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Items where Subject is "PN Literature (General)"

Items where Subject is "PN Literature (General)"

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Number of items at this level: 231.

A

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

Adeyemi, Adesola (2013) Ìtàn Ògìnìntìn, The Winter's Tale: Shakespeare meets Yoruba gods. In: Banham, Martin, Gibbs, James, Hutchison, Yvette, Osofisan, Femi and Plastow, Jane, (eds.) African Theatre: Shakespeare in and out of Africa. African Theatre (12). James Currey / Boydell & Brewer Ltd., Woodbridge, UK, pp. 48-60. ISBN 9781847010803

Adeyemi, Sola (ed.) (2012) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. In: Adeyemi, Sola, Omoera, Osakue and Binebai, Benedict, (eds.) Alpha Crownes Publishers Ltd, Rochester, UK. ISBN 9780956683731

Adeyemi, Sola (2013) Interpreting the interpreters: the narratives of the postcolony in Wole Soyinka’s The Interpreters. In: Lindfors, Bernth and Davis, Geoffrey V., (eds.) African Literatures and Beyond. A Florilegium. Cross/Cultures - Readings in the Post/Colonial Literatures in English (168). Editions Rodopi B.V., Amsterdam, The Netherlands / New York, NY, pp. 29-38. ISBN 9789042037380

Adeyemi, Sola (2011) Language and accessibility in Femi Osofisan's drama. In: Oni, Duro and Adeyemi, Sola, (eds.) Developments in the Theory and Practice of Contemporary Nigerian Drama and Theatre: A Festschrift in Honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK, pp. 187-202. ISBN 9780956683700

Adeyemi, Sola (2011) Once Upon Four Robbers: the magic of subversion (introduction). In: Osofisan, Femi, (ed.) Once Upon Four Robbers. Mosuro Publishers, Ibadan, Nigeria, pp. 6-15. ISBN 9783613693

Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731

Adeyemi, Sola (2013) Translated gain: colonial power as an agent of postcolonial conquests. In: 2013 Classical Association Conference, 3-6 April 2013, University of Reading, UK. (Unpublished)

Adeyemi, Sola (2013) When drama comes a-cooling: re-assessing Femi Osofisan’s dramatic ideology. In: Igweonu, Kene and Okagbue, Osita, (eds.) Performative Inter-Actions in African Theatre 2: Innovation, Creativity and Social Change. Cambridge Scholars Publishing, Newcastle-Upon-Tyne, UK, pp. 144-157. ISBN 9781443853804

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

Adeyemi, Sola and Olasope, Olakunbi (2012) Fracturing the insularity of the global state: war and conflict in Moira Buffini’s Welcome to Thebes. In: 2012 Classical Association Conference, 11-14 April 2012, University of Exeter, UK. (Unpublished)

Adil, A (2009) Becoming the future now. [Creative Performance or Reading]

Adil, A. (2010) Fire Collector. The Poet and His World. En Tipis Publications, Cyprus. ISBN 9789963691234

Adil, Alev (2011) Becoming human: memory and social justice. In: 2nd Art & Social Justice Conference - Arts and Social Justice: The Media Connection, 20-23 Oct 2011, University of Nicosia, Nicosia, Cyprus. (Unpublished)

Adil, Alev (2011) [Book Review] Ikinci Yeni: The Turkish avant-garde. Modern Poetry in Translation, 3 (16). ISSN 0026-8291

Adil, Alev (2011) [Book Review] The Last Gift, by Abdulrazak Gurnah. The Independent. ISSN 0951-9467

Adil, Alev (2012) [Book review] Honour by Elif Shafak. The Independent. ISSN 0951-9467

Adil, Alev (2012) [Book review] Silent House, by Orhan Pamuk, trans. Robert Finn. The Independent. ISSN 0951-9467

Adil, Alev (2010) East Winds, West Winds, By Mahdi Issa Al-Saqr, trans. Paul Starkey [Book Review]. The Independent. ISSN 0951-9467

Adil, Alev (2007) Fragments from an architecture of forgetting. Cadences: A journal of Literature and Arts in Cyprus, 3 (1-2). pp. 28-35. ISSN 1450-1813

Adil, Alev (2008) Fugitive itineraries. [Artefact] (Unpublished)

Adil, Alev (2009) Ghost/Machine: cinema in a digital age. In: Screen Studies Conference, 3 - 5 July 2009, University of Glasgow, Scotland. (Unpublished)

Adil, Alev (2009) Global perspectives on Turkish literature. In: Second International Symposium of Translators and Publishers of Turkish Literature, 29 - 30 May 2009, Bogazici University, Istanbul, Turkey. (Unpublished)

Adil, Alev (2009) Guilt frame/screen memory: the case of little 'a', a noir murder mystery. the issues (in contemporary culture and aesthetics). Nerve Ltd., pp. 77-89. ISBN 978-0955003721

Adil, Alev (2007) "Nothing comes out of the horror" and "The Pergamon Museum". Brand Literary Magazine, 1 (Spring). p. 36. ISSN 1754-0593

Adil, Alev (2011) On the Turkish Avant-Garde [Book Review]. In: Constantine, David and Constantine, Helen, (eds.) Modern Poetry in Translation - The Dialect of the Tribe. Modern Poetry in Translation, Oxford, UK, pp. 183-186. ISBN 978-0-9559064-8-0 ISSN 978-0-9559064

Adil, Alev (2011) Performance at the Festival of Literature, Orllan. [Creative Performance or Reading] (Unpublished)

Adil, Alev (2010) Photography and borders: Nicosia’s green line as a milieux de memoire. In: International Conference of Photography and Theory - Cypriot Photography in Context: Time Place and Identity, 25-26 Nov 2010, Cyprus University of Technology, Limassol, Cyprus. (Unpublished)

Adil, Alev (2009) Poems. Poetry. Series of Modern Turkish Cypriot Literature, 1 . Freebirds Press, Cyprus. ISBN 978-9963-9619-0-0

Adil, Alev (2009) Representations of multicultural identities in British Cinema. In: Invited speaker to postgraduate students, February 2009, TATA Institute of Social Sciences, Mumbai, India. (Unpublished)

Adil, Alev (2004) Venus infers. NE Publications, London. ISBN 978-0954731502

Adil, Alev (2009) An architecture of forgetting, towards a poetics of the 'dead zone' of Nicosia. In: Silkü, Atilla, Erdem, Murat and Folk, Patrick, (eds.) Memory and Nostalgia: Proceedings. Ege University - 11th International Cultural Studies Symposium. Ege University Press, Izmir, Turkey. ISBN 9789754838022

