. IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New York, pp. 63-72. ISBN 978-1728156088 ; 978-1728156095 ISSN 2642-5254 (Print), 2642-5246 (Online) (doi:https://doi.org/10.1109/VR46266.2020.00024)

Secomb, Linnell (2006) Petyarra and Moffatt: 'Looking from the sky'. Cultural Studies Review, 12 (1). pp. 44-56. ISSN 1446-8123 (Print), 1837-8692 (Online)

Shokoohy, Mehrdad (2007) The experience of Islamic art on the margins of Islam. Journal of Islamic Studies, 18 (3). pp. 452-458. ISSN 0955-2340 (doi:https://doi.org/10.1093/jis/etm050)

Sidorenko, Ewa (2019) ‘A Portrait of Lower Silesia’: Researching identity through collodion photography and memory narratives. Methodological Innovations, 12 (3). pp. 1-13. ISSN 2059-7991 (Online) (doi:https://doi.org/10.1177/2059799119890787)

Siegel, Lauren ORCID: 0000-0003-2117-8492 , Tussyadiah, Iis ORCID: 0000-0003-0729-1712 and Scarles, Caroline ORCID: 0000-0001-8279-3689 (2022) Cyber-physical traveler performances and Instagram travel photography as ideal impression management. Current Issues in Tourism, 26 (14). pp. 2332-2356. ISSN 1368-3500 (Print), 1747-7603 (Online) (doi:https://doi.org/10.1080/13683500.2022.2086451)

Sigger, Neetu, Al-Jawed, Naseer and Nguyen, Tuan ORCID: 0000-0003-0055-8218 (2022) Spatial-temporal autoencoder with attention network for video compression. In: Proceedings of the 17th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications. Online. February 6-8, 2022. Computer Vision Theory and Applications (VISAPP), 4 . Computer Vision Theory and Applications (VISAPP) - SCITEPRESS Digital Library, Setúbal, Portugal, pp. 364-371. ISBN 978-9897585555; ISSN 2184-4321 (doi:https://doi.org/10.5220/0010811900003124)

Sigthorsson, Gauti (2008) Sensation for sensation's sake: art and the temptation of 'Wow'! Sjonauki. ISSN 1670-7311

Smith, Caroline (2007) Hide and seek with rebels: tracing contemporary queer art in cracks and rips. Wasafiri, 22 (1). pp. 32-42. ISSN 0269-0055 (doi:https://doi.org/10.1080/02690050601097609)

Solanke, Adeola (2018) Clip from The Court Must Have a Queen by Ade Solanke. [Video]

Solanke, Adeola (2018) The Court Must Have a Queen by Ade Solanke - production stills. [Image] (Unpublished)

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2020) How ambient advertising is uniquely placed to make audiences think. Westminster Papers in Communication and Culture, 15 (2). pp. 95-111. ISSN 1744-6716 (Online) (doi:https://doi.org/10.16997/wpcc.346)

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2023) New degrees co-created with industry to effect social change. Makings: A Journal Researching the Creative Industries, 4 (1). pp. 1-14. ISSN 2752-3861 (Online)

Sporton, Gregory (2017) The Body and the Intellectual. Scene, 5 (2). pp. 115-126. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.2.115_1)

Sporton, Gregory (2018) The Life of a Dance: Double Take Part II. In: Proceedings from the Document Academy. University of Akron, pp. 1-10.

Sporton, Gregory (2016) Review from London International Mime Festival. Scene, 4 (1). pp. 89-90. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.1.89_5)

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Sporton, Gregory (2017) The Sporton Professorial Inaugural. [Creative Performance or Reading]

Sporton, Gregory (2010) The Watertower. [Show/Exhibition]

Sporton, Gregory and Makiola, Iona (2011) The Watertower: augmented reality gaming for heritage. In: Beale, Katy, (ed.) Museums At Play – Games, Interaction and Learning. MuseumsEtc., Edinburgh, UK and Boston, USA, pp. 347-357. ISBN 9781907697142

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Stoppani, Teresa (2007) Antípodas: proyectos para una nueva cartografía. La Revista de la Facultad 47 al fondo (15). pp. 26-31.

