Article

Adeyemi, Sola (2011) Introduction. African Performance Review, 5 (1). pp. 6-8. ISSN 1750-4848

Allain, Paul, Bennett-Worth, Stacie Lee, Camilleri, Frank, McLaughlin, James ORCID: 0000-0002-2146-6884 and Wilson, Thomas (2019) Editorial. Theatre, Dance and Performance Training, 10 (2). pp. 165-168. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625628)

Bondar, Melissa and Andrade Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 (2024) A phenomenology of misfits: a case study of Practice-as-Research in Higher Education symposia. PARtake: The Journal of Performance as Research, 6 (1). pp. 1-19. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v6i1.2217)

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2019) Notes towards a theatre of assemblages. Performance Research, 24 (4). pp. 28-34. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2019.1641320)

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2022) An art like nature: theatre environment as territory in Tim Spooner performances. Journal of Contemporary Drama in English, 10 (1). pp. 1-15. ISSN 2195-0156 (Print), 2195-0164 (Online) (doi:https://doi.org/10.1515/jcde-2022-0005)

Bozzi, Nicola ORCID: 0000-0003-1506-8078 (2024) Platforming the Joe Rogan Experience: cancel culture, comedy, and infrastructure. Television and New Media. pp. 1-14. ISSN 1527-4764 (Print), 1552-8316 (Online) (doi:https://doi.org/10.1177/15274764241277476)

Costantino, Anna (2021) Performative education inside and outside the ethics of care: three provocations. Scenario, 15 (2):2. pp. 27-46. ISSN 1649 - 8526 (Online) (doi:https://doi.org/10.33178/scenario)

Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2022) ‘Creating change where it matters the most’: artistic directorship and representation in the London theatre. Comparative Drama, 56 (1-2). pp. 199-226. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0008)

Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2008) [In Backpages 18.1] The culture of new writing. Contemporary Theatre Review, 18 (1). pp. 131-134. ISSN 1048-6801 (Print), 1477-2264 (Online) (doi:https://doi.org/10.1080/10486800701868254)

Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2007) Roy Williams: representing multicultural Britain in Fallout. Modern Drama, 50 (3). pp. 414-434. ISSN 0026-7694 electronic 1712-5286

Derbyshire, Harry ORCID: 0000-0002-1373-1166 and Hodson, Loveday (2008) Performing injustice: human rights and verbatim theatre. Law and Humanities, 2 (2). pp. 191-211. ISSN 1752-1483

Derbyshire, Henry ORCID: 0000-0002-1373-1166 (2016) Caryl Churchill’s 21st Century Poetics: Theatre form and feminism from far away to Ding Dong the Wicked. Journal of Contemporary Drama in English, 4 (2). pp. 367-384. ISSN 2195-0164 (Online) (doi:https://doi.org/10.1515/jcde-2016-0021)

Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2022) Introduction - There's no place like London: theatrical landscapes of a city in recovery. Comparative Drama, 56 (1&2):1. pp. 1-11. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0000)

Ellis, Tatiana, Hockham, David ORCID: 0000-0001-9362-1137 , Rolle, Erica and Zigomo, Pamela (2020) Becoming civic centred: a case study of the University of Greenwich’s Bathway Theatre based in Woolwich. Studies in Theatre and Performance, 40 (3). pp. 316-327. ISSN 1468-2761 (Print), 2040-0616 (Online) (doi:https://doi.org/10.1080/14682761.2020.1807211)

Greuter, Stefan ORCID: 0000-0001-5487-0237 , Mulvany, Gerard and Myers, Misha ORCID: 0000-0002-4355-6602 (2023) The immersive archive. International Journal of Performance Arts and Digital Media, 19 (3). pp. 405-423. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2023.2223747)

Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)

Heinrichs, Liza, Kuenzel, Sven and Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110 (2021) Keeping in touch with your audience during a global pandemic. Sardines - Magazine for Amateur Theatre, 50. pp. 26-27. ISSN 2515-6756

Heinrichs, Liza, Kuenzel, Sven and Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110 (2021) The ‘new normal’ for UK theatre? Sardines - Magazine for Amateur Theatre, 50. pp. 16-17. ISSN 2515-6756

Hockham, D. ORCID: 0000-0001-9362-1137 , Campbell, J., Chambers, A., Franklin, P., Pollard, I., Reynolds, T. ORCID: 0000-0002-9618-6318 and Ruddock, R. (2022) Let our legacy continue: beginning an archival journey a creative essay of the digital co-creation and hybrid dissemination of windrush oral histories at the University of Greenwich’s Stephen Lawrence Gallery. Research in Drama Education: The Journal of Applied Theatre and Performance, 27 (2). pp. 199-215. ISSN 1356-9783 (Print), 1470-112X (Online) (doi:https://doi.org/10.1080/13569783.2022.2060733)