Adil, Alev and Hussein, Aamer (2013) Night of destiny: a fictional autobiography. Critical Muslim, 5. pp. 207-218. ISSN 2048-8475

Adil, Alev and Hussein, Aamer (2013) Nine postcards from San Lucar. Critical Muslim, 6. ISSN 2048-8475

Adil, Alev and Hussein, Aamer (2013) The beauty of men. Critical Muslim, 8. ISSN 1478-4718

Adil, Alev and Kennedy, Steve ORCID logoORCID: https://orcid.org/0000-0003-1119-9505 (2009) Technology on screen: projections, paranoia and discursive practice. In: Ricardo, Francisco J., (ed.) Cyberculture and New Media. At the Interface / Probing the Boundaries (56). Editions Rodopi B.V., Amsterdam / New York, NY, pp. 219-230. ISBN 9789042025189

B

Baillie, Justine ORCID logoORCID: https://orcid.org/0000-0002-0056-9155 (2011) From margin to centre: Postcolonial identities and Barack Obama's Dreams from My Father. Life Writing, 8 (3). pp. 317-329. ISSN 1448-4528 (Print), 1751-2964 (Online) (doi:10.1080/14484528.2011.578343)

Baillie, Justine ORCID logoORCID: https://orcid.org/0000-0002-0056-9155 (2020) Introduction: Global Morrison. Contemporary Women's Writing, 13 (3). pp. 253-269. ISSN 1754-1476 (Print), 1754-1484 (Online) (doi:10.1093/cww/vpaa008)

Baillie, Justine (2009) Postcolonial futures: postcolonial literature and the Obama moment. In: School of Humanities and Social Sciences Research Conference, 28 May 2009, University of Greenwich. (Unpublished)

Baillie, Justine ORCID logoORCID: https://orcid.org/0000-0002-0056-9155 (2019) “There are no paths in water”: History, Memory and Narrative Form in Crossing the River (1993) and Foreigners: Three English Lives (2007). Polygraphiques - Collection numérique de l'Équipe de recherche interdiscplinaire sur les aires interculturelle (URN - l'ERIAC EA 4705), 2018 (4).

Bavidge, Jenny (2009) City stories, urban narratives: children's literature in the metropolis. In: Place and Space in Children’s Literature, 27 - 28 March 2009, Keble College, University of Oxford. (Unpublished)

Bavidge, Jenny (2009) Eco-citizens: what can urban ecocriticism of children’s literature unearth? In: Harding, Jennifer, Thiel, Elizabeth and Waller, Alison, (eds.) Deep into Nature: Ecology, Environment and Children's Literature. Pied Piper Publishing, pp. 74-83. ISBN 978-0955210693 ISSN 978 0 9552106 9

Bavidge, Jenny (2010) Rats, floods, and flowers: London's gothicized nature. In: Phillips, Lawrence and Witchard, Anne, (eds.) London gothic: place, space and the gothic imagination. Continuum Literary Studies . Continuum, London, pp. 103-119. ISBN 9781441106827

Begum, Yasmin (2018) Dress as metaphor in diasporic fiction. PhD thesis, University of Greenwich.

Bowes, Neil Simon ORCID logoORCID: https://orcid.org/0000-0002-9189-0322 (2023) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Springer International Publishing AG - Palgrave Macmillan, London; Cham, pp. 161-183. ISBN 978-3031186066 (doi:10.1007/978-3-031-18607-3_10)

Brake, Laurel, Demoor, Marysa, Beetham, Margaret, Dawson, Gowan, Dekker, Odin, Haywood, Ian, Hughes, Linda K., Humpherys, Anne, Jones, Aled, King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231, Knight, Mark, Law, Cheryl, Maidment, Brian, Shattock, Joanne, Tilley, Elizabeth, Turner, Mark W. and Wood, John (eds.) (2008) Dictionary of nineteenth-century journalism in Great-Britain and Ireland. In: King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231, Beetham, Margaret, Dawson, Gowan, Dekkers, Odin, Haywood, Ian, Hughes, Linda, Jones, Aled, Humpherys, Anne, Knight, Mark, Maidment, Brian, Shattock, Joanne, Tilley, Elizabeth and Turner, Mark, (eds.) The British Library / Academia Press, London, UK & Ghent, Belgium. ISBN 9780712350396

Brown, Christopher R. (2012) Knock-Out. [Play, Short Story or Poetry]

C

Cheddie, Janice (2007) Listening to trauma in the art of Everlyn Nicodemus. Third Text, 21 (1). pp. 79-89. ISSN 0952-8822 (Print), 1475-5297 (Online) (doi:10.1080/09528820601138667)

Choudhury, Md. Tahseen Alam (2011) South Asian diasporic narratives: beyond the margin of identity and representation. Brand Literary Magazine, 7 (Spring). pp. 86-91. ISSN 1754-0593

Civale, Susan and Sheridan, Claire (2023) Romantic novels 1817 and 1818: introduction. Romantic Textualities, 24. pp. 11-24. ISSN 1748-0116 (Online) (doi:10.18573/romtext.100)

Clear, Nicholas (2014) The Gold Mine: A ludic architecture. Architectural Design, 84 (4). pp. 128-133. ISSN 0003-8504 (Print), 1554-2769 (Online) (doi:doI10.1002/ad.1791)

Creed, Wendy Elizabeth (2002) Dreaming in whispering groves: an inquiry into the reader's response to the book as a published physical object with reference to the rise of the eighteenth century novel, modern critical theory and the processes and technologies of production, transmission and reception. PhD thesis, University of Greenwich.

Critchley, Emily (2009) Chlorine reading. [Creative Performance or Reading]

Critchley, Emily (2009) '[D]oubts, complications and distractions': Rethinking the role of women in language poetry. Hot Gun!, 1 (1). pp. 29-49.

Critchley, Emily (2009) [D]oubts, complications and distractions: rethinking the role of women in language poetry. Hot Gun!, 1 (Summer). pp. 29-49.

