Items where Subject is "M Music"
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- Library of Congress Subject Areas (169)
- M Music and Books on Music (169)
- M Music (169)
- M Music and Books on Music (169)
20-channel
Margetson, Emma
ORCID: 0000-0002-1054-1973
(2021)
Shifted Trajectories.
[Composition]
8mm film
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Cunningham, Stuart
(2014)
Digitized direct animation: creating materials for electroacoustic visual music using 8mm film.
eContact! Online Journal for Electroacoustic Practices, 15 (4).
abc music
Walshaw, Chris
ORCID: 0000-0003-0253-7779
(2014)
A statistical analysis of the ABC music notation corpus: exploring duplication.
In: Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014).
Computer Engineering Department, Boğaziçi University, Turkey, Istanbul, Turkey, pp. 2-9.
abstract
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song.
Body, Space & Technology, 15 (22).
ISSN 1470-9120
(doi:https://doi.org/10.16995/bst.20)
abstract animation
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
Ambience 1.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
Ambience 2.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
Ambience 3.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2018)
Document of Singing Light 1 installation.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2014)
Horizon.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2015)
Reservoir.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2015)
Shadow Sounds 1.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2019)
Singing Light 2.
[Show/Exhibition]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2018)
Sky 2.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2015)
Song Series Animacy.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2015)
Song series animacy.
In: Digital Research in the Humanities and Arts 2014, 01 Sep 2015, Dublin, UK.
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2020)
Visual music and embodied visceral affect.
In: Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, (ed.)
Sound and Image: Aesthetics and Practices.
Sound Design
.
Routledge, London, UK.
ISBN 978-0367271473
(doi:https://doi.org/10.4324/9780429295102-9)
abstraction
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)
acousmatic
Margetson, Emma
ORCID: 0000-0002-1054-1973
(2024)
Contemplations.
[Artefact]
Margetson, Emma
ORCID: 0000-0002-1054-1973
, Preye, Olivia and Waterfield, Alithea
(2021)
Walk with me.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Sound/Image: intersections. Premier of “Kiln”.
[Creative Performance or Reading]
adaptation
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2013)
Translation, theatre practice and the jazz metaphor.
Journal of Adaptation in Film & Performance, 6 (1).
pp. 55-64.
ISSN 1753-6421
(doi:https://doi.org/10.1386/jafp.6.1.55_1)
affect
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(2020)
Audiovisual spaces: spatiality, experience and potentiality in audiovisual composition.
In: Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, (ed.)
Sound & Image: Aesthetics and Practices.
Sound Design
.
Routledge, London, UK.
ISBN 978-0367271473
(doi:https://doi.org/10.4324/9780429295102-4)
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2018)
Creating Affective Visual Music.
In: Proceedings of Proceedings of EVA London 2018, UK.
ScienceOpen, pp. 374-381.
(doi:https://doi.org/10.14236/ewic/EVA2018.70)
affective computing
Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Picking, Richard
(2019)
Audio emotion recognition using machine learning to support sound design.
In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019.
Association for Computing Machinery (ACM), New York, pp. 116-123.
ISBN 9781450372978
(doi:https://doi.org/10.1145/3356590.3356609)
Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Picking, Richard
(2021)
Supervised machine learning for audio emotion recognition: enhancing film sound design using audio features, regression models and artificial neural networks.
Personal and Ubiquitous Computing, 25.
pp. 637-650.
ISSN 1617-4909 (Print), 1617-4917 (Online)
(doi:https://doi.org/10.1007/s00779-020-01389-0)
Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2013)
Automatic music playlist generation using affective technologies.
In: Proceedings of the Fifth International Conference on Internet Technologies and Applications (ITA 13) : 10-13 September 2013.
North East Wales Institute, Wrexham, Glyndŵr University, pp. 1-7.
ISBN 9780946881819 ; 0946881812
Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2013)
A discussion of musical features for automatic music playlist generation using affective technologies.
In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden.
ACM international conference proceedings
.
Association for Computing Machinery (ACM), New York, pp. 1-4.
ISBN 978-1-4503-2659-9
(doi:https://doi.org/10.1145/2544114.2544128)
Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2016)
An interactive music playlist generator that responds to user emotion and context.
In: Electronic Visualisation and the Arts (EVA) London, UK, 12 - 14 July 2016.
Electronic Workshops in Computing (eWiC) | BCS
.
BCS The Chartered Institute for IT, Swindon; London, pp. 275-276.
ISBN 178017344X ; 978-1780173443
(doi:https://doi.org/10.14236/ewic/EVA2016.53)
Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2015)
A self-report study that gauges perceived and induced emotion with music.
In: 2015 Internet Technologies and Applications (ITA). 8-11 Sept. 2015, Glyndŵr University, Wrexham, North Wales, UK.
IEEExplore
.
Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 239-244.
ISBN 978-1479980369
(doi:https://doi.org/10.1109/ITechA.2015.7317402)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Cunningham, Stuart
(2021)
Practice-led and interdisciplinary research investigating affective sound design.
In: Filimowicz, Michael, (ed.)
Doing Research in Sound Design.
Routledge - Focal Press, Abingdon, Oxon; New York, pp. 151-168.
ISBN 9780429356360 ; 1000375196 ; 9781000375190 ; 978036740490-1 ; 978036740489-5 ; 978046935636 - 0
(doi:https://doi.org/10.4324/9780429356360)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
, Cunningham, Stuart, Griffiths, Darryl, Roberts, Shaun and Picking, Richard
(2014)
Affective Audio.
Leonardo Music Journal, 24.
pp. 17-20.
ISSN 0961-1215 (Print), 1531-4812 (Online)
(doi:https://doi.org/10.1162/LMJ_a_00189)
Akkadian
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(2022)
Atra-Hasis.
[Composition]
Aldeburgh
Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246
altered states
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2018)
Inner sound: altered states of consciousness in electronic music and audio-visual media.
Oxford University Press, New York.
ISBN 9780190671198
altered states of consciousness
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2019)
Augmented unreality: synesthetic artworks and audio-visual hallucinations.
In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.)
The Oxford Handbook of Sound and Imagination, Volume 2.
Oxford Handbooks, 2
.
Oxford University Press, New York, pp. 301-320.
ISBN 9780190460242
(doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2016)
Entoptic phenomena in audio: categories of psychedelic electroacoustic composition.
Contemporary Music Review, 35 (2).
pp. 202-223.
ISSN 0749-4467 (Print), 1477-2256 (Online)
(doi:https://doi.org/10.1080/07494467.2016.1221633)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2018)
Inner sound: altered states of consciousness in electronic music and audio-visual media.
Oxford University Press, New York.
ISBN 9780190671198
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2015)
Representing altered states of consciousness in computer arts.
In: EVA London 2015: Electronic Visualisation & the Arts. Proceedings of a conference held in London 7th-9th July.
Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2015
.
BCS: The Chartered Institute for IT, Swindon; London.
ISBN 9781780173160; 9781780173164
ISSN 1477-9358 (Print), 1477-9358 (Online)
(doi:https://doi.org/10.14236/ewic/eva2015.9)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2019)
Virtual hallucinations: projects in VJing, virtual reality and cyberculture.
In: EVA London 2019: Electronic Visualisation & the Arts. Proceedings of a conference held in London 8th-11th July.
Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019)
.
BCS, The Chartered Institute for IT, Swindon; London, pp. 293-301.
ISSN 1477-9358 (Print), 1477-9358 (Online)
(doi:https://doi.org/10.14236/ewic/EVA2019.57)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
, Cunningham, Stuart and Griffiths, Darryl
(2014)
Sound through the rabbit hole: sound design based on reports of auditory hallucination.
In: AM '14: Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound. Aalborg Denmark October 1 - 3, 2014.
Association for Computing Machinery (ACM), New York, pp. 1-18.
ISBN 978-1-4503-3032-9 ; 1-4503-3032-0
(doi:https://doi.org/10.1145/2636879.2636883)
ambisonics
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2019)
Effluvial States - 1st Mvmnt. - Spectral Spaces.
[Composition]
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2019)
Effluvial States - 2nd Mvmnt. - Spectral Spaces.
[Composition]
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
, Fairfield, Paula and Martin, Brona
(2019)
Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats.
[Show/Exhibition]
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(2021)
Gherstl's Ghost - Original Soundtrack.
[Composition]
Margetson, Emma
ORCID: 0000-0002-1054-1973
(2021)
Shifted Trajectories.
[Composition]
analogue music
Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.
ancient Babylonian
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(2022)
Atra-Hasis.
[Composition]
animacy
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song.
Body, Space & Technology, 15 (22).
ISSN 1470-9120
(doi:https://doi.org/10.16995/bst.20)
animation
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song.
Body, Space & Technology, 15 (22).
ISSN 1470-9120
(doi:https://doi.org/10.16995/bst.20)
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2019)
Interactive visual music.
In: Proceedings of EVA London 2019 (EVA 2019).
Electronic Workshops in Computing
.
ScienceOpen, pp. 302-309.
ISSN 1477-9358
(doi:https://doi.org/10.14236/ewic/EVA2019.58)
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2017)
SKY.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2017)
An investigation into composing visual music today.
Body, Space & Technology, 16 (02):09.
ISSN 1470-9120 (Print), 1470-9120 (Online)
(doi:https://doi.org/10.16995/bst.9)
Apollo 12
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Fitzpatrick, Tim and Williams, Bede
(2019)
We Choose to go to the Moon.
[Composition]
(Unpublished)
AR QR codes
Boddington, Ghislaine
ORCID: 0000-0003-0448-579X
, Pitsillides, Stacey
ORCID: 0000-0003-0961-5370
and Vindis, Tadej
(2020)
Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS).
[Show/Exhibition]
architecture
Powers, Alan (2012) Britten, Pears and their architects. In: LeGrove, Judith, (ed.) A Musical Eye: The Visual World of Britten and Pears. Artists' Choice Editions, London, UK, pp. 133-143. ISBN 978-0-9558343-6-3
Archive
Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian
ORCID: 0000-0002-7143-8013
, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe
(2017)
Care! Object Beneath.
[Creative Performance or Reading]
archive footage
Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.
arousal
Griffiths, Darryl, Cunningham, Stuart, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Picking, Richard
(2021)
A multi-genre model for music emotion recognition using linear regressors.
Journal of New Music Research.
ISSN 0929-8215 (Print), 1744-5027 (Online)
(doi:https://doi.org/10.1080/09298215.2021.1977336)
art
Hill, Andrew
ORCID: 0000-0003-1521-0396
and Hobbs, James
(2018)
Gestalt und Bewegung.
[Show/Exhibition]
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(ed.)
(2020)
Sound & Image: Aesthetics and Practices.
Sound Design
.
Routledge, London, UK.
ISBN 978-0367271466
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song.
Body, Space & Technology, 15 (22).
ISSN 1470-9120
(doi:https://doi.org/10.16995/bst.20)
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
Audio-visual composition: an investigation of how best to compose no-figurative gestural visual music.
In: Sound/Image Colloquium: Exploring Sonic and Audio-visual Practice, 12-13 Nov 2016, Greenwich, UK.
(Unpublished)
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
An investigation into evoking poetic and restorative places with visual music.
In: Digital Research in the Humanities and Arts Conference, 04-07 Sep 2016, Brighton, UK.
(Unpublished)
art gallery
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii – BEAST @ Centrala (2022).
[Creative Performance or Reading]
artefact
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Deep Bass Noise ii.
[Creative Performance or Reading]
articulation
Feugère, Lionel
ORCID: 0000-0003-0883-5224
and d'Alessandro, Christophe
(2012)
Digitartic : synthèse gestuelle de syllabes chantées.
In: Actes des Journées d'Informatique Musicale (JIM 2012).
UMONS/numediart, pp. 219-225.
artificial composition
Daylamani Zad, Damon, Araabi, Babak N. and Lucas, Caru (2006) A novel approach to automatic music composing: Using genetic algorithm. In: International Computer Music Conference Proceedings. MPublishing, University of Michigan Library, Ann Arbor, MI, USA, pp. 551-555.
astronomy
Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.
audience
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(2020)
Theatres of sounds: The role of context in the presentation of electroacoustic music.
Scene, 6 (2).
pp. 165-175.
ISSN 2044-3714
(doi:https://doi.org/10.1386/scene_00016_1)
audio
Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Picking, Richard
(2019)
Audio emotion recognition using machine learning to support sound design.
In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019.
Association for Computing Machinery (ACM), New York, pp. 116-123.
ISBN 9781450372978
(doi:https://doi.org/10.1145/3356590.3356609)
Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Picking, Richard
(2021)
Supervised machine learning for audio emotion recognition: enhancing film sound design using audio features, regression models and artificial neural networks.
Personal and Ubiquitous Computing, 25.
pp. 637-650.
ISSN 1617-4909 (Print), 1617-4917 (Online)
(doi:https://doi.org/10.1007/s00779-020-01389-0)
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song.
Body, Space & Technology, 15 (22).
ISSN 1470-9120
(doi:https://doi.org/10.16995/bst.20)
audio analysis
Cunningham, Stuart, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Picking, Richard
(2018)
High-level analysis of audio features for identifying emotional valence in human singing.
In: AM'18: Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion. September 12-14 2018, Wrexham, Wales UK.
Association for Computing Machinery (ACM), New York, pp. 1-4.
ISBN 978-1-4503-6609-0 ; 978-1-4503-6609-0/18/09
(doi:https://doi.org/10.1145/3243274.3243313)
audio compression
Cunningham, Stuart, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Griffiths, Darryl
(2014)
ACERemix: a tool for glitch music production and performance.
In: AM '14: Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound. Aalborg Denmark October 1 - 3, 2014.
Association for Computing Machinery (ACM), New York, pp. 1-7.
ISBN 978-1-4503-3032-9
(doi:https://doi.org/10.1145/2636879.2636888)
audio streaming
Breating Space, (Collective) and Thompson, Ian
ORCID: 0000-0002-7143-8013
(2016)
RISE.
[Creative Performance or Reading]
audio visual
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2017)
An investigation into composing visual music today.
Body, Space & Technology, 16 (02):09.
ISSN 1470-9120 (Print), 1470-9120 (Online)
(doi:https://doi.org/10.16995/bst.9)
audio-visual
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song.
Body, Space & Technology, 15 (22).
ISSN 1470-9120
(doi:https://doi.org/10.16995/bst.20)
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2017)
SKY.
[Video]
audio-visual art
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)
audio-visual media
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2018)
Inner sound: altered states of consciousness in electronic music and audio-visual media.
Oxford University Press, New York.
ISBN 9780190671198
audio-visual music
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)
audiovisual
Hill, Andrew
ORCID: 0000-0003-1521-0396
and Hobbs, James
(2017)
(I)MAGESOUND(S) - expanded audiovisual practice.
eContact!, 19 (2).
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(2020)
Audiovisual spaces: spatiality, experience and potentiality in audiovisual composition.
In: Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, (ed.)
Sound & Image: Aesthetics and Practices.
Sound Design
.
Routledge, London, UK.
ISBN 978-0367271473
(doi:https://doi.org/10.4324/9780429295102-4)
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(ed.)
(2020)
Sound & Image: Aesthetics and Practices.
Sound Design
.
Routledge, London, UK.
ISBN 978-0367271466
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2011)
Tiny jungle: psychedelic techniques in audio-visual composition.
In: Proceedings of the International Computer Music Conference : Huddersfield, UK : ICMC 2011.
Michigan Publishing ; International Computer Music Association (ICMA), San Francisco : International Computer Music Association ; Huddersfield : Centre for Research in New Music, University of Huddersfield, pp. 324-327.
ISBN 0984527400 ; 9780984527403
audiovisual media
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2019)
Augmented unreality: synesthetic artworks and audio-visual hallucinations.
In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.)
The Oxford Handbook of Sound and Imagination, Volume 2.
Oxford Handbooks, 2
.
Oxford University Press, New York, pp. 301-320.
ISBN 9780190460242
(doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)
audiovisual performance
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl
(2015)
EEG as a controller for psychedelic visual music in an immersive dome environment.
Sonic Ideas/Ideas Sonicas, 7 (14):7963.
pp. 87-94.
ISSN 2317-9694 (Print), 2317-9694 (Online)
augmented reality
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2019)
Augmented unreality: synesthetic artworks and audio-visual hallucinations.
In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.)
The Oxford Handbook of Sound and Imagination, Volume 2.
Oxford Handbooks, 2
.
Oxford University Press, New York, pp. 301-320.
ISBN 9780190460242
(doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2019)
Virtual hallucinations: projects in VJing, virtual reality and cyberculture.