Hockham, David ORCID: 0000-0001-9362-1137 (2021) Responding to Creation Theatre’s Time Machine: a production moved to Zoom in light of COVID-19. PARtake: The Journal of Performance as Research, 3 (2). pp. 1-6. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v3i2.541)

Hockham, David ORCID: 0000-0001-9362-1137 and Wallis, Jillian ORCID: 0000-0002-5004-9262 (2023) Operationalising the concept of recontextualisation: leveraging pedagogy and learning strategies in higher education practical courses. Higher Education. ISSN 0018-1560 (Print), 1573-174X (Online) (doi:https://doi.org/10.1007/s10734-023-01136-3)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2022) Afterword. Comparative Drama, 56 (1-2):10. p. 227. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0009)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'Don't You Think That's Interesting, About Time?': Playing with Time in Abi Morgan's Lovesong. Digital Theatre [Invited Blog Post].

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2017) 'Making New Theatre Together': Developing writers' and creating community in the first writers' group at the Royal Court and its legacy within the Young Writers' Programme. Theatre History Studies, 36. pp. 248-265. ISSN 0733-2033 (Print), 2166-9953 (Online) (doi:https://doi.org/10.1353/ths.2017.0011)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2015) Royal Court: International [Book Review]. Platform: Journal of Theatre and Performing Arts, 9 (2). pp. 113-116. ISSN 1751-0171

Kaptani, Eirini, Erel, Umut, O’Neill, Maggie and Reynolds, Tracey ORCID: 0000-0002-9618-6318 (2020) Methodological innovation in research: participatory theater with migrant families on conflicts and transformations over the politics of belonging. Journal of Immigration and Refugee Studies, 19 (1). pp. 68-81. ISSN 1556-2948 (Print), 1556-2956 (Online) (doi:https://doi.org/10.1080/15562948.2020.1843748)

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)

Lilley, Heather (2012) 'Everyone in the room has a connection to the story': fairytale adaptation in devised theatre. Journal of Adaptation in Film & Performance, 5 (2). pp. 149-166. ISSN 1753-6421 (Print), 1753-643X (Online) (doi:https://doi.org/10.1386/jafp.5.2.149_1)

Lilley, Heather Louise (2010) Vital contact: creating interpretive communities in the moment of theatrical reception. About Performance (10).

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.

Maravala, Persis Jade, McLaughlin, James ORCID: 0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625626)

Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.

McCaw, Dick, Etchells, Tim, Anderson, Mary Elizabeth and Wallis, Jillian ORCID: 0000-0002-5004-9262 (2013) Essai – (French: ‘test’, ‘attempt’, ‘trial’, ‘try-out’) [Essai]. Theatre, Dance and Performance Training, 4 (1). pp. 126-132. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2013.774821)

McKean, Kathy (2011) “Listen I will tell the story to you / As I have been told it”: Memory and identity in the plays of Nicola McCartney. International Journal of Scottish Theatre and Screen, 4 (1). ISSN 2046-5602 (Print), 2046-5602 (Online)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:https://doi.org/10.1080/2040610X.2022.2091733)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)

McLaughlin, James ORCID: 0000-0002-2146-6884 , Turner, Jane, Weston, Sarah and Condron, Aiden (2024) Editorial. Theatre, Dance and Performance Training, 15 (2):1. pp. 135-142. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2024.2365586)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Elf: Christmas cheer amid the darkness. Times Higher Education. ISSN 0049-3929

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) My Country: a play about Brexit that tries to break the bubble but disappoints. The Conversation. ISSN 2201-5639

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2022) Rita, Sue and #Metoo: the Royal Court Theatre, London, and liberalism. Comparative Drama, 56 (1&2). pp. 157-178. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0006)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2014) Stages of the Loss: translation as contamination. How The Ritual made it to the Royal National Theatre. Theatre Research International, 39 (2). pp. 120-132. ISSN 0307-8833 (Print), 1474-0672 (Online) (doi:https://doi.org/10.1017/S0307883314000042)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2018) There’ll always be an England – Butlins, Brexit and the Heterotopic Body. Journal of European Popular Culture, 9 (1). pp. 33-41. ISSN 2040-6134 (doi:https://doi.org/10.1386/jepc.9.1.33_1)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp.6.1.55_1)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Why Hamilton's arrival In London should not be written off as just another mega-musical. The Huffington Post.

