Items where Subject is "PN2000 Dramatic representation. The Theater"
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"royal court theatre"
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2022) Rita, Sue and #Metoo: the Royal Court Theatre, London, and liberalism. Comparative Drama, 56 (1&2). pp. 157-178. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0006)
'new normal'
Heinrichs, Liza, Kuenzel, Sven and Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110 (2021) The ‘new normal’ for UK theatre? Sardines - Magazine for Amateur Theatre, 50. pp. 16-17. ISSN 2515-6756
1970s
Graham, James and Holden, Nicholas ORCID: 0000-0002-3437-1702 (2021) This House by James Graham. Methuen Student Drama Editions, 1 (1). Bloomsbury Methuen, London. ISBN 9781350155534
20-channel
Margetson, Emma ORCID: 0000-0002-1054-1973 (2021) Shifted Trajectories. [Composition]
21st Century
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis Jadé and Guillery, Kesia (2022) The significance of ‘role-play’ and ‘instruction-based performance’ as modes of teaching, collaborating, and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge- Taylor & Francis Group, London. ISBN 978-1032036038 (doi:https://doi.org/10.4324/9781003188179)
360 visual sound
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Evgenia, Emets, Renaud, Alain, Negrao, David, Havsteen-Franklin, Dominik and Grant, Claire (2022) KIMA Colour: Van Gogh - 360 visual sound art. [Artefact]
3D visualisation technologies
Greuter, Stefan ORCID: 0000-0001-5487-0237 , Mulvany, Gerard and Myers, Misha ORCID: 0000-0002-4355-6602 (2023) The immersive archive. International Journal of Performance Arts and Digital Media, 19 (3). pp. 405-423. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2023.2223747)
A Midsummer Night's Dream
Lee, Adele (2013) A Midsummer Night's Dream. Directed by Jung Yang-ung for the Yohangza Theatre Company (Seoul, South Korea) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 138-141. ISBN 9781408188132
ab lines
McLaughlin, James ORCID: 0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.
Abi Morgan
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'Don't You Think That's Interesting, About Time?': Playing with Time in Abi Morgan's Lovesong. Digital Theatre [Invited Blog Post].
accessibility
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
acousmatic
Margetson, Emma ORCID: 0000-0002-1054-1973 (2024) Contemplations. [Artefact]
acting
McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)
adaptation
King, Andrew ORCID: 0000-0003-2348-4231 (2016) ‘Suicide: Popular? Obscene? The case of Ouida’s Two Little Wooden Shoes (1874)’. In: Annual Conference of the British Association for Victorian Studies, 31 August - 2 September 2016, University of Cardiff. (Unpublished)
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp.6.1.55_1)
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2018) On The Way Home (based on the book by Jill Murphy). Chiffchaff Children's Theatre for the Summer Reading Challenge. [Play, Short Story or Poetry]
adaptation studies
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624
aesthetics of cyber theatre
Salihbegović, Fahrudin Nuno (2011) There are no books on Tralfamadore: making theatre on the digital planet. In: Dragićević Šešić, Milena, (ed.) Dositheus - razvoj ljudskih resursa u kulturi: zbornik radova. Academica - Akademska grupa, Belgrade, Serbia, pp. 129-135. ISBN 978-8688835008
affective touch
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]
African performance aesthetics
Adeyemi, Sola (2013) Performing identities: re-creation and representation of African performance aesthetics. In: 50 Years of Theatre in the African Academy, 28-30 Aug 2013, University of Ibadan, Nigeria. (Unpublished)
African theatre
Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955
Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951
African writing/theatre/diaspora
Solanke, Adeola (2015) Afro-Europe: Winds of Change. The Writer.
afterword
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2022) Afterword. Comparative Drama, 56 (1-2):10. p. 227. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0009)
agency
Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.
McLaughlin, James ORCID: 0000-0002-2146-6884 , Turner, Jane, Weston, Sarah and Condron, Aiden (2024) Editorial. Theatre, Dance and Performance Training, 15 (2):1. pp. 135-142. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2024.2365586)
McLaughlin, James ORCID: 0000-0002-2146-6884 , Weston, Sarah, Turner, Jane and Condron, Aiden (2024) Special Issue: Theatre, Dance and Performance Training, Volume 15, Issue 2 (2024). Taylor and Francis Group - Routledge, Abingdon, UK.
Alexander Hamilton
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Why Hamilton's arrival In London should not be written off as just another mega-musical. The Huffington Post.
Alistair McDowall
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'There Are Times When Naturalism Just Isn't Enough': Breaking Open the Kitchen Sink in the Plays of Alistair McDowall. In: British Theatre in the 21st Century, Thursday 13 October - Saturday 15 October 2016, Université Paris-Sorbonne, France. (Unpublished)
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'Think Kitchen Sink with a Wormhole Where the Plug Should Be': Exploring New Approaches to New Writing in the plays of Alistair McDowall. In: What Happens Now: 21st Century Writing in English, Monday 27 June - Thursday 30 June 2016, University of Lincoln, UK. (Unpublished)
ambisonics
Margetson, Emma ORCID: 0000-0002-1054-1973 (2021) Shifted Trajectories. [Composition]
American Musical
Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)
amplification
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
Andy Smith johnsmith
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2019) Notes towards a theatre of assemblages. Performance Research, 24 (4). pp. 28-34. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2019.1641320)
Antony and Cleopatra
Lee, Adele (2013) Antony and Cleopatra. Directed by Kemal Aydoğan for the Oyun Atölyesi Theatre Company (Istanbul, Turkey) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 36-38. ISBN 9781408188132
apparatus
Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]
applied drama
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2018) On The Way Home (based on the book by Jill Murphy). Chiffchaff Children's Theatre for the Summer Reading Challenge. [Play, Short Story or Poetry]
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2017) An introduction to the Processes and Outcomes of the Memory Box Project: An International, Intergenerational Experience. In: Remembering Yesterday, Caring Today, 17th November 2017, Bathway Theatre, University of Greenwich. (Unpublished)
appropriation
Lee, Adele (2013) Antony and Cleopatra. Directed by Kemal Aydoğan for the Oyun Atölyesi Theatre Company (Istanbul, Turkey) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 36-38. ISBN 9781408188132
Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)
Lee, Adele (2013) Coriolanus. Directed by Motoi Miura for the Chiten Theatre Company (Kyoto, Japan) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 47-50. ISBN 9781408188132
Lee, Adele (2013) A Midsummer Night's Dream. Directed by Jung Yang-ung for the Yohangza Theatre Company (Seoul, South Korea) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 138-141. ISBN 9781408188132
Lee, Adele (2013) New directions: 'put[ing] on some other shape': Richard III as an Arab V.I.P. In: Connolly, Annaliese, (ed.) Richard III : A Critical Reader. Arden Early Modern Drama Guides . Bloomsbury Arden Shakespeare, London, UK, pp. 155-178. ISBN 9781441168252
Lee, Adele (2013) Titus Adronicus. Directed by Tang Shu-wing Theatre Studio (Hong Kong) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 207-209. ISBN 9781408188132
Lee, Adele (2013) Titus in No Man's Land: The Tang Shu-wing Theatre Studio's production. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 110-114. ISBN 9781107040557
Lee, Adele (2013) ‘A girdle round about the earth’: Yohangza’s A Midsummer Night’s Dream. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 83-86. ISBN 9781107040557
Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.
Arab VIP
Lee, Adele (2013) New directions: 'put[ing] on some other shape': Richard III as an Arab V.I.P. In: Connolly, Annaliese, (ed.) Richard III : A Critical Reader. Arden Early Modern Drama Guides . Bloomsbury Arden Shakespeare, London, UK, pp. 155-178. ISBN 9781441168252
archives
Hockham, D. ORCID: 0000-0001-9362-1137 , Campbell, J., Chambers, A., Franklin, P., Pollard, I., Reynolds, T. ORCID: 0000-0002-9618-6318 and Ruddock, R. (2022) Let our legacy continue: beginning an archival journey a creative essay of the digital co-creation and hybrid dissemination of windrush oral histories at the University of Greenwich’s Stephen Lawrence Gallery. Research in Drama Education: The Journal of Applied Theatre and Performance, 27 (2). pp. 199-215. ISSN 1356-9783 (Print), 1470-112X (Online) (doi:https://doi.org/10.1080/13569783.2022.2060733)
Arden Shakespeare
Young, Jennifer (2021) ‘While memory holds a seat in this distracted globe’: a look back at the Arden Shakespeare Third Series (1995–2020). In: Smith, Emma, (ed.) Shakespeare Survey 74: Shakespeare and Education. Shakespeare Survey, 74 (74). Cambridge University Press, Cambridge, pp. 355-371. ISBN 978-1009036795 (doi:https://doi.org/10.1017/9781009036795.024)
Art as activism
Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.
Artifical Intelligence
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Artistic engagements with machine generated voice: Holly Herndon's Holly+ & Jane Frances Dunlop’s select important things. In: Mis/Disinformation and the artifices of authenticity and authentication ICA Pre-Conference, 24th May, 2023, York University, Toronto, Ontario Canada. (Unpublished)
artistic directors
Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2022) ‘Creating change where it matters the most’: artistic directorship and representation in the London theatre. Comparative Drama, 56 (1-2). pp. 199-226. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0008)
Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)
artistic research
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Artistic engagements with machine generated voice: Holly Herndon's Holly+ & Jane Frances Dunlop’s select important things. In: Mis/Disinformation and the artifices of authenticity and authentication ICA Pre-Conference, 24th May, 2023, York University, Toronto, Ontario Canada. (Unpublished)
arts
Maravala, Persis Jadé and Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Post-immersive interventions with ZU-UK. In: Bucknall, Joanna Jayne, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury - Methuen Drama, London, pp. 151-176. ISBN 978-1350269330
Arts & Health
Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.
Arts and Culture
McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)
arts funding
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Translating austerity: Theatrical responses to the financial crisis. Twenty-First Century Drama: What Happens Now. Palgrave Macmillan, pp. 129-148. ISBN 978-1137484024 (doi:https://doi.org/10.1057/978-1-137-48403-1_7)
Asia
Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)
audience
Lilley, Heather (2012) 'Everyone in the room has a connection to the story': fairytale adaptation in devised theatre. Journal of Adaptation in Film & Performance, 5 (2). pp. 149-166. ISSN 1753-6421 (Print), 1753-643X (Online) (doi:https://doi.org/10.1386/jafp.5.2.149_1)
Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.
audiences
Lilley, Heather Louise (2010) Vital contact: creating interpretive communities in the moment of theatrical reception. About Performance (10).
audio experience
Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]
Augusto Boal
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
austerity impact
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Translating austerity: Theatrical responses to the financial crisis. Twenty-First Century Drama: What Happens Now. Palgrave Macmillan, pp. 129-148. ISBN 978-1137484024 (doi:https://doi.org/10.1057/978-1-137-48403-1_7)
authenticity
Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.
authorship
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2023) Collaboration, cooperation and authorship in screenwriting aka how many people does it take to create an author? In: Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . Palgrave, Cham, pp. 73-92. ISBN 978-3031207693 (doi:https://doi.org/10.1007/978-3-031-20769-3_4)
ballet
Sporton, Gregory (2009) Design as action: Jean Cocteau and the Ballets Russes. In: White, Christine A., (ed.) Directors and Designers. Intellect Books, Bristol, UK, pp. 231-240. ISBN 9781841502892
Sporton, Gregory (2007) Power as nostalgia: the Bolshoi Ballet in the new Russia. In: Barnett, Dennis and Skelton, Arthur, (eds.) Theatre and Performance in Eastern Europe: The Changing Scene. Scarecrow Press, Lanham, Maryland, USA, pp. 3-12. ISBN 9780810860230
Baruch Spinoza
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2022) An art like nature: theatre environment as territory in Tim Spooner performances. Journal of Contemporary Drama in English, 10 (1). pp. 1-15. ISSN 2195-0156 (Print), 2195-0164 (Online) (doi:https://doi.org/10.1515/jcde-2022-0005)
beats
Klikova, Deborah ORCID: 0000-0001-9883-2646 (2021) Defining the beats in the TV sitcom. In: Batty, Craig and Taylor, Stayci, (eds.) Script Development. Springer - Palgrave Macmillan, Cham, Switzerland, pp. 205-218. ISBN 978-3030487133; 978-3030487126 (doi:https://doi.org/10.1007/978-3-030-48713-3_13)
belonging
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108
binaural audio
Guillery, Kesia, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade and Simon, Bart (2024) Liveness, audio mixing and participatory theatre: hacking the familiar in 'Binaural Dinner Date'. In: O’Dwyer, Néill, Scott, Joanne and Young, Gareth W., (eds.) XR Performance: Scenographic Explorations. Bloomsbury Methuen. (In Press)
Black British drama
Adeyemi, Sola (2013) Performing identities: re-creation and representation of African performance aesthetics. In: 50 Years of Theatre in the African Academy, 28-30 Aug 2013, University of Ibadan, Nigeria. (Unpublished)
Black British performance culture
Adeyemi, Sola (2013) Negotiating identities: Britishness and mapping of culture in Dipo Agboluaje’s The Christ of Coldharbour Lane. In: What is African Theatre and Performance? 2013 AfTA Annual International Conference, 11-14 July 2013, Goldsmiths, University of London & University of Derby, UK. (Unpublished)
Black British playwrights
Solanke, Ade (2013) Prin Osun Pandora's Box. In: Hodge-Dallaway, Simeilia, (ed.) The Oberon Book of Monologues for Black Actors: Classical and Contemporary Speeches from Black British Plays. Volume Two: Monologues for Men: 1 (Oberon Modern Plays). Oberon Books, London, UK. ISBN 9781783190577
Solanke, Adeola (2015) East End boys, West End girls. [Play, Short Story or Poetry]
black-on-black violence
Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2007) Roy Williams: representing multicultural Britain in Fallout. Modern Drama, 50 (3). pp. 414-434. ISSN 0026-7694 electronic 1712-5286
blogging
McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)
bodies
Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.
body
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.
Bola Agbaje
Brown, Charmaine ORCID: 0000-0002-6471-9706 (2023) 'Gone too far': gentrification and the intersection of race and identity politics in Peckham. In: Talk to NYT cast of Bola Agbaje's play 'Gone Too Far', 6th March 2023, Peckham, London. (Unpublished)
bone-conducting headphones
Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]
Brazil
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2012) The Ritual/ O Ritual. Conexões. British Council, São Paulo.
Yazbek, Samir (2012) The Ritual. In: Bell, Hillary, (ed.) National Theatre Connections 2012. Methuen Drama, London, pp. 497-537. ISBN 978-1408157244
Brazilian playwriting
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2014) Stages of the Loss: translation as contamination. How The Ritual made it to the Royal National Theatre. Theatre Research International, 39 (2). pp. 120-132. ISSN 0307-8833 (Print), 1474-0672 (Online) (doi:https://doi.org/10.1017/S0307883314000042)
Brexit
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) My Country: a play about Brexit that tries to break the bubble but disappoints. The Conversation. ISSN 2201-5639
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2018) There’ll always be an England – Butlins, Brexit and the Heterotopic Body. Journal of European Popular Culture, 9 (1). pp. 33-41. ISSN 2040-6134 (doi:https://doi.org/10.1386/jepc.9.1.33_1)
British Council
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2012) The Ritual/ O Ritual. Conexões. British Council, São Paulo.
British Drama
Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)
British working-class life
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2012) The only was is... Basildon. Times Higher Education. ISSN 0049-3929
Brixton
Brown, Charmaine ORCID: 0000-0002-6471-9706 (2019) The Build Up: Gentrification performance in two parts. [Creative Performance or Reading]
Calculus
Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.
Cameron
Signorelli, Valentina ORCID: 0000-0001-7411-7277 (2019) Famous Last Words - A comparative focus on resignation speeches to trace contemporary European instability: the cases of David Cameron and Matteo Renzi. In: Desecrating Celebrity. Proceedings of the IV International Celebrity Studies Journal Conference. Area 14 - Scienze Politiche e Sociali, Volumi di Area 14 - Scienze Politiche e Sociali, 14 . Nuova Cultura, Rome, pp. 109-130. ISBN 978-8833652719 (doi:https://doi.org/10.4458/2719)
cancel culture
Bozzi, Nicola ORCID: 0000-0003-1506-8078 (2024) Platforming the Joe Rogan Experience: cancel culture, comedy, and infrastructure. Television and New Media. pp. 1-14. ISSN 1527-4764 (Print), 1552-8316 (Online) (doi:https://doi.org/10.1177/15274764241277476)
Capitalism
Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)
care
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]
Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.
Caryl Churchill
Derbyshire, Henry ORCID: 0000-0002-1373-1166 (2016) Caryl Churchill’s 21st Century Poetics: Theatre form and feminism from far away to Ding Dong the Wicked. Journal of Contemporary Drama in English, 4 (2). pp. 367-384. ISSN 2195-0164 (Online) (doi:https://doi.org/10.1515/jcde-2016-0021)
catabolic crisis
Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)
censorship
McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)
McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:https://doi.org/10.1080/2040610X.2022.2091733)
Chatroulette
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2015) Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices. Body, Space and Technology, 14. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.37)
chicago improv festival
McLaughlin, James ORCID: 0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.
children
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2009) [Drama Workshop] Monsters, myths and mayhem: 'The Dragon of Krakow' comes to Blackheath. [Play, Short Story or Poetry] (Unpublished)
children's literature
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2018) On The Way Home (based on the book by Jill Murphy). Chiffchaff Children's Theatre for the Summer Reading Challenge. [Play, Short Story or Poetry]
children's theatre
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2017) A Double Bill stage adaption of Jill Murphy's Peace at Last! and Whatever Next!, by Chiffchaff Children's Theatre. [Creative Performance or Reading]
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2018) On The Way Home (based on the book by Jill Murphy). Chiffchaff Children's Theatre for the Summer Reading Challenge. [Play, Short Story or Poetry]
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) 'Peace at Last' and 'Whatever Next!'. [Creative Performance or Reading]
China
Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)
choreography
Sporton, Gregory (2009) Design as action: Jean Cocteau and the Ballets Russes. In: White, Christine A., (ed.) Directors and Designers. Intellect Books, Bristol, UK, pp. 231-240. ISBN 9781841502892
civic centred
Ellis, Tatiana, Hockham, David ORCID: 0000-0001-9362-1137 , Rolle, Erica and Zigomo, Pamela (2020) Becoming civic centred: a case study of the University of Greenwich’s Bathway Theatre based in Woolwich. Studies in Theatre and Performance, 40 (3). pp. 316-327. ISSN 1468-2761 (Print), 2040-0616 (Online) (doi:https://doi.org/10.1080/14682761.2020.1807211)
class
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
co-creation
Hockham, David ORCID: 0000-0001-9362-1137 and Zaremba-Byrne, Kasia (2022) Tiger Lady (what about us: Empowering Community Voices). [Creative Performance or Reading]
co-production
Reynolds, Tracey ORCID: 0000-0002-9618-6318 and Kaptani, Eirini (2022) Migrants performing citizenship: participatory theatre and walking methods for research. In: Czajka, Agnes and O’Brien, Áine, (eds.) Art, Migration and the Production of Radical Democratic Citizenship. Rowman & Littlefield Publishers, London U.K. ISBN 978-1786612786 ; 978-1786612809; 1786612801
Cock
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Introduction to Cock by Mike Bartlett. Cock. Modern Classics . Methuen, London, pp. 5-18. ISBN 9781474229630
Cocteau
Sporton, Gregory (2009) Design as action: Jean Cocteau and the Ballets Russes. In: White, Christine A., (ed.) Directors and Designers. Intellect Books, Bristol, UK, pp. 231-240. ISBN 9781841502892
collaboration
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2023) Collaboration, cooperation and authorship in screenwriting aka how many people does it take to create an author? In: Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . Palgrave, Cham, pp. 73-92. ISBN 978-3031207693 (doi:https://doi.org/10.1007/978-3-031-20769-3_4)
Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.
