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Items where Subject is "PN2000 Dramatic representation. The Theater"

Items where Subject is "PN2000 Dramatic representation. The Theater"

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"royal court theatre" 'new normal' 1970s 20-channel 21st Century 360 visual sound A Midsummer Night's Dream ab lines Abi Morgan accessibility acousmatic acting adaptation adaptation studies aesthetics of cyber theatre affective touch African performance aesthetics African theatre African writing/theatre/diaspora afterword agency Alexander Hamilton Alistair McDowall ambisonics American Musical amplification Andy Smith johnsmith Antony and Cleopatra apparatus applied drama appropriation Arab VIP archives Arden Shakespeare Art as activism Artifical Intelligence artistic directors artistic research arts Arts & Health Arts and Culture arts funding Asia audience audiences audio experience Augusto Boal austerity impact authenticity authorship ballet Baruch Spinoza beats belonging binaural audio Black British drama Black British performance culture Black British playwrights black-on-black violence blogging bodies body Bola Agbaje bone-conducting headphones Brazil Brazilian playwriting Brexit British Council British Drama British working-class life Brixton Calculus Cameron Capitalism care Caryl Churchill catabolic crisis censorship Chatroulette chicago improv festival children children's literature children's theatre China choreography civic centred class co-creation co-production Cock Cocteau collaboration comedy comic commemoration communities community community engagement community practice comparative drama connections connectivity contemporary contemporary British drams contemporary British playwriting Contemporary British Theatre contemporary drama Contemporary playwriting Coriolanus corporeal covid Covid-19 Creative Industries creative maps creative writing creativity cultural diplomacy cultural dissonance cultural exchange cultural identity cultural licensee cultural memory cultural politics Damilola Taylor data David Tennant decolonising decolonising methodologies decolonising practices decolonising the academy deep map Deleuze dementia arts dementia care democratic citizenship Dennis Kelly developing material devising diaspora digital digital mental health therapy digital performance digital stage design digital technology Digital Theatre digital training directing director in digital theatre disabled-led diversity DJ Dolores Donald Trump drama drama in libraries drama pedagogy drawing Early modern drama early modern inns of court early modern print publication ecocide ecology editing editorial theory and practice electroacoustic Elizabeth Grosz elves embodied geography embodiment Emilia empathy employability entanglement entertainment entrainment Essex's rightwing materialism ethic of care ethnicity Euripides europe exhibition experiential theatres fairytales family theatre feedback Femi Osofisan Feminism filial film film adaptations film images film studies Filter bubble fine art first nations foreign language Foucault fresh water funding games gender gentrification Gilles Deleuze global Gone Too Far graduate grotowski hand drawn maps Hannah Arendt haptic technology Harold Pinter headphone theatre health care health simulation heightened realism Henri Bergson heterotopia Higher Education hip hop theatre history homophily Hong Kong housing Howard Barker Human Ecology Economics human rights hung parliament hybrid hybrid exhibition Hybrid Exhibition - Media Art - Participatory Art hybrid theatre online hybrid writing idea development Identity identity politics ideology immersive immersive experience immersive science theatre immersive theatre improv bandits improvisation In-Yer-Face inclusivity indigenous cultures industrial inheritance installation institutional racism instruction instruction-based instruction-based performance interactive interactive performance interactive technology interactive theatre interculturalism interdisciplinary interdisciplinary art intergenerational intergenerational drama International international impact internet art interview intimacy introduction Irish diaspora Irish history Irish identity Irish literature Irish poetry Irish prose Irish writing James Graham Jauss jazz Jerzy Grotowski journey writing Judith Butler Jung Yang-ung Karen Barad keith johnstone Kemal Aydoğan kneehigh audience Kneehigh Theatre knowledge exchange knowledge exchange framework Korean landscape landscapes LARP layering LBTGQ community learning learning scenographics Leibniz liberalism lineage literacy literature Live sound editing lived experience liveness locative media London loneliness lord chamberlain Lovesong machine learning Manuel DeLanda marginalisation Masquerade maternal maternal care mathematics measurement media art media theory meisner technique Meisner training memory memory boxes memory theatre mental healthcare training metaphor metoo metrosexuality Migrant East End families migration Mike Bartlett Mike Pence misfits monologues Morgan Lloyd Malcolm Motoi Miura moving image multichannel ambisonics multiculturalism musical theatre musicology N/A narrative archaeology narrative structure National Theatre Nationalism Naturalism neoliberalism new writing Newton Nicola McCartney Nigerian drama Nigerian theatre Nollywood non-anglophone non-anglophone Shakespeare Northern Ireland Nostalgia obsessions occupation online theatre open questions Open-Third-Space opera oral histories oral history orientalism Othello Ouida outreach palliative care pandemic pandemic performance Para Active parliament participation participatory participatory action research social justice migrant women no recourse to public funds 'race' and radicalisation poverty transformation participatory art participatory arts participatory performance participatory theatre Peckham pedagogy pentimento performance Performance art performance cartography performance review Performance Studies Performance training performative teaching and learning performativity performer performer training pervasive experience phenomenology phillip zarrilli philosophy phones photography Physical theatre pilgrimage place play play text plays playtesting playwrights playwriting podcast poetry Poland Polish Polish culture Polish drama politics pollution popular fiction popular performances post-immersive post-punk postcolonial African theatre postcolonial studies postcolonialism practice as research practice based learning Practice-as-Research practice-based education practice-led research praxis-based approaches presence print history privilege privilege‌ production provocation psychophysical psychophysical training Public Policy public space race radical rave reception theory recontextualisation Reform Regional Arts Association Regional Theatre reimagining Reminiscence Theatre Renzi representation Research resignation review Richard III ritual river River Bann role-play Roy Williams royal court royal court theatre royal national theatre Russia scenography science identity Scotland screenplay screenwriting screenwriting research screenwriting studies script development seasonal cheer Shakespeare Shakir Abal Silvia Mercuriali sitcom Sitcoms site-specific Situation comedy Slaughterhouse Five theatre play SMASHfestUK social connectedness social identity social impact social justice socially engaged practices sound sound art Soviet Union spatial sound spectacle spectatorship speech spontaneity Stage staging community stalking subcultural identity Subsidised Theatre suicide Sulayman Al-Bassam surveillance symposia system collapse tambor de mina Tang Shu-wing technical theatre technique technology temporal dissonance territory textual criticism The Bridge The Figural The Gallery The Royal Court the Troubles theatre theatre artists theatre design theatre for young audiences theatre heritage Theatre of the Absurd theatre sound theatre translation theatricality This House Tim Langford Tim Spooner Titus Adronicus touch Tragedy training trans-national translation translation studies translation theory trauma-sensitivity travel writing Tudors/Henry V111/Cromwell/John Blanke/Anne of Cleves TYA UK UK COVID-19 Unity university University of Greenwich Utilitarianism verbatim theatre Victorian popular women novelists Viola Spolin virtual persona visual sound visual sound art visual sound interface vocality voice studies VR VR/XR walking wast end web 2.0 West African Literature William Hazlitt William Shakespeare windrush generation Wittgenstein Wole Soyinka women authorship women publication word maps Workshop young audiences Young Court Young People Young Writers' Programme youtube Zinnie Harris Zoom Zoom performance ZU-UK Zygmunt Molik ‘hacking the familiar’
Number of items at this level: 877.

"royal court theatre"

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2022) Rita, Sue and #Metoo: the Royal Court Theatre, London, and liberalism. Comparative Drama, 56 (1&2). pp. 157-178. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0006)

'new normal'

Heinrichs, Liza, Kuenzel, Sven and Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110 (2021) The ‘new normal’ for UK theatre? Sardines - Magazine for Amateur Theatre, 50. pp. 16-17. ISSN 2515-6756

1970s

Graham, James and Holden, Nicholas ORCID: 0000-0002-3437-1702 (2021) This House by James Graham. Methuen Student Drama Editions, 1 (1). Bloomsbury Methuen, London. ISBN 9781350155534

20-channel

Margetson, Emma ORCID: 0000-0002-1054-1973 (2021) Shifted Trajectories. [Composition]

21st Century

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis Jadé and Guillery, Kesia (2022) The significance of ‘role-play’ and ‘instruction-based performance’ as modes of teaching, collaborating, and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge- Taylor & Francis Group, London. ISBN 978-1032036038 (doi:https://doi.org/10.4324/9781003188179)

360 visual sound

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Evgenia, Emets, Renaud, Alain, Negrao, David, Havsteen-Franklin, Dominik and Grant, Claire (2022) KIMA Colour: Van Gogh - 360 visual sound art. [Artefact]

A Midsummer Night's Dream

Lee, Adele (2013) A Midsummer Night's Dream. Directed by Jung Yang-ung for the Yohangza Theatre Company (Seoul, South Korea) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 138-141. ISBN 9781408188132

ab lines

McLaughlin, James ORCID: 0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

Abi Morgan

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'Don't You Think That's Interesting, About Time?': Playing with Time in Abi Morgan's Lovesong. Digital Theatre [Invited Blog Post].

accessibility

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

acousmatic

Margetson, Emma ORCID: 0000-0002-1054-1973 (2024) Contemplations. [Artefact]

acting

McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)

adaptation

King, Andrew ORCID: 0000-0003-2348-4231 (2016) ‘Suicide: Popular? Obscene? The case of Ouida’s Two Little Wooden Shoes (1874)’. In: Annual Conference of the British Association for Victorian Studies, 31 August - 2 September 2016, University of Cardiff. (Unpublished)

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp.6.1.55_1)

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2018) On The Way Home (based on the book by Jill Murphy). Chiffchaff Children's Theatre for the Summer Reading Challenge. [Play, Short Story or Poetry]

adaptation studies

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624

aesthetics of cyber theatre

Salihbegović, Fahrudin Nuno (2011) There are no books on Tralfamadore: making theatre on the digital planet. In: Dragićević Šešić, Milena, (ed.) Dositheus - razvoj ljudskih resursa u kulturi: zbornik radova. Academica - Akademska grupa, Belgrade, Serbia, pp. 129-135. ISBN 978-8688835008

affective touch

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]

African performance aesthetics

Adeyemi, Sola (2013) Performing identities: re-creation and representation of African performance aesthetics. In: 50 Years of Theatre in the African Academy, 28-30 Aug 2013, University of Ibadan, Nigeria. (Unpublished)

African theatre

Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955

Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951

African writing/theatre/diaspora

Solanke, Adeola (2015) Afro-Europe: Winds of Change. The Writer.

afterword

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2022) Afterword. Comparative Drama, 56 (1-2):10. p. 227. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0009)

agency

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

Alexander Hamilton

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Why Hamilton's arrival In London should not be written off as just another mega-musical. The Huffington Post.

Alistair McDowall

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'There Are Times When Naturalism Just Isn't Enough': Breaking Open the Kitchen Sink in the Plays of Alistair McDowall. In: British Theatre in the 21st Century, Thursday 13 October - Saturday 15 October 2016, Université Paris-Sorbonne, France. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'Think Kitchen Sink with a Wormhole Where the Plug Should Be': Exploring New Approaches to New Writing in the plays of Alistair McDowall. In: What Happens Now: 21st Century Writing in English, Monday 27 June - Thursday 30 June 2016, University of Lincoln, UK. (Unpublished)

ambisonics

Margetson, Emma ORCID: 0000-0002-1054-1973 (2021) Shifted Trajectories. [Composition]

American Musical

Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

amplification

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

Andy Smith johnsmith

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2019) Notes towards a theatre of assemblages. Performance Research, 24 (4). pp. 28-34. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2019.1641320)

Antony and Cleopatra

Lee, Adele (2013) Antony and Cleopatra. Directed by Kemal Aydoğan for the Oyun Atölyesi Theatre Company (Istanbul, Turkey) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 36-38. ISBN 9781408188132

apparatus

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

applied drama

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2018) On The Way Home (based on the book by Jill Murphy). Chiffchaff Children's Theatre for the Summer Reading Challenge. [Play, Short Story or Poetry]

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2017) An introduction to the Processes and Outcomes of the Memory Box Project: An International, Intergenerational Experience. In: Remembering Yesterday, Caring Today, 17th November 2017, Bathway Theatre, University of Greenwich. (Unpublished)

appropriation

Lee, Adele (2013) Antony and Cleopatra. Directed by Kemal Aydoğan for the Oyun Atölyesi Theatre Company (Istanbul, Turkey) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 36-38. ISBN 9781408188132

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)

Lee, Adele (2013) Coriolanus. Directed by Motoi Miura for the Chiten Theatre Company (Kyoto, Japan) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 47-50. ISBN 9781408188132

Lee, Adele (2013) A Midsummer Night's Dream. Directed by Jung Yang-ung for the Yohangza Theatre Company (Seoul, South Korea) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 138-141. ISBN 9781408188132

Lee, Adele (2013) New directions: 'put[ing] on some other shape': Richard III as an Arab V.I.P. In: Connolly, Annaliese, (ed.) Richard III : A Critical Reader. Arden Early Modern Drama Guides . Bloomsbury Arden Shakespeare, London, UK, pp. 155-178. ISBN 9781441168252

Lee, Adele (2013) Titus Adronicus. Directed by Tang Shu-wing Theatre Studio (Hong Kong) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 207-209. ISBN 9781408188132

Lee, Adele (2013) Titus in No Man's Land: The Tang Shu-wing Theatre Studio's production. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 110-114. ISBN 9781107040557

Lee, Adele (2013) ‘A girdle round about the earth’: Yohangza’s A Midsummer Night’s Dream. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 83-86. ISBN 9781107040557

Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.

Arab VIP

Lee, Adele (2013) New directions: 'put[ing] on some other shape': Richard III as an Arab V.I.P. In: Connolly, Annaliese, (ed.) Richard III : A Critical Reader. Arden Early Modern Drama Guides . Bloomsbury Arden Shakespeare, London, UK, pp. 155-178. ISBN 9781441168252

archives

Hockham, D. ORCID: 0000-0001-9362-1137 , Campbell, J., Chambers, A., Franklin, P., Pollard, I., Reynolds, T. ORCID: 0000-0002-9618-6318 and Ruddock, R. (2022) Let our legacy continue: beginning an archival journey a creative essay of the digital co-creation and hybrid dissemination of windrush oral histories at the University of Greenwich’s Stephen Lawrence Gallery. Research in Drama Education: The Journal of Applied Theatre and Performance, 27 (2). pp. 199-215. ISSN 1356-9783 (Print), 1470-112X (Online) (doi:https://doi.org/10.1080/13569783.2022.2060733)

Arden Shakespeare

Young, Jennifer (2021) ‘While memory holds a seat in this distracted globe’: a look back at the Arden Shakespeare Third Series (1995–2020). In: Smith, Emma, (ed.) Shakespeare Survey 74: Shakespeare and Education. Shakespeare Survey, 74 (74). Cambridge University Press, Cambridge, pp. 355-371. ISBN 978-1009036795 (doi:https://doi.org/10.1017/9781009036795.024)

Art as activism

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

Artifical Intelligence

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Artistic engagements with machine generated voice: Holly Herndon's Holly+ & Jane Frances Dunlop’s select important things. In: Mis/Disinformation and the artifices of authenticity and authentication ICA Pre-Conference, 24th May, 2023, York University, Toronto, Ontario Canada. (Unpublished)

artistic directors

Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2022) ‘Creating change where it matters the most’: artistic directorship and representation in the London theatre. Comparative Drama, 56 (1-2). pp. 199-226. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0008)

Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

artistic research

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Artistic engagements with machine generated voice: Holly Herndon's Holly+ & Jane Frances Dunlop’s select important things. In: Mis/Disinformation and the artifices of authenticity and authentication ICA Pre-Conference, 24th May, 2023, York University, Toronto, Ontario Canada. (Unpublished)

arts

Maravala, Persis Jadé and Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Post-immersive interventions with ZU-UK. In: Bucknall, Joanna Jayne, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury - Methuen Drama, London, pp. 151-176. ISBN 978-1350269330

Arts & Health

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

Arts and Culture

McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

arts funding

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Translating austerity: Theatrical responses to the financial crisis. Twenty-First Century Drama: What Happens Now. Palgrave Macmillan, pp. 129-148. ISBN 978-1137484024 (doi:https://doi.org/10.1057/978-1-137-48403-1_7)

Asia

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)

audience

Lilley, Heather (2012) 'Everyone in the room has a connection to the story': fairytale adaptation in devised theatre. Journal of Adaptation in Film & Performance, 5 (2). pp. 149-166. ISSN 1753-6421 (Print), 1753-643X (Online) (doi:https://doi.org/10.1386/jafp.5.2.149_1)

Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.

audiences

Lilley, Heather Louise (2010) Vital contact: creating interpretive communities in the moment of theatrical reception. About Performance (10).

audio experience

Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]

Augusto Boal

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

austerity impact

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Translating austerity: Theatrical responses to the financial crisis. Twenty-First Century Drama: What Happens Now. Palgrave Macmillan, pp. 129-148. ISBN 978-1137484024 (doi:https://doi.org/10.1057/978-1-137-48403-1_7)

authenticity

Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.

authorship

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2023) Collaboration, cooperation and authorship in screenwriting aka how many people does it take to create an author? In: Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . Palgrave, Cham, pp. 73-92. ISBN 978-3031207693; 978-3031207686; 978-3031207716 (doi:https://doi.org/10.1007/978-3-031-20769-3_4)

ballet

Sporton, Gregory (2009) Design as action: Jean Cocteau and the Ballets Russes. In: White, Christine A., (ed.) Directors and Designers. Intellect Books, Bristol, UK, pp. 231-240. ISBN 9781841502892

Sporton, Gregory (2007) Power as nostalgia: the Bolshoi Ballet in the new Russia. In: Barnett, Dennis and Skelton, Arthur, (eds.) Theatre and Performance in Eastern Europe: The Changing Scene. Scarecrow Press, Lanham, Maryland, USA, pp. 3-12. ISBN 9780810860230

Baruch Spinoza

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2022) An art like nature: theatre environment as territory in Tim Spooner performances. Journal of Contemporary Drama in English, 10 (1). pp. 1-15. ISSN 2195-0156 (Print), 2195-0164 (Online) (doi:https://doi.org/10.1515/jcde-2022-0005)

beats

Klikova, Deborah ORCID: 0000-0001-9883-2646 (2021) Defining the beats in the TV sitcom. In: Batty, Craig and Taylor, Stayci, (eds.) Script Development. Springer - Palgrave Macmillan, Cham, Switzerland, pp. 205-218. ISBN 978-3030487133; 978-3030487126 (doi:https://doi.org/10.1007/978-3-030-48713-3_13)

belonging

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

binaural audio

Guillery, Kesia, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade and Simon, Bart (2024) Liveness, audio mixing and participatory theatre: hacking the familiar in 'Binaural Dinner Date'. In: O’Dwyer, Néill, Scott, Joanne and Young, Gareth W., (eds.) XR Performance: Scenographic Explorations. Bloomsbury Methuen. (In Press)

Black British drama

Adeyemi, Sola (2013) Performing identities: re-creation and representation of African performance aesthetics. In: 50 Years of Theatre in the African Academy, 28-30 Aug 2013, University of Ibadan, Nigeria. (Unpublished)

Black British performance culture

Adeyemi, Sola (2013) Negotiating identities: Britishness and mapping of culture in Dipo Agboluaje’s The Christ of Coldharbour Lane. In: What is African Theatre and Performance? 2013 AfTA Annual International Conference, 11-14 July 2013, Goldsmiths, University of London & University of Derby, UK. (Unpublished)

Black British playwrights

Solanke, Ade (2013) Prin Osun Pandora's Box. In: Hodge-Dallaway, Simeilia, (ed.) The Oberon Book of Monologues for Black Actors: Classical and Contemporary Speeches from Black British Plays. Volume Two: Monologues for Men: 1 (Oberon Modern Plays). Oberon Books, London, UK. ISBN 9781783190577

Solanke, Adeola (2015) East End boys, West End girls. [Play, Short Story or Poetry]

black-on-black violence

Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2007) Roy Williams: representing multicultural Britain in Fallout. Modern Drama, 50 (3). pp. 414-434. ISSN 0026-7694 electronic 1712-5286

blogging

McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)

bodies

Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.

body

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

Bola Agbaje

Brown, Charmaine ORCID: 0000-0002-6471-9706 (2023) 'Gone too far': gentrification and the intersection of race and identity politics in Peckham. In: Talk to NYT cast of Bola Agbaje's play 'Gone Too Far', 6th March 2023, Peckham, London. (Unpublished)

bone-conducting headphones

Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]

Brazil

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2012) The Ritual/ O Ritual. Conexões. British Council, São Paulo.