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2012) The only was is... Basildon. Times Higher Education. ISSN 0049-3929

Oxley, Natasha ORCID: 0000-0003-0011-7113 and Schweitzer, Pam (2023) Making intergenerational drama from older people's memories in a community dementia care group: practices, processes, and impact. Journal of Dementia Care. ISSN 1351-8372 (In Press)

Salihbegovic, Fahrudin Nuno (2009) Klanica pet - Slaughterhouse Five: Total theatre in an empty space. Body, Space & Technology, 8 (1). ISSN 1470-9120

Sheridan, Claire (2014) 'A Tragedy Called "The Last Man": Hazlitt's Joke on Francis Place'. The Hazlitt Review, 7. pp. 46-56. ISSN 1757-8299

Solanke, Adeola (2015) Afro-Europe: Winds of Change. The Writer.

Wallis, Jillian ORCID: 0000-0002-5004-9262 (2015) Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices. Body, Space and Technology, 14. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.37)

Young, Jennifer (2021) Shakespeare for the "Triers": Richard Hawkins and Q2 Othello at the Serjeants' Inn. Journal for Early Modern Cultural Studies, 21 (1). pp. 94-119. ISSN 1531-0485 (Print), 1553-3786 (Online) (doi:https://doi.org/10.1353/jem.2021.0003)

Book Section

Adeyemi, Sola (2010) Language and accessibility in Femi Osofisan’s drama. In: Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro, (eds.) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK, pp. 187-202. ISBN 978-0956683700

Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955

Aston, Elaine Frances and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Amine, Khalid and Roberson, George F., (eds.) Performing Transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-46. ISBN 978-0982440964

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2024) The Possibility of fact: sketching an origin for the performative. In: Twitchin, Mischa, (ed.) Wittgenstein and Performance: You'd be Surprised, Ed. Misc ha Twitchin, Rowman and Littlefield, 2024. Rowman & Littlefield, Lanham; Boulder; New York; London, pp. 27-44. ISBN 978-1538175095; 978-1538175101; 1538175096

Bucknall, Joanna, Lansley, Oliver, Maravala, Jade, Maravala, Persis Jadé, Thorpe, Joseph, Cross, Ruth, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Watkins, Bertie, Kingston, Owen and Seager, James (2023) Possible futures round-table discussion with Joanna Bucknall, Oliver Lansley, Persis Jadé Maravala, Jorge Lopes Ramos, Joseph Thorpe, Ruth Cross, Bertie Watkins, Owen Kingston and James Seager. In: Bucknall, Joanna, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury Publishing - Methuen Drama, London, pp. 177-204. ISBN 978-1350269330; 978-1350269361; 978-1350269347; 978-1350269354 (doi:https://doi.org/10.5040/9781350269361)

Cheetham, Deborah and Browning, Daniel (2011) Pecan Summer: The Process of Making New Indigenous Opera in Australia. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farham, UK & Burlington, USA, pp. 325-336. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2023) Collaboration, cooperation and authorship in screenwriting aka how many people does it take to create an author? In: Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . Palgrave, Cham, pp. 73-92. ISBN 978-3031207693 (doi:https://doi.org/10.1007/978-3-031-20769-3_4)

Derbyshire, Henry ORCID: 0000-0002-1373-1166 (2021) The Theatre of the Absurd as professional network in Pinter’s early career. Harold Pinter: Stages, Networks, Collaborations. Methuen Drama Engage . Bloomsbury. ISBN 9781350133624

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2024) Theatricality and dissonance: frictions in contemporary networked performance practices. In: Quick, Andrew and Rushton, Richard, (eds.) Theatricality and the Arts Film, Theatre, Art. Edinburgh University Press, Edinburgh, pp. 70-87. ISBN 978-1399511650; 1399511653 (In Press)

Finlay, Alec, Heddon, Deirdre and Myers, Misha ORCID: 0000-0002-4355-6602 (2021) WILD CITY | FIADH-BHAILE | ORASUL SALBATIC: Mapping the Wild in the Greeny Howe of Glasgow. In: Cohen, Phil and Duggan, Mike, (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 201-206. ISBN 978-1538147191; 978-1538147214

Griffiths, Wyn and Keith, Lindsay ORCID: 0000-0002-5324-1719 (2022) Actors with agency: immersive science theatre and science identity. In: Weitkamp, Emma and Almeida, Carla, (eds.) Science and Theatre: Communicating Science and Technology with Performing Arts. Emerald Publishing Ltd., Bingley, UK, pp. 103-112. ISBN 978-1800436411; 978-1800436404; 978-1800436428 (doi:https://doi.org/10.1108/9781800436404)