Oxley, Natasha ORCID: 0000-0003-0011-7113 and Schweitzer, Pam (2023) Making intergenerational drama from older people's memories in a community dementia care group: practices, processes, and impact. Journal of Dementia Care. ISSN 1351-8372 (In Press)
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
comedy
Bozzi, Nicola ORCID: 0000-0003-1506-8078 (2024) Platforming the Joe Rogan Experience: cancel culture, comedy, and infrastructure. Television and New Media. pp. 1-14. ISSN 1527-4764 (Print), 1552-8316 (Online) (doi:https://doi.org/10.1177/15274764241277476)
McLaughlin, James ORCID: 0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2008) [Director] Money From America. [Play, Short Story or Poetry] (Unpublished)
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2015) Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices. Body, Space and Technology, 14. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.37)
comic
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2014) So Pleased To Meet You. [Creative Performance or Reading]
commemoration
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) Commemoration in contemporary Polish plays. In: Memory Studies Association Conference 2021, 5-9 July 2021, Online / University of Warsaw. (Unpublished)
communities
Hockham, D. ORCID: 0000-0001-9362-1137 , Campbell, J., Chambers, A., Franklin, P., Pollard, I., Reynolds, T. ORCID: 0000-0002-9618-6318 and Ruddock, R. (2022) Let our legacy continue: beginning an archival journey a creative essay of the digital co-creation and hybrid dissemination of windrush oral histories at the University of Greenwich’s Stephen Lawrence Gallery. Research in Drama Education: The Journal of Applied Theatre and Performance, 27 (2). pp. 199-215. ISSN 1356-9783 (Print), 1470-112X (Online) (doi:https://doi.org/10.1080/13569783.2022.2060733)
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2020) Uncovering New Voices at the Royal Court Theatre- Interview with Vicky Featherstone. In: Galea, Marco and Musca, Szabolcs, (eds.) Redefining Theatre Communities – International Perspectives on Community-Conscious Theatre-Making. Intellect, Bristol. ISBN 9781789380767
community
Lilley, Heather Louise (2010) Vital contact: creating interpretive communities in the moment of theatrical reception. About Performance (10).
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
community engagement
Oxley, Natasha ORCID: 0000-0003-0011-7113 and Schweitzer, Pam (2023) Making intergenerational drama from older people's memories in a community dementia care group: practices, processes, and impact. Journal of Dementia Care. ISSN 1351-8372 (In Press)
community practice
Ellis, Tatiana, Hockham, David ORCID: 0000-0001-9362-1137 , Rolle, Erica and Zigomo, Pamela (2020) Becoming civic centred: a case study of the University of Greenwich’s Bathway Theatre based in Woolwich. Studies in Theatre and Performance, 40 (3). pp. 316-327. ISSN 1468-2761 (Print), 2040-0616 (Online) (doi:https://doi.org/10.1080/14682761.2020.1807211)
comparative drama
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2022) Afterword. Comparative Drama, 56 (1-2):10. p. 227. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0009)
connections
Yazbek, Samir (2012) The Ritual. In: Bell, Hillary, (ed.) National Theatre Connections 2012. Methuen Drama, London, pp. 497-537. ISBN 978-1408157244
connectivity
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2015) Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices. Body, Space and Technology, 14. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.37)
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2014) So Pleased To Meet You. [Creative Performance or Reading]
contemporary
Maravala, Persis Jadé and Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Post-immersive interventions with ZU-UK. In: Bucknall, Joanna Jayne, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury - Methuen Drama, London, pp. 151-176. ISBN 978-1350269330
contemporary British drams
Solanke, Adeola (2015) East End boys, West End girls. [Play, Short Story or Poetry]
contemporary British playwriting
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Introduction. In: O'Thomas, Mark ORCID: 0000-0001-9264-8813 , (ed.) Mike Barlett's Cock. Bloomsbury Academic, London, pp. 5-18. ISBN 978-1474229630
Contemporary British Theatre
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2017) 'Making New Theatre Together': Developing writers' and creating community in the first writers' group at the Royal Court and its legacy within the Young Writers' Programme. Theatre History Studies, 36. pp. 248-265. ISSN 0733-2033 (Print), 2166-9953 (Online) (doi:https://doi.org/10.1353/ths.2017.0011)
contemporary drama
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2019) Polish plays on the British stage? In: Brexit Stage Left. Contemporary European Drama in translation on the British stage . Royal Central School of Speech and Drama - The British Academy, London - Online.
Contemporary playwriting
Derbyshire, Henry ORCID: 0000-0002-1373-1166 (2016) Caryl Churchill’s 21st Century Poetics: Theatre form and feminism from far away to Ding Dong the Wicked. Journal of Contemporary Drama in English, 4 (2). pp. 367-384. ISSN 2195-0164 (Online) (doi:https://doi.org/10.1515/jcde-2016-0021)
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) Commemoration in contemporary Polish plays. In: Memory Studies Association Conference 2021, 5-9 July 2021, Online / University of Warsaw. (Unpublished)
Coriolanus
Lee, Adele (2013) Coriolanus. Directed by Motoi Miura for the Chiten Theatre Company (Kyoto, Japan) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 47-50. ISBN 9781408188132
corporeal
Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]
covid
Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2022) Introduction - There's no place like London: theatrical landscapes of a city in recovery. Comparative Drama, 56 (1&2):1. pp. 1-11. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0000)
Covid-19
Heinrichs, Liza, Kuenzel, Sven and Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110 (2021) Keeping in touch with your audience during a global pandemic. Sardines - Magazine for Amateur Theatre, 50. pp. 26-27. ISSN 2515-6756
Heinrichs, Liza, Kuenzel, Sven and Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110 (2021) The ‘new normal’ for UK theatre? Sardines - Magazine for Amateur Theatre, 50. pp. 16-17. ISSN 2515-6756
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
Creative Industries
McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)
creative maps
Finlay, Alec, Heddon, Deirdre and Myers, Misha ORCID: 0000-0002-4355-6602 (2021) WILD CITY | FIADH-BHAILE | ORASUL SALBATIC: Mapping the Wild in the Greeny Howe of Glasgow. In: Cohen, Phil and Duggan, Mike, (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 201-206. ISBN 978-1538147191; 978-1538147214
creative writing
Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2008) [In Backpages 18.1] The culture of new writing. Contemporary Theatre Review, 18 (1). pp. 131-134. ISSN 1048-6801 (Print), 1477-2264 (Online) (doi:https://doi.org/10.1080/10486800701868254)
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Analysing the screenplay: A comparative approach. In: Nelmes, Jill, (ed.) Analysing The Screenplay. Routledge, London, pp. 237-251. ISBN 978-0415556347
creativity
McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)
cultural diplomacy
Aston, Elaine and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2015) Royal Court: International. Studies in International Performance book series (STUDINPERF) . Palgrave Macmillan, London. ISBN 978-1137461827
cultural dissonance
Myers, Misha ORCID: 0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214
cultural exchange
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624
cultural identity
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2015) Conference presentation at POMP conference on contemporary Polish drama. In: Post-1945 Poland: Modernities, Transformations and Evolving Identities, 11-12 June 2015, St Antony's College, University of Oxford. (Unpublished)
cultural licensee
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2015) Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices. Body, Space and Technology, 14. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.37)
cultural memory
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) Commemoration in contemporary Polish plays. In: Memory Studies Association Conference 2021, 5-9 July 2021, Online / University of Warsaw. (Unpublished)
cultural politics
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Translating austerity: Theatrical responses to the financial crisis. Twenty-First Century Drama: What Happens Now. Palgrave Macmillan, pp. 129-148. ISBN 978-1137484024 (doi:https://doi.org/10.1057/978-1-137-48403-1_7)
Damilola Taylor
Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2007) Roy Williams: representing multicultural Britain in Fallout. Modern Drama, 50 (3). pp. 414-434. ISSN 0026-7694 electronic 1712-5286
dance
McLaughlin, James ORCID: 0000-0002-2146-6884 , Turner, Jane, Weston, Sarah and Condron, Aiden (2024) Editorial. Theatre, Dance and Performance Training, 15 (2):1. pp. 135-142. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2024.2365586)
data
Costantino, Anna (2021) Performative education inside and outside the ethics of care: three provocations. Scenario, 15 (2):2. pp. 27-46. ISSN 1649 - 8526 (Online) (doi:https://doi.org/10.33178/scenario)
David Tennant
Hutchins, Emma (2008) NOT stalking David Tennant (aka "having it all"). [Creative Performance or Reading] (Unpublished)
decolonising
Ellis, Tatiana, Hockham, David ORCID: 0000-0001-9362-1137 , Rolle, Erica and Zigomo, Pamela (2020) Becoming civic centred: a case study of the University of Greenwich’s Bathway Theatre based in Woolwich. Studies in Theatre and Performance, 40 (3). pp. 316-327. ISSN 1468-2761 (Print), 2040-0616 (Online) (doi:https://doi.org/10.1080/14682761.2020.1807211)
decolonising methodologies
Hockham, D. ORCID: 0000-0001-9362-1137 , Campbell, J., Chambers, A., Franklin, P., Pollard, I., Reynolds, T. ORCID: 0000-0002-9618-6318 and Ruddock, R. (2022) Let our legacy continue: beginning an archival journey a creative essay of the digital co-creation and hybrid dissemination of windrush oral histories at the University of Greenwich’s Stephen Lawrence Gallery. Research in Drama Education: The Journal of Applied Theatre and Performance, 27 (2). pp. 199-215. ISSN 1356-9783 (Print), 1470-112X (Online) (doi:https://doi.org/10.1080/13569783.2022.2060733)
decolonising practices
Hockham, D. ORCID: 0000-0001-9362-1137 , Campbell, J., Chambers, A., Franklin, P., Pollard, I., Reynolds, T. ORCID: 0000-0002-9618-6318 and Ruddock, R. (2022) Let our legacy continue: beginning an archival journey a creative essay of the digital co-creation and hybrid dissemination of windrush oral histories at the University of Greenwich’s Stephen Lawrence Gallery. Research in Drama Education: The Journal of Applied Theatre and Performance, 27 (2). pp. 199-215. ISSN 1356-9783 (Print), 1470-112X (Online) (doi:https://doi.org/10.1080/13569783.2022.2060733)
decolonising the academy
Ellis, Tatiana, Hockham, David ORCID: 0000-0001-9362-1137 , Rolle, Erica and Zigomo, Pamela (2020) Becoming civic centred: a case study of the University of Greenwich’s Bathway Theatre based in Woolwich. Studies in Theatre and Performance, 40 (3). pp. 316-327. ISSN 1468-2761 (Print), 2040-0616 (Online) (doi:https://doi.org/10.1080/14682761.2020.1807211)
deep map
Myers, Misha ORCID: 0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214
Deleuze
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2024) The Possibility of fact: sketching an origin for the performative. In: Twitchin, Mischa, (ed.) Wittgenstein and Performance: You'd be Surprised, Ed. Misc ha Twitchin, Rowman and Littlefield, 2024. Rowman & Littlefield, Lanham; Boulder; New York; London, pp. 27-44. ISBN 978-1538175095; 978-1538175101; 1538175096
dementia arts
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2019) Making performances from memory boxes: reminiscence theatre and its positive impact on student mental health. In: Theatre of Memory, 1 May 2019 - 4 May 2019, Marine Hotel, Dublin, Ireland. (Unpublished)
dementia care
Oxley, Natasha ORCID: 0000-0003-0011-7113 and Schweitzer, Pam (2023) Making intergenerational drama from older people's memories in a community dementia care group: practices, processes, and impact. Journal of Dementia Care. ISSN 1351-8372 (In Press)
democratic citizenship
Reynolds, Tracey ORCID: 0000-0002-9618-6318 and Kaptani, Eirini (2022) Migrants performing citizenship: participatory theatre and walking methods for research. In: Czajka, Agnes and O’Brien, Áine, (eds.) Art, Migration and the Production of Radical Democratic Citizenship. Rowman & Littlefield Publishers, London U.K. ISBN 978-1786612786 ; 978-1786612809; 1786612801
Dennis Kelly
Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (eds.) (2019) Beautiful Doom: Dennis Kelly's Work on Stage and Television. Manchester University Press. (Submitted)
Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (2017) International Playwrights' Symposium: Dennis Kelly (Co-Organiser). In: International Playwrights' Symposium: Dennis Kelly (Co-Organiser), 18-20 November 2017, Lincoln School of Fine & Performing Arts. (Unpublished)
developing material
McCaw, Dick, Etchells, Tim, Anderson, Mary Elizabeth and Wallis, Jillian ORCID: 0000-0002-5004-9262 (2013) Essai – (French: ‘test’, ‘attempt’, ‘trial’, ‘try-out’) [Essai]. Theatre, Dance and Performance Training, 4 (1). pp. 126-132. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2013.774821)
devising
Lilley, Heather (2012) 'Everyone in the room has a connection to the story': fairytale adaptation in devised theatre. Journal of Adaptation in Film & Performance, 5 (2). pp. 149-166. ISSN 1753-6421 (Print), 1753-643X (Online) (doi:https://doi.org/10.1386/jafp.5.2.149_1)
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2019) Making performances from memory boxes: reminiscence theatre and its positive impact on student mental health. In: Theatre of Memory, 1 May 2019 - 4 May 2019, Marine Hotel, Dublin, Ireland. (Unpublished)
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2008) [Drama Workshop with Emergency Exit Arts] Earth carnival. [Play, Short Story or Poetry] (Unpublished)
diaspora
Adeyemi, Sola (2013) Negotiating identities: Britishness and mapping of culture in Dipo Agboluaje’s The Christ of Coldharbour Lane. In: What is African Theatre and Performance? 2013 AfTA Annual International Conference, 11-14 July 2013, Goldsmiths, University of London & University of Derby, UK. (Unpublished)
digital
Hockham, David ORCID: 0000-0001-9362-1137 (2021) Responding to Creation Theatre’s Time Machine: a production moved to Zoom in light of COVID-19. PARtake: The Journal of Performance as Research, 3 (2). pp. 1-6. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v3i2.541)
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
Salihbegović, Fahrudin Nuno (2011) There are no books on Tralfamadore: making theatre on the digital planet. In: Dragićević Šešić, Milena, (ed.) Dositheus - razvoj ljudskih resursa u kulturi: zbornik radova. Academica - Akademska grupa, Belgrade, Serbia, pp. 129-135. ISBN 978-8688835008
digital mental health therapy
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]
digital performance
Hockham, David ORCID: 0000-0001-9362-1137 (2021) Responding to Creation Theatre’s Time Machine: a production moved to Zoom in light of COVID-19. PARtake: The Journal of Performance as Research, 3 (2). pp. 1-6. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v3i2.541)
digital stage design
Salihbegović, Fahrudin Nuno (2011) There are no books on Tralfamadore: making theatre on the digital planet. In: Dragićević Šešić, Milena, (ed.) Dositheus - razvoj ljudskih resursa u kulturi: zbornik radova. Academica - Akademska grupa, Belgrade, Serbia, pp. 129-135. ISBN 978-8688835008
digital technology
Maravala, Persis Jade, McLaughlin, James ORCID: 0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625626)
Digital Theatre
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'Don't You Think That's Interesting, About Time?': Playing with Time in Abi Morgan's Lovesong. Digital Theatre [Invited Blog Post].
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) 'Peace at Last' and 'Whatever Next!'. [Creative Performance or Reading]
digital training
Allain, Paul, Bennett-Worth, Stacie Lee, Camilleri, Frank, McLaughlin, James ORCID: 0000-0002-2146-6884 and Wilson, Thomas (2019) Editorial. Theatre, Dance and Performance Training, 10 (2). pp. 165-168. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625628)
directing
Hutchins, Emma (2008) NOT stalking David Tennant (aka "having it all"). [Creative Performance or Reading] (Unpublished)
McCaw, Dick, Etchells, Tim, Anderson, Mary Elizabeth and Wallis, Jillian ORCID: 0000-0002-5004-9262 (2013) Essai – (French: ‘test’, ‘attempt’, ‘trial’, ‘try-out’) [Essai]. Theatre, Dance and Performance Training, 4 (1). pp. 126-132. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2013.774821)
director in digital theatre
Salihbegović, Fahrudin Nuno (2011) There are no books on Tralfamadore: making theatre on the digital planet. In: Dragićević Šešić, Milena, (ed.) Dositheus - razvoj ljudskih resursa u kulturi: zbornik radova. Academica - Akademska grupa, Belgrade, Serbia, pp. 129-135. ISBN 978-8688835008
disabled-led
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]
diversity
Bondar, Melissa and Andrade Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 (2024) A phenomenology of misfits: a case study of Practice-as-Research in Higher Education symposia. PARtake: The Journal of Performance as Research, 6 (1). pp. 1-19. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v6i1.2217)
DJ Dolores
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
documenting performance
Greuter, Stefan ORCID: 0000-0001-5487-0237 , Mulvany, Gerard and Myers, Misha ORCID: 0000-0002-4355-6602 (2023) The immersive archive. International Journal of Performance Arts and Digital Media, 19 (3). pp. 405-423. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2023.2223747)
Donald Trump
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) My Country: a play about Brexit that tries to break the bubble but disappoints. The Conversation. ISSN 2201-5639
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Why Hamilton's arrival In London should not be written off as just another mega-musical. The Huffington Post.
drama
Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951
Bowes, Simon, Hockham, Dave, Oxley, Natasha ORCID: 0000-0003-0011-7113 and Wallis, Jillian (2018) Embedding a professional feedback model in the teaching of drama. In: SHIFT 2019 - Annual Learning and Teaching Conference, 4 January 2019, University of Greenwich, London, UK. (Unpublished)
Hutchins, Emma (2008) NOT stalking David Tennant (aka "having it all"). [Creative Performance or Reading] (Unpublished)
Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.
