Items where Subject is "PN2000 Dramatic representation. The Theater"

Library of Congress Subject Areas (21199)
- P Language and Literature (941)
  - PN Literature (General) (585)
    - PN2000 Dramatic representation. The Theater (183)

Group by: Creators | Item Type | Uncontrolled Keywords

"royal court theatre" 'new normal' 1970s 20-channel 21st Century 360 visual sound 3D visualisation technologies A Midsummer Night's Dream ab lines Abi Morgan accessibility acousmatic acting adaptation adaptation studies aesthetics of cyber theatre affective touch African performance aesthetics African theatre African writing/theatre/diaspora afterword agency Alexander Hamilton Alistair McDowall ambisonics American Musical amplification Andy Smith johnsmith Antony and Cleopatra apparatus applied drama appropriation Arab VIP archives Arden Shakespeare Art as activism Artifical Intelligence artistic directors artistic research arts Arts & Health Arts and Culture arts funding Asia audience audiences audio experience Augusto Boal austerity impact authenticity authorship ballet Baruch Spinoza beats belonging binaural audio Black British drama Black British performance culture Black British playwrights black-on-black violence blogging bodies body Bola Agbaje bone-conducting headphones Brazil Brazilian playwriting Brexit British Council British Drama British working-class life Brixton Calculus Cameron cancel culture Capitalism care Caryl Churchill catabolic crisis censorship Chatroulette chicago improv festival children children's literature children's theatre China choreography civic centred class co-creation co-production Cock Cocteau collaboration comedy comic commemoration communities community community engagement community practice comparative drama connections connectivity contemporary contemporary British drams contemporary British playwriting Contemporary British Theatre contemporary drama Contemporary playwriting Coriolanus corporeal covid Covid-19 Creative Industries creative maps creative writing creativity cultural diplomacy cultural dissonance cultural exchange cultural identity cultural licensee cultural memory cultural politics Damilola Taylor dance data David Tennant decolonising decolonising methodologies decolonising practices decolonising the academy deep map Deleuze dementia arts dementia care democratic citizenship Dennis Kelly developing material devising diaspora digital digital mental health therapy digital performance digital stage design digital technology Digital Theatre digital training directing director in digital theatre disabled-led diversity DJ Dolores documenting performance Donald Trump drama drama in libraries drama pedagogy drawing Early modern drama early modern inns of court early modern print publication ecocide ecology editing editorial theory and practice electroacoustic Elizabeth Grosz elves embodied geography embodiment Emilia empathy employability entanglement entertainment entrainment Essex's rightwing materialism ethic of care ethnicity Euripides europe exhibition experiential theatres fairytales family theatre feedback Femi Osofisan Feminism feminist filial film film adaptations film images film studies Filter bubble fine art first nations foreign language Foucault fresh water funding games gender gentrification Gilles Deleuze global Gone Too Far graduate grotowski hand drawn maps Hannah Arendt haptic technology Harold Pinter headphone theatre health care health simulation heightened realism Henri Bergson heterotopia Higher Education hip hop theatre history homophily Hong Kong housing Howard Barker Human Ecology Economics human rights hung parliament hybrid hybrid exhibition Hybrid Exhibition - Media Art - Participatory Art hybrid theatre online hybrid writing hysteric idea development Identity identity politics ideology immersive immersive experience immersive science theatre immersive technologies immersive theatre improv bandits improvisation In-Yer-Face inclusivity indigenous cultures industrial inequality infrastructure inheritance installation institutional racism instruction instruction-based instruction-based performance interactive interactive performance interactive technology interactive theatre interculturalism interdisciplinary interdisciplinary art intergenerational intergenerational drama International international impact internet art interview intimacy introduction Irish diaspora Irish history Irish identity Irish literature Irish poetry Irish prose Irish writing James Graham Jauss jazz Jerzy Grotowski Joe Rogan journey writing Judith Butler Jung Yang-ung Karen Barad keith johnstone Kemal Aydoğan kneehigh audience Kneehigh Theatre knowledge exchange knowledge exchange framework Korean labkymo landscape landscapes LARP layering LBTGQ community learning learning scenographics Leibniz liberalism lineage literacy literature Live sound editing lived experience liveness locative media London loneliness lord chamberlain Lovesong machine learning Manuel DeLanda marginalisation Masquerade maternal maternal care mathematics measurement media art media theory meisner technique Meisner training memory memory boxes memory theatre mental healthcare training metaphor MeToo metrosexuality Migrant East End families migration Mike Bartlett Mike Pence misfits monologues Morgan Lloyd Malcolm Motoi Miura moving image multichannel ambisonics multiculturalism multimedia archives musical theatre musicology N/A narrative archaeology narrative structure National Theatre Nationalism Naturalism neoliberalism new writing Newton Nicola McCartney Nigerian drama Nigerian theatre Nollywood non-anglophone non-anglophone Shakespeare Northern Ireland Nostalgia obsessions occupation online theatre open questions Open-Third-Space opera oral histories oral history orientalism Othello Ouida outreach palliative care pandemic pandemic performance Para Active parliament participation participatory participatory action research social justice migrant women no recourse to public funds 'race' and radicalisation poverty transformation participatory art participatory arts participatory performance participatory theatre Peckham pedagogy pentimento performance performance art performance cartography performance review Performance Studies Performance training performative teaching and learning performativity performer performer training pervasive experience phenomenology phillip zarrilli philosophy phones photography Physical theatre pilgrimage place platformisation play play text plays playtesting playwrights playwriting podcast poetry Poland Polish Polish culture Polish drama politics pollution popular fiction popular performances post-immersive post-punk postcolonial African theatre postcolonial studies postcolonialism power practice as research practice based learning Practice-as-Research practice-based education practice-led research praxis-based approaches presence print history privilege privilege‌ production provocation psychophysical psychophysical training Public Policy public space race radical rave reading reception theory recontextualisation Reform Regional Arts Association Regional Theatre reimagining Reminiscence Theatre Renzi representation Research resignation review Richard III ritual river River Bann role-play Roy Williams royal court royal court theatre royal national theatre Russia scenography science identity Scotland screenplay screenwriting screenwriting research screenwriting studies script development seasonal cheer Shakespeare Shakir Abal Silvia Mercuriali sitcom Sitcoms site-specific Situation comedy Slaughterhouse Five theatre play SMASHfestUK social connectedness social identity social impact social justice social media socially engaged practices sound sound art Soviet Union spatial sound spectacle spectatorship speech spontaneity Stage staging community stalking subcultural identity Subsidised Theatre suicide Sulayman Al-Bassam surveillance symposia system collapse tambor de mina Tang Shu-wing technical theatre technique technology temporal dissonance territory textual criticism The Bridge The Figural The Gallery The Royal Court the Troubles theatre theatre artists Theatre Dance Performance Training theatre design theatre for young audiences theatre heritage Theatre of the Absurd theatre sound theatre translation theatricality This House Tim Langford Tim Spooner Titus Adronicus touch Tragedy training trans-national translation translation studies translation theory trauma-sensitivity travel writing Tudors/Henry V111/Cromwell/John Blanke/Anne of Cleves TYA UK UK COVID-19 Unity university University of Greenwich Utilitarianism verbatim theatre Victorian popular women novelists Viola Spolin virtual persona visual sound visual sound art visual sound interface vocality voice studies VR VR/XR walking wast end web 2.0 West African Literature William Hazlitt William Shakespeare windrush generation Wittgenstein Wole Soyinka women authorship women publication word maps Workshop young audiences Young Court Young People Young Writers' Programme youtube Zinnie Harris Zoom Zoom performance ZU-UK Zygmunt Molik ‘hacking the familiar’

Number of items at this level: 904.