Critchley, Emily (2011) Editorial. Journal of British and Irish Innovative Poetry, 3 (2). pp. 75-80. ISSN 1758-2733 (Print), 1758-972X (Online)

Critchley, Emily (2010) First Poetry. [Video]

Critchley, Emily (2010) Four North American women writers from the Greenwich Cross-Genre Festival (July 2010). Cambridge Literary Review, 11 (4). pp. 33-46. ISSN 2042-129x

Critchley, Emily (2009) Homage to Cathy Wagner. [Play, Short Story or Poetry]

Critchley, Emily (2010) Hopeful for love are th'impoverish’d of faith. Torque Press / University of Southampton, Southampton, UK. ISBN 978-1906851040 (pbk)

Critchley, Emily (2009) [Micro-readings and performance of recent collaborative work]. [Creative Performance or Reading]

Critchley, Emily (2010) Poems. Infinite Difference: Other Poetries by UK Women Poets. Shearsman Books Ltd., Exeter, England, pp. 176-185. ISBN 9781848610996

Critchley, Emily (2011) Protest song. In: Cobley, Mark, (ed.) Eighteens. The Knives Forks and Spoons Press, Newton-Le-Willows, Merseyside, UK, pp. 21-23. ISBN 978-1-907812-42-2

Critchley, Emily (2009) Review of Magenta Soul Whip by Lisa Robertson. HOW2, 3 (3).

Critchley, Emily (2009) [Reviews] Magenta soul whip by Lisa Robertson. The Poetry Project Newsletter, 9-10 (221). pp. 24-25.

Critchley, Emily (2010) Scalapino's alternative ways of seeing. Delicious Hem.

Critchley, Emily (2010) Some curious thing. [Video]

Critchley, Emily (2010) Some curious thing (prose poetry). Cambridge Literary Review, 3.

Critchley, Emily (2009) Two poems: 'perhaps other reasons' and 'for Susana Gardner'. Cambridge Literary Review, 1 (1).

Critchley, Emily (2010) When I say I believe women. In: Etter, Carrie, (ed.) Infinite Difference: Other Poetries by UK Women Poets. Shearsman Books, London, pp. 176-185. ISBN 9781848610996

Critchley, Emily (2008) Who handles one over the backlash. Oystercatcher Press, Norfolk, England. ISBN 978-1-905885-04-6

Critchley, Emily (2009) Xing the line: Onedit launch. [Video] (Unpublished)

Critchley, Emily (2007) [A conference overview & introductory remarks] Cambridge Experimental Women's Poetry Festival 5 - 9 October 2006. HOW2, 3 (1).

D

Davies, Rosamund ORCID logoORCID: https://orcid.org/0000-0001-8645-8271 (2011) Dialogism and the Screenplay. In: Beyond Boundaries: Screenwriting Across Media, Fourth Screenwriting Research Network International Conference, 8-10 Sep 2011, Brussels, Belgium. (Unpublished)

Davies, Rosamund ORCID logoORCID: https://orcid.org/0000-0001-8645-8271 (2010) Index of love. [Show/Exhibition]

Davies, Rosamund ORCID logoORCID: https://orcid.org/0000-0001-8645-8271 (2009) The role of the screenwriter and screenplay in the conceptualisation process of videogames. In: Rethinking Screenwriting, 10-12 Sep 2009, Helsinki, Finland. (Unpublished)

Davies, Rosamund ORCID logoORCID: https://orcid.org/0000-0001-8645-8271, Jewell, Michael and Rissen, Paul (2013) Adapting historical drama for the web: a model for metadata backed publishing of historical drama programmes. In: NHT'13: Narrative and Hypertext at the ACM Hypertext Conference Proceedings. ACM Digital Library, pp. 1-4.

Davies, Rosamund ORCID logoORCID: https://orcid.org/0000-0001-8645-8271, Rehal, Kam and Potts, Cherry (2022) Locative narratives and storied cities. Writing in Practice: the journal of creative writing research, 7:6. pp. 56-72. ISSN 2058-5535 (Online)

Demoor, Marysa and King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2009) Why gender, the professions and the press now? Nineteenth-Century Gender Studies, 5 (2). ISSN 1556-7524

Derbyshire, Harry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166 (2013) ‘The Artist is the Hero of the Story’: Harold Pinter's Moonlight as a case study in reception. New Theatre Quarterly, 29 (3). pp. 209-219. ISSN 0266-464X (Print), 1474-0613 (Online) (doi:10.1017/S0266464X13000419)

Derbyshire, Harry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166 (2009) Pinter as celebrity. In: Raby, Peter, (ed.) The Cambridge Companion to Harold Pinter. Cambridge University Press, Cambridge, UK, pp. 266-282. ISBN 9780521886093 (doi:10.1017/CCOL9780521886093.017)

Dunlop, Jane Frances ORCID logoORCID: https://orcid.org/0009-0000-4350-5381 (2023) Previsualisations. ‘they are just there’: Gertrude Stein’s ‘Landscapes’ and their finite possibilities. In: London Conference in Critical Thought 2023, 30th Jun - 1st Jul, 2023, School of Social Sciences and Professions, London Metropolitan University, London.

E

Etkind, Alexander, Finnin, Rory, Blacker, Uilleam, Fedor, Julie, Lewis, Simon, Mälksoo, Maria and Mroz, Matilda (2012) Remembering Katyn. Polity Press, Cambridge, UK. ISBN 9780745655765

F

Fleetwood, Jennifer ORCID logoORCID: https://orcid.org/0000-0002-6348-4810 (2024) What We Talk About When We Talk About Crime. Notting Hill Editions, Broadhembury, Honiton UK. ISBN 978-1912559534

G

Gardner, Angela and Smyth, Cherry (2010) Interview with Cherry Smyth. foam:e, 7. ISSN 1449-6445

Golding, Johnny (2008) Conversion on the road to Damascus: minority report (1). In: Garnett, Robert and Hunt, Andrew, (eds.) Gest: Laboratory of Synthesis No. 1. BookWorks, London. ISBN ISBN 9781870699969

Golding, Sue (2011) Sexing the mouth-breast: When philosophy met the oral tradition. In: 4th Annual Queertopia! queer(ing) poetics: text, method, movement, thought, 27-29 May 2011, Northwestern University, Chicago, USA. (Unpublished)

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

Golding, Sue (2011) The university must be defended: collateral damage, part 37. In: Surplus to Requirements, 2-4 Mar 2011, Slade School of Research. (Unpublished)

Goldsmith, Hilary Anne (2010) The relationship between the Aristotelian, Newtonian and holistic scientific paradigms and selected British detective fiction 1980-2010. PhD thesis, University of Greenwich.