In: EVA London 2019: Electronic Visualisation & the Arts. Proceedings of a conference held in London 8th-11th July.
Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019)
.
BCS, The Chartered Institute for IT, Swindon; London, pp. 293-301.
ISSN 1477-9358 (Print), 1477-9358 (Online)
(doi:https://doi.org/10.14236/ewic/EVA2019.57)
Avartan
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Avartan.
[Composition]
Babylonian
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Farquhar, Angus, Morell, Purni, Johnson, James and Sinclair, Cameron
(2021)
Over Lunan (presentation of performance).
[Creative Performance or Reading]
Bantu
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Disruptive Frequencies.
[Artefact]
bass
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Deep Bass Noise i.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Deep Bass Noise ii.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Atkinson, Simon
(2023)
Undertone.
[Show/Exhibition]
Bass Culture
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Avartan.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
BMS International Composition Competition - Boo Su (2021).
[Creative Performance or Reading]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Boo Su (2021).
[Composition]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition.
[Show/Exhibition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Chakria.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Deep Bass Noise i.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Disruptive Frequencies Dushume DJ set: Iklectika 2023.
[Audio]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Dushume - Cultaural Fettish (2021) – 1’.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Dushume Live @ Diverse Frequencies.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Dushume [DJ Set] @ Iklectika 2022.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Kiln.
[Composition]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - EMOM.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Ealing Extranormal Volume 7.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Runt of the Litter.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Skronktronic 38.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii – BEAST @ Centrala (2022).
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Sound/Image: intersections. Premier of “Kiln”.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Atkinson, Simon
(2023)
Undertone II.
[Show/Exhibition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: Dushume and Dirty Electronics
limited edition White Label cassette tape EP.
[Artefact]
Bass Shaker
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Avartan.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Chakria.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Disruptive Frequencies Dushume DJ set: Iklectika 2023.
[Audio]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Kiln.
[Composition]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: Dushume and Dirty Electronics
limited edition White Label cassette tape EP.
[Artefact]
BassShaker
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Deep Bass Noise i.
[Creative Performance or Reading]
bauer
Hill, Andrew
ORCID: 0000-0003-1521-0396
and Bauer, Evgenii
(2019)
Child of the Big City - Silent Film Composition.
[Composition]
Beirut
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)
bells
Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]
belonging
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
Benjamin Britten
Powers, Alan (2012) Britten, Pears and their architects. In: LeGrove, Judith, (ed.) A Musical Eye: The Visual World of Britten and Pears. Artists' Choice Editions, London, UK, pp. 133-143. ISBN 978-0-9558343-6-3
Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246
binaural
Margetson, Emma
ORCID: 0000-0002-1054-1973
, Preye, Olivia and Waterfield, Alithea
(2021)
Walk with me.
[Composition]
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2018)
Sonos Localia.
Ian Thompson.
bioacoustics
Meïer, Robin, Feugère, Lionel
ORCID: 0000-0003-0883-5224
, Gibson, Gabriella and Cenno, Aurélie
(2023)
Experiment in swarm communication: Culicomorpha.
[Video]
biofeedback
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl
(2015)
EEG as a controller for psychedelic visual music in an immersive dome environment.
Sonic Ideas/Ideas Sonicas, 7 (14):7963.
pp. 87-94.
ISSN 2317-9694 (Print), 2317-9694 (Online)
Birmingham
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Deep Bass Noise ii.
[Creative Performance or Reading]
Blackpool
Breating Space, (Collective) and Thompson, Ian
ORCID: 0000-0002-7143-8013
(2016)
RISE.
[Creative Performance or Reading]
bossa nova
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)
brand communities
Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)
branding
Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)
Bray Jazz Festival
Smyth, Cherry (2022) 'Lost Bees'. [Audio]
Brazilian music
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)
bus timetable
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2016)
Arrival Time.
[Show/Exhibition]
case studies
Cunningham, Stuart, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Picking, Richard
(2016)
In-Game Intoxication: Demonstrating the Evaluation of the Audio Experience of Games with a Focus on Altered States of Consciousness.
In: Garcia-Ruiz, Miguel Angel, (ed.)
Games User Research: A Case Study Approach.
CRC Press - Taylor and Francis, New York, pp. 97-118.
ISBN 9781498706407 ; 9781315371597
(doi:https://doi.org/10.1201/b21564-6)
cello
Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]
Chakria
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Chakria.
[Composition]
chironomids
Meïer, Robin, Feugère, Lionel
ORCID: 0000-0003-0883-5224
, Gibson, Gabriella and Cenno, Aurélie
(2023)
Experiment in swarm communication: Culicomorpha.
[Video]
choir
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(2022)
Atra-Hasis.
[Composition]
choral
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(2022)
Atra-Hasis.
[Composition]
chorus
Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]
cinema
Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.
clicks
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: experimental sound and deep bass exhibition.
[Show/Exhibition]
climate emergency
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(2022)
Atra-Hasis.
[Composition]
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Farquhar, Angus, Morell, Purni, Johnson, James and Sinclair, Cameron
(2021)
Over Lunan (presentation of performance).
[Creative Performance or Reading]
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Morell, Purni, Angus, Farquhar and Ross, Charlie
(2021)
Over Lunan (Radio Documentary).
[Play, Short Story or Poetry]
clusters
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: experimental sound and deep bass exhibition.
[Show/Exhibition]
collaboration
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
Smyth, Cherry (2022) 'Lost Bees'. [Audio]
Collection
Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian
ORCID: 0000-0002-7143-8013
, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe
(2017)
Care! Object Beneath.
[Creative Performance or Reading]
complexity
Javaheri Javid, Mohammed Ali, Blackwell, Tim, Zimmer, Robert and Al-Rifaie, Mohammad Majid
ORCID: 0000-0002-1798-9615
(2016)
Correlation between human aesthetic judgement and spatial complexity measure.
In: EvoMUSART 2016: Evolutionary and Biologically Inspired Music, Sound, Art and Design.
Lecture Notes in Computer Science book series, 9596
.
Springer-Verlag, Berlin, Heidelberg, Cham, pp. 79-91.
ISBN 978-3-319-31007-7 ; 978-3-319-31008-4
ISSN 0302-9743 (Print), 1611-3349 (Online)
(doi:https://doi.org/10.1007/978-3-319-31008-4_6)
Composition
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
Headgear (soundtrack).
[Composition]
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
House (soundtrack).
[Composition]
(Unpublished)
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(2020)
Audiovisual spaces: spatiality, experience and potentiality in audiovisual composition.
In: Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, (ed.)
Sound & Image: Aesthetics and Practices.
Sound Design
.
Routledge, London, UK.
ISBN 978-0367271473
(doi:https://doi.org/10.4324/9780429295102-4)
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(2021)
Gherstl's Ghost - Original Soundtrack.
[Composition]
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Farquhar, Angus, Morell, Purni, Johnson, James and Sinclair, Cameron
(2021)
Over Lunan (presentation of performance).
[Creative Performance or Reading]
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Morell, Purni, Angus, Farquhar and Ross, Charlie
(2021)
Over Lunan (Radio Documentary).
[Play, Short Story or Poetry]
Margetson, Emma
ORCID: 0000-0002-1054-1973
, Preye, Olivia and Waterfield, Alithea
(2021)
Walk with me.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
BMS International Composition Competition - Boo Su (2021).
[Creative Performance or Reading]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Dushume - Cultaural Fettish (2021) – 1’.
[Composition]
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2016)
Arrival Time.
[Show/Exhibition]
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2019)
Collaborations with Breathing Space Collective.
[Creative Performance or Reading]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2017)
An investigation into composing visual music today.
Body, Space & Technology, 16 (02):09.
ISSN 1470-9120 (Print), 1470-9120 (Online)
(doi:https://doi.org/10.16995/bst.9)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2013)
Nausea: an approach to sonic arts composition based on ASC.
In: Proceedings of the Fifth International Conference on Internet Technologies and Applications (ITA 13) : 10-13 September 2013.
North East Wales Institute, Wrexham, Glyndŵr University, pp. 1-8.
ISBN 9780946881819 ; 0946881812
Comprovisation
Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian
ORCID: 0000-0002-7143-8013
, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe
(2017)
Care! Object Beneath.
[Creative Performance or Reading]
computational creativity
Al-Rifaie, Mohammad Majid
ORCID: 0000-0002-1798-9615
and Bishop, Mark
(2013)
Swarmic paintings and colour attention.
In: Evolutionary and Biologically Inspired Music, Sound, Art and Design Second International Conference, EvoMUSART 2013, Vienna, Austria, April 3-5, 2013. Proceedings.
Lecture Notes in Computer Science book series (LNCS), 7834
.
Springer, Berlin, Germany, pp. 97-108.
ISBN 978-3642369544
ISSN 0302-9743 (Print), 1611-3349 (Online)
(doi:https://doi.org/10.1007/978-3-642-36955-1_9)
computer art
Bowen, Jonathan P., Giannini, Tula, Polmeer, Gareth, Gannis, Carla, Gardiner, Jeremy, Kearney, Jonathan, Wands, Bruce and Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2018)
States of being: art and identity in digital space and time.
In: EVA London 2018: Electronic Visualisation & the Arts. Proceedings of a conference held in London 11th-13th July.
Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2018
.
BCS: The Chartered Institute for IT, Swindon; London, pp. 1-7.
ISBN 978-1780174631 ; 978-1780174632
ISSN 1477-9358 (Print), 1477-9358 (Online)
(doi:https://doi.org/10.14236/ewic/EVA2018.1)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2015)
Optical research: a curated visual music collection.
In: EVA London 2015: Electronic Visualisation & the Arts. Proceedings of a conference held in London 7th-9th July.
Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2015)
.
BCS, The Chartered Institute for IT, Swindon; London, pp. 371-372.
ISBN 978-1780173160 ; 1780173164
(doi:https://doi.org/10.14236/ewic/eva2015.82)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2015)
Representing altered states of consciousness in computer arts.
In: EVA London 2015: Electronic Visualisation & the Arts. Proceedings of a conference held in London 7th-9th July.
Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2015
.
BCS: The Chartered Institute for IT, Swindon; London.
ISBN 9781780173160; 9781780173164
ISSN 1477-9358 (Print), 1477-9358 (Online)
(doi:https://doi.org/10.14236/ewic/eva2015.9)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl
(2014)
EEG as a controller for psychedelic visual music in an immersive dome environment.
In: EVA London 2014: Proceedings of the EVA London 2014 on Electronic Visualisation and the Arts.
Electronic Workshops in Computing (eWiC) | BCS
.
BCS, The Chartered Institute for IT, Swindon; London.
ISBN 978-1780172859 ; 1780172850
(doi:https://doi.org/10.14236/ewic/EVA2014.45)
computer graphics
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2019)
Cyberdream VR: visualizing rave music and vaporwave in Virtual Reality.
In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019.
Association for Computing Machinery (ACM), New York, pp. 277-281.
ISBN 9781450372978
(doi:https://doi.org/10.1145/3356590.3356637)
computer music
De Laubier, Serge, Bertrand, Guillaume, Genevois, Hugues, Goudard, Vincent, Doval, Boris, Feugère, Lionel
ORCID: 0000-0003-0883-5224
, Le Beux, Sylvain and d'Alessandro, Christophe
(2012)
OrJo et la Méta-Mallette 4.0.
In: Actes des Journées d'Informatique Musicale (JIM 2012).
UMONS/numediart, pp. 227-232.
Feugère, Lionel
ORCID: 0000-0003-0883-5224
, Doval, Boris, d'Alessandro, Christophe and Perrotin, Olivier
(2015)
Cantor Digitalis: First-Prize Winners of the Margaret Guthman Musical Instrument Competition.
[Creative Performance or Reading]
Ratcliffe, Robert, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Kanga, Zubin
(2011)
Mutations (megamix): exploring notions of the ‘DJ set’, ‘mashup’ and ‘remix’ through live piano-based performance.
eContact! Online Journal for Electroacoustic Practices, 13 (2).
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2010)
Bass drum, saxophone and laptop: real-time psychedelic performance software.
eContact! Online Journal for Electroacoustic Practices, 12 (4).
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2016)
Entoptic phenomena in audio: categories of psychedelic electroacoustic composition.
Contemporary Music Review, 35 (2).
pp. 202-223.
ISSN 0749-4467 (Print), 1477-2256 (Online)
(doi:https://doi.org/10.1080/07494467.2016.1221633)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2013)
Nausea: an approach to sonic arts composition based on ASC.
In: Proceedings of the Fifth International Conference on Internet Technologies and Applications (ITA 13) : 10-13 September 2013.
North East Wales Institute, Wrexham, Glyndŵr University, pp. 1-8.
ISBN 9780946881819 ; 0946881812
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2014)
Shamanic diffusions: a technoshamanic philosophy of electroacoustic music.
Sonic Ideas/Ideas Sonicas, 6 (12).
ISSN 2317-9694
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2011)
Tiny jungle: psychedelic techniques in audio-visual composition.
In: Proceedings of the International Computer Music Conference : Huddersfield, UK : ICMC 2011.
Michigan Publishing ; International Computer Music Association (ICMA), San Francisco : International Computer Music Association ; Huddersfield : Centre for Research in New Music, University of Huddersfield, pp. 324-327.
ISBN 0984527400 ; 9780984527403
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl
(2015)
EEG as a controller for psychedelic visual music in an immersive dome environment.
Sonic Ideas/Ideas Sonicas, 7 (14):7963.
pp. 87-94.
ISSN 2317-9694 (Print), 2317-9694 (Online)
Computing methodologies
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2019)
Cyberdream VR: visualizing rave music and vaporwave in Virtual Reality.
In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019.
Association for Computing Machinery (ACM), New York, pp. 277-281.
ISBN 9781450372978
(doi:https://doi.org/10.1145/3356590.3356637)
conflict
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)
contemporary composition
Hill, Andrew
ORCID: 0000-0003-1521-0396
and Bauer, Evgenii
(2019)
Child of the Big City - Silent Film Composition.
[Composition]
contemporary mime
Wallis, Jillian (2015) Reverie. [Creative Performance or Reading]
context
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2015)
Theatres of Sounds: the role of context in the presentation of electroacoustic music.
In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany.
(Unpublished)
context-aware computing
Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2016)
An interactive music playlist generator that responds to user emotion and context.
In: Electronic Visualisation and the Arts (EVA) London, UK, 12 - 14 July 2016.
Electronic Workshops in Computing (eWiC) | BCS
.
BCS The Chartered Institute for IT, Swindon; London, pp. 275-276.
ISBN 178017344X ; 978-1780173443
(doi:https://doi.org/10.14236/ewic/EVA2016.53)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
, Cunningham, Stuart, Picking, Richard and Williams, Lyall
(2015)
Holophonor: On the Future Technology of Visual Music.
In: Curran, Kevin, (ed.)
Recent Advances in Ambient Intelligence and Context-Aware Computing.
Recent Advances in Ambient Intelligence and Context-Aware Computing
.
IGI Global, USA, pp. 143-154.
ISBN 9781466672840 ; 1466672846 ; 9781466672857
(doi:https://doi.org/10.4018/978-1-4666-7284-0.ch015)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
, Cunningham, Stuart, Picking, Richard and Williams, Lyall
(2015)
Holophonor: designing the visual music instruments of the future.
In: Curran, Kevin, (ed.)
Recent Advances in Ambient Intelligence and Context-Aware Computing.
IGI Global, USA, pp. 143-154.
ISBN 9781466672840 ; 9781466672857, 1466672854 ; 1466672846
(doi:https://doi.org/10.4018/978-1-4666-7284-0.ch009)
cosmopolitanism
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)
creative computing
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2020)
Cyberdreams: visualizing music in extended reality.
In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.)
Technology, Design and the Arts - Opportunities and Challenges.
Springer Series on Cultural Computing
.
Springer, Cham, pp. 209-227.
ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0
(doi:https://doi.org/10.1007/978-3-030-42097-0_12)
creativity
Kennedy, Steve (2009) Leaving on a jet plane of immanence. The Issues: In Contemporary Culture and Aesthetics. Nerve Ltd., London, UK. ISBN 0955003725
Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)
Culicomorpha
Meïer, Robin, Feugère, Lionel
ORCID: 0000-0003-0883-5224
, Gibson, Gabriella and Cenno, Aurélie
(2023)
Experiment in swarm communication: Culicomorpha.
[Video]
cultural commodities
van Klyton, Aaron C. (2015) Space and place in world music production. City, Culture and Society, 6 (4). pp. 101-108. ISSN 1877-9166 (doi:https://doi.org/10.1016/j.ccs.2015.06.001)
cultural diversity
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Throwing a stone into the pond.