"royal court theatre"

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2022) Rita, Sue and #Metoo: the Royal Court Theatre, London, and liberalism. Comparative Drama, 56 (1&2). pp. 157-178. ISSN 0010-4078 (doi:10.1353/cdr.2022.0006)

'new normal'

Heinrichs, Liza, Kuenzel, Sven and Krolikowska-Adamczyk, Ewa ORCID: https://orcid.org/0000-0002-0739-2110 (2021) The ‘new normal’ for UK theatre? Sardines - Magazine for Amateur Theatre, 50. pp. 16-17. ISSN 2515-6756

1970s

Graham, James and Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702 (2021) This House by James Graham. Methuen Student Drama Editions, 1 (1). Bloomsbury Methuen, London. ISBN 9781350155534

20-channel

Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973 (2021) Shifted Trajectories. [Composition]

21st Century

Zisels Lopes Machado Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700, Maravala, Persis Jadé and Guillery, Kesia (2022) The significance of ‘role-play’ and ‘instruction-based performance’ as modes of teaching, collaborating, and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge- Taylor & Francis Group, London. ISBN 978-1032036038 (doi:10.4324/9781003188179)

360 visual sound

Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032, Evgenia, Emets, Renaud, Alain, Negrao, David, Havsteen-Franklin, Dominik and Grant, Claire (2022) KIMA Colour: Van Gogh - 360 visual sound art. [Artefact]

3D visualisation technologies

Greuter, Stefan ORCID: https://orcid.org/0000-0001-5487-0237, Mulvany, Gerard and Myers, Misha ORCID: https://orcid.org/0000-0002-4355-6602 (2023) The immersive archive. International Journal of Performance Arts and Digital Media, 19 (3). pp. 405-423. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:10.1080/14794713.2023.2223747)

A Midsummer Night's Dream

Lee, Adele (2013) A Midsummer Night's Dream. Directed by Jung Yang-ung for the Yohangza Theatre Company (Seoul, South Korea) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 138-141. ISBN 9781408188132

ab lines

McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

Abi Morgan

Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702 (2016) 'Don't You Think That's Interesting, About Time?': Playing with Time in Abi Morgan's Lovesong. Digital Theatre [Invited Blog Post].

accessibility

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700, Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

acousmatic

Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973 (2024) Contemplations. [Artefact]

acting

McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625623)

adaptation

King, Andrew ORCID: https://orcid.org/0000-0003-2348-4231 (2016) ‘Suicide: Popular? Obscene? The case of Ouida’s Two Little Wooden Shoes (1874)’. In: Annual Conference of the British Association for Victorian Studies, 31 August - 2 September 2016, University of Cardiff. (Unpublished)

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:10.1386/jafp.6.1.55_1)

Oxley, Natasha ORCID: https://orcid.org/0000-0003-0011-7113 (2018) On The Way Home (based on the book by Jill Murphy). Chiffchaff Children's Theatre for the Summer Reading Challenge. [Play, Short Story or Poetry]

adaptation studies

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624

aesthetics of cyber theatre

Salihbegović, Fahrudin Nuno (2011) There are no books on Tralfamadore: making theatre on the digital planet. In: Dragićević Šešić, Milena, (ed.) Dositheus - razvoj ljudskih resursa u kulturi: zbornik radova. Academica - Akademska grupa, Belgrade, Serbia, pp. 129-135. ISBN 978-8688835008

affective touch

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700, Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo ORCID: https://orcid.org/0000-0003-3754-3714 and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]

African performance aesthetics

Adeyemi, Sola (2013) Performing identities: re-creation and representation of African performance aesthetics. In: 50 Years of Theatre in the African Academy, 28-30 Aug 2013, University of Ibadan, Nigeria. (Unpublished)

African theatre

Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955

Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951

African writing/theatre/diaspora

Solanke, Adeola (2015) Afro-Europe: Winds of Change. The Writer.

afterword

Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702 (2022) Afterword. Comparative Drama, 56 (1-2):10. p. 227. ISSN 0010-4078 (doi:10.1353/cdr.2022.0009)

agency

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884, Turner, Jane, Weston, Sarah and Condron, Aiden (2024) Editorial. Theatre, Dance and Performance Training, 15 (2):1. pp. 135-142. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2024.2365586)

McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884, Weston, Sarah, Turner, Jane and Condron, Aiden (2024) Special Issue: Theatre, Dance and Performance Training, Volume 15, Issue 2 (2024). Taylor and Francis Group - Routledge, Abingdon, UK.

Alexander Hamilton

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2017) Why Hamilton's arrival In London should not be written off as just another mega-musical. The Huffington Post.

Alistair McDowall

Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702 (2016) 'There Are Times When Naturalism Just Isn't Enough': Breaking Open the Kitchen Sink in the Plays of Alistair McDowall. In: British Theatre in the 21st Century, Thursday 13 October - Saturday 15 October 2016, Université Paris-Sorbonne, France. (Unpublished)

Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702 (2016) 'Think Kitchen Sink with a Wormhole Where the Plug Should Be': Exploring New Approaches to New Writing in the plays of Alistair McDowall. In: What Happens Now: 21st Century Writing in English, Monday 27 June - Thursday 30 June 2016, University of Lincoln, UK. (Unpublished)

ambisonics

Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973 (2021) Shifted Trajectories. [Composition]

American Musical

Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

amplification

Andy Smith johnsmith

Bowes, Neil Simon ORCID: https://orcid.org/0000-0002-9189-0322 (2019) Notes towards a theatre of assemblages. Performance Research, 24 (4). pp. 28-34. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:10.1080/13528165.2019.1641320)

Antony and Cleopatra

Lee, Adele (2013) Antony and Cleopatra. Directed by Kemal Aydoğan for the Oyun Atölyesi Theatre Company (Istanbul, Turkey) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 36-38. ISBN 9781408188132

apparatus

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

applied drama

Oxley, Natasha ORCID: https://orcid.org/0000-0003-0011-7113 (2017) An introduction to the Processes and Outcomes of the Memory Box Project: An International, Intergenerational Experience. In: Remembering Yesterday, Caring Today, 17th November 2017, Bathway Theatre, University of Greenwich. (Unpublished)

appropriation

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:10.1353/shb.2010.0031)

Lee, Adele (2013) Coriolanus. Directed by Motoi Miura for the Chiten Theatre Company (Kyoto, Japan) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 47-50. ISBN 9781408188132

Lee, Adele (2013) New directions: 'put[ing] on some other shape': Richard III as an Arab V.I.P. In: Connolly, Annaliese, (ed.) Richard III : A Critical Reader. Arden Early Modern Drama Guides . Bloomsbury Arden Shakespeare, London, UK, pp. 155-178. ISBN 9781441168252

Lee, Adele (2013) Titus Adronicus. Directed by Tang Shu-wing Theatre Studio (Hong Kong) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 207-209. ISBN 9781408188132

Lee, Adele (2013) Titus in No Man's Land: The Tang Shu-wing Theatre Studio's production. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 110-114. ISBN 9781107040557

Lee, Adele (2013) ‘A girdle round about the earth’: Yohangza’s A Midsummer Night’s Dream. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 83-86. ISBN 9781107040557

Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.

Arab VIP

Arden Shakespeare

Young, Jennifer (2021) ‘While memory holds a seat in this distracted globe’: a look back at the Arden Shakespeare Third Series (1995–2020). In: Smith, Emma, (ed.) Shakespeare Survey 74: Shakespeare and Education. Shakespeare Survey, 74 (74). Cambridge University Press, Cambridge, pp. 355-371. ISBN 978-1009036795 (doi:10.1017/9781009036795.024)

Art as activism

Artifical Intelligence

Dunlop, Jane Frances ORCID: https://orcid.org/0009-0000-4350-5381 (2023) Artistic engagements with machine generated voice: Holly Herndon's Holly+ & Jane Frances Dunlop’s select important things. In: Mis/Disinformation and the artifices of authenticity and authentication ICA Pre-Conference, 24th May, 2023, York University, Toronto, Ontario Canada. (Unpublished)

artistic directors

Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166 (2022) ‘Creating change where it matters the most’: artistic directorship and representation in the London theatre. Comparative Drama, 56 (1-2). pp. 199-226. ISSN 0010-4078 (doi:10.1353/cdr.2022.0008)

artistic research

Bowes, Neil Simon ORCID: https://orcid.org/0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:10.1007/978-3-031-18607-3_10)

arts

Maravala, Persis Jadé and Zisels Lopes Machado Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 (2023) Post-immersive interventions with ZU-UK. In: Bucknall, Joanna Jayne, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury - Methuen Drama, London, pp. 151-176. ISBN 978-1350269330

Arts & Health

Arts and Culture

McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

arts funding

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2016) Translating austerity: Theatrical responses to the financial crisis. Twenty-First Century Drama: What Happens Now. Palgrave Macmillan, pp. 129-148. ISBN 978-1137484024 (doi:10.1057/978-1-137-48403-1_7)

Asia

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:10.1353/shb.2010.0031)

audience

Lilley, Heather (2012) 'Everyone in the room has a connection to the story': fairytale adaptation in devised theatre. Journal of Adaptation in Film & Performance, 5 (2). pp. 149-166. ISSN 1753-6421 (Print), 1753-643X (Online) (doi:10.1386/jafp.5.2.149_1)

Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.

audiences

Lilley, Heather Louise (2010) Vital contact: creating interpretive communities in the moment of theatrical reception. About Performance (10).

audio experience

Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]

Augusto Boal

austerity impact

authenticity

Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.