H

Hale, Ann M. (2015) 2014 VanArsdel prize essay: W. T. Stead and participatory reader networks. Victorian Periodicals Review, 48 (1). pp. 15-41. ISSN 0709-4698 (Print), 1712-526X (Online) (doi:10.1353/vpr.2015.0000)

Hanna, Emma (2009) The Great War on the small screen: Representing the First World War in contemporary Britain. Edinburgh University Press, Edinburgh, Scotland. ISBN 9780748633890

Hanna, Emma (2010) The Great War on the small screen: televisual narratives of the First World War. In: History Talks, 17 March 2010, University of Greenwich. (Unpublished)

Hanna, Emma (2007) Reality-experiential history documentaries: the Trench (BBC, 2002) and Britain's modern memory of the First World War. Historical Journal of Film Radio and Television, 27 (4). 531 -548. ISSN 0143-9685; 0143-9685 electronic: 1465-3451 (doi:10.1080/01439680701552604)

Hanna, Emma (2007) A small screen alternative to stone and bronze: The Great War series and British television. European Journal of Cultural Studies, 10 (1). pp. 89-111. ISSN 1367-5494 (doi:10.1177/1367549407072972)

Hockham, David ORCID logoORCID: https://orcid.org/0000-0001-9362-1137 and Zaremba-Byrne, Kasia (2022) Tiger Lady (what about us: Empowering Community Voices). [Creative Performance or Reading]

Hodgson, Andrew, Snajdr, Rosemary ORCID logoORCID: https://orcid.org/0000-0002-2096-1242 and Clarke, Chris (eds.) (2021) Praxis. Dostoyevsky Wannabe Originals . Dostoyevsky Wannabe, Manchester. ISBN 978-1838015664

J

Jenkins, Gwyn (2018) The presentation of education in the literature of the modernist period: 1890 – 1939. PhD thesis, University of Greenwich.

Jones, Emrys (2012) Maternal duties and Filial Malapropisms: Frances Sheridan and the Problems of Theatrical Inheritance. In: British Society For Eighteenth-Century Studies 41st Annual Conference, 04-06 January, 2012, Oxford, UK. (Unpublished)

Jones, Emrys D. (2011) Reading for phantoms: review of Berthin, "Gothic Hauntings". The Cambridge Quarterly, 40 (1). pp. 90-94. ISSN 0008-199X (Print), 1471-6836 (Online) (doi:10.1093/camqtly/bfq032)

Jones, Emrys Danielle Blakele (2008) Mary Wortley Montagu: the nonsense of common-sense. The Literary Encyclopedia. ISSN 1747-678X

Jordan, Jane and King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2014) How to read Ouida:"A Dog of Flanders". In: Lecture presenting Ouida and Victorian Popular Culture, 26 Feb 2014, University of Kingson, Kingston upon Thames, Surrey, UK. (Unpublished)

K

Keith, Lindsay ORCID logoORCID: https://orcid.org/0000-0002-5324-1719 and Griffiths, Wyn (2021) SCENE: A novel model for engaging underserved and underrepresented audiences in informal science learning activities. Research For All, 5 (2). pp. 320-346. ISSN 2399-8121 (Online) (doi:10.14324/RFA.05.2.09)

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2011) Advertising in The ILN. Research Tools: Illustrated London News Historical Archive 1842-2003.

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2009) [Book Review] Women’s literary collaboration, queerness, and late Victorian culture. SHARP News, 18 (2). pp. 10-11.

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2024) Chapter 7. Publishing in the 1860s: technology, regulation, and distribution. In: Gilbert, Pamela K., (ed.) Nineteenth-Century Literature in Transition: The 1860s. Cambridge University Press, United States, pp. 129-146. ISBN 978-1009053051; 978-1316511831; 1316511839 (doi:10.1017/9781009053051.008)

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2013) Crafting the woman artist: Ouida and Ariadnê. In: Hadjiafxendi, Kyriaki and Zakreski, Patricia, (eds.) Crafting the Woman Professional in the Long Nineteenth Century Artistry and Industry in Britain. Routledge, Oxford, UK, pp. 207-225. ISBN 9781472408969

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (1998) Crossing cultures: British cultural studies for Romanian students. Cavallioti Publishing & The British Council, Bucharest, Romania. ISBN 9739840094

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (1998) Crossing cultures: Teacher's notes. British Council, Bucharest, Roamnia.

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2017) Detective Fiction: Introduction Part 1: “Edgar Allan Poe & How to Read (Clues)”. [Video]

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2014) If it doesn't hurt it isn't real: realism, Dickens, journalism. In: Public lecture series, 3-12 Nov 2014, University of Macerata, Italy. (Unpublished)

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2011) Interview with Dr Andrew King in Victorian Popular Fiction Association Newsletter. Victorian Popular Fiction Association Newsletter, 1 (1). pp. 2-6.

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2013) Introduction. In: Jordan, Jane and King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231, (eds.) Ouida and Victorian Popular Culture. Ashgate Publishing Limited, Farnham, UK, pp. 1-12. ISBN 9781409405894

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2011) Literature of the kitchen: cheap serial fiction of the 1840s and 1850s. In: GIlbert, Pamela, (ed.) A companion to sensation fiction. Blackwell Companions to Literature and Culture . John Wiley & Sons Ltd, Chichester, pp. 38-53. ISBN 9781405195584

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (ed.) (2011) The Massarenes (1897) by Ouida. In: King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231, (ed.) New Woman Fiction 1881-1899 (part III), 7 . Pickering and Chatto Publishers, London, UK. ISBN 978 1 85196 643 1

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2014) New women, new publishing? Women and print culture 1890-1914. In: Public lecture series, 3-12 Nov 2014, University of Macerata, Italy. (Unpublished)

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2008) Ouida and the aesthetics of social transformation. In: Ouida in Exile: The Stubborn Pilgrim, 30-31 Aug 2008, Bagni di Lucca, Italy. (Unpublished)

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2012) Ouida, money and a change of heART. In: Victorian Popular Fiction 4th Annual Conference, 11-13 July 2012, Institute of English Studies, University of London. (Unpublished)

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2014) Ouida: journalism, cosmopolitanism and the aesthetics of place. In: RSVP 2014: Places, Spaces, and the Victorian Periodical Press, 12-13 Sep 2014, University of Delaware, DE, USA. (Unpublished)