Stoppani, Teresa (2007) Dust projects: on Walter Benjamin's Passagen-Werk and some contemporary dusty makings in architecture. The Journal of Architecture, 12 (5). pp. 543-557. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360701722566)

Stoppani, Teresa (2007) Dust revolutions. Dust, informe, architecture (notes for a reading of dust in Bataille). The Journal of Architecture, 12 (4). 437 - 447. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360701614714)

Stoppani, Teresa (2007) Grid effect in architecture. In: Defining Space International Interdisciplinary Conference UCD, 11-13 Oct 2007, Dublin. (Unpublished)

Stoppani, Teresa (2008) Interpreting the Renaissance: princes, cities, architects by Manfredo Tafuri, translated by Daniel Sherer. The Journal of Architecture, 13 (3). pp. 345-354. ISSN 1360-2365 (doi:https://doi.org/10.1080/13602360802216997)

Stoppani, Teresa (2007) Learning from Manhattan: Rem Koolhaas on the City before the Global and Junkspace. In: Concealing the Designer – The Illusion of the Natural City in the 20th Century, 1-2 June 2007, Berlin, Germany.

Stoppani, Teresa (2007) L’histoire assassinée. Manfredo Tafuri and the architecture of the present. In: The Role of the Humanities in Design Creativity, 15-16 Nov 2007, University of Lincoln, UK. (Unpublished)

Stoppani, Teresa (2007) Representing Venice. One, multiple, impossible. In: Loo, Stephen and Bartsch, Katherine, (eds.) Panorama to Paradise: Scopic Regimes in Architectural and Urban History and Theory, Sydney: proceedings of the SAHANZ Meeting 2007. Society of Architectural Historians, Australia and New Zealand, Adelaide, Australia. ISBN 1920927557

Stoppani, Teresa (2008) Translucent and fluid: Piranesi's impossible plan. In: Frascari, Marco, Hale, Jonathan and Starkey, Bradley, (eds.) From Models to Drawings: imagination and representation in architecture. Critiques . Routledge, London, UK, pp. 99-108. ISBN 978-0-415-48798-6 (pbk) 978-0-415-43113-2 (hbk)

Stoppani, Teresa (2007) Unfinished business. The historical project after Manfredo Tafuri. In: Rendell, Jane, Hill, Jonathan, Dorrian, Mark and Fraser, Murray, (eds.) Critical architecture. Routledge, London, pp. 22-30. ISBN 9780415415385

Stoppani, Teresa (2008) Venetian time and the meander. Log, 12. pp. 131-143. ISSN 1547-4690

Stoppani, Teresa (2007) The building of tension - Manfredo Tafuri's legacy: from operative criticism to historical project, between critical practices and material practices in architecture. In: van Koten, Hamid and Holm, Lorens, (eds.) Reflections on creativity: exploring the role of theory in creative practices. Duncan of Jordanstone College, Dundee, Scotland, UK, pp. 1-17. ISBN 1899837536

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Vlachos, Peter ORCID: 0000-0002-4870-9006 (2003) Paint a true picture of art in China. The Guardian. ISSN 0261-3077

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Wall, Edward Duncan and Liu, Alexis (2023) Chapter 10. Experimental studio ecologies: a productive throwntogetherness. In: Monacella, Rosalea and Keane, Bridget, (eds.) Designing Landscape Architectural Education: Studio Ecologies for Unpredictable Futures. Routledge - Taylor and Francis, Abingdon, Oxon; London and New York. ISBN 978-1003145905; 978-0367703660; 978-0367703653; 0367703661 (doi:https://doi.org/10.4324/9781003145905)

Wall, Edward Duncan and Withers, Simon ORCID: 0000-0002-0203-359X (2024) Part Forest. [Show/Exhibition]

Waller, Allyson and Beard, Sophie (eds.) (2022) Collectarium Lockdown Masks. Lockdown Masks . Collectarium, London, UK. ISBN 978-1399933810

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Waterworth, David and Satom, Saki (2008) To-Lo: Tokyo - London Art Exchange. [Show/Exhibition]

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Watkins, Julie ORCID: 0000-0001-8872-7041 (2022) Animation in post-digital environments: interactions between physical and digital spaces. In: SAS 2022, 27th - 30th June 2022, Teeside University. (Unpublished)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.296)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective. PhD thesis, University of Greenwich.