In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin.
(Unpublished)
cultural geography
Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246
cultural informatics
Walshaw, Chris
ORCID: 0000-0003-0253-7779
(2014)
A statistical analysis of the ABC music notation corpus: exploring duplication.
In: Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014).
Computer Engineering Department, Boğaziçi University, Turkey, Istanbul, Turkey, pp. 2-9.
culture
Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)
curved-time
Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]
cyberculture
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2019)
Virtual hallucinations: projects in VJing, virtual reality and cyberculture.
In: EVA London 2019: Electronic Visualisation & the Arts. Proceedings of a conference held in London 8th-11th July.
Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019)
.
BCS, The Chartered Institute for IT, Swindon; London, pp. 293-301.
ISSN 1477-9358 (Print), 1477-9358 (Online)
(doi:https://doi.org/10.14236/ewic/EVA2019.57)
data
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2016)
Arrival Time.
[Show/Exhibition]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2017)
Data ache and visual music practice meditated by instrument design.
In: dataAche: DRHA2017 Book of Abstracts.
DRHA.
data body
Boddington, Ghislaine
ORCID: 0000-0003-0448-579X
, Pitsillides, Stacey
ORCID: 0000-0003-0961-5370
and Vindis, Tadej
(2020)
Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS).
[Show/Exhibition]
data compression
Cunningham, Stuart, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
, Roberts, Shaun, Grout, Vic and Griffiths, Darryl
(2013)
Initial objective and subjective evaluation of a similarity-based audio compression technique.
In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden.
ACM international conference proceedings series
(1).
Association for Computing Machinery (ACM), New York, pp. 1-6.
ISBN 978-1-4503-2659-9
(doi:https://doi.org/10.1145/2544114.2544116)
data layout
Cunningham, Stuart, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
, Roberts, Shaun, Grout, Vic and Griffiths, Darryl
(2013)
Initial objective and subjective evaluation of a similarity-based audio compression technique.
In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden.
ACM international conference proceedings series
(1).
Association for Computing Machinery (ACM), New York, pp. 1-6.
ISBN 978-1-4503-2659-9
(doi:https://doi.org/10.1145/2544114.2544116)
data management systems
Cunningham, Stuart, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
, Roberts, Shaun, Grout, Vic and Griffiths, Darryl
(2013)
Initial objective and subjective evaluation of a similarity-based audio compression technique.
In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden.
ACM international conference proceedings series
(1).
Association for Computing Machinery (ACM), New York, pp. 1-6.
ISBN 978-1-4503-2659-9
(doi:https://doi.org/10.1145/2544114.2544116)
data structures
Cunningham, Stuart, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
, Roberts, Shaun, Grout, Vic and Griffiths, Darryl
(2013)
Initial objective and subjective evaluation of a similarity-based audio compression technique.
In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden.
ACM international conference proceedings series
(1).
Association for Computing Machinery (ACM), New York, pp. 1-6.
ISBN 978-1-4503-2659-9
(doi:https://doi.org/10.1145/2544114.2544116)
data technology
Boddington, Ghislaine
ORCID: 0000-0003-0448-579X
, Pitsillides, Stacey
ORCID: 0000-0003-0961-5370
and Vindis, Tadej
(2020)
Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS).
[Show/Exhibition]
datapanic
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Dushume - Cultaural Fettish (2021) – 1’.
[Composition]
deep
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Deep Bass Noise i.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Deep Bass Noise ii.
[Creative Performance or Reading]
deep bass
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Sound/Image: intersections. Premier of “Kiln”.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Atkinson, Simon
(2023)
Undertone.
[Show/Exhibition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Atkinson, Simon
(2023)
Undertone II.
[Show/Exhibition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: experimental sound and deep bass exhibition.
[Show/Exhibition]
Deep Noise
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Avartan.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Chakria.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Chakria Live - Performance at Kings Place, London.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Deep Bass Noise i.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Deep Bass Noise ii.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Disruptive Frequencies Dushume DJ set: Iklectika 2023.
[Audio]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Kiln.
[Composition]
(Unpublished)
Dhangsha
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
, Das, Aniruddha and Keating, Marcella
(2023)
Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating.
In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
diasporia
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Throwing a stone into the pond.
In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin.
(Unpublished)
diffusion
Breating Space, (Collective) and Thompson, Ian
ORCID: 0000-0002-7143-8013
(2016)
RISE.
[Creative Performance or Reading]
digital
Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.
digital archives
Walshaw, Chris
ORCID: 0000-0003-0253-7779
(2014)
A statistical analysis of the ABC music notation corpus: exploring duplication.
In: Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014).
Computer Engineering Department, Boğaziçi University, Turkey, Istanbul, Turkey, pp. 2-9.
digital art
Bowen, Jonathan P., Giannini, Tula, Polmeer, Gareth, Gannis, Carla, Gardiner, Jeremy, Kearney, Jonathan, Wands, Bruce and Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2018)
States of being: art and identity in digital space and time.
In: EVA London 2018: Electronic Visualisation & the Arts. Proceedings of a conference held in London 11th-13th July.
Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2018
.
BCS: The Chartered Institute for IT, Swindon; London, pp. 1-7.
ISBN 978-1780174631 ; 978-1780174632
ISSN 1477-9358 (Print), 1477-9358 (Online)
(doi:https://doi.org/10.14236/ewic/EVA2018.1)
digital arts
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)
digital death
Boddington, Ghislaine
ORCID: 0000-0003-0448-579X
, Pitsillides, Stacey
ORCID: 0000-0003-0961-5370
and Vindis, Tadej
(2020)
Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS).
[Show/Exhibition]
digital musical instruments
Feugère, Lionel
ORCID: 0000-0003-0883-5224
, Doval, Boris, d'Alessandro, Christophe and Perrotin, Olivier
(2015)
Cantor Digitalis: First-Prize Winners of the Margaret Guthman Musical Instrument Competition.
[Creative Performance or Reading]
Dirty Electronics
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: Dushume and Dirty Electronics
limited edition White Label cassette tape EP.
[Artefact]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: experimental sound and deep bass exhibition.
[Show/Exhibition]
dirtyelectronics
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise.
[Creative Performance or Reading]
Disruptive Frequencies
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Avartan.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Chakria.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Chakria Live - Performance at Kings Place, London.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Disruptive Frequencies.
[Artefact]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Disruptive Frequencies Dushume DJ set: Iklectika 2023.
[Audio]
diversity
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Dushume Live @ Diverse Frequencies.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Exploring cultural diversity in experimental sound.
Array, the journal of the International Computer Music Association (ICMA), 2021 (1):3.
pp. 17-22.
ISSN 2590-0056 (Online)
(doi:https://doi.org/10.25370/array.v20213269)
DIY electronics
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii – BEAST @ Centrala (2022).
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: Dushume and Dirty Electronics
limited edition White Label cassette tape EP.
[Artefact]
DIY Music
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: Dushume and Dirty Electronics
limited edition White Label cassette tape EP.
[Artefact]
DIY nomad
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: Dushume and Dirty Electronics
limited edition White Label cassette tape EP.
[Artefact]
DJ Set
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Disruptive Frequencies Dushume DJ set: Iklectika 2023.
[Audio]
documentary
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Morell, Purni, Angus, Farquhar and Ross, Charlie
(2021)
Over Lunan (Radio Documentary).
[Play, Short Story or Poetry]
drama
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Morell, Purni, Angus, Farquhar and Ross, Charlie
(2021)
Over Lunan (Radio Documentary).
[Play, Short Story or Poetry]
DRHA
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2017)
Data ache and visual music practice meditated by instrument design.
In: dataAche: DRHA2017 Book of Abstracts.
DRHA.
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
An investigation into evoking poetic and restorative places with visual music.
In: Digital Research in the Humanities and Arts Conference, 04-07 Sep 2016, Brighton, UK.
(Unpublished)
Durational composition
Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian
ORCID: 0000-0002-7143-8013
, White, Hannah and Wright-Spinks, Phoebe
(2017)
Time: A Sonic Vigil.
[Creative Performance or Reading]
Dushume
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Avartan.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition.
[Show/Exhibition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Chakria.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Chakria Live - Performance at Kings Place, London.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Deep Bass Noise i.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Disruptive Frequencies.
[Artefact]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Disruptive Frequencies Dushume DJ set: Iklectika 2023.
[Audio]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Dushume [DJ Set] @ Iklectika 2022.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Kiln.
[Composition]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Atkinson, Simon
(2023)
Undertone.
[Show/Exhibition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Atkinson, Simon
(2023)
Undertone II.
[Show/Exhibition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
, Das, Aniruddha and Keating, Marcella
(2023)
Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating.
In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: Dushume and Dirty Electronics
limited edition White Label cassette tape EP.
[Artefact]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: experimental sound and deep bass exhibition.
[Show/Exhibition]
easter eggs
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
, Griffiths, Darryl and Cunningham, Stuart
(2014)
Easter eggs: hidden tracks and messages in musical mediums.
In: Joint International Computer Music Conference/Sound and Music Computing 2014, Athens.
International Computer Music Association, Michigan and Washington, pp. 1-8.
ISSN 2223-3881 (Print), 2223-3881 (Online)
ecoacoustics
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2014)
Litus Expromo.
[Show/Exhibition]
ecology
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
Smyth, Cherry (2022) 'Lost Bees'. [Audio]
edit
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - EMOM.
[Creative Performance or Reading]
EEG
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl
(2014)
EEG as a controller for psychedelic visual music in an immersive dome environment.
In: EVA London 2014: Proceedings of the EVA London 2014 on Electronic Visualisation and the Arts.
Electronic Workshops in Computing (eWiC) | BCS
.
BCS, The Chartered Institute for IT, Swindon; London.
ISBN 978-1780172859 ; 1780172850
(doi:https://doi.org/10.14236/ewic/EVA2014.45)
Einstein
Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]
electro-acoustic
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2014)
Litus Expromo.
[Show/Exhibition]
Thompson, Ian
ORCID: 0000-0002-7143-8013
, Shiell, Stephen and Wilson, Richard
(2015)
BELL - REF documentation.
[Composition]
electroacoustic
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2019)
Effluvial States - 1st Mvmnt. - Spectral Spaces.
[Composition]
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2019)
Effluvial States - 2nd Mvmnt. - Spectral Spaces.
[Composition]
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
Projections.
[Composition]
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2014)
Stille Lyd: Part II – Høvringen.
[Composition]
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(2020)
Theatres of sounds: The role of context in the presentation of electroacoustic music.
Scene, 6 (2).
pp. 165-175.
ISSN 2044-3714
(doi:https://doi.org/10.1386/scene_00016_1)
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Fitzpatrick, Tim and Williams, Bede
(2019)
We Choose to go to the Moon.
[Composition]
(Unpublished)
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Martin, Brona and Pasoulas, Aki
(2021)
Whispers of the Past.
[Composition]
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Morell, Purni, Angus, Farquhar and Ross, Charlie
(2021)
Over Lunan (Radio Documentary).
[Play, Short Story or Poetry]
Margetson, Emma
ORCID: 0000-0002-1054-1973
(2024)
Contemplations.
[Artefact]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Boo Su (2021).
[Composition]
(Unpublished)
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2018)
Sonos Localia.
Ian Thompson.
electroacoustic music
Hill, Andrew
ORCID: 0000-0003-1521-0396
, Fairfield, Paula and Martin, Brona
(2019)
Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats.
[Show/Exhibition]
Hill, Andrew
ORCID: 0000-0003-1521-0396
and Hobbs, Jim
(2017)
(I)MAGESOUND(S): Expanded audiovisual practice.
eContact!, 19 (2).
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Exploring cultural diversity in experimental sound.
Array, the journal of the International Computer Music Association (ICMA), 2021 (1):3.
pp. 17-22.
ISSN 2590-0056 (Online)
(doi:https://doi.org/10.25370/array.v20213269)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Sound/Image: intersections. Premier of “Kiln”.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Atkinson, Simon
(2023)
Undertone II.
[Show/Exhibition]
electronic dance music
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2018)
Inner sound: altered states of consciousness in electronic music and audio-visual media.
Oxford University Press, New York.
ISBN 9780190671198
electronic music
Feugère, Lionel
ORCID: 0000-0003-0883-5224
, Le Beux, Sylvain and d'Alessandro, Christophe
(2011)
Chorus Digitalis: polyphonic gestural singing.
In: 1st International Workshop on Performative Speech and Singing Synthesis (P3S 2011).
University of British Columbia.
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Avartan.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Disruptive Frequencies Dushume DJ set: Iklectika 2023.
[Audio]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Kiln.
[Composition]
(Unpublished)
Ratcliffe, Robert, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Kanga, Zubin
(2011)
Mutations (megamix): exploring notions of the ‘DJ set’, ‘mashup’ and ‘remix’ through live piano-based performance.
eContact! Online Journal for Electroacoustic Practices, 13 (2).
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2016)
Arrival Time.
[Show/Exhibition]
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2019)
Collaborations with Breathing Space Collective.
[Creative Performance or Reading]
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2010)
Bass drum, saxophone and laptop: real-time psychedelic performance software.
eContact! Online Journal for Electroacoustic Practices, 12 (4).
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2018)
Inner sound: altered states of consciousness in electronic music and audio-visual media.
Oxford University Press, New York.
ISBN 9780190671198
embodied
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2019)
Interactive visual music.
In: Proceedings of EVA London 2019 (EVA 2019).
Electronic Workshops in Computing
.
ScienceOpen, pp. 302-309.
ISSN 1477-9358
(doi:https://doi.org/10.14236/ewic/EVA2019.58)
emotion
Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Picking, Richard
(2019)
Audio emotion recognition using machine learning to support sound design.
In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019.
Association for Computing Machinery (ACM), New York, pp. 116-123.
ISBN 9781450372978
(doi:https://doi.org/10.1145/3356590.3356609)
Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Picking, Richard
(2021)
Supervised machine learning for audio emotion recognition: enhancing film sound design using audio features, regression models and artificial neural networks.
Personal and Ubiquitous Computing, 25.
pp. 637-650.
ISSN 1617-4909 (Print), 1617-4917 (Online)
(doi:https://doi.org/10.1007/s00779-020-01389-0)
Griffiths, Darryl, Cunningham, Stuart, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Picking, Richard
(2021)
A multi-genre model for music emotion recognition using linear regressors.
Journal of New Music Research.
ISSN 0929-8215 (Print), 1744-5027 (Online)
(doi:https://doi.org/10.1080/09298215.2021.1977336)
enderby wharf
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2014)
Litus Expromo.
[Show/Exhibition]
English identity
Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246
entropy
Daylamani Zad, Damon, Araabi, Babak N. and Lucas, Caru (2006) A novel approach to automatic music composing: Using genetic algorithm. In: International Computer Music Conference Proceedings. MPublishing, University of Michigan Library, Ann Arbor, MI, USA, pp. 551-555.
ethnography
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)
ethnomusicology
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)
exhibition
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition.
[Show/Exhibition]
Expanded Cinema
Hill, Andrew
ORCID: 0000-0003-1521-0396
and Hobbs, James
(2018)
Gestalt und Bewegung.
[Show/Exhibition]
Hill, Andrew
ORCID: 0000-0003-1521-0396
and Hobbs, James
(2017)
(I)MAGESOUND(S) - expanded audiovisual practice.
eContact!, 19 (2).
Hill, Andrew
ORCID: 0000-0003-1521-0396
and Hobbs, Jim
(2017)
(I)MAGESOUND(S): Expanded audiovisual practice.
eContact!, 19 (2).
Experimental film
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
Headgear (soundtrack).
[Composition]
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
Washi (soundtrack).
[Composition]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2018)
Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces.
Body, Space & Technology, 17 (1).
pp. 51-75.
ISSN 1470-9120
(doi:https://doi.org/10.16995/bst.296)
Experimental Music
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
, Das, Aniruddha and Keating, Marcella
(2023)
Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating.
In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
Experimental Noise
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Avartan.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Chakria.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Deep Bass Noise i.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Kiln.
[Composition]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
, Das, Aniruddha and Keating, Marcella
(2023)
Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating.
In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: experimental sound and deep bass exhibition.
[Show/Exhibition]
Experimental Sound
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Avartan.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Boo Su (2021).
[Composition]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Disruptive Frequencies Dushume DJ set: Iklectika 2023.
[Audio]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Dushume - Cultaural Fettish (2021) – 1’.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Dushume Live @ Diverse Frequencies.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Exploring cultural diversity in experimental sound.