McKean, Kathy (2011) “Listen I will tell the story to you / As I have been told it”: Memory and identity in the plays of Nicola McCartney. International Journal of Scottish Theatre and Screen, 4 (1). ISSN 2046-5602 (Print), 2046-5602 (Online)
McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)
McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2022) Rita, Sue and #Metoo: the Royal Court Theatre, London, and liberalism. Comparative Drama, 56 (1&2). pp. 157-178. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0006)
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2019) Making performances from memory boxes: reminiscence theatre and its positive impact on student mental health. In: Theatre of Memory, 1 May 2019 - 4 May 2019, Marine Hotel, Dublin, Ireland. (Unpublished)
Oxley, Natasha ORCID: 0000-0003-0011-7113 and Schweitzer, Pam (2023) Making intergenerational drama from older people's memories in a community dementia care group: practices, processes, and impact. Journal of Dementia Care. ISSN 1351-8372 (In Press)
Smith, Caroline (2011) Last of the red wine (Performance). [Show/Exhibition]
Smith, Caroline (2009) Once more with feeling: Feminism and the archive. [Show/Exhibition]
Young, Jennifer (2015) Shakespeare in London. The Arden Shakespeare . Bloomsbury Arden Shakespeare, London. ISBN 978-1408145968
drama in libraries
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2018) On The Way Home (based on the book by Jill Murphy). Chiffchaff Children's Theatre for the Summer Reading Challenge. [Play, Short Story or Poetry]
drama pedagogy
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2022) The reminiscence theatre archive as a resource for drama students. In: Performing Oral Histories, 11th April 2022, University of Greenwich Research Space.
drawing
Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]
Early modern drama
Young, Jennifer (2015) Shakespeare in London. The Arden Shakespeare . Bloomsbury Arden Shakespeare, London. ISBN 978-1408145968
early modern inns of court
Young, Jennifer (2021) Shakespeare for the "Triers": Richard Hawkins and Q2 Othello at the Serjeants' Inn. Journal for Early Modern Cultural Studies, 21 (1). pp. 94-119. ISSN 1531-0485 (Print), 1553-3786 (Online) (doi:https://doi.org/10.1353/jem.2021.0003)
early modern print publication
Young, Jennifer (2022) Chapter 1. Women "think round it"! Writing and Publication in Emilia. In: Kressly, Laura, Patient, Aida and Williams, Kimberly A., (eds.) Notelets of Filth: A Companion Reader to Morgan Lloyd Malcolm's Emilia. Routledge Advances in Theatre & Performance Studies . Routledge, London; Abingdon and New York, pp. 1-12. ISBN 978-1003033387; 978-0367498290; 978-0367470982 (doi:https://doi.org/10.4324/9781003033387)
ecocide
Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108
ecology
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108
editing
Young, Jennifer (2021) ‘While memory holds a seat in this distracted globe’: a look back at the Arden Shakespeare Third Series (1995–2020). In: Smith, Emma, (ed.) Shakespeare Survey 74: Shakespeare and Education. Shakespeare Survey, 74 (74). Cambridge University Press, Cambridge, pp. 355-371. ISBN 978-1009036795 (doi:https://doi.org/10.1017/9781009036795.024)
editorial theory and practice
Young, Jennifer (2021) ‘While memory holds a seat in this distracted globe’: a look back at the Arden Shakespeare Third Series (1995–2020). In: Smith, Emma, (ed.) Shakespeare Survey 74: Shakespeare and Education. Shakespeare Survey, 74 (74). Cambridge University Press, Cambridge, pp. 355-371. ISBN 978-1009036795 (doi:https://doi.org/10.1017/9781009036795.024)
electroacoustic
Margetson, Emma ORCID: 0000-0002-1054-1973 (2024) Contemplations. [Artefact]
Elizabeth Grosz
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2019) Notes towards a theatre of assemblages. Performance Research, 24 (4). pp. 28-34. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2019.1641320)
elves
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Elf: Christmas cheer amid the darkness. Times Higher Education. ISSN 0049-3929
embodied geography
Myers, Misha ORCID: 0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214
embodiment
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
Emilia
Young, Jennifer (2022) Chapter 1. Women "think round it"! Writing and Publication in Emilia. In: Kressly, Laura, Patient, Aida and Williams, Kimberly A., (eds.) Notelets of Filth: A Companion Reader to Morgan Lloyd Malcolm's Emilia. Routledge Advances in Theatre & Performance Studies . Routledge, London; Abingdon and New York, pp. 1-12. ISBN 978-1003033387; 978-0367498290; 978-0367470982 (doi:https://doi.org/10.4324/9781003033387)
empathy
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]
employability
Hockham, David ORCID: 0000-0001-9362-1137 and Wallis, Jillian ORCID: 0000-0002-5004-9262 (2023) Operationalising the concept of recontextualisation: leveraging pedagogy and learning strategies in higher education practical courses. Higher Education. ISSN 0018-1560 (Print), 1573-174X (Online) (doi:https://doi.org/10.1007/s10734-023-01136-3)
entanglement
Costantino, Anna (2021) Performative education inside and outside the ethics of care: three provocations. Scenario, 15 (2):2. pp. 27-46. ISSN 1649 - 8526 (Online) (doi:https://doi.org/10.33178/scenario)
entertainment
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Elf: Christmas cheer amid the darkness. Times Higher Education. ISSN 0049-3929
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2018) There’ll always be an England – Butlins, Brexit and the Heterotopic Body. Journal of European Popular Culture, 9 (1). pp. 33-41. ISSN 2040-6134 (doi:https://doi.org/10.1386/jepc.9.1.33_1)
entrainment
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.
Essex's rightwing materialism
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2012) The only was is... Basildon. Times Higher Education. ISSN 0049-3929
ethic of care
Costantino, Anna (2021) Performative education inside and outside the ethics of care: three provocations. Scenario, 15 (2):2. pp. 27-46. ISSN 1649 - 8526 (Online) (doi:https://doi.org/10.33178/scenario)
ethnicity
Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2007) Roy Williams: representing multicultural Britain in Fallout. Modern Drama, 50 (3). pp. 414-434. ISSN 0026-7694 electronic 1712-5286
Euripides
Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700
europe
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Translating austerity: Theatrical responses to the financial crisis. Twenty-First Century Drama: What Happens Now. Palgrave Macmillan, pp. 129-148. ISBN 978-1137484024 (doi:https://doi.org/10.1057/978-1-137-48403-1_7)
exhibition
Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]
experiential theatres
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis Jadé and Guillery, Kesia (2022) The significance of ‘role-play’ and ‘instruction-based performance’ as modes of teaching, collaborating, and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge- Taylor & Francis Group, London. ISBN 978-1032036038 (doi:https://doi.org/10.4324/9781003188179)
fairytales
Lilley, Heather (2012) 'Everyone in the room has a connection to the story': fairytale adaptation in devised theatre. Journal of Adaptation in Film & Performance, 5 (2). pp. 149-166. ISSN 1753-6421 (Print), 1753-643X (Online) (doi:https://doi.org/10.1386/jafp.5.2.149_1)
family theatre
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) 'Peace at Last' and 'Whatever Next!'. [Creative Performance or Reading]
feedback
Bowes, Simon, Hockham, Dave, Oxley, Natasha ORCID: 0000-0003-0011-7113 and Wallis, Jillian (2018) Embedding a professional feedback model in the teaching of drama. In: SHIFT 2019 - Annual Learning and Teaching Conference, 4 January 2019, University of Greenwich, London, UK. (Unpublished)
Femi Osofisan
Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955
Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951
Feminism
Derbyshire, Henry ORCID: 0000-0002-1373-1166 (2016) Caryl Churchill’s 21st Century Poetics: Theatre form and feminism from far away to Ding Dong the Wicked. Journal of Contemporary Drama in English, 4 (2). pp. 367-384. ISSN 2195-0164 (Online) (doi:https://doi.org/10.1515/jcde-2016-0021)
Smith, Caroline (2009) Once more with feeling: Feminism and the archive. [Show/Exhibition]
feminist
Maffioletti, Catherine and Elizabeth, Kay (2024) Death of a Document. [Creative Performance or Reading]
filial
Jones, Emrys (2012) Maternal duties and Filial Malapropisms: Frances Sheridan and the Problems of Theatrical Inheritance. In: British Society For Eighteenth-Century Studies 41st Annual Conference, 04-06 January, 2012, Oxford, UK. (Unpublished)
film
Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]
Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)
Lee, Adele (2013) New directions: 'put[ing] on some other shape': Richard III as an Arab V.I.P. In: Connolly, Annaliese, (ed.) Richard III : A Critical Reader. Arden Early Modern Drama Guides . Bloomsbury Arden Shakespeare, London, UK, pp. 155-178. ISBN 9781441168252
film adaptations
Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)
film images
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2014) Emma Hamilton's Attitudes Renewed. [Creative Performance or Reading]
film studies
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624
Filter bubble
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) My Country: a play about Brexit that tries to break the bubble but disappoints. The Conversation. ISSN 2201-5639
fine art
Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]
first nations
Cheetham, Deborah and Browning, Daniel (2011) Pecan Summer: The Process of Making New Indigenous Opera in Australia. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farham, UK & Burlington, USA, pp. 325-336. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)
Karantonis, Pamela (2011) Performativity, mimesis, and indigenous opera. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA, pp. 73-90. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)
Karantonis, Pamela and Robinson, Dylan (2011) Introduction. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA, pp. 1-12. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)
Karantonis, Pamela and Robinson, Dylan (eds.) (2011) Opera Indigene: Re/presenting first nations and indigenous cultures. In: Karantonis, Pamela, (ed.) Opera Indigene: Re/Presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)
foreign language
Lee, Adele (2013) Antony and Cleopatra. Directed by Kemal Aydoğan for the Oyun Atölyesi Theatre Company (Istanbul, Turkey) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 36-38. ISBN 9781408188132
Lee, Adele (2013) Coriolanus. Directed by Motoi Miura for the Chiten Theatre Company (Kyoto, Japan) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 47-50. ISBN 9781408188132
Lee, Adele (2013) A Midsummer Night's Dream. Directed by Jung Yang-ung for the Yohangza Theatre Company (Seoul, South Korea) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 138-141. ISBN 9781408188132
Lee, Adele (2013) Titus Adronicus. Directed by Tang Shu-wing Theatre Studio (Hong Kong) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 207-209. ISBN 9781408188132
Foucault
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2018) There’ll always be an England – Butlins, Brexit and the Heterotopic Body. Journal of European Popular Culture, 9 (1). pp. 33-41. ISSN 2040-6134 (doi:https://doi.org/10.1386/jepc.9.1.33_1)
fresh water
Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108
funding
Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)
games
Guillery, Harriet, Maravala, Persis Jadé and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2022) The significance of 'role-play' and 'instruction-based performance' as modes of teaching, collaborating and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge, New York and Oxon, pp. 1-7. ISBN 978-1032036038; 978-1032036045; 1003188176; 978-1003188179 (doi:https://doi.org/10.4324/9781003188179-11)
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)
McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:https://doi.org/10.1080/2040610X.2022.2091733)
Stenros, Jaakko, Simon, Bart, Hughes, Lynn, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2021) Understanding Liveness in immersive theatre, LARP and Games. In: DIGRA 2022, 7th - 11th July 2022, Krakow, Poland. (Unpublished)
gender
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Introduction. In: O'Thomas, Mark ORCID: 0000-0001-9264-8813 , (ed.) Mike Barlett's Cock. Bloomsbury Academic, London, pp. 5-18. ISBN 978-1474229630
Young, Jennifer (2022) Chapter 1. Women "think round it"! Writing and Publication in Emilia. In: Kressly, Laura, Patient, Aida and Williams, Kimberly A., (eds.) Notelets of Filth: A Companion Reader to Morgan Lloyd Malcolm's Emilia. Routledge Advances in Theatre & Performance Studies . Routledge, London; Abingdon and New York, pp. 1-12. ISBN 978-1003033387; 978-0367498290; 978-0367470982 (doi:https://doi.org/10.4324/9781003033387)
gentrification
Brown, Charmaine ORCID: 0000-0002-6471-9706 (2019) The Build Up: Gentrification performance in two parts. [Creative Performance or Reading]
Brown, Charmaine ORCID: 0000-0002-6471-9706 (2023) 'Gone too far': gentrification and the intersection of race and identity politics in Peckham. In: Talk to NYT cast of Bola Agbaje's play 'Gone Too Far', 6th March 2023, Peckham, London. (Unpublished)
Gilles Deleuze
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2022) An art like nature: theatre environment as territory in Tim Spooner performances. Journal of Contemporary Drama in English, 10 (1). pp. 1-15. ISSN 2195-0156 (Print), 2195-0164 (Online) (doi:https://doi.org/10.1515/jcde-2022-0005)
global
Lee, Adele (2013) Antony and Cleopatra. Directed by Kemal Aydoğan for the Oyun Atölyesi Theatre Company (Istanbul, Turkey) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 36-38. ISBN 9781408188132
Lee, Adele (2013) Coriolanus. Directed by Motoi Miura for the Chiten Theatre Company (Kyoto, Japan) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 47-50. ISBN 9781408188132
Lee, Adele (2013) A Midsummer Night's Dream. Directed by Jung Yang-ung for the Yohangza Theatre Company (Seoul, South Korea) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 138-141. ISBN 9781408188132
Lee, Adele (2013) Titus Adronicus. Directed by Tang Shu-wing Theatre Studio (Hong Kong) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 207-209. ISBN 9781408188132
Gone Too Far
Brown, Charmaine ORCID: 0000-0002-6471-9706 (2023) 'Gone too far': gentrification and the intersection of race and identity politics in Peckham. In: Talk to NYT cast of Bola Agbaje's play 'Gone Too Far', 6th March 2023, Peckham, London. (Unpublished)
graduate
Hockham, David ORCID: 0000-0001-9362-1137 and Wallis, Jillian ORCID: 0000-0002-5004-9262 (2023) Operationalising the concept of recontextualisation: leveraging pedagogy and learning strategies in higher education practical courses. Higher Education. ISSN 0018-1560 (Print), 1573-174X (Online) (doi:https://doi.org/10.1007/s10734-023-01136-3)
grotowski
Maravala, Persis Jade, McLaughlin, James ORCID: 0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625626)
Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.
hand drawn maps
Finlay, Alec, Heddon, Deirdre and Myers, Misha ORCID: 0000-0002-4355-6602 (2021) WILD CITY | FIADH-BHAILE | ORASUL SALBATIC: Mapping the Wild in the Greeny Howe of Glasgow. In: Cohen, Phil and Duggan, Mike, (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 201-206. ISBN 978-1538147191; 978-1538147214
Hannah Arendt
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2019) Notes towards a theatre of assemblages. Performance Research, 24 (4). pp. 28-34. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2019.1641320)
haptic technology
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]
Harold Pinter
Derbyshire, Henry ORCID: 0000-0002-1373-1166 (2021) The Theatre of the Absurd as professional network in Pinter’s early career. Harold Pinter: Stages, Networks, Collaborations. Methuen Drama Engage . Bloomsbury. ISBN 9781350133624
headphone theatre
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
health care
Oxley, Natasha ORCID: 0000-0003-0011-7113 and Schweitzer, Pam (2023) Making intergenerational drama from older people's memories in a community dementia care group: practices, processes, and impact. Journal of Dementia Care. ISSN 1351-8372 (In Press)
health simulation
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]
heightened realism
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2008) [Director] Money From America. [Play, Short Story or Poetry] (Unpublished)
Henri Bergson
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)
heterotopia
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2018) There’ll always be an England – Butlins, Brexit and the Heterotopic Body. Journal of European Popular Culture, 9 (1). pp. 33-41. ISSN 2040-6134 (doi:https://doi.org/10.1386/jepc.9.1.33_1)
Higher Education
Hockham, David ORCID: 0000-0001-9362-1137 (2022) Wild frontiers: learning in Higher Education institutions. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex. (Unpublished)
McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)
hip hop theatre
Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)
history
Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.
homophily
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2023) Collaboration, cooperation and authorship in screenwriting aka how many people does it take to create an author? In: Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . Palgrave, Cham, pp. 73-92. ISBN 978-3031207693 (doi:https://doi.org/10.1007/978-3-031-20769-3_4)
Hong Kong
Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)
Lee, Adele (2013) Titus in No Man's Land: The Tang Shu-wing Theatre Studio's production. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 110-114. ISBN 9781107040557
Lee, Adele (2013) ‘A girdle round about the earth’: Yohangza’s A Midsummer Night’s Dream. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 83-86. ISBN 9781107040557
housing
Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)
Howard Barker
Rapi, Konstantina (2011) An education in living poetry, vivid and violent. In: Brown, Mark, (ed.) Howard Barker Interviews 1980–2010: conversations in catastrophe. Intellect, Bristol, UK / Chicago, USA, pp. 175-180. ISBN 9781841503981 (pbk) 9781841505237 (ebk)
Human Ecology Economics
McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)
human rights
Derbyshire, Harry ORCID: 0000-0002-1373-1166 and Hodson, Loveday (2008) Performing injustice: human rights and verbatim theatre. Law and Humanities, 2 (2). pp. 191-211. ISSN 1752-1483
hung parliament
Graham, James and Holden, Nicholas ORCID: 0000-0002-3437-1702 (2021) This House by James Graham. Methuen Student Drama Editions, 1 (1). Bloomsbury Methuen, London. ISBN 9781350155534
hybrid
Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)
hybrid exhibition
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Almena, Maria and Shemza, Aphra (2022) Transformations - Hybrid exhibition and event - curated by Dr. Oliver Gingrich, Maria Almena and Aphra Shemza featuring Analema Group's KIMA Colour, KIMA Voice and KIMA Noise and Oliver Gingrich & Shama Rahman's Zeitgeist. [Show/Exhibition]
Hybrid Exhibition - Media Art - Participatory Art
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Almena, Maria and Shemza, Aphra (2022) Access all areas: hybrid exhibition at British Computer Society. [Show/Exhibition]
hybrid theatre online
Hockham, David ORCID: 0000-0001-9362-1137 (2021) Responding to Creation Theatre’s Time Machine: a production moved to Zoom in light of COVID-19. PARtake: The Journal of Performance as Research, 3 (2). pp. 1-6. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v3i2.541)
hybrid writing
Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108
hysteric
Maffioletti, Catherine and Elizabeth, Kay (2024) Death of a Document. [Creative Performance or Reading]
idea development
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2023) Collaboration, cooperation and authorship in screenwriting aka how many people does it take to create an author? In: Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . Palgrave, Cham, pp. 73-92. ISBN 978-3031207693 (doi:https://doi.org/10.1007/978-3-031-20769-3_4)
Identity
Adeyemi, Sola (2013) Negotiating identities: Britishness and mapping of culture in Dipo Agboluaje’s The Christ of Coldharbour Lane. In: What is African Theatre and Performance? 2013 AfTA Annual International Conference, 11-14 July 2013, Goldsmiths, University of London & University of Derby, UK. (Unpublished)
identity politics
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Introduction. In: O'Thomas, Mark ORCID: 0000-0001-9264-8813 , (ed.) Mike Barlett's Cock. Bloomsbury Academic, London, pp. 5-18. ISBN 978-1474229630
ideology
Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955
immersive
Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Bucknall, Joanna (2017) TAIT Episode 20 with Jorge Lopes Ramos: TAIT (Talking About Immersive Theatre) podcast. [Audio]
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
Maravala, Persis Jadé and Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Post-immersive interventions with ZU-UK. In: Bucknall, Joanna Jayne, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury - Methuen Drama, London, pp. 151-176. ISBN 978-1350269330
Maravala, Persis-Jadé and Bucknall, Joanna (2020) TAIT Scholar Episode 1 with Persis-Jadé Maravala: TAIT (Talking About Immersive Theatre) podcast. [Audio]
Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.
immersive experience
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]
immersive science theatre
Griffiths, Wyn and Keith, Lindsay ORCID: 0000-0002-5324-1719 (2022) Actors with agency: immersive science theatre and science identity. In: Weitkamp, Emma and Almeida, Carla, (eds.) Science and Theatre: Communicating Science and Technology with Performing Arts. Emerald Publishing Ltd., Bingley, UK, pp. 103-112. ISBN 978-1800436411; 978-1800436404; 978-1800436428 (doi:https://doi.org/10.1108/9781800436404)
immersive technologies
Greuter, Stefan ORCID: 0000-0001-5487-0237 , Mulvany, Gerard and Myers, Misha ORCID: 0000-0002-4355-6602 (2023) The immersive archive. International Journal of Performance Arts and Digital Media, 19 (3). pp. 405-423. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2023.2223747)
immersive theatre
Bucknall, Joanna, Lansley, Oliver, Maravala, Jade, Maravala, Persis Jadé, Thorpe, Joseph, Cross, Ruth, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Watkins, Bertie, Kingston, Owen and Seager, James (2023) Possible futures round-table discussion with Joanna Bucknall, Oliver Lansley, Persis Jadé Maravala, Jorge Lopes Ramos, Joseph Thorpe, Ruth Cross, Bertie Watkins, Owen Kingston and James Seager. In: Bucknall, Joanna, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury Publishing - Methuen Drama, London, pp. 177-204. ISBN 978-1350269330; 978-1350269361; 978-1350269347; 978-1350269354 (doi:https://doi.org/10.5040/9781350269361)
Greuter, Stefan ORCID: 0000-0001-5487-0237 , Mulvany, Gerard and Myers, Misha ORCID: 0000-0002-4355-6602 (2023) The immersive archive. International Journal of Performance Arts and Digital Media, 19 (3). pp. 405-423. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2023.2223747)
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Bucknall, Joanna (2017) TAIT Episode 20 with Jorge Lopes Ramos: TAIT (Talking About Immersive Theatre) podcast. [Audio]
Maravala, Persis-Jadé and Bucknall, Joanna (2020) TAIT Scholar Episode 1 with Persis-Jadé Maravala: TAIT (Talking About Immersive Theatre) podcast. [Audio]
Stenros, Jaakko, Simon, Bart, Hughes, Lynn, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2021) Understanding Liveness in immersive theatre, LARP and Games. In: DIGRA 2022, 7th - 11th July 2022, Krakow, Poland. (Unpublished)
improv bandits
McLaughlin, James ORCID: 0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.
improvisation
McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)
McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Ghost transmissions: concrete objects and ephemeral encounters. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex.
McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:https://doi.org/10.1080/2040610X.2022.2091733)
McLaughlin, James ORCID: 0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.
In-Yer-Face
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2020) 'In the pursuit of new writers': how the Royal Court Young Peoples' Theatre contributed to the development of first time playwrights in the 1990s. In: Boles, William C., (ed.) After In-Yer-Face: Remnants of a Theatrical Revolution. Palgrave Macmillan, pp. 21-35. ISBN 978-3030394264 (doi:https://doi.org/10.1007/978-3-030-39427-1_2)
inclusivity
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) Children as Co-creators in Chiffchaff Children's Theatre Productions: defining methodology and evidencing children's role in the creative process. In: Talking TYA, 8-10 October 2020, Online. (Unpublished)
indigenous cultures
Cheetham, Deborah and Browning, Daniel (2011) Pecan Summer: The Process of Making New Indigenous Opera in Australia. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farham, UK & Burlington, USA, pp. 325-336. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)
Karantonis, Pamela (2011) Performativity, mimesis, and indigenous opera. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA, pp. 73-90. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)
Karantonis, Pamela and Robinson, Dylan (2011) Introduction. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA, pp. 1-12. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)
Karantonis, Pamela and Robinson, Dylan (eds.) (2011) Opera Indigene: Re/presenting first nations and indigenous cultures. In: Karantonis, Pamela, (ed.) Opera Indigene: Re/Presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)
industrial
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
inequality
McLaughlin, James ORCID: 0000-0002-2146-6884 , Weston, Sarah, Turner, Jane and Condron, Aiden (2024) Special Issue: Theatre, Dance and Performance Training, Volume 15, Issue 2 (2024). Taylor and Francis Group - Routledge, Abingdon, UK.
infrastructure
Bozzi, Nicola ORCID: 0000-0003-1506-8078 (2024) Platforming the Joe Rogan Experience: cancel culture, comedy, and infrastructure. Television and New Media. pp. 1-14. ISSN 1527-4764 (Print), 1552-8316 (Online) (doi:https://doi.org/10.1177/15274764241277476)
inheritance
Jones, Emrys (2012) Maternal duties and Filial Malapropisms: Frances Sheridan and the Problems of Theatrical Inheritance. In: British Society For Eighteenth-Century Studies 41st Annual Conference, 04-06 January, 2012, Oxford, UK. (Unpublished)
installation
Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]
institutional racism
Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2007) Roy Williams: representing multicultural Britain in Fallout. Modern Drama, 50 (3). pp. 414-434. ISSN 0026-7694 electronic 1712-5286
instruction
Guillery, Harriet, Maravala, Persis Jadé and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2022) The significance of 'role-play' and 'instruction-based performance' as modes of teaching, collaborating and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge, New York and Oxon, pp. 1-7. ISBN 978-1032036038; 978-1032036045; 1003188176; 978-1003188179 (doi:https://doi.org/10.4324/9781003188179-11)
instruction-based
Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)
instruction-based performance
Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.
Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]
interactive
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)
Maravala, Persis-Jadé and Bucknall, Joanna (2020) TAIT Scholar Episode 1 with Persis-Jadé Maravala: TAIT (Talking About Immersive Theatre) podcast. [Audio]
interactive performance
Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)
Maravala, Persis Jade, McLaughlin, James ORCID: 0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625626)
interactive technology
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]
Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.
Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]
interactive theatre
Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]
interculturalism
Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700
interdisciplinary
Ellis, Tatiana, Hockham, David ORCID: 0000-0001-9362-1137 , Rolle, Erica and Zigomo, Pamela (2020) Becoming civic centred: a case study of the University of Greenwich’s Bathway Theatre based in Woolwich. Studies in Theatre and Performance, 40 (3). pp. 316-327. ISSN 1468-2761 (Print), 2040-0616 (Online) (doi:https://doi.org/10.1080/14682761.2020.1807211)
interdisciplinary art
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
intergenerational
Oxley, Natasha ORCID: 0000-0003-0011-7113 and Schweitzer, Pam (2023) Making intergenerational drama from older people's memories in a community dementia care group: practices, processes, and impact. Journal of Dementia Care. ISSN 1351-8372 (In Press)
intergenerational drama
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2017) An introduction to the Processes and Outcomes of the Memory Box Project: An International, Intergenerational Experience. In: Remembering Yesterday, Caring Today, 17th November 2017, Bathway Theatre, University of Greenwich. (Unpublished)
International
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2015) Royal Court: International [Book Review]. Platform: Journal of Theatre and Performing Arts, 9 (2). pp. 113-116. ISSN 1751-0171
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2020) Uncovering New Voices at the Royal Court Theatre- Interview with Vicky Featherstone. In: Galea, Marco and Musca, Szabolcs, (eds.) Redefining Theatre Communities – International Perspectives on Community-Conscious Theatre-Making. Intellect, Bristol. ISBN 9781789380767
international impact
Aston, Elaine and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2015) Royal Court: International. Studies in International Performance book series (STUDINPERF) . Palgrave Macmillan, London. ISBN 978-1137461827
internet art
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2024) Theatricality and dissonance: frictions in contemporary networked performance practices. In: Quick, Andrew and Rushton, Richard, (eds.) Theatricality and the Arts Film, Theatre, Art. Edinburgh University Press, Edinburgh, pp. 70-87. ISBN 978-1399511650; 1399511653 (In Press)
Sporton, Gregory (2009) The active audience: the network as a performance environment. In: Oddey, Alison and White, Christine A., (eds.) Modes of Spectating. Intellect Books, Bristol, UK, pp. 61-72. ISBN 9781841502397
interview
Rapi, Konstantina (2011) An education in living poetry, vivid and violent. In: Brown, Mark, (ed.) Howard Barker Interviews 1980–2010: conversations in catastrophe. Intellect, Bristol, UK / Chicago, USA, pp. 175-180. ISBN 9781841503981 (pbk) 9781841505237 (ebk)
intimacy
Guillery, Kesia, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade and Simon, Bart (2024) Liveness, audio mixing and participatory theatre: hacking the familiar in 'Binaural Dinner Date'. In: O’Dwyer, Néill, Scott, Joanne and Young, Gareth W., (eds.) XR Performance: Scenographic Explorations. Bloomsbury Methuen. (In Press)
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)
Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]
introduction
Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2022) Introduction - There's no place like London: theatrical landscapes of a city in recovery. Comparative Drama, 56 (1&2):1. pp. 1-11. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0000)
Irish diaspora
Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108
Irish history
Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108
Irish identity
Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108
Irish literature
Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108
Irish poetry
Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108
Irish prose
Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108
Irish writing
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
James Graham
Graham, James and Holden, Nicholas ORCID: 0000-0002-3437-1702 (2021) This House by James Graham. Methuen Student Drama Editions, 1 (1). Bloomsbury Methuen, London. ISBN 9781350155534
Jauss
Lilley, Heather (2012) 'Everyone in the room has a connection to the story': fairytale adaptation in devised theatre. Journal of Adaptation in Film & Performance, 5 (2). pp. 149-166. ISSN 1753-6421 (Print), 1753-643X (Online) (doi:https://doi.org/10.1386/jafp.5.2.149_1)
jazz
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp.6.1.55_1)
Jerzy Grotowski
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
Joe Rogan
Bozzi, Nicola ORCID: 0000-0003-1506-8078 (2024) Platforming the Joe Rogan Experience: cancel culture, comedy, and infrastructure. Television and New Media. pp. 1-14. ISSN 1527-4764 (Print), 1552-8316 (Online) (doi:https://doi.org/10.1177/15274764241277476)
journey writing
Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108
Judith Butler
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2019) Notes towards a theatre of assemblages. Performance Research, 24 (4). pp. 28-34. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2019.1641320)
Jung Yang-ung
Lee, Adele (2013) A Midsummer Night's Dream. Directed by Jung Yang-ung for the Yohangza Theatre Company (Seoul, South Korea) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 138-141. ISBN 9781408188132
Karen Barad
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)
keith johnstone
McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)
McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:https://doi.org/10.1080/2040610X.2022.2091733)
McLaughlin, James ORCID: 0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.
McLaughlin, James A. ORCID: 0000-0002-2146-6884 (2019) Reinscribing the Self: Performer Training as Cultural Pentimento. In: Embodied/Embodying Performer Training: Practices and Practicalities: TaPRA Performer Training Working Group Interim Event, 24 April 2019, University of South Wales, Cardiff Campus, The ATRiuM. (Unpublished)
Kemal Aydoğan
Lee, Adele (2013) Antony and Cleopatra. Directed by Kemal Aydoğan for the Oyun Atölyesi Theatre Company (Istanbul, Turkey) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 36-38. ISBN 9781408188132
kneehigh audience
Lilley, Heather (2012) 'Everyone in the room has a connection to the story': fairytale adaptation in devised theatre. Journal of Adaptation in Film & Performance, 5 (2). pp. 149-166. ISSN 1753-6421 (Print), 1753-643X (Online) (doi:https://doi.org/10.1386/jafp.5.2.149_1)
Kneehigh Theatre
Lilley, Heather (2012) 'Everyone in the room has a connection to the story': fairytale adaptation in devised theatre. Journal of Adaptation in Film & Performance, 5 (2). pp. 149-166. ISSN 1753-6421 (Print), 1753-643X (Online) (doi:https://doi.org/10.1386/jafp.5.2.149_1)
Lilley, Heather Louise (2010) Vital contact: creating interpretive communities in the moment of theatrical reception. About Performance (10).
knowledge exchange
Ellis, Tatiana, Hockham, David ORCID: 0000-0001-9362-1137 , Rolle, Erica and Zigomo, Pamela (2020) Becoming civic centred: a case study of the University of Greenwich’s Bathway Theatre based in Woolwich. Studies in Theatre and Performance, 40 (3). pp. 316-327. ISSN 1468-2761 (Print), 2040-0616 (Online) (doi:https://doi.org/10.1080/14682761.2020.1807211)
Hockham, D. ORCID: 0000-0001-9362-1137 , Campbell, J., Chambers, A., Franklin, P., Pollard, I., Reynolds, T. ORCID: 0000-0002-9618-6318 and Ruddock, R. (2022) Let our legacy continue: beginning an archival journey a creative essay of the digital co-creation and hybrid dissemination of windrush oral histories at the University of Greenwich’s Stephen Lawrence Gallery. Research in Drama Education: The Journal of Applied Theatre and Performance, 27 (2). pp. 199-215. ISSN 1356-9783 (Print), 1470-112X (Online) (doi:https://doi.org/10.1080/13569783.2022.2060733)
knowledge exchange framework
Ellis, Tatiana, Hockham, David ORCID: 0000-0001-9362-1137 , Rolle, Erica and Zigomo, Pamela (2020) Becoming civic centred: a case study of the University of Greenwich’s Bathway Theatre based in Woolwich. Studies in Theatre and Performance, 40 (3). pp. 316-327. ISSN 1468-2761 (Print), 2040-0616 (Online) (doi:https://doi.org/10.1080/14682761.2020.1807211)
Korean
Lee, Adele (2013) Titus in No Man's Land: The Tang Shu-wing Theatre Studio's production. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 110-114. ISBN 9781107040557
Lee, Adele (2013) ‘A girdle round about the earth’: Yohangza’s A Midsummer Night’s Dream. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 83-86. ISBN 9781107040557
labkymo
Mo, Lab (2024) Rehearsed reading of stage play "The Gardener" at "Theatre503". [Play, Short Story or Poetry]
landscape
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Sonic Wandering in New Landscapes. Gertrude Stein and sonic performativity in Eglė Budvytytė’s Songs from the Compost: mutating bodies, exploding stars. In: Performing Studies international conference (PSi) #28 Uhambo Luyazilawula: Embodied Wandering Practices, 2nd - 5th Aug, 2023, Johannesburg. (Unpublished)
Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108
landscapes
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Previsualisations. ‘they are just there’: Gertrude Stein’s ‘Landscapes’ and their finite possibilities. In: London Conference in Critical Thought 2023, 30th Jun - 1st Jul, 2023, School of Social Sciences and Professions, London Metropolitan University, London.
LARP
Stenros, Jaakko, Simon, Bart, Hughes, Lynn, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2021) Understanding Liveness in immersive theatre, LARP and Games. In: DIGRA 2022, 7th - 11th July 2022, Krakow, Poland. (Unpublished)
layering
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
LBTGQ community
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Why Hamilton's arrival In London should not be written off as just another mega-musical. The Huffington Post.
learning
Hockham, David ORCID: 0000-0001-9362-1137 (2022) Wild frontiers: learning in Higher Education institutions. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex. (Unpublished)
learning scenographics
Hockham, David ORCID: 0000-0001-9362-1137 (2022) The question is not what can the university do for us? The question is what can we do for the university?”. In: Performing Oral History Symposium, 11th - 13th April 2022, University of Greenwich. (Unpublished)
Leibniz
Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.
liberalism
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2022) Rita, Sue and #Metoo: the Royal Court Theatre, London, and liberalism. Comparative Drama, 56 (1&2). pp. 157-178. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0006)
lineage
McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Ghost transmissions: concrete objects and ephemeral encounters. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex.
literacy
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2018) On The Way Home (based on the book by Jill Murphy). Chiffchaff Children's Theatre for the Summer Reading Challenge. [Play, Short Story or Poetry]
literature
Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951
Live sound editing
Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.
lived experience
Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.
liveness
Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]
Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.
Stenros, Jaakko, Simon, Bart, Hughes, Lynn, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2021) Understanding Liveness in immersive theatre, LARP and Games. In: DIGRA 2022, 7th - 11th July 2022, Krakow, Poland. (Unpublished)
locative media
Myers, Misha ORCID: 0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214
London
Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2022) Introduction - There's no place like London: theatrical landscapes of a city in recovery. Comparative Drama, 56 (1&2):1. pp. 1-11. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0000)
Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2022) Afterword. Comparative Drama, 56 (1-2):10. p. 227. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0009)
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2019) 'The New Place in Town': Early Reflections on the Bridge Theatre and the Monetisation of the Subsidised Theatre Sector in London. In: Text and Presentation: Comparative Drama Conference, Thursday 4 April - Saturday 6 April 2019, Rollins College, Orlando, Florida, USA. (Unpublished)
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2022) Rita, Sue and #Metoo: the Royal Court Theatre, London, and liberalism. Comparative Drama, 56 (1&2). pp. 157-178. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0006)
Young, Jennifer (2021) Shakespeare for the "Triers": Richard Hawkins and Q2 Othello at the Serjeants' Inn. Journal for Early Modern Cultural Studies, 21 (1). pp. 94-119. ISSN 1531-0485 (Print), 1553-3786 (Online) (doi:https://doi.org/10.1353/jem.2021.0003)
loneliness
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]
lord chamberlain
McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)
Lovesong
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'Don't You Think That's Interesting, About Time?': Playing with Time in Abi Morgan's Lovesong. Digital Theatre [Invited Blog Post].
machine learning
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Artistic engagements with machine generated voice: Holly Herndon's Holly+ & Jane Frances Dunlop’s select important things. In: Mis/Disinformation and the artifices of authenticity and authentication ICA Pre-Conference, 24th May, 2023, York University, Toronto, Ontario Canada. (Unpublished)
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Multivocal theatricalities: articulating data in composites, choruses, crowds. In: Articulating Data: Multivocal Theatricalities, 11th - 12th May, 2023, Inspace, University of Edinburgh.
Manuel DeLanda
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2019) Notes towards a theatre of assemblages. Performance Research, 24 (4). pp. 28-34. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2019.1641320)
marginalisation
Hockham, David ORCID: 0000-0001-9362-1137 and Zaremba-Byrne, Kasia (2022) Tiger Lady (what about us: Empowering Community Voices). [Creative Performance or Reading]
Masquerade
Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700
maternal
Jones, Emrys (2012) Maternal duties and Filial Malapropisms: Frances Sheridan and the Problems of Theatrical Inheritance. In: British Society For Eighteenth-Century Studies 41st Annual Conference, 04-06 January, 2012, Oxford, UK. (Unpublished)
maternal care
Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)
mathematics
Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.
measurement
Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]
media art
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Almena, Maria and Shemza, Aphra (2022) Transformations - Hybrid exhibition and event - curated by Dr. Oliver Gingrich, Maria Almena and Aphra Shemza featuring Analema Group's KIMA Colour, KIMA Voice and KIMA Noise and Oliver Gingrich & Shama Rahman's Zeitgeist. [Show/Exhibition]
media theory
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2024) Theatricality and dissonance: frictions in contemporary networked performance practices. In: Quick, Andrew and Rushton, Richard, (eds.) Theatricality and the Arts Film, Theatre, Art. Edinburgh University Press, Edinburgh, pp. 70-87. ISBN 978-1399511650; 1399511653 (In Press)
meisner technique
McLaughlin, James A. ORCID: 0000-0002-2146-6884 (2019) Reinscribing the Self: Performer Training as Cultural Pentimento. In: Embodied/Embodying Performer Training: Practices and Practicalities: TaPRA Performer Training Working Group Interim Event, 24 April 2019, University of South Wales, Cardiff Campus, The ATRiuM. (Unpublished)
Meisner training
McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Ghost transmissions: concrete objects and ephemeral encounters. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex.
memory
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) Commemoration in contemporary Polish plays. In: Memory Studies Association Conference 2021, 5-9 July 2021, Online / University of Warsaw. (Unpublished)
memory boxes
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2019) Making performances from memory boxes: reminiscence theatre and its positive impact on student mental health. In: Theatre of Memory, 1 May 2019 - 4 May 2019, Marine Hotel, Dublin, Ireland. (Unpublished)
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2017) An introduction to the Processes and Outcomes of the Memory Box Project: An International, Intergenerational Experience. In: Remembering Yesterday, Caring Today, 17th November 2017, Bathway Theatre, University of Greenwich. (Unpublished)
memory theatre
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)
mental healthcare training
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]
metaphor
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Previsualisations. ‘they are just there’: Gertrude Stein’s ‘Landscapes’ and their finite possibilities. In: London Conference in Critical Thought 2023, 30th Jun - 1st Jul, 2023, School of Social Sciences and Professions, London Metropolitan University, London.
MeToo
McLaughlin, James ORCID: 0000-0002-2146-6884 , Weston, Sarah, Turner, Jane and Condron, Aiden (2024) Special Issue: Theatre, Dance and Performance Training, Volume 15, Issue 2 (2024). Taylor and Francis Group - Routledge, Abingdon, UK.