Yazbek, Samir (2012) The Ritual. In: Bell, Hillary, (ed.) National Theatre Connections 2012. Methuen Drama, London, pp. 497-537. ISBN 978-1408157244

Brazilian playwriting

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2014) Stages of the Loss: translation as contamination. How The Ritual made it to the Royal National Theatre. Theatre Research International, 39 (2). pp. 120-132. ISSN 0307-8833 (Print), 1474-0672 (Online) (doi:https://doi.org/10.1017/S0307883314000042)

Brexit

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) My Country: a play about Brexit that tries to break the bubble but disappoints. The Conversation. ISSN 2201-5639

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2018) There’ll always be an England – Butlins, Brexit and the Heterotopic Body. Journal of European Popular Culture, 9 (1). pp. 33-41. ISSN 2040-6134 (doi:https://doi.org/10.1386/jepc.9.1.33_1)

British Council

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2012) The Ritual/ O Ritual. Conexões. British Council, São Paulo.

British Drama

Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

British working-class life

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2012) The only was is... Basildon. Times Higher Education. ISSN 0049-3929

Brixton

Brown, Charmaine ORCID: 0000-0002-6471-9706 (2019) The Build Up: Gentrification performance in two parts. [Creative Performance or Reading]

Calculus

Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.

Cameron

Signorelli, Valentina ORCID: 0000-0001-7411-7277 (2019) Famous Last Words - A comparative focus on resignation speeches to trace contemporary European instability: the cases of David Cameron and Matteo Renzi. In: Desecrating Celebrity. Proceedings of the IV International Celebrity Studies Journal Conference. Area 14 - Scienze Politiche e Sociali, Volumi di Area 14 - Scienze Politiche e Sociali, 14 . Nuova Cultura, Rome, pp. 109-130. ISBN 978-8833652719 (doi:https://doi.org/10.4458/2719)

Capitalism

Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

care

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

Caryl Churchill

Derbyshire, Henry ORCID: 0000-0002-1373-1166 (2016) Caryl Churchill’s 21st Century Poetics: Theatre form and feminism from far away to Ding Dong the Wicked. Journal of Contemporary Drama in English, 4 (2). pp. 367-384. ISSN 2195-0164 (Online) (doi:https://doi.org/10.1515/jcde-2016-0021)

catabolic crisis

Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)

censorship

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:https://doi.org/10.1080/2040610X.2022.2091733)

Chatroulette

Wallis, Jillian (2015) Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices. Body, Space and Technology, 14. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.37)

chicago improv festival

McLaughlin, James ORCID: 0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

children

Wallis, Jillian (2009) [Drama Workshop] Monsters, myths and mayhem: 'The Dragon of Krakow' comes to Blackheath. [Play, Short Story or Poetry] (Unpublished)

children's literature

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2018) On The Way Home (based on the book by Jill Murphy). Chiffchaff Children's Theatre for the Summer Reading Challenge. [Play, Short Story or Poetry]

children's theatre

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2017) A Double Bill stage adaption of Jill Murphy's Peace at Last! and Whatever Next!, by Chiffchaff Children's Theatre. [Creative Performance or Reading]

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2018) On The Way Home (based on the book by Jill Murphy). Chiffchaff Children's Theatre for the Summer Reading Challenge. [Play, Short Story or Poetry]

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) 'Peace at Last' and 'Whatever Next!'. [Creative Performance or Reading]

China

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)

choreography

Sporton, Gregory (2009) Design as action: Jean Cocteau and the Ballets Russes. In: White, Christine A., (ed.) Directors and Designers. Intellect Books, Bristol, UK, pp. 231-240. ISBN 9781841502892

civic centred

Ellis, Tatiana, Hockham, David ORCID: 0000-0001-9362-1137 , Rolle, Erica and Zigomo, Pamela (2020) Becoming civic centred: a case study of the University of Greenwich’s Bathway Theatre based in Woolwich. Studies in Theatre and Performance, 40 (3). pp. 316-327. ISSN 1468-2761 (Print), 2040-0616 (Online) (doi:https://doi.org/10.1080/14682761.2020.1807211)

class

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

co-creation

Hockham, David ORCID: 0000-0001-9362-1137 and Zaremba-Byrne, Kasia (2022) Tiger Lady (what about us: Empowering Community Voices). [Creative Performance or Reading]

co-production

Reynolds, Tracey ORCID: 0000-0002-9618-6318 and Kaptani, Eirini (2022) Migrants performing citizenship: participatory theatre and walking methods for research. In: Czajka, Agnes and O’Brien, Áine, (eds.) Art, Migration and the Production of Radical Democratic Citizenship. Rowman & Littlefield Publishers, London U.K. ISBN 978-1786612786 ; 978-1786612809; 1786612801

Cock

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Introduction to Cock by Mike Bartlett. Cock. Modern Classics . Methuen, London, pp. 5-18. ISBN 9781474229630

Cocteau

Sporton, Gregory (2009) Design as action: Jean Cocteau and the Ballets Russes. In: White, Christine A., (ed.) Directors and Designers. Intellect Books, Bristol, UK, pp. 231-240. ISBN 9781841502892

collaboration

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2023) Collaboration, cooperation and authorship in screenwriting aka how many people does it take to create an author? In: Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . Palgrave, Cham, pp. 73-92. ISBN 978-3031207693; 978-3031207686; 978-3031207716 (doi:https://doi.org/10.1007/978-3-031-20769-3_4)

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

Oxley, Natasha ORCID: 0000-0003-0011-7113 and Schweitzer, Pam (2023) Making intergenerational drama from older people's memories in a community dementia care group: practices, processes, and impact. Journal of Dementia Care. ISSN 1351-8372 (In Press)

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

comedy

McLaughlin, James ORCID: 0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

Wallis, Jillian (2008) [Director] Money From America. [Play, Short Story or Poetry] (Unpublished)

Wallis, Jillian (2015) Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices. Body, Space and Technology, 14. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.37)

comic

Wallis, Jillian (2014) So Pleased To Meet You. [Creative Performance or Reading]

commemoration

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) Commemoration in contemporary Polish plays. In: Memory Studies Association Conference 2021, 5-9 July 2021, Online / University of Warsaw. (Unpublished)

communities

Hockham, D. ORCID: 0000-0001-9362-1137 , Campbell, J., Chambers, A., Franklin, P., Pollard, I., Reynolds, T. ORCID: 0000-0002-9618-6318 and Ruddock, R. (2022) Let our legacy continue: beginning an archival journey a creative essay of the digital co-creation and hybrid dissemination of windrush oral histories at the University of Greenwich’s Stephen Lawrence Gallery. Research in Drama Education: The Journal of Applied Theatre and Performance, 27 (2). pp. 199-215. ISSN 1356-9783 (Print), 1470-112X (Online) (doi:https://doi.org/10.1080/13569783.2022.2060733)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2020) Uncovering New Voices at the Royal Court Theatre- Interview with Vicky Featherstone. In: Galea, Marco and Musca, Szabolcs, (eds.) Redefining Theatre Communities – International Perspectives on Community-Conscious Theatre-Making. Intellect, Bristol. ISBN 9781789380767

community

Lilley, Heather Louise (2010) Vital contact: creating interpretive communities in the moment of theatrical reception. About Performance (10).

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

community engagement

Oxley, Natasha ORCID: 0000-0003-0011-7113 and Schweitzer, Pam (2023) Making intergenerational drama from older people's memories in a community dementia care group: practices, processes, and impact. Journal of Dementia Care. ISSN 1351-8372 (In Press)

community practice

Ellis, Tatiana, Hockham, David ORCID: 0000-0001-9362-1137 , Rolle, Erica and Zigomo, Pamela (2020) Becoming civic centred: a case study of the University of Greenwich’s Bathway Theatre based in Woolwich. Studies in Theatre and Performance, 40 (3). pp. 316-327. ISSN 1468-2761 (Print), 2040-0616 (Online) (doi:https://doi.org/10.1080/14682761.2020.1807211)

comparative drama

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2022) Afterword. Comparative Drama, 56 (1-2):10. p. 227. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0009)

connections

Yazbek, Samir (2012) The Ritual. In: Bell, Hillary, (ed.) National Theatre Connections 2012. Methuen Drama, London, pp. 497-537. ISBN 978-1408157244

connectivity

Wallis, Jillian (2015) Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices. Body, Space and Technology, 14. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.37)

Wallis, Jillian (2014) So Pleased To Meet You. [Creative Performance or Reading]

contemporary

Maravala, Persis Jadé and Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Post-immersive interventions with ZU-UK. In: Bucknall, Joanna Jayne, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury - Methuen Drama, London, pp. 151-176. ISBN 978-1350269330

contemporary British drams

Solanke, Adeola (2015) East End boys, West End girls. [Play, Short Story or Poetry]

contemporary British playwriting

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Introduction. In: O'Thomas, Mark ORCID: 0000-0001-9264-8813 , (ed.) Mike Barlett's Cock. Bloomsbury Academic, London, pp. 5-18. ISBN 978-1474229630

Contemporary British Theatre

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2017) 'Making New Theatre Together': Developing writers' and creating community in the first writers' group at the Royal Court and its legacy within the Young Writers' Programme. Theatre History Studies, 36. pp. 248-265. ISSN 0733-2033 (Print), 2166-9953 (Online) (doi:https://doi.org/10.1353/ths.2017.0011)

contemporary drama

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2019) Polish plays on the British stage? In: Brexit Stage Left. Contemporary European Drama in translation on the British stage . Royal Central School of Speech and Drama - The British Academy, London - Online.

Contemporary playwriting

Derbyshire, Henry ORCID: 0000-0002-1373-1166 (2016) Caryl Churchill’s 21st Century Poetics: Theatre form and feminism from far away to Ding Dong the Wicked. Journal of Contemporary Drama in English, 4 (2). pp. 367-384. ISSN 2195-0164 (Online) (doi:https://doi.org/10.1515/jcde-2016-0021)

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) Commemoration in contemporary Polish plays. In: Memory Studies Association Conference 2021, 5-9 July 2021, Online / University of Warsaw. (Unpublished)

Coriolanus

Lee, Adele (2013) Coriolanus. Directed by Motoi Miura for the Chiten Theatre Company (Kyoto, Japan) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 47-50. ISBN 9781408188132

corporeal

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

covid

Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2022) Introduction - There's no place like London: theatrical landscapes of a city in recovery. Comparative Drama, 56 (1&2):1. pp. 1-11. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0000)

Covid-19

Heinrichs, Liza, Kuenzel, Sven and Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110 (2021) Keeping in touch with your audience during a global pandemic. Sardines - Magazine for Amateur Theatre, 50. pp. 26-27. ISSN 2515-6756

Heinrichs, Liza, Kuenzel, Sven and Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110 (2021) The ‘new normal’ for UK theatre? Sardines - Magazine for Amateur Theatre, 50. pp. 16-17. ISSN 2515-6756

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

Creative Industries

McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

creative maps

Finlay, Alec, Heddon, Deirdre and Myers, Misha ORCID: 0000-0002-4355-6602 (2021) WILD CITY | FIADH-BHAILE | ORASUL SALBATIC: Mapping the Wild in the Greeny Howe of Glasgow. In: Cohen, Phil and Duggan, Mike, (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 201-206. ISBN 978-1538147191; 978-1538147214

creative writing

Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2008) [In Backpages 18.1] The culture of new writing. Contemporary Theatre Review, 18 (1). pp. 131-134. ISSN 1048-6801 (Print), 1477-2264 (Online) (doi:https://doi.org/10.1080/10486800701868254)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Analysing the screenplay: A comparative approach. In: Nelmes, Jill, (ed.) Analysing The Screenplay. Routledge, London, pp. 237-251. ISBN 978-0415556347

creativity

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)

cultural diplomacy

Aston, Elaine and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2015) Royal Court: International. Studies in International Performance book series (STUDINPERF) . Palgrave Macmillan, London. ISBN 978-1137461827

cultural dissonance

Myers, Misha ORCID: 0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214

cultural exchange

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624

cultural identity

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2015) Conference presentation at POMP conference on contemporary Polish drama. In: Post-1945 Poland: Modernities, Transformations and Evolving Identities, 11-12 June 2015, St Antony's College, University of Oxford. (Unpublished)

cultural licensee

Wallis, Jillian (2015) Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices. Body, Space and Technology, 14. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.37)

cultural memory

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) Commemoration in contemporary Polish plays. In: Memory Studies Association Conference 2021, 5-9 July 2021, Online / University of Warsaw. (Unpublished)

cultural politics

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Translating austerity: Theatrical responses to the financial crisis. Twenty-First Century Drama: What Happens Now. Palgrave Macmillan, pp. 129-148. ISBN 978-1137484024 (doi:https://doi.org/10.1057/978-1-137-48403-1_7)

Damilola Taylor

Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2007) Roy Williams: representing multicultural Britain in Fallout. Modern Drama, 50 (3). pp. 414-434. ISSN 0026-7694 electronic 1712-5286

data

Costantino, Anna (2021) Performative education inside and outside the ethics of care: three provocations. Scenario, 15 (2):2. pp. 27-46. ISSN 1649 - 8526 (Online) (doi:https://doi.org/10.33178/scenario)

David Tennant

Hutchins, Emma (2008) NOT stalking David Tennant (aka "having it all"). [Creative Performance or Reading] (Unpublished)

decolonising

Ellis, Tatiana, Hockham, David ORCID: 0000-0001-9362-1137 , Rolle, Erica and Zigomo, Pamela (2020) Becoming civic centred: a case study of the University of Greenwich’s Bathway Theatre based in Woolwich. Studies in Theatre and Performance, 40 (3). pp. 316-327. ISSN 1468-2761 (Print), 2040-0616 (Online) (doi:https://doi.org/10.1080/14682761.2020.1807211)

decolonising methodologies

Hockham, D. ORCID: 0000-0001-9362-1137 , Campbell, J., Chambers, A., Franklin, P., Pollard, I., Reynolds, T. ORCID: 0000-0002-9618-6318 and Ruddock, R. (2022) Let our legacy continue: beginning an archival journey a creative essay of the digital co-creation and hybrid dissemination of windrush oral histories at the University of Greenwich’s Stephen Lawrence Gallery. Research in Drama Education: The Journal of Applied Theatre and Performance, 27 (2). pp. 199-215. ISSN 1356-9783 (Print), 1470-112X (Online) (doi:https://doi.org/10.1080/13569783.2022.2060733)

decolonising practices

Hockham, D. ORCID: 0000-0001-9362-1137 , Campbell, J., Chambers, A., Franklin, P., Pollard, I., Reynolds, T. ORCID: 0000-0002-9618-6318 and Ruddock, R. (2022) Let our legacy continue: beginning an archival journey a creative essay of the digital co-creation and hybrid dissemination of windrush oral histories at the University of Greenwich’s Stephen Lawrence Gallery. Research in Drama Education: The Journal of Applied Theatre and Performance, 27 (2). pp. 199-215. ISSN 1356-9783 (Print), 1470-112X (Online) (doi:https://doi.org/10.1080/13569783.2022.2060733)

decolonising the academy

Ellis, Tatiana, Hockham, David ORCID: 0000-0001-9362-1137 , Rolle, Erica and Zigomo, Pamela (2020) Becoming civic centred: a case study of the University of Greenwich’s Bathway Theatre based in Woolwich. Studies in Theatre and Performance, 40 (3). pp. 316-327. ISSN 1468-2761 (Print), 2040-0616 (Online) (doi:https://doi.org/10.1080/14682761.2020.1807211)

deep map

Myers, Misha ORCID: 0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214

Deleuze

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2024) The Possibility of fact: sketching an origin for the performative. In: Twitchin, Mischa, (ed.) Wittgenstein and Performance: You'd be Surprised, Ed. Misc ha Twitchin, Rowman and Littlefield, 2024. Rowman & Littlefield, Lanham; Boulder; New York; London, pp. 27-44. ISBN 978-1538175095; 978-1538175101; 1538175096

dementia arts

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2019) Making performances from memory boxes: reminiscence theatre and its positive impact on student mental health. In: Theatre of Memory, 1 May 2019 - 4 May 2019, Marine Hotel, Dublin, Ireland. (Unpublished)

dementia care

Oxley, Natasha ORCID: 0000-0003-0011-7113 and Schweitzer, Pam (2023) Making intergenerational drama from older people's memories in a community dementia care group: practices, processes, and impact. Journal of Dementia Care. ISSN 1351-8372 (In Press)

democratic citizenship

Reynolds, Tracey ORCID: 0000-0002-9618-6318 and Kaptani, Eirini (2022) Migrants performing citizenship: participatory theatre and walking methods for research. In: Czajka, Agnes and O’Brien, Áine, (eds.) Art, Migration and the Production of Radical Democratic Citizenship. Rowman & Littlefield Publishers, London U.K. ISBN 978-1786612786 ; 978-1786612809; 1786612801

Dennis Kelly

Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (eds.) (2019) Beautiful Doom: Dennis Kelly's Work on Stage and Television. Manchester University Press. (Submitted)

Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (2017) International Playwrights' Symposium: Dennis Kelly (Co-Organiser). In: International Playwrights' Symposium: Dennis Kelly (Co-Organiser), 18-20 November 2017, Lincoln School of Fine & Performing Arts. (Unpublished)

developing material

McCaw, Dick, Etchells, Tim, Anderson, Mary Elizabeth and Wallis, Jillian (2013) Essai – (French: ‘test’, ‘attempt’, ‘trial’, ‘try-out’) [Essai]. Theatre, Dance and Performance Training, 4 (1). pp. 126-132. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2013.774821)

devising

Lilley, Heather (2012) 'Everyone in the room has a connection to the story': fairytale adaptation in devised theatre. Journal of Adaptation in Film & Performance, 5 (2). pp. 149-166. ISSN 1753-6421 (Print), 1753-643X (Online) (doi:https://doi.org/10.1386/jafp.5.2.149_1)

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2019) Making performances from memory boxes: reminiscence theatre and its positive impact on student mental health. In: Theatre of Memory, 1 May 2019 - 4 May 2019, Marine Hotel, Dublin, Ireland. (Unpublished)

Wallis, Jillian (2008) [Drama Workshop with Emergency Exit Arts] Earth carnival. [Play, Short Story or Poetry] (Unpublished)

diaspora

Adeyemi, Sola (2013) Negotiating identities: Britishness and mapping of culture in Dipo Agboluaje’s The Christ of Coldharbour Lane. In: What is African Theatre and Performance? 2013 AfTA Annual International Conference, 11-14 July 2013, Goldsmiths, University of London & University of Derby, UK. (Unpublished)

digital

Hockham, David ORCID: 0000-0001-9362-1137 (2021) Responding to Creation Theatre’s Time Machine: a production moved to Zoom in light of COVID-19. PARtake: The Journal of Performance as Research, 3 (2). pp. 1-6. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v3i2.541)

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

Salihbegović, Fahrudin Nuno (2011) There are no books on Tralfamadore: making theatre on the digital planet. In: Dragićević Šešić, Milena, (ed.) Dositheus - razvoj ljudskih resursa u kulturi: zbornik radova. Academica - Akademska grupa, Belgrade, Serbia, pp. 129-135. ISBN 978-8688835008

digital mental health therapy

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]

digital performance

Hockham, David ORCID: 0000-0001-9362-1137 (2021) Responding to Creation Theatre’s Time Machine: a production moved to Zoom in light of COVID-19. PARtake: The Journal of Performance as Research, 3 (2). pp. 1-6. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v3i2.541)

digital stage design

Salihbegović, Fahrudin Nuno (2011) There are no books on Tralfamadore: making theatre on the digital planet. In: Dragićević Šešić, Milena, (ed.) Dositheus - razvoj ljudskih resursa u kulturi: zbornik radova. Academica - Akademska grupa, Belgrade, Serbia, pp. 129-135. ISBN 978-8688835008

digital technology

Maravala, Persis Jade, McLaughlin, James ORCID: 0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625626)

Digital Theatre

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'Don't You Think That's Interesting, About Time?': Playing with Time in Abi Morgan's Lovesong. Digital Theatre [Invited Blog Post].