Array, the journal of the International Computer Music Association (ICMA), 2021 (1):3.
pp. 17-22.
ISSN 2590-0056 (Online)
(doi:https://doi.org/10.25370/array.v20213269)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Runt of the Litter.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii – BEAST @ Centrala (2022).
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Throwing a stone into the pond.
In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin.
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Atkinson, Simon
(2023)
Undertone.
[Show/Exhibition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Atkinson, Simon
(2023)
Undertone II.
[Show/Exhibition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
, Das, Aniruddha and Keating, Marcella
(2023)
Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating.
In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: experimental sound and deep bass exhibition.
[Show/Exhibition]
experimentation
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Ealing Extranormal Volume 7.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii – BEAST @ Centrala (2022).
[Creative Performance or Reading]
field recording
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2014)
Litus Expromo.
[Show/Exhibition]
Film
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
Washi (soundtrack).
[Composition]
Hill, Andrew
ORCID: 0000-0003-1521-0396
and Hobbs, James
(2018)
Gestalt und Bewegung.
[Show/Exhibition]
Hill, Andrew
ORCID: 0000-0003-1521-0396
and Hobbs, James
(2017)
(I)MAGESOUND(S) - expanded audiovisual practice.
eContact!, 19 (2).
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Fitzpatrick, Tim and Williams, Bede
(2019)
We Choose to go to the Moon.
[Composition]
(Unpublished)
films
Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.
frequency
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Atkinson, Simon
(2023)
Undertone II.
[Show/Exhibition]
fulldome
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl
(2015)
EEG as a controller for psychedelic visual music in an immersive dome environment.
Sonic Ideas/Ideas Sonicas, 7 (14):7963.
pp. 87-94.
ISSN 2317-9694 (Print), 2317-9694 (Online)
gallery sound
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise.
[Creative Performance or Reading]
game audio
Cunningham, Stuart, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Picking, Richard
(2016)
In-Game Intoxication: Demonstrating the Evaluation of the Audio Experience of Games with a Focus on Altered States of Consciousness.
In: Garcia-Ruiz, Miguel Angel, (ed.)
Games User Research: A Case Study Approach.
CRC Press - Taylor and Francis, New York, pp. 97-118.
ISBN 9781498706407 ; 9781315371597
(doi:https://doi.org/10.1201/b21564-6)
games user research
Cunningham, Stuart, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Picking, Richard
(2016)
In-Game Intoxication: Demonstrating the Evaluation of the Audio Experience of Games with a Focus on Altered States of Consciousness.
In: Garcia-Ruiz, Miguel Angel, (ed.)
Games User Research: A Case Study Approach.
CRC Press - Taylor and Francis, New York, pp. 97-118.
ISBN 9781498706407 ; 9781315371597
(doi:https://doi.org/10.1201/b21564-6)
Gary Stewart
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Disruptive Frequencies.
[Artefact]
gatekeepers
van Klyton, Aaron C. (2015) Space and place in world music production. City, Culture and Society, 6 (4). pp. 101-108. ISSN 1877-9166 (doi:https://doi.org/10.1016/j.ccs.2015.06.001)
generative composition
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2016)
Arrival Time.
[Show/Exhibition]
generative music
Al-Rifaie, Asmaa Majid and Al-Rifaie, Mohammad Majid
ORCID: 0000-0002-1798-9615
(2015)
Generative music with stochastic diffusion search.
In: EvoMUSART 2015: Evolutionary and Biologically Inspired Music, Sound, Art and Design.
Lecture Notes in Computer Science book series (LNCS), 9027
.
Springer, Cham, Switzerland, pp. 1-14.
ISBN 978-3319164977
ISSN 0302-9743 (Print), 1611-3349 (Online)
(doi:https://doi.org/10.1007/978-3-319-16498-4_1)
genetic algorithms
Daylamani Zad, Damon, Araabi, Babak N. and Lucas, Caru (2006) A novel approach to automatic music composing: Using genetic algorithm. In: International Computer Music Conference Proceedings. MPublishing, University of Michigan Library, Ann Arbor, MI, USA, pp. 551-555.
gestural control
Feugère, Lionel
ORCID: 0000-0003-0883-5224
, Le Beux, Sylvain and d'Alessandro, Christophe
(2011)
Chorus Digitalis: polyphonic gestural singing.
In: 1st International Workshop on Performative Speech and Singing Synthesis (P3S 2011).
University of British Columbia.
gesture control
Le Beux, Sylvain, Feugère, Lionel
ORCID: 0000-0003-0883-5224
and d'Alessandro, Christophe
(2012)
Chorus digitalis: experiment in chironomic choir singing.
In: 12th Annual Conference of the International Speech Communication Association 2011 (INTERSPEECH 2011).
International Speech Communications Association, pp. 2016-2019.
ISBN 978-1618392701
Glitch
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Avartan.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Boo Su (2021).
[Composition]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Chakria.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Chakria Live - Performance at Kings Place, London.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Deep Bass Noise i.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Deep Bass Noise ii.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Disruptive Frequencies Dushume DJ set: Iklectika 2023.
[Audio]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Dushume - Cultaural Fettish (2021) – 1’.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Dushume Live @ Diverse Frequencies.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Dushume [DJ Set] @ Iklectika 2022.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Kiln.
[Composition]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - EMOM.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Ealing Extranormal Volume 7.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Runt of the Litter.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Skronktronic 38.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii – BEAST @ Centrala (2022).
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Sound/Image: intersections. Premier of “Kiln”.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
, Das, Aniruddha and Keating, Marcella
(2023)
Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating.
In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: Dushume and Dirty Electronics
limited edition White Label cassette tape EP.
[Artefact]
glitch music
Cunningham, Stuart, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Griffiths, Darryl
(2014)
ACERemix: a tool for glitch music production and performance.
In: AM '14: Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound. Aalborg Denmark October 1 - 3, 2014.
Association for Computing Machinery (ACM), New York, pp. 1-7.
ISBN 978-1-4503-3032-9
(doi:https://doi.org/10.1145/2636879.2636888)
Global South
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Throwing a stone into the pond.
In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin.
(Unpublished)
graphics systems and interfaces
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2019)
Cyberdream VR: visualizing rave music and vaporwave in Virtual Reality.
In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019.
Association for Computing Machinery (ACM), New York, pp. 277-281.
ISBN 9781450372978
(doi:https://doi.org/10.1145/3356590.3356637)
greenwich
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2014)
Litus Expromo.
[Show/Exhibition]
hallucination
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2019)
Augmented unreality: synesthetic artworks and audio-visual hallucinations.
In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.)
The Oxford Handbook of Sound and Imagination, Volume 2.
Oxford Handbooks, 2
.
Oxford University Press, New York, pp. 301-320.
ISBN 9780190460242
(doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)
haptic
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Atkinson, Simon
(2023)
Undertone.
[Show/Exhibition]
Harsh Bass
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Avartan.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Chakria.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Chakria Live - Performance at Kings Place, London.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Deep Bass Noise i.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Deep Bass Noise ii.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Disruptive Frequencies Dushume DJ set: Iklectika 2023.
[Audio]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Kiln.
[Composition]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
, Das, Aniruddha and Keating, Marcella
(2023)
Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating.
In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
Harsh Noise
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Avartan.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
BMS International Composition Competition - Boo Su (2021).
[Creative Performance or Reading]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Boo Su (2021).
[Composition]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition.
[Show/Exhibition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Disruptive Frequencies Dushume DJ set: Iklectika 2023.
[Audio]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Dushume - Cultaural Fettish (2021) – 1’.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Dushume Live @ Diverse Frequencies.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Dushume [DJ Set] @ Iklectika 2022.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Kiln.
[Composition]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - EMOM.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Ealing Extranormal Volume 7.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Runt of the Litter.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Skronktronic 38.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii – BEAST @ Centrala (2022).
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
, Das, Aniruddha and Keating, Marcella
(2023)
Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating.
In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: Dushume and Dirty Electronics
limited edition White Label cassette tape EP.
[Artefact]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: experimental sound and deep bass exhibition.
[Show/Exhibition]
Heidegger
Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]
heritage
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Martin, Brona and Pasoulas, Aki
(2023)
Sonic heritage: listening to the past.
In: (In)tangible Heritage(s): Design, culture and technology – past, present, and future. AMPS, University of Kent. 15th - 17th June, 2022.
AMPS Proceedings Series, 29.1
.
Architecture Media Politics Society (AMPS), Canterbury, pp. 133-138.
ISSN 2398-9467
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Martin, Brona and Pasoulas, Aki
(2021)
Whispers of the Past.
[Composition]
Hindustani classical
Feugère, Lionel
ORCID: 0000-0003-0883-5224
, Doval, Boris, d'Alessandro, Christophe and Perrotin, Olivier
(2015)
Cantor Digitalis: First-Prize Winners of the Margaret Guthman Musical Instrument Competition.
[Creative Performance or Reading]
hip hop
Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)
history
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Martin, Brona and Pasoulas, Aki
(2021)
Whispers of the Past.
[Composition]
Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.
Mann, Tony (2003) [Recording review] William Herschel, Symphonies Nos. 2, 8, 12, 13, 14, 17. BSHM Newsletter, 49. p. 42.
horns
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: experimental sound and deep bass exhibition.
[Show/Exhibition]
human aesthetic judgements
Javaheri Javid, Mohammed Ali, Blackwell, Tim, Zimmer, Robert and Al-Rifaie, Mohammad Majid
ORCID: 0000-0002-1798-9615
(2016)
Correlation between human aesthetic judgement and spatial complexity measure.
In: EvoMUSART 2016: Evolutionary and Biologically Inspired Music, Sound, Art and Design.
Lecture Notes in Computer Science book series, 9596
.
Springer-Verlag, Berlin, Heidelberg, Cham, pp. 79-91.
ISBN 978-3-319-31007-7 ; 978-3-319-31008-4
ISSN 0302-9743 (Print), 1611-3349 (Online)
(doi:https://doi.org/10.1007/978-3-319-31008-4_6)
human traces
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
Ambience 1.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
Ambience 2.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
Ambience 3.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2018)
Creating Affective Visual Music.
In: Proceedings of Proceedings of EVA London 2018, UK.
ScienceOpen, pp. 374-381.
(doi:https://doi.org/10.14236/ewic/EVA2018.70)
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2018)
Document of Singing Light 1 installation.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2014)
Horizon.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2019)
Interactive visual music.
In: Proceedings of EVA London 2019 (EVA 2019).
Electronic Workshops in Computing
.
ScienceOpen, pp. 302-309.
ISSN 1477-9358
(doi:https://doi.org/10.14236/ewic/EVA2019.58)
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2015)
Reservoir.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2015)
Shadow Sounds 1.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2018)
Sky 2.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2015)
Song Series Animacy.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2015)
Song series animacy.
In: Digital Research in the Humanities and Arts 2014, 01 Sep 2015, Dublin, UK.
hybrid media
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)
hydrogen alpha
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Fitzpatrick, Tim and Williams, Bede
(2019)
We Choose to go to the Moon.
[Composition]
(Unpublished)
Iklectik
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Disruptive Frequencies Dushume DJ set: Iklectika 2023.
[Audio]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Dushume [DJ Set] @ Iklectika 2022.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
, Das, Aniruddha and Keating, Marcella
(2023)
Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating.
In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
Iklectika
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Disruptive Frequencies Dushume DJ set: Iklectika 2023.
[Audio]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
, Das, Aniruddha and Keating, Marcella
(2023)
Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating.
In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
image
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(2020)
Audiovisual spaces: spatiality, experience and potentiality in audiovisual composition.
In: Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, (ed.)
Sound & Image: Aesthetics and Practices.
Sound Design
.
Routledge, London, UK.
ISBN 978-0367271473
(doi:https://doi.org/10.4324/9780429295102-4)
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(ed.)
(2020)
Sound & Image: Aesthetics and Practices.
Sound Design
.
Routledge, London, UK.
ISBN 978-0367271466
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition.
[Show/Exhibition]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
Audio-visual composition: an investigation of how best to compose no-figurative gestural visual music.
In: Sound/Image Colloquium: Exploring Sonic and Audio-visual Practice, 12-13 Nov 2016, Greenwich, UK.
(Unpublished)
immersion
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2018)
Sonos Localia.
Ian Thompson.
immersive
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2019)
Singing Light 2.
[Show/Exhibition]
immersive audio
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(2021)
Gherstl's Ghost - Original Soundtrack.
[Composition]
immersive media
Hill, Andrew
ORCID: 0000-0003-1521-0396
, Fairfield, Paula and Martin, Brona
(2019)
Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats.
[Show/Exhibition]
Improvisation
Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian
ORCID: 0000-0002-7143-8013
, White, Hannah and Wright-Spinks, Phoebe
(2017)
Time: A Sonic Vigil.
[Creative Performance or Reading]
Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian
ORCID: 0000-0002-7143-8013
, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe
(2017)
Care! Object Beneath.
[Creative Performance or Reading]
Breating Space, (Collective) and Thompson, Ian
ORCID: 0000-0002-7143-8013
(2016)
RISE.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Exploring cultural diversity in experimental sound.
Array, the journal of the International Computer Music Association (ICMA), 2021 (1):3.
pp. 17-22.
ISSN 2590-0056 (Online)
(doi:https://doi.org/10.25370/array.v20213269)
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2019)
Collaborations with Breathing Space Collective.
[Creative Performance or Reading]
Thompson, Ian
ORCID: 0000-0002-7143-8013
, Shiell, Stephen and Wilson, Richard
(2015)
BELL - REF documentation.
[Composition]
Information systems
Cunningham, Stuart, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
, Roberts, Shaun, Grout, Vic and Griffiths, Darryl
(2013)
Initial objective and subjective evaluation of a similarity-based audio compression technique.
In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden.
ACM international conference proceedings series
(1).
Association for Computing Machinery (ACM), New York, pp. 1-6.
ISBN 978-1-4503-2659-9
(doi:https://doi.org/10.1145/2544114.2544116)
information theory
Javaheri Javid, Mohammed Ali, Blackwell, Tim, Zimmer, Robert and Al-Rifaie, Mohammad Majid
ORCID: 0000-0002-1798-9615
(2016)
Correlation between human aesthetic judgement and spatial complexity measure.
In: EvoMUSART 2016: Evolutionary and Biologically Inspired Music, Sound, Art and Design.
Lecture Notes in Computer Science book series, 9596
.
Springer-Verlag, Berlin, Heidelberg, Cham, pp. 79-91.
ISBN 978-3-319-31007-7 ; 978-3-319-31008-4
ISSN 0302-9743 (Print), 1611-3349 (Online)
(doi:https://doi.org/10.1007/978-3-319-31008-4_6)
Installation
Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian
ORCID: 0000-0002-7143-8013
, White, Hannah and Wright-Spinks, Phoebe
(2017)
Time: A Sonic Vigil.
[Creative Performance or Reading]
Hill, Andrew
ORCID: 0000-0003-1521-0396
and Hobbs, James
(2018)
Gestalt und Bewegung.
[Show/Exhibition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: experimental sound and deep bass exhibition.
[Show/Exhibition]
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2016)
Arrival Time.
[Show/Exhibition]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
Audio-visual composition: an investigation of how best to compose no-figurative gestural visual music.
In: Sound/Image Colloquium: Exploring Sonic and Audio-visual Practice, 12-13 Nov 2016, Greenwich, UK.
(Unpublished)
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2019)
Interactive visual music.
In: Proceedings of EVA London 2019 (EVA 2019).
Electronic Workshops in Computing
.
ScienceOpen, pp. 302-309.
ISSN 1477-9358
(doi:https://doi.org/10.14236/ewic/EVA2019.58)
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2019)
Singing Light 2.
[Show/Exhibition]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
An investigation into evoking poetic and restorative places with visual music.
In: Digital Research in the Humanities and Arts Conference, 04-07 Sep 2016, Brighton, UK.
(Unpublished)
inter-species performance
Meier, Robin, Dey, Nirmalaya, Ott, Christine and Feugère, Lionel
ORCID: 0000-0003-0883-5224
(2021)
Truce.
[Creative Performance or Reading]
interactive
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2019)
Interactive visual music.
In: Proceedings of EVA London 2019 (EVA 2019).
Electronic Workshops in Computing
.
ScienceOpen, pp. 302-309.
ISSN 1477-9358
(doi:https://doi.org/10.14236/ewic/EVA2019.58)
interdisciplinary art
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
interdisciplinary research
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Cunningham, Stuart
(2021)
Practice-led and interdisciplinary research investigating affective sound design.
In: Filimowicz, Michael, (ed.)