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2022) Rita, Sue and #Metoo: the Royal Court Theatre, London, and liberalism. Comparative Drama, 56 (1&2). pp. 157-178. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0006)
metrosexuality
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Introduction. In: O'Thomas, Mark ORCID: 0000-0001-9264-8813 , (ed.) Mike Barlett's Cock. Bloomsbury Academic, London, pp. 5-18. ISBN 978-1474229630
Migrant East End families
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2012) The only was is... Basildon. Times Higher Education. ISSN 0049-3929
migration
Reynolds, Tracey ORCID: 0000-0002-9618-6318 and Kaptani, Eirini (2022) Migrants performing citizenship: participatory theatre and walking methods for research. In: Czajka, Agnes and O’Brien, Áine, (eds.) Art, Migration and the Production of Radical Democratic Citizenship. Rowman & Littlefield Publishers, London U.K. ISBN 978-1786612786 ; 978-1786612809; 1786612801
Mike Bartlett
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Introduction. In: O'Thomas, Mark ORCID: 0000-0001-9264-8813 , (ed.) Mike Barlett's Cock. Bloomsbury Academic, London, pp. 5-18. ISBN 978-1474229630
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Introduction to Cock by Mike Bartlett. Cock. Modern Classics . Methuen, London, pp. 5-18. ISBN 9781474229630
Mike Pence
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Why Hamilton's arrival In London should not be written off as just another mega-musical. The Huffington Post.
misfits
Bondar, Melissa and Andrade Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 (2024) A phenomenology of misfits: a case study of Practice-as-Research in Higher Education symposia. PARtake: The Journal of Performance as Research, 6 (1). pp. 1-19. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v6i1.2217)
monologues
Solanke, Ade (2013) Prin Osun Pandora's Box. In: Hodge-Dallaway, Simeilia, (ed.) The Oberon Book of Monologues for Black Actors: Classical and Contemporary Speeches from Black British Plays. Volume Two: Monologues for Men: 1 (Oberon Modern Plays). Oberon Books, London, UK. ISBN 9781783190577
Morgan Lloyd Malcolm
Young, Jennifer (2022) Chapter 1. Women "think round it"! Writing and Publication in Emilia. In: Kressly, Laura, Patient, Aida and Williams, Kimberly A., (eds.) Notelets of Filth: A Companion Reader to Morgan Lloyd Malcolm's Emilia. Routledge Advances in Theatre & Performance Studies . Routledge, London; Abingdon and New York, pp. 1-12. ISBN 978-1003033387; 978-0367498290; 978-0367470982 (doi:https://doi.org/10.4324/9781003033387)
Motoi Miura
Lee, Adele (2013) Coriolanus. Directed by Motoi Miura for the Chiten Theatre Company (Kyoto, Japan) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 47-50. ISBN 9781408188132
moving image
Sporton, Gregory (2009) The active audience: the network as a performance environment. In: Oddey, Alison and White, Christine A., (eds.) Modes of Spectating. Intellect Books, Bristol, UK, pp. 61-72. ISBN 9781841502397
multichannel ambisonics
Margetson, Emma ORCID: 0000-0002-1054-1973 (2024) Contemplations. [Artefact]
multiculturalism
Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2007) Roy Williams: representing multicultural Britain in Fallout. Modern Drama, 50 (3). pp. 414-434. ISSN 0026-7694 electronic 1712-5286
multimedia archives
Greuter, Stefan ORCID: 0000-0001-5487-0237 , Mulvany, Gerard and Myers, Misha ORCID: 0000-0002-4355-6602 (2023) The immersive archive. International Journal of Performance Arts and Digital Media, 19 (3). pp. 405-423. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2023.2223747)
musical theatre
Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Why Hamilton's arrival In London should not be written off as just another mega-musical. The Huffington Post.
musicology
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp.6.1.55_1)
N/A
Solanke, Adeola (2015) Play - East End Boys, West End Girls by Ade Solanke. [Creative Performance or Reading]
narrative archaeology
Myers, Misha ORCID: 0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214
narrative structure
Klikova, Deborah ORCID: 0000-0001-9883-2646 (2021) Defining the beats in the TV sitcom. In: Batty, Craig and Taylor, Stayci, (eds.) Script Development. Springer - Palgrave Macmillan, Cham, Switzerland, pp. 205-218. ISBN 978-3030487133; 978-3030487126 (doi:https://doi.org/10.1007/978-3-030-48713-3_13)
National Theatre
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2014) Stages of the Loss: translation as contamination. How The Ritual made it to the Royal National Theatre. Theatre Research International, 39 (2). pp. 120-132. ISSN 0307-8833 (Print), 1474-0672 (Online) (doi:https://doi.org/10.1017/S0307883314000042)
Nationalism
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2018) There’ll always be an England – Butlins, Brexit and the Heterotopic Body. Journal of European Popular Culture, 9 (1). pp. 33-41. ISSN 2040-6134 (doi:https://doi.org/10.1386/jepc.9.1.33_1)
Naturalism
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'There Are Times When Naturalism Just Isn't Enough': Breaking Open the Kitchen Sink in the Plays of Alistair McDowall. In: British Theatre in the 21st Century, Thursday 13 October - Saturday 15 October 2016, Université Paris-Sorbonne, France. (Unpublished)
neoliberalism
Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)
new writing
Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'Don't You Think That's Interesting, About Time?': Playing with Time in Abi Morgan's Lovesong. Digital Theatre [Invited Blog Post].
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2020) 'In the pursuit of new writers': how the Royal Court Young Peoples' Theatre contributed to the development of first time playwrights in the 1990s. In: Boles, William C., (ed.) After In-Yer-Face: Remnants of a Theatrical Revolution. Palgrave Macmillan, pp. 21-35. ISBN 978-3030394264 (doi:https://doi.org/10.1007/978-3-030-39427-1_2)
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2017) 'Making New Theatre Together': Developing writers' and creating community in the first writers' group at the Royal Court and its legacy within the Young Writers' Programme. Theatre History Studies, 36. pp. 248-265. ISSN 0733-2033 (Print), 2166-9953 (Online) (doi:https://doi.org/10.1353/ths.2017.0011)
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'There Are Times When Naturalism Just Isn't Enough': Breaking Open the Kitchen Sink in the Plays of Alistair McDowall. In: British Theatre in the 21st Century, Thursday 13 October - Saturday 15 October 2016, Université Paris-Sorbonne, France. (Unpublished)
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'Think Kitchen Sink with a Wormhole Where the Plug Should Be': Exploring New Approaches to New Writing in the plays of Alistair McDowall. In: What Happens Now: 21st Century Writing in English, Monday 27 June - Thursday 30 June 2016, University of Lincoln, UK. (Unpublished)
Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (eds.) (2019) Beautiful Doom: Dennis Kelly's Work on Stage and Television. Manchester University Press. (Submitted)
Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (2017) International Playwrights' Symposium: Dennis Kelly (Co-Organiser). In: International Playwrights' Symposium: Dennis Kelly (Co-Organiser), 18-20 November 2017, Lincoln School of Fine & Performing Arts. (Unpublished)
Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (2019) International Playwrights' Symposium: Zinnie Harris (Co-Organiser). In: International Playwrights' Symposium: Zinnie Harris, Saturday 23 November 2019, University of Lincoln. (Unpublished)
Newton
Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.
Nicola McCartney
McKean, Kathy (2011) “Listen I will tell the story to you / As I have been told it”: Memory and identity in the plays of Nicola McCartney. International Journal of Scottish Theatre and Screen, 4 (1). ISSN 2046-5602 (Print), 2046-5602 (Online)
Nigerian drama
Adeyemi, Sola (2010) Language and accessibility in Femi Osofisan’s drama. In: Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro, (eds.) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK, pp. 187-202. ISBN 978-0956683700
Nigerian theatre
Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700
Nollywood
Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700
non-anglophone
Lee, Adele (2013) Antony and Cleopatra. Directed by Kemal Aydoğan for the Oyun Atölyesi Theatre Company (Istanbul, Turkey) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 36-38. ISBN 9781408188132
Lee, Adele (2013) Coriolanus. Directed by Motoi Miura for the Chiten Theatre Company (Kyoto, Japan) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 47-50. ISBN 9781408188132
Lee, Adele (2013) A Midsummer Night's Dream. Directed by Jung Yang-ung for the Yohangza Theatre Company (Seoul, South Korea) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 138-141. ISBN 9781408188132
Lee, Adele (2013) Titus Adronicus. Directed by Tang Shu-wing Theatre Studio (Hong Kong) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 207-209. ISBN 9781408188132
non-anglophone Shakespeare
Lee, Adele (2013) Titus in No Man's Land: The Tang Shu-wing Theatre Studio's production. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 110-114. ISBN 9781107040557
Lee, Adele (2013) ‘A girdle round about the earth’: Yohangza’s A Midsummer Night’s Dream. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 83-86. ISBN 9781107040557
Northern Ireland
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108
Nostalgia
Sheridan, Claire (2014) 'A Tragedy Called "The Last Man": Hazlitt's Joke on Francis Place'. The Hazlitt Review, 7. pp. 46-56. ISSN 1757-8299
obsessions
Hutchins, Emma (2008) NOT stalking David Tennant (aka "having it all"). [Creative Performance or Reading] (Unpublished)
occupation
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2022) An art like nature: theatre environment as territory in Tim Spooner performances. Journal of Contemporary Drama in English, 10 (1). pp. 1-15. ISSN 2195-0156 (Print), 2195-0164 (Online) (doi:https://doi.org/10.1515/jcde-2022-0005)
online theatre
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) 'Peace at Last' and 'Whatever Next!'. [Creative Performance or Reading]
open questions
McCaw, Dick, Etchells, Tim, Anderson, Mary Elizabeth and Wallis, Jillian ORCID: 0000-0002-5004-9262 (2013) Essai – (French: ‘test’, ‘attempt’, ‘trial’, ‘try-out’) [Essai]. Theatre, Dance and Performance Training, 4 (1). pp. 126-132. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2013.774821)
Open-Third-Space
Hockham, David ORCID: 0000-0001-9362-1137 and Zaremba-Byrne, Kasia (2022) Tiger Lady (what about us: Empowering Community Voices). [Creative Performance or Reading]
opera
Cheetham, Deborah and Browning, Daniel (2011) Pecan Summer: The Process of Making New Indigenous Opera in Australia. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farham, UK & Burlington, USA, pp. 325-336. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)
Karantonis, Pamela (2011) Performativity, mimesis, and indigenous opera. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA, pp. 73-90. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)
Karantonis, Pamela and Robinson, Dylan (2011) Introduction. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA, pp. 1-12. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)
Karantonis, Pamela and Robinson, Dylan (eds.) (2011) Opera Indigene: Re/presenting first nations and indigenous cultures. In: Karantonis, Pamela, (ed.) Opera Indigene: Re/Presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)
King, Andrew ORCID: 0000-0003-2348-4231 (2016) ‘Suicide: Popular? Obscene? The case of Ouida’s Two Little Wooden Shoes (1874)’. In: Annual Conference of the British Association for Victorian Studies, 31 August - 2 September 2016, University of Cardiff. (Unpublished)
oral histories
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2022) The reminiscence theatre archive as a resource for drama students. In: Performing Oral Histories, 11th April 2022, University of Greenwich Research Space.
oral history
Hockham, David ORCID: 0000-0001-9362-1137 (2022) The question is not what can the university do for us? The question is what can we do for the university?”. In: Performing Oral History Symposium, 11th - 13th April 2022, University of Greenwich. (Unpublished)
orientalism
Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955
Othello
Young, Jennifer (2021) Shakespeare for the "Triers": Richard Hawkins and Q2 Othello at the Serjeants' Inn. Journal for Early Modern Cultural Studies, 21 (1). pp. 94-119. ISSN 1531-0485 (Print), 1553-3786 (Online) (doi:https://doi.org/10.1353/jem.2021.0003)
Ouida
King, Andrew ORCID: 0000-0003-2348-4231 (2016) ‘Suicide: Popular? Obscene? The case of Ouida’s Two Little Wooden Shoes (1874)’. In: Annual Conference of the British Association for Victorian Studies, 31 August - 2 September 2016, University of Cardiff. (Unpublished)
outreach
Ellis, Tatiana, Hockham, David ORCID: 0000-0001-9362-1137 , Rolle, Erica and Zigomo, Pamela (2020) Becoming civic centred: a case study of the University of Greenwich’s Bathway Theatre based in Woolwich. Studies in Theatre and Performance, 40 (3). pp. 316-327. ISSN 1468-2761 (Print), 2040-0616 (Online) (doi:https://doi.org/10.1080/14682761.2020.1807211)
palliative care
Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)
pandemic
Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2022) Introduction - There's no place like London: theatrical landscapes of a city in recovery. Comparative Drama, 56 (1&2):1. pp. 1-11. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0000)
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2022) Afterword. Comparative Drama, 56 (1-2):10. p. 227. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0009)
pandemic performance
Hockham, David ORCID: 0000-0001-9362-1137 (2021) Responding to Creation Theatre’s Time Machine: a production moved to Zoom in light of COVID-19. PARtake: The Journal of Performance as Research, 3 (2). pp. 1-6. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v3i2.541)
Para Active
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
parliament
Graham, James and Holden, Nicholas ORCID: 0000-0002-3437-1702 (2021) This House by James Graham. Methuen Student Drama Editions, 1 (1). Bloomsbury Methuen, London. ISBN 9781350155534
participation
Guillery, Harriet, Maravala, Persis Jadé and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2022) The significance of 'role-play' and 'instruction-based performance' as modes of teaching, collaborating and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge, New York and Oxon, pp. 1-7. ISBN 978-1032036038; 978-1032036045; 1003188176; 978-1003188179 (doi:https://doi.org/10.4324/9781003188179-11)
participatory
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)
participatory action research social justice migrant women no recourse to public funds 'race' and radicalisation poverty transformation
Kaptani, Eirini, Erel, Umut, O’Neill, Maggie and Reynolds, Tracey ORCID: 0000-0002-9618-6318 (2020) Methodological innovation in research: participatory theater with migrant families on conflicts and transformations over the politics of belonging. Journal of Immigration and Refugee Studies, 19 (1). pp. 68-81. ISSN 1556-2948 (Print), 1556-2956 (Online) (doi:https://doi.org/10.1080/15562948.2020.1843748)
participatory art
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Evgenia, Emets, Renaud, Alain, Negrao, David, Havsteen-Franklin, Dominik and Grant, Claire (2022) KIMA Colour: Van Gogh - 360 visual sound art. [Artefact]
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia and Negrao, David (2022) KIMA: Voice performance by Analema Group at National Gallery X performed by Victoria Couper. [Creative Performance or Reading]
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia, Negrao, David and James, Winter (2022) KIMA Voice performance at Art in Flux Radical Embodiment event at Barbican London. [Creative Performance or Reading]
Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2021) GROUPTHINK: What happens when we're all connected? Groupthink - a live performance directed by the heartbeats of its viewers. [Creative Performance or Reading]
participatory arts
Reynolds, Tracey ORCID: 0000-0002-9618-6318 and Kaptani, Eirini (2022) Migrants performing citizenship: participatory theatre and walking methods for research. In: Czajka, Agnes and O’Brien, Áine, (eds.) Art, Migration and the Production of Radical Democratic Citizenship. Rowman & Littlefield Publishers, London U.K. ISBN 978-1786612786 ; 978-1786612809; 1786612801
participatory performance
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]
participatory theatre
Guillery, Kesia, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade and Simon, Bart (2024) Liveness, audio mixing and participatory theatre: hacking the familiar in 'Binaural Dinner Date'. In: O’Dwyer, Néill, Scott, Joanne and Young, Gareth W., (eds.) XR Performance: Scenographic Explorations. Bloomsbury Methuen. (In Press)
Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.
Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]
Peckham
Brown, Charmaine ORCID: 0000-0002-6471-9706 (2023) 'Gone too far': gentrification and the intersection of race and identity politics in Peckham. In: Talk to NYT cast of Bola Agbaje's play 'Gone Too Far', 6th March 2023, Peckham, London. (Unpublished)
pedagogy
Guillery, Harriet, Maravala, Persis Jadé and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2022) The significance of 'role-play' and 'instruction-based performance' as modes of teaching, collaborating and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge, New York and Oxon, pp. 1-7. ISBN 978-1032036038; 978-1032036045; 1003188176; 978-1003188179 (doi:https://doi.org/10.4324/9781003188179-11)
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2017) 'The Guru Effect': The Politics of Process in the Young Writers' Programme at the Royal Court. In: Theatre and Performance Research Association, Wednesday 30 August - Friday 1 September 2017, University of Salford, UK. (Unpublished)
McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)
pentimento
McLaughlin, James A. ORCID: 0000-0002-2146-6884 (2019) Reinscribing the Self: Performer Training as Cultural Pentimento. In: Embodied/Embodying Performer Training: Practices and Practicalities: TaPRA Performer Training Working Group Interim Event, 24 April 2019, University of South Wales, Cardiff Campus, The ATRiuM. (Unpublished)
performance
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2019) Notes towards a theatre of assemblages. Performance Research, 24 (4). pp. 28-34. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2019.1641320)
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2024) The Possibility of fact: sketching an origin for the performative. In: Twitchin, Mischa, (ed.) Wittgenstein and Performance: You'd be Surprised, Ed. Misc ha Twitchin, Rowman and Littlefield, 2024. Rowman & Littlefield, Lanham; Boulder; New York; London, pp. 27-44. ISBN 978-1538175095; 978-1538175101; 1538175096
Brown, Charmaine ORCID: 0000-0002-6471-9706 (2019) The Build Up: Gentrification performance in two parts. [Creative Performance or Reading]
Hockham, David ORCID: 0000-0001-9362-1137 and Wallis, Jillian ORCID: 0000-0002-5004-9262 (2023) Operationalising the concept of recontextualisation: leveraging pedagogy and learning strategies in higher education practical courses. Higher Education. ISSN 0018-1560 (Print), 1573-174X (Online) (doi:https://doi.org/10.1007/s10734-023-01136-3)
Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2021) GROUPTHINK: What happens when we're all connected? Groupthink - a live performance directed by the heartbeats of its viewers. [Creative Performance or Reading]
Lee, Adele (2013) Titus in No Man's Land: The Tang Shu-wing Theatre Studio's production. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 110-114. ISBN 9781107040557
Lee, Adele (2013) ‘A girdle round about the earth’: Yohangza’s A Midsummer Night’s Dream. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 83-86. ISBN 9781107040557
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)
Maravala, Persis Jade, McLaughlin, James ORCID: 0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625626)
Maravala, Persis Jadé and Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Post-immersive interventions with ZU-UK. In: Bucknall, Joanna Jayne, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury - Methuen Drama, London, pp. 151-176. ISBN 978-1350269330
McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)
McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) Children as Co-creators in Chiffchaff Children's Theatre Productions: defining methodology and evidencing children's role in the creative process. In: Talking TYA, 8-10 October 2020, Online. (Unpublished)
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2022) The reminiscence theatre archive as a resource for drama students. In: Performing Oral Histories, 11th April 2022, University of Greenwich Research Space.
Salihbegovic, Fahrudin Nuno (2008) Brotherhood and unity. [Creative Performance or Reading]
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2008) [Director] Money From America. [Play, Short Story or Poetry] (Unpublished)
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2008) [Drama Workshop with Emergency Exit Arts] Earth carnival. [Play, Short Story or Poetry] (Unpublished)
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2009) [Drama Workshop] Monsters, myths and mayhem: 'The Dragon of Krakow' comes to Blackheath. [Play, Short Story or Poetry] (Unpublished)
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2015) Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices. Body, Space and Technology, 14. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.37)
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2014) So Pleased To Meet You. [Creative Performance or Reading]
performance art
Maffioletti, Catherine and Elizabeth, Kay (2024) Death of a Document. [Creative Performance or Reading]
Smith, Caroline (2011) Last of the red wine (Performance). [Show/Exhibition]
Smith, Caroline (2009) Once more with feeling: Feminism and the archive. [Show/Exhibition]
performance cartography
Myers, Misha ORCID: 0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214
performance review
Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.
Performance Studies
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2024) The Possibility of fact: sketching an origin for the performative. In: Twitchin, Mischa, (ed.) Wittgenstein and Performance: You'd be Surprised, Ed. Misc ha Twitchin, Rowman and Littlefield, 2024. Rowman & Littlefield, Lanham; Boulder; New York; London, pp. 27-44. ISBN 978-1538175095; 978-1538175101; 1538175096
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Previsualisations. ‘they are just there’: Gertrude Stein’s ‘Landscapes’ and their finite possibilities. In: London Conference in Critical Thought 2023, 30th Jun - 1st Jul, 2023, School of Social Sciences and Professions, London Metropolitan University, London.