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2014) Ouida’s Marble Faun: Gender, myth and the persistence of sympathy. In: HawthornEurope: Transatlantic Conversations, 22-24 Oct 2014, University of Macerata, Italy. (Unpublished)

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2009) Periodicals, the state, the professions: Britain 1800-1900. In: Matters of State: Bildung and Literary-Intellectual Discourse in the Nineteenth Century, 23-25 Apr 2009, Catholic University of Leuven, Belgium. (Unpublished)

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2012) Reading the Olympics: the discobolus. In: Reading the Olympics, 7 June 2012, University of Greenwich, UK. (Unpublished)

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2023) Review of Alexander Bubb, Asian Classics on the Victorian bookshelf. Victorian Popular Fictions, 5 (2). pp. 122-125. ISSN 2632-4253 (doi:10.46911/PMRM5497)

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2008) Reynolds's Miscellany, 1846–1849: Advertising networks and politics. In: Humpherys, Anne and James, Louis, (eds.) G.W.M. Reynolds: Nineteenth-Century Fiction, Politics, and the Press. The Nineteenth Century Series . Ashgate Publishing, Farnham, UK, pp. 53-74. ISBN 9780754658542

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2014) Sex and the city: Victorian women, power, periodicals and shopping. In: Public lecture series, 3-12 Nov 2014, University of Macerata, Italy. (Unpublished)

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2019) Welcome. Victorian Popular Fictions, 1 (1). pp. 1-5. ISSN 2632-4253

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2019) Welcome to Issue 1.2 (Autumn 2019). Victorian Popular Fictions, 1 (2). pp. 1-2. ISSN 2632-4253 (Online)

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2009) The origins of Ouida’s Pascarèl (1873): the combination novel, myths of the female artist and the commerce of art. In: Curreli, Mario, Barbuni, Mara and Marucci, Franco, (eds.) Anglistica Pisana. Edizioni ETS, Pisa, Italy, pp. 77-85. ISBN 9788846725967

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2000) A paradigm of reading the Victorian penny weekly: education of the gaze and The London Journal. In: Brake, Laurel, Bell, Bill and Finkelstein, David, (eds.) Nineteenth-Century Media and the Construction of Identity. Palgrave Macmillan, Basingstoke, UK, pp. 77-92. ISBN 9780333681510 (hbk), 9780333681527 (pbk)

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2011) The sympathetic individualist: Ouida's late work and politics. Victorian Literature and Culture, 39 (2). pp. 563-579. ISSN 1060-1503 (Print), 1470-1553 (Online) (doi:10.1017/S1060150311000143)

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 (2019) The trade and professional press. In: Finkelstein, David, (ed.) The Edinburgh History of the British and Irish Press: 2: Expansion and Evolution, 1800-1900. Edinburgh University Press, Edinburgh. ISBN 978-1474424882; 978-1474424912; 978-1474424905; 1474424880

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 and Plunkett, John (eds.) (2004) Popular print media, 1820-1900. Major Works, 3 vols . Routledge, London, UK. ISBN 9780415322508

King, Andrew ORCID logoORCID: https://orcid.org/0000-0003-2348-4231 and Plunkett, John (2005) Victorian print media: a reader. Oxford University Press, Oxford, UK. ISBN 9780199270378

Klika (Klikova), Deborah ORCID logoORCID: https://orcid.org/0000-0001-9883-2646 (2024) Comedy and language. In: Screen writing Research Network Conference 2024 “Conversation Beyond Script”, 10th - 14th Sep, 2024, Palacký University, Olomouc Czechia Republic. (Unpublished)

Klika (Klikova), Deborah ORCID logoORCID: https://orcid.org/0000-0001-9883-2646 (2024) Ludwig: in this comic BBC detective drama, puzzles are key to solving a murder – and understanding other people. The Conversation:239626. ISSN 2201-5639

Klika (Klikova), Deborah ORCID logoORCID: https://orcid.org/0000-0001-9883-2646 (2023) The bind in film comedy. In: Screenwriting Research Network (SRN) conference 2023: Gender and the Female Gaze, 20th - 23rd Sep, 2023, Stephens College, Columbia, Missouri. (Unpublished)

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Langan, Michael (2009) Astonishing apples: visualising the novel. In: School of Humanities and Social Sciences Research Conference, 28 May 2009, University of Greenwich. (Unpublished)

Langan, Michael (2007) Heroes. Brand Literary Magazine, 1 (Spring). pp. 106-108. ISSN 1754-0593

Langan, Michael (2009) Writing under the bridge: an international conversation between Elizabeth Pisani, Wayson Choy, Christos Tsiolkas, Zdravka Evtimova and Michael Langan. Brand Literary Magazine, 4 (Winter). pp. 91-97. ISSN 1754-0593

Lilley, Heather (2012) 'Everyone in the room has a connection to the story': fairytale adaptation in devised theatre. Journal of Adaptation in Film & Performance, 5 (2). pp. 149-166. ISSN 1753-6421 (Print), 1753-643X (Online) (doi:10.1386/jafp.5.2.149_1)

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Maffioletti, Catherine and Elizabeth, Kay (2024) Death of a Document. [Creative Performance or Reading]

Mann, Tony (2010) From Sylvia Plath's The Bell Jar to the Bad Sex Award: a partial account of the uses of mathematics in fiction. BSHM Bulletin: Journal of the British Society for the History of Mathematics, 25 (2). pp. 58-66. ISSN 1749-8430 (Print), 1749-8341 (Online) (doi:10.1080/17498431003664455)

Markowski, Marianne ORCID logoORCID: https://orcid.org/0000-0003-4652-3168, Kalocsanyiova, Erika ORCID logoORCID: https://orcid.org/0000-0002-3535-1084 and Essex, Ryan ORCID logoORCID: https://orcid.org/0000-0003-3497-3137 (2023) The current landscape of studies involving intergenerational letter and email writing: a systematic scoping review and textual narrative synthesis. Written Communication, 41 (1). pp. 167-199. ISSN 0741-0883 (Print), 1552-8472 (Online) (doi:10.1177/07410883231207103)

Martin, Mary Clare ORCID logoORCID: https://orcid.org/0000-0002-3568-6423 (2014) In market, mansion or mountain: Representations of disability in reading for the young in rural and urban contexts, 1850-1950. Childhood in the Past: An International Journal, 7 (1). pp. 38-45. ISSN 1758-5716 (Print), 2040-8528 (Online) (doi:10.1179/1758571614Z.00000000016)

