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Items where Subject is "PN2000 Dramatic representation. The Theater"

Items where Subject is "PN2000 Dramatic representation. The Theater"

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Article

Adeyemi, Sola (2011) Introduction. African Performance Review, 5 (1). pp. 6-8. ISSN 1750-4848

Allain, Paul, Bennett-Worth, Stacie Lee, Camilleri, Frank, McLaughlin, James ORCID: 0000-0002-2146-6884 and Wilson, Thomas (2019) Editorial. Theatre, Dance and Performance Training, 10 (2). pp. 165-168. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625628)

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2019) Notes towards a theatre of assemblages. Performance Research, 24 (4). pp. 28-34. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2019.1641320)

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2018) The brief hope offered by nature: On art, theatre and aesthetics in the thought of John Berger. Cultural Politics. ISSN 1743-2197 (Print), 1751-7435 (Online) (Submitted)

Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2008) [In Backpages 18.1] The culture of new writing. Contemporary Theatre Review, 18 (1). pp. 131-134. ISSN 1048-6801 (Print), 1477-2264 (Online) (doi:https://doi.org/10.1080/10486800701868254)

Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2007) Roy Williams: representing multicultural Britain in Fallout. Modern Drama, 50 (3). pp. 414-434. ISSN 0026-7694 electronic 1712-5286

Derbyshire, Harry ORCID: 0000-0002-1373-1166 and Hodson, Loveday (2008) Performing injustice: human rights and verbatim theatre. Law and Humanities, 2 (2). pp. 191-211. ISSN 1752-1483

Derbyshire, Henry ORCID: 0000-0002-1373-1166 (2016) Caryl Churchill’s 21st Century Poetics: Theatre form and feminism from far away to Ding Dong the Wicked. Journal of Contemporary Drama in English, 4 (2). pp. 367-384. ISSN 2195-0164 (Online) (doi:https://doi.org/10.1515/jcde-2016-0021)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'Don't You Think That's Interesting, About Time?': Playing with Time in Abi Morgan's Lovesong. Digital Theatre [Invited Blog Post].

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2017) 'Making New Theatre Together': Developing writers' and creating community in the first writers' group at the Royal Court and its legacy within the Young Writers' Programme. Theatre History Studies, 36. pp. 248-265. ISSN 0733-2033 (Print), 2166-9953 (Online) (doi:https://doi.org/10.1353/ths.2017.0011)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2015) Royal Court: International [Book Review]. Platform: Journal of Theatre and Performing Arts, 9 (2). pp. 113-116. ISSN 1751-0171

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)

Lilley, Heather (2012) 'Everyone in the room has a connection to the story': fairytale adaptation in devised theatre. Journal of Adaptation in Film & Performance, 5 (2). pp. 149-166. ISSN 1753-6421 (Print), 1753-643X (Online) (doi:https://doi.org/10.1386/jafp.5.2.149_1)

Lilley, Heather Louise (2010) Vital contact: creating interpretive communities in the moment of theatrical reception. About Performance (10).

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700, Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.

Maravala, Persis Jade, McLaughlin, James ORCID: 0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625626)

McCaw, Dick, Etchells, Tim, Anderson, Mary Elizabeth and Wallis, Jillian (2013) Essai – (French: ‘test’, ‘attempt’, ‘trial’, ‘try-out’) [Essai]. Theatre, Dance and Performance Training, 4 (1). pp. 126-132. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2013.774821)

McKean, Kathy (2011) “Listen I will tell the story to you / As I have been told it”: Memory and identity in the plays of Nicola McCartney. International Journal of Scottish Theatre and Screen, 4 (1). ISSN 2046-5602 (Print), 2046-5602 (Online)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Elf: Christmas cheer amid the darkness. Times Higher Education. ISSN 0049-3929

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) My Country: a play about Brexit that tries to break the bubble but disappoints. The Conversation. ISSN 2201-5639

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2014) Stages of the Loss: translation as contamination. How The Ritual made it to the Royal National Theatre. Theatre Research International, 39 (2). pp. 120-132. ISSN 0307-8833 (Print), 1474-0672 (Online) (doi:https://doi.org/10.1017/S0307883314000042)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2018) There’ll always be an England – Butlins, Brexit and the Heterotopic Body. Journal of European Popular Culture, 9 (1). pp. 33-41. ISSN 2040-6134 (doi:https://doi.org/10.1386/jepc.9.1.33_1)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp.6.1.55_1)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Why Hamilton's arrival In London should not be written off as just another mega-musical. The Huffington Post.

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2012) The only was is... Basildon. Times Higher Education. ISSN 0049-3929

Salihbegovic, Fahrudin Nuno (2009) Klanica pet - Slaughterhouse Five: Total theatre in an empty space. Body, Space & Technology, 8 (1). ISSN 1470-9120

Sheridan, Claire (2014) 'A Tragedy Called "The Last Man": Hazlitt's Joke on Francis Place'. The Hazlitt Review, 7. pp. 46-56. ISSN 1757-8299

Solanke, Adeola (2015) Afro-Europe: Winds of Change. The Writer.