Doing Research in Sound Design.
Routledge - Focal Press, Abingdon, Oxon; New York, pp. 151-168.
ISBN 9780429356360 ; 1000375196 ; 9781000375190 ; 978036740490-1 ; 978036740489-5 ; 978046935636 - 0
(doi:https://doi.org/10.4324/9780429356360)
international festival
Wallis, Jillian (2015) Reverie. [Creative Performance or Reading]
interventions
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Throwing a stone into the pond.
In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin.
(Unpublished)
intonation
Le Beux, Sylvain, Feugère, Lionel
ORCID: 0000-0003-0883-5224
and d'Alessandro, Christophe
(2012)
Chorus digitalis: experiment in chironomic choir singing.
In: 12th Annual Conference of the International Speech Communication Association 2011 (INTERSPEECH 2011).
International Speech Communications Association, pp. 2016-2019.
ISBN 978-1618392701
Irish writing
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
jazz
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2013)
Translation, theatre practice and the jazz metaphor.
Journal of Adaptation in Film & Performance, 6 (1).
pp. 55-64.
ISSN 1753-6421
(doi:https://doi.org/10.1386/jafp.6.1.55_1)
Smyth, Cherry (2022) 'Lost Bees'. [Audio]
Joseph Kepler
Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.
joystick orchestra
De Laubier, Serge, Bertrand, Guillaume, Genevois, Hugues, Goudard, Vincent, Doval, Boris, Feugère, Lionel
ORCID: 0000-0003-0883-5224
, Le Beux, Sylvain and d'Alessandro, Christophe
(2012)
OrJo et la Méta-Mallette 4.0.
In: Actes des Journées d'Informatique Musicale (JIM 2012).
UMONS/numediart, pp. 227-232.
landscape
Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246
Lebanon
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)
light
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2019)
Interactive visual music.
In: Proceedings of EVA London 2019 (EVA 2019).
Electronic Workshops in Computing
.
ScienceOpen, pp. 302-309.
ISSN 1477-9358
(doi:https://doi.org/10.14236/ewic/EVA2019.58)
listen
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Throwing a stone into the pond.
In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin.
(Unpublished)
listening
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Martin, Brona and Pasoulas, Aki
(2023)
Sonic heritage: listening to the past.
In: (In)tangible Heritage(s): Design, culture and technology – past, present, and future. AMPS, University of Kent. 15th - 17th June, 2022.
AMPS Proceedings Series, 29.1
.
Architecture Media Politics Society (AMPS), Canterbury, pp. 133-138.
ISSN 2398-9467
literature review
Masu, Raul, Do Nascimento Correia, Nuno
ORCID: 0000-0002-9999-9162
and Romão, Teresa
(2021)
NIME scores: a systematic review of how scores have shaped performance ecologies in NIME.
In: NIME 2021 Proceedings. Online and NYU Shanghai June 14-18, 2021.
NIME. International Conference on New Interfaces for Musical Expression
.
New Interfaces for Musical Expression (NIME), Shanghai.
Live Electronics
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Avartan.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Boo Su (2021).
[Composition]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Deep Bass Noise i.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Deep Bass Noise ii.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Dushume - Cultaural Fettish (2021) – 1’.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Dushume Live @ Diverse Frequencies.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Dushume [DJ Set] @ Iklectika 2022.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - EMOM.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Ealing Extranormal Volume 7.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Runt of the Litter.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Skronktronic 38.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii – BEAST @ Centrala (2022).
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
, Das, Aniruddha and Keating, Marcella
(2023)
Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating.
In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: experimental sound and deep bass exhibition.
[Show/Exhibition]
live music venue
van Klyton, Aaron C. (2015) Space and place in world music production. City, Culture and Society, 6 (4). pp. 101-108. ISSN 1877-9166 (doi:https://doi.org/10.1016/j.ccs.2015.06.001)
loudspeaker orchestra
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2015)
Theatres of Sounds: the role of context in the presentation of electroacoustic music.
In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany.
(Unpublished)
lowercase
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Atkinson, Simon
(2023)
Undertone II.
[Show/Exhibition]
LUX
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
Headgear (soundtrack).
[Composition]
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
Washi (soundtrack).
[Composition]
lyrics
Smyth, Cherry (2022) 'Lost Bees'. [Audio]
machine learning
Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Picking, Richard
(2019)
Audio emotion recognition using machine learning to support sound design.
In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019.
Association for Computing Machinery (ACM), New York, pp. 116-123.
ISBN 9781450372978
(doi:https://doi.org/10.1145/3356590.3356609)
Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Picking, Richard
(2021)
Supervised machine learning for audio emotion recognition: enhancing film sound design using audio features, regression models and artificial neural networks.
Personal and Ubiquitous Computing, 25.
pp. 637-650.
ISSN 1617-4909 (Print), 1617-4917 (Online)
(doi:https://doi.org/10.1007/s00779-020-01389-0)
marches
Meïer, Robin, Feugère, Lionel
ORCID: 0000-0003-0883-5224
, Gibson, Gabriella and Cenno, Aurélie
(2023)
Experiment in swarm communication: Culicomorpha.
[Video]
marginalised frequencies
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: Dushume and Dirty Electronics
limited edition White Label cassette tape EP.
[Artefact]
materiality
Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.
Kennedy, Stephen (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford University Press, New York, pp. 141-151. (doi:https://doi.org/10.1093/oxfordhb/9780190274054.013.43)
mathematics
Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.
Mann, Tony (2003) [Recording review] William Herschel, Symphonies Nos. 2, 8, 12, 13, 14, 17. BSHM Newsletter, 49. p. 42.
maths
Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.
Max/MSP
Ratcliffe, Robert, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Kanga, Zubin
(2011)
Mutations (megamix): exploring notions of the ‘DJ set’, ‘mashup’ and ‘remix’ through live piano-based performance.
eContact! Online Journal for Electroacoustic Practices, 13 (2).
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2010)
Bass drum, saxophone and laptop: real-time psychedelic performance software.
eContact! Online Journal for Electroacoustic Practices, 12 (4).
Maximalism
Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian
ORCID: 0000-0002-7143-8013
, White, Hannah and Wright-Spinks, Phoebe
(2017)
Time: A Sonic Vigil.
[Creative Performance or Reading]
media
Sigthorsson, Gauti (2007) [Panelist on "DIY?: we're doing it already, thanks" and moderator on "The Stranger in the crowd: fans shout back"]. In: In the City, 20-22 Oct 2007, Manchester, UK. (Unpublished)
meditation
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2019)
Singing Light 2.
[Show/Exhibition]
MER
Griffiths, Darryl, Cunningham, Stuart, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Picking, Richard
(2021)
A multi-genre model for music emotion recognition using linear regressors.
Journal of New Music Research.
ISSN 0929-8215 (Print), 1744-5027 (Online)
(doi:https://doi.org/10.1080/09298215.2021.1977336)
method cultural studies
Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]
methodology
Kennedy, Steve (2010) A sonic economy. CTHEORY - Code Drift: Essays in Critical Digital Studies, 003:649. ISSN 1190-9153
Middle East
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)
migration
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)
modern music
Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246
MONO NO AWARE
Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.
mosquitoes
Meier, Robin, Dey, Nirmalaya, Ott, Christine and Feugère, Lionel
ORCID: 0000-0003-0883-5224
(2021)
Truce.
[Creative Performance or Reading]
Meïer, Robin, Feugère, Lionel
ORCID: 0000-0003-0883-5224
, Gibson, Gabriella and Cenno, Aurélie
(2023)
Experiment in swarm communication: Culicomorpha.
[Video]
moving image
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2018)
Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces.
Body, Space & Technology, 17 (1).
pp. 51-75.
ISSN 1470-9120
(doi:https://doi.org/10.16995/bst.296)
multichannel ambisonics
Margetson, Emma
ORCID: 0000-0002-1054-1973
(2024)
Contemplations.
[Artefact]
multichannel concerts
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(2020)
Theatres of sounds: The role of context in the presentation of electroacoustic music.
Scene, 6 (2).
pp. 165-175.
ISSN 2044-3714
(doi:https://doi.org/10.1386/scene_00016_1)
multichannel diffusion
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2015)
Theatres of Sounds: the role of context in the presentation of electroacoustic music.
In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany.
(Unpublished)
museums
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Martin, Brona and Pasoulas, Aki
(2023)
Sonic heritage: listening to the past.
In: (In)tangible Heritage(s): Design, culture and technology – past, present, and future. AMPS, University of Kent. 15th - 17th June, 2022.
AMPS Proceedings Series, 29.1
.
Architecture Media Politics Society (AMPS), Canterbury, pp. 133-138.
ISSN 2398-9467
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Martin, Brona and Pasoulas, Aki
(2021)
Whispers of the Past.
[Composition]
music
Al-Rifaie, Asmaa Majid and Al-Rifaie, Mohammad Majid
ORCID: 0000-0002-1798-9615
(2015)
Generative music with stochastic diffusion search.
In: EvoMUSART 2015: Evolutionary and Biologically Inspired Music, Sound, Art and Design.
Lecture Notes in Computer Science book series (LNCS), 9027
.
Springer, Cham, Switzerland, pp. 1-14.
ISBN 978-3319164977
ISSN 0302-9743 (Print), 1611-3349 (Online)
(doi:https://doi.org/10.1007/978-3-319-16498-4_1)
Breating Space, (Collective) and Thompson, Ian
ORCID: 0000-0002-7143-8013
(2016)
RISE.
[Creative Performance or Reading]
Feugère, Lionel
ORCID: 0000-0003-0883-5224
, Doval, Boris, d'Alessandro, Christophe and Perrotin, Olivier
(2015)
Cantor Digitalis: First-Prize Winners of the Margaret Guthman Musical Instrument Competition.
[Creative Performance or Reading]
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
Headgear (soundtrack).
[Composition]
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
House (soundtrack).
[Composition]
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
Projections.
[Composition]
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2014)
Stille Lyd: Part II – Høvringen.
[Composition]
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
Washi (soundtrack).
[Composition]
Hill, Andrew
ORCID: 0000-0003-1521-0396
and Hobbs, James
(2018)
Gestalt und Bewegung.
[Show/Exhibition]
Kennedy, Stephen (2011) Audiostate. six compositions for film/live art performance. [Show/Exhibition] (Unpublished)
Kennedy, Stephen (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford Handbooks . Oxford University Press, Oxford & New York. ISBN 978-0190274054 (doi:https://doi.org/10.1093/oxfordhb/9780190274054.013.43)
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(2022)
Atra-Hasis.
[Composition]
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(ed.)
(2020)
Sound & Image: Aesthetics and Practices.
Sound Design
.
Routledge, London, UK.
ISBN 978-0367271466
Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
BMS International Composition Competition - Boo Su (2021).
[Creative Performance or Reading]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Boo Su (2021).
[Composition]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Throwing a stone into the pond.
In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin.
(Unpublished)
Powers, Alan (2012) Britten, Pears and their architects. In: LeGrove, Judith, (ed.) A Musical Eye: The Visual World of Britten and Pears. Artists' Choice Editions, London, UK, pp. 133-143. ISBN 978-0-9558343-6-3
Sigthorsson, Gauti (2007) [Panelist on "DIY?: we're doing it already, thanks" and moderator on "The Stranger in the crowd: fans shout back"]. In: In the City, 20-22 Oct 2007, Manchester, UK. (Unpublished)
Smyth, Cherry (2022) 'Lost Bees'. [Audio]
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2019)
Collaborations with Breathing Space Collective.
[Creative Performance or Reading]
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2018)
Sonos Localia.
Ian Thompson.
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2017)
Data ache and visual music practice meditated by instrument design.
In: dataAche: DRHA2017 Book of Abstracts.
DRHA.
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
An investigation into evoking poetic and restorative places with visual music.
In: Digital Research in the Humanities and Arts Conference, 04-07 Sep 2016, Brighton, UK.
(Unpublished)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2021)
Cyberdream: an interactive rave music visualization in Virtual Reality.
In: SA '21 XR: SIGGRAPH Asia 2021 XR.
Association for Computing Machinery (ACM) Digital Library, New York, USA, p. 4.
ISBN 978-1450390750
(doi:https://doi.org/10.1145/3478514.3487609)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2021)
Explosions in the mind: Composing Psychedelic Sounds and Visualisations.
Palgrave Studies in Sound
.
Springer Singapore, Singapore.
ISBN 978-9811640544
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2018)
Inner sound: altered states of consciousness in electronic music and audio-visual media.
Oxford University Press, New York.
ISBN 9780190671198
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2015)
Representing altered states of consciousness in computer arts.
In: EVA London 2015: Electronic Visualisation & the Arts. Proceedings of a conference held in London 7th-9th July.
Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2015
.
BCS: The Chartered Institute for IT, Swindon; London.
ISBN 9781780173160; 9781780173164
ISSN 1477-9358 (Print), 1477-9358 (Online)
(doi:https://doi.org/10.14236/ewic/eva2015.9)
Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)
music and emotion
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Cunningham, Stuart
(2021)
Practice-led and interdisciplinary research investigating affective sound design.
In: Filimowicz, Michael, (ed.)
Doing Research in Sound Design.
Routledge - Focal Press, Abingdon, Oxon; New York, pp. 151-168.
ISBN 9780429356360 ; 1000375196 ; 9781000375190 ; 978036740490-1 ; 978036740489-5 ; 978046935636 - 0
(doi:https://doi.org/10.4324/9780429356360)
music composition
Daylamani Zad, Damon, Araabi, Babak N. and Lucas, Caru (2006) A novel approach to automatic music composing: Using genetic algorithm. In: International Computer Music Conference Proceedings. MPublishing, University of Michigan Library, Ann Arbor, MI, USA, pp. 551-555.
music download
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2018)
Sonos Localia.
Ian Thompson.
music improvisation
Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]
music information retrieval
Cunningham, Stuart, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Picking, Richard
(2018)
High-level analysis of audio features for identifying emotional valence in human singing.
In: AM'18: Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion. September 12-14 2018, Wrexham, Wales UK.
Association for Computing Machinery (ACM), New York, pp. 1-4.
ISBN 978-1-4503-6609-0 ; 978-1-4503-6609-0/18/09
(doi:https://doi.org/10.1145/3243274.3243313)
Walshaw, Chris
ORCID: 0000-0003-0253-7779
(2014)
A statistical analysis of the ABC music notation corpus: exploring duplication.
In: Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014).
Computer Engineering Department, Boğaziçi University, Turkey, Istanbul, Turkey, pp. 2-9.
music perception
Griffiths, Darryl, Cunningham, Stuart, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Picking, Richard
(2021)
A multi-genre model for music emotion recognition using linear regressors.
Journal of New Music Research.
ISSN 0929-8215 (Print), 1744-5027 (Online)
(doi:https://doi.org/10.1080/09298215.2021.1977336)
Music performance
Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian
ORCID: 0000-0002-7143-8013
, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe
(2017)
Care! Object Beneath.
[Creative Performance or Reading]
music playlists
Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2013)
Automatic music playlist generation using affective technologies.
In: Proceedings of the Fifth International Conference on Internet Technologies and Applications (ITA 13) : 10-13 September 2013.
North East Wales Institute, Wrexham, Glyndŵr University, pp. 1-7.
ISBN 9780946881819 ; 0946881812
Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2013)
A discussion of musical features for automatic music playlist generation using affective technologies.
In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden.
ACM international conference proceedings
.
Association for Computing Machinery (ACM), New York, pp. 1-4.
ISBN 978-1-4503-2659-9
(doi:https://doi.org/10.1145/2544114.2544128)
Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2016)
An interactive music playlist generator that responds to user emotion and context.
In: Electronic Visualisation and the Arts (EVA) London, UK, 12 - 14 July 2016.
Electronic Workshops in Computing (eWiC) | BCS
.
BCS The Chartered Institute for IT, Swindon; London, pp. 275-276.
ISBN 178017344X ; 978-1780173443
(doi:https://doi.org/10.14236/ewic/EVA2016.53)
Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2015)
A self-report study that gauges perceived and induced emotion with music.
In: 2015 Internet Technologies and Applications (ITA). 8-11 Sept. 2015, Glyndŵr University, Wrexham, North Wales, UK.
IEEExplore
.
Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 239-244.
ISBN 978-1479980369
(doi:https://doi.org/10.1109/ITechA.2015.7317402)
music production
Cunningham, Stuart, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Griffiths, Darryl
(2014)
ACERemix: a tool for glitch music production and performance.
In: AM '14: Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound. Aalborg Denmark October 1 - 3, 2014.
Association for Computing Machinery (ACM), New York, pp. 1-7.