Martin, Mary Clare ORCID logoORCID: https://orcid.org/0000-0002-3568-6423 (2008) In market, mansion or mountain: representations of disability in reading for the young, 1850-1950. In: IXth International Conference on Urban History: Comparative History of European Cities, 27-30 Aug 2008, Lyon, France. (Unpublished)

McClean, Mairead (2010) For the record. In: History Talks, 17 March 2010, University of Greenwich. (Unpublished)

McKean, Kathy (2007) Impermanence and Displacement in Weldon rising, the strip and Never Land by Phyllis Nagy. In: Godiwala, Dimple, (ed.) Alternatives within the Mainstream II: Queer Theatres in post-war Britain. Cambridge Scholars Publishing, Newcastle Upon Tyne, UK, pp. 248-269. ISBN 9781847183064

Morton, John S. ORCID logoORCID: https://orcid.org/0000-0002-9089-7450 (2009) Creating "young Tennyson". In: The Tennyson Society International Bicentenary Conference: ‘The Young Tennyson, 16-20 Jul 2009, University of Lincoln, Lincoln, UK. (Unpublished)

Morton, John S. ORCID logoORCID: https://orcid.org/0000-0002-9089-7450 (2010) Remembering the Victorians: Virginia Woolf and Tennyson. In: Barnett, Ryan and Trowbridge, Serena, (eds.) Acts of memory: the Victorians and beyond. Cambridge Scholars Publishing, Newcastle Upon Tyne, UK, pp. 109-122. ISBN 9781443825672

Morton, John S. ORCID logoORCID: https://orcid.org/0000-0002-9089-7450 (2009) 'So word by word, and line by line, / The dead man touched me from the past': the afterlife of Tennyson's In Memoriam. In: Invited lecture, 16 February 2009, Bishop Grosseteste, University College Lincoln. (Unpublished)

Morton, John S. ORCID logoORCID: https://orcid.org/0000-0002-9089-7450 (2010) Tennyson among the novelists. Continuum Reception Studies . Continuum, London, UK. ISBN 9781441102379

Morton, John S. ORCID logoORCID: https://orcid.org/0000-0002-9089-7450 (2009) Tennyson and youth. In: School of Humanities and Social Sciences Research Conference, 28 May 2009, University of Greenwich, London, UK. (Unpublished)

Morton, John S. ORCID logoORCID: https://orcid.org/0000-0002-9089-7450 (2010) ‘Tennyson at 200: the bicentenary of the Victorian laureate’. Literature Compass, 7 (9). pp. 867-882. ISSN 1741-4113 (doi:10.1111/j.1741-4113.2010.00748.x)

Morton, John S. ORCID logoORCID: https://orcid.org/0000-0002-9089-7450 (2010) “ ‘Vex thou not the poet’s mind’: posthumous poetical forms of addressing Tennyson”. In: British Association of Victorian Studies Conference, Victorian Forms and Formations, 2-4 September 2010, University of Glasgow, Scotland. (Unpublished)

Mroz, Matilda (2013) Neighbours: Polish-Jewish relations in contemporary Polish visual culture. In: Bangert, Axel, Gordon, Robert S.C. and Saxton, Libby, (eds.) Holocaust Intersections: Genocide and Visual Culture at the New Millennium. Legenda / Maney Publishing, Oxford, UK, pp. 132-147. ISBN 9781907975028

Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. Studies in Eastern European Cinema, 1 (2). pp. 153-165. ISSN 2040-350X (Print), 2040-3518 (Online) (doi:10.1386/seec.1.2.153_1)

Mroz, Matilda (2012) Temporality and film analysis. Edinburgh University Press, Edinburgh, UK. ISBN 9780748643462

O

O'Brien, Paul (2006) The beautiful Gothic: an investigation into the use and development of the beautiful and death in Gothic literature. MPhil thesis, University of Greenwich.

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2010) Analysing the screenplay: A comparative approach. In: Nelmes, Jill, (ed.) Analysing The Screenplay. Routledge, London, pp. 237-251. ISBN 978-0415556347

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2022) Rita, Sue and #Metoo: the Royal Court Theatre, London, and liberalism. Comparative Drama, 56 (1&2). pp. 157-178. ISSN 0010-4078 (doi:10.1353/cdr.2022.0006)

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2016) What are you reading? Times Higher Education. ISSN 0049-3929

Oyebanjo, Funke ORCID logoORCID: https://orcid.org/0000-0002-6655-9726 (2023) Chapter 33. The haptic encounter: scripting female subjectivity. In: Davies, Rosamund ORCID logoORCID: https://orcid.org/0000-0002-6655-9726, Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Macmillan - Springer Nature, Cham, Switzerland, pp. 623-642. ISBN 978-3031207686; 978-3031207716; 978-3031207693 (doi:10.1007/978-3-031-20769-3_33)

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Pawlowski, Mark ORCID logoORCID: https://orcid.org/0000-0002-5473-5809 and Greer, Sarah (2009) Film and literature in the legal classroom. The Law Teacher, 43 (1). pp. 49-61. ISSN 0306-9400 (Print), 1943-0353 (Online) (doi:10.1080/03069400802703144)

Pettit, Zoë ORCID logoORCID: https://orcid.org/0000-0002-1909-8947 (2014) A South African take on the gangster film genre: translating Tsotsi and Hijack Stories for an international audience. In: Abend-David, D, (ed.) Media and Translation: An Interdisciplinary Approach. Bloomsbury Academic, New York, pp. 53-72. ISBN 978-1623566463

Phillips, Edward (2006) Legal myth-making: Medea and the legal representation of the feminine ‘other'. In: Modern Humanities Research Association Conference: Medea: Mutations and Permutations of a Myth, 17-19 July 2006, University of Bristol.