Guillery, Harriet, Maravala, Persis Jadé and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2022) The significance of 'role-play' and 'instruction-based performance' as modes of teaching, collaborating and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge, New York and Oxon, pp. 1-7. ISBN 978-1032036038; 978-1032036045; 1003188176; 978-1003188179 (doi:https://doi.org/10.4324/9781003188179-11)

Guillery, Kesia, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade and Simon, Bart (2024) Liveness, audio mixing and participatory theatre: hacking the familiar in 'Binaural Dinner Date'. In: O’Dwyer, Néill, Scott, Joanne and Young, Gareth W., (eds.) XR Performance: Scenographic Explorations. Bloomsbury Methuen. (In Press)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2020) 'In the pursuit of new writers': how the Royal Court Young Peoples' Theatre contributed to the development of first time playwrights in the 1990s. In: Boles, William C., (ed.) After In-Yer-Face: Remnants of a Theatrical Revolution. Palgrave Macmillan, pp. 21-35. ISBN 978-3030394264 (doi:https://doi.org/10.1007/978-3-030-39427-1_2)

Karantonis, Pamela (2011) Performativity, mimesis, and indigenous opera. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA, pp. 73-90. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

Karantonis, Pamela and Robinson, Dylan (2011) Introduction. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA, pp. 1-12. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

Klikova, Deborah ORCID: 0000-0001-9883-2646 (2021) Defining the beats in the TV sitcom. In: Batty, Craig and Taylor, Stayci, (eds.) Script Development. Springer - Palgrave Macmillan, Cham, Switzerland, pp. 205-218. ISBN 978-3030487133; 978-3030487126 (doi:https://doi.org/10.1007/978-3-030-48713-3_13)

Lee, Adele (2013) Antony and Cleopatra. Directed by Kemal Aydoğan for the Oyun Atölyesi Theatre Company (Istanbul, Turkey) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 36-38. ISBN 9781408188132

Lee, Adele (2013) Coriolanus. Directed by Motoi Miura for the Chiten Theatre Company (Kyoto, Japan) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 47-50. ISBN 9781408188132

Lee, Adele (2013) A Midsummer Night's Dream. Directed by Jung Yang-ung for the Yohangza Theatre Company (Seoul, South Korea) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 138-141. ISBN 9781408188132

Lee, Adele (2013) New directions: 'put[ing] on some other shape': Richard III as an Arab V.I.P. In: Connolly, Annaliese, (ed.) Richard III : A Critical Reader. Arden Early Modern Drama Guides . Bloomsbury Arden Shakespeare, London, UK, pp. 155-178. ISBN 9781441168252

Lee, Adele (2013) Titus Adronicus. Directed by Tang Shu-wing Theatre Studio (Hong Kong) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 207-209. ISBN 9781408188132

Lee, Adele (2013) Titus in No Man's Land: The Tang Shu-wing Theatre Studio's production. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 110-114. ISBN 9781107040557

Lee, Adele (2013) ‘A girdle round about the earth’: Yohangza’s A Midsummer Night’s Dream. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 83-86. ISBN 9781107040557

Maravala, Persis Jadé and Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Post-immersive interventions with ZU-UK. In: Bucknall, Joanna Jayne, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury - Methuen Drama, London, pp. 151-176. ISBN 978-1350269330

Myers, Misha ORCID: 0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Analysing the screenplay: A comparative approach. In: Nelmes, Jill, (ed.) Analysing The Screenplay. Routledge, London, pp. 237-251. ISBN 978-0415556347

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Introduction. In: O'Thomas, Mark ORCID: 0000-0001-9264-8813 , (ed.) Mike Barlett's Cock. Bloomsbury Academic, London, pp. 5-18. ISBN 978-1474229630

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Introduction to Cock by Mike Bartlett. Cock. Modern Classics . Methuen, London, pp. 5-18. ISBN 9781474229630

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2012) The Ritual/ O Ritual. Conexões. British Council, São Paulo.