authorship

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2023) Collaboration, cooperation and authorship in screenwriting aka how many people does it take to create an author? In: Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271, Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . Palgrave, Cham, pp. 73-92. ISBN 978-3031207693 (doi:10.1007/978-3-031-20769-3_4)

ballet

Sporton, Gregory (2009) Design as action: Jean Cocteau and the Ballets Russes. In: White, Christine A., (ed.) Directors and Designers. Intellect Books, Bristol, UK, pp. 231-240. ISBN 9781841502892

Sporton, Gregory (2007) Power as nostalgia: the Bolshoi Ballet in the new Russia. In: Barnett, Dennis and Skelton, Arthur, (eds.) Theatre and Performance in Eastern Europe: The Changing Scene. Scarecrow Press, Lanham, Maryland, USA, pp. 3-12. ISBN 9780810860230

Baruch Spinoza

Bowes, Neil Simon ORCID: https://orcid.org/0000-0002-9189-0322 (2022) An art like nature: theatre environment as territory in Tim Spooner performances. Journal of Contemporary Drama in English, 10 (1). pp. 1-15. ISSN 2195-0156 (Print), 2195-0164 (Online) (doi:10.1515/jcde-2022-0005)

beats

Klikova, Deborah ORCID: https://orcid.org/0000-0001-9883-2646 (2021) Defining the beats in the TV sitcom. In: Batty, Craig and Taylor, Stayci, (eds.) Script Development. Springer - Palgrave Macmillan, Cham, Switzerland, pp. 205-218. ISBN 978-3030487133; 978-3030487126 (doi:10.1007/978-3-030-48713-3_13)

belonging

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

binaural audio

Guillery, Kesia, Zisels Lopes Machado Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700, Maravala, Persis-Jade and Simon, Bart (2024) Liveness, audio mixing and participatory theatre: hacking the familiar in 'Binaural Dinner Date'. In: O’Dwyer, Néill, Scott, Joanne and Young, Gareth W., (eds.) XR Performance: Scenographic Explorations. Bloomsbury Methuen. (In Press)

Black British drama

Black British performance culture

Adeyemi, Sola (2013) Negotiating identities: Britishness and mapping of culture in Dipo Agboluaje’s The Christ of Coldharbour Lane. In: What is African Theatre and Performance? 2013 AfTA Annual International Conference, 11-14 July 2013, Goldsmiths, University of London & University of Derby, UK. (Unpublished)

Black British playwrights

Solanke, Ade (2013) Prin Osun Pandora's Box. In: Hodge-Dallaway, Simeilia, (ed.) The Oberon Book of Monologues for Black Actors: Classical and Contemporary Speeches from Black British Plays. Volume Two: Monologues for Men: 1 (Oberon Modern Plays). Oberon Books, London, UK. ISBN 9781783190577

Solanke, Adeola (2015) East End boys, West End girls. [Play, Short Story or Poetry]

black-on-black violence

Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166 (2007) Roy Williams: representing multicultural Britain in Fallout. Modern Drama, 50 (3). pp. 414-434. ISSN 0026-7694 electronic 1712-5286

blogging

bodies

Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.

body

Bola Agbaje

Brown, Charmaine ORCID: https://orcid.org/0000-0002-6471-9706 (2023) 'Gone too far': gentrification and the intersection of race and identity politics in Peckham. In: Talk to NYT cast of Bola Agbaje's play 'Gone Too Far', 6th March 2023, Peckham, London. (Unpublished)

bone-conducting headphones

Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]

Brazil

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2012) The Ritual/ O Ritual. Conexões. British Council, São Paulo.

Yazbek, Samir (2012) The Ritual. In: Bell, Hillary, (ed.) National Theatre Connections 2012. Methuen Drama, London, pp. 497-537. ISBN 978-1408157244

Brazilian playwriting

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2014) Stages of the Loss: translation as contamination. How The Ritual made it to the Royal National Theatre. Theatre Research International, 39 (2). pp. 120-132. ISSN 0307-8833 (Print), 1474-0672 (Online) (doi:10.1017/S0307883314000042)

Brexit

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2017) My Country: a play about Brexit that tries to break the bubble but disappoints. The Conversation. ISSN 2201-5639

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2018) There’ll always be an England – Butlins, Brexit and the Heterotopic Body. Journal of European Popular Culture, 9 (1). pp. 33-41. ISSN 2040-6134 (doi:10.1386/jepc.9.1.33_1)

British Council

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2012) The Ritual/ O Ritual. Conexões. British Council, São Paulo.

British Drama

British working-class life

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2012) The only was is... Basildon. Times Higher Education. ISSN 0049-3929

Brixton

Brown, Charmaine ORCID: https://orcid.org/0000-0002-6471-9706 (2019) The Build Up: Gentrification performance in two parts. [Creative Performance or Reading]

Calculus

Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.

Cameron

Signorelli, Valentina ORCID: https://orcid.org/0000-0001-7411-7277 (2019) Famous Last Words - A comparative focus on resignation speeches to trace contemporary European instability: the cases of David Cameron and Matteo Renzi. In: Desecrating Celebrity. Proceedings of the IV International Celebrity Studies Journal Conference. Area 14 - Scienze Politiche e Sociali, Volumi di Area 14 - Scienze Politiche e Sociali, 14 . Nuova Cultura, Rome, pp. 109-130. ISBN 978-8833652719 (doi:10.4458/2719)

cancel culture

Bozzi, Nicola ORCID: https://orcid.org/0000-0003-1506-8078 (2024) Platforming the Joe Rogan Experience: cancel culture, comedy, and infrastructure. Television and New Media. pp. 1-14. ISSN 1527-4764 (Print), 1552-8316 (Online) (doi:10.1177/15274764241277476)

Capitalism

care

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

Caryl Churchill

Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166 (2016) Caryl Churchill’s 21st Century Poetics: Theatre form and feminism from far away to Ding Dong the Wicked. Journal of Contemporary Drama in English, 4 (2). pp. 367-384. ISSN 2195-0164 (Online) (doi:10.1515/jcde-2016-0021)

catabolic crisis

Guillery, Kesia, Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:10.1080/13528165.2022.2198865)

censorship

McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)

McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:10.1080/2040610X.2022.2091733)

Chatroulette

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2015) Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices. Body, Space and Technology, 14. ISSN 1470-9120 (Online) (doi:10.16995/bst.37)

chicago improv festival

children

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2009) [Drama Workshop] Monsters, myths and mayhem: 'The Dragon of Krakow' comes to Blackheath. [Play, Short Story or Poetry] (Unpublished)

children's literature

children's theatre

Oxley, Natasha ORCID: https://orcid.org/0000-0003-0011-7113 (2017) A Double Bill stage adaption of Jill Murphy's Peace at Last! and Whatever Next!, by Chiffchaff Children's Theatre. [Creative Performance or Reading]

Oxley, Natasha ORCID: https://orcid.org/0000-0003-0011-7113 (2020) 'Peace at Last' and 'Whatever Next!'. [Creative Performance or Reading]

China

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:10.1353/shb.2010.0031)

choreography

Sporton, Gregory (2009) Design as action: Jean Cocteau and the Ballets Russes. In: White, Christine A., (ed.) Directors and Designers. Intellect Books, Bristol, UK, pp. 231-240. ISBN 9781841502892

civic centred

Ellis, Tatiana, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137, Rolle, Erica and Zigomo, Pamela (2020) Becoming civic centred: a case study of the University of Greenwich’s Bathway Theatre based in Woolwich. Studies in Theatre and Performance, 40 (3). pp. 316-327. ISSN 1468-2761 (Print), 2040-0616 (Online) (doi:10.1080/14682761.2020.1807211)

class

co-creation

Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Zaremba-Byrne, Kasia (2022) Tiger Lady (what about us: Empowering Community Voices). [Creative Performance or Reading]

co-production

Reynolds, Tracey ORCID: https://orcid.org/0000-0002-9618-6318 and Kaptani, Eirini (2022) Migrants performing citizenship: participatory theatre and walking methods for research. In: Czajka, Agnes and O’Brien, Áine, (eds.) Art, Migration and the Production of Radical Democratic Citizenship. Rowman & Littlefield Publishers, London U.K. ISBN 978-1786612786 ; 978-1786612809; 1786612801

Cock

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2017) Introduction to Cock by Mike Bartlett. Cock. Modern Classics . Methuen, London, pp. 5-18. ISBN 9781474229630