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Rabourdin, Caroline ORCID logoORCID: https://orcid.org/0000-0002-9694-0384 (2023) Being outside inside Oran: deconstruction, translation and architecture in Hélène Cixous’s ‘Promised cities’. The Translator. ISSN 1355-6509 (Print), 1757-0409 (Online) (doi:10.1080/13556509.2023.2278223)

Rabourdin, Caroline ORCID logoORCID: https://orcid.org/0000-0002-9694-0384 (2016) Spatial translations and embodied bilingualism. CALL: Irish Journal for Culture, Arts, Literature and Language: Language, Migration and Diaspora, 1 (1):12. (doi:10.21427/D74S3H)

Ramachandran Ram, Rahesh ORCID logoORCID: https://orcid.org/0000-0001-9238-5021 (2021) Architecture, fiction and thought experiments. In: EAEA15: Envisioning Architectural Narratives. Monograph of the 15th Biennial International Conference of the European Architectural Envisioning Association Huddersfield, United Kingdom, September 1-3, 2021. University of Huddersfield, Department of Architecture and 3D Design, School of Art, Design and Architecture, The University of Huddersfield, UKHuddersfield, pp. 235-245. ISBN 978-1862181892 ; 978-1862181885 (doi:10.34696/xc3n-d030)

Rapi, Konstantina (2010) Akrovasia / Edgewise. [Play, Short Story or Poetry]

Rapi, Konstantina (2010) Howard Barker interviewed by Nina Rapi. Brand Literary Magazine, 6 (Spring). pp. 73-77. ISSN 1754-0593

Rapi, Konstantina (2010) Kiss the shadow. [Play, Short Story or Poetry]

Rapi, Konstantina (2010) Mrs Jones matters. [Play, Short Story or Poetry]

Rapi, Konstantina (2011) Playing Yo-Yo at Waterloo Bridge. Polari Journal, 3. ISSN 1837- 9885

Rapi, Konstantina (2009) Scatman. [Play, Short Story or Poetry]

Rapi, Konstantina (2011) An education in living poetry, vivid and violent. In: Brown, Mark, (ed.) Howard Barker Interviews 1980–2010: conversations in catastrophe. Intellect, Bristol, UK / Chicago, USA, pp. 175-180. ISBN 9781841503981 (pbk) 9781841505237 (ebk)

Rapi, Nina (2008) The Bells by M. Koumantarea [translation by Nina Rapi]. Chroma Literary Journal, 7 (Spring). pp. 34-36. ISSN 1744-7801

Rapi, Nina (2009) La luna. 3AM Press, 3AM Magazine.

Rapi, Nina (2006) Nine traces in a circle. DAIMON, Athens, Greece. ISBN 9789608456051

Rapi, Nina (2008) Queering the foreign, foreign-ing the queer: seeking a new aesthetic in playwriting. In: Queer in Europe: A 3-Day International Research Symposium, 13-15 Sep 2008, The Centre for the Interdisciplinary Study of Sexuality and Gender in Europe, University of Exeter, UK. (Unpublished)

Rapi, Nina (2008) Scatman. [Play, Short Story or Poetry]

Rapi, Nina and Smyth, Cherry (2008) En/titled: The space where writing, editing and teaching intersect. In: Great Writing: the International Creative Writing Conference, 27-29 Jun 2008, Bangor University, North Wales, UK. (Unpublished)

Rowland, Susan (1999) C. G. Jung and literary theory: the challenge from fiction. Palgrave Macmillan, Hampshire, England. ISBN 9780333747209

Rowland, Susan (2006) Discourse and soul: Jung, literature, science and tragedy as mythical writing. In: Psyche and Imagination: The International Association for Jungian Studies and The University of Greenwich, A Multidisciplinary Academic Conference of Jungian and Post-Jungian Studies, 6 - 9 July 2006, University of Greenwich, London. (Unpublished)

Rowland, Susan (2010) House not Ho(l)mes. In: Hockley, Luke and Gardner, Leslie, (eds.) House: the Wounded Healer on Television. Jungian and Post-Jungian Reflections. Routledge / Taylor & Francis Group, Hove, UK / New York, US, pp. 133-151. ISBN 978-0-415-47912-7 (hbk), 978-0-415-47913-4 (pbk), 978-0-203-84033-7 (ebk)

Rowland, Susan (2007) Jung and creativity. Brand Literary Magazine, 1 (Spring). pp. 80-83. ISSN 1754-0593

Rowland, Susan (2009) Literature and the shaman: Jung, trauma stories and new origin stories in The Lion, the witch and the wardrobe by C.S. Lewis. Journal of Jungian Scholarly Studies, 5 (1). pp. 1-13. ISSN 1920-986X

Rowland, Susan (2009) New origin stories: literature for healing the collective. In: Healing and Transformation for the Collective: The Jungian Society for Scholarly Studies VIIIth Annual Conference, 6 - 9 August 2009, Cornell University, Ithaca, New York. (Unpublished)

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Secomb, Linnell (2012) Simone de Beauvoir, melodrama and the ethics of transcendence. In: Boulé, Jean-Pierre and Tidd, Ursula, (eds.) Existentialism and Contemporary Cinema: A Beauvoirian Perspective. Berghahn Books, New York / Oxford, pp. 81-96. ISBN 9780857457295

Sheridan, Claire (2020) Frankenstein’s communities. In: Inklings - Jahrbuch für Literatur und Ästhetik. Peter Lang Verlag. ISBN 978-3631820315 ISSN 0176-3733

Signorelli, Valentina ORCID logoORCID: https://orcid.org/0000-0001-7411-7277 (2019) Famous Last Words - A comparative focus on resignation speeches to trace contemporary European instability: the cases of David Cameron and Matteo Renzi. In: Desecrating Celebrity. Proceedings of the IV International Celebrity Studies Journal Conference. Area 14 - Scienze Politiche e Sociali, Volumi di Area 14 - Scienze Politiche e Sociali, 14 . Nuova Cultura, Rome, pp. 109-130. ISBN 978-8833652719 (doi:10.4458/2719)

Sigthorsson, Gauti (2008) Broadcasting and narrowcasting. In: Fjölmiðlar og fámiðlar Reykjavik Academy,, 18 March 2008, Reykjavik, Iceland. (Unpublished)

Sigthorsson, Gauti (2008) I wanna be a protocol: online media and electronic structures of kinship. In: Annual Meeting of the American Comparative Literature Association (ACLA): The anxiety of immanence; modernism and human indistinction, April 24-27, 2008, Long Beach, CA. (Unpublished)

Smith, Adam James, Jones, Emrys and Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2023) Introduction. In: Smith, Adam James, Jones, Emrys and Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826, (eds.) Impolite Periodicals. Bucknell University Press, Lewisburg, PA, pp. 3-28. (In Press)

Smith, Caroline (2007) Ali Smith interviewed by Caroline Smith. Brand Literary Magazine, 1 (Spring). pp. 75-79. ISSN 1754-0593

Smith, Caroline (2008) Anthony Neilson interviewed by Caroline Smith. Brand Literary Magazine, 2. pp. 76-79. ISSN 1754-0593