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Translating austerity: Theatrical responses to the financial crisis. Twenty-First Century Drama: What Happens Now. Palgrave Macmillan, pp. 129-148. ISBN 978-1137484024 (doi:https://doi.org/10.1057/978-1-137-48403-1_7)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2020) Uncovering New Voices at the Royal Court Theatre- Interview with Vicky Featherstone. In: Galea, Marco and Musca, Szabolcs, (eds.) Redefining Theatre Communities – International Perspectives on Community-Conscious Theatre-Making. Intellect, Bristol. ISBN 9781789380767

Rapi, Konstantina (2011) An education in living poetry, vivid and violent. In: Brown, Mark, (ed.) Howard Barker Interviews 1980–2010: conversations in catastrophe. Intellect, Bristol, UK / Chicago, USA, pp. 175-180. ISBN 9781841503981 (pbk) 9781841505237 (ebk)

Reynolds, Tracey ORCID: 0000-0002-9618-6318 and Kaptani, Eirini (2022) Migrants performing citizenship: participatory theatre and walking methods for research. In: Czajka, Agnes and O’Brien, Áine, (eds.) Art, Migration and the Production of Radical Democratic Citizenship. Rowman & Littlefield Publishers, London U.K. ISBN 978-1786612786 ; 978-1786612809; 1786612801

Salihbegović, Fahrudin Nuno (2011) There are no books on Tralfamadore: making theatre on the digital planet. In: Dragićević Šešić, Milena, (ed.) Dositheus - razvoj ljudskih resursa u kulturi: zbornik radova. Academica - Akademska grupa, Belgrade, Serbia, pp. 129-135. ISBN 978-8688835008

Solanke, Ade (2013) Prin Osun Pandora's Box. In: Hodge-Dallaway, Simeilia, (ed.) The Oberon Book of Monologues for Black Actors: Classical and Contemporary Speeches from Black British Plays. Volume Two: Monologues for Men: 1 (Oberon Modern Plays). Oberon Books, London, UK. ISBN 9781783190577

Sporton, Gregory (2009) Design as action: Jean Cocteau and the Ballets Russes. In: White, Christine A., (ed.) Directors and Designers. Intellect Books, Bristol, UK, pp. 231-240. ISBN 9781841502892

Sporton, Gregory (2007) Power as nostalgia: the Bolshoi Ballet in the new Russia. In: Barnett, Dennis and Skelton, Arthur, (eds.) Theatre and Performance in Eastern Europe: The Changing Scene. Scarecrow Press, Lanham, Maryland, USA, pp. 3-12. ISBN 9780810860230

Sporton, Gregory (2009) The active audience: the network as a performance environment. In: Oddey, Alison and White, Christine A., (eds.) Modes of Spectating. Intellect Books, Bristol, UK, pp. 61-72. ISBN 9781841502397

Yazbek, Samir (2012) The Ritual. In: Bell, Hillary, (ed.) National Theatre Connections 2012. Methuen Drama, London, pp. 497-537. ISBN 978-1408157244

Young, Jennifer (2022) Chapter 1. Women "think round it"! Writing and Publication in Emilia. In: Kressly, Laura, Patient, Aida and Williams, Kimberly A., (eds.) Notelets of Filth: A Companion Reader to Morgan Lloyd Malcolm's Emilia. Routledge Advances in Theatre & Performance Studies . Routledge, London; Abingdon and New York, pp. 1-12. ISBN 978-1003033387; 978-0367498290; 978-0367470982 (doi:https://doi.org/10.4324/9781003033387)

Young, Jennifer (2021) ‘While memory holds a seat in this distracted globe’: a look back at the Arden Shakespeare Third Series (1995–2020). In: Smith, Emma, (ed.) Shakespeare Survey 74: Shakespeare and Education. Shakespeare Survey, 74 (74). Cambridge University Press, Cambridge, pp. 355-371. ISBN 978-1009036795 (doi:https://doi.org/10.1017/9781009036795.024)

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis Jadé and Guillery, Kesia (2022) The significance of ‘role-play’ and ‘instruction-based performance’ as modes of teaching, collaborating, and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge- Taylor & Francis Group, London. ISBN 978-1032036038 (doi:https://doi.org/10.4324/9781003188179)

Book

Aston, Elaine and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2015) Royal Court: International. Studies in International Performance book series (STUDINPERF) . Palgrave Macmillan, London. ISBN 978-1137461827

Graham, James and Holden, Nicholas ORCID: 0000-0002-3437-1702 (2021) This House by James Graham. Methuen Student Drama Editions, 1 (1). Bloomsbury Methuen, London. ISBN 9781350155534

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

Young, Jennifer (2015) Shakespeare in London. The Arden Shakespeare . Bloomsbury Arden Shakespeare, London. ISBN 978-1408145968

Edited Book

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951

Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus (eds.) (2023) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . The Palgrave Handbook of Screenwriting Studies, Cham. ISBN 978-3031207693

Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (eds.) (2019) Beautiful Doom: Dennis Kelly's Work on Stage and Television. Manchester University Press. (Submitted)

Karantonis, Pamela and Robinson, Dylan (eds.) (2011) Opera Indigene: Re/presenting first nations and indigenous cultures. In: Karantonis, Pamela, (ed.) Opera Indigene: Re/Presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

Conference Proceedings

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2019) Polish plays on the British stage? In: Brexit Stage Left. Contemporary European Drama in translation on the British stage . Royal Central School of Speech and Drama - The British Academy, London - Online.