Cocteau

Sporton, Gregory (2009) Design as action: Jean Cocteau and the Ballets Russes. In: White, Christine A., (ed.) Directors and Designers. Intellect Books, Bristol, UK, pp. 231-240. ISBN 9781841502892

collaboration

Oxley, Natasha ORCID: https://orcid.org/0000-0003-0011-7113 and Schweitzer, Pam (2023) Making intergenerational drama from older people's memories in a community dementia care group: practices, processes, and impact. Journal of Dementia Care. ISSN 1351-8372 (In Press)

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

comedy

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2008) [Director] Money From America. [Play, Short Story or Poetry] (Unpublished)

comic

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2014) So Pleased To Meet You. [Creative Performance or Reading]

commemoration

Oxley, Natasha ORCID: https://orcid.org/0000-0003-0011-7113 (2020) Commemoration in contemporary Polish plays. In: Memory Studies Association Conference 2021, 5-9 July 2021, Online / University of Warsaw. (Unpublished)

communities

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2020) Uncovering New Voices at the Royal Court Theatre- Interview with Vicky Featherstone. In: Galea, Marco and Musca, Szabolcs, (eds.) Redefining Theatre Communities – International Perspectives on Community-Conscious Theatre-Making. Intellect, Bristol. ISBN 9781789380767

community

Lilley, Heather Louise (2010) Vital contact: creating interpretive communities in the moment of theatrical reception. About Performance (10).

community engagement

community practice

comparative drama

Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702 (2022) Afterword. Comparative Drama, 56 (1-2):10. p. 227. ISSN 0010-4078 (doi:10.1353/cdr.2022.0009)

connections

Yazbek, Samir (2012) The Ritual. In: Bell, Hillary, (ed.) National Theatre Connections 2012. Methuen Drama, London, pp. 497-537. ISBN 978-1408157244

connectivity

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2014) So Pleased To Meet You. [Creative Performance or Reading]

contemporary

contemporary British drams

Solanke, Adeola (2015) East End boys, West End girls. [Play, Short Story or Poetry]

contemporary British playwriting

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2017) Introduction. In: O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813, (ed.) Mike Barlett's Cock. Bloomsbury Academic, London, pp. 5-18. ISBN 978-1474229630

Contemporary British Theatre

Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702 (2017) 'Making New Theatre Together': Developing writers' and creating community in the first writers' group at the Royal Court and its legacy within the Young Writers' Programme. Theatre History Studies, 36. pp. 248-265. ISSN 0733-2033 (Print), 2166-9953 (Online) (doi:10.1353/ths.2017.0011)

contemporary drama

Oxley, Natasha ORCID: https://orcid.org/0000-0003-0011-7113 (2019) Polish plays on the British stage? In: Brexit Stage Left. Contemporary European Drama in translation on the British stage . Royal Central School of Speech and Drama - The British Academy, London - Online.

Contemporary playwriting

Coriolanus

corporeal

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

covid

Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702 and O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2022) Introduction - There's no place like London: theatrical landscapes of a city in recovery. Comparative Drama, 56 (1&2):1. pp. 1-11. ISSN 0010-4078 (doi:10.1353/cdr.2022.0000)

Covid-19

Heinrichs, Liza, Kuenzel, Sven and Krolikowska-Adamczyk, Ewa ORCID: https://orcid.org/0000-0002-0739-2110 (2021) Keeping in touch with your audience during a global pandemic. Sardines - Magazine for Amateur Theatre, 50. pp. 26-27. ISSN 2515-6756

Creative Industries

creative maps

Finlay, Alec, Heddon, Deirdre and Myers, Misha ORCID: https://orcid.org/0000-0002-4355-6602 (2021) WILD CITY | FIADH-BHAILE | ORASUL SALBATIC: Mapping the Wild in the Greeny Howe of Glasgow. In: Cohen, Phil and Duggan, Mike, (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 201-206. ISBN 978-1538147191; 978-1538147214

creative writing

Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166 (2008) [In Backpages 18.1] The culture of new writing. Contemporary Theatre Review, 18 (1). pp. 131-134. ISSN 1048-6801 (Print), 1477-2264 (Online) (doi:10.1080/10486800701868254)

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2010) Analysing the screenplay: A comparative approach. In: Nelmes, Jill, (ed.) Analysing The Screenplay. Routledge, London, pp. 237-251. ISBN 978-0415556347

creativity

cultural diplomacy

Aston, Elaine and O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2015) Royal Court: International. Studies in International Performance book series (STUDINPERF) . Palgrave Macmillan, London. ISBN 978-1137461827

cultural dissonance

Myers, Misha ORCID: https://orcid.org/0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214

cultural exchange

cultural identity

Oxley, Natasha ORCID: https://orcid.org/0000-0003-0011-7113 (2015) Conference presentation at POMP conference on contemporary Polish drama. In: Post-1945 Poland: Modernities, Transformations and Evolving Identities, 11-12 June 2015, St Antony's College, University of Oxford. (Unpublished)

cultural licensee

cultural memory

cultural politics

Damilola Taylor

dance

data

Costantino, Anna (2021) Performative education inside and outside the ethics of care: three provocations. Scenario, 15 (2):2. pp. 27-46. ISSN 1649 - 8526 (Online) (doi:10.33178/scenario)

David Tennant

Hutchins, Emma (2008) NOT stalking David Tennant (aka "having it all"). [Creative Performance or Reading] (Unpublished)

decolonising

decolonising methodologies

decolonising practices

decolonising the academy

deep map

Deleuze

Bowes, Neil Simon ORCID: https://orcid.org/0000-0002-9189-0322 (2024) The Possibility of fact: sketching an origin for the performative. In: Twitchin, Mischa, (ed.) Wittgenstein and Performance: You'd be Surprised, Ed. Misc ha Twitchin, Rowman and Littlefield, 2024. Rowman & Littlefield, Lanham; Boulder; New York; London, pp. 27-44. ISBN 978-1538175095; 978-1538175101; 1538175096

dementia arts

Oxley, Natasha ORCID: https://orcid.org/0000-0003-0011-7113 (2019) Making performances from memory boxes: reminiscence theatre and its positive impact on student mental health. In: Theatre of Memory, 1 May 2019 - 4 May 2019, Marine Hotel, Dublin, Ireland. (Unpublished)

dementia care

democratic citizenship

Dennis Kelly

Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702 and Bolton, Jacqueline (eds.) (2019) Beautiful Doom: Dennis Kelly's Work on Stage and Television. Manchester University Press. (Submitted)

Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702 and Bolton, Jacqueline (2017) International Playwrights' Symposium: Dennis Kelly (Co-Organiser). In: International Playwrights' Symposium: Dennis Kelly (Co-Organiser), 18-20 November 2017, Lincoln School of Fine & Performing Arts. (Unpublished)

developing material

McCaw, Dick, Etchells, Tim, Anderson, Mary Elizabeth and Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2013) Essai – (French: ‘test’, ‘attempt’, ‘trial’, ‘try-out’) [Essai]. Theatre, Dance and Performance Training, 4 (1). pp. 126-132. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2013.774821)

devising

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2008) [Drama Workshop with Emergency Exit Arts] Earth carnival. [Play, Short Story or Poetry] (Unpublished)

diaspora

digital

Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 (2021) Responding to Creation Theatre’s Time Machine: a production moved to Zoom in light of COVID-19. PARtake: The Journal of Performance as Research, 3 (2). pp. 1-6. ISSN 2472-0860 (doi:10.33011/partake.v3i2.541)

digital mental health therapy

digital performance

digital stage design

digital technology

Maravala, Persis Jade, McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625626)

Digital Theatre

Oxley, Natasha ORCID: https://orcid.org/0000-0003-0011-7113 (2020) 'Peace at Last' and 'Whatever Next!'. [Creative Performance or Reading]

digital training

Allain, Paul, Bennett-Worth, Stacie Lee, Camilleri, Frank, McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884 and Wilson, Thomas (2019) Editorial. Theatre, Dance and Performance Training, 10 (2). pp. 165-168. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625628)

directing

Hutchins, Emma (2008) NOT stalking David Tennant (aka "having it all"). [Creative Performance or Reading] (Unpublished)

director in digital theatre

disabled-led

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

diversity

Bondar, Melissa and Andrade Pires, Carlos Eduardo ORCID: https://orcid.org/0000-0003-3754-3714 (2024) A phenomenology of misfits: a case study of Practice-as-Research in Higher Education symposia. PARtake: The Journal of Performance as Research, 6 (1). pp. 1-19. ISSN 2472-0860 (doi:10.33011/partake.v6i1.2217)

DJ Dolores

documenting performance

Donald Trump

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2017) My Country: a play about Brexit that tries to break the bubble but disappoints. The Conversation. ISSN 2201-5639

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2017) Why Hamilton's arrival In London should not be written off as just another mega-musical. The Huffington Post.

drama

Bowes, Simon, Hockham, Dave, Oxley, Natasha ORCID: https://orcid.org/0000-0003-0011-7113 and Wallis, Jillian (2018) Embedding a professional feedback model in the teaching of drama. In: SHIFT 2019 - Annual Learning and Teaching Conference, 4 January 2019, University of Greenwich, London, UK. (Unpublished)

Hutchins, Emma (2008) NOT stalking David Tennant (aka "having it all"). [Creative Performance or Reading] (Unpublished)

Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.