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2024) Theatricality and dissonance: frictions in contemporary networked performance practices. In: Quick, Andrew and Rushton, Richard, (eds.) Theatricality and the Arts Film, Theatre, Art. Edinburgh University Press, Edinburgh, pp. 70-87. ISBN 978-1399511650; 1399511653 (In Press)
Performance training
Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)
McLaughlin, James ORCID: 0000-0002-2146-6884 , Turner, Jane, Weston, Sarah and Condron, Aiden (2024) Editorial. Theatre, Dance and Performance Training, 15 (2):1. pp. 135-142. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2024.2365586)
performative teaching and learning
Costantino, Anna (2021) Performative education inside and outside the ethics of care: three provocations. Scenario, 15 (2):2. pp. 27-46. ISSN 1649 - 8526 (Online) (doi:https://doi.org/10.33178/scenario)
performativity
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2024) The Possibility of fact: sketching an origin for the performative. In: Twitchin, Mischa, (ed.) Wittgenstein and Performance: You'd be Surprised, Ed. Misc ha Twitchin, Rowman and Littlefield, 2024. Rowman & Littlefield, Lanham; Boulder; New York; London, pp. 27-44. ISBN 978-1538175095; 978-1538175101; 1538175096
performer
Salihbegović, Fahrudin Nuno (2011) There are no books on Tralfamadore: making theatre on the digital planet. In: Dragićević Šešić, Milena, (ed.) Dositheus - razvoj ljudskih resursa u kulturi: zbornik radova. Academica - Akademska grupa, Belgrade, Serbia, pp. 129-135. ISBN 978-8688835008
performer training
Allain, Paul, Bennett-Worth, Stacie Lee, Camilleri, Frank, McLaughlin, James ORCID: 0000-0002-2146-6884 and Wilson, Thomas (2019) Editorial. Theatre, Dance and Performance Training, 10 (2). pp. 165-168. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625628)
McLaughlin, James A. ORCID: 0000-0002-2146-6884 (2019) Reinscribing the Self: Performer Training as Cultural Pentimento. In: Embodied/Embodying Performer Training: Practices and Practicalities: TaPRA Performer Training Working Group Interim Event, 24 April 2019, University of South Wales, Cardiff Campus, The ATRiuM. (Unpublished)
pervasive experience
Guillery, Kesia, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade and Simon, Bart (2024) Liveness, audio mixing and participatory theatre: hacking the familiar in 'Binaural Dinner Date'. In: O’Dwyer, Néill, Scott, Joanne and Young, Gareth W., (eds.) XR Performance: Scenographic Explorations. Bloomsbury Methuen. (In Press)
phenomenology
McLaughlin, James ORCID: 0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.
phillip zarrilli
McLaughlin, James A. ORCID: 0000-0002-2146-6884 (2019) Reinscribing the Self: Performer Training as Cultural Pentimento. In: Embodied/Embodying Performer Training: Practices and Practicalities: TaPRA Performer Training Working Group Interim Event, 24 April 2019, University of South Wales, Cardiff Campus, The ATRiuM. (Unpublished)
philosophy
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)
Lammin, Hannah Elisabeth ORCID: 0000-0002-9752-9335 (2017) Staging community: a non-philosophical presentation of immanent social experience. PhD thesis, University of Greenwich.
phones
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
photography
Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]
Physical theatre
McCaw, Dick, Etchells, Tim, Anderson, Mary Elizabeth and Wallis, Jillian ORCID: 0000-0002-5004-9262 (2013) Essai – (French: ‘test’, ‘attempt’, ‘trial’, ‘try-out’) [Essai]. Theatre, Dance and Performance Training, 4 (1). pp. 126-132. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2013.774821)
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2008) [Drama Workshop with Emergency Exit Arts] Earth carnival. [Play, Short Story or Poetry] (Unpublished)
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2014) Emma Hamilton's Attitudes Renewed. [Creative Performance or Reading]
pilgrimage
Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108
place
Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108
platformisation
Bozzi, Nicola ORCID: 0000-0003-1506-8078 (2024) Platforming the Joe Rogan Experience: cancel culture, comedy, and infrastructure. Television and New Media. pp. 1-14. ISSN 1527-4764 (Print), 1552-8316 (Online) (doi:https://doi.org/10.1177/15274764241277476)
play
Hutchins, Emma (2008) NOT stalking David Tennant (aka "having it all"). [Creative Performance or Reading] (Unpublished)
Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.
Mo, Lab (2024) Rehearsed reading of stage play "The Gardener" at "Theatre503". [Play, Short Story or Poetry]
Rapi, Konstantina (2009) Reasons to hide. [Play, Short Story or Poetry]
play text
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Analysing the screenplay: A comparative approach. In: Nelmes, Jill, (ed.) Analysing The Screenplay. Routledge, London, pp. 237-251. ISBN 978-0415556347
plays
Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2008) [In Backpages 18.1] The culture of new writing. Contemporary Theatre Review, 18 (1). pp. 131-134. ISSN 1048-6801 (Print), 1477-2264 (Online) (doi:https://doi.org/10.1080/10486800701868254)
Derbyshire, Harry ORCID: 0000-0002-1373-1166 and Hodson, Loveday (2008) Performing injustice: human rights and verbatim theatre. Law and Humanities, 2 (2). pp. 191-211. ISSN 1752-1483
Graham, James and Holden, Nicholas ORCID: 0000-0002-3437-1702 (2021) This House by James Graham. Methuen Student Drama Editions, 1 (1). Bloomsbury Methuen, London. ISBN 9781350155534
playtesting
Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.
playwrights
Solanke, Adeola (2016) [Special performance] East End Boys, West End Girls. [Play, Short Story or Poetry]
playwriting
Aston, Elaine and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2015) Royal Court: International. Studies in International Performance book series (STUDINPERF) . Palgrave Macmillan, London. ISBN 978-1137461827
Aston, Elaine Frances and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Amine, Khalid and Roberson, George F., (eds.) Performing Transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-46. ISBN 978-0982440964
Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2017) 'The Guru Effect': The Politics of Process in the Young Writers' Programme at the Royal Court. In: Theatre and Performance Research Association, Wednesday 30 August - Friday 1 September 2017, University of Salford, UK. (Unpublished)
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2018) A Model for International Playwriting Practice: The Royal Court Young Peoples' Theatre and the Regional Arts Association, 1988-1998. In: Regions, Ruins and Regeneration: Irish Society for Theatre Research, Friday 1 June - Saturday 2nd June 2018, University of Lincoln. (Unpublished)
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2015) Royal Court: International [Book Review]. Platform: Journal of Theatre and Performing Arts, 9 (2). pp. 113-116. ISSN 1751-0171
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'There Are Times When Naturalism Just Isn't Enough': Breaking Open the Kitchen Sink in the Plays of Alistair McDowall. In: British Theatre in the 21st Century, Thursday 13 October - Saturday 15 October 2016, Université Paris-Sorbonne, France. (Unpublished)
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'Think Kitchen Sink with a Wormhole Where the Plug Should Be': Exploring New Approaches to New Writing in the plays of Alistair McDowall. In: What Happens Now: 21st Century Writing in English, Monday 27 June - Thursday 30 June 2016, University of Lincoln, UK. (Unpublished)
Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (eds.) (2019) Beautiful Doom: Dennis Kelly's Work on Stage and Television. Manchester University Press. (Submitted)
Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (2017) International Playwrights' Symposium: Dennis Kelly (Co-Organiser). In: International Playwrights' Symposium: Dennis Kelly (Co-Organiser), 18-20 November 2017, Lincoln School of Fine & Performing Arts. (Unpublished)
Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (2019) International Playwrights' Symposium: Zinnie Harris (Co-Organiser). In: International Playwrights' Symposium: Zinnie Harris, Saturday 23 November 2019, University of Lincoln. (Unpublished)
podcast
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Bucknall, Joanna (2017) TAIT Episode 20 with Jorge Lopes Ramos: TAIT (Talking About Immersive Theatre) podcast. [Audio]
poetry
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
Poland
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) Commemoration in contemporary Polish plays. In: Memory Studies Association Conference 2021, 5-9 July 2021, Online / University of Warsaw. (Unpublished)
Polish
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2019) Polish plays on the British stage? In: Brexit Stage Left. Contemporary European Drama in translation on the British stage . Royal Central School of Speech and Drama - The British Academy, London - Online.
Polish culture
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2015) Conference presentation at POMP conference on contemporary Polish drama. In: Post-1945 Poland: Modernities, Transformations and Evolving Identities, 11-12 June 2015, St Antony's College, University of Oxford. (Unpublished)
Polish drama
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2015) Conference presentation at POMP conference on contemporary Polish drama. In: Post-1945 Poland: Modernities, Transformations and Evolving Identities, 11-12 June 2015, St Antony's College, University of Oxford. (Unpublished)
politics
Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955
Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951
Graham, James and Holden, Nicholas ORCID: 0000-0002-3437-1702 (2021) This House by James Graham. Methuen Student Drama Editions, 1 (1). Bloomsbury Methuen, London. ISBN 9781350155534
pollution
Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108
popular fiction
King, Andrew ORCID: 0000-0003-2348-4231 (2016) ‘Suicide: Popular? Obscene? The case of Ouida’s Two Little Wooden Shoes (1874)’. In: Annual Conference of the British Association for Victorian Studies, 31 August - 2 September 2016, University of Cardiff. (Unpublished)
popular performances
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2018) There’ll always be an England – Butlins, Brexit and the Heterotopic Body. Journal of European Popular Culture, 9 (1). pp. 33-41. ISSN 2040-6134 (doi:https://doi.org/10.1386/jepc.9.1.33_1)
post-immersive
Guillery, Kesia, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade and Simon, Bart (2024) Liveness, audio mixing and participatory theatre: hacking the familiar in 'Binaural Dinner Date'. In: O’Dwyer, Néill, Scott, Joanne and Young, Gareth W., (eds.) XR Performance: Scenographic Explorations. Bloomsbury Methuen. (In Press)
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]
Maravala, Persis-Jadé and Bucknall, Joanna (2020) TAIT Scholar Episode 1 with Persis-Jadé Maravala: TAIT (Talking About Immersive Theatre) podcast. [Audio]
post-punk
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
postcolonial African theatre
Adeyemi, Sola (2011) Introduction. African Performance Review, 5 (1). pp. 6-8. ISSN 1750-4848
postcolonial studies
Adeyemi, Sola (2013) Performing identities: re-creation and representation of African performance aesthetics. In: 50 Years of Theatre in the African Academy, 28-30 Aug 2013, University of Ibadan, Nigeria. (Unpublished)
postcolonialism
Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)
power
McLaughlin, James ORCID: 0000-0002-2146-6884 , Weston, Sarah, Turner, Jane and Condron, Aiden (2024) Special Issue: Theatre, Dance and Performance Training, Volume 15, Issue 2 (2024). Taylor and Francis Group - Routledge, Abingdon, UK.
practice as research
Hockham, David ORCID: 0000-0001-9362-1137 and Zaremba-Byrne, Kasia (2022) Tiger Lady (what about us: Empowering Community Voices). [Creative Performance or Reading]
practice based learning
Hockham, David ORCID: 0000-0001-9362-1137 and Wallis, Jillian ORCID: 0000-0002-5004-9262 (2023) Operationalising the concept of recontextualisation: leveraging pedagogy and learning strategies in higher education practical courses. Higher Education. ISSN 0018-1560 (Print), 1573-174X (Online) (doi:https://doi.org/10.1007/s10734-023-01136-3)
Practice-as-Research
Bondar, Melissa and Andrade Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 (2024) A phenomenology of misfits: a case study of Practice-as-Research in Higher Education symposia. PARtake: The Journal of Performance as Research, 6 (1). pp. 1-19. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v6i1.2217)
practice-based education
Hockham, David ORCID: 0000-0001-9362-1137 and Wallis, Jillian ORCID: 0000-0002-5004-9262 (2023) Operationalising the concept of recontextualisation: leveraging pedagogy and learning strategies in higher education practical courses. Higher Education. ISSN 0018-1560 (Print), 1573-174X (Online) (doi:https://doi.org/10.1007/s10734-023-01136-3)
practice-led research
Adeyemi, Sola (2011) Introduction. African Performance Review, 5 (1). pp. 6-8. ISSN 1750-4848
praxis-based approaches
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis Jadé and Guillery, Kesia (2022) The significance of ‘role-play’ and ‘instruction-based performance’ as modes of teaching, collaborating, and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge- Taylor & Francis Group, London. ISBN 978-1032036038 (doi:https://doi.org/10.4324/9781003188179)
presence
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia and Negrao, David (2022) KIMA: Voice performance by Analema Group at National Gallery X performed by Victoria Couper. [Creative Performance or Reading]
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia, Negrao, David and James, Winter (2022) KIMA Voice performance at Art in Flux Radical Embodiment event at Barbican London. [Creative Performance or Reading]
print history
Young, Jennifer (2021) Shakespeare for the "Triers": Richard Hawkins and Q2 Othello at the Serjeants' Inn. Journal for Early Modern Cultural Studies, 21 (1). pp. 94-119. ISSN 1531-0485 (Print), 1553-3786 (Online) (doi:https://doi.org/10.1353/jem.2021.0003)
privilege
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
privilege
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)
production
Salihbegovic, Fahrudin Nuno (2009) Klanica pet - Slaughterhouse Five: Total theatre in an empty space. Body, Space & Technology, 8 (1). ISSN 1470-9120
provocation
McCaw, Dick, Etchells, Tim, Anderson, Mary Elizabeth and Wallis, Jillian ORCID: 0000-0002-5004-9262 (2013) Essai – (French: ‘test’, ‘attempt’, ‘trial’, ‘try-out’) [Essai]. Theatre, Dance and Performance Training, 4 (1). pp. 126-132. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2013.774821)
psychophysical
McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)
McLaughlin, James A. ORCID: 0000-0002-2146-6884 (2019) Reinscribing the Self: Performer Training as Cultural Pentimento. In: Embodied/Embodying Performer Training: Practices and Practicalities: TaPRA Performer Training Working Group Interim Event, 24 April 2019, University of South Wales, Cardiff Campus, The ATRiuM. (Unpublished)
psychophysical training
Maravala, Persis Jade, McLaughlin, James ORCID: 0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625626)
Public Policy
McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)
public space
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)
Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.
race
Brown, Charmaine ORCID: 0000-0002-6471-9706 (2023) 'Gone too far': gentrification and the intersection of race and identity politics in Peckham. In: Talk to NYT cast of Bola Agbaje's play 'Gone Too Far', 6th March 2023, Peckham, London. (Unpublished)
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
radical
McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:https://doi.org/10.1080/2040610X.2022.2091733)
rave
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
reading
Mo, Lab (2024) Rehearsed reading of stage play "The Gardener" at "Theatre503". [Play, Short Story or Poetry]
reception theory
Lilley, Heather (2012) 'Everyone in the room has a connection to the story': fairytale adaptation in devised theatre. Journal of Adaptation in Film & Performance, 5 (2). pp. 149-166. ISSN 1753-6421 (Print), 1753-643X (Online) (doi:https://doi.org/10.1386/jafp.5.2.149_1)
recontextualisation
Hockham, David ORCID: 0000-0001-9362-1137 and Wallis, Jillian ORCID: 0000-0002-5004-9262 (2023) Operationalising the concept of recontextualisation: leveraging pedagogy and learning strategies in higher education practical courses. Higher Education. ISSN 0018-1560 (Print), 1573-174X (Online) (doi:https://doi.org/10.1007/s10734-023-01136-3)
Reform
Sheridan, Claire (2014) 'A Tragedy Called "The Last Man": Hazlitt's Joke on Francis Place'. The Hazlitt Review, 7. pp. 46-56. ISSN 1757-8299
Regional Arts Association
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2018) A Model for International Playwriting Practice: The Royal Court Young Peoples' Theatre and the Regional Arts Association, 1988-1998. In: Regions, Ruins and Regeneration: Irish Society for Theatre Research, Friday 1 June - Saturday 2nd June 2018, University of Lincoln. (Unpublished)
Regional Theatre
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2018) A Model for International Playwriting Practice: The Royal Court Young Peoples' Theatre and the Regional Arts Association, 1988-1998. In: Regions, Ruins and Regeneration: Irish Society for Theatre Research, Friday 1 June - Saturday 2nd June 2018, University of Lincoln. (Unpublished)
reimagining
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2014) Emma Hamilton's Attitudes Renewed. [Creative Performance or Reading]
Reminiscence Theatre
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2019) Making performances from memory boxes: reminiscence theatre and its positive impact on student mental health. In: Theatre of Memory, 1 May 2019 - 4 May 2019, Marine Hotel, Dublin, Ireland. (Unpublished)
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2017) An introduction to the Processes and Outcomes of the Memory Box Project: An International, Intergenerational Experience. In: Remembering Yesterday, Caring Today, 17th November 2017, Bathway Theatre, University of Greenwich. (Unpublished)
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2022) The reminiscence theatre archive as a resource for drama students. In: Performing Oral Histories, 11th April 2022, University of Greenwich Research Space.