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Composing visual music: human traces, from an animator’s perspective: REF Multi-component portfolio. [Dataset] (Unpublished)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:https://doi.org/10.14236/ewic/EVA2018.70)

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Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Document of Singing Light 1 installation. [Video]

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Watkins, Julie ORCID: 0000-0001-8872-7041 (2022) Extended senses: unfolding space. In: Extended Senses 2022, 8th - 9th September 2022, University of Greenwich.

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Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Poem. [Artefact]

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Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Shadow Sounds 1. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Singing Light 1. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Sky 2. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Song Series Animacy. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Trainscape. [Artefact]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) Vision freed from frozen cyclops: interacting with visual media, an artistic, critical and technical practice exploring spatial depth. Body Space Technology, 22 (1). pp. 168-189. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9715)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2020) Visual music and embodied visceral affect. In: Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 , (ed.) Sound and Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:https://doi.org/10.4324/9780429295102-9)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2023) (in)visible. [Artefact]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2022) Book launch - Explosions in the mind: composing psychedelic sounds and visualisations. In: Proceedings of EVA (Electronic Visualisation & the Arts). EVA London 2022 (4th - 8th July 2022). Electronic Workshops in Computing . BCS Learning and Development Ltd., Swindon, pp. 36-37. ISBN 978-1780175942 ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2022.8)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Cyberdreams: visualizing music in extended reality. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 209-227. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_12)

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Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

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Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2013) Visual patterns of hallucination as a basis for sonic arts composition. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-2659-9 (doi:https://doi.org/10.1145/2544114.2544125)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2024) The senses beyond: new directions in game engine experiences. In: Giannini, Tula and Bowen, Jonathan P., (eds.) The Arts and Computational Culture: Real and Virtual Worlds. Springer Series on Cultural Computing (SSCC) . Springer, Cham, Switzerland, pp. 499-520. ISBN 978-3031538643; 978-3031538674; 978-3031538650 (doi:https://doi.org/10.1007/978-3-031-53865-0_21)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Bowen, Jonathan P., Borda, Ann and Diprose, Graham (eds.) (2021) EVA London (Electronic Visualisation and the Arts): proceedings of EVA London 2021. In: EVA London 2021, Programme Committee, (ed.) AI and the Arts: Artificial Imagination. Proceedings of EVA London 2021 (EVA 2021). 5th July – 9th July 2021. Electronic Workshops in Computing (eWiC) | BCS . British Computer Society, Swindon; London, pp. 1-10. ISBN 978-1780175737 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2021.0)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunnigham, Stuart (2015) Second screen comes to the silver screen: a consumer study regarding mobile technologies in the cinema. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 121-124. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317381)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2014) Digitized direct animation: creating materials for electroacoustic visual music using 8mm film. eContact! Online Journal for Electroacoustic Practices, 15 (4).

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Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Cunningham, Stuart, Picking, Richard and Williams, Lyall (2015) Holophonor: On the Future Technology of Visual Music. In: Curran, Kevin, (ed.) Recent Advances in Ambient Intelligence and Context-Aware Computing. Recent Advances in Ambient Intelligence and Context-Aware Computing . IGI Global, USA, pp. 143-154. ISBN 9781466672840 ; 1466672846 ; 9781466672857 (doi:https://doi.org/10.4018/978-1-4666-7284-0.ch015)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Cunningham, Stuart, Picking, Richard and Williams, Lyall (2015) Holophonor: designing the visual music instruments of the future. In: Curran, Kevin, (ed.) Recent Advances in Ambient Intelligence and Context-Aware Computing. IGI Global, USA, pp. 143-154. ISBN 9781466672840 ; 9781466672857, 1466672854 ; 1466672846 (doi:https://doi.org/10.4018/978-1-4666-7284-0.ch009)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 , Cunningham, Stuart, Roberts, Nathan, Griffiths, Darryl and Roberts, Shaun (2015) Quake Delirium EEG: a pilot study regarding biofeedback-driven visual effects in a computer game. In: 2015 Internet Technologies and Applications (ITA) Proceedings of the Sixth International Conference (ITA 15). IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 335-338. ISBN 978-1467395571; 978-1479980369; 978-1479980352 (doi:https://doi.org/10.1109/ITechA.2015.7317420)