Signorelli, Valentina ORCID: 0000-0001-7411-7277 (2019) Famous Last Words - A comparative focus on resignation speeches to trace contemporary European instability: the cases of David Cameron and Matteo Renzi. In: Desecrating Celebrity. Proceedings of the IV International Celebrity Studies Journal Conference. Area 14 - Scienze Politiche e Sociali, Volumi di Area 14 - Scienze Politiche e Sociali, 14 . Nuova Cultura, Rome, pp. 109-130. ISBN 978-8833652719 (doi:https://doi.org/10.4458/2719)

Conference or Conference Paper

Adeyemi, Sola (2013) Negotiating identities: Britishness and mapping of culture in Dipo Agboluaje’s The Christ of Coldharbour Lane. In: What is African Theatre and Performance? 2013 AfTA Annual International Conference, 11-14 July 2013, Goldsmiths, University of London & University of Derby, UK. (Unpublished)

Adeyemi, Sola (2013) Performing identities: re-creation and representation of African performance aesthetics. In: 50 Years of Theatre in the African Academy, 28-30 Aug 2013, University of Ibadan, Nigeria. (Unpublished)

Bowes, Simon, Hockham, Dave, Oxley, Natasha ORCID: 0000-0003-0011-7113 and Wallis, Jillian (2018) Embedding a professional feedback model in the teaching of drama. In: SHIFT 2019 - Annual Learning and Teaching Conference, 4 January 2019, University of Greenwich, London, UK. (Unpublished)

Brown, Charmaine ORCID: 0000-0002-6471-9706 (2023) 'Gone too far': gentrification and the intersection of race and identity politics in Peckham. In: Talk to NYT cast of Bola Agbaje's play 'Gone Too Far', 6th March 2023, Peckham, London. (Unpublished)

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Artistic engagements with machine generated voice: Holly Herndon's Holly+ & Jane Frances Dunlop’s select important things. In: Mis/Disinformation and the artifices of authenticity and authentication ICA Pre-Conference, 24th May, 2023, York University, Toronto, Ontario Canada. (Unpublished)

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Multivocal theatricalities: articulating data in composites, choruses, crowds. In: Articulating Data: Multivocal Theatricalities, 11th - 12th May, 2023, Inspace, University of Edinburgh.

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Previsualisations. ‘they are just there’: Gertrude Stein’s ‘Landscapes’ and their finite possibilities. In: London Conference in Critical Thought 2023, 30th Jun - 1st Jul, 2023, School of Social Sciences and Professions, London Metropolitan University, London.

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Sonic Wandering in New Landscapes. Gertrude Stein and sonic performativity in Eglė Budvytytė’s Songs from the Compost: mutating bodies, exploding stars. In: Performing Studies international conference (PSi) #28 Uhambo Luyazilawula: Embodied Wandering Practices, 2nd - 5th Aug, 2023, Johannesburg. (Unpublished)

Hockham, David ORCID: 0000-0001-9362-1137 (2022) Wild frontiers: learning in Higher Education institutions. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex. (Unpublished)

Hockham, David ORCID: 0000-0001-9362-1137 (2022) The question is not what can the university do for us? The question is what can we do for the university?”. In: Performing Oral History Symposium, 11th - 13th April 2022, University of Greenwich. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2017) 'The Guru Effect': The Politics of Process in the Young Writers' Programme at the Royal Court. In: Theatre and Performance Research Association, Wednesday 30 August - Friday 1 September 2017, University of Salford, UK. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2015) 'The Jewel in the Crown': Developing a Young Peoples' Theatre Scheme at the Royal Court. In: Theatre and Performance Research Association, History and Historiography Working Group, Tuesday 8 September - Thursday 10th September 2015, University of Worcester, UK. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2018) A Model for International Playwriting Practice: The Royal Court Young Peoples' Theatre and the Regional Arts Association, 1988-1998. In: Regions, Ruins and Regeneration: Irish Society for Theatre Research, Friday 1 June - Saturday 2nd June 2018, University of Lincoln. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2019) 'The New Place in Town': Early Reflections on the Bridge Theatre and the Monetisation of the Subsidised Theatre Sector in London. In: Text and Presentation: Comparative Drama Conference, Thursday 4 April - Saturday 6 April 2019, Rollins College, Orlando, Florida, USA. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'There Are Times When Naturalism Just Isn't Enough': Breaking Open the Kitchen Sink in the Plays of Alistair McDowall. In: British Theatre in the 21st Century, Thursday 13 October - Saturday 15 October 2016, Université Paris-Sorbonne, France. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'Think Kitchen Sink with a Wormhole Where the Plug Should Be': Exploring New Approaches to New Writing in the plays of Alistair McDowall. In: What Happens Now: 21st Century Writing in English, Monday 27 June - Thursday 30 June 2016, University of Lincoln, UK. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (2017) International Playwrights' Symposium: Dennis Kelly (Co-Organiser). In: International Playwrights' Symposium: Dennis Kelly (Co-Organiser), 18-20 November 2017, Lincoln School of Fine & Performing Arts. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (2019) International Playwrights' Symposium: Zinnie Harris (Co-Organiser). In: International Playwrights' Symposium: Zinnie Harris, Saturday 23 November 2019, University of Lincoln. (Unpublished)