Oxley, Natasha ORCID: 0000-0003-0011-7113 and Schweitzer, Pam (2023) Making intergenerational drama from older people's memories in a community dementia care group: practices, processes, and impact. Journal of Dementia Care. ISSN 1351-8372 (In Press)
Renzi
Signorelli, Valentina ORCID: 0000-0001-7411-7277 (2019) Famous Last Words - A comparative focus on resignation speeches to trace contemporary European instability: the cases of David Cameron and Matteo Renzi. In: Desecrating Celebrity. Proceedings of the IV International Celebrity Studies Journal Conference. Area 14 - Scienze Politiche e Sociali, Volumi di Area 14 - Scienze Politiche e Sociali, 14 . Nuova Cultura, Rome, pp. 109-130. ISBN 978-8833652719 (doi:https://doi.org/10.4458/2719)
representation
Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2022) ‘Creating change where it matters the most’: artistic directorship and representation in the London theatre. Comparative Drama, 56 (1-2). pp. 199-226. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0008)
Research
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2019) Notes towards a theatre of assemblages. Performance Research, 24 (4). pp. 28-34. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2019.1641320)
resignation
Signorelli, Valentina ORCID: 0000-0001-7411-7277 (2019) Famous Last Words - A comparative focus on resignation speeches to trace contemporary European instability: the cases of David Cameron and Matteo Renzi. In: Desecrating Celebrity. Proceedings of the IV International Celebrity Studies Journal Conference. Area 14 - Scienze Politiche e Sociali, Volumi di Area 14 - Scienze Politiche e Sociali, 14 . Nuova Cultura, Rome, pp. 109-130. ISBN 978-8833652719 (doi:https://doi.org/10.4458/2719)
review
Hockham, David ORCID: 0000-0001-9362-1137 (2021) Responding to Creation Theatre’s Time Machine: a production moved to Zoom in light of COVID-19. PARtake: The Journal of Performance as Research, 3 (2). pp. 1-6. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v3i2.541)
Richard III
Lee, Adele (2013) New directions: 'put[ing] on some other shape': Richard III as an Arab V.I.P. In: Connolly, Annaliese, (ed.) Richard III : A Critical Reader. Arden Early Modern Drama Guides . Bloomsbury Arden Shakespeare, London, UK, pp. 155-178. ISBN 9781441168252
ritual
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
Maffioletti, Catherine and Elizabeth, Kay (2024) Death of a Document. [Creative Performance or Reading]
river
Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108
River Bann
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108
role-play
Guillery, Harriet, Maravala, Persis Jadé and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2022) The significance of 'role-play' and 'instruction-based performance' as modes of teaching, collaborating and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge, New York and Oxon, pp. 1-7. ISBN 978-1032036038; 978-1032036045; 1003188176; 978-1003188179 (doi:https://doi.org/10.4324/9781003188179-11)
Roy Williams
Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2007) Roy Williams: representing multicultural Britain in Fallout. Modern Drama, 50 (3). pp. 414-434. ISSN 0026-7694 electronic 1712-5286
royal court
Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2015) 'The Jewel in the Crown': Developing a Young Peoples' Theatre Scheme at the Royal Court. In: Theatre and Performance Research Association, History and Historiography Working Group, Tuesday 8 September - Thursday 10th September 2015, University of Worcester, UK. (Unpublished)
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2015) Royal Court: International [Book Review]. Platform: Journal of Theatre and Performing Arts, 9 (2). pp. 113-116. ISSN 1751-0171
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Translating austerity: Theatrical responses to the financial crisis. Twenty-First Century Drama: What Happens Now. Palgrave Macmillan, pp. 129-148. ISBN 978-1137484024 (doi:https://doi.org/10.1057/978-1-137-48403-1_7)
royal court theatre
Aston, Elaine and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2015) Royal Court: International. Studies in International Performance book series (STUDINPERF) . Palgrave Macmillan, London. ISBN 978-1137461827
Aston, Elaine Frances and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Amine, Khalid and Roberson, George F., (eds.) Performing Transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-46. ISBN 978-0982440964
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2017) 'Making New Theatre Together': Developing writers' and creating community in the first writers' group at the Royal Court and its legacy within the Young Writers' Programme. Theatre History Studies, 36. pp. 248-265. ISSN 0733-2033 (Print), 2166-9953 (Online) (doi:https://doi.org/10.1353/ths.2017.0011)
royal national theatre
Yazbek, Samir (2012) The Ritual. In: Bell, Hillary, (ed.) National Theatre Connections 2012. Methuen Drama, London, pp. 497-537. ISBN 978-1408157244
Russia
Sporton, Gregory (2007) Power as nostalgia: the Bolshoi Ballet in the new Russia. In: Barnett, Dennis and Skelton, Arthur, (eds.) Theatre and Performance in Eastern Europe: The Changing Scene. Scarecrow Press, Lanham, Maryland, USA, pp. 3-12. ISBN 9780810860230
scenography
Hockham, David ORCID: 0000-0001-9362-1137 (2022) Wild frontiers: learning in Higher Education institutions. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex. (Unpublished)
Hockham, David ORCID: 0000-0001-9362-1137 (2022) The question is not what can the university do for us? The question is what can we do for the university?”. In: Performing Oral History Symposium, 11th - 13th April 2022, University of Greenwich. (Unpublished)
science identity
Griffiths, Wyn and Keith, Lindsay ORCID: 0000-0002-5324-1719 (2022) Actors with agency: immersive science theatre and science identity. In: Weitkamp, Emma and Almeida, Carla, (eds.) Science and Theatre: Communicating Science and Technology with Performing Arts. Emerald Publishing Ltd., Bingley, UK, pp. 103-112. ISBN 978-1800436411; 978-1800436404; 978-1800436428 (doi:https://doi.org/10.1108/9781800436404)
Scotland
McKean, Kathy (2011) “Listen I will tell the story to you / As I have been told it”: Memory and identity in the plays of Nicola McCartney. International Journal of Scottish Theatre and Screen, 4 (1). ISSN 2046-5602 (Print), 2046-5602 (Online)
screenplay
Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus (eds.) (2023) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . The Palgrave Handbook of Screenwriting Studies, Cham. ISBN 978-3031207693
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Analysing the screenplay: A comparative approach. In: Nelmes, Jill, (ed.) Analysing The Screenplay. Routledge, London, pp. 237-251. ISBN 978-0415556347
screenwriting
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2023) Collaboration, cooperation and authorship in screenwriting aka how many people does it take to create an author? In: Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . Palgrave, Cham, pp. 73-92. ISBN 978-3031207693 (doi:https://doi.org/10.1007/978-3-031-20769-3_4)
Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus (eds.) (2023) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . The Palgrave Handbook of Screenwriting Studies, Cham. ISBN 978-3031207693
screenwriting research
Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus (eds.) (2023) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . The Palgrave Handbook of Screenwriting Studies, Cham. ISBN 978-3031207693
screenwriting studies
Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus (eds.) (2023) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . The Palgrave Handbook of Screenwriting Studies, Cham. ISBN 978-3031207693
script development
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2023) Collaboration, cooperation and authorship in screenwriting aka how many people does it take to create an author? In: Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . Palgrave, Cham, pp. 73-92. ISBN 978-3031207693 (doi:https://doi.org/10.1007/978-3-031-20769-3_4)
Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus (eds.) (2023) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . The Palgrave Handbook of Screenwriting Studies, Cham. ISBN 978-3031207693
seasonal cheer
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Elf: Christmas cheer amid the darkness. Times Higher Education. ISSN 0049-3929
Shakespeare
Lee, Adele (2013) Antony and Cleopatra. Directed by Kemal Aydoğan for the Oyun Atölyesi Theatre Company (Istanbul, Turkey) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 36-38. ISBN 9781408188132
Lee, Adele (2013) Coriolanus. Directed by Motoi Miura for the Chiten Theatre Company (Kyoto, Japan) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 47-50. ISBN 9781408188132
Lee, Adele (2013) A Midsummer Night's Dream. Directed by Jung Yang-ung for the Yohangza Theatre Company (Seoul, South Korea) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 138-141. ISBN 9781408188132
Lee, Adele (2013) New directions: 'put[ing] on some other shape': Richard III as an Arab V.I.P. In: Connolly, Annaliese, (ed.) Richard III : A Critical Reader. Arden Early Modern Drama Guides . Bloomsbury Arden Shakespeare, London, UK, pp. 155-178. ISBN 9781441168252
Lee, Adele (2013) Titus Adronicus. Directed by Tang Shu-wing Theatre Studio (Hong Kong) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 207-209. ISBN 9781408188132
Young, Jennifer (2021) Shakespeare for the "Triers": Richard Hawkins and Q2 Othello at the Serjeants' Inn. Journal for Early Modern Cultural Studies, 21 (1). pp. 94-119. ISSN 1531-0485 (Print), 1553-3786 (Online) (doi:https://doi.org/10.1353/jem.2021.0003)
Young, Jennifer (2015) Shakespeare in London. The Arden Shakespeare . Bloomsbury Arden Shakespeare, London. ISBN 978-1408145968
Young, Jennifer (2021) ‘While memory holds a seat in this distracted globe’: a look back at the Arden Shakespeare Third Series (1995–2020). In: Smith, Emma, (ed.) Shakespeare Survey 74: Shakespeare and Education. Shakespeare Survey, 74 (74). Cambridge University Press, Cambridge, pp. 355-371. ISBN 978-1009036795 (doi:https://doi.org/10.1017/9781009036795.024)
Shakir Abal
Lee, Adele (2013) New directions: 'put[ing] on some other shape': Richard III as an Arab V.I.P. In: Connolly, Annaliese, (ed.) Richard III : A Critical Reader. Arden Early Modern Drama Guides . Bloomsbury Arden Shakespeare, London, UK, pp. 155-178. ISBN 9781441168252
Silvia Mercuriali
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
sitcom
Klikova, Deborah ORCID: 0000-0001-9883-2646 (2021) Defining the beats in the TV sitcom. In: Batty, Craig and Taylor, Stayci, (eds.) Script Development. Springer - Palgrave Macmillan, Cham, Switzerland, pp. 205-218. ISBN 978-3030487133; 978-3030487126 (doi:https://doi.org/10.1007/978-3-030-48713-3_13)
Sitcoms
Smith, Caroline (2011) Last of the red wine (Performance). [Show/Exhibition]
site-specific
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
Situation comedy
Smith, Caroline (2011) Last of the red wine (Performance). [Show/Exhibition]
Slaughterhouse Five theatre play
Salihbegović, Fahrudin Nuno (2011) There are no books on Tralfamadore: making theatre on the digital planet. In: Dragićević Šešić, Milena, (ed.) Dositheus - razvoj ljudskih resursa u kulturi: zbornik radova. Academica - Akademska grupa, Belgrade, Serbia, pp. 129-135. ISBN 978-8688835008
SMASHfestUK
Griffiths, Wyn and Keith, Lindsay ORCID: 0000-0002-5324-1719 (2022) Actors with agency: immersive science theatre and science identity. In: Weitkamp, Emma and Almeida, Carla, (eds.) Science and Theatre: Communicating Science and Technology with Performing Arts. Emerald Publishing Ltd., Bingley, UK, pp. 103-112. ISBN 978-1800436411; 978-1800436404; 978-1800436428 (doi:https://doi.org/10.1108/9781800436404)
social connectedness
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia, Negrao, David and James, Winter (2022) KIMA Voice performance at Art in Flux Radical Embodiment event at Barbican London. [Creative Performance or Reading]
social identity
Lammin, Hannah Elisabeth ORCID: 0000-0002-9752-9335 (2017) Staging community: a non-philosophical presentation of immanent social experience. PhD thesis, University of Greenwich.
social impact
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Almena, Maria and Shemza, Aphra (2022) Transformations - Hybrid exhibition and event - curated by Dr. Oliver Gingrich, Maria Almena and Aphra Shemza featuring Analema Group's KIMA Colour, KIMA Voice and KIMA Noise and Oliver Gingrich & Shama Rahman's Zeitgeist. [Show/Exhibition]
social justice
Reynolds, Tracey ORCID: 0000-0002-9618-6318 and Kaptani, Eirini (2022) Migrants performing citizenship: participatory theatre and walking methods for research. In: Czajka, Agnes and O’Brien, Áine, (eds.) Art, Migration and the Production of Radical Democratic Citizenship. Rowman & Littlefield Publishers, London U.K. ISBN 978-1786612786 ; 978-1786612809; 1786612801
social media
Bozzi, Nicola ORCID: 0000-0003-1506-8078 (2024) Platforming the Joe Rogan Experience: cancel culture, comedy, and infrastructure. Television and New Media. pp. 1-14. ISSN 1527-4764 (Print), 1552-8316 (Online) (doi:https://doi.org/10.1177/15274764241277476)
socially engaged practices
Costantino, Anna (2021) Performative education inside and outside the ethics of care: three provocations. Scenario, 15 (2):2. pp. 27-46. ISSN 1649 - 8526 (Online) (doi:https://doi.org/10.33178/scenario)
sound
Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.
sound art
Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]
Soviet Union
Sporton, Gregory (2007) Power as nostalgia: the Bolshoi Ballet in the new Russia. In: Barnett, Dennis and Skelton, Arthur, (eds.) Theatre and Performance in Eastern Europe: The Changing Scene. Scarecrow Press, Lanham, Maryland, USA, pp. 3-12. ISBN 9780810860230
spatial sound
Margetson, Emma ORCID: 0000-0002-1054-1973 (2024) Contemplations. [Artefact]
spectacle
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2008) [Drama Workshop with Emergency Exit Arts] Earth carnival. [Play, Short Story or Poetry] (Unpublished)
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2014) Emma Hamilton's Attitudes Renewed. [Creative Performance or Reading]
spectatorship
Lilley, Heather Louise (2010) Vital contact: creating interpretive communities in the moment of theatrical reception. About Performance (10).
speech
Signorelli, Valentina ORCID: 0000-0001-7411-7277 (2019) Famous Last Words - A comparative focus on resignation speeches to trace contemporary European instability: the cases of David Cameron and Matteo Renzi. In: Desecrating Celebrity. Proceedings of the IV International Celebrity Studies Journal Conference. Area 14 - Scienze Politiche e Sociali, Volumi di Area 14 - Scienze Politiche e Sociali, 14 . Nuova Cultura, Rome, pp. 109-130. ISBN 978-8833652719 (doi:https://doi.org/10.4458/2719)
spontaneity
McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:https://doi.org/10.1080/2040610X.2022.2091733)
Stage
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) My Country: a play about Brexit that tries to break the bubble but disappoints. The Conversation. ISSN 2201-5639
staging community
Lammin, Hannah Elisabeth ORCID: 0000-0002-9752-9335 (2017) Staging community: a non-philosophical presentation of immanent social experience. PhD thesis, University of Greenwich.
stalking
Hutchins, Emma (2008) NOT stalking David Tennant (aka "having it all"). [Creative Performance or Reading] (Unpublished)
subcultural identity
Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2007) Roy Williams: representing multicultural Britain in Fallout. Modern Drama, 50 (3). pp. 414-434. ISSN 0026-7694 electronic 1712-5286
Subsidised Theatre
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2019) 'The New Place in Town': Early Reflections on the Bridge Theatre and the Monetisation of the Subsidised Theatre Sector in London. In: Text and Presentation: Comparative Drama Conference, Thursday 4 April - Saturday 6 April 2019, Rollins College, Orlando, Florida, USA. (Unpublished)
suicide
King, Andrew ORCID: 0000-0003-2348-4231 (2016) ‘Suicide: Popular? Obscene? The case of Ouida’s Two Little Wooden Shoes (1874)’. In: Annual Conference of the British Association for Victorian Studies, 31 August - 2 September 2016, University of Cardiff. (Unpublished)
Sulayman Al-Bassam
Lee, Adele (2013) New directions: 'put[ing] on some other shape': Richard III as an Arab V.I.P. In: Connolly, Annaliese, (ed.) Richard III : A Critical Reader. Arden Early Modern Drama Guides . Bloomsbury Arden Shakespeare, London, UK, pp. 155-178. ISBN 9781441168252
surveillance
McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)
symposia
Bondar, Melissa and Andrade Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 (2024) A phenomenology of misfits: a case study of Practice-as-Research in Higher Education symposia. PARtake: The Journal of Performance as Research, 6 (1). pp. 1-19. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v6i1.2217)
system collapse
Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)
tambor de mina
Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)
Tang Shu-wing
Lee, Adele (2013) Titus Adronicus. Directed by Tang Shu-wing Theatre Studio (Hong Kong) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 207-209. ISBN 9781408188132
technical theatre
Hockham, David ORCID: 0000-0001-9362-1137 (2022) Wild frontiers: learning in Higher Education institutions. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex. (Unpublished)
technique
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
technology
Allain, Paul, Bennett-Worth, Stacie Lee, Camilleri, Frank, McLaughlin, James ORCID: 0000-0002-2146-6884 and Wilson, Thomas (2019) Editorial. Theatre, Dance and Performance Training, 10 (2). pp. 165-168. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625628)
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
temporal dissonance
Myers, Misha ORCID: 0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214
territory
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2022) An art like nature: theatre environment as territory in Tim Spooner performances. Journal of Contemporary Drama in English, 10 (1). pp. 1-15. ISSN 2195-0156 (Print), 2195-0164 (Online) (doi:https://doi.org/10.1515/jcde-2022-0005)
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2014) So Pleased To Meet You. [Creative Performance or Reading]
textual criticism
Young, Jennifer (2021) ‘While memory holds a seat in this distracted globe’: a look back at the Arden Shakespeare Third Series (1995–2020). In: Smith, Emma, (ed.) Shakespeare Survey 74: Shakespeare and Education. Shakespeare Survey, 74 (74). Cambridge University Press, Cambridge, pp. 355-371. ISBN 978-1009036795 (doi:https://doi.org/10.1017/9781009036795.024)
The Bridge
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2019) 'The New Place in Town': Early Reflections on the Bridge Theatre and the Monetisation of the Subsidised Theatre Sector in London. In: Text and Presentation: Comparative Drama Conference, Thursday 4 April - Saturday 6 April 2019, Rollins College, Orlando, Florida, USA. (Unpublished)
The Figural
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2024) The Possibility of fact: sketching an origin for the performative. In: Twitchin, Mischa, (ed.) Wittgenstein and Performance: You'd be Surprised, Ed. Misc ha Twitchin, Rowman and Littlefield, 2024. Rowman & Littlefield, Lanham; Boulder; New York; London, pp. 27-44. ISBN 978-1538175095; 978-1538175101; 1538175096
The Gallery
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
The Royal Court
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2017) 'The Guru Effect': The Politics of Process in the Young Writers' Programme at the Royal Court. In: Theatre and Performance Research Association, Wednesday 30 August - Friday 1 September 2017, University of Salford, UK. (Unpublished)
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2020) 'In the pursuit of new writers': how the Royal Court Young Peoples' Theatre contributed to the development of first time playwrights in the 1990s. In: Boles, William C., (ed.) After In-Yer-Face: Remnants of a Theatrical Revolution. Palgrave Macmillan, pp. 21-35. ISBN 978-3030394264 (doi:https://doi.org/10.1007/978-3-030-39427-1_2)
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2018) A Model for International Playwriting Practice: The Royal Court Young Peoples' Theatre and the Regional Arts Association, 1988-1998. In: Regions, Ruins and Regeneration: Irish Society for Theatre Research, Friday 1 June - Saturday 2nd June 2018, University of Lincoln. (Unpublished)
the Troubles
Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108
theatre
Cheetham, Deborah and Browning, Daniel (2011) Pecan Summer: The Process of Making New Indigenous Opera in Australia. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farham, UK & Burlington, USA, pp. 325-336. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)
Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2022) ‘Creating change where it matters the most’: artistic directorship and representation in the London theatre. Comparative Drama, 56 (1-2). pp. 199-226. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0008)
Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2008) [In Backpages 18.1] The culture of new writing. Contemporary Theatre Review, 18 (1). pp. 131-134. ISSN 1048-6801 (Print), 1477-2264 (Online) (doi:https://doi.org/10.1080/10486800701868254)
Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2022) Introduction - There's no place like London: theatrical landscapes of a city in recovery. Comparative Drama, 56 (1&2):1. pp. 1-11. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0000)
Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)
Heinrichs, Liza, Kuenzel, Sven and Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110 (2021) Keeping in touch with your audience during a global pandemic. Sardines - Magazine for Amateur Theatre, 50. pp. 26-27. ISSN 2515-6756
Heinrichs, Liza, Kuenzel, Sven and Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110 (2021) The ‘new normal’ for UK theatre? Sardines - Magazine for Amateur Theatre, 50. pp. 16-17. ISSN 2515-6756
Hockham, David ORCID: 0000-0001-9362-1137 and Wallis, Jillian ORCID: 0000-0002-5004-9262 (2023) Operationalising the concept of recontextualisation: leveraging pedagogy and learning strategies in higher education practical courses. Higher Education. ISSN 0018-1560 (Print), 1573-174X (Online) (doi:https://doi.org/10.1007/s10734-023-01136-3)
Hockham, David ORCID: 0000-0001-9362-1137 and Zaremba-Byrne, Kasia (2022) Tiger Lady (what about us: Empowering Community Voices). [Creative Performance or Reading]
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2022) Afterword. Comparative Drama, 56 (1-2):10. p. 227. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0009)
Jones, Emrys (2012) Maternal duties and Filial Malapropisms: Frances Sheridan and the Problems of Theatrical Inheritance. In: British Society For Eighteenth-Century Studies 41st Annual Conference, 04-06 January, 2012, Oxford, UK. (Unpublished)
Karantonis, Pamela (2011) Performativity, mimesis, and indigenous opera. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA, pp. 73-90. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)
Karantonis, Pamela and Robinson, Dylan (2011) Introduction. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA, pp. 1-12. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)
Karantonis, Pamela and Robinson, Dylan (eds.) (2011) Opera Indigene: Re/presenting first nations and indigenous cultures. In: Karantonis, Pamela, (ed.) Opera Indigene: Re/Presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)
Lammin, Hannah Elisabeth ORCID: 0000-0002-9752-9335 (2017) Staging community: a non-philosophical presentation of immanent social experience. PhD thesis, University of Greenwich.