ISBN 978-1-4503-3032-9
(doi:https://doi.org/10.1145/2636879.2636888)
music scores
Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.
music visualiation
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2020)
Cyberdreams: visualizing music in extended reality.
In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.)
Technology, Design and the Arts - Opportunities and Challenges.
Springer Series on Cultural Computing
.
Springer, Cham, pp. 209-227.
ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0
(doi:https://doi.org/10.1007/978-3-030-42097-0_12)
Music visualisation
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2020)
Visualising rave music in Virtual Reality: symbolic and interactive approaches.
In: EVA London 2020 (Electronic Visualisation and the Arts).
Electronic Workshops in Computing (eWiC) | BCS
.
British Computer Society (BSC), Swindon; London, pp. 78-84.
ISSN 1477-9358
(doi:https://doi.org/10.14236/ewic/EVA2020.13)
music visualization
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2021)
Cyberdream: an interactive rave music visualization in Virtual Reality.
In: SA '21 XR: SIGGRAPH Asia 2021 XR.
Association for Computing Machinery (ACM) Digital Library, New York, USA, p. 4.
ISBN 978-1450390750
(doi:https://doi.org/10.1145/3478514.3487609)
musical interactive systems
Masu, Raul, Correia, Nuno N.
ORCID: 0000-0002-9999-9162
and Romão, Teresa
(2021)
Technology-mediated musical connections: the ecology of a screen-score performance.
In: AM '21: Audio Mostly 2021.
Association for Computing Machinery (ACM), New York, USA, pp. 109-116.
ISBN 978-1450385695
(doi:https://doi.org/10.1145/3478384.3478395)
musical interfaces
Sigthorsson, Gauti (2008) Acoustic pockets of the outside [presentation on "Musical Interfaces" panel]. In: Futuresonic 2008: Urban Festival of Art, Music and Ideas, 1 - 5 May 2008, Manchester, UK. (Unpublished)
musicology
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2013)
Translation, theatre practice and the jazz metaphor.
Journal of Adaptation in Film & Performance, 6 (1).
pp. 55-64.
ISSN 1753-6421
(doi:https://doi.org/10.1386/jafp.6.1.55_1)
nature-inspired algorithm
Al-Rifaie, Asmaa Majid and Al-Rifaie, Mohammad Majid
ORCID: 0000-0002-1798-9615
(2015)
Generative music with stochastic diffusion search.
In: EvoMUSART 2015: Evolutionary and Biologically Inspired Music, Sound, Art and Design.
Lecture Notes in Computer Science book series (LNCS), 9027
.
Springer, Cham, Switzerland, pp. 1-14.
ISBN 978-3319164977
ISSN 0302-9743 (Print), 1611-3349 (Online)
(doi:https://doi.org/10.1007/978-3-319-16498-4_1)
new music
Smyth, Cherry (2022) 'Lost Bees'. [Audio]
Nicole Raymond
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Disruptive Frequencies.
[Artefact]
Nights Under the Moon
Hardeman, Simon (2021) "Nights Under the Moon" by Simon Hardeman. [Audio]
Nikki Sheth
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Disruptive Frequencies.
[Artefact]
NikNak
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Disruptive Frequencies.
[Artefact]
noise
Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
Headgear (soundtrack).
[Composition]
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
House (soundtrack).
[Composition]
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
Washi (soundtrack).
[Composition]
Kennedy, Stephen (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford University Press, New York, pp. 141-151. (doi:https://doi.org/10.1093/oxfordhb/9780190274054.013.43)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Avartan.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
BMS International Composition Competition - Boo Su (2021).
[Creative Performance or Reading]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Boo Su (2021).
[Composition]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition.
[Show/Exhibition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Deep Bass Noise i.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Deep Bass Noise ii.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Dushume - Cultaural Fettish (2021) – 1’.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Dushume Live @ Diverse Frequencies.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Dushume [DJ Set] @ Iklectika 2022.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Exploring cultural diversity in experimental sound.
Array, the journal of the International Computer Music Association (ICMA), 2021 (1):3.
pp. 17-22.
ISSN 2590-0056 (Online)
(doi:https://doi.org/10.25370/array.v20213269)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - EMOM.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Ealing Extranormal Volume 7.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Runt of the Litter.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Skronktronic 38.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii – BEAST @ Centrala (2022).
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: experimental sound and deep bass exhibition.
[Show/Exhibition]
Noise Music
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Avartan.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
BMS International Composition Competition - Boo Su (2021).
[Creative Performance or Reading]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Boo Su (2021).
[Composition]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition.
[Show/Exhibition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Chakria.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Deep Bass Noise i.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Dushume - Cultaural Fettish (2021) – 1’.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Dushume Live @ Diverse Frequencies.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Dushume [DJ Set] @ Iklectika 2022.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - EMOM.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Ealing Extranormal Volume 7.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Runt of the Litter.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Skronktronic 38.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii – BEAST @ Centrala (2022).
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Sound/Image: intersections. Premier of “Kiln”.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: Dushume and Dirty Electronics
limited edition White Label cassette tape EP.
[Artefact]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: experimental sound and deep bass exhibition.
[Show/Exhibition]
noise selector
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: Dushume and Dirty Electronics
limited edition White Label cassette tape EP.
[Artefact]
Nonclassical
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Avartan.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Chakria Live - Performance at Kings Place, London.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Disruptive Frequencies Dushume DJ set: Iklectika 2023.
[Audio]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
, Das, Aniruddha and Keating, Marcella
(2023)
Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating.
In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
, Das, Aniruddha and Keating, Marcella
(2023)
Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating.
In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
Northern Ireland
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
Norway
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2014)
Stille Lyd: Part II – Høvringen.
[Composition]
nostalgia
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)
NOTAM
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2014)
Stille Lyd: Part II – Høvringen.
[Composition]
object based audio
Hill, Andrew
ORCID: 0000-0003-1521-0396
, Fairfield, Paula and Martin, Brona
(2019)
Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats.
[Show/Exhibition]
opera
Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.
oral history
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Martin, Brona and Pasoulas, Aki
(2023)
Sonic heritage: listening to the past.
In: (In)tangible Heritage(s): Design, culture and technology – past, present, and future. AMPS, University of Kent. 15th - 17th June, 2022.
AMPS Proceedings Series, 29.1
.
Architecture Media Politics Society (AMPS), Canterbury, pp. 133-138.
ISSN 2398-9467
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Martin, Brona and Pasoulas, Aki
(2021)
Whispers of the Past.
[Composition]
overtime
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2014)
Litus Expromo.
[Show/Exhibition]
Panel Discussion
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
, Das, Aniruddha and Keating, Marcella
(2023)
Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating.
In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
percussion
Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]
performance
Breating Space, (Collective) and Thompson, Ian
ORCID: 0000-0002-7143-8013
(2016)
RISE.
[Creative Performance or Reading]
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2019)
Effluvial States - 1st Mvmnt. - Spectral Spaces.
[Composition]
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2019)
Effluvial States - 2nd Mvmnt. - Spectral Spaces.
[Composition]
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
Projections.
[Composition]
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2015)
Theatres of Sounds: the role of context in the presentation of electroacoustic music.
In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany.
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
and Hobbs, James
(2018)
Gestalt und Bewegung.
[Show/Exhibition]
Hill, Andrew
ORCID: 0000-0003-1521-0396
and Hobbs, James
(2017)
(I)MAGESOUND(S) - expanded audiovisual practice.
eContact!, 19 (2).
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(2020)
Theatres of sounds: The role of context in the presentation of electroacoustic music.
Scene, 6 (2).
pp. 165-175.
ISSN 2044-3714
(doi:https://doi.org/10.1386/scene_00016_1)
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Farquhar, Angus, Morell, Purni, Johnson, James and Sinclair, Cameron
(2021)
Over Lunan (presentation of performance).
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
BMS International Composition Competition - Boo Su (2021).
[Creative Performance or Reading]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - EMOM.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Runt of the Litter.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Skronktronic 38.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii – BEAST @ Centrala (2022).
[Creative Performance or Reading]
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2019)
Collaborations with Breathing Space Collective.
[Creative Performance or Reading]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2017)
An investigation into composing visual music today.
Body, Space & Technology, 16 (02):09.
ISSN 1470-9120 (Print), 1470-9120 (Online)
(doi:https://doi.org/10.16995/bst.9)
performance art
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Runt of the Litter.
[Creative Performance or Reading]
performance ecology
Masu, Raul, Correia, Nuno N.
ORCID: 0000-0002-9999-9162
and Romão, Teresa
(2021)
Technology-mediated musical connections: the ecology of a screen-score performance.
In: AM '21: Audio Mostly 2021.
Association for Computing Machinery (ACM), New York, USA, pp. 109-116.
ISBN 978-1450385695
(doi:https://doi.org/10.1145/3478384.3478395)
Masu, Raul, Do Nascimento Correia, Nuno
ORCID: 0000-0002-9999-9162
and Romão, Teresa
(2021)
NIME scores: a systematic review of how scores have shaped performance ecologies in NIME.
In: NIME 2021 Proceedings. Online and NYU Shanghai June 14-18, 2021.
NIME. International Conference on New Interfaces for Musical Expression
.
New Interfaces for Musical Expression (NIME), Shanghai.
performative synthesis
Le Beux, Sylvain, Feugère, Lionel
ORCID: 0000-0003-0883-5224
and d'Alessandro, Christophe
(2012)
Chorus digitalis: experiment in chironomic choir singing.
In: 12th Annual Conference of the International Speech Communication Association 2011 (INTERSPEECH 2011).
International Speech Communications Association, pp. 2016-2019.
ISBN 978-1618392701
Personal Data Protection
Boddington, Ghislaine
ORCID: 0000-0003-0448-579X
, Pitsillides, Stacey
ORCID: 0000-0003-0961-5370
and Vindis, Tadej
(2020)
Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS).
[Show/Exhibition]
Peter Pears
Powers, Alan (2012) Britten, Pears and their architects. In: LeGrove, Judith, (ed.) A Musical Eye: The Visual World of Britten and Pears. Artists' Choice Editions, London, UK, pp. 133-143. ISBN 978-0-9558343-6-3
philosophy
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2014)
Shamanic diffusions: a technoshamanic philosophy of electroacoustic music.
Sonic Ideas/Ideas Sonicas, 6 (12).
ISSN 2317-9694
physical theatre
Wallis, Jillian (2015) Reverie. [Creative Performance or Reading]
poems
Smyth, Cherry (2022) 'Lost Bees'. [Audio]
poetic
Wallis, Jillian (2015) Reverie. [Creative Performance or Reading]
poetry
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
politics
Kennedy, Steve (2009) Leaving on a jet plane of immanence. The Issues: In Contemporary Culture and Aesthetics. Nerve Ltd., London, UK. ISBN 0955003725
popular music
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)
Post-acousmatic
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
Projections.
[Composition]
(Unpublished)
Poulomi Desai
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Disruptive Frequencies.
[Artefact]
practice
Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.
practice-based research
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2018)
Creating Affective Visual Music.
In: Proceedings of Proceedings of EVA London 2018, UK.
ScienceOpen, pp. 374-381.
(doi:https://doi.org/10.14236/ewic/EVA2018.70)
practice-led research
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Cunningham, Stuart
(2021)
Practice-led and interdisciplinary research investigating affective sound design.
In: Filimowicz, Michael, (ed.)
Doing Research in Sound Design.
Routledge - Focal Press, Abingdon, Oxon; New York, pp. 151-168.
ISBN 9780429356360 ; 1000375196 ; 9781000375190 ; 978036740490-1 ; 978036740489-5 ; 978046935636 - 0
(doi:https://doi.org/10.4324/9780429356360)
Private Passions
Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.
protest
Kennedy, Steve (2009) Leaving on a jet plane of immanence. The Issues: In Contemporary Culture and Aesthetics. Nerve Ltd., London, UK. ISBN 0955003725
psychedelic visual music
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Cunningham, Stuart
(2014)
Digitized direct animation: creating materials for electroacoustic visual music using 8mm film.
eContact! Online Journal for Electroacoustic Practices, 15 (4).
psychedelics
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2018)
Inner sound: altered states of consciousness in electronic music and audio-visual media.
Oxford University Press, New York.
ISBN 9780190671198
Queens House
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2014)
Litus Expromo.
[Show/Exhibition]
queer studies
Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246
Quiet
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2014)
Stille Lyd: Part II – Høvringen.
[Composition]
race
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Exploring cultural diversity in experimental sound.
Array, the journal of the International Computer Music Association (ICMA), 2021 (1):3.
pp. 17-22.
ISSN 2590-0056 (Online)
(doi:https://doi.org/10.25370/array.v20213269)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Throwing a stone into the pond.
In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin.
(Unpublished)
Radical Nails Sound(-Making) Object
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii.
[Composition]
radio
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Morell, Purni, Angus, Farquhar and Ross, Charlie
(2021)
Over Lunan (Radio Documentary).
[Play, Short Story or Poetry]
Radio 3
Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.
radiophonic
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Morell, Purni, Angus, Farquhar and Ross, Charlie
(2021)
Over Lunan (Radio Documentary).
[Play, Short Story or Poetry]
raga
Feugère, Lionel
ORCID: 0000-0003-0883-5224
, Doval, Boris, d'Alessandro, Christophe and Perrotin, Olivier
(2015)
Cantor Digitalis: First-Prize Winners of the Margaret Guthman Musical Instrument Competition.
[Creative Performance or Reading]
rave culture
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2019)
Virtual hallucinations: projects in VJing, virtual reality and cyberculture.
In: EVA London 2019: Electronic Visualisation & the Arts. Proceedings of a conference held in London 8th-11th July.
Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019)
.
BCS, The Chartered Institute for IT, Swindon; London, pp. 293-301.
ISSN 1477-9358 (Print), 1477-9358 (Online)
(doi:https://doi.org/10.14236/ewic/EVA2019.57)
rave music
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2020)
Visualising rave music in Virtual Reality: symbolic and interactive approaches.
In: EVA London 2020 (Electronic Visualisation and the Arts).
Electronic Workshops in Computing (eWiC) | BCS
.
British Computer Society (BSC), Swindon; London, pp. 78-84.
ISSN 1477-9358
(doi:https://doi.org/10.14236/ewic/EVA2020.13)
recording
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Boo Su (2021).
[Composition]
(Unpublished)
recording review
Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.
Mann, Tony (2003) [Recording review] William Herschel, Symphonies Nos. 2, 8, 12, 13, 14, 17. BSHM Newsletter, 49. p. 42.
regression
Griffiths, Darryl, Cunningham, Stuart, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Picking, Richard
(2021)
A multi-genre model for music emotion recognition using linear regressors.
Journal of New Music Research.
ISSN 0929-8215 (Print), 1744-5027 (Online)
(doi:https://doi.org/10.1080/09298215.2021.1977336)
representation
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)
research methods
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Cunningham, Stuart
(2021)
Practice-led and interdisciplinary research investigating affective sound design.
In: Filimowicz, Michael, (ed.)
Doing Research in Sound Design.
Routledge - Focal Press, Abingdon, Oxon; New York, pp. 151-168.
ISBN 9780429356360 ; 1000375196 ; 9781000375190 ; 978036740490-1 ; 978036740489-5 ; 978046935636 - 0
(doi:https://doi.org/10.4324/9780429356360)
review
Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.
rhythm
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Atkinson, Simon
(2023)
Undertone II.
[Show/Exhibition]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2018)
Creating Affective Visual Music.
In: Proceedings of Proceedings of EVA London 2018, UK.
ScienceOpen, pp. 374-381.
(doi:https://doi.org/10.14236/ewic/EVA2018.70)
River Bann
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
Robert Mapplethorpe
Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.
Robin Wilson
Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.
Roma art
Acton, Thomas (2010) Is tradition the enemy of history? In: Orta, Lucy, (ed.) Mapping the Invisible: EU-Roma Gypsies. Black Dog Publishing / London College of Fashion, London, UK, pp. 20-23. ISBN 978 1 906155 91 9
Roma history
Acton, Thomas (2010) Is tradition the enemy of history? In: Orta, Lucy, (ed.) Mapping the Invisible: EU-Roma Gypsies. Black Dog Publishing / London College of Fashion, London, UK, pp. 20-23. ISBN 978 1 906155 91 9
royal academy of arts
Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]
RSPB
Meïer, Robin, Feugère, Lionel
ORCID: 0000-0003-0883-5224
, Gibson, Gabriella and Cenno, Aurélie
(2023)
Experiment in swarm communication: Culicomorpha.