McKean, Kathy (2011) “Listen I will tell the story to you / As I have been told it”: Memory and identity in the plays of Nicola McCartney. International Journal of Scottish Theatre and Screen, 4 (1). ISSN 2046-5602 (Print), 2046-5602 (Online)

Smith, Caroline (2011) Last of the red wine (Performance). [Show/Exhibition]

Smith, Caroline (2009) Once more with feeling: Feminism and the archive. [Show/Exhibition]

Young, Jennifer (2015) Shakespeare in London. The Arden Shakespeare . Bloomsbury Arden Shakespeare, London. ISBN 978-1408145968

drama in libraries

drama pedagogy

Oxley, Natasha ORCID: https://orcid.org/0000-0003-0011-7113 (2022) The reminiscence theatre archive as a resource for drama students. In: Performing Oral Histories, 11th April 2022, University of Greenwich Research Space.

drawing

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Early modern drama

Young, Jennifer (2015) Shakespeare in London. The Arden Shakespeare . Bloomsbury Arden Shakespeare, London. ISBN 978-1408145968

early modern inns of court

Young, Jennifer (2021) Shakespeare for the "Triers": Richard Hawkins and Q2 Othello at the Serjeants' Inn. Journal for Early Modern Cultural Studies, 21 (1). pp. 94-119. ISSN 1531-0485 (Print), 1553-3786 (Online) (doi:10.1353/jem.2021.0003)

early modern print publication

Young, Jennifer (2022) Chapter 1. Women "think round it"! Writing and Publication in Emilia. In: Kressly, Laura, Patient, Aida and Williams, Kimberly A., (eds.) Notelets of Filth: A Companion Reader to Morgan Lloyd Malcolm's Emilia. Routledge Advances in Theatre & Performance Studies . Routledge, London; Abingdon and New York, pp. 1-12. ISBN 978-1003033387; 978-0367498290; 978-0367470982 (doi:10.4324/9781003033387)

ecocide

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

ecology

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

editing

editorial theory and practice

electroacoustic

Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973 (2024) Contemplations. [Artefact]

Elizabeth Grosz

elves

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2016) Elf: Christmas cheer amid the darkness. Times Higher Education. ISSN 0049-3929

embodied geography

embodiment

Emilia

empathy

employability

Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2023) Operationalising the concept of recontextualisation: leveraging pedagogy and learning strategies in higher education practical courses. Higher Education. ISSN 0018-1560 (Print), 1573-174X (Online) (doi:10.1007/s10734-023-01136-3)

entanglement

Costantino, Anna (2021) Performative education inside and outside the ethics of care: three provocations. Scenario, 15 (2):2. pp. 27-46. ISSN 1649 - 8526 (Online) (doi:10.33178/scenario)

entertainment

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2016) Elf: Christmas cheer amid the darkness. Times Higher Education. ISSN 0049-3929

entrainment

Essex's rightwing materialism

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2012) The only was is... Basildon. Times Higher Education. ISSN 0049-3929

ethic of care

Costantino, Anna (2021) Performative education inside and outside the ethics of care: three provocations. Scenario, 15 (2):2. pp. 27-46. ISSN 1649 - 8526 (Online) (doi:10.33178/scenario)

ethnicity

Euripides

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

europe

exhibition

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

experiential theatres

fairytales

family theatre

Oxley, Natasha ORCID: https://orcid.org/0000-0003-0011-7113 (2020) 'Peace at Last' and 'Whatever Next!'. [Creative Performance or Reading]

feedback

Femi Osofisan

Feminism

Smith, Caroline (2009) Once more with feeling: Feminism and the archive. [Show/Exhibition]

feminist

Maffioletti, Catherine and Elizabeth, Kay (2024) Death of a Document. [Creative Performance or Reading]

filial

Jones, Emrys (2012) Maternal duties and Filial Malapropisms: Frances Sheridan and the Problems of Theatrical Inheritance. In: British Society For Eighteenth-Century Studies 41st Annual Conference, 04-06 January, 2012, Oxford, UK. (Unpublished)

film

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:10.1353/shb.2010.0031)

film adaptations

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:10.1353/shb.2010.0031)

film images

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2014) Emma Hamilton's Attitudes Renewed. [Creative Performance or Reading]

film studies

Filter bubble

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2017) My Country: a play about Brexit that tries to break the bubble but disappoints. The Conversation. ISSN 2201-5639

fine art

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

first nations

Cheetham, Deborah and Browning, Daniel (2011) Pecan Summer: The Process of Making New Indigenous Opera in Australia. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farham, UK & Burlington, USA, pp. 325-336. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

Karantonis, Pamela (2011) Performativity, mimesis, and indigenous opera. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA, pp. 73-90. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

Karantonis, Pamela and Robinson, Dylan (2011) Introduction. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA, pp. 1-12. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

Karantonis, Pamela and Robinson, Dylan (eds.) (2011) Opera Indigene: Re/presenting first nations and indigenous cultures. In: Karantonis, Pamela, (ed.) Opera Indigene: Re/Presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

foreign language

Foucault

fresh water

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

funding

games

Guillery, Harriet, Maravala, Persis Jadé and Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 (2022) The significance of 'role-play' and 'instruction-based performance' as modes of teaching, collaborating and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge, New York and Oxon, pp. 1-7. ISBN 978-1032036038; 978-1032036045; 1003188176; 978-1003188179 (doi:10.4324/9781003188179-11)

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700, Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:10.1080/14794713.2020.1766282)

Stenros, Jaakko, Simon, Bart, Hughes, Lynn, Zisels Lopes Machado Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Maravala, Persis Jadé (2021) Understanding Liveness in immersive theatre, LARP and Games. In: DIGRA 2022, 7th - 11th July 2022, Krakow, Poland. (Unpublished)

gender

gentrification

Brown, Charmaine ORCID: https://orcid.org/0000-0002-6471-9706 (2019) The Build Up: Gentrification performance in two parts. [Creative Performance or Reading]

Gilles Deleuze

global

Gone Too Far

graduate

grotowski

hand drawn maps

Hannah Arendt

haptic technology

Harold Pinter

Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166 (2021) The Theatre of the Absurd as professional network in Pinter’s early career. Harold Pinter: Stages, Networks, Collaborations. Methuen Drama Engage . Bloomsbury. ISBN 9781350133624

headphone theatre

health care

health simulation

heightened realism

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2008) [Director] Money From America. [Play, Short Story or Poetry] (Unpublished)

Henri Bergson

heterotopia

Higher Education

Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 (2022) Wild frontiers: learning in Higher Education institutions. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex. (Unpublished)

hip hop theatre

history

Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.

homophily

Hong Kong

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:10.1353/shb.2010.0031)

housing

Howard Barker

Rapi, Konstantina (2011) An education in living poetry, vivid and violent. In: Brown, Mark, (ed.) Howard Barker Interviews 1980–2010: conversations in catastrophe. Intellect, Bristol, UK / Chicago, USA, pp. 175-180. ISBN 9781841503981 (pbk) 9781841505237 (ebk)

Human Ecology Economics

human rights

Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166 and Hodson, Loveday (2008) Performing injustice: human rights and verbatim theatre. Law and Humanities, 2 (2). pp. 191-211. ISSN 1752-1483

hung parliament

hybrid

hybrid exhibition

Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032, Almena, Maria and Shemza, Aphra (2022) Transformations - Hybrid exhibition and event - curated by Dr. Oliver Gingrich, Maria Almena and Aphra Shemza featuring Analema Group's KIMA Colour, KIMA Voice and KIMA Noise and Oliver Gingrich & Shama Rahman's Zeitgeist. [Show/Exhibition]

Hybrid Exhibition - Media Art - Participatory Art

Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032, Almena, Maria and Shemza, Aphra (2022) Access all areas: hybrid exhibition at British Computer Society. [Show/Exhibition]

hybrid theatre online

hybrid writing

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

hysteric

Maffioletti, Catherine and Elizabeth, Kay (2024) Death of a Document. [Creative Performance or Reading]

idea development

Identity

identity politics

ideology

immersive

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Bucknall, Joanna (2017) TAIT Episode 20 with Jorge Lopes Ramos: TAIT (Talking About Immersive Theatre) podcast. [Audio]