Smith, Caroline (2011) Eating Secret in Od[zbreve]aci, Serbia 2010. Women and Performance: A journal of feminist theory (Food Legacies), 21 (3). pp. 397-409. ISSN 0740-770X (Print), 1748-5819 (Online) (doi:10.1080/0740770X.2011.627196)

Smith, Caroline (2009) Eating secret [at Kingston University]. In: Kingston University for Performing Lives International Symposium, 6 - 8 July, 2009, Kingston University. (Unpublished)

Smith, Caroline (2008) End of the line: flash fiction collection on trauma [Reading]. [Creative Performance or Reading] (Unpublished)

Smith, Caroline (2007) Hide and seek with rebels: tracing contemporary queer art in cracks and rips. Wasafiri, 22 (1). pp. 32-42. ISSN 0269-0055 (doi:10.1080/02690050601097609)

Smith, Caroline (2007) Skin shed. Brand Literary Magazine, 1 (Spring). pp. 24-25. ISSN 1754-0593

Smith, Sarah Siobhan (2000) Sidney Arthur Kilworth Keyes 1922-1943: poetry, prose and plays: a re-evaluation. PhD thesis, University of Greenwich.

Smyth, Cherry (2006) Behindhand [poetry]. Staple Magazine (65). p. 37. ISSN 0266-4410

Smyth, Cherry (2006) Cashelkeelty [poetry]. Staple Magazine (65). p. 36. ISSN 0266-4410

Smyth, Cherry (2006) Each tidy reverse [poetry]. Magma, Summer (35). p. 22.

Smyth, Cherry (2006) Enough [poetry]. Magma, Summer (35). p. 23.

Smyth, Cherry (2009) Fair head [poetry]. Magma, Summer (44). p. 10.

Smyth, Cherry (2019) Famished. Pindrop Press, Glasgow. ISBN 978-1999355920

Smyth, Cherry (2013) Hold still. Holland Park Press, London, UK. ISBN 9781907320361

Smyth, Cherry (2007) In the same sphere [poetry]. Poetry Ireland Review (92).

Smyth, Cherry (2010) Notes on imp. In: Poetry and Voice, a creative and critical conference, 25-27 June 2010, University of Chichester. (Unpublished)

Smyth, Cherry (2006) Now you're a woman [poetry]. Stony Thursday New Series, Autumn (5). p. 77. ISSN 1649-153X

Smyth, Cherry (2006) One wanted thing. Lagan Press, Belfast, Northern Ireland. ISBN 9781904652373

Smyth, Cherry (2006) Shine on [poetry]. Magma, Summer (35). p. 22.

Smyth, Cherry (2012) Test, orange. Pindrop Press, Tonbridge, UK. ISBN 9780956782274

Smyth, Cherry (2009) To Dursey [poetry]. Magma, Summer (44). p. 9.

Smyth, Cherry (2008) Using the bathroom [poetry]. Stony Thursday New Series, Autumn (7). p. 57. ISSN 1649-153X

Smyth, Cherry (2008) Wishbone [poetry]. Long Poem Magazine (1).

Smyth, Cherry (2008) Yang Lian interviewed by Cherry Smyth. Brand Literary Magazine, 3 (Spring). pp. 86-89. ISSN 1754-0593

Smyth, Cherry (2011) The noisy body: a performance poetics on hypochondria. In: Poetry and Melancholia Conference, 7-9 Jul 2011, University of Stirling, Scotland. (Unpublished)

Smyth, Cherry (2010) A presentation of new poetry from Cherry Smyth's collection 'Test, orange'. [Creative Performance or Reading] (Submitted)

Smyth, Cherry (2009) The solitude room. In: School of Humanities and Social Sciences Research Conference, 28 May 2009, University of Greenwich. (Unpublished)

Snailham, Fiona (2021) My sister haunts me: sororal spectres and the “Otherness” of female sexual desire in the mid-nineteenth century ghost story. Women's Writing, 28 (4). pp. 529-547. ISSN 0969-9082 (Print), 1747-5848 (Online) (doi:10.1080/09699082.2021.1985290)

Snajdr, Rosie ORCID logoORCID: https://orcid.org/0000-0002-2096-1242 (2021) Whorl the prudident slipt. Veer2 . Veer Books, London. ISBN 978-1911567196

Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2023) Polite impostures: Addison’s Orientalist spectators. In: Smith, Adam James, Jones, Emrys and Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826, (eds.) Impolite Periodicals. Bucknell of University Press, Lewisburg, Pennsylvania, pp. 76-101. (In Press)

Szczepanska, Sue (2013) An exploration of plagiarism: the perceptions of senior nurses in the context of professionalism and patient care. EdD thesis, University of Greenwich.

V

Vlitos (Lloyd), Paul (Ellery) (2024) The Final Act of Juliette Willoughby. Pan Macmillan, London; Dublin. ISBN 978-1035020805; 978-103500812; 1035020807

W

Williams, John (2009) Peter Ackroyd’s Chatterton, Thomas Chatterton, and postmodern romantic identities and attitudes: ‘This is essentially a Romantic attitude’. Romanticism, 15 (1). pp. 33-40. ISSN 1354-991X (Print), 1750-0192 (Online) (doi:10.3366/E1354991X0900049X)

Y

Young, Jennifer (2019) Small Latin, less Greek (but just enough poetry): early modern stationers and the grammar school education. In: The People of Print: printers, stationers, and booksellers 1500-1830, 12 - 14 Sep 2019, University of Sheffield. (Unpublished)

Young, Jennifer (2018) Why stationers don't collaborate. In: International Shakespeare Conference, 22 - 27 Jul 2018, Shakespeare Institute, Stratford Upon Avon. (Unpublished)

Young, Jennifer (2018) A stationer’s network in the archives: Thomas Cotes stationer & parish clerk. In: Early Archives Symposium, 11 - 12 Jun 2018, Queen Mary, University of London. (Unpublished)

Young, Jennifer, Smith, Peter J, Parsons, Elinor, Tarantino, Elisabetta, Stelzer, Emanuel, Bell, Shirley, Griffiths, Christian, Wilkinson, Kate, O'brien, Sheilagh Ilona and Powell, Louise (2018) VII Shakespeare. Year's Work in English Studies, 97 (1). pp. 353-464. ISSN 0084-4144 (Print), 1471-6801 (Online) (doi:10.1093/ywes/may005)

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