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Whitby, Richard ORCID: 0000-0002-2729-8682 (2022) Ben Hur Live as post-cinematic adaptation. Journal of Adaptation in Film & Performance, 15 (1/2). pp. 61-75. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp_00069_1)

Withers, Simon ORCID: 0000-0002-0203-359X (2023) A carnival of error: synthetic visions of Maritime Greenwich. In: London Conference in Critical Thought 2023, 30th June - 1st July 2023, School of Social Sciences and Professions, London Metropolitan University Holloway Road, London. (Unpublished)

Withers, Simon ORCID: 0000-0002-0203-359X , Hudson, Philip, Kennedy, Stephen ORCID: 0000-0003-1119-9505 and Goodwin, Duncan ORCID: 0000-0003-2524-9059 (2023) Synthetic visions of maritime Greenwich. [Show/Exhibition]

Withers, Simon ORCID: 0000-0002-0203-359X and Kennedy, Stephen ORCID: 0000-0003-1119-9505 (2024) Captivating the Attention of Strangers: spatial sensory engagement experiments. In: 36th CIHA World Congress (Comité International d'Histoire de l'Art) Exhibition Design: between materiality and spatial dramaturgy, 23rd - 28th Jun, 2024, Lyon, France.

Withers, Simon ORCID: 0000-0002-0203-359X and Kennedy, Stephen ORCID: 0000-0003-1119-9505 (2023) Synthetic visions of UNESCO World Heritage sites. In: VI CHAM International Conference “Heritage for a Common Future / Futures for a Common Heritage”, 12th - 15th July 2023, Lisbon. (Unpublished)

Woollard, Christopher C. and Herrero, Juan J. (2004) An information system to exploit the use of metadata within film and television production. Image Technology, 86 (5). pp. 26-32. ISSN 0950-2114

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2019) Annihilation: A Netflix Original – Now available via DVD, BLU-RAY AND AMAZON…? Critical Studies in Television - Online.

Wroot, Jonathan ORCID: 0000-0002-6827-728X (ed.) (2017) Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, Basingstoke. ISBN 978-3-319-63678-8 ISSN 978-3-319-63679-5 (Online)

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Yang, Chengshan ORCID: 0000-0003-1926-8798 , Li, Jingbing ORCID: 0000-0001-6636-4710 , Bhatti, Uzair Aslam, Liu, Jing, Ma, Jixin, Huang, Mengxing and Xue, Xingsi (2021) Robust zero watermarking algorithm for medical images based on Zernike-DCT. Security and Communication Networks, 2021:4944797. pp. 1-8. ISSN 1939-0114 (Print), 1939-0122 (Online) (doi:https://doi.org/10.1155/2021/4944797)

Yung, Ryan ORCID: 0000-0003-3755-2557 , Le, Truc Hoang, Moyle, Brent and Arcodia, Charles (2022) Towards a typology of virtual events. Tourism Management, 92:104560. ISSN 0261-5177 (Print), 1879-3193 (Online) (doi:https://doi.org/10.1016/j.tourman.2022.104560)

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Zampini, Giulia Federica ORCID: 0000-0002-9456-4792 and Saru, Sambiki (2019) People and Dancefloors: Narratives of Drug-taking (film). [Video]

Zhi, Jin (2015) An alternative green screen keying method for film visual effects. International Journal of Multimedia and Its Applications, 7 (2). pp. 1-12. ISSN 0975-5934 (Print), 0975-5578 (Online) (doi:https://doi.org/10.5121/ijma.2015.7201)

Zhong, Lina, Xu, Zhongqi, Morrison, Alastair ORCID: 0000-0002-0754-1083 and Li, Yunpeng (2023) Metaverse customer journeys in tourism: building viable virtual worlds. Tourism Review. ISSN 1660-5373 (doi:https://doi.org/10.1108/TR-07-2023-0492)

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]