Maravala, Persis-Jadé and Bucknall, Joanna (2020) TAIT Scholar Episode 1 with Persis-Jadé Maravala: TAIT (Talking About Immersive Theatre) podcast. [Audio]

Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.

immersive experience

immersive science theatre

Griffiths, Wyn and Keith, Lindsay ORCID: https://orcid.org/0000-0002-5324-1719 (2022) Actors with agency: immersive science theatre and science identity. In: Weitkamp, Emma and Almeida, Carla, (eds.) Science and Theatre: Communicating Science and Technology with Performing Arts. Emerald Publishing Ltd., Bingley, UK, pp. 103-112. ISBN 978-1800436411; 978-1800436404; 978-1800436428 (doi:10.1108/9781800436404)

immersive technologies

immersive theatre

Bucknall, Joanna, Lansley, Oliver, Maravala, Jade, Maravala, Persis Jadé, Thorpe, Joseph, Cross, Ruth, Zisels Lopes Machado Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700, Watkins, Bertie, Kingston, Owen and Seager, James (2023) Possible futures round-table discussion with Joanna Bucknall, Oliver Lansley, Persis Jadé Maravala, Jorge Lopes Ramos, Joseph Thorpe, Ruth Cross, Bertie Watkins, Owen Kingston and James Seager. In: Bucknall, Joanna, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury Publishing - Methuen Drama, London, pp. 177-204. ISBN 978-1350269330; 978-1350269361; 978-1350269347; 978-1350269354 (doi:10.5040/9781350269361)

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Bucknall, Joanna (2017) TAIT Episode 20 with Jorge Lopes Ramos: TAIT (Talking About Immersive Theatre) podcast. [Audio]

Maravala, Persis-Jadé and Bucknall, Joanna (2020) TAIT Scholar Episode 1 with Persis-Jadé Maravala: TAIT (Talking About Immersive Theatre) podcast. [Audio]

improv bandits

improvisation

McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884 (2022) Ghost transmissions: concrete objects and ephemeral encounters. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex.

In-Yer-Face

Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702 (2020) 'In the pursuit of new writers': how the Royal Court Young Peoples' Theatre contributed to the development of first time playwrights in the 1990s. In: Boles, William C., (ed.) After In-Yer-Face: Remnants of a Theatrical Revolution. Palgrave Macmillan, pp. 21-35. ISBN 978-3030394264 (doi:10.1007/978-3-030-39427-1_2)

inclusivity

Oxley, Natasha ORCID: https://orcid.org/0000-0003-0011-7113 (2020) Children as Co-creators in Chiffchaff Children's Theatre Productions: defining methodology and evidencing children's role in the creative process. In: Talking TYA, 8-10 October 2020, Online. (Unpublished)

indigenous cultures

industrial

inequality

infrastructure

inheritance

installation

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

institutional racism

instruction

instruction-based

instruction-based performance

Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]

interactive

Maravala, Persis-Jadé and Bucknall, Joanna (2020) TAIT Scholar Episode 1 with Persis-Jadé Maravala: TAIT (Talking About Immersive Theatre) podcast. [Audio]

interactive performance

interactive technology

Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]

interactive theatre

Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]

interculturalism

interdisciplinary

interdisciplinary art

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

intergenerational

intergenerational drama

International

Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702 (2015) Royal Court: International [Book Review]. Platform: Journal of Theatre and Performing Arts, 9 (2). pp. 113-116. ISSN 1751-0171

international impact

internet art

Dunlop, Jane Frances ORCID: https://orcid.org/0009-0000-4350-5381 (2024) Theatricality and dissonance: frictions in contemporary networked performance practices. In: Quick, Andrew and Rushton, Richard, (eds.) Theatricality and the Arts Film, Theatre, Art. Edinburgh University Press, Edinburgh, pp. 70-87. ISBN 978-1399511650; 1399511653 (In Press)

Sporton, Gregory (2009) The active audience: the network as a performance environment. In: Oddey, Alison and White, Christine A., (eds.) Modes of Spectating. Intellect Books, Bristol, UK, pp. 61-72. ISBN 9781841502397

interview

intimacy

Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]

introduction

Irish diaspora

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

Irish history

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

Irish identity

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

Irish literature

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

Irish poetry

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

Irish prose

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

Irish writing

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

James Graham

Jauss

jazz

Jerzy Grotowski

Joe Rogan

journey writing

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

Judith Butler

Jung Yang-ung

Karen Barad

keith johnstone

McLaughlin, James A. ORCID: https://orcid.org/0000-0002-2146-6884 (2019) Reinscribing the Self: Performer Training as Cultural Pentimento. In: Embodied/Embodying Performer Training: Practices and Practicalities: TaPRA Performer Training Working Group Interim Event, 24 April 2019, University of South Wales, Cardiff Campus, The ATRiuM. (Unpublished)

Kemal Aydoğan

kneehigh audience

Kneehigh Theatre

Lilley, Heather Louise (2010) Vital contact: creating interpretive communities in the moment of theatrical reception. About Performance (10).

knowledge exchange

knowledge exchange framework

Korean

labkymo

Mo, Lab (2024) Rehearsed reading of stage play "The Gardener" at "Theatre503". [Play, Short Story or Poetry]

landscape

Dunlop, Jane Frances ORCID: https://orcid.org/0009-0000-4350-5381 (2023) Sonic Wandering in New Landscapes. Gertrude Stein and sonic performativity in Eglė Budvytytė’s Songs from the Compost: mutating bodies, exploding stars. In: Performing Studies international conference (PSi) #28 Uhambo Luyazilawula: Embodied Wandering Practices, 2nd - 5th Aug, 2023, Johannesburg. (Unpublished)

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

landscapes

Dunlop, Jane Frances ORCID: https://orcid.org/0009-0000-4350-5381 (2023) Previsualisations. ‘they are just there’: Gertrude Stein’s ‘Landscapes’ and their finite possibilities. In: London Conference in Critical Thought 2023, 30th Jun - 1st Jul, 2023, School of Social Sciences and Professions, London Metropolitan University, London.

LARP

layering

LBTGQ community

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2017) Why Hamilton's arrival In London should not be written off as just another mega-musical. The Huffington Post.

learning

learning scenographics

Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 (2022) The question is not what can the university do for us? The question is what can we do for the university?”. In: Performing Oral History Symposium, 11th - 13th April 2022, University of Greenwich. (Unpublished)

Leibniz

Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.

liberalism

lineage

literacy

literature

Live sound editing

lived experience

liveness

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

locative media

London

Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702 (2022) Afterword. Comparative Drama, 56 (1-2):10. p. 227. ISSN 0010-4078 (doi:10.1353/cdr.2022.0009)

Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702 (2019) 'The New Place in Town': Early Reflections on the Bridge Theatre and the Monetisation of the Subsidised Theatre Sector in London. In: Text and Presentation: Comparative Drama Conference, Thursday 4 April - Saturday 6 April 2019, Rollins College, Orlando, Florida, USA. (Unpublished)

loneliness

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

lord chamberlain

Lovesong

machine learning

Dunlop, Jane Frances ORCID: https://orcid.org/0009-0000-4350-5381 (2023) Multivocal theatricalities: articulating data in composites, choruses, crowds. In: Articulating Data: Multivocal Theatricalities, 11th - 12th May, 2023, Inspace, University of Edinburgh.

Manuel DeLanda

marginalisation

Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Zaremba-Byrne, Kasia (2022) Tiger Lady (what about us: Empowering Community Voices). [Creative Performance or Reading]

Masquerade

maternal

maternal care

mathematics

Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.

measurement

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

media art

media theory

meisner technique

Meisner training

memory

memory boxes

memory theatre

mental healthcare training

metaphor

MeToo

metrosexuality

Migrant East End families

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2012) The only was is... Basildon. Times Higher Education. ISSN 0049-3929

migration

Mike Bartlett

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2017) Introduction to Cock by Mike Bartlett. Cock. Modern Classics . Methuen, London, pp. 5-18. ISBN 9781474229630

Mike Pence

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2017) Why Hamilton's arrival In London should not be written off as just another mega-musical. The Huffington Post.

misfits

monologues

Morgan Lloyd Malcolm

Motoi Miura

moving image

multichannel ambisonics

Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973 (2024) Contemplations. [Artefact]

multiculturalism

multimedia archives

musical theatre

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2017) Why Hamilton's arrival In London should not be written off as just another mega-musical. The Huffington Post.

musicology

N/A

Solanke, Adeola (2015) Play - East End Boys, West End Girls by Ade Solanke. [Creative Performance or Reading]

narrative archaeology

narrative structure

National Theatre

Nationalism

Naturalism

neoliberalism

new writing

Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702 and Bolton, Jacqueline (2019) International Playwrights' Symposium: Zinnie Harris (Co-Organiser). In: International Playwrights' Symposium: Zinnie Harris, Saturday 23 November 2019, University of Lincoln. (Unpublished)

Newton

Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.