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) 'Peace at Last' and 'Whatever Next!'. [Creative Performance or Reading]

digital training

Allain, Paul, Bennett-Worth, Stacie Lee, Camilleri, Frank, McLaughlin, James ORCID: 0000-0002-2146-6884 and Wilson, Thomas (2019) Editorial. Theatre, Dance and Performance Training, 10 (2). pp. 165-168. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625628)

directing

Hutchins, Emma (2008) NOT stalking David Tennant (aka "having it all"). [Creative Performance or Reading] (Unpublished)

McCaw, Dick, Etchells, Tim, Anderson, Mary Elizabeth and Wallis, Jillian (2013) Essai – (French: ‘test’, ‘attempt’, ‘trial’, ‘try-out’) [Essai]. Theatre, Dance and Performance Training, 4 (1). pp. 126-132. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2013.774821)

director in digital theatre

Salihbegović, Fahrudin Nuno (2011) There are no books on Tralfamadore: making theatre on the digital planet. In: Dragićević Šešić, Milena, (ed.) Dositheus - razvoj ljudskih resursa u kulturi: zbornik radova. Academica - Akademska grupa, Belgrade, Serbia, pp. 129-135. ISBN 978-8688835008

disabled-led

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

diversity

Bondar, Melissa and Andrade Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 (2024) A phenomenology of misfits: a case study of Practice-as-Research in Higher Education symposia. PARtake: The Journal of Performance as Research, 6 (1). pp. 1-19. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v6i1.2217)

DJ Dolores

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

Donald Trump

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) My Country: a play about Brexit that tries to break the bubble but disappoints. The Conversation. ISSN 2201-5639

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Why Hamilton's arrival In London should not be written off as just another mega-musical. The Huffington Post.

drama

Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951

Bowes, Simon, Hockham, Dave, Oxley, Natasha ORCID: 0000-0003-0011-7113 and Wallis, Jillian (2018) Embedding a professional feedback model in the teaching of drama. In: SHIFT 2019 - Annual Learning and Teaching Conference, 4 January 2019, University of Greenwich, London, UK. (Unpublished)

Hutchins, Emma (2008) NOT stalking David Tennant (aka "having it all"). [Creative Performance or Reading] (Unpublished)

Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.

McKean, Kathy (2011) “Listen I will tell the story to you / As I have been told it”: Memory and identity in the plays of Nicola McCartney. International Journal of Scottish Theatre and Screen, 4 (1). ISSN 2046-5602 (Print), 2046-5602 (Online)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2022) Rita, Sue and #Metoo: the Royal Court Theatre, London, and liberalism. Comparative Drama, 56 (1&2). pp. 157-178. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0006)

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2019) Making performances from memory boxes: reminiscence theatre and its positive impact on student mental health. In: Theatre of Memory, 1 May 2019 - 4 May 2019, Marine Hotel, Dublin, Ireland. (Unpublished)

Oxley, Natasha ORCID: 0000-0003-0011-7113 and Schweitzer, Pam (2023) Making intergenerational drama from older people's memories in a community dementia care group: practices, processes, and impact. Journal of Dementia Care. ISSN 1351-8372 (In Press)

Smith, Caroline (2011) Last of the red wine (Performance). [Show/Exhibition]

Smith, Caroline (2009) Once more with feeling: Feminism and the archive. [Show/Exhibition]

Young, Jennifer (2015) Shakespeare in London. The Arden Shakespeare . Bloomsbury Arden Shakespeare, London. ISBN 978-1408145968

drama in libraries

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2018) On The Way Home (based on the book by Jill Murphy). Chiffchaff Children's Theatre for the Summer Reading Challenge. [Play, Short Story or Poetry]

drama pedagogy

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2022) The reminiscence theatre archive as a resource for drama students. In: Performing Oral Histories, 11th April 2022, University of Greenwich Research Space.

drawing

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Early modern drama

Young, Jennifer (2015) Shakespeare in London. The Arden Shakespeare . Bloomsbury Arden Shakespeare, London. ISBN 978-1408145968

early modern inns of court

Young, Jennifer (2021) Shakespeare for the "Triers": Richard Hawkins and Q2 Othello at the Serjeants' Inn. Journal for Early Modern Cultural Studies, 21 (1). pp. 94-119. ISSN 1531-0485 (Print), 1553-3786 (Online) (doi:https://doi.org/10.1353/jem.2021.0003)

early modern print publication

Young, Jennifer (2022) Chapter 1. Women "think round it"! Writing and Publication in Emilia. In: Kressly, Laura, Patient, Aida and Williams, Kimberly A., (eds.) Notelets of Filth: A Companion Reader to Morgan Lloyd Malcolm's Emilia. Routledge Advances in Theatre & Performance Studies . Routledge, London; Abingdon and New York, pp. 1-12. ISBN 978-1003033387; 978-0367498290; 978-0367470982 (doi:https://doi.org/10.4324/9781003033387)

ecocide

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

ecology

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

editing

Young, Jennifer (2021) ‘While memory holds a seat in this distracted globe’: a look back at the Arden Shakespeare Third Series (1995–2020). In: Smith, Emma, (ed.) Shakespeare Survey 74: Shakespeare and Education. Shakespeare Survey, 74 (74). Cambridge University Press, Cambridge, pp. 355-371. ISBN 978-1009036795 (doi:https://doi.org/10.1017/9781009036795.024)

editorial theory and practice

Young, Jennifer (2021) ‘While memory holds a seat in this distracted globe’: a look back at the Arden Shakespeare Third Series (1995–2020). In: Smith, Emma, (ed.) Shakespeare Survey 74: Shakespeare and Education. Shakespeare Survey, 74 (74). Cambridge University Press, Cambridge, pp. 355-371. ISBN 978-1009036795 (doi:https://doi.org/10.1017/9781009036795.024)

electroacoustic

Margetson, Emma ORCID: 0000-0002-1054-1973 (2024) Contemplations. [Artefact]

Elizabeth Grosz

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2019) Notes towards a theatre of assemblages. Performance Research, 24 (4). pp. 28-34. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2019.1641320)

elves

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Elf: Christmas cheer amid the darkness. Times Higher Education. ISSN 0049-3929

embodied geography

Myers, Misha ORCID: 0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214

embodiment

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

Emilia

Young, Jennifer (2022) Chapter 1. Women "think round it"! Writing and Publication in Emilia. In: Kressly, Laura, Patient, Aida and Williams, Kimberly A., (eds.) Notelets of Filth: A Companion Reader to Morgan Lloyd Malcolm's Emilia. Routledge Advances in Theatre & Performance Studies . Routledge, London; Abingdon and New York, pp. 1-12. ISBN 978-1003033387; 978-0367498290; 978-0367470982 (doi:https://doi.org/10.4324/9781003033387)

empathy

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]

employability

Hockham, David ORCID: 0000-0001-9362-1137 and Wallis, Jillian (2023) Operationalising the concept of recontextualisation: leveraging pedagogy and learning strategies in higher education practical courses. Higher Education. ISSN 0018-1560 (Print), 1573-174X (Online) (doi:https://doi.org/10.1007/s10734-023-01136-3)

entanglement

Costantino, Anna (2021) Performative education inside and outside the ethics of care: three provocations. Scenario, 15 (2):2. pp. 27-46. ISSN 1649 - 8526 (Online) (doi:https://doi.org/10.33178/scenario)

entertainment

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Elf: Christmas cheer amid the darkness. Times Higher Education. ISSN 0049-3929

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2018) There’ll always be an England – Butlins, Brexit and the Heterotopic Body. Journal of European Popular Culture, 9 (1). pp. 33-41. ISSN 2040-6134 (doi:https://doi.org/10.1386/jepc.9.1.33_1)

entrainment

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

Essex's rightwing materialism

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2012) The only was is... Basildon. Times Higher Education. ISSN 0049-3929

ethic of care

Costantino, Anna (2021) Performative education inside and outside the ethics of care: three provocations. Scenario, 15 (2):2. pp. 27-46. ISSN 1649 - 8526 (Online) (doi:https://doi.org/10.33178/scenario)

ethnicity

Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2007) Roy Williams: representing multicultural Britain in Fallout. Modern Drama, 50 (3). pp. 414-434. ISSN 0026-7694 electronic 1712-5286

Euripides

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

europe

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Translating austerity: Theatrical responses to the financial crisis. Twenty-First Century Drama: What Happens Now. Palgrave Macmillan, pp. 129-148. ISBN 978-1137484024 (doi:https://doi.org/10.1057/978-1-137-48403-1_7)

exhibition

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

experiential theatres

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis Jadé and Guillery, Kesia (2022) The significance of ‘role-play’ and ‘instruction-based performance’ as modes of teaching, collaborating, and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge- Taylor & Francis Group, London. ISBN 978-1032036038 (doi:https://doi.org/10.4324/9781003188179)

fairytales

Lilley, Heather (2012) 'Everyone in the room has a connection to the story': fairytale adaptation in devised theatre. Journal of Adaptation in Film & Performance, 5 (2). pp. 149-166. ISSN 1753-6421 (Print), 1753-643X (Online) (doi:https://doi.org/10.1386/jafp.5.2.149_1)

family theatre

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) 'Peace at Last' and 'Whatever Next!'. [Creative Performance or Reading]

feedback

Bowes, Simon, Hockham, Dave, Oxley, Natasha ORCID: 0000-0003-0011-7113 and Wallis, Jillian (2018) Embedding a professional feedback model in the teaching of drama. In: SHIFT 2019 - Annual Learning and Teaching Conference, 4 January 2019, University of Greenwich, London, UK. (Unpublished)

Femi Osofisan

Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955

Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951

Feminism

Derbyshire, Henry ORCID: 0000-0002-1373-1166 (2016) Caryl Churchill’s 21st Century Poetics: Theatre form and feminism from far away to Ding Dong the Wicked. Journal of Contemporary Drama in English, 4 (2). pp. 367-384. ISSN 2195-0164 (Online) (doi:https://doi.org/10.1515/jcde-2016-0021)

Smith, Caroline (2009) Once more with feeling: Feminism and the archive. [Show/Exhibition]

filial

Jones, Emrys (2012) Maternal duties and Filial Malapropisms: Frances Sheridan and the Problems of Theatrical Inheritance. In: British Society For Eighteenth-Century Studies 41st Annual Conference, 04-06 January, 2012, Oxford, UK. (Unpublished)

film

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)

Lee, Adele (2013) New directions: 'put[ing] on some other shape': Richard III as an Arab V.I.P. In: Connolly, Annaliese, (ed.) Richard III : A Critical Reader. Arden Early Modern Drama Guides . Bloomsbury Arden Shakespeare, London, UK, pp. 155-178. ISBN 9781441168252

film adaptations

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)

film images

Wallis, Jillian (2014) Emma Hamilton's Attitudes Renewed. [Creative Performance or Reading]

film studies

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624

Filter bubble

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) My Country: a play about Brexit that tries to break the bubble but disappoints. The Conversation. ISSN 2201-5639

fine art

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

first nations

Cheetham, Deborah and Browning, Daniel (2011) Pecan Summer: The Process of Making New Indigenous Opera in Australia. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farham, UK & Burlington, USA, pp. 325-336. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

Karantonis, Pamela (2011) Performativity, mimesis, and indigenous opera. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA, pp. 73-90. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

Karantonis, Pamela and Robinson, Dylan (2011) Introduction. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA, pp. 1-12. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

Karantonis, Pamela and Robinson, Dylan (eds.) (2011) Opera Indigene: Re/presenting first nations and indigenous cultures. In: Karantonis, Pamela, (ed.) Opera Indigene: Re/Presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

foreign language

Lee, Adele (2013) Antony and Cleopatra. Directed by Kemal Aydoğan for the Oyun Atölyesi Theatre Company (Istanbul, Turkey) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 36-38. ISBN 9781408188132

Lee, Adele (2013) Coriolanus. Directed by Motoi Miura for the Chiten Theatre Company (Kyoto, Japan) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 47-50. ISBN 9781408188132

Lee, Adele (2013) A Midsummer Night's Dream. Directed by Jung Yang-ung for the Yohangza Theatre Company (Seoul, South Korea) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 138-141. ISBN 9781408188132

Lee, Adele (2013) Titus Adronicus. Directed by Tang Shu-wing Theatre Studio (Hong Kong) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 207-209. ISBN 9781408188132

Foucault

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2018) There’ll always be an England – Butlins, Brexit and the Heterotopic Body. Journal of European Popular Culture, 9 (1). pp. 33-41. ISSN 2040-6134 (doi:https://doi.org/10.1386/jepc.9.1.33_1)

fresh water

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

funding

Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

games

Guillery, Harriet, Maravala, Persis Jadé and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2022) The significance of 'role-play' and 'instruction-based performance' as modes of teaching, collaborating and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge, New York and Oxon, pp. 1-7. ISBN 978-1032036038; 978-1032036045; 1003188176; 978-1003188179 (doi:https://doi.org/10.4324/9781003188179-11)

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:https://doi.org/10.1080/2040610X.2022.2091733)

Stenros, Jaakko, Simon, Bart, Hughes, Lynn, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2021) Understanding Liveness in immersive theatre, LARP and Games. In: DIGRA 2022, 7th - 11th July 2022, Krakow, Poland. (Unpublished)

gender

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Introduction. In: O'Thomas, Mark ORCID: 0000-0001-9264-8813 , (ed.) Mike Barlett's Cock. Bloomsbury Academic, London, pp. 5-18. ISBN 978-1474229630

Young, Jennifer (2022) Chapter 1. Women "think round it"! Writing and Publication in Emilia. In: Kressly, Laura, Patient, Aida and Williams, Kimberly A., (eds.) Notelets of Filth: A Companion Reader to Morgan Lloyd Malcolm's Emilia. Routledge Advances in Theatre & Performance Studies . Routledge, London; Abingdon and New York, pp. 1-12. ISBN 978-1003033387; 978-0367498290; 978-0367470982 (doi:https://doi.org/10.4324/9781003033387)

gentrification

Brown, Charmaine ORCID: 0000-0002-6471-9706 (2019) The Build Up: Gentrification performance in two parts. [Creative Performance or Reading]

Brown, Charmaine ORCID: 0000-0002-6471-9706 (2023) 'Gone too far': gentrification and the intersection of race and identity politics in Peckham. In: Talk to NYT cast of Bola Agbaje's play 'Gone Too Far', 6th March 2023, Peckham, London. (Unpublished)

Gilles Deleuze

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2022) An art like nature: theatre environment as territory in Tim Spooner performances. Journal of Contemporary Drama in English, 10 (1). pp. 1-15. ISSN 2195-0156 (Print), 2195-0164 (Online) (doi:https://doi.org/10.1515/jcde-2022-0005)

global

Lee, Adele (2013) Antony and Cleopatra. Directed by Kemal Aydoğan for the Oyun Atölyesi Theatre Company (Istanbul, Turkey) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 36-38. ISBN 9781408188132

Lee, Adele (2013) Coriolanus. Directed by Motoi Miura for the Chiten Theatre Company (Kyoto, Japan) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 47-50. ISBN 9781408188132

Lee, Adele (2013) A Midsummer Night's Dream. Directed by Jung Yang-ung for the Yohangza Theatre Company (Seoul, South Korea) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 138-141. ISBN 9781408188132

Lee, Adele (2013) Titus Adronicus. Directed by Tang Shu-wing Theatre Studio (Hong Kong) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 207-209. ISBN 9781408188132

Gone Too Far

Brown, Charmaine ORCID: 0000-0002-6471-9706 (2023) 'Gone too far': gentrification and the intersection of race and identity politics in Peckham. In: Talk to NYT cast of Bola Agbaje's play 'Gone Too Far', 6th March 2023, Peckham, London. (Unpublished)

graduate

Hockham, David ORCID: 0000-0001-9362-1137 and Wallis, Jillian (2023) Operationalising the concept of recontextualisation: leveraging pedagogy and learning strategies in higher education practical courses. Higher Education. ISSN 0018-1560 (Print), 1573-174X (Online) (doi:https://doi.org/10.1007/s10734-023-01136-3)

grotowski

Maravala, Persis Jade, McLaughlin, James ORCID: 0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625626)

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

hand drawn maps

Finlay, Alec, Heddon, Deirdre and Myers, Misha ORCID: 0000-0002-4355-6602 (2021) WILD CITY | FIADH-BHAILE | ORASUL SALBATIC: Mapping the Wild in the Greeny Howe of Glasgow. In: Cohen, Phil and Duggan, Mike, (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 201-206. ISBN 978-1538147191; 978-1538147214

Hannah Arendt

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2019) Notes towards a theatre of assemblages. Performance Research, 24 (4). pp. 28-34. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2019.1641320)

haptic technology

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]

Harold Pinter

Derbyshire, Henry ORCID: 0000-0002-1373-1166 (2021) The Theatre of the Absurd as professional network in Pinter’s early career. Harold Pinter: Stages, Networks, Collaborations. Methuen Drama Engage . Bloomsbury. ISBN 9781350133624

headphone theatre

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

health care

Oxley, Natasha ORCID: 0000-0003-0011-7113 and Schweitzer, Pam (2023) Making intergenerational drama from older people's memories in a community dementia care group: practices, processes, and impact. Journal of Dementia Care. ISSN 1351-8372 (In Press)

health simulation

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]

heightened realism

Wallis, Jillian (2008) [Director] Money From America. [Play, Short Story or Poetry] (Unpublished)

Henri Bergson

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)

heterotopia

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2018) There’ll always be an England – Butlins, Brexit and the Heterotopic Body. Journal of European Popular Culture, 9 (1). pp. 33-41. ISSN 2040-6134 (doi:https://doi.org/10.1386/jepc.9.1.33_1)

Higher Education

Hockham, David ORCID: 0000-0001-9362-1137 (2022) Wild frontiers: learning in Higher Education institutions. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex. (Unpublished)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)

hip hop theatre

Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

history

Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.

homophily

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2023) Collaboration, cooperation and authorship in screenwriting aka how many people does it take to create an author? In: Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . Palgrave, Cham, pp. 73-92. ISBN 978-3031207693; 978-3031207686; 978-3031207716 (doi:https://doi.org/10.1007/978-3-031-20769-3_4)

Hong Kong

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)

Lee, Adele (2013) Titus in No Man's Land: The Tang Shu-wing Theatre Studio's production. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 110-114. ISBN 9781107040557

Lee, Adele (2013) ‘A girdle round about the earth’: Yohangza’s A Midsummer Night’s Dream. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 83-86. ISBN 9781107040557

housing

Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

Howard Barker

Rapi, Konstantina (2011) An education in living poetry, vivid and violent. In: Brown, Mark, (ed.) Howard Barker Interviews 1980–2010: conversations in catastrophe. Intellect, Bristol, UK / Chicago, USA, pp. 175-180. ISBN 9781841503981 (pbk) 9781841505237 (ebk)

Human Ecology Economics

McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

human rights

Derbyshire, Harry ORCID: 0000-0002-1373-1166 and Hodson, Loveday (2008) Performing injustice: human rights and verbatim theatre. Law and Humanities, 2 (2). pp. 191-211. ISSN 1752-1483

hung parliament

Graham, James and Holden, Nicholas ORCID: 0000-0002-3437-1702 (2021) This House by James Graham. Methuen Student Drama Editions, 1 (1). Bloomsbury Methuen, London. ISBN 9781350155534

hybrid

Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)

hybrid exhibition

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Almena, Maria and Shemza, Aphra (2022) Transformations - Hybrid exhibition and event - curated by Dr. Oliver Gingrich, Maria Almena and Aphra Shemza featuring Analema Group's KIMA Colour, KIMA Voice and KIMA Noise and Oliver Gingrich & Shama Rahman's Zeitgeist. [Show/Exhibition]