Wallis, Jillian (2015) Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices. Body, Space and Technology, 14. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.37)

Book Section

Adeyemi, Sola (2010) Language and accessibility in Femi Osofisan’s drama. In: Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro, (eds.) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK, pp. 187-202. ISBN 978-0956683700

Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955

Aston, Elaine Frances and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Amine, Khalid and Roberson, George F., (eds.) Performing Transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-46. ISBN 978-0982440964

Cheetham, Deborah and Browning, Daniel (2011) Pecan Summer: The Process of Making New Indigenous Opera in Australia. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farham, UK & Burlington, USA, pp. 325-336. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

Derbyshire, Henry ORCID: 0000-0002-1373-1166 (2019) The Theatre of the Absurd as professional network in Pinter’s early career. Harold Pinter: Stages, Networks, Collaborations. Methuen Drama Engage . Bloomsbury. (Submitted)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2020) 'In the pursuit of new writers': how the Royal Court Young Peoples' Theatre contributed to the development of first time playwrights in the 1990s. In: Boles, William C., (ed.) After In-Yer-Face: Remnants of a Theatrical Revolution. Palgrave Macmillan, pp. 21-35. ISBN 978-3030394264 (doi:https://doi.org/10.1007/978-3-030-39427-1_2)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2019) New writing for young people: Developing DNA for the National Theatre Connections Festival. In: Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline, (eds.) Beautiful Doom: Dennis Kelly's Work on Stage and Television. Manchester University Press. (Submitted)

Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (2019) Introduction. In: Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline, (eds.) Beautiful Doom: Dennis Kelly's Work on Stage and Television. Manchester University Press. (Unpublished)

Karantonis, Pamela (2011) Performativity, mimesis, and indigenous opera. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA, pp. 73-90. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

Karantonis, Pamela and Robinson, Dylan (2011) Introduction. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA, pp. 1-12. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

Lee, Adele (2013) Antony and Cleopatra. Directed by Kemal Aydoğan for the Oyun Atölyesi Theatre Company (Istanbul, Turkey) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 36-38. ISBN 9781408188132

Lee, Adele (2013) Coriolanus. Directed by Motoi Miura for the Chiten Theatre Company (Kyoto, Japan) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 47-50. ISBN 9781408188132

Lee, Adele (2013) A Midsummer Night's Dream. Directed by Jung Yang-ung for the Yohangza Theatre Company (Seoul, South Korea) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 138-141. ISBN 9781408188132

Lee, Adele (2013) New directions: 'put[ing] on some other shape': Richard III as an Arab V.I.P. In: Connolly, Annaliese, (ed.) Richard III : A Critical Reader. Arden Early Modern Drama Guides . Bloomsbury Arden Shakespeare, London, UK, pp. 155-178. ISBN 9781441168252

Lee, Adele (2013) Titus Adronicus. Directed by Tang Shu-wing Theatre Studio (Hong Kong) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 207-209. ISBN 9781408188132

Lee, Adele (2013) Titus in No Man's Land: The Tang Shu-wing Theatre Studio's production. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 110-114. ISBN 9781107040557

Lee, Adele (2013) ‘A girdle round about the earth’: Yohangza’s A Midsummer Night’s Dream. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 83-86. ISBN 9781107040557

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Analysing the screenplay: A comparative approach. In: Nelmes, Jill, (ed.) Analysing The Screenplay. Routledge, London, pp. 237-251. ISBN 978-0415556347

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Introduction. In: O'Thomas, Mark ORCID: 0000-0001-9264-8813, (ed.) Mike Barlett's Cock. Bloomsbury Academic, London, pp. 5-18. ISBN 978-1474229630

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Introduction to Cock by Mike Bartlett. Cock. Modern Classics . Methuen, London, pp. 5-18. ISBN 9781474229630

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2012) The Ritual/ O Ritual. Conexões. British Council, São Paulo.