Nicola McCartney

Nigerian drama

Adeyemi, Sola (2010) Language and accessibility in Femi Osofisan’s drama. In: Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro, (eds.) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK, pp. 187-202. ISBN 978-0956683700

Nigerian theatre

Nollywood

non-anglophone

non-anglophone Shakespeare

Northern Ireland

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

Nostalgia

Sheridan, Claire (2014) 'A Tragedy Called "The Last Man": Hazlitt's Joke on Francis Place'. The Hazlitt Review, 7. pp. 46-56. ISSN 1757-8299

obsessions

Hutchins, Emma (2008) NOT stalking David Tennant (aka "having it all"). [Creative Performance or Reading] (Unpublished)

occupation

online theatre

Oxley, Natasha ORCID: https://orcid.org/0000-0003-0011-7113 (2020) 'Peace at Last' and 'Whatever Next!'. [Creative Performance or Reading]

open questions

Open-Third-Space

Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Zaremba-Byrne, Kasia (2022) Tiger Lady (what about us: Empowering Community Voices). [Creative Performance or Reading]

opera

oral histories

oral history

orientalism

Othello

Ouida

outreach

palliative care

pandemic

Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702 (2022) Afterword. Comparative Drama, 56 (1-2):10. p. 227. ISSN 0010-4078 (doi:10.1353/cdr.2022.0009)

pandemic performance

Para Active

parliament

participation

participatory

participatory action research social justice migrant women no recourse to public funds 'race' and radicalisation poverty transformation

Kaptani, Eirini, Erel, Umut, O’Neill, Maggie and Reynolds, Tracey ORCID: https://orcid.org/0000-0002-9618-6318 (2020) Methodological innovation in research: participatory theater with migrant families on conflicts and transformations over the politics of belonging. Journal of Immigration and Refugee Studies, 19 (1). pp. 68-81. ISSN 1556-2948 (Print), 1556-2956 (Online) (doi:10.1080/15562948.2020.1843748)

participatory art

Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032, Renaud, Alain, Emets, Evgenia and Negrao, David (2022) KIMA: Voice performance by Analema Group at National Gallery X performed by Victoria Couper. [Creative Performance or Reading]

Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032, Renaud, Alain, Emets, Evgenia, Negrao, David and James, Winter (2022) KIMA Voice performance at Art in Flux Radical Embodiment event at Barbican London. [Creative Performance or Reading]

Hossaini, Ali, Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032, Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2021) GROUPTHINK: What happens when we're all connected? Groupthink - a live performance directed by the heartbeats of its viewers. [Creative Performance or Reading]

participatory arts

participatory performance

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

participatory theatre

Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]

Peckham

pedagogy

Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702 (2017) 'The Guru Effect': The Politics of Process in the Young Writers' Programme at the Royal Court. In: Theatre and Performance Research Association, Wednesday 30 August - Friday 1 September 2017, University of Salford, UK. (Unpublished)

pentimento

performance

Brown, Charmaine ORCID: https://orcid.org/0000-0002-6471-9706 (2019) The Build Up: Gentrification performance in two parts. [Creative Performance or Reading]

Salihbegovic, Fahrudin Nuno (2008) Brotherhood and unity. [Creative Performance or Reading]

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2008) [Director] Money From America. [Play, Short Story or Poetry] (Unpublished)

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2008) [Drama Workshop with Emergency Exit Arts] Earth carnival. [Play, Short Story or Poetry] (Unpublished)

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2014) So Pleased To Meet You. [Creative Performance or Reading]

performance art

Maffioletti, Catherine and Elizabeth, Kay (2024) Death of a Document. [Creative Performance or Reading]

Smith, Caroline (2011) Last of the red wine (Performance). [Show/Exhibition]

Smith, Caroline (2009) Once more with feeling: Feminism and the archive. [Show/Exhibition]

performance cartography

performance review

Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.

Performance Studies

Performance training

performative teaching and learning

Costantino, Anna (2021) Performative education inside and outside the ethics of care: three provocations. Scenario, 15 (2):2. pp. 27-46. ISSN 1649 - 8526 (Online) (doi:10.33178/scenario)

performativity

performer

performer training

pervasive experience

phenomenology

phillip zarrilli

philosophy

Lammin, Hannah Elisabeth ORCID: https://orcid.org/0000-0002-9752-9335 (2017) Staging community: a non-philosophical presentation of immanent social experience. PhD thesis, University of Greenwich.

phones

photography

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Physical theatre

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2008) [Drama Workshop with Emergency Exit Arts] Earth carnival. [Play, Short Story or Poetry] (Unpublished)

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2014) Emma Hamilton's Attitudes Renewed. [Creative Performance or Reading]

pilgrimage

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

place

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

platformisation

play

Hutchins, Emma (2008) NOT stalking David Tennant (aka "having it all"). [Creative Performance or Reading] (Unpublished)

Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.

Mo, Lab (2024) Rehearsed reading of stage play "The Gardener" at "Theatre503". [Play, Short Story or Poetry]

Rapi, Konstantina (2009) Reasons to hide. [Play, Short Story or Poetry]

play text

plays

playtesting

playwrights

Solanke, Adeola (2016) [Special performance] East End Boys, West End Girls. [Play, Short Story or Poetry]

playwriting

Aston, Elaine Frances and O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Amine, Khalid and Roberson, George F., (eds.) Performing Transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-46. ISBN 978-0982440964

Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702 (2018) A Model for International Playwriting Practice: The Royal Court Young Peoples' Theatre and the Regional Arts Association, 1988-1998. In: Regions, Ruins and Regeneration: Irish Society for Theatre Research, Friday 1 June - Saturday 2nd June 2018, University of Lincoln. (Unpublished)

Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702 (2015) Royal Court: International [Book Review]. Platform: Journal of Theatre and Performing Arts, 9 (2). pp. 113-116. ISSN 1751-0171

podcast

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Bucknall, Joanna (2017) TAIT Episode 20 with Jorge Lopes Ramos: TAIT (Talking About Immersive Theatre) podcast. [Audio]

poetry

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

Poland

Polish

Polish culture

Polish drama

politics

pollution

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

popular fiction

popular performances

post-immersive

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

Maravala, Persis-Jadé and Bucknall, Joanna (2020) TAIT Scholar Episode 1 with Persis-Jadé Maravala: TAIT (Talking About Immersive Theatre) podcast. [Audio]

post-punk

postcolonial African theatre

Adeyemi, Sola (2011) Introduction. African Performance Review, 5 (1). pp. 6-8. ISSN 1750-4848

postcolonial studies

postcolonialism

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:10.1353/shb.2010.0031)

power

practice as research

Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Zaremba-Byrne, Kasia (2022) Tiger Lady (what about us: Empowering Community Voices). [Creative Performance or Reading]

practice based learning

Practice-as-Research

practice-based education

practice-led research

Adeyemi, Sola (2011) Introduction. African Performance Review, 5 (1). pp. 6-8. ISSN 1750-4848

praxis-based approaches

presence

print history

privilege

privilege‌

production

Salihbegovic, Fahrudin Nuno (2009) Klanica pet - Slaughterhouse Five: Total theatre in an empty space. Body, Space & Technology, 8 (1). ISSN 1470-9120

provocation

psychophysical

psychophysical training

Public Policy

public space

race

radical

rave

reading

Mo, Lab (2024) Rehearsed reading of stage play "The Gardener" at "Theatre503". [Play, Short Story or Poetry]

reception theory

recontextualisation

Reform

Sheridan, Claire (2014) 'A Tragedy Called "The Last Man": Hazlitt's Joke on Francis Place'. The Hazlitt Review, 7. pp. 46-56. ISSN 1757-8299

Regional Arts Association

Regional Theatre

reimagining

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2014) Emma Hamilton's Attitudes Renewed. [Creative Performance or Reading]

Reminiscence Theatre

Renzi

representation

Research

resignation

review

Richard III

ritual

Maffioletti, Catherine and Elizabeth, Kay (2024) Death of a Document. [Creative Performance or Reading]

river

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

River Bann

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

role-play

Roy Williams

royal court

Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702 (2015) 'The Jewel in the Crown': Developing a Young Peoples' Theatre Scheme at the Royal Court. In: Theatre and Performance Research Association, History and Historiography Working Group, Tuesday 8 September - Thursday 10th September 2015, University of Worcester, UK. (Unpublished)

Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702 (2015) Royal Court: International [Book Review]. Platform: Journal of Theatre and Performing Arts, 9 (2). pp. 113-116. ISSN 1751-0171

royal court theatre

royal national theatre

Yazbek, Samir (2012) The Ritual. In: Bell, Hillary, (ed.) National Theatre Connections 2012. Methuen Drama, London, pp. 497-537. ISBN 978-1408157244

Russia

scenography

science identity

Scotland

screenplay

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271, Russo, Paolo and Tieber, Claus (eds.) (2023) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . The Palgrave Handbook of Screenwriting Studies, Cham. ISBN 978-3031207693

screenwriting

screenwriting research

screenwriting studies

script development

seasonal cheer

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2016) Elf: Christmas cheer amid the darkness. Times Higher Education. ISSN 0049-3929

Shakespeare

Young, Jennifer (2015) Shakespeare in London. The Arden Shakespeare . Bloomsbury Arden Shakespeare, London. ISBN 978-1408145968

Shakir Abal

Silvia Mercuriali

sitcom

Sitcoms

Smith, Caroline (2011) Last of the red wine (Performance). [Show/Exhibition]

site-specific

Situation comedy

Smith, Caroline (2011) Last of the red wine (Performance). [Show/Exhibition]

Slaughterhouse Five theatre play

SMASHfestUK

social connectedness

social identity

Lammin, Hannah Elisabeth ORCID: https://orcid.org/0000-0002-9752-9335 (2017) Staging community: a non-philosophical presentation of immanent social experience. PhD thesis, University of Greenwich.

social impact

social justice

social media

socially engaged practices

Costantino, Anna (2021) Performative education inside and outside the ethics of care: three provocations. Scenario, 15 (2):2. pp. 27-46. ISSN 1649 - 8526 (Online) (doi:10.33178/scenario)

sound

sound art

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Soviet Union

spatial sound

Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973 (2024) Contemplations. [Artefact]

spectacle

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2008) [Drama Workshop with Emergency Exit Arts] Earth carnival. [Play, Short Story or Poetry] (Unpublished)

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2014) Emma Hamilton's Attitudes Renewed. [Creative Performance or Reading]

spectatorship

Lilley, Heather Louise (2010) Vital contact: creating interpretive communities in the moment of theatrical reception. About Performance (10).

speech

spontaneity

Stage

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2017) My Country: a play about Brexit that tries to break the bubble but disappoints. The Conversation. ISSN 2201-5639

staging community

Lammin, Hannah Elisabeth ORCID: https://orcid.org/0000-0002-9752-9335 (2017) Staging community: a non-philosophical presentation of immanent social experience. PhD thesis, University of Greenwich.

stalking

Hutchins, Emma (2008) NOT stalking David Tennant (aka "having it all"). [Creative Performance or Reading] (Unpublished)

subcultural identity

Subsidised Theatre

suicide

Sulayman Al-Bassam

surveillance

symposia

system collapse

tambor de mina

Tang Shu-wing

technical theatre

technique

technology

temporal dissonance

territory

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2014) So Pleased To Meet You. [Creative Performance or Reading]

textual criticism

The Bridge

The Figural

The Gallery

The Royal Court

the Troubles

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

theatre

Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Zaremba-Byrne, Kasia (2022) Tiger Lady (what about us: Empowering Community Voices). [Creative Performance or Reading]

Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702 (2022) Afterword. Comparative Drama, 56 (1-2):10. p. 227. ISSN 0010-4078 (doi:10.1353/cdr.2022.0009)

Lammin, Hannah Elisabeth ORCID: https://orcid.org/0000-0002-9752-9335 (2017) Staging community: a non-philosophical presentation of immanent social experience. PhD thesis, University of Greenwich.

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2017) My Country: a play about Brexit that tries to break the bubble but disappoints. The Conversation. ISSN 2201-5639

Salihbegovic, Fahrudin Nuno (2009) Klanica pet - Slaughterhouse Five: Total theatre in an empty space. Body, Space & Technology, 8 (1). ISSN 1470-9120

Salihbegović, Fahrudin Nuno (2008) Klanica pet – Slaughterhouse Five. [Show/Exhibition]

Sheridan, Claire (2014) 'A Tragedy Called "The Last Man": Hazlitt's Joke on Francis Place'. The Hazlitt Review, 7. pp. 46-56. ISSN 1757-8299

Solanke, Adeola (2015) East End boys, West End girls. [Play, Short Story or Poetry]

Solanke, Adeola (2016) [Special performance] East End Boys, West End Girls. [Play, Short Story or Poetry]

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2008) [Director] Money From America. [Play, Short Story or Poetry] (Unpublished)

theatre artists

Theatre Dance Performance Training

theatre design

Sporton, Gregory (2009) Design as action: Jean Cocteau and the Ballets Russes. In: White, Christine A., (ed.) Directors and Designers. Intellect Books, Bristol, UK, pp. 231-240. ISBN 9781841502892

theatre for young audiences

theatre heritage

Theatre of the Absurd

theatre sound

theatre translation

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2012) The Ritual/ O Ritual. Conexões. British Council, São Paulo.

Yazbek, Samir (2012) The Ritual. In: Bell, Hillary, (ed.) National Theatre Connections 2012. Methuen Drama, London, pp. 497-537. ISBN 978-1408157244

theatricality

This House

Tim Langford

Tim Spooner

Titus Adronicus

touch

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

Tragedy

Sheridan, Claire (2014) 'A Tragedy Called "The Last Man": Hazlitt's Joke on Francis Place'. The Hazlitt Review, 7. pp. 46-56. ISSN 1757-8299

training

trans-national

translation

Yazbek, Samir (2012) The Ritual. In: Bell, Hillary, (ed.) National Theatre Connections 2012. Methuen Drama, London, pp. 497-537. ISBN 978-1408157244

translation studies

translation theory

trauma-sensitivity

travel writing

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

Tudors/Henry V111/Cromwell/John Blanke/Anne of Cleves

Solanke, Adeola (2018) The Court Must Have a Queen - an original new play by Ade Solanke. [Play, Short Story or Poetry]

TYA

Oxley, Natasha ORCID: https://orcid.org/0000-0003-0011-7113 (2020) 'Peace at Last' and 'Whatever Next!'. [Creative Performance or Reading]

UK

UK COVID-19

Unity

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

university

University of Greenwich

Utilitarianism

Sheridan, Claire (2014) 'A Tragedy Called "The Last Man": Hazlitt's Joke on Francis Place'. The Hazlitt Review, 7. pp. 46-56. ISSN 1757-8299

verbatim theatre

Victorian popular women novelists

Viola Spolin

virtual persona

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2014) So Pleased To Meet You. [Creative Performance or Reading]

visual sound

visual sound art

visual sound interface

vocality

voice studies

VR

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

VR/XR

walking

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

wast end

web 2.0

West African Literature

Solanke, Adeola (2015) British Library West Africa: Word, symbol and song exhibition. In: West African literature keynote, 5th November 2015, British Library, 96 Euston Road, London NW1 2DB.

William Hazlitt

Sheridan, Claire (2014) 'A Tragedy Called "The Last Man": Hazlitt's Joke on Francis Place'. The Hazlitt Review, 7. pp. 46-56. ISSN 1757-8299

William Shakespeare

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:10.1353/shb.2010.0031)

windrush generation

Wittgenstein

Wole Soyinka

Adeyemi, Sola (2011) Introduction. African Performance Review, 5 (1). pp. 6-8. ISSN 1750-4848

women authorship

women publication

word maps

Workshop

Smith, Caroline (2011) Last of the red wine (Performance). [Show/Exhibition]

young audiences

Oxley, Natasha ORCID: https://orcid.org/0000-0003-0011-7113 (2020) 'Peace at Last' and 'Whatever Next!'. [Creative Performance or Reading]

Young Court

Young People

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2008) [Drama Workshop with Emergency Exit Arts] Earth carnival. [Play, Short Story or Poetry] (Unpublished)

Young Writers' Programme

youtube

Zinnie Harris

Zoom

Zoom performance

ZU-UK

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Bucknall, Joanna (2017) TAIT Episode 20 with Jorge Lopes Ramos: TAIT (Talking About Immersive Theatre) podcast. [Audio]

Zygmunt Molik

‘hacking the familiar’

This list was generated on Sun Dec 22 10:27:10 2024 UTC.