Hybrid Exhibition - Media Art - Participatory Art

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Almena, Maria and Shemza, Aphra (2022) Access all areas: hybrid exhibition at British Computer Society. [Show/Exhibition]

hybrid theatre online

Hockham, David ORCID: 0000-0001-9362-1137 (2021) Responding to Creation Theatre’s Time Machine: a production moved to Zoom in light of COVID-19. PARtake: The Journal of Performance as Research, 3 (2). pp. 1-6. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v3i2.541)

hybrid writing

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

idea development

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2023) Collaboration, cooperation and authorship in screenwriting aka how many people does it take to create an author? In: Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . Palgrave, Cham, pp. 73-92. ISBN 978-3031207693; 978-3031207686; 978-3031207716 (doi:https://doi.org/10.1007/978-3-031-20769-3_4)

Identity

Adeyemi, Sola (2013) Negotiating identities: Britishness and mapping of culture in Dipo Agboluaje’s The Christ of Coldharbour Lane. In: What is African Theatre and Performance? 2013 AfTA Annual International Conference, 11-14 July 2013, Goldsmiths, University of London & University of Derby, UK. (Unpublished)

identity politics

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Introduction. In: O'Thomas, Mark ORCID: 0000-0001-9264-8813 , (ed.) Mike Barlett's Cock. Bloomsbury Academic, London, pp. 5-18. ISBN 978-1474229630

ideology

Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955

immersive

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Bucknall, Joanna (2017) TAIT Episode 20 with Jorge Lopes Ramos: TAIT (Talking About Immersive Theatre) podcast. [Audio]

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

Maravala, Persis Jadé and Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Post-immersive interventions with ZU-UK. In: Bucknall, Joanna Jayne, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury - Methuen Drama, London, pp. 151-176. ISBN 978-1350269330

Maravala, Persis-Jadé and Bucknall, Joanna (2020) TAIT Scholar Episode 1 with Persis-Jadé Maravala: TAIT (Talking About Immersive Theatre) podcast. [Audio]

Maravala, Persis-Jadé and Guillery, Kesia (2022) The Thing Itself. Revolution will be digitized:966.

immersive experience

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]

immersive science theatre

Griffiths, Wyn and Keith, Lindsay ORCID: 0000-0002-5324-1719 (2022) Actors with agency: immersive science theatre and science identity. In: Weitkamp, Emma and Almeida, Carla, (eds.) Science and Theatre: Communicating Science and Technology with Performing Arts. Emerald Publishing Ltd., Bingley, UK, pp. 103-112. ISBN 978-1800436411; 978-1800436404; 978-1800436428 (doi:https://doi.org/10.1108/9781800436404)

immersive theatre

Bucknall, Joanna, Lansley, Oliver, Maravala, Jade, Maravala, Persis Jadé, Thorpe, Joseph, Cross, Ruth, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Watkins, Bertie, Kingston, Owen and Seager, James (2023) Possible futures round-table discussion with Joanna Bucknall, Oliver Lansley, Persis Jadé Maravala, Jorge Lopes Ramos, Joseph Thorpe, Ruth Cross, Bertie Watkins, Owen Kingston and James Seager. In: Bucknall, Joanna, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury Publishing - Methuen Drama, London, pp. 177-204. ISBN 978-1350269330; 978-1350269361; 978-1350269347; 978-1350269354 (doi:https://doi.org/10.5040/9781350269361)

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Bucknall, Joanna (2017) TAIT Episode 20 with Jorge Lopes Ramos: TAIT (Talking About Immersive Theatre) podcast. [Audio]

Maravala, Persis-Jadé and Bucknall, Joanna (2020) TAIT Scholar Episode 1 with Persis-Jadé Maravala: TAIT (Talking About Immersive Theatre) podcast. [Audio]

Stenros, Jaakko, Simon, Bart, Hughes, Lynn, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2021) Understanding Liveness in immersive theatre, LARP and Games. In: DIGRA 2022, 7th - 11th July 2022, Krakow, Poland. (Unpublished)

improv bandits

McLaughlin, James ORCID: 0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

improvisation

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Ghost transmissions: concrete objects and ephemeral encounters. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex.

McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:https://doi.org/10.1080/2040610X.2022.2091733)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

In-Yer-Face

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2020) 'In the pursuit of new writers': how the Royal Court Young Peoples' Theatre contributed to the development of first time playwrights in the 1990s. In: Boles, William C., (ed.) After In-Yer-Face: Remnants of a Theatrical Revolution. Palgrave Macmillan, pp. 21-35. ISBN 978-3030394264 (doi:https://doi.org/10.1007/978-3-030-39427-1_2)

inclusivity

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) Children as Co-creators in Chiffchaff Children's Theatre Productions: defining methodology and evidencing children's role in the creative process. In: Talking TYA, 8-10 October 2020, Online. (Unpublished)

indigenous cultures

Cheetham, Deborah and Browning, Daniel (2011) Pecan Summer: The Process of Making New Indigenous Opera in Australia. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farham, UK & Burlington, USA, pp. 325-336. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

Karantonis, Pamela (2011) Performativity, mimesis, and indigenous opera. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA, pp. 73-90. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

Karantonis, Pamela and Robinson, Dylan (2011) Introduction. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA, pp. 1-12. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

Karantonis, Pamela and Robinson, Dylan (eds.) (2011) Opera Indigene: Re/presenting first nations and indigenous cultures. In: Karantonis, Pamela, (ed.) Opera Indigene: Re/Presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

industrial

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

inheritance

Jones, Emrys (2012) Maternal duties and Filial Malapropisms: Frances Sheridan and the Problems of Theatrical Inheritance. In: British Society For Eighteenth-Century Studies 41st Annual Conference, 04-06 January, 2012, Oxford, UK. (Unpublished)

installation

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

institutional racism

Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2007) Roy Williams: representing multicultural Britain in Fallout. Modern Drama, 50 (3). pp. 414-434. ISSN 0026-7694 electronic 1712-5286

instruction

Guillery, Harriet, Maravala, Persis Jadé and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2022) The significance of 'role-play' and 'instruction-based performance' as modes of teaching, collaborating and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge, New York and Oxon, pp. 1-7. ISBN 978-1032036038; 978-1032036045; 1003188176; 978-1003188179 (doi:https://doi.org/10.4324/9781003188179-11)

instruction-based

Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)

instruction-based performance

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]

interactive

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

Maravala, Persis-Jadé and Bucknall, Joanna (2020) TAIT Scholar Episode 1 with Persis-Jadé Maravala: TAIT (Talking About Immersive Theatre) podcast. [Audio]

interactive performance

Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)

Maravala, Persis Jade, McLaughlin, James ORCID: 0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625626)

interactive technology

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]

interactive theatre

Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]

interculturalism

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

interdisciplinary

Ellis, Tatiana, Hockham, David ORCID: 0000-0001-9362-1137 , Rolle, Erica and Zigomo, Pamela (2020) Becoming civic centred: a case study of the University of Greenwich’s Bathway Theatre based in Woolwich. Studies in Theatre and Performance, 40 (3). pp. 316-327. ISSN 1468-2761 (Print), 2040-0616 (Online) (doi:https://doi.org/10.1080/14682761.2020.1807211)

interdisciplinary art

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

intergenerational

Oxley, Natasha ORCID: 0000-0003-0011-7113 and Schweitzer, Pam (2023) Making intergenerational drama from older people's memories in a community dementia care group: practices, processes, and impact. Journal of Dementia Care. ISSN 1351-8372 (In Press)

intergenerational drama

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2017) An introduction to the Processes and Outcomes of the Memory Box Project: An International, Intergenerational Experience. In: Remembering Yesterday, Caring Today, 17th November 2017, Bathway Theatre, University of Greenwich. (Unpublished)

International

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2015) Royal Court: International [Book Review]. Platform: Journal of Theatre and Performing Arts, 9 (2). pp. 113-116. ISSN 1751-0171

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2020) Uncovering New Voices at the Royal Court Theatre- Interview with Vicky Featherstone. In: Galea, Marco and Musca, Szabolcs, (eds.) Redefining Theatre Communities – International Perspectives on Community-Conscious Theatre-Making. Intellect, Bristol. ISBN 9781789380767

international impact

Aston, Elaine and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2015) Royal Court: International. Studies in International Performance book series (STUDINPERF) . Palgrave Macmillan, London. ISBN 978-1137461827

internet art

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2024) Theatricality and dissonance: frictions in contemporary networked performance practices. In: Quick, Andrew and Rushton, Richard, (eds.) Theatricality and the Arts Film, Theatre, Art. Edinburgh University Press, Edinburgh, pp. 70-87. ISBN 978-1399511650; 1399511653 (In Press)

Sporton, Gregory (2009) The active audience: the network as a performance environment. In: Oddey, Alison and White, Christine A., (eds.) Modes of Spectating. Intellect Books, Bristol, UK, pp. 61-72. ISBN 9781841502397

interview

Rapi, Konstantina (2011) An education in living poetry, vivid and violent. In: Brown, Mark, (ed.) Howard Barker Interviews 1980–2010: conversations in catastrophe. Intellect, Bristol, UK / Chicago, USA, pp. 175-180. ISBN 9781841503981 (pbk) 9781841505237 (ebk)

intimacy

Guillery, Kesia, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade and Simon, Bart (2024) Liveness, audio mixing and participatory theatre: hacking the familiar in 'Binaural Dinner Date'. In: O’Dwyer, Néill, Scott, Joanne and Young, Gareth W., (eds.) XR Performance: Scenographic Explorations. Bloomsbury Methuen. (In Press)

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]

introduction

Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2022) Introduction - There's no place like London: theatrical landscapes of a city in recovery. Comparative Drama, 56 (1&2):1. pp. 1-11. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0000)

Irish diaspora

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

Irish history

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

Irish identity

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

Irish literature

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

Irish poetry

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

Irish prose

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

Irish writing

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

James Graham

Graham, James and Holden, Nicholas ORCID: 0000-0002-3437-1702 (2021) This House by James Graham. Methuen Student Drama Editions, 1 (1). Bloomsbury Methuen, London. ISBN 9781350155534

Jauss

Lilley, Heather (2012) 'Everyone in the room has a connection to the story': fairytale adaptation in devised theatre. Journal of Adaptation in Film & Performance, 5 (2). pp. 149-166. ISSN 1753-6421 (Print), 1753-643X (Online) (doi:https://doi.org/10.1386/jafp.5.2.149_1)

jazz

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp.6.1.55_1)

Jerzy Grotowski

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

journey writing

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

Judith Butler

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2019) Notes towards a theatre of assemblages. Performance Research, 24 (4). pp. 28-34. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2019.1641320)

Jung Yang-ung

Lee, Adele (2013) A Midsummer Night's Dream. Directed by Jung Yang-ung for the Yohangza Theatre Company (Seoul, South Korea) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 138-141. ISBN 9781408188132

Karen Barad

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)

keith johnstone

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:https://doi.org/10.1080/2040610X.2022.2091733)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

McLaughlin, James A. ORCID: 0000-0002-2146-6884 (2019) Reinscribing the Self: Performer Training as Cultural Pentimento. In: Embodied/Embodying Performer Training: Practices and Practicalities: TaPRA Performer Training Working Group Interim Event, 24 April 2019, University of South Wales, Cardiff Campus, The ATRiuM. (Unpublished)

Kemal Aydoğan

Lee, Adele (2013) Antony and Cleopatra. Directed by Kemal Aydoğan for the Oyun Atölyesi Theatre Company (Istanbul, Turkey) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 36-38. ISBN 9781408188132

kneehigh audience

Lilley, Heather (2012) 'Everyone in the room has a connection to the story': fairytale adaptation in devised theatre. Journal of Adaptation in Film & Performance, 5 (2). pp. 149-166. ISSN 1753-6421 (Print), 1753-643X (Online) (doi:https://doi.org/10.1386/jafp.5.2.149_1)

Kneehigh Theatre

Lilley, Heather (2012) 'Everyone in the room has a connection to the story': fairytale adaptation in devised theatre. Journal of Adaptation in Film & Performance, 5 (2). pp. 149-166. ISSN 1753-6421 (Print), 1753-643X (Online) (doi:https://doi.org/10.1386/jafp.5.2.149_1)

Lilley, Heather Louise (2010) Vital contact: creating interpretive communities in the moment of theatrical reception. About Performance (10).

knowledge exchange

Ellis, Tatiana, Hockham, David ORCID: 0000-0001-9362-1137 , Rolle, Erica and Zigomo, Pamela (2020) Becoming civic centred: a case study of the University of Greenwich’s Bathway Theatre based in Woolwich. Studies in Theatre and Performance, 40 (3). pp. 316-327. ISSN 1468-2761 (Print), 2040-0616 (Online) (doi:https://doi.org/10.1080/14682761.2020.1807211)

Hockham, D. ORCID: 0000-0001-9362-1137 , Campbell, J., Chambers, A., Franklin, P., Pollard, I., Reynolds, T. ORCID: 0000-0002-9618-6318 and Ruddock, R. (2022) Let our legacy continue: beginning an archival journey a creative essay of the digital co-creation and hybrid dissemination of windrush oral histories at the University of Greenwich’s Stephen Lawrence Gallery. Research in Drama Education: The Journal of Applied Theatre and Performance, 27 (2). pp. 199-215. ISSN 1356-9783 (Print), 1470-112X (Online) (doi:https://doi.org/10.1080/13569783.2022.2060733)

knowledge exchange framework

Ellis, Tatiana, Hockham, David ORCID: 0000-0001-9362-1137 , Rolle, Erica and Zigomo, Pamela (2020) Becoming civic centred: a case study of the University of Greenwich’s Bathway Theatre based in Woolwich. Studies in Theatre and Performance, 40 (3). pp. 316-327. ISSN 1468-2761 (Print), 2040-0616 (Online) (doi:https://doi.org/10.1080/14682761.2020.1807211)

Korean

Lee, Adele (2013) Titus in No Man's Land: The Tang Shu-wing Theatre Studio's production. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 110-114. ISBN 9781107040557

Lee, Adele (2013) ‘A girdle round about the earth’: Yohangza’s A Midsummer Night’s Dream. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 83-86. ISBN 9781107040557

landscape

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Sonic Wandering in New Landscapes. Gertrude Stein and sonic performativity in Eglė Budvytytė’s Songs from the Compost: mutating bodies, exploding stars. In: Performing Studies international conference (PSi) #28 Uhambo Luyazilawula: Embodied Wandering Practices, 2nd - 5th Aug, 2023, Johannesburg. (Unpublished)

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

landscapes

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Previsualisations. ‘they are just there’: Gertrude Stein’s ‘Landscapes’ and their finite possibilities. In: London Conference in Critical Thought 2023, 30th Jun - 1st Jul, 2023, School of Social Sciences and Professions, London Metropolitan University, London.

LARP

Stenros, Jaakko, Simon, Bart, Hughes, Lynn, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2021) Understanding Liveness in immersive theatre, LARP and Games. In: DIGRA 2022, 7th - 11th July 2022, Krakow, Poland. (Unpublished)

layering

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

LBTGQ community

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Why Hamilton's arrival In London should not be written off as just another mega-musical. The Huffington Post.

learning

Hockham, David ORCID: 0000-0001-9362-1137 (2022) Wild frontiers: learning in Higher Education institutions. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex. (Unpublished)

learning scenographics

Hockham, David ORCID: 0000-0001-9362-1137 (2022) The question is not what can the university do for us? The question is what can we do for the university?”. In: Performing Oral History Symposium, 11th - 13th April 2022, University of Greenwich. (Unpublished)

Leibniz

Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.

liberalism

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2022) Rita, Sue and #Metoo: the Royal Court Theatre, London, and liberalism. Comparative Drama, 56 (1&2). pp. 157-178. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0006)

lineage

McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Ghost transmissions: concrete objects and ephemeral encounters. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex.

literacy

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2018) On The Way Home (based on the book by Jill Murphy). Chiffchaff Children's Theatre for the Summer Reading Challenge. [Play, Short Story or Poetry]

literature

Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951

Live sound editing

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

lived experience

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

liveness

Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

Stenros, Jaakko, Simon, Bart, Hughes, Lynn, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2021) Understanding Liveness in immersive theatre, LARP and Games. In: DIGRA 2022, 7th - 11th July 2022, Krakow, Poland. (Unpublished)

locative media

Myers, Misha ORCID: 0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214

London

Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2022) Introduction - There's no place like London: theatrical landscapes of a city in recovery. Comparative Drama, 56 (1&2):1. pp. 1-11. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0000)

Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2022) Afterword. Comparative Drama, 56 (1-2):10. p. 227. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0009)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2019) 'The New Place in Town': Early Reflections on the Bridge Theatre and the Monetisation of the Subsidised Theatre Sector in London. In: Text and Presentation: Comparative Drama Conference, Thursday 4 April - Saturday 6 April 2019, Rollins College, Orlando, Florida, USA. (Unpublished)

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2022) Rita, Sue and #Metoo: the Royal Court Theatre, London, and liberalism. Comparative Drama, 56 (1&2). pp. 157-178. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0006)

Young, Jennifer (2021) Shakespeare for the "Triers": Richard Hawkins and Q2 Othello at the Serjeants' Inn. Journal for Early Modern Cultural Studies, 21 (1). pp. 94-119. ISSN 1531-0485 (Print), 1553-3786 (Online) (doi:https://doi.org/10.1353/jem.2021.0003)

loneliness

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

lord chamberlain

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)

Lovesong

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'Don't You Think That's Interesting, About Time?': Playing with Time in Abi Morgan's Lovesong. Digital Theatre [Invited Blog Post].

machine learning

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Artistic engagements with machine generated voice: Holly Herndon's Holly+ & Jane Frances Dunlop’s select important things. In: Mis/Disinformation and the artifices of authenticity and authentication ICA Pre-Conference, 24th May, 2023, York University, Toronto, Ontario Canada. (Unpublished)

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Multivocal theatricalities: articulating data in composites, choruses, crowds. In: Articulating Data: Multivocal Theatricalities, 11th - 12th May, 2023, Inspace, University of Edinburgh.