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Translating austerity: Theatrical responses to the financial crisis. Twenty-First Century Drama: What Happens Now. Palgrave Macmillan, pp. 129-148. ISBN 978-1137484024 (doi:https://doi.org/10.1057/978-1-137-48403-1_7)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2020) Uncovering New Voices at the Royal Court Theatre- Interview with Vicky Featherstone. In: Galea, Marco and Musca, Szabolcs, (eds.) Redefining Theatre Communities – International Perspectives on Community-Conscious Theatre-Making. Intellect, Bristol. ISBN 9781789380767

Rapi, Konstantina (2011) An education in living poetry, vivid and violent. In: Brown, Mark, (ed.) Howard Barker Interviews 1980–2010: conversations in catastrophe. Intellect, Bristol, UK / Chicago, USA, pp. 175-180. ISBN 9781841503981 (pbk) 9781841505237 (ebk)

Salihbegović, Fahrudin Nuno (2011) There are no books on Tralfamadore: making theatre on the digital planet. In: Dragićević Šešić, Milena, (ed.) Dositheus - razvoj ljudskih resursa u kulturi: zbornik radova. Academica - Akademska grupa, Belgrade, Serbia, pp. 129-135. ISBN 978-8688835008

Solanke, Ade (2013) Prin Osun Pandora's Box. In: Hodge-Dallaway, Simeilia, (ed.) The Oberon Book of Monologues for Black Actors: Classical and Contemporary Speeches from Black British Plays. Volume Two: Monologues for Men: 1 (Oberon Modern Plays). Oberon Books, London, UK. ISBN 9781783190577

Sporton, Gregory (2009) Design as action: Jean Cocteau and the Ballets Russes. In: White, Christine A., (ed.) Directors and Designers. Intellect Books, Bristol, UK, pp. 231-240. ISBN 9781841502892

Sporton, Gregory (2007) Power as nostalgia: the Bolshoi Ballet in the new Russia. In: Barnett, Dennis and Skelton, Arthur, (eds.) Theatre and Performance in Eastern Europe: The Changing Scene. Scarecrow Press, Lanham, Maryland, USA, pp. 3-12. ISBN 9780810860230

Sporton, Gregory (2009) The active audience: the network as a performance environment. In: Oddey, Alison and White, Christine A., (eds.) Modes of Spectating. Intellect Books, Bristol, UK, pp. 61-72. ISBN 9781841502397

Yazbek, Samir (2012) The Ritual. In: Bell, Hillary, (ed.) National Theatre Connections 2012. Methuen Drama, London, pp. 497-537. ISBN 978-1408157244

Book

Aston, Elaine and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2015) Royal Court: International. Studies in International Performance book series (STUDINPERF) . Palgrave Macmillan, London. ISBN 978-1137461827

Graham, James and Holden, Nicholas ORCID: 0000-0002-3437-1702 (2021) This House by James Graham. Methuen Student Drama Editions, 1 (1). Bloomsbury Methuen, London. ISBN 9781350155534

Young, Jennifer (2015) Shakespeare in London. The Arden Shakespeare . Bloomsbury Arden Shakespeare, London. ISBN 978-1408145968

Edited Book

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951

Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (eds.) (2019) Beautiful Doom: Dennis Kelly's Work on Stage and Television. Manchester University Press. (Submitted)

Karantonis, Pamela and Robinson, Dylan (eds.) (2011) Opera Indigene: Re/presenting first nations and indigenous cultures. In: Karantonis, Pamela, (ed.) Opera Indigene: Re/Presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

Conference or Conference Paper

Adeyemi, Sola (2013) Negotiating identities: Britishness and mapping of culture in Dipo Agboluaje’s The Christ of Coldharbour Lane. In: What is African Theatre and Performance? 2013 AfTA Annual International Conference, 11-14 July 2013, Goldsmiths, University of London & University of Derby, UK. (Unpublished)

Adeyemi, Sola (2013) Performing identities: re-creation and representation of African performance aesthetics. In: 50 Years of Theatre in the African Academy, 28-30 Aug 2013, University of Ibadan, Nigeria. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2017) 'The Guru Effect': The Politics of Process in the Young Writers' Programme at the Royal Court. In: Theatre and Performance Research Association, Wednesday 30 August - Friday 1 September 2017, University of Salford, UK. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2015) 'The Jewel in the Crown': Developing a Young Peoples' Theatre Scheme at the Royal Court. In: Theatre and Performance Research Association, History and Historiography Working Group, Tuesday 8 September - Thursday 10th September 2015, University of Worcester, UK. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2018) A Model for International Playwriting Practice: The Royal Court Young Peoples' Theatre and the Regional Arts Association, 1988-1998. In: Regions, Ruins and Regeneration: Irish Society for Theatre Research, Friday 1 June - Saturday 2nd June 2018, University of Lincoln. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2019) 'The New Place in Town': Early Reflections on the Bridge Theatre and the Monetisation of the Subsidised Theatre Sector in London. In: Text and Presentation: Comparative Drama Conference, Thursday 4 April - Saturday 6 April 2019, Rollins College, Orlando, Florida, USA. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'There Are Times When Naturalism Just Isn't Enough': Breaking Open the Kitchen Sink in the Plays of Alistair McDowall. In: British Theatre in the 21st Century, Thursday 13 October - Saturday 15 October 2016, Université Paris-Sorbonne, France. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'Think Kitchen Sink with a Wormhole Where the Plug Should Be': Exploring New Approaches to New Writing in the plays of Alistair McDowall. In: What Happens Now: 21st Century Writing in English, Monday 27 June - Thursday 30 June 2016, University of Lincoln, UK. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (2017) International Playwrights' Symposium: Dennis Kelly (Co-Organiser). In: International Playwrights' Symposium: Dennis Kelly (Co-Organiser), 18-20 November 2017, Lincoln School of Fine & Performing Arts. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (2019) International Playwrights' Symposium: Zinnie Harris (Co-Organiser). In: International Playwrights' Symposium: Zinnie Harris, Saturday 23 November 2019, University of Lincoln. (Unpublished)