Jones, Emrys (2012) Maternal duties and Filial Malapropisms: Frances Sheridan and the Problems of Theatrical Inheritance. In: British Society For Eighteenth-Century Studies 41st Annual Conference, 04-06 January, 2012, Oxford, UK. (Unpublished)

King, Andrew ORCID: 0000-0003-2348-4231 (2016) ‘Suicide: Popular? Obscene? The case of Ouida’s Two Little Wooden Shoes (1874)’. In: Annual Conference of the British Association for Victorian Studies, 31 August - 2 September 2016, University of Cardiff. (Unpublished)

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Ghost transmissions: concrete objects and ephemeral encounters. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex.

McLaughlin, James ORCID: 0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

McLaughlin, James A. ORCID: 0000-0002-2146-6884 (2019) Reinscribing the Self: Performer Training as Cultural Pentimento. In: Embodied/Embodying Performer Training: Practices and Practicalities: TaPRA Performer Training Working Group Interim Event, 24 April 2019, University of South Wales, Cardiff Campus, The ATRiuM. (Unpublished)

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) Children as Co-creators in Chiffchaff Children's Theatre Productions: defining methodology and evidencing children's role in the creative process. In: Talking TYA, 8-10 October 2020, Online. (Unpublished)

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) Commemoration in contemporary Polish plays. In: Memory Studies Association Conference 2021, 5-9 July 2021, Online / University of Warsaw. (Unpublished)

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2015) Conference presentation at POMP conference on contemporary Polish drama. In: Post-1945 Poland: Modernities, Transformations and Evolving Identities, 11-12 June 2015, St Antony's College, University of Oxford. (Unpublished)

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2019) Making performances from memory boxes: reminiscence theatre and its positive impact on student mental health. In: Theatre of Memory, 1 May 2019 - 4 May 2019, Marine Hotel, Dublin, Ireland. (Unpublished)

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2017) An introduction to the Processes and Outcomes of the Memory Box Project: An International, Intergenerational Experience. In: Remembering Yesterday, Caring Today, 17th November 2017, Bathway Theatre, University of Greenwich. (Unpublished)

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2022) The reminiscence theatre archive as a resource for drama students. In: Performing Oral Histories, 11th April 2022, University of Greenwich Research Space.

Solanke, Adeola (2015) British Library West Africa: Word, symbol and song exhibition. In: West African literature keynote, 5th November 2015, British Library, 96 Euston Road, London NW1 2DB.

Stenros, Jaakko, Simon, Bart, Hughes, Lynn, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2021) Understanding Liveness in immersive theatre, LARP and Games. In: DIGRA 2022, 7th - 11th July 2022, Krakow, Poland. (Unpublished)

Thesis

Lammin, Hannah Elisabeth ORCID: 0000-0002-9752-9335 (2017) Staging community: a non-philosophical presentation of immanent social experience. PhD thesis, University of Greenwich.

Artefact

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Evgenia, Emets, Renaud, Alain, Negrao, David, Havsteen-Franklin, Dominik and Grant, Claire (2022) KIMA Colour: Van Gogh - 360 visual sound art. [Artefact]

Margetson, Emma ORCID: 0000-0002-1054-1973 (2024) Contemplations. [Artefact]

Show/Exhibition

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Almena, Maria and Shemza, Aphra (2022) Access all areas: hybrid exhibition at British Computer Society. [Show/Exhibition]

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Almena, Maria and Shemza, Aphra (2022) Transformations - Hybrid exhibition and event - curated by Dr. Oliver Gingrich, Maria Almena and Aphra Shemza featuring Analema Group's KIMA Colour, KIMA Voice and KIMA Noise and Oliver Gingrich & Shama Rahman's Zeitgeist. [Show/Exhibition]