Manuel DeLanda

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2019) Notes towards a theatre of assemblages. Performance Research, 24 (4). pp. 28-34. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2019.1641320)

marginalisation

Hockham, David ORCID: 0000-0001-9362-1137 and Zaremba-Byrne, Kasia (2022) Tiger Lady (what about us: Empowering Community Voices). [Creative Performance or Reading]

Masquerade

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

maternal

Jones, Emrys (2012) Maternal duties and Filial Malapropisms: Frances Sheridan and the Problems of Theatrical Inheritance. In: British Society For Eighteenth-Century Studies 41st Annual Conference, 04-06 January, 2012, Oxford, UK. (Unpublished)

maternal care

Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)

mathematics

Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.

measurement

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

media art

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Almena, Maria and Shemza, Aphra (2022) Transformations - Hybrid exhibition and event - curated by Dr. Oliver Gingrich, Maria Almena and Aphra Shemza featuring Analema Group's KIMA Colour, KIMA Voice and KIMA Noise and Oliver Gingrich & Shama Rahman's Zeitgeist. [Show/Exhibition]

media theory

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2024) Theatricality and dissonance: frictions in contemporary networked performance practices. In: Quick, Andrew and Rushton, Richard, (eds.) Theatricality and the Arts Film, Theatre, Art. Edinburgh University Press, Edinburgh, pp. 70-87. ISBN 978-1399511650; 1399511653 (In Press)

meisner technique

McLaughlin, James A. ORCID: 0000-0002-2146-6884 (2019) Reinscribing the Self: Performer Training as Cultural Pentimento. In: Embodied/Embodying Performer Training: Practices and Practicalities: TaPRA Performer Training Working Group Interim Event, 24 April 2019, University of South Wales, Cardiff Campus, The ATRiuM. (Unpublished)

Meisner training

McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Ghost transmissions: concrete objects and ephemeral encounters. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex.

memory

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) Commemoration in contemporary Polish plays. In: Memory Studies Association Conference 2021, 5-9 July 2021, Online / University of Warsaw. (Unpublished)

memory boxes

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2019) Making performances from memory boxes: reminiscence theatre and its positive impact on student mental health. In: Theatre of Memory, 1 May 2019 - 4 May 2019, Marine Hotel, Dublin, Ireland. (Unpublished)

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2017) An introduction to the Processes and Outcomes of the Memory Box Project: An International, Intergenerational Experience. In: Remembering Yesterday, Caring Today, 17th November 2017, Bathway Theatre, University of Greenwich. (Unpublished)

memory theatre

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)

mental healthcare training

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]

metaphor

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Previsualisations. ‘they are just there’: Gertrude Stein’s ‘Landscapes’ and their finite possibilities. In: London Conference in Critical Thought 2023, 30th Jun - 1st Jul, 2023, School of Social Sciences and Professions, London Metropolitan University, London.

metoo

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2022) Rita, Sue and #Metoo: the Royal Court Theatre, London, and liberalism. Comparative Drama, 56 (1&2). pp. 157-178. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0006)

metrosexuality

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Introduction. In: O'Thomas, Mark ORCID: 0000-0001-9264-8813 , (ed.) Mike Barlett's Cock. Bloomsbury Academic, London, pp. 5-18. ISBN 978-1474229630

Migrant East End families

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2012) The only was is... Basildon. Times Higher Education. ISSN 0049-3929

migration

Reynolds, Tracey ORCID: 0000-0002-9618-6318 and Kaptani, Eirini (2022) Migrants performing citizenship: participatory theatre and walking methods for research. In: Czajka, Agnes and O’Brien, Áine, (eds.) Art, Migration and the Production of Radical Democratic Citizenship. Rowman & Littlefield Publishers, London U.K. ISBN 978-1786612786 ; 978-1786612809; 1786612801

Mike Bartlett

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Introduction. In: O'Thomas, Mark ORCID: 0000-0001-9264-8813 , (ed.) Mike Barlett's Cock. Bloomsbury Academic, London, pp. 5-18. ISBN 978-1474229630

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Introduction to Cock by Mike Bartlett. Cock. Modern Classics . Methuen, London, pp. 5-18. ISBN 9781474229630

Mike Pence

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Why Hamilton's arrival In London should not be written off as just another mega-musical. The Huffington Post.

misfits

Bondar, Melissa and Andrade Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 (2024) A phenomenology of misfits: a case study of Practice-as-Research in Higher Education symposia. PARtake: The Journal of Performance as Research, 6 (1). pp. 1-19. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v6i1.2217)

monologues

Solanke, Ade (2013) Prin Osun Pandora's Box. In: Hodge-Dallaway, Simeilia, (ed.) The Oberon Book of Monologues for Black Actors: Classical and Contemporary Speeches from Black British Plays. Volume Two: Monologues for Men: 1 (Oberon Modern Plays). Oberon Books, London, UK. ISBN 9781783190577

Morgan Lloyd Malcolm

Young, Jennifer (2022) Chapter 1. Women "think round it"! Writing and Publication in Emilia. In: Kressly, Laura, Patient, Aida and Williams, Kimberly A., (eds.) Notelets of Filth: A Companion Reader to Morgan Lloyd Malcolm's Emilia. Routledge Advances in Theatre & Performance Studies . Routledge, London; Abingdon and New York, pp. 1-12. ISBN 978-1003033387; 978-0367498290; 978-0367470982 (doi:https://doi.org/10.4324/9781003033387)

Motoi Miura

Lee, Adele (2013) Coriolanus. Directed by Motoi Miura for the Chiten Theatre Company (Kyoto, Japan) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 47-50. ISBN 9781408188132

moving image

Sporton, Gregory (2009) The active audience: the network as a performance environment. In: Oddey, Alison and White, Christine A., (eds.) Modes of Spectating. Intellect Books, Bristol, UK, pp. 61-72. ISBN 9781841502397

multichannel ambisonics

Margetson, Emma ORCID: 0000-0002-1054-1973 (2024) Contemplations. [Artefact]

multiculturalism

Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2007) Roy Williams: representing multicultural Britain in Fallout. Modern Drama, 50 (3). pp. 414-434. ISSN 0026-7694 electronic 1712-5286

musical theatre

Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Why Hamilton's arrival In London should not be written off as just another mega-musical. The Huffington Post.

musicology

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp.6.1.55_1)

N/A

Solanke, Adeola (2015) Play - East End Boys, West End Girls by Ade Solanke. [Creative Performance or Reading]

narrative archaeology

Myers, Misha ORCID: 0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214

narrative structure

Klikova, Deborah ORCID: 0000-0001-9883-2646 (2021) Defining the beats in the TV sitcom. In: Batty, Craig and Taylor, Stayci, (eds.) Script Development. Springer - Palgrave Macmillan, Cham, Switzerland, pp. 205-218. ISBN 978-3030487133; 978-3030487126 (doi:https://doi.org/10.1007/978-3-030-48713-3_13)

National Theatre

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2014) Stages of the Loss: translation as contamination. How The Ritual made it to the Royal National Theatre. Theatre Research International, 39 (2). pp. 120-132. ISSN 0307-8833 (Print), 1474-0672 (Online) (doi:https://doi.org/10.1017/S0307883314000042)

Nationalism

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2018) There’ll always be an England – Butlins, Brexit and the Heterotopic Body. Journal of European Popular Culture, 9 (1). pp. 33-41. ISSN 2040-6134 (doi:https://doi.org/10.1386/jepc.9.1.33_1)

Naturalism

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'There Are Times When Naturalism Just Isn't Enough': Breaking Open the Kitchen Sink in the Plays of Alistair McDowall. In: British Theatre in the 21st Century, Thursday 13 October - Saturday 15 October 2016, Université Paris-Sorbonne, France. (Unpublished)

neoliberalism

Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

new writing

Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'Don't You Think That's Interesting, About Time?': Playing with Time in Abi Morgan's Lovesong. Digital Theatre [Invited Blog Post].

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2020) 'In the pursuit of new writers': how the Royal Court Young Peoples' Theatre contributed to the development of first time playwrights in the 1990s. In: Boles, William C., (ed.) After In-Yer-Face: Remnants of a Theatrical Revolution. Palgrave Macmillan, pp. 21-35. ISBN 978-3030394264 (doi:https://doi.org/10.1007/978-3-030-39427-1_2)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2017) 'Making New Theatre Together': Developing writers' and creating community in the first writers' group at the Royal Court and its legacy within the Young Writers' Programme. Theatre History Studies, 36. pp. 248-265. ISSN 0733-2033 (Print), 2166-9953 (Online) (doi:https://doi.org/10.1353/ths.2017.0011)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'There Are Times When Naturalism Just Isn't Enough': Breaking Open the Kitchen Sink in the Plays of Alistair McDowall. In: British Theatre in the 21st Century, Thursday 13 October - Saturday 15 October 2016, Université Paris-Sorbonne, France. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'Think Kitchen Sink with a Wormhole Where the Plug Should Be': Exploring New Approaches to New Writing in the plays of Alistair McDowall. In: What Happens Now: 21st Century Writing in English, Monday 27 June - Thursday 30 June 2016, University of Lincoln, UK. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (eds.) (2019) Beautiful Doom: Dennis Kelly's Work on Stage and Television. Manchester University Press. (Submitted)

Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (2017) International Playwrights' Symposium: Dennis Kelly (Co-Organiser). In: International Playwrights' Symposium: Dennis Kelly (Co-Organiser), 18-20 November 2017, Lincoln School of Fine & Performing Arts. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (2019) International Playwrights' Symposium: Zinnie Harris (Co-Organiser). In: International Playwrights' Symposium: Zinnie Harris, Saturday 23 November 2019, University of Lincoln. (Unpublished)

Newton

Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.

Nicola McCartney

McKean, Kathy (2011) “Listen I will tell the story to you / As I have been told it”: Memory and identity in the plays of Nicola McCartney. International Journal of Scottish Theatre and Screen, 4 (1). ISSN 2046-5602 (Print), 2046-5602 (Online)

Nigerian drama

Adeyemi, Sola (2010) Language and accessibility in Femi Osofisan’s drama. In: Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro, (eds.) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK, pp. 187-202. ISBN 978-0956683700

Nigerian theatre

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

Nollywood

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

non-anglophone

Lee, Adele (2013) Antony and Cleopatra. Directed by Kemal Aydoğan for the Oyun Atölyesi Theatre Company (Istanbul, Turkey) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 36-38. ISBN 9781408188132

Lee, Adele (2013) Coriolanus. Directed by Motoi Miura for the Chiten Theatre Company (Kyoto, Japan) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 47-50. ISBN 9781408188132

Lee, Adele (2013) A Midsummer Night's Dream. Directed by Jung Yang-ung for the Yohangza Theatre Company (Seoul, South Korea) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 138-141. ISBN 9781408188132

Lee, Adele (2013) Titus Adronicus. Directed by Tang Shu-wing Theatre Studio (Hong Kong) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 207-209. ISBN 9781408188132

non-anglophone Shakespeare

Lee, Adele (2013) Titus in No Man's Land: The Tang Shu-wing Theatre Studio's production. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 110-114. ISBN 9781107040557

Lee, Adele (2013) ‘A girdle round about the earth’: Yohangza’s A Midsummer Night’s Dream. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 83-86. ISBN 9781107040557

Northern Ireland

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

Nostalgia

Sheridan, Claire (2014) 'A Tragedy Called "The Last Man": Hazlitt's Joke on Francis Place'. The Hazlitt Review, 7. pp. 46-56. ISSN 1757-8299

obsessions

Hutchins, Emma (2008) NOT stalking David Tennant (aka "having it all"). [Creative Performance or Reading] (Unpublished)

occupation

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2022) An art like nature: theatre environment as territory in Tim Spooner performances. Journal of Contemporary Drama in English, 10 (1). pp. 1-15. ISSN 2195-0156 (Print), 2195-0164 (Online) (doi:https://doi.org/10.1515/jcde-2022-0005)

online theatre

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) 'Peace at Last' and 'Whatever Next!'. [Creative Performance or Reading]

open questions

McCaw, Dick, Etchells, Tim, Anderson, Mary Elizabeth and Wallis, Jillian (2013) Essai – (French: ‘test’, ‘attempt’, ‘trial’, ‘try-out’) [Essai]. Theatre, Dance and Performance Training, 4 (1). pp. 126-132. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2013.774821)

Open-Third-Space

Hockham, David ORCID: 0000-0001-9362-1137 and Zaremba-Byrne, Kasia (2022) Tiger Lady (what about us: Empowering Community Voices). [Creative Performance or Reading]

opera

Cheetham, Deborah and Browning, Daniel (2011) Pecan Summer: The Process of Making New Indigenous Opera in Australia. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farham, UK & Burlington, USA, pp. 325-336. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

Karantonis, Pamela (2011) Performativity, mimesis, and indigenous opera. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA, pp. 73-90. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

Karantonis, Pamela and Robinson, Dylan (2011) Introduction. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA, pp. 1-12. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

Karantonis, Pamela and Robinson, Dylan (eds.) (2011) Opera Indigene: Re/presenting first nations and indigenous cultures. In: Karantonis, Pamela, (ed.) Opera Indigene: Re/Presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

King, Andrew ORCID: 0000-0003-2348-4231 (2016) ‘Suicide: Popular? Obscene? The case of Ouida’s Two Little Wooden Shoes (1874)’. In: Annual Conference of the British Association for Victorian Studies, 31 August - 2 September 2016, University of Cardiff. (Unpublished)

oral histories

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2022) The reminiscence theatre archive as a resource for drama students. In: Performing Oral Histories, 11th April 2022, University of Greenwich Research Space.

oral history

Hockham, David ORCID: 0000-0001-9362-1137 (2022) The question is not what can the university do for us? The question is what can we do for the university?”. In: Performing Oral History Symposium, 11th - 13th April 2022, University of Greenwich. (Unpublished)

orientalism

Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955

Othello

Young, Jennifer (2021) Shakespeare for the "Triers": Richard Hawkins and Q2 Othello at the Serjeants' Inn. Journal for Early Modern Cultural Studies, 21 (1). pp. 94-119. ISSN 1531-0485 (Print), 1553-3786 (Online) (doi:https://doi.org/10.1353/jem.2021.0003)

Ouida

King, Andrew ORCID: 0000-0003-2348-4231 (2016) ‘Suicide: Popular? Obscene? The case of Ouida’s Two Little Wooden Shoes (1874)’. In: Annual Conference of the British Association for Victorian Studies, 31 August - 2 September 2016, University of Cardiff. (Unpublished)

outreach

Ellis, Tatiana, Hockham, David ORCID: 0000-0001-9362-1137 , Rolle, Erica and Zigomo, Pamela (2020) Becoming civic centred: a case study of the University of Greenwich’s Bathway Theatre based in Woolwich. Studies in Theatre and Performance, 40 (3). pp. 316-327. ISSN 1468-2761 (Print), 2040-0616 (Online) (doi:https://doi.org/10.1080/14682761.2020.1807211)

palliative care

Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)

pandemic

Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2022) Introduction - There's no place like London: theatrical landscapes of a city in recovery. Comparative Drama, 56 (1&2):1. pp. 1-11. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0000)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2022) Afterword. Comparative Drama, 56 (1-2):10. p. 227. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0009)

pandemic performance

Hockham, David ORCID: 0000-0001-9362-1137 (2021) Responding to Creation Theatre’s Time Machine: a production moved to Zoom in light of COVID-19. PARtake: The Journal of Performance as Research, 3 (2). pp. 1-6. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v3i2.541)

Para Active

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

parliament

Graham, James and Holden, Nicholas ORCID: 0000-0002-3437-1702 (2021) This House by James Graham. Methuen Student Drama Editions, 1 (1). Bloomsbury Methuen, London. ISBN 9781350155534

participation

Guillery, Harriet, Maravala, Persis Jadé and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2022) The significance of 'role-play' and 'instruction-based performance' as modes of teaching, collaborating and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge, New York and Oxon, pp. 1-7. ISBN 978-1032036038; 978-1032036045; 1003188176; 978-1003188179 (doi:https://doi.org/10.4324/9781003188179-11)

participatory

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

participatory action research social justice migrant women no recourse to public funds 'race' and radicalisation poverty transformation

Kaptani, Eirini, Erel, Umut, O’Neill, Maggie and Reynolds, Tracey ORCID: 0000-0002-9618-6318 (2020) Methodological innovation in research: participatory theater with migrant families on conflicts and transformations over the politics of belonging. Journal of Immigration and Refugee Studies, 19 (1). pp. 68-81. ISSN 1556-2948 (Print), 1556-2956 (Online) (doi:https://doi.org/10.1080/15562948.2020.1843748)

participatory art

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Evgenia, Emets, Renaud, Alain, Negrao, David, Havsteen-Franklin, Dominik and Grant, Claire (2022) KIMA Colour: Van Gogh - 360 visual sound art. [Artefact]

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia and Negrao, David (2022) KIMA: Voice performance by Analema Group at National Gallery X performed by Victoria Couper. [Creative Performance or Reading]

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia, Negrao, David and James, Winter (2022) KIMA Voice performance at Art in Flux Radical Embodiment event at Barbican London. [Creative Performance or Reading]

Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2021) GROUPTHINK: What happens when we're all connected? Groupthink - a live performance directed by the heartbeats of its viewers. [Creative Performance or Reading]

participatory arts

Reynolds, Tracey ORCID: 0000-0002-9618-6318 and Kaptani, Eirini (2022) Migrants performing citizenship: participatory theatre and walking methods for research. In: Czajka, Agnes and O’Brien, Áine, (eds.) Art, Migration and the Production of Radical Democratic Citizenship. Rowman & Littlefield Publishers, London U.K. ISBN 978-1786612786 ; 978-1786612809; 1786612801

participatory performance

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

participatory theatre

Guillery, Kesia, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade and Simon, Bart (2024) Liveness, audio mixing and participatory theatre: hacking the familiar in 'Binaural Dinner Date'. In: O’Dwyer, Néill, Scott, Joanne and Young, Gareth W., (eds.) XR Performance: Scenographic Explorations. Bloomsbury Methuen. (In Press)

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]

Peckham

Brown, Charmaine ORCID: 0000-0002-6471-9706 (2023) 'Gone too far': gentrification and the intersection of race and identity politics in Peckham. In: Talk to NYT cast of Bola Agbaje's play 'Gone Too Far', 6th March 2023, Peckham, London. (Unpublished)

pedagogy

Guillery, Harriet, Maravala, Persis Jadé and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2022) The significance of 'role-play' and 'instruction-based performance' as modes of teaching, collaborating and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge, New York and Oxon, pp. 1-7. ISBN 978-1032036038; 978-1032036045; 1003188176; 978-1003188179 (doi:https://doi.org/10.4324/9781003188179-11)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2017) 'The Guru Effect': The Politics of Process in the Young Writers' Programme at the Royal Court. In: Theatre and Performance Research Association, Wednesday 30 August - Friday 1 September 2017, University of Salford, UK. (Unpublished)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)

pentimento

McLaughlin, James A. ORCID: 0000-0002-2146-6884 (2019) Reinscribing the Self: Performer Training as Cultural Pentimento. In: Embodied/Embodying Performer Training: Practices and Practicalities: TaPRA Performer Training Working Group Interim Event, 24 April 2019, University of South Wales, Cardiff Campus, The ATRiuM. (Unpublished)

performance

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2019) Notes towards a theatre of assemblages. Performance Research, 24 (4). pp. 28-34. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2019.1641320)

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2024) The Possibility of fact: sketching an origin for the performative. In: Twitchin, Mischa, (ed.) Wittgenstein and Performance: You'd be Surprised, Ed. Misc ha Twitchin, Rowman and Littlefield, 2024. Rowman & Littlefield, Lanham; Boulder; New York; London, pp. 27-44. ISBN 978-1538175095; 978-1538175101; 1538175096

Brown, Charmaine ORCID: 0000-0002-6471-9706 (2019) The Build Up: Gentrification performance in two parts. [Creative Performance or Reading]

Hockham, David ORCID: 0000-0001-9362-1137 and Wallis, Jillian (2023) Operationalising the concept of recontextualisation: leveraging pedagogy and learning strategies in higher education practical courses. Higher Education. ISSN 0018-1560 (Print), 1573-174X (Online) (doi:https://doi.org/10.1007/s10734-023-01136-3)

Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2021) GROUPTHINK: What happens when we're all connected? Groupthink - a live performance directed by the heartbeats of its viewers. [Creative Performance or Reading]

Lee, Adele (2013) Titus in No Man's Land: The Tang Shu-wing Theatre Studio's production. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 110-114. ISBN 9781107040557

Lee, Adele (2013) ‘A girdle round about the earth’: Yohangza’s A Midsummer Night’s Dream. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 83-86. ISBN 9781107040557

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

Maravala, Persis Jade, McLaughlin, James ORCID: 0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625626)

Maravala, Persis Jadé and Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Post-immersive interventions with ZU-UK. In: Bucknall, Joanna Jayne, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury - Methuen Drama, London, pp. 151-176. ISBN 978-1350269330

McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) Children as Co-creators in Chiffchaff Children's Theatre Productions: defining methodology and evidencing children's role in the creative process. In: Talking TYA, 8-10 October 2020, Online. (Unpublished)

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2022) The reminiscence theatre archive as a resource for drama students. In: Performing Oral Histories, 11th April 2022, University of Greenwich Research Space.

Salihbegovic, Fahrudin Nuno (2008) Brotherhood and unity. [Creative Performance or Reading]

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

Wallis, Jillian (2008) [Director] Money From America. [Play, Short Story or Poetry] (Unpublished)

Wallis, Jillian (2008) [Drama Workshop with Emergency Exit Arts] Earth carnival. [Play, Short Story or Poetry] (Unpublished)

Wallis, Jillian (2009) [Drama Workshop] Monsters, myths and mayhem: 'The Dragon of Krakow' comes to Blackheath. [Play, Short Story or Poetry] (Unpublished)

Wallis, Jillian (2015) Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices. Body, Space and Technology, 14. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.37)

Wallis, Jillian (2014) So Pleased To Meet You. [Creative Performance or Reading]

Performance art

Smith, Caroline (2011) Last of the red wine (Performance). [Show/Exhibition]

Smith, Caroline (2009) Once more with feeling: Feminism and the archive. [Show/Exhibition]

performance cartography

Myers, Misha ORCID: 0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214

performance review

Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.