Lilley, Heather (2012) 'Everyone in the room has a connection to the story': fairytale adaptation in devised theatre. Journal of Adaptation in Film & Performance, 5 (2). pp. 149-166. ISSN 1753-6421 (Print), 1753-643X (Online) (doi:https://doi.org/10.1386/jafp.5.2.149_1)
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)
Maravala, Persis Jadé and Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Post-immersive interventions with ZU-UK. In: Bucknall, Joanna Jayne, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury - Methuen Drama, London, pp. 151-176. ISBN 978-1350269330
McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)
McLaughlin, James ORCID: 0000-0002-2146-6884 , Turner, Jane, Weston, Sarah and Condron, Aiden (2024) Editorial. Theatre, Dance and Performance Training, 15 (2):1. pp. 135-142. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2024.2365586)
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) My Country: a play about Brexit that tries to break the bubble but disappoints. The Conversation. ISSN 2201-5639
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2020) Uncovering New Voices at the Royal Court Theatre- Interview with Vicky Featherstone. In: Galea, Marco and Musca, Szabolcs, (eds.) Redefining Theatre Communities – International Perspectives on Community-Conscious Theatre-Making. Intellect, Bristol. ISBN 9781789380767
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) Commemoration in contemporary Polish plays. In: Memory Studies Association Conference 2021, 5-9 July 2021, Online / University of Warsaw. (Unpublished)
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2017) A Double Bill stage adaption of Jill Murphy's Peace at Last! and Whatever Next!, by Chiffchaff Children's Theatre. [Creative Performance or Reading]
Salihbegovic, Fahrudin Nuno (2009) Klanica pet - Slaughterhouse Five: Total theatre in an empty space. Body, Space & Technology, 8 (1). ISSN 1470-9120
Salihbegović, Fahrudin Nuno (2008) Klanica pet – Slaughterhouse Five. [Show/Exhibition]
Salihbegović, Fahrudin Nuno (2011) There are no books on Tralfamadore: making theatre on the digital planet. In: Dragićević Šešić, Milena, (ed.) Dositheus - razvoj ljudskih resursa u kulturi: zbornik radova. Academica - Akademska grupa, Belgrade, Serbia, pp. 129-135. ISBN 978-8688835008
Sheridan, Claire (2014) 'A Tragedy Called "The Last Man": Hazlitt's Joke on Francis Place'. The Hazlitt Review, 7. pp. 46-56. ISSN 1757-8299
Solanke, Adeola (2015) East End boys, West End girls. [Play, Short Story or Poetry]
Solanke, Adeola (2016) [Special performance] East End Boys, West End Girls. [Play, Short Story or Poetry]
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2008) [Director] Money From America. [Play, Short Story or Poetry] (Unpublished)
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2009) [Drama Workshop] Monsters, myths and mayhem: 'The Dragon of Krakow' comes to Blackheath. [Play, Short Story or Poetry] (Unpublished)
theatre artists
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis Jadé and Guillery, Kesia (2022) The significance of ‘role-play’ and ‘instruction-based performance’ as modes of teaching, collaborating, and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge- Taylor & Francis Group, London. ISBN 978-1032036038 (doi:https://doi.org/10.4324/9781003188179)
Theatre Dance Performance Training
McLaughlin, James ORCID: 0000-0002-2146-6884 , Weston, Sarah, Turner, Jane and Condron, Aiden (2024) Special Issue: Theatre, Dance and Performance Training, Volume 15, Issue 2 (2024). Taylor and Francis Group - Routledge, Abingdon, UK.
theatre design
Sporton, Gregory (2009) Design as action: Jean Cocteau and the Ballets Russes. In: White, Christine A., (ed.) Directors and Designers. Intellect Books, Bristol, UK, pp. 231-240. ISBN 9781841502892
theatre for young audiences
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) Children as Co-creators in Chiffchaff Children's Theatre Productions: defining methodology and evidencing children's role in the creative process. In: Talking TYA, 8-10 October 2020, Online. (Unpublished)
theatre heritage
Adeyemi, Sola (2013) Performing identities: re-creation and representation of African performance aesthetics. In: 50 Years of Theatre in the African Academy, 28-30 Aug 2013, University of Ibadan, Nigeria. (Unpublished)
Theatre of the Absurd
Derbyshire, Henry ORCID: 0000-0002-1373-1166 (2021) The Theatre of the Absurd as professional network in Pinter’s early career. Harold Pinter: Stages, Networks, Collaborations. Methuen Drama Engage . Bloomsbury. ISBN 9781350133624
theatre sound
Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.
theatre translation
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2012) The Ritual/ O Ritual. Conexões. British Council, São Paulo.
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2014) Stages of the Loss: translation as contamination. How The Ritual made it to the Royal National Theatre. Theatre Research International, 39 (2). pp. 120-132. ISSN 0307-8833 (Print), 1474-0672 (Online) (doi:https://doi.org/10.1017/S0307883314000042)
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp.6.1.55_1)
Yazbek, Samir (2012) The Ritual. In: Bell, Hillary, (ed.) National Theatre Connections 2012. Methuen Drama, London, pp. 497-537. ISBN 978-1408157244
theatricality
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Artistic engagements with machine generated voice: Holly Herndon's Holly+ & Jane Frances Dunlop’s select important things. In: Mis/Disinformation and the artifices of authenticity and authentication ICA Pre-Conference, 24th May, 2023, York University, Toronto, Ontario Canada. (Unpublished)
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Multivocal theatricalities: articulating data in composites, choruses, crowds. In: Articulating Data: Multivocal Theatricalities, 11th - 12th May, 2023, Inspace, University of Edinburgh.
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Sonic Wandering in New Landscapes. Gertrude Stein and sonic performativity in Eglė Budvytytė’s Songs from the Compost: mutating bodies, exploding stars. In: Performing Studies international conference (PSi) #28 Uhambo Luyazilawula: Embodied Wandering Practices, 2nd - 5th Aug, 2023, Johannesburg. (Unpublished)
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2024) Theatricality and dissonance: frictions in contemporary networked performance practices. In: Quick, Andrew and Rushton, Richard, (eds.) Theatricality and the Arts Film, Theatre, Art. Edinburgh University Press, Edinburgh, pp. 70-87. ISBN 978-1399511650; 1399511653 (In Press)
This House
Graham, James and Holden, Nicholas ORCID: 0000-0002-3437-1702 (2021) This House by James Graham. Methuen Student Drama Editions, 1 (1). Bloomsbury Methuen, London. ISBN 9781350155534
Tim Langford
Lee, Adele (2013) New directions: 'put[ing] on some other shape': Richard III as an Arab V.I.P. In: Connolly, Annaliese, (ed.) Richard III : A Critical Reader. Arden Early Modern Drama Guides . Bloomsbury Arden Shakespeare, London, UK, pp. 155-178. ISBN 9781441168252
Tim Spooner
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2022) An art like nature: theatre environment as territory in Tim Spooner performances. Journal of Contemporary Drama in English, 10 (1). pp. 1-15. ISSN 2195-0156 (Print), 2195-0164 (Online) (doi:https://doi.org/10.1515/jcde-2022-0005)
Titus Adronicus
Lee, Adele (2013) Titus Adronicus. Directed by Tang Shu-wing Theatre Studio (Hong Kong) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 207-209. ISBN 9781408188132
touch
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]
Tragedy
Sheridan, Claire (2014) 'A Tragedy Called "The Last Man": Hazlitt's Joke on Francis Place'. The Hazlitt Review, 7. pp. 46-56. ISSN 1757-8299
training
McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis Jadé and Guillery, Kesia (2022) The significance of ‘role-play’ and ‘instruction-based performance’ as modes of teaching, collaborating, and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge- Taylor & Francis Group, London. ISBN 978-1032036038 (doi:https://doi.org/10.4324/9781003188179)
trans-national
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624
translation
Aston, Elaine Frances and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Amine, Khalid and Roberson, George F., (eds.) Performing Transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-46. ISBN 978-0982440964
Lee, Adele (2013) Antony and Cleopatra. Directed by Kemal Aydoğan for the Oyun Atölyesi Theatre Company (Istanbul, Turkey) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 36-38. ISBN 9781408188132
Lee, Adele (2013) Coriolanus. Directed by Motoi Miura for the Chiten Theatre Company (Kyoto, Japan) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 47-50. ISBN 9781408188132
Lee, Adele (2013) A Midsummer Night's Dream. Directed by Jung Yang-ung for the Yohangza Theatre Company (Seoul, South Korea) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 138-141. ISBN 9781408188132
Lee, Adele (2013) Titus Adronicus. Directed by Tang Shu-wing Theatre Studio (Hong Kong) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 207-209. ISBN 9781408188132
Lee, Adele (2013) Titus in No Man's Land: The Tang Shu-wing Theatre Studio's production. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 110-114. ISBN 9781107040557
Lee, Adele (2013) ‘A girdle round about the earth’: Yohangza’s A Midsummer Night’s Dream. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 83-86. ISBN 9781107040557
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2014) Stages of the Loss: translation as contamination. How The Ritual made it to the Royal National Theatre. Theatre Research International, 39 (2). pp. 120-132. ISSN 0307-8833 (Print), 1474-0672 (Online) (doi:https://doi.org/10.1017/S0307883314000042)
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Translating austerity: Theatrical responses to the financial crisis. Twenty-First Century Drama: What Happens Now. Palgrave Macmillan, pp. 129-148. ISBN 978-1137484024 (doi:https://doi.org/10.1057/978-1-137-48403-1_7)
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp.6.1.55_1)
Yazbek, Samir (2012) The Ritual. In: Bell, Hillary, (ed.) National Theatre Connections 2012. Methuen Drama, London, pp. 497-537. ISBN 978-1408157244
translation studies
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624
translation theory
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp.6.1.55_1)
trauma-sensitivity
Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)
travel writing
Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108
Tudors/Henry V111/Cromwell/John Blanke/Anne of Cleves
Solanke, Adeola (2018) The Court Must Have a Queen - an original new play by Ade Solanke. [Play, Short Story or Poetry]
TYA
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) Children as Co-creators in Chiffchaff Children's Theatre Productions: defining methodology and evidencing children's role in the creative process. In: Talking TYA, 8-10 October 2020, Online. (Unpublished)
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2017) A Double Bill stage adaption of Jill Murphy's Peace at Last! and Whatever Next!, by Chiffchaff Children's Theatre. [Creative Performance or Reading]
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) 'Peace at Last' and 'Whatever Next!'. [Creative Performance or Reading]
UK
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
UK COVID-19
Hockham, David ORCID: 0000-0001-9362-1137 (2021) Responding to Creation Theatre’s Time Machine: a production moved to Zoom in light of COVID-19. PARtake: The Journal of Performance as Research, 3 (2). pp. 1-6. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v3i2.541)
Unity
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]
university
Ellis, Tatiana, Hockham, David ORCID: 0000-0001-9362-1137 , Rolle, Erica and Zigomo, Pamela (2020) Becoming civic centred: a case study of the University of Greenwich’s Bathway Theatre based in Woolwich. Studies in Theatre and Performance, 40 (3). pp. 316-327. ISSN 1468-2761 (Print), 2040-0616 (Online) (doi:https://doi.org/10.1080/14682761.2020.1807211)
University of Greenwich
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
Utilitarianism
Sheridan, Claire (2014) 'A Tragedy Called "The Last Man": Hazlitt's Joke on Francis Place'. The Hazlitt Review, 7. pp. 46-56. ISSN 1757-8299
verbatim theatre
Derbyshire, Harry ORCID: 0000-0002-1373-1166 and Hodson, Loveday (2008) Performing injustice: human rights and verbatim theatre. Law and Humanities, 2 (2). pp. 191-211. ISSN 1752-1483
Victorian popular women novelists
King, Andrew ORCID: 0000-0003-2348-4231 (2016) ‘Suicide: Popular? Obscene? The case of Ouida’s Two Little Wooden Shoes (1874)’. In: Annual Conference of the British Association for Victorian Studies, 31 August - 2 September 2016, University of Cardiff. (Unpublished)
Viola Spolin
McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:https://doi.org/10.1080/2040610X.2022.2091733)
virtual persona
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2015) Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices. Body, Space and Technology, 14. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.37)
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2014) So Pleased To Meet You. [Creative Performance or Reading]
visual sound
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Evgenia, Emets, Renaud, Alain, Negrao, David, Havsteen-Franklin, Dominik and Grant, Claire (2022) KIMA Colour: Van Gogh - 360 visual sound art. [Artefact]
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia and Negrao, David (2022) KIMA: Voice performance by Analema Group at National Gallery X performed by Victoria Couper. [Creative Performance or Reading]
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia, Negrao, David and James, Winter (2022) KIMA Voice performance at Art in Flux Radical Embodiment event at Barbican London. [Creative Performance or Reading]
Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2021) GROUPTHINK: What happens when we're all connected? Groupthink - a live performance directed by the heartbeats of its viewers. [Creative Performance or Reading]
visual sound art
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Almena, Maria and Shemza, Aphra (2022) Transformations - Hybrid exhibition and event - curated by Dr. Oliver Gingrich, Maria Almena and Aphra Shemza featuring Analema Group's KIMA Colour, KIMA Voice and KIMA Noise and Oliver Gingrich & Shama Rahman's Zeitgeist. [Show/Exhibition]
visual sound interface
Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia and Negrao, David (2022) KIMA: Voice performance by Analema Group at National Gallery X performed by Victoria Couper. [Creative Performance or Reading]
vocality
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Multivocal theatricalities: articulating data in composites, choruses, crowds. In: Articulating Data: Multivocal Theatricalities, 11th - 12th May, 2023, Inspace, University of Edinburgh.
voice studies
Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Sonic Wandering in New Landscapes. Gertrude Stein and sonic performativity in Eglė Budvytytė’s Songs from the Compost: mutating bodies, exploding stars. In: Performing Studies international conference (PSi) #28 Uhambo Luyazilawula: Embodied Wandering Practices, 2nd - 5th Aug, 2023, Johannesburg. (Unpublished)
VR
Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]
VR/XR
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]
walking
Finlay, Alec, Heddon, Deirdre and Myers, Misha ORCID: 0000-0002-4355-6602 (2021) WILD CITY | FIADH-BHAILE | ORASUL SALBATIC: Mapping the Wild in the Greeny Howe of Glasgow. In: Cohen, Phil and Duggan, Mike, (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 201-206. ISBN 978-1538147191; 978-1538147214
Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108
wast end
Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)
web 2.0
McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)
West African Literature
Solanke, Adeola (2015) British Library West Africa: Word, symbol and song exhibition. In: West African literature keynote, 5th November 2015, British Library, 96 Euston Road, London NW1 2DB.
William Hazlitt
Sheridan, Claire (2014) 'A Tragedy Called "The Last Man": Hazlitt's Joke on Francis Place'. The Hazlitt Review, 7. pp. 46-56. ISSN 1757-8299
William Shakespeare
Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)
windrush generation
Hockham, D. ORCID: 0000-0001-9362-1137 , Campbell, J., Chambers, A., Franklin, P., Pollard, I., Reynolds, T. ORCID: 0000-0002-9618-6318 and Ruddock, R. (2022) Let our legacy continue: beginning an archival journey a creative essay of the digital co-creation and hybrid dissemination of windrush oral histories at the University of Greenwich’s Stephen Lawrence Gallery. Research in Drama Education: The Journal of Applied Theatre and Performance, 27 (2). pp. 199-215. ISSN 1356-9783 (Print), 1470-112X (Online) (doi:https://doi.org/10.1080/13569783.2022.2060733)
Wittgenstein
Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2024) The Possibility of fact: sketching an origin for the performative. In: Twitchin, Mischa, (ed.) Wittgenstein and Performance: You'd be Surprised, Ed. Misc ha Twitchin, Rowman and Littlefield, 2024. Rowman & Littlefield, Lanham; Boulder; New York; London, pp. 27-44. ISBN 978-1538175095; 978-1538175101; 1538175096
Wole Soyinka
Adeyemi, Sola (2011) Introduction. African Performance Review, 5 (1). pp. 6-8. ISSN 1750-4848
women authorship
Young, Jennifer (2022) Chapter 1. Women "think round it"! Writing and Publication in Emilia. In: Kressly, Laura, Patient, Aida and Williams, Kimberly A., (eds.) Notelets of Filth: A Companion Reader to Morgan Lloyd Malcolm's Emilia. Routledge Advances in Theatre & Performance Studies . Routledge, London; Abingdon and New York, pp. 1-12. ISBN 978-1003033387; 978-0367498290; 978-0367470982 (doi:https://doi.org/10.4324/9781003033387)
women publication
Young, Jennifer (2022) Chapter 1. Women "think round it"! Writing and Publication in Emilia. In: Kressly, Laura, Patient, Aida and Williams, Kimberly A., (eds.) Notelets of Filth: A Companion Reader to Morgan Lloyd Malcolm's Emilia. Routledge Advances in Theatre & Performance Studies . Routledge, London; Abingdon and New York, pp. 1-12. ISBN 978-1003033387; 978-0367498290; 978-0367470982 (doi:https://doi.org/10.4324/9781003033387)
word maps
Finlay, Alec, Heddon, Deirdre and Myers, Misha ORCID: 0000-0002-4355-6602 (2021) WILD CITY | FIADH-BHAILE | ORASUL SALBATIC: Mapping the Wild in the Greeny Howe of Glasgow. In: Cohen, Phil and Duggan, Mike, (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 201-206. ISBN 978-1538147191; 978-1538147214
Workshop
Smith, Caroline (2011) Last of the red wine (Performance). [Show/Exhibition]
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2009) [Drama Workshop] Monsters, myths and mayhem: 'The Dragon of Krakow' comes to Blackheath. [Play, Short Story or Poetry] (Unpublished)
young audiences
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) 'Peace at Last' and 'Whatever Next!'. [Creative Performance or Reading]
Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) 'Peace at Last' and 'Whatever Next!'. [Creative Performance or Reading]
Young Court
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2015) 'The Jewel in the Crown': Developing a Young Peoples' Theatre Scheme at the Royal Court. In: Theatre and Performance Research Association, History and Historiography Working Group, Tuesday 8 September - Thursday 10th September 2015, University of Worcester, UK. (Unpublished)
Young People
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2015) 'The Jewel in the Crown': Developing a Young Peoples' Theatre Scheme at the Royal Court. In: Theatre and Performance Research Association, History and Historiography Working Group, Tuesday 8 September - Thursday 10th September 2015, University of Worcester, UK. (Unpublished)
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2008) [Drama Workshop with Emergency Exit Arts] Earth carnival. [Play, Short Story or Poetry] (Unpublished)
Young Writers' Programme
Holden, Nicholas ORCID: 0000-0002-3437-1702 (2017) 'The Guru Effect': The Politics of Process in the Young Writers' Programme at the Royal Court. In: Theatre and Performance Research Association, Wednesday 30 August - Friday 1 September 2017, University of Salford, UK. (Unpublished)
youtube
Sporton, Gregory (2009) The active audience: the network as a performance environment. In: Oddey, Alison and White, Christine A., (eds.) Modes of Spectating. Intellect Books, Bristol, UK, pp. 61-72. ISBN 9781841502397
Zinnie Harris
Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (2019) International Playwrights' Symposium: Zinnie Harris (Co-Organiser). In: International Playwrights' Symposium: Zinnie Harris, Saturday 23 November 2019, University of Lincoln. (Unpublished)
Zoom
Hockham, David ORCID: 0000-0001-9362-1137 (2021) Responding to Creation Theatre’s Time Machine: a production moved to Zoom in light of COVID-19. PARtake: The Journal of Performance as Research, 3 (2). pp. 1-6. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v3i2.541)
Zoom performance
Hockham, David ORCID: 0000-0001-9362-1137 (2021) Responding to Creation Theatre’s Time Machine: a production moved to Zoom in light of COVID-19. PARtake: The Journal of Performance as Research, 3 (2). pp. 1-6. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v3i2.541)
ZU-UK
Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Bucknall, Joanna (2017) TAIT Episode 20 with Jorge Lopes Ramos: TAIT (Talking About Immersive Theatre) podcast. [Audio]
Maravala, Persis Jade, McLaughlin, James ORCID: 0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625626)
Zygmunt Molik
Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]
‘hacking the familiar’
Guillery, Kesia, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade and Simon, Bart (2024) Liveness, audio mixing and participatory theatre: hacking the familiar in 'Binaural Dinner Date'. In: O’Dwyer, Néill, Scott, Joanne and Young, Gareth W., (eds.) XR Performance: Scenographic Explorations. Bloomsbury Methuen. (In Press)