[Video]
science-art
Meïer, Robin, Feugère, Lionel
ORCID: 0000-0003-0883-5224
, Gibson, Gabriella and Cenno, Aurélie
(2023)
Experiment in swarm communication: Culicomorpha.
[Video]
score
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(2020)
Chase.
[Composition]
(Unpublished)
Masu, Raul, Do Nascimento Correia, Nuno
ORCID: 0000-0002-9999-9162
and Romão, Teresa
(2021)
NIME scores: a systematic review of how scores have shaped performance ecologies in NIME.
In: NIME 2021 Proceedings. Online and NYU Shanghai June 14-18, 2021.
NIME. International Conference on New Interfaces for Musical Expression
.
New Interfaces for Musical Expression (NIME), Shanghai.
screen-score
Masu, Raul, Correia, Nuno N.
ORCID: 0000-0002-9999-9162
and Romão, Teresa
(2021)
Technology-mediated musical connections: the ecology of a screen-score performance.
In: AM '21: Audio Mostly 2021.
Association for Computing Machinery (ACM), New York, USA, pp. 109-116.
ISBN 978-1450385695
(doi:https://doi.org/10.1145/3478384.3478395)
shamanism
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2018)
Inner sound: altered states of consciousness in electronic music and audio-visual media.
Oxford University Press, New York.
ISBN 9780190671198
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2014)
Shamanic diffusions: a technoshamanic philosophy of electroacoustic music.
Sonic Ideas/Ideas Sonicas, 6 (12).
ISSN 2317-9694
silent film
Hill, Andrew
ORCID: 0000-0003-1521-0396
and Bauer, Evgenii
(2019)
Child of the Big City - Silent Film Composition.
[Composition]
Simon Atkinson
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Atkinson, Simon
(2023)
Undertone.
[Show/Exhibition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Atkinson, Simon
(2023)
Undertone II.
[Show/Exhibition]
Simon Hardeman
Hardeman, Simon (2021) "Nights Under the Moon" by Simon Hardeman. [Audio]
singing
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2017)
SKY.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2017)
An investigation into composing visual music today.
Body, Space & Technology, 16 (02):09.
ISSN 1470-9120 (Print), 1470-9120 (Online)
(doi:https://doi.org/10.16995/bst.9)
Singing synthesis
Feugère, Lionel
ORCID: 0000-0003-0883-5224
, Le Beux, Sylvain and d'Alessandro, Christophe
(2011)
Chorus Digitalis: polyphonic gestural singing.
In: 1st International Workshop on Performative Speech and Singing Synthesis (P3S 2011).
University of British Columbia.
Le Beux, Sylvain, Feugère, Lionel
ORCID: 0000-0003-0883-5224
and d'Alessandro, Christophe
(2012)
Chorus digitalis: experiment in chironomic choir singing.
In: 12th Annual Conference of the International Speech Communication Association 2011 (INTERSPEECH 2011).
International Speech Communications Association, pp. 2016-2019.
ISBN 978-1618392701
singing voice
Feugère, Lionel
ORCID: 0000-0003-0883-5224
, Doval, Boris, d'Alessandro, Christophe and Perrotin, Olivier
(2015)
Cantor Digitalis: First-Prize Winners of the Margaret Guthman Musical Instrument Competition.
[Creative Performance or Reading]
Site-specific
Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian
ORCID: 0000-0002-7143-8013
, White, Hannah and Wright-Spinks, Phoebe
(2017)
Time: A Sonic Vigil.
[Creative Performance or Reading]
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2019)
Collaborations with Breathing Space Collective.
[Creative Performance or Reading]
Sky 2
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2018)
Singing light: creating affective visual music.
In: Seeing Sound: 2018 Papers.
Seeing Sound.
skyscape
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2017)
SKY.
[Video]
soft fascination
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2019)
Singing Light 2.
[Show/Exhibition]
software
Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.
song
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song.
Body, Space & Technology, 15 (22).
ISSN 1470-9120
(doi:https://doi.org/10.16995/bst.20)
Sonic art
Hill, Andrew
ORCID: 0000-0003-1521-0396
and Hobbs, Jim
(2017)
(I)MAGESOUND(S): Expanded audiovisual practice.
eContact!, 19 (2).
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
BMS International Composition Competition - Boo Su (2021).
[Creative Performance or Reading]
(Unpublished)
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2016)
Arrival Time.
[Show/Exhibition]
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2018)
Sonos Localia.
Ian Thompson.
sonic economy
Kennedy, Stephen (2013) Echostate. Zetesis: Research generated by curiosity, 1 (1). pp. 68-77. ISSN n/a
Kennedy, Steve (2010) A sonic economy. CTHEORY - Code Drift: Essays in Critical Digital Studies, 003:649. ISSN 1190-9153
sound
Breating Space, (Collective) and Thompson, Ian
ORCID: 0000-0002-7143-8013
(2016)
RISE.
[Creative Performance or Reading]
Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
Headgear (soundtrack).
[Composition]
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
House (soundtrack).
[Composition]
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2014)
Stille Lyd: Part II – Høvringen.
[Composition]
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2015)
Theatres of Sounds: the role of context in the presentation of electroacoustic music.
In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany.
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
Washi (soundtrack).
[Composition]
Hill, Andrew
ORCID: 0000-0003-1521-0396
and Hobbs, James
(2018)
Gestalt und Bewegung.
[Show/Exhibition]
Hill, Andrew
ORCID: 0000-0003-1521-0396
and Hobbs, James
(2017)
(I)MAGESOUND(S) - expanded audiovisual practice.
eContact!, 19 (2).
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(2020)
Audiovisual spaces: spatiality, experience and potentiality in audiovisual composition.
In: Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, (ed.)
Sound & Image: Aesthetics and Practices.
Sound Design
.
Routledge, London, UK.
ISBN 978-0367271473
(doi:https://doi.org/10.4324/9780429295102-4)
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(ed.)
(2020)
Sound & Image: Aesthetics and Practices.
Sound Design
.
Routledge, London, UK.
ISBN 978-0367271466
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Fitzpatrick, Tim and Williams, Bede
(2019)
We Choose to go to the Moon.
[Composition]
(Unpublished)
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Martin, Brona and Pasoulas, Aki
(2023)
Sonic heritage: listening to the past.
In: (In)tangible Heritage(s): Design, culture and technology – past, present, and future. AMPS, University of Kent. 15th - 17th June, 2022.
AMPS Proceedings Series, 29.1
.
Architecture Media Politics Society (AMPS), Canterbury, pp. 133-138.
ISSN 2398-9467
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Boo Su (2021).
[Composition]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition.
[Show/Exhibition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Dushume - Cultaural Fettish (2021) – 1’.
[Composition]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
Audio-visual composition: an investigation of how best to compose no-figurative gestural visual music.
In: Sound/Image Colloquium: Exploring Sonic and Audio-visual Practice, 12-13 Nov 2016, Greenwich, UK.
(Unpublished)
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2018)
Singing light: creating affective visual music.
In: Seeing Sound: 2018 Papers.
Seeing Sound.
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl
(2014)
EEG as a controller for psychedelic visual music in an immersive dome environment.
In: EVA London 2014: Proceedings of the EVA London 2014 on Electronic Visualisation and the Arts.
Electronic Workshops in Computing (eWiC) | BCS
.
BCS, The Chartered Institute for IT, Swindon; London.
ISBN 978-1780172859 ; 1780172850
(doi:https://doi.org/10.14236/ewic/EVA2014.45)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
, Griffiths, Darryl and Cunningham, Stuart
(2014)
Easter eggs: hidden tracks and messages in musical mediums.
In: Joint International Computer Music Conference/Sound and Music Computing 2014, Athens.
International Computer Music Association, Michigan and Washington, pp. 1-8.
ISSN 2223-3881 (Print), 2223-3881 (Online)
sound art
Hill, Andrew
ORCID: 0000-0003-1521-0396
, Fairfield, Paula and Martin, Brona
(2019)
Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats.
[Show/Exhibition]
Kennedy, Stephen (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford University Press, New York, pp. 141-151. (doi:https://doi.org/10.1093/oxfordhb/9780190274054.013.43)
Kennedy, Stephen (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford Handbooks . Oxford University Press, Oxford & New York. ISBN 978-0190274054 (doi:https://doi.org/10.1093/oxfordhb/9780190274054.013.43)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Avartan.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
BMS International Composition Competition - Boo Su (2021).
[Creative Performance or Reading]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Boo Su (2021).
[Composition]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition.
[Show/Exhibition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Chakria.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Deep Bass Noise i.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Deep Bass Noise ii.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Dushume - Cultaural Fettish (2021) – 1’.
[Composition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Dushume Live @ Diverse Frequencies.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Dushume [DJ Set] @ Iklectika 2022.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Kiln.
[Composition]
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - EMOM.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Ealing Extranormal Volume 7.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Runt of the Litter.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Skronktronic 38.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii – BEAST @ Centrala (2022).
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Throwing a stone into the pond.
In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin.
(Unpublished)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
, Das, Aniruddha and Keating, Marcella
(2023)
Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating.
In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: Dushume and Dirty Electronics
limited edition White Label cassette tape EP.
[Artefact]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: experimental sound and deep bass exhibition.
[Show/Exhibition]
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2016)
Arrival Time.
[Show/Exhibition]
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2019)
Collaborations with Breathing Space Collective.
[Creative Performance or Reading]
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2014)
Litus Expromo.
[Show/Exhibition]
sound artist
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition.
[Show/Exhibition]
Sound design
Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian
ORCID: 0000-0002-7143-8013
, White, Hannah and Wright-Spinks, Phoebe
(2017)
Time: A Sonic Vigil.
[Creative Performance or Reading]
Breating Space, (Collective) and Thompson, Ian
ORCID: 0000-0002-7143-8013
(2016)
RISE.
[Creative Performance or Reading]
Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Picking, Richard
(2019)
Audio emotion recognition using machine learning to support sound design.
In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019.
Association for Computing Machinery (ACM), New York, pp. 116-123.
ISBN 9781450372978
(doi:https://doi.org/10.1145/3356590.3356609)
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
Projections.
[Composition]
(Unpublished)
Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Fitzpatrick, Tim and Williams, Bede
(2019)
We Choose to go to the Moon.
[Composition]
(Unpublished)
Margetson, Emma
ORCID: 0000-0002-1054-1973
, Pitsillides, Stacey
ORCID: 0000-0003-0961-5370
, Nally, Claire, Demireva, Ella, Parvin, Asadzadeh Birjandi and Hegarty, Tom
(2021)
Tickets for the Afterlife.
Death Positive Libraries, Redbridge Central Library, Newcastle City Library and Kirklees Libraries.
Margetson, Emma
ORCID: 0000-0002-1054-1973
, Preye, Olivia and Waterfield, Alithea
(2021)
Walk with me.
[Composition]
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2019)
Collaborations with Breathing Space Collective.
[Creative Performance or Reading]
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2019)
Augmented unreality: synesthetic artworks and audio-visual hallucinations.
In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.)
The Oxford Handbook of Sound and Imagination, Volume 2.
Oxford Handbooks, 2
.
Oxford University Press, New York, pp. 301-320.
ISBN 9780190460242
(doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2021)
Cyberdream: an interactive rave music visualization in Virtual Reality.
In: SA '21 XR: SIGGRAPH Asia 2021 XR.
Association for Computing Machinery (ACM) Digital Library, New York, USA, p. 4.
ISBN 978-1450390750
(doi:https://doi.org/10.1145/3478514.3487609)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2021)
Explosions in the mind: Composing Psychedelic Sounds and Visualisations.
Palgrave Studies in Sound
.
Springer Singapore, Singapore.
ISBN 978-9811640544
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2018)
Inner sound: altered states of consciousness in electronic music and audio-visual media.
Oxford University Press, New York.
ISBN 9780190671198
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2013)
Nausea: an approach to sonic arts composition based on ASC.
In: Proceedings of the Fifth International Conference on Internet Technologies and Applications (ITA 13) : 10-13 September 2013.
North East Wales Institute, Wrexham, Glyndŵr University, pp. 1-8.
ISBN 9780946881819 ; 0946881812
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2021)
Synaesthetic audio-visual sound toys in virtual reality.
In: AM '21: Audio Mostly 2021.
Association for Computing Machinery (ACM), New York, USA, pp. 135-138.
ISBN 978-1450385695
(doi:https://doi.org/10.1145/3478384.3478400)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2013)
Visual patterns of hallucination as a basis for sonic arts composition.
In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden.
Association for Computing Machinery (ACM), New York, pp. 1-7.
ISBN 978-1-4503-2659-9
(doi:https://doi.org/10.1145/2544114.2544125)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2020)
Visualising rave music in Virtual Reality: symbolic and interactive approaches.
In: EVA London 2020 (Electronic Visualisation and the Arts).
Electronic Workshops in Computing (eWiC) | BCS
.
British Computer Society (BSC), Swindon; London, pp. 78-84.
ISSN 1477-9358
(doi:https://doi.org/10.14236/ewic/EVA2020.13)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Cunningham, Stuart
(2021)
Practice-led and interdisciplinary research investigating affective sound design.
In: Filimowicz, Michael, (ed.)
Doing Research in Sound Design.
Routledge - Focal Press, Abingdon, Oxon; New York, pp. 151-168.
ISBN 9780429356360 ; 1000375196 ; 9781000375190 ; 978036740490-1 ; 978036740489-5 ; 978046935636 - 0
(doi:https://doi.org/10.4324/9780429356360)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
, Cunningham, Stuart and Griffiths, Darryl
(2014)
Sound through the rabbit hole: sound design based on reports of auditory hallucination.
In: AM '14: Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound. Aalborg Denmark October 1 - 3, 2014.
Association for Computing Machinery (ACM), New York, pp. 1-18.
ISBN 978-1-4503-3032-9 ; 1-4503-3032-0
(doi:https://doi.org/10.1145/2636879.2636883)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
, Cunningham, Stuart, Griffiths, Darryl, Roberts, Shaun and Picking, Richard
(2014)
Affective Audio.
Leonardo Music Journal, 24.
pp. 17-20.
ISSN 0961-1215 (Print), 1531-4812 (Online)
(doi:https://doi.org/10.1162/LMJ_a_00189)
sound diffusion
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Sound/Image: intersections. Premier of “Kiln”.
[Creative Performance or Reading]
Sound image
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
Projections.
[Composition]
(Unpublished)
sound installation
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Disruptive Frequencies Dushume DJ set: Iklectika 2023.
[Audio]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Atkinson, Simon
(2023)
Undertone.
[Show/Exhibition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Atkinson, Simon
(2023)
Undertone II.
[Show/Exhibition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: Dushume and Dirty Electronics
limited edition White Label cassette tape EP.
[Artefact]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: experimental sound and deep bass exhibition.
[Show/Exhibition]
sound objects
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: experimental sound and deep bass exhibition.
[Show/Exhibition]
sound recording
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2018)
Sonos Localia.
Ian Thompson.
sound recording experimentation
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2021)
Boo Su (2021).
[Composition]
(Unpublished)
sound studies
Kennedy, Stephen (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford Handbooks . Oxford University Press, Oxford & New York. ISBN 978-0190274054 (doi:https://doi.org/10.1093/oxfordhb/9780190274054.013.43)
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2018)
Sonos Localia.
Ian Thompson.
Sound-image
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
Washi (soundtrack).
[Composition]
sounds
Meïer, Robin, Feugère, Lionel
ORCID: 0000-0003-0883-5224
, Gibson, Gabriella and Cenno, Aurélie
(2023)
Experiment in swarm communication: Culicomorpha.
[Video]
soundscape
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(2022)
Atra-Hasis.
[Composition]
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Farquhar, Angus, Morell, Purni, Johnson, James and Sinclair, Cameron
(2021)
Over Lunan (presentation of performance).
[Creative Performance or Reading]
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Martin, Brona and Pasoulas, Aki
(2023)
Sonic heritage: listening to the past.
In: (In)tangible Heritage(s): Design, culture and technology – past, present, and future. AMPS, University of Kent. 15th - 17th June, 2022.
AMPS Proceedings Series, 29.1
.
Architecture Media Politics Society (AMPS), Canterbury, pp. 133-138.
ISSN 2398-9467
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Martin, Brona and Pasoulas, Aki
(2021)
Whispers of the Past.
[Composition]
Soundtrack
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
Headgear (soundtrack).
[Composition]
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
House (soundtrack).
[Composition]
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2016)
Washi (soundtrack).
[Composition]
Hill, Andrew
ORCID: 0000-0003-1521-0396
and Bauer, Evgenii
(2019)
Child of the Big City - Silent Film Composition.