Performance Studies

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2024) The Possibility of fact: sketching an origin for the performative. In: Twitchin, Mischa, (ed.) Wittgenstein and Performance: You'd be Surprised, Ed. Misc ha Twitchin, Rowman and Littlefield, 2024. Rowman & Littlefield, Lanham; Boulder; New York; London, pp. 27-44. ISBN 978-1538175095; 978-1538175101; 1538175096

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Previsualisations. ‘they are just there’: Gertrude Stein’s ‘Landscapes’ and their finite possibilities. In: London Conference in Critical Thought 2023, 30th Jun - 1st Jul, 2023, School of Social Sciences and Professions, London Metropolitan University, London.

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2024) Theatricality and dissonance: frictions in contemporary networked performance practices. In: Quick, Andrew and Rushton, Richard, (eds.) Theatricality and the Arts Film, Theatre, Art. Edinburgh University Press, Edinburgh, pp. 70-87. ISBN 978-1399511650; 1399511653 (In Press)

Performance training

Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)

performative teaching and learning

Costantino, Anna (2021) Performative education inside and outside the ethics of care: three provocations. Scenario, 15 (2):2. pp. 27-46. ISSN 1649 - 8526 (Online) (doi:https://doi.org/10.33178/scenario)

performativity

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2024) The Possibility of fact: sketching an origin for the performative. In: Twitchin, Mischa, (ed.) Wittgenstein and Performance: You'd be Surprised, Ed. Misc ha Twitchin, Rowman and Littlefield, 2024. Rowman & Littlefield, Lanham; Boulder; New York; London, pp. 27-44. ISBN 978-1538175095; 978-1538175101; 1538175096

performer

Salihbegović, Fahrudin Nuno (2011) There are no books on Tralfamadore: making theatre on the digital planet. In: Dragićević Šešić, Milena, (ed.) Dositheus - razvoj ljudskih resursa u kulturi: zbornik radova. Academica - Akademska grupa, Belgrade, Serbia, pp. 129-135. ISBN 978-8688835008

performer training

Allain, Paul, Bennett-Worth, Stacie Lee, Camilleri, Frank, McLaughlin, James ORCID: 0000-0002-2146-6884 and Wilson, Thomas (2019) Editorial. Theatre, Dance and Performance Training, 10 (2). pp. 165-168. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625628)

McLaughlin, James A. ORCID: 0000-0002-2146-6884 (2019) Reinscribing the Self: Performer Training as Cultural Pentimento. In: Embodied/Embodying Performer Training: Practices and Practicalities: TaPRA Performer Training Working Group Interim Event, 24 April 2019, University of South Wales, Cardiff Campus, The ATRiuM. (Unpublished)

pervasive experience

Guillery, Kesia, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade and Simon, Bart (2024) Liveness, audio mixing and participatory theatre: hacking the familiar in 'Binaural Dinner Date'. In: O’Dwyer, Néill, Scott, Joanne and Young, Gareth W., (eds.) XR Performance: Scenographic Explorations. Bloomsbury Methuen. (In Press)

phenomenology

McLaughlin, James ORCID: 0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

phillip zarrilli

McLaughlin, James A. ORCID: 0000-0002-2146-6884 (2019) Reinscribing the Self: Performer Training as Cultural Pentimento. In: Embodied/Embodying Performer Training: Practices and Practicalities: TaPRA Performer Training Working Group Interim Event, 24 April 2019, University of South Wales, Cardiff Campus, The ATRiuM. (Unpublished)

philosophy

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)

Lammin, Hannah Elisabeth ORCID: 0000-0002-9752-9335 (2017) Staging community: a non-philosophical presentation of immanent social experience. PhD thesis, University of Greenwich.

phones

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

photography

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Physical theatre

McCaw, Dick, Etchells, Tim, Anderson, Mary Elizabeth and Wallis, Jillian (2013) Essai – (French: ‘test’, ‘attempt’, ‘trial’, ‘try-out’) [Essai]. Theatre, Dance and Performance Training, 4 (1). pp. 126-132. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2013.774821)

Wallis, Jillian (2008) [Drama Workshop with Emergency Exit Arts] Earth carnival. [Play, Short Story or Poetry] (Unpublished)

Wallis, Jillian (2014) Emma Hamilton's Attitudes Renewed. [Creative Performance or Reading]

pilgrimage

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

place

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

play

Hutchins, Emma (2008) NOT stalking David Tennant (aka "having it all"). [Creative Performance or Reading] (Unpublished)

Mann, Tony (2003) [Performance review] Carl Djerassi, Calculus. BSHM Newsletter, 47. pp. 45-46.

Rapi, Konstantina (2009) Reasons to hide. [Play, Short Story or Poetry]

play text

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Analysing the screenplay: A comparative approach. In: Nelmes, Jill, (ed.) Analysing The Screenplay. Routledge, London, pp. 237-251. ISBN 978-0415556347

plays

Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2008) [In Backpages 18.1] The culture of new writing. Contemporary Theatre Review, 18 (1). pp. 131-134. ISSN 1048-6801 (Print), 1477-2264 (Online) (doi:https://doi.org/10.1080/10486800701868254)

Derbyshire, Harry ORCID: 0000-0002-1373-1166 and Hodson, Loveday (2008) Performing injustice: human rights and verbatim theatre. Law and Humanities, 2 (2). pp. 191-211. ISSN 1752-1483

Graham, James and Holden, Nicholas ORCID: 0000-0002-3437-1702 (2021) This House by James Graham. Methuen Student Drama Editions, 1 (1). Bloomsbury Methuen, London. ISBN 9781350155534

playtesting

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

playwrights

Solanke, Adeola (2016) [Special performance] East End Boys, West End Girls. [Play, Short Story or Poetry]

playwriting

Aston, Elaine and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2015) Royal Court: International. Studies in International Performance book series (STUDINPERF) . Palgrave Macmillan, London. ISBN 978-1137461827

Aston, Elaine Frances and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Amine, Khalid and Roberson, George F., (eds.) Performing Transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-46. ISBN 978-0982440964

Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2017) 'The Guru Effect': The Politics of Process in the Young Writers' Programme at the Royal Court. In: Theatre and Performance Research Association, Wednesday 30 August - Friday 1 September 2017, University of Salford, UK. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2018) A Model for International Playwriting Practice: The Royal Court Young Peoples' Theatre and the Regional Arts Association, 1988-1998. In: Regions, Ruins and Regeneration: Irish Society for Theatre Research, Friday 1 June - Saturday 2nd June 2018, University of Lincoln. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2015) Royal Court: International [Book Review]. Platform: Journal of Theatre and Performing Arts, 9 (2). pp. 113-116. ISSN 1751-0171

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'There Are Times When Naturalism Just Isn't Enough': Breaking Open the Kitchen Sink in the Plays of Alistair McDowall. In: British Theatre in the 21st Century, Thursday 13 October - Saturday 15 October 2016, Université Paris-Sorbonne, France. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2016) 'Think Kitchen Sink with a Wormhole Where the Plug Should Be': Exploring New Approaches to New Writing in the plays of Alistair McDowall. In: What Happens Now: 21st Century Writing in English, Monday 27 June - Thursday 30 June 2016, University of Lincoln, UK. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (eds.) (2019) Beautiful Doom: Dennis Kelly's Work on Stage and Television. Manchester University Press. (Submitted)

Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (2017) International Playwrights' Symposium: Dennis Kelly (Co-Organiser). In: International Playwrights' Symposium: Dennis Kelly (Co-Organiser), 18-20 November 2017, Lincoln School of Fine & Performing Arts. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (2019) International Playwrights' Symposium: Zinnie Harris (Co-Organiser). In: International Playwrights' Symposium: Zinnie Harris, Saturday 23 November 2019, University of Lincoln. (Unpublished)

podcast

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Bucknall, Joanna (2017) TAIT Episode 20 with Jorge Lopes Ramos: TAIT (Talking About Immersive Theatre) podcast. [Audio]

poetry

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:https://doi.org/10.1007/978-3-031-18607-3_10)

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

Poland

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) Commemoration in contemporary Polish plays. In: Memory Studies Association Conference 2021, 5-9 July 2021, Online / University of Warsaw. (Unpublished)

Polish

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2019) Polish plays on the British stage? In: Brexit Stage Left. Contemporary European Drama in translation on the British stage . Royal Central School of Speech and Drama - The British Academy, London - Online.

Polish culture

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2015) Conference presentation at POMP conference on contemporary Polish drama. In: Post-1945 Poland: Modernities, Transformations and Evolving Identities, 11-12 June 2015, St Antony's College, University of Oxford. (Unpublished)

Polish drama

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2015) Conference presentation at POMP conference on contemporary Polish drama. In: Post-1945 Poland: Modernities, Transformations and Evolving Identities, 11-12 June 2015, St Antony's College, University of Oxford. (Unpublished)

politics

Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955

Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951

Graham, James and Holden, Nicholas ORCID: 0000-0002-3437-1702 (2021) This House by James Graham. Methuen Student Drama Editions, 1 (1). Bloomsbury Methuen, London. ISBN 9781350155534

pollution

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

popular fiction

King, Andrew ORCID: 0000-0003-2348-4231 (2016) ‘Suicide: Popular? Obscene? The case of Ouida’s Two Little Wooden Shoes (1874)’. In: Annual Conference of the British Association for Victorian Studies, 31 August - 2 September 2016, University of Cardiff. (Unpublished)

popular performances

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2018) There’ll always be an England – Butlins, Brexit and the Heterotopic Body. Journal of European Popular Culture, 9 (1). pp. 33-41. ISSN 2040-6134 (doi:https://doi.org/10.1386/jepc.9.1.33_1)

post-immersive

Guillery, Kesia, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade and Simon, Bart (2024) Liveness, audio mixing and participatory theatre: hacking the familiar in 'Binaural Dinner Date'. In: O’Dwyer, Néill, Scott, Joanne and Young, Gareth W., (eds.) XR Performance: Scenographic Explorations. Bloomsbury Methuen. (In Press)

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

Maravala, Persis-Jadé and Bucknall, Joanna (2020) TAIT Scholar Episode 1 with Persis-Jadé Maravala: TAIT (Talking About Immersive Theatre) podcast. [Audio]

post-punk

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

postcolonial African theatre

Adeyemi, Sola (2011) Introduction. African Performance Review, 5 (1). pp. 6-8. ISSN 1750-4848

postcolonial studies

Adeyemi, Sola (2013) Performing identities: re-creation and representation of African performance aesthetics. In: 50 Years of Theatre in the African Academy, 28-30 Aug 2013, University of Ibadan, Nigeria. (Unpublished)

postcolonialism

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)

practice as research

Hockham, David ORCID: 0000-0001-9362-1137 and Zaremba-Byrne, Kasia (2022) Tiger Lady (what about us: Empowering Community Voices). [Creative Performance or Reading]

practice based learning

Hockham, David ORCID: 0000-0001-9362-1137 and Wallis, Jillian (2023) Operationalising the concept of recontextualisation: leveraging pedagogy and learning strategies in higher education practical courses. Higher Education. ISSN 0018-1560 (Print), 1573-174X (Online) (doi:https://doi.org/10.1007/s10734-023-01136-3)

Practice-as-Research

Bondar, Melissa and Andrade Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 (2024) A phenomenology of misfits: a case study of Practice-as-Research in Higher Education symposia. PARtake: The Journal of Performance as Research, 6 (1). pp. 1-19. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v6i1.2217)

practice-based education

Hockham, David ORCID: 0000-0001-9362-1137 and Wallis, Jillian (2023) Operationalising the concept of recontextualisation: leveraging pedagogy and learning strategies in higher education practical courses. Higher Education. ISSN 0018-1560 (Print), 1573-174X (Online) (doi:https://doi.org/10.1007/s10734-023-01136-3)

practice-led research

Adeyemi, Sola (2011) Introduction. African Performance Review, 5 (1). pp. 6-8. ISSN 1750-4848

praxis-based approaches

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis Jadé and Guillery, Kesia (2022) The significance of ‘role-play’ and ‘instruction-based performance’ as modes of teaching, collaborating, and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge- Taylor & Francis Group, London. ISBN 978-1032036038 (doi:https://doi.org/10.4324/9781003188179)

presence

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia and Negrao, David (2022) KIMA: Voice performance by Analema Group at National Gallery X performed by Victoria Couper. [Creative Performance or Reading]

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia, Negrao, David and James, Winter (2022) KIMA Voice performance at Art in Flux Radical Embodiment event at Barbican London. [Creative Performance or Reading]

print history

Young, Jennifer (2021) Shakespeare for the "Triers": Richard Hawkins and Q2 Othello at the Serjeants' Inn. Journal for Early Modern Cultural Studies, 21 (1). pp. 94-119. ISSN 1531-0485 (Print), 1553-3786 (Online) (doi:https://doi.org/10.1353/jem.2021.0003)

privilege

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

privilege‌

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

production

Salihbegovic, Fahrudin Nuno (2009) Klanica pet - Slaughterhouse Five: Total theatre in an empty space. Body, Space & Technology, 8 (1). ISSN 1470-9120

provocation

McCaw, Dick, Etchells, Tim, Anderson, Mary Elizabeth and Wallis, Jillian (2013) Essai – (French: ‘test’, ‘attempt’, ‘trial’, ‘try-out’) [Essai]. Theatre, Dance and Performance Training, 4 (1). pp. 126-132. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2013.774821)

psychophysical

McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)

McLaughlin, James A. ORCID: 0000-0002-2146-6884 (2019) Reinscribing the Self: Performer Training as Cultural Pentimento. In: Embodied/Embodying Performer Training: Practices and Practicalities: TaPRA Performer Training Working Group Interim Event, 24 April 2019, University of South Wales, Cardiff Campus, The ATRiuM. (Unpublished)

psychophysical training

Maravala, Persis Jade, McLaughlin, James ORCID: 0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625626)

Public Policy

McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

public space

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

race

Brown, Charmaine ORCID: 0000-0002-6471-9706 (2023) 'Gone too far': gentrification and the intersection of race and identity politics in Peckham. In: Talk to NYT cast of Bola Agbaje's play 'Gone Too Far', 6th March 2023, Peckham, London. (Unpublished)

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

radical

McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:https://doi.org/10.1080/2040610X.2022.2091733)

rave

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

reception theory

Lilley, Heather (2012) 'Everyone in the room has a connection to the story': fairytale adaptation in devised theatre. Journal of Adaptation in Film & Performance, 5 (2). pp. 149-166. ISSN 1753-6421 (Print), 1753-643X (Online) (doi:https://doi.org/10.1386/jafp.5.2.149_1)

recontextualisation

Hockham, David ORCID: 0000-0001-9362-1137 and Wallis, Jillian (2023) Operationalising the concept of recontextualisation: leveraging pedagogy and learning strategies in higher education practical courses. Higher Education. ISSN 0018-1560 (Print), 1573-174X (Online) (doi:https://doi.org/10.1007/s10734-023-01136-3)

Reform

Sheridan, Claire (2014) 'A Tragedy Called "The Last Man": Hazlitt's Joke on Francis Place'. The Hazlitt Review, 7. pp. 46-56. ISSN 1757-8299

Regional Arts Association

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2018) A Model for International Playwriting Practice: The Royal Court Young Peoples' Theatre and the Regional Arts Association, 1988-1998. In: Regions, Ruins and Regeneration: Irish Society for Theatre Research, Friday 1 June - Saturday 2nd June 2018, University of Lincoln. (Unpublished)

Regional Theatre

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2018) A Model for International Playwriting Practice: The Royal Court Young Peoples' Theatre and the Regional Arts Association, 1988-1998. In: Regions, Ruins and Regeneration: Irish Society for Theatre Research, Friday 1 June - Saturday 2nd June 2018, University of Lincoln. (Unpublished)

reimagining

Wallis, Jillian (2014) Emma Hamilton's Attitudes Renewed. [Creative Performance or Reading]

Reminiscence Theatre

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2019) Making performances from memory boxes: reminiscence theatre and its positive impact on student mental health. In: Theatre of Memory, 1 May 2019 - 4 May 2019, Marine Hotel, Dublin, Ireland. (Unpublished)

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2017) An introduction to the Processes and Outcomes of the Memory Box Project: An International, Intergenerational Experience. In: Remembering Yesterday, Caring Today, 17th November 2017, Bathway Theatre, University of Greenwich. (Unpublished)

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2022) The reminiscence theatre archive as a resource for drama students. In: Performing Oral Histories, 11th April 2022, University of Greenwich Research Space.

Oxley, Natasha ORCID: 0000-0003-0011-7113 and Schweitzer, Pam (2023) Making intergenerational drama from older people's memories in a community dementia care group: practices, processes, and impact. Journal of Dementia Care. ISSN 1351-8372 (In Press)

Renzi

Signorelli, Valentina ORCID: 0000-0001-7411-7277 (2019) Famous Last Words - A comparative focus on resignation speeches to trace contemporary European instability: the cases of David Cameron and Matteo Renzi. In: Desecrating Celebrity. Proceedings of the IV International Celebrity Studies Journal Conference. Area 14 - Scienze Politiche e Sociali, Volumi di Area 14 - Scienze Politiche e Sociali, 14 . Nuova Cultura, Rome, pp. 109-130. ISBN 978-8833652719 (doi:https://doi.org/10.4458/2719)

representation

Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2022) ‘Creating change where it matters the most’: artistic directorship and representation in the London theatre. Comparative Drama, 56 (1-2). pp. 199-226. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0008)

Research

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2019) Notes towards a theatre of assemblages. Performance Research, 24 (4). pp. 28-34. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2019.1641320)

resignation

Signorelli, Valentina ORCID: 0000-0001-7411-7277 (2019) Famous Last Words - A comparative focus on resignation speeches to trace contemporary European instability: the cases of David Cameron and Matteo Renzi. In: Desecrating Celebrity. Proceedings of the IV International Celebrity Studies Journal Conference. Area 14 - Scienze Politiche e Sociali, Volumi di Area 14 - Scienze Politiche e Sociali, 14 . Nuova Cultura, Rome, pp. 109-130. ISBN 978-8833652719 (doi:https://doi.org/10.4458/2719)

review

Hockham, David ORCID: 0000-0001-9362-1137 (2021) Responding to Creation Theatre’s Time Machine: a production moved to Zoom in light of COVID-19. PARtake: The Journal of Performance as Research, 3 (2). pp. 1-6. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v3i2.541)

Richard III

Lee, Adele (2013) New directions: 'put[ing] on some other shape': Richard III as an Arab V.I.P. In: Connolly, Annaliese, (ed.) Richard III : A Critical Reader. Arden Early Modern Drama Guides . Bloomsbury Arden Shakespeare, London, UK, pp. 155-178. ISBN 9781441168252

ritual

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

river

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

River Bann

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

role-play

Guillery, Harriet, Maravala, Persis Jadé and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2022) The significance of 'role-play' and 'instruction-based performance' as modes of teaching, collaborating and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge, New York and Oxon, pp. 1-7. ISBN 978-1032036038; 978-1032036045; 1003188176; 978-1003188179 (doi:https://doi.org/10.4324/9781003188179-11)

Roy Williams

Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2007) Roy Williams: representing multicultural Britain in Fallout. Modern Drama, 50 (3). pp. 414-434. ISSN 0026-7694 electronic 1712-5286

royal court

Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2015) 'The Jewel in the Crown': Developing a Young Peoples' Theatre Scheme at the Royal Court. In: Theatre and Performance Research Association, History and Historiography Working Group, Tuesday 8 September - Thursday 10th September 2015, University of Worcester, UK. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2015) Royal Court: International [Book Review]. Platform: Journal of Theatre and Performing Arts, 9 (2). pp. 113-116. ISSN 1751-0171