Jones, Emrys (2012) Maternal duties and Filial Malapropisms: Frances Sheridan and the Problems of Theatrical Inheritance. In: British Society For Eighteenth-Century Studies 41st Annual Conference, 04-06 January, 2012, Oxford, UK. (Unpublished)

King, Andrew ORCID: 0000-0003-2348-4231 (2016) ‘Suicide: Popular? Obscene? The case of Ouida’s Two Little Wooden Shoes (1874)’. In: Annual Conference of the British Association for Victorian Studies, 31 August - 2 September 2016, University of Cardiff. (Unpublished)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

McLaughlin, James A. ORCID: 0000-0002-2146-6884 (2019) Reinscribing the Self: Performer Training as Cultural Pentimento. In: Embodied/Embodying Performer Training: Practices and Practicalities: TaPRA Performer Training Working Group Interim Event, 24 April 2019, University of South Wales, Cardiff Campus, The ATRiuM. (Unpublished)

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2015) Conference presentation at POMP conference on contemporary Polish drama. In: Post-1945 Poland: Modernities, Transformations and Evolving Identities, 11-12 June 2015, St Antony's College, University of Oxford. (Unpublished)

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2019) Making performances from memory boxes: reminiscence theatre and its positive impact on student mental health. In: Theatre of Memory, 1 May 2019 - 4 May 2019, Marine Hotel, Dublin, Ireland. (Unpublished)

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2017) An introduction to the Processes and Outcomes of the Memory Box Project: An International, Intergenerational Experience. In: Remembering Yesterday, Caring Today, 17th November 2017, Bathway Theatre, University of Greenwich. (Unpublished)

Solanke, Adeola (2015) British Library West Africa: Word, symbol and song exhibition. In: West African literature keynote, 5th November 2015, British Library, 96 Euston Road, London NW1 2DB.

Thesis

Lammin, Hannah Elisabeth ORCID: 0000-0002-9752-9335 (2017) Staging community: a non-philosophical presentation of immanent social experience. PhD thesis, University of Greenwich.

Show/Exhibition

Salihbegović, Fahrudin Nuno (2008) Klanica pet – Slaughterhouse Five. [Show/Exhibition]

Smith, Caroline (2011) Last of the red wine (Performance). [Show/Exhibition]

Smith, Caroline (2009) Once more with feeling: Feminism and the archive. [Show/Exhibition]

Performance

Brown, Charmaine ORCID: 0000-0002-6471-9706 (2019) The Build Up: Gentrification performance in two parts. [Performance]

Hutchins, Emma (2008) NOT stalking David Tennant (aka "having it all"). [Performance] (Unpublished)

Salihbegovic, Fahrudin Nuno (2008) Brotherhood and unity. [Performance]

Solanke, Adeola (2015) Play - East End Boys, West End Girls by Ade Solanke. [Performance]

Wallis, Jillian (2014) Emma Hamilton's Attitudes Renewed. [Performance]

Wallis, Jillian (2014) So Pleased To Meet You. [Performance]

Play, Short Story or Poetry

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2018) On The Way Home (based on the book by Jill Murphy). Chiffchaff Children's Theatre for the Summer Reading Challenge. [Play, Short Story or Poetry]

Rapi, Konstantina (2009) Reasons to hide. [Play, Short Story or Poetry]

Solanke, Adeola (2018) The Court Must Have a Queen - an original new play by Ade Solanke. [Play, Short Story or Poetry]

Solanke, Adeola (2015) East End boys, West End girls. [Play, Short Story or Poetry]

Solanke, Adeola (2016) [Special performance] East End Boys, West End Girls. [Play, Short Story or Poetry]

Wallis, Jillian (2008) [Director] Money From America. [Play, Short Story or Poetry] (Unpublished)

Wallis, Jillian (2008) [Drama Workshop with Emergency Exit Arts] Earth carnival. [Play, Short Story or Poetry] (Unpublished)

Wallis, Jillian (2009) [Drama Workshop] Monsters, myths and mayhem: 'The Dragon of Krakow' comes to Blackheath. [Play, Short Story or Poetry] (Unpublished)

This list was generated on Tue Dec 7 21:57:22 2021 UTC.