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Salihbegović, Fahrudin Nuno (2008) Klanica pet – Slaughterhouse Five. [Show/Exhibition]

Smith, Caroline (2011) Last of the red wine (Performance). [Show/Exhibition]

Smith, Caroline (2009) Once more with feeling: Feminism and the archive. [Show/Exhibition]

Composition

Margetson, Emma ORCID: 0000-0002-1054-1973 (2021) Shifted Trajectories. [Composition]

Creative Performance or Reading

Brown, Charmaine ORCID: 0000-0002-6471-9706 (2019) The Build Up: Gentrification performance in two parts. [Creative Performance or Reading]

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia and Negrao, David (2022) KIMA: Voice performance by Analema Group at National Gallery X performed by Victoria Couper. [Creative Performance or Reading]

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia, Negrao, David and James, Winter (2022) KIMA Voice performance at Art in Flux Radical Embodiment event at Barbican London. [Creative Performance or Reading]

Hockham, David ORCID: 0000-0001-9362-1137 and Zaremba-Byrne, Kasia (2022) Tiger Lady (what about us: Empowering Community Voices). [Creative Performance or Reading]

Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2021) GROUPTHINK: What happens when we're all connected? Groupthink - a live performance directed by the heartbeats of its viewers. [Creative Performance or Reading]

Hutchins, Emma (2008) NOT stalking David Tennant (aka "having it all"). [Creative Performance or Reading] (Unpublished)

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

Maffioletti, Catherine and Elizabeth, Kay (2024) Death of a Document. [Creative Performance or Reading]

Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2017) A Double Bill stage adaption of Jill Murphy's Peace at Last! and Whatever Next!, by Chiffchaff Children's Theatre. [Creative Performance or Reading]

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) 'Peace at Last' and 'Whatever Next!'. [Creative Performance or Reading]

Salihbegovic, Fahrudin Nuno (2008) Brotherhood and unity. [Creative Performance or Reading]

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

Solanke, Adeola (2015) Play - East End Boys, West End Girls by Ade Solanke. [Creative Performance or Reading]

Wallis, Jillian ORCID: 0000-0002-5004-9262 (2014) Emma Hamilton's Attitudes Renewed. [Creative Performance or Reading]

Wallis, Jillian ORCID: 0000-0002-5004-9262 (2014) So Pleased To Meet You. [Creative Performance or Reading]

Play, Short Story or Poetry

Mo, Lab (2024) Rehearsed reading of stage play "The Gardener" at "Theatre503". [Play, Short Story or Poetry]

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2018) On The Way Home (based on the book by Jill Murphy). Chiffchaff Children's Theatre for the Summer Reading Challenge. [Play, Short Story or Poetry]

Rapi, Konstantina (2009) Reasons to hide. [Play, Short Story or Poetry]

Solanke, Adeola (2018) The Court Must Have a Queen - an original new play by Ade Solanke. [Play, Short Story or Poetry]

Solanke, Adeola (2015) East End boys, West End girls. [Play, Short Story or Poetry]

Solanke, Adeola (2016) [Special performance] East End Boys, West End Girls. [Play, Short Story or Poetry]

Wallis, Jillian ORCID: 0000-0002-5004-9262 (2008) [Director] Money From America. [Play, Short Story or Poetry] (Unpublished)

Wallis, Jillian ORCID: 0000-0002-5004-9262 (2008) [Drama Workshop with Emergency Exit Arts] Earth carnival. [Play, Short Story or Poetry] (Unpublished)

Wallis, Jillian ORCID: 0000-0002-5004-9262 (2009) [Drama Workshop] Monsters, myths and mayhem: 'The Dragon of Krakow' comes to Blackheath. [Play, Short Story or Poetry] (Unpublished)

Audio

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Bucknall, Joanna (2017) TAIT Episode 20 with Jorge Lopes Ramos: TAIT (Talking About Immersive Theatre) podcast. [Audio]

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

Maravala, Persis-Jadé and Bucknall, Joanna (2020) TAIT Scholar Episode 1 with Persis-Jadé Maravala: TAIT (Talking About Immersive Theatre) podcast. [Audio]

Other

McLaughlin, James ORCID: 0000-0002-2146-6884 , Weston, Sarah, Turner, Jane and Condron, Aiden (2024) Special Issue: Theatre, Dance and Performance Training, Volume 15, Issue 2 (2024). Taylor and Francis Group - Routledge, Abingdon, UK.