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Translating austerity: Theatrical responses to the financial crisis. Twenty-First Century Drama: What Happens Now. Palgrave Macmillan, pp. 129-148. ISBN 978-1137484024 (doi:https://doi.org/10.1057/978-1-137-48403-1_7)

royal court theatre

Aston, Elaine and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2015) Royal Court: International. Studies in International Performance book series (STUDINPERF) . Palgrave Macmillan, London. ISBN 978-1137461827

Aston, Elaine Frances and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Amine, Khalid and Roberson, George F., (eds.) Performing Transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-46. ISBN 978-0982440964

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2017) 'Making New Theatre Together': Developing writers' and creating community in the first writers' group at the Royal Court and its legacy within the Young Writers' Programme. Theatre History Studies, 36. pp. 248-265. ISSN 0733-2033 (Print), 2166-9953 (Online) (doi:https://doi.org/10.1353/ths.2017.0011)

royal national theatre

Yazbek, Samir (2012) The Ritual. In: Bell, Hillary, (ed.) National Theatre Connections 2012. Methuen Drama, London, pp. 497-537. ISBN 978-1408157244

Russia

Sporton, Gregory (2007) Power as nostalgia: the Bolshoi Ballet in the new Russia. In: Barnett, Dennis and Skelton, Arthur, (eds.) Theatre and Performance in Eastern Europe: The Changing Scene. Scarecrow Press, Lanham, Maryland, USA, pp. 3-12. ISBN 9780810860230

scenography

Hockham, David ORCID: 0000-0001-9362-1137 (2022) Wild frontiers: learning in Higher Education institutions. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex. (Unpublished)

Hockham, David ORCID: 0000-0001-9362-1137 (2022) The question is not what can the university do for us? The question is what can we do for the university?”. In: Performing Oral History Symposium, 11th - 13th April 2022, University of Greenwich. (Unpublished)

science identity

Griffiths, Wyn and Keith, Lindsay ORCID: 0000-0002-5324-1719 (2022) Actors with agency: immersive science theatre and science identity. In: Weitkamp, Emma and Almeida, Carla, (eds.) Science and Theatre: Communicating Science and Technology with Performing Arts. Emerald Publishing Ltd., Bingley, UK, pp. 103-112. ISBN 978-1800436411; 978-1800436404; 978-1800436428 (doi:https://doi.org/10.1108/9781800436404)

Scotland

McKean, Kathy (2011) “Listen I will tell the story to you / As I have been told it”: Memory and identity in the plays of Nicola McCartney. International Journal of Scottish Theatre and Screen, 4 (1). ISSN 2046-5602 (Print), 2046-5602 (Online)

screenplay

Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus (eds.) (2023) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . The Palgrave Handbook of Screenwriting Studies, Cham. ISBN 978-3031207693; 978-3031207686; 978-3031207716

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Analysing the screenplay: A comparative approach. In: Nelmes, Jill, (ed.) Analysing The Screenplay. Routledge, London, pp. 237-251. ISBN 978-0415556347

screenwriting

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2023) Collaboration, cooperation and authorship in screenwriting aka how many people does it take to create an author? In: Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . Palgrave, Cham, pp. 73-92. ISBN 978-3031207693; 978-3031207686; 978-3031207716 (doi:https://doi.org/10.1007/978-3-031-20769-3_4)

Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus (eds.) (2023) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . The Palgrave Handbook of Screenwriting Studies, Cham. ISBN 978-3031207693; 978-3031207686; 978-3031207716

screenwriting research

Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus (eds.) (2023) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . The Palgrave Handbook of Screenwriting Studies, Cham. ISBN 978-3031207693; 978-3031207686; 978-3031207716

screenwriting studies

Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus (eds.) (2023) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . The Palgrave Handbook of Screenwriting Studies, Cham. ISBN 978-3031207693; 978-3031207686; 978-3031207716

script development

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2023) Collaboration, cooperation and authorship in screenwriting aka how many people does it take to create an author? In: Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . Palgrave, Cham, pp. 73-92. ISBN 978-3031207693; 978-3031207686; 978-3031207716 (doi:https://doi.org/10.1007/978-3-031-20769-3_4)

Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus (eds.) (2023) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . The Palgrave Handbook of Screenwriting Studies, Cham. ISBN 978-3031207693; 978-3031207686; 978-3031207716

seasonal cheer

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Elf: Christmas cheer amid the darkness. Times Higher Education. ISSN 0049-3929

Shakespeare

Lee, Adele (2013) Antony and Cleopatra. Directed by Kemal Aydoğan for the Oyun Atölyesi Theatre Company (Istanbul, Turkey) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 36-38. ISBN 9781408188132

Lee, Adele (2013) Coriolanus. Directed by Motoi Miura for the Chiten Theatre Company (Kyoto, Japan) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 47-50. ISBN 9781408188132

Lee, Adele (2013) A Midsummer Night's Dream. Directed by Jung Yang-ung for the Yohangza Theatre Company (Seoul, South Korea) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 138-141. ISBN 9781408188132

Lee, Adele (2013) New directions: 'put[ing] on some other shape': Richard III as an Arab V.I.P. In: Connolly, Annaliese, (ed.) Richard III : A Critical Reader. Arden Early Modern Drama Guides . Bloomsbury Arden Shakespeare, London, UK, pp. 155-178. ISBN 9781441168252

Lee, Adele (2013) Titus Adronicus. Directed by Tang Shu-wing Theatre Studio (Hong Kong) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 207-209. ISBN 9781408188132

Young, Jennifer (2021) Shakespeare for the "Triers": Richard Hawkins and Q2 Othello at the Serjeants' Inn. Journal for Early Modern Cultural Studies, 21 (1). pp. 94-119. ISSN 1531-0485 (Print), 1553-3786 (Online) (doi:https://doi.org/10.1353/jem.2021.0003)

Young, Jennifer (2015) Shakespeare in London. The Arden Shakespeare . Bloomsbury Arden Shakespeare, London. ISBN 978-1408145968

Young, Jennifer (2021) ‘While memory holds a seat in this distracted globe’: a look back at the Arden Shakespeare Third Series (1995–2020). In: Smith, Emma, (ed.) Shakespeare Survey 74: Shakespeare and Education. Shakespeare Survey, 74 (74). Cambridge University Press, Cambridge, pp. 355-371. ISBN 978-1009036795 (doi:https://doi.org/10.1017/9781009036795.024)

Shakir Abal

Lee, Adele (2013) New directions: 'put[ing] on some other shape': Richard III as an Arab V.I.P. In: Connolly, Annaliese, (ed.) Richard III : A Critical Reader. Arden Early Modern Drama Guides . Bloomsbury Arden Shakespeare, London, UK, pp. 155-178. ISBN 9781441168252

Silvia Mercuriali

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

sitcom

Klikova, Deborah ORCID: 0000-0001-9883-2646 (2021) Defining the beats in the TV sitcom. In: Batty, Craig and Taylor, Stayci, (eds.) Script Development. Springer - Palgrave Macmillan, Cham, Switzerland, pp. 205-218. ISBN 978-3030487133; 978-3030487126 (doi:https://doi.org/10.1007/978-3-030-48713-3_13)

Sitcoms

Smith, Caroline (2011) Last of the red wine (Performance). [Show/Exhibition]

site-specific

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

Situation comedy

Smith, Caroline (2011) Last of the red wine (Performance). [Show/Exhibition]

Slaughterhouse Five theatre play

Salihbegović, Fahrudin Nuno (2011) There are no books on Tralfamadore: making theatre on the digital planet. In: Dragićević Šešić, Milena, (ed.) Dositheus - razvoj ljudskih resursa u kulturi: zbornik radova. Academica - Akademska grupa, Belgrade, Serbia, pp. 129-135. ISBN 978-8688835008

SMASHfestUK

Griffiths, Wyn and Keith, Lindsay ORCID: 0000-0002-5324-1719 (2022) Actors with agency: immersive science theatre and science identity. In: Weitkamp, Emma and Almeida, Carla, (eds.) Science and Theatre: Communicating Science and Technology with Performing Arts. Emerald Publishing Ltd., Bingley, UK, pp. 103-112. ISBN 978-1800436411; 978-1800436404; 978-1800436428 (doi:https://doi.org/10.1108/9781800436404)

social connectedness

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia, Negrao, David and James, Winter (2022) KIMA Voice performance at Art in Flux Radical Embodiment event at Barbican London. [Creative Performance or Reading]

social identity

Lammin, Hannah Elisabeth ORCID: 0000-0002-9752-9335 (2017) Staging community: a non-philosophical presentation of immanent social experience. PhD thesis, University of Greenwich.

social impact

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Almena, Maria and Shemza, Aphra (2022) Transformations - Hybrid exhibition and event - curated by Dr. Oliver Gingrich, Maria Almena and Aphra Shemza featuring Analema Group's KIMA Colour, KIMA Voice and KIMA Noise and Oliver Gingrich & Shama Rahman's Zeitgeist. [Show/Exhibition]

social justice

Reynolds, Tracey ORCID: 0000-0002-9618-6318 and Kaptani, Eirini (2022) Migrants performing citizenship: participatory theatre and walking methods for research. In: Czajka, Agnes and O’Brien, Áine, (eds.) Art, Migration and the Production of Radical Democratic Citizenship. Rowman & Littlefield Publishers, London U.K. ISBN 978-1786612786 ; 978-1786612809; 1786612801

socially engaged practices

Costantino, Anna (2021) Performative education inside and outside the ethics of care: three provocations. Scenario, 15 (2):2. pp. 27-46. ISSN 1649 - 8526 (Online) (doi:https://doi.org/10.33178/scenario)

sound

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

sound art

Hobbs, James and Jones, Patrick Adam (2022) For Want of (not) Measuring. [Show/Exhibition]

Soviet Union

Sporton, Gregory (2007) Power as nostalgia: the Bolshoi Ballet in the new Russia. In: Barnett, Dennis and Skelton, Arthur, (eds.) Theatre and Performance in Eastern Europe: The Changing Scene. Scarecrow Press, Lanham, Maryland, USA, pp. 3-12. ISBN 9780810860230

spatial sound

Margetson, Emma ORCID: 0000-0002-1054-1973 (2024) Contemplations. [Artefact]

spectacle

Wallis, Jillian (2008) [Drama Workshop with Emergency Exit Arts] Earth carnival. [Play, Short Story or Poetry] (Unpublished)

Wallis, Jillian (2014) Emma Hamilton's Attitudes Renewed. [Creative Performance or Reading]

spectatorship

Lilley, Heather Louise (2010) Vital contact: creating interpretive communities in the moment of theatrical reception. About Performance (10).

speech

Signorelli, Valentina ORCID: 0000-0001-7411-7277 (2019) Famous Last Words - A comparative focus on resignation speeches to trace contemporary European instability: the cases of David Cameron and Matteo Renzi. In: Desecrating Celebrity. Proceedings of the IV International Celebrity Studies Journal Conference. Area 14 - Scienze Politiche e Sociali, Volumi di Area 14 - Scienze Politiche e Sociali, 14 . Nuova Cultura, Rome, pp. 109-130. ISBN 978-8833652719 (doi:https://doi.org/10.4458/2719)

spontaneity

McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:https://doi.org/10.1080/2040610X.2022.2091733)

Stage

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) My Country: a play about Brexit that tries to break the bubble but disappoints. The Conversation. ISSN 2201-5639

staging community

Lammin, Hannah Elisabeth ORCID: 0000-0002-9752-9335 (2017) Staging community: a non-philosophical presentation of immanent social experience. PhD thesis, University of Greenwich.

stalking

Hutchins, Emma (2008) NOT stalking David Tennant (aka "having it all"). [Creative Performance or Reading] (Unpublished)

subcultural identity

Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2007) Roy Williams: representing multicultural Britain in Fallout. Modern Drama, 50 (3). pp. 414-434. ISSN 0026-7694 electronic 1712-5286

Subsidised Theatre

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2019) 'The New Place in Town': Early Reflections on the Bridge Theatre and the Monetisation of the Subsidised Theatre Sector in London. In: Text and Presentation: Comparative Drama Conference, Thursday 4 April - Saturday 6 April 2019, Rollins College, Orlando, Florida, USA. (Unpublished)

suicide

King, Andrew ORCID: 0000-0003-2348-4231 (2016) ‘Suicide: Popular? Obscene? The case of Ouida’s Two Little Wooden Shoes (1874)’. In: Annual Conference of the British Association for Victorian Studies, 31 August - 2 September 2016, University of Cardiff. (Unpublished)

Sulayman Al-Bassam

Lee, Adele (2013) New directions: 'put[ing] on some other shape': Richard III as an Arab V.I.P. In: Connolly, Annaliese, (ed.) Richard III : A Critical Reader. Arden Early Modern Drama Guides . Bloomsbury Arden Shakespeare, London, UK, pp. 155-178. ISBN 9781441168252

surveillance

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)

symposia

Bondar, Melissa and Andrade Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 (2024) A phenomenology of misfits: a case study of Practice-as-Research in Higher Education symposia. PARtake: The Journal of Performance as Research, 6 (1). pp. 1-19. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v6i1.2217)

system collapse

Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)

tambor de mina

Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)

Tang Shu-wing

Lee, Adele (2013) Titus Adronicus. Directed by Tang Shu-wing Theatre Studio (Hong Kong) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 207-209. ISBN 9781408188132

technical theatre

Hockham, David ORCID: 0000-0001-9362-1137 (2022) Wild frontiers: learning in Higher Education institutions. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex. (Unpublished)

technique

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

technology

Allain, Paul, Bennett-Worth, Stacie Lee, Camilleri, Frank, McLaughlin, James ORCID: 0000-0002-2146-6884 and Wilson, Thomas (2019) Editorial. Theatre, Dance and Performance Training, 10 (2). pp. 165-168. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625628)

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

temporal dissonance

Myers, Misha ORCID: 0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214

territory

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2022) An art like nature: theatre environment as territory in Tim Spooner performances. Journal of Contemporary Drama in English, 10 (1). pp. 1-15. ISSN 2195-0156 (Print), 2195-0164 (Online) (doi:https://doi.org/10.1515/jcde-2022-0005)

Wallis, Jillian (2014) So Pleased To Meet You. [Creative Performance or Reading]

textual criticism

Young, Jennifer (2021) ‘While memory holds a seat in this distracted globe’: a look back at the Arden Shakespeare Third Series (1995–2020). In: Smith, Emma, (ed.) Shakespeare Survey 74: Shakespeare and Education. Shakespeare Survey, 74 (74). Cambridge University Press, Cambridge, pp. 355-371. ISBN 978-1009036795 (doi:https://doi.org/10.1017/9781009036795.024)

The Bridge

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2019) 'The New Place in Town': Early Reflections on the Bridge Theatre and the Monetisation of the Subsidised Theatre Sector in London. In: Text and Presentation: Comparative Drama Conference, Thursday 4 April - Saturday 6 April 2019, Rollins College, Orlando, Florida, USA. (Unpublished)

The Figural

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2024) The Possibility of fact: sketching an origin for the performative. In: Twitchin, Mischa, (ed.) Wittgenstein and Performance: You'd be Surprised, Ed. Misc ha Twitchin, Rowman and Littlefield, 2024. Rowman & Littlefield, Lanham; Boulder; New York; London, pp. 27-44. ISBN 978-1538175095; 978-1538175101; 1538175096

The Gallery

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

The Royal Court

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2017) 'The Guru Effect': The Politics of Process in the Young Writers' Programme at the Royal Court. In: Theatre and Performance Research Association, Wednesday 30 August - Friday 1 September 2017, University of Salford, UK. (Unpublished)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2020) 'In the pursuit of new writers': how the Royal Court Young Peoples' Theatre contributed to the development of first time playwrights in the 1990s. In: Boles, William C., (ed.) After In-Yer-Face: Remnants of a Theatrical Revolution. Palgrave Macmillan, pp. 21-35. ISBN 978-3030394264 (doi:https://doi.org/10.1007/978-3-030-39427-1_2)

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2018) A Model for International Playwriting Practice: The Royal Court Young Peoples' Theatre and the Regional Arts Association, 1988-1998. In: Regions, Ruins and Regeneration: Irish Society for Theatre Research, Friday 1 June - Saturday 2nd June 2018, University of Lincoln. (Unpublished)

the Troubles

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

theatre

Cheetham, Deborah and Browning, Daniel (2011) Pecan Summer: The Process of Making New Indigenous Opera in Australia. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farham, UK & Burlington, USA, pp. 325-336. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2022) ‘Creating change where it matters the most’: artistic directorship and representation in the London theatre. Comparative Drama, 56 (1-2). pp. 199-226. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0008)

Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2008) [In Backpages 18.1] The culture of new writing. Contemporary Theatre Review, 18 (1). pp. 131-134. ISSN 1048-6801 (Print), 1477-2264 (Online) (doi:https://doi.org/10.1080/10486800701868254)

Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2022) Introduction - There's no place like London: theatrical landscapes of a city in recovery. Comparative Drama, 56 (1&2):1. pp. 1-11. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0000)

Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

Heinrichs, Liza, Kuenzel, Sven and Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110 (2021) Keeping in touch with your audience during a global pandemic. Sardines - Magazine for Amateur Theatre, 50. pp. 26-27. ISSN 2515-6756

Heinrichs, Liza, Kuenzel, Sven and Krolikowska-Adamczyk, Ewa ORCID: 0000-0002-0739-2110 (2021) The ‘new normal’ for UK theatre? Sardines - Magazine for Amateur Theatre, 50. pp. 16-17. ISSN 2515-6756

Hockham, David ORCID: 0000-0001-9362-1137 and Wallis, Jillian (2023) Operationalising the concept of recontextualisation: leveraging pedagogy and learning strategies in higher education practical courses. Higher Education. ISSN 0018-1560 (Print), 1573-174X (Online) (doi:https://doi.org/10.1007/s10734-023-01136-3)

Hockham, David ORCID: 0000-0001-9362-1137 and Zaremba-Byrne, Kasia (2022) Tiger Lady (what about us: Empowering Community Voices). [Creative Performance or Reading]

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2022) Afterword. Comparative Drama, 56 (1-2):10. p. 227. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0009)

Jones, Emrys (2012) Maternal duties and Filial Malapropisms: Frances Sheridan and the Problems of Theatrical Inheritance. In: British Society For Eighteenth-Century Studies 41st Annual Conference, 04-06 January, 2012, Oxford, UK. (Unpublished)

Karantonis, Pamela (2011) Performativity, mimesis, and indigenous opera. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA, pp. 73-90. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

Karantonis, Pamela and Robinson, Dylan (2011) Introduction. In: Karantonis, Pamela and Robinson, Dylan, (eds.) Opera Indigene: Re/presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA, pp. 1-12. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

Karantonis, Pamela and Robinson, Dylan (eds.) (2011) Opera Indigene: Re/presenting first nations and indigenous cultures. In: Karantonis, Pamela, (ed.) Opera Indigene: Re/Presenting First Nations and Indigenous Cultures. Ashgate Interdisciplinary Series in Opera . Ashgate Publishing, Farnham, UK / Burlington, USA. ISBN 978-0-7546-6989-0 (print), 978-1-4094-2406-2 (e-book)

Lammin, Hannah Elisabeth ORCID: 0000-0002-9752-9335 (2017) Staging community: a non-philosophical presentation of immanent social experience. PhD thesis, University of Greenwich.

Lilley, Heather (2012) 'Everyone in the room has a connection to the story': fairytale adaptation in devised theatre. Journal of Adaptation in Film & Performance, 5 (2). pp. 149-166. ISSN 1753-6421 (Print), 1753-643X (Online) (doi:https://doi.org/10.1386/jafp.5.2.149_1)

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2020.1766282)

Maravala, Persis Jadé and Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Post-immersive interventions with ZU-UK. In: Bucknall, Joanna Jayne, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury - Methuen Drama, London, pp. 151-176. ISBN 978-1350269330

McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) My Country: a play about Brexit that tries to break the bubble but disappoints. The Conversation. ISSN 2201-5639

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2020) Uncovering New Voices at the Royal Court Theatre- Interview with Vicky Featherstone. In: Galea, Marco and Musca, Szabolcs, (eds.) Redefining Theatre Communities – International Perspectives on Community-Conscious Theatre-Making. Intellect, Bristol. ISBN 9781789380767

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) Commemoration in contemporary Polish plays. In: Memory Studies Association Conference 2021, 5-9 July 2021, Online / University of Warsaw. (Unpublished)

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2017) A Double Bill stage adaption of Jill Murphy's Peace at Last! and Whatever Next!, by Chiffchaff Children's Theatre. [Creative Performance or Reading]

Salihbegovic, Fahrudin Nuno (2009) Klanica pet - Slaughterhouse Five: Total theatre in an empty space. Body, Space & Technology, 8 (1). ISSN 1470-9120

Salihbegović, Fahrudin Nuno (2008) Klanica pet – Slaughterhouse Five. [Show/Exhibition]

Salihbegović, Fahrudin Nuno (2011) There are no books on Tralfamadore: making theatre on the digital planet. In: Dragićević Šešić, Milena, (ed.) Dositheus - razvoj ljudskih resursa u kulturi: zbornik radova. Academica - Akademska grupa, Belgrade, Serbia, pp. 129-135. ISBN 978-8688835008

Sheridan, Claire (2014) 'A Tragedy Called "The Last Man": Hazlitt's Joke on Francis Place'. The Hazlitt Review, 7. pp. 46-56. ISSN 1757-8299

Solanke, Adeola (2015) East End boys, West End girls. [Play, Short Story or Poetry]

Solanke, Adeola (2016) [Special performance] East End Boys, West End Girls. [Play, Short Story or Poetry]

Wallis, Jillian (2008) [Director] Money From America. [Play, Short Story or Poetry] (Unpublished)

Wallis, Jillian (2009) [Drama Workshop] Monsters, myths and mayhem: 'The Dragon of Krakow' comes to Blackheath. [Play, Short Story or Poetry] (Unpublished)

theatre artists

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis Jadé and Guillery, Kesia (2022) The significance of ‘role-play’ and ‘instruction-based performance’ as modes of teaching, collaborating, and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge- Taylor & Francis Group, London. ISBN 978-1032036038 (doi:https://doi.org/10.4324/9781003188179)

theatre design

Sporton, Gregory (2009) Design as action: Jean Cocteau and the Ballets Russes. In: White, Christine A., (ed.) Directors and Designers. Intellect Books, Bristol, UK, pp. 231-240. ISBN 9781841502892

theatre for young audiences

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) Children as Co-creators in Chiffchaff Children's Theatre Productions: defining methodology and evidencing children's role in the creative process. In: Talking TYA, 8-10 October 2020, Online. (Unpublished)

theatre heritage

Adeyemi, Sola (2013) Performing identities: re-creation and representation of African performance aesthetics. In: 50 Years of Theatre in the African Academy, 28-30 Aug 2013, University of Ibadan, Nigeria. (Unpublished)

Theatre of the Absurd

Derbyshire, Henry ORCID: 0000-0002-1373-1166 (2021) The Theatre of the Absurd as professional network in Pinter’s early career. Harold Pinter: Stages, Networks, Collaborations. Methuen Drama Engage . Bloomsbury. ISBN 9781350133624

theatre sound

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

theatre translation

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2012) The Ritual/ O Ritual. Conexões. British Council, São Paulo.

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2014) Stages of the Loss: translation as contamination. How The Ritual made it to the Royal National Theatre. Theatre Research International, 39 (2). pp. 120-132. ISSN 0307-8833 (Print), 1474-0672 (Online) (doi:https://doi.org/10.1017/S0307883314000042)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp.6.1.55_1)

Yazbek, Samir (2012) The Ritual. In: Bell, Hillary, (ed.) National Theatre Connections 2012. Methuen Drama, London, pp. 497-537. ISBN 978-1408157244

theatricality

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Artistic engagements with machine generated voice: Holly Herndon's Holly+ & Jane Frances Dunlop’s select important things. In: Mis/Disinformation and the artifices of authenticity and authentication ICA Pre-Conference, 24th May, 2023, York University, Toronto, Ontario Canada. (Unpublished)

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Multivocal theatricalities: articulating data in composites, choruses, crowds. In: Articulating Data: Multivocal Theatricalities, 11th - 12th May, 2023, Inspace, University of Edinburgh.

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Sonic Wandering in New Landscapes. Gertrude Stein and sonic performativity in Eglė Budvytytė’s Songs from the Compost: mutating bodies, exploding stars. In: Performing Studies international conference (PSi) #28 Uhambo Luyazilawula: Embodied Wandering Practices, 2nd - 5th Aug, 2023, Johannesburg. (Unpublished)

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2024) Theatricality and dissonance: frictions in contemporary networked performance practices. In: Quick, Andrew and Rushton, Richard, (eds.) Theatricality and the Arts Film, Theatre, Art. Edinburgh University Press, Edinburgh, pp. 70-87. ISBN 978-1399511650; 1399511653 (In Press)

This House

Graham, James and Holden, Nicholas ORCID: 0000-0002-3437-1702 (2021) This House by James Graham. Methuen Student Drama Editions, 1 (1). Bloomsbury Methuen, London. ISBN 9781350155534

Tim Langford

Lee, Adele (2013) New directions: 'put[ing] on some other shape': Richard III as an Arab V.I.P. In: Connolly, Annaliese, (ed.) Richard III : A Critical Reader. Arden Early Modern Drama Guides . Bloomsbury Arden Shakespeare, London, UK, pp. 155-178. ISBN 9781441168252

Tim Spooner

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2022) An art like nature: theatre environment as territory in Tim Spooner performances. Journal of Contemporary Drama in English, 10 (1). pp. 1-15. ISSN 2195-0156 (Print), 2195-0164 (Online) (doi:https://doi.org/10.1515/jcde-2022-0005)

Titus Adronicus

Lee, Adele (2013) Titus Adronicus. Directed by Tang Shu-wing Theatre Studio (Hong Kong) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 207-209. ISBN 9781408188132

touch

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

Tragedy

Sheridan, Claire (2014) 'A Tragedy Called "The Last Man": Hazlitt's Joke on Francis Place'. The Hazlitt Review, 7. pp. 46-56. ISSN 1757-8299

training

McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis Jadé and Guillery, Kesia (2022) The significance of ‘role-play’ and ‘instruction-based performance’ as modes of teaching, collaborating, and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge- Taylor & Francis Group, London. ISBN 978-1032036038 (doi:https://doi.org/10.4324/9781003188179)

trans-national

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624

translation

Aston, Elaine Frances and O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Amine, Khalid and Roberson, George F., (eds.) Performing Transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-46. ISBN 978-0982440964

Lee, Adele (2013) Antony and Cleopatra. Directed by Kemal Aydoğan for the Oyun Atölyesi Theatre Company (Istanbul, Turkey) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 36-38. ISBN 9781408188132

Lee, Adele (2013) Coriolanus. Directed by Motoi Miura for the Chiten Theatre Company (Kyoto, Japan) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 47-50. ISBN 9781408188132

Lee, Adele (2013) A Midsummer Night's Dream. Directed by Jung Yang-ung for the Yohangza Theatre Company (Seoul, South Korea) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 138-141. ISBN 9781408188132

Lee, Adele (2013) Titus Adronicus. Directed by Tang Shu-wing Theatre Studio (Hong Kong) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 207-209. ISBN 9781408188132

Lee, Adele (2013) Titus in No Man's Land: The Tang Shu-wing Theatre Studio's production. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 110-114. ISBN 9781107040557

Lee, Adele (2013) ‘A girdle round about the earth’: Yohangza’s A Midsummer Night’s Dream. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 83-86. ISBN 9781107040557

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2014) Stages of the Loss: translation as contamination. How The Ritual made it to the Royal National Theatre. Theatre Research International, 39 (2). pp. 120-132. ISSN 0307-8833 (Print), 1474-0672 (Online) (doi:https://doi.org/10.1017/S0307883314000042)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Translating austerity: Theatrical responses to the financial crisis. Twenty-First Century Drama: What Happens Now. Palgrave Macmillan, pp. 129-148. ISBN 978-1137484024 (doi:https://doi.org/10.1057/978-1-137-48403-1_7)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp.6.1.55_1)

Yazbek, Samir (2012) The Ritual. In: Bell, Hillary, (ed.) National Theatre Connections 2012. Methuen Drama, London, pp. 497-537. ISBN 978-1408157244

translation studies

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624

translation theory

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp.6.1.55_1)

trauma-sensitivity

Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)

travel writing

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

Tudors/Henry V111/Cromwell/John Blanke/Anne of Cleves

Solanke, Adeola (2018) The Court Must Have a Queen - an original new play by Ade Solanke. [Play, Short Story or Poetry]

TYA

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) Children as Co-creators in Chiffchaff Children's Theatre Productions: defining methodology and evidencing children's role in the creative process. In: Talking TYA, 8-10 October 2020, Online. (Unpublished)

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2017) A Double Bill stage adaption of Jill Murphy's Peace at Last! and Whatever Next!, by Chiffchaff Children's Theatre. [Creative Performance or Reading]

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) 'Peace at Last' and 'Whatever Next!'. [Creative Performance or Reading]

UK

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

UK COVID-19

Hockham, David ORCID: 0000-0001-9362-1137 (2021) Responding to Creation Theatre’s Time Machine: a production moved to Zoom in light of COVID-19. PARtake: The Journal of Performance as Research, 3 (2). pp. 1-6. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v3i2.541)

Unity

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

university

Ellis, Tatiana, Hockham, David ORCID: 0000-0001-9362-1137 , Rolle, Erica and Zigomo, Pamela (2020) Becoming civic centred: a case study of the University of Greenwich’s Bathway Theatre based in Woolwich. Studies in Theatre and Performance, 40 (3). pp. 316-327. ISSN 1468-2761 (Print), 2040-0616 (Online) (doi:https://doi.org/10.1080/14682761.2020.1807211)

University of Greenwich

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

Utilitarianism

Sheridan, Claire (2014) 'A Tragedy Called "The Last Man": Hazlitt's Joke on Francis Place'. The Hazlitt Review, 7. pp. 46-56. ISSN 1757-8299

verbatim theatre

Derbyshire, Harry ORCID: 0000-0002-1373-1166 and Hodson, Loveday (2008) Performing injustice: human rights and verbatim theatre. Law and Humanities, 2 (2). pp. 191-211. ISSN 1752-1483

Victorian popular women novelists

King, Andrew ORCID: 0000-0003-2348-4231 (2016) ‘Suicide: Popular? Obscene? The case of Ouida’s Two Little Wooden Shoes (1874)’. In: Annual Conference of the British Association for Victorian Studies, 31 August - 2 September 2016, University of Cardiff. (Unpublished)

Viola Spolin

McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:https://doi.org/10.1080/2040610X.2022.2091733)

virtual persona

Wallis, Jillian (2015) Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices. Body, Space and Technology, 14. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.37)

Wallis, Jillian (2014) So Pleased To Meet You. [Creative Performance or Reading]

visual sound

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Evgenia, Emets, Renaud, Alain, Negrao, David, Havsteen-Franklin, Dominik and Grant, Claire (2022) KIMA Colour: Van Gogh - 360 visual sound art. [Artefact]

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia and Negrao, David (2022) KIMA: Voice performance by Analema Group at National Gallery X performed by Victoria Couper. [Creative Performance or Reading]

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia, Negrao, David and James, Winter (2022) KIMA Voice performance at Art in Flux Radical Embodiment event at Barbican London. [Creative Performance or Reading]

Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2021) GROUPTHINK: What happens when we're all connected? Groupthink - a live performance directed by the heartbeats of its viewers. [Creative Performance or Reading]

visual sound art

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Almena, Maria and Shemza, Aphra (2022) Transformations - Hybrid exhibition and event - curated by Dr. Oliver Gingrich, Maria Almena and Aphra Shemza featuring Analema Group's KIMA Colour, KIMA Voice and KIMA Noise and Oliver Gingrich & Shama Rahman's Zeitgeist. [Show/Exhibition]

visual sound interface

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Renaud, Alain, Emets, Evgenia and Negrao, David (2022) KIMA: Voice performance by Analema Group at National Gallery X performed by Victoria Couper. [Creative Performance or Reading]

vocality

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Multivocal theatricalities: articulating data in composites, choruses, crowds. In: Articulating Data: Multivocal Theatricalities, 11th - 12th May, 2023, Inspace, University of Edinburgh.

voice studies

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Sonic Wandering in New Landscapes. Gertrude Stein and sonic performativity in Eglė Budvytytė’s Songs from the Compost: mutating bodies, exploding stars. In: Performing Studies international conference (PSi) #28 Uhambo Luyazilawula: Embodied Wandering Practices, 2nd - 5th Aug, 2023, Johannesburg. (Unpublished)

VR

Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

VR/XR

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo ORCID: 0000-0003-3754-3714 and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]

walking

Finlay, Alec, Heddon, Deirdre and Myers, Misha ORCID: 0000-0002-4355-6602 (2021) WILD CITY | FIADH-BHAILE | ORASUL SALBATIC: Mapping the Wild in the Greeny Howe of Glasgow. In: Cohen, Phil and Duggan, Mike, (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 201-206. ISBN 978-1538147191; 978-1538147214

Smyth, Cherry and Jordan-Baker, Craig (2022) If the river is hidden. Epoque Press, Brighton. ISBN 978-1739188108

wast end

Derbyshire, Henry ORCID: 0000-0002-1373-1166 , Holden, Nicholas ORCID: 0000-0002-3437-1702 , O'Thomas, Mark ORCID: 0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

web 2.0

McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)

West African Literature

Solanke, Adeola (2015) British Library West Africa: Word, symbol and song exhibition. In: West African literature keynote, 5th November 2015, British Library, 96 Euston Road, London NW1 2DB.

William Hazlitt

Sheridan, Claire (2014) 'A Tragedy Called "The Last Man": Hazlitt's Joke on Francis Place'. The Hazlitt Review, 7. pp. 46-56. ISSN 1757-8299

William Shakespeare

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)

windrush generation

Hockham, D. ORCID: 0000-0001-9362-1137 , Campbell, J., Chambers, A., Franklin, P., Pollard, I., Reynolds, T. ORCID: 0000-0002-9618-6318 and Ruddock, R. (2022) Let our legacy continue: beginning an archival journey a creative essay of the digital co-creation and hybrid dissemination of windrush oral histories at the University of Greenwich’s Stephen Lawrence Gallery. Research in Drama Education: The Journal of Applied Theatre and Performance, 27 (2). pp. 199-215. ISSN 1356-9783 (Print), 1470-112X (Online) (doi:https://doi.org/10.1080/13569783.2022.2060733)

Wittgenstein

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2024) The Possibility of fact: sketching an origin for the performative. In: Twitchin, Mischa, (ed.) Wittgenstein and Performance: You'd be Surprised, Ed. Misc ha Twitchin, Rowman and Littlefield, 2024. Rowman & Littlefield, Lanham; Boulder; New York; London, pp. 27-44. ISBN 978-1538175095; 978-1538175101; 1538175096

Wole Soyinka

Adeyemi, Sola (2011) Introduction. African Performance Review, 5 (1). pp. 6-8. ISSN 1750-4848

women authorship

Young, Jennifer (2022) Chapter 1. Women "think round it"! Writing and Publication in Emilia. In: Kressly, Laura, Patient, Aida and Williams, Kimberly A., (eds.) Notelets of Filth: A Companion Reader to Morgan Lloyd Malcolm's Emilia. Routledge Advances in Theatre & Performance Studies . Routledge, London; Abingdon and New York, pp. 1-12. ISBN 978-1003033387; 978-0367498290; 978-0367470982 (doi:https://doi.org/10.4324/9781003033387)

women publication

Young, Jennifer (2022) Chapter 1. Women "think round it"! Writing and Publication in Emilia. In: Kressly, Laura, Patient, Aida and Williams, Kimberly A., (eds.) Notelets of Filth: A Companion Reader to Morgan Lloyd Malcolm's Emilia. Routledge Advances in Theatre & Performance Studies . Routledge, London; Abingdon and New York, pp. 1-12. ISBN 978-1003033387; 978-0367498290; 978-0367470982 (doi:https://doi.org/10.4324/9781003033387)

word maps

Finlay, Alec, Heddon, Deirdre and Myers, Misha ORCID: 0000-0002-4355-6602 (2021) WILD CITY | FIADH-BHAILE | ORASUL SALBATIC: Mapping the Wild in the Greeny Howe of Glasgow. In: Cohen, Phil and Duggan, Mike, (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 201-206. ISBN 978-1538147191; 978-1538147214

Workshop

Smith, Caroline (2011) Last of the red wine (Performance). [Show/Exhibition]

Wallis, Jillian (2009) [Drama Workshop] Monsters, myths and mayhem: 'The Dragon of Krakow' comes to Blackheath. [Play, Short Story or Poetry] (Unpublished)

young audiences

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) 'Peace at Last' and 'Whatever Next!'. [Creative Performance or Reading]

Oxley, Natasha ORCID: 0000-0003-0011-7113 (2020) 'Peace at Last' and 'Whatever Next!'. [Creative Performance or Reading]

Young Court

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2015) 'The Jewel in the Crown': Developing a Young Peoples' Theatre Scheme at the Royal Court. In: Theatre and Performance Research Association, History and Historiography Working Group, Tuesday 8 September - Thursday 10th September 2015, University of Worcester, UK. (Unpublished)

Young People

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2015) 'The Jewel in the Crown': Developing a Young Peoples' Theatre Scheme at the Royal Court. In: Theatre and Performance Research Association, History and Historiography Working Group, Tuesday 8 September - Thursday 10th September 2015, University of Worcester, UK. (Unpublished)

Wallis, Jillian (2008) [Drama Workshop with Emergency Exit Arts] Earth carnival. [Play, Short Story or Poetry] (Unpublished)

Young Writers' Programme

Holden, Nicholas ORCID: 0000-0002-3437-1702 (2017) 'The Guru Effect': The Politics of Process in the Young Writers' Programme at the Royal Court. In: Theatre and Performance Research Association, Wednesday 30 August - Friday 1 September 2017, University of Salford, UK. (Unpublished)

youtube

Sporton, Gregory (2009) The active audience: the network as a performance environment. In: Oddey, Alison and White, Christine A., (eds.) Modes of Spectating. Intellect Books, Bristol, UK, pp. 61-72. ISBN 9781841502397

Zinnie Harris

Holden, Nicholas ORCID: 0000-0002-3437-1702 and Bolton, Jacqueline (2019) International Playwrights' Symposium: Zinnie Harris (Co-Organiser). In: International Playwrights' Symposium: Zinnie Harris, Saturday 23 November 2019, University of Lincoln. (Unpublished)

Zoom

Hockham, David ORCID: 0000-0001-9362-1137 (2021) Responding to Creation Theatre’s Time Machine: a production moved to Zoom in light of COVID-19. PARtake: The Journal of Performance as Research, 3 (2). pp. 1-6. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v3i2.541)

Zoom performance

Hockham, David ORCID: 0000-0001-9362-1137 (2021) Responding to Creation Theatre’s Time Machine: a production moved to Zoom in light of COVID-19. PARtake: The Journal of Performance as Research, 3 (2). pp. 1-6. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v3i2.541)

ZU-UK

Guillery, Kesia, Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2022.2198865)

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 and Bucknall, Joanna (2017) TAIT Episode 20 with Jorge Lopes Ramos: TAIT (Talking About Immersive Theatre) podcast. [Audio]

Maravala, Persis Jade, McLaughlin, James ORCID: 0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625626)

Zygmunt Molik

Lopes Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

‘hacking the familiar’

Guillery, Kesia, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade and Simon, Bart (2024) Liveness, audio mixing and participatory theatre: hacking the familiar in 'Binaural Dinner Date'. In: O’Dwyer, Néill, Scott, Joanne and Young, Gareth W., (eds.) XR Performance: Scenographic Explorations. Bloomsbury Methuen. (In Press)

This list was generated on Sat Jul 20 09:37:34 2024 UTC.