[Composition]
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(2021)
Gherstl's Ghost - Original Soundtrack.
[Composition]
space
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(2020)
Audiovisual spaces: spatiality, experience and potentiality in audiovisual composition.
In: Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, (ed.)
Sound & Image: Aesthetics and Practices.
Sound Design
.
Routledge, London, UK.
ISBN 978-0367271473
(doi:https://doi.org/10.4324/9780429295102-4)
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii – BEAST @ Centrala (2022).
[Creative Performance or Reading]
spatial audio
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2015)
Theatres of Sounds: the role of context in the presentation of electroacoustic music.
In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany.
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
, Fairfield, Paula and Martin, Brona
(2019)
Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats.
[Show/Exhibition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Chakria Live - Performance at Kings Place, London.
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Sound/Image: intersections. Premier of “Kiln”.
[Creative Performance or Reading]
spatial complexity
Javaheri Javid, Mohammed Ali, Blackwell, Tim, Zimmer, Robert and Al-Rifaie, Mohammad Majid
ORCID: 0000-0002-1798-9615
(2016)
Correlation between human aesthetic judgement and spatial complexity measure.
In: EvoMUSART 2016: Evolutionary and Biologically Inspired Music, Sound, Art and Design.
Lecture Notes in Computer Science book series, 9596
.
Springer-Verlag, Berlin, Heidelberg, Cham, pp. 79-91.
ISBN 978-3-319-31007-7 ; 978-3-319-31008-4
ISSN 0302-9743 (Print), 1611-3349 (Online)
(doi:https://doi.org/10.1007/978-3-319-31008-4_6)
spatial compositions
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Sound/Image: intersections. Premier of “Kiln”.
[Creative Performance or Reading]
spatial diffusion
Thompson, Ian
ORCID: 0000-0002-7143-8013
, Shiell, Stephen and Wilson, Richard
(2015)
BELL - REF documentation.
[Composition]
spatial sound
Margetson, Emma
ORCID: 0000-0002-1054-1973
(2024)
Contemplations.
[Artefact]
speakers
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: experimental sound and deep bass exhibition.
[Show/Exhibition]
spectroscopy
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Fitzpatrick, Tim and Williams, Bede
(2019)
We Choose to go to the Moon.
[Composition]
(Unpublished)
Stochastic diffusion search
Al-Rifaie, Asmaa Majid and Al-Rifaie, Mohammad Majid
ORCID: 0000-0002-1798-9615
(2015)
Generative music with stochastic diffusion search.
In: EvoMUSART 2015: Evolutionary and Biologically Inspired Music, Sound, Art and Design.
Lecture Notes in Computer Science book series (LNCS), 9027
.
Springer, Cham, Switzerland, pp. 1-14.
ISBN 978-3319164977
ISSN 0302-9743 (Print), 1611-3349 (Online)
(doi:https://doi.org/10.1007/978-3-319-16498-4_1)
Al-Rifaie, Asmaa Majid and Al-Rifaie, Mohammad Majid
ORCID: 0000-0002-1798-9615
(2015)
Generative music with stochastic diffusion search.
In: EvoMUSART 2015: Evolutionary and Biologically Inspired Music, Sound, Art and Design.
Lecture Notes in Computer Science book series (LNCS), 9027
.
Springer, Cham, Switzerland, pp. 1-14.
ISBN 978-3319164977
ISSN 0302-9743 (Print), 1611-3349 (Online)
(doi:https://doi.org/10.1007/978-3-319-16498-4_1)
Al-Rifaie, Mohammad Majid
ORCID: 0000-0002-1798-9615
and Bishop, Mark
(2013)
Swarmic paintings and colour attention.
In: Evolutionary and Biologically Inspired Music, Sound, Art and Design Second International Conference, EvoMUSART 2013, Vienna, Austria, April 3-5, 2013. Proceedings.
Lecture Notes in Computer Science book series (LNCS), 7834
.
Springer, Berlin, Germany, pp. 97-108.
ISBN 978-3642369544
ISSN 0302-9743 (Print), 1611-3349 (Online)
(doi:https://doi.org/10.1007/978-3-642-36955-1_9)
string quartet
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(2021)
Gherstl's Ghost - Original Soundtrack.
[Composition]
studio bench
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: Dushume and Dirty Electronics
limited edition White Label cassette tape EP.
[Artefact]
sub-cultures
Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)
Suffolk
Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246
Sumerian
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
(2022)
Atra-Hasis.
[Composition]
surround
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2015)
Theatres of Sounds: the role of context in the presentation of electroacoustic music.
In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany.
(Unpublished)
surround sound
Hill, Andrew
ORCID: 0000-0003-1521-0396
, Fairfield, Paula and Martin, Brona
(2019)
Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats.
[Show/Exhibition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2023)
Chakria Live - Performance at Kings Place, London.
[Creative Performance or Reading]
sustainability
Boddington, Ghislaine
ORCID: 0000-0003-0448-579X
, Pitsillides, Stacey
ORCID: 0000-0003-0961-5370
and Vindis, Tadej
(2020)
Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS).
[Show/Exhibition]
swarm intelligence
Al-Rifaie, Asmaa Majid and Al-Rifaie, Mohammad Majid
ORCID: 0000-0002-1798-9615
(2015)
Generative music with stochastic diffusion search.
In: EvoMUSART 2015: Evolutionary and Biologically Inspired Music, Sound, Art and Design.
Lecture Notes in Computer Science book series (LNCS), 9027
.
Springer, Cham, Switzerland, pp. 1-14.
ISBN 978-3319164977
ISSN 0302-9743 (Print), 1611-3349 (Online)
(doi:https://doi.org/10.1007/978-3-319-16498-4_1)
Al-Rifaie, Mohammad Majid
ORCID: 0000-0002-1798-9615
and Bishop, Mark
(2013)
Swarmic paintings and colour attention.
In: Evolutionary and Biologically Inspired Music, Sound, Art and Design Second International Conference, EvoMUSART 2013, Vienna, Austria, April 3-5, 2013. Proceedings.
Lecture Notes in Computer Science book series (LNCS), 7834
.
Springer, Berlin, Germany, pp. 97-108.
ISBN 978-3642369544
ISSN 0302-9743 (Print), 1611-3349 (Online)
(doi:https://doi.org/10.1007/978-3-642-36955-1_9)
swarms
Meïer, Robin, Feugère, Lionel
ORCID: 0000-0003-0883-5224
, Gibson, Gabriella and Cenno, Aurélie
(2023)
Experiment in swarm communication: Culicomorpha.
[Video]
syllabes
Feugère, Lionel
ORCID: 0000-0003-0883-5224
and d'Alessandro, Christophe
(2012)
Digitartic : synthèse gestuelle de syllabes chantées.
In: Actes des Journées d'Informatique Musicale (JIM 2012).
UMONS/numediart, pp. 219-225.
symmetry
Javaheri Javid, Mohammed Ali, Blackwell, Tim, Zimmer, Robert and Al-Rifaie, Mohammad Majid
ORCID: 0000-0002-1798-9615
(2016)
Correlation between human aesthetic judgement and spatial complexity measure.
In: EvoMUSART 2016: Evolutionary and Biologically Inspired Music, Sound, Art and Design.
Lecture Notes in Computer Science book series, 9596
.
Springer-Verlag, Berlin, Heidelberg, Cham, pp. 79-91.
ISBN 978-3-319-31007-7 ; 978-3-319-31008-4
ISSN 0302-9743 (Print), 1611-3349 (Online)
(doi:https://doi.org/10.1007/978-3-319-31008-4_6)
synesthesia
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2019)
Augmented unreality: synesthetic artworks and audio-visual hallucinations.
In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.)
The Oxford Handbook of Sound and Imagination, Volume 2.
Oxford Handbooks, 2
.
Oxford University Press, New York, pp. 301-320.
ISBN 9780190460242
(doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)
synthèse vocale
Feugère, Lionel
ORCID: 0000-0003-0883-5224
and Doval, Boris
(2011)
Contrôle par le geste d'une voix chantée de synthèse.
In: Journée Science et Musique (JSM 2012), 13 Oct 2012, Diapason, campus Universitaire de Beaulieu, Rennes, France.
(Unpublished)
Feugère, Lionel
ORCID: 0000-0003-0883-5224
and d'Alessandro, Christophe
(2012)
Digitartic : synthèse gestuelle de syllabes chantées.
In: Actes des Journées d'Informatique Musicale (JIM 2012).
UMONS/numediart, pp. 219-225.
Talk
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
, Das, Aniruddha and Keating, Marcella
(2023)
Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating.
In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
taxonomy
Masu, Raul, Do Nascimento Correia, Nuno
ORCID: 0000-0002-9999-9162
and Romão, Teresa
(2021)
NIME scores: a systematic review of how scores have shaped performance ecologies in NIME.
In: NIME 2021 Proceedings. Online and NYU Shanghai June 14-18, 2021.
NIME. International Conference on New Interfaces for Musical Expression
.
New Interfaces for Musical Expression (NIME), Shanghai.
technology
Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.
temporality
Kennedy, Stephen (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford University Press, New York, pp. 141-151. (doi:https://doi.org/10.1093/oxfordhb/9780190274054.013.43)
Thames
Meïer, Robin, Feugère, Lionel
ORCID: 0000-0003-0883-5224
, Gibson, Gabriella and Cenno, Aurélie
(2023)
Experiment in swarm communication: Culicomorpha.
[Video]
The Enlightenment
Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]
theatre
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2015)
Theatres of Sounds: the role of context in the presentation of electroacoustic music.
In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany.
(Unpublished)
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Farquhar, Angus, Morell, Purni, Johnson, James and Sinclair, Cameron
(2021)
Over Lunan (presentation of performance).
[Creative Performance or Reading]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - Runt of the Litter.
[Creative Performance or Reading]
theatre translation
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2013)
Translation, theatre practice and the jazz metaphor.
Journal of Adaptation in Film & Performance, 6 (1).
pp. 55-64.
ISSN 1753-6421
(doi:https://doi.org/10.1386/jafp.6.1.55_1)
third order
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2019)
Effluvial States - 1st Mvmnt. - Spectral Spaces.
[Composition]
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2019)
Effluvial States - 2nd Mvmnt. - Spectral Spaces.
[Composition]
(Unpublished)
Time
Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian
ORCID: 0000-0002-7143-8013
, White, Hannah and Wright-Spinks, Phoebe
(2017)
Time: A Sonic Vigil.
[Creative Performance or Reading]
tintinnabuli
Thompson, Ian
ORCID: 0000-0002-7143-8013
, Shiell, Stephen and Wilson, Richard
(2015)
BELL - REF documentation.
[Composition]
trance
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2018)
Inner sound: altered states of consciousness in electronic music and audio-visual media.
Oxford University Press, New York.
ISBN 9780190671198
translation
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2013)
Translation, theatre practice and the jazz metaphor.
Journal of Adaptation in Film & Performance, 6 (1).
pp. 55-64.
ISSN 1753-6421
(doi:https://doi.org/10.1386/jafp.6.1.55_1)
translation theory
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2013)
Translation, theatre practice and the jazz metaphor.
Journal of Adaptation in Film & Performance, 6 (1).
pp. 55-64.
ISSN 1753-6421
(doi:https://doi.org/10.1386/jafp.6.1.55_1)
transnationalism
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)
tribes
Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)
truce
Meier, Robin, Dey, Nirmalaya, Ott, Christine and Feugère, Lionel
ORCID: 0000-0003-0883-5224
(2021)
Truce.
[Creative Performance or Reading]
trumpet
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2019)
Effluvial States - 1st Mvmnt. - Spectral Spaces.
[Composition]
(Unpublished)
Hill, Andrew
ORCID: 0000-0003-1521-0396
(2019)
Effluvial States - 2nd Mvmnt. - Spectral Spaces.
[Composition]
(Unpublished)
Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, Fitzpatrick, Tim and Williams, Bede
(2019)
We Choose to go to the Moon.
[Composition]
(Unpublished)
valence
Griffiths, Darryl, Cunningham, Stuart, Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Picking, Richard
(2021)
A multi-genre model for music emotion recognition using linear regressors.
Journal of New Music Research.
ISSN 0929-8215 (Print), 1744-5027 (Online)
(doi:https://doi.org/10.1080/09298215.2021.1977336)
vaporwave
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2019)
Virtual hallucinations: projects in VJing, virtual reality and cyberculture.
In: EVA London 2019: Electronic Visualisation & the Arts. Proceedings of a conference held in London 8th-11th July.
Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019)
.
BCS, The Chartered Institute for IT, Swindon; London, pp. 293-301.
ISSN 1477-9358 (Print), 1477-9358 (Online)
(doi:https://doi.org/10.14236/ewic/EVA2019.57)
version
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Lasurnii - EMOM.
[Creative Performance or Reading]
vibrating floor
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Atkinson, Simon
(2023)
Undertone.
[Show/Exhibition]
vibration
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Atkinson, Simon
(2023)
Undertone.
[Show/Exhibition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Atkinson, Simon
(2023)
Undertone II.
[Show/Exhibition]
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Richards, John
(2023)
Interrogating the noise: experimental sound and deep bass exhibition.
[Show/Exhibition]
vibrotactile
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
and Atkinson, Simon
(2023)
Undertone II.
[Show/Exhibition]
video game engines
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2021)
Synaesthetic audio-visual sound toys in virtual reality.
In: AM '21: Audio Mostly 2021.
Association for Computing Machinery (ACM), New York, USA, pp. 135-138.
ISBN 978-1450385695
(doi:https://doi.org/10.1145/3478384.3478400)
video games
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2018)
Inner sound: altered states of consciousness in electronic music and audio-visual media.
Oxford University Press, New York.
ISBN 9780190671198
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
, Griffiths, Darryl and Cunningham, Stuart
(2014)
Easter eggs: hidden tracks and messages in musical mediums.
In: Joint International Computer Music Conference/Sound and Music Computing 2014, Athens.
International Computer Music Association, Michigan and Washington, pp. 1-8.
ISSN 2223-3881 (Print), 2223-3881 (Online)
virtual choir
Feugère, Lionel
ORCID: 0000-0003-0883-5224
, Le Beux, Sylvain and d'Alessandro, Christophe
(2011)
Chorus Digitalis: polyphonic gestural singing.
In: 1st International Workshop on Performative Speech and Singing Synthesis (P3S 2011).
University of British Columbia.
virtual gifting
Boddington, Ghislaine
ORCID: 0000-0003-0448-579X
, Pitsillides, Stacey
ORCID: 0000-0003-0961-5370
and Vindis, Tadej
(2020)
Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS).
[Show/Exhibition]
virtual reality
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2019)
Cyberdream VR: visualizing rave music and vaporwave in Virtual Reality.
In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019.
Association for Computing Machinery (ACM), New York, pp. 277-281.
ISBN 9781450372978
(doi:https://doi.org/10.1145/3356590.3356637)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2021)
Cyberdream: an interactive rave music visualization in Virtual Reality.
In: SA '21 XR: SIGGRAPH Asia 2021 XR.
Association for Computing Machinery (ACM) Digital Library, New York, USA, p. 4.
ISBN 978-1450390750
(doi:https://doi.org/10.1145/3478514.3487609)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2020)
Cyberdreams: visualizing music in extended reality.
In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.)
Technology, Design and the Arts - Opportunities and Challenges.
Springer Series on Cultural Computing
.
Springer, Cham, pp. 209-227.
ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0
(doi:https://doi.org/10.1007/978-3-030-42097-0_12)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2021)
Explosions in the mind: Composing Psychedelic Sounds and Visualisations.
Palgrave Studies in Sound
.
Springer Singapore, Singapore.
ISBN 978-9811640544
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2018)
Inner sound: altered states of consciousness in electronic music and audio-visual media.
Oxford University Press, New York.
ISBN 9780190671198
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2018)
Inner sound: altered states of consciousness in electronic music and audio-visual media.
Oxford University Press, New York.
ISBN 9780190671198
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2021)
Synaesthetic audio-visual sound toys in virtual reality.
In: AM '21: Audio Mostly 2021.
Association for Computing Machinery (ACM), New York, USA, pp. 135-138.
ISBN 978-1450385695
(doi:https://doi.org/10.1145/3478384.3478400)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2019)
Virtual hallucinations: projects in VJing, virtual reality and cyberculture.
In: EVA London 2019: Electronic Visualisation & the Arts. Proceedings of a conference held in London 8th-11th July.
Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019)
.
BCS, The Chartered Institute for IT, Swindon; London, pp. 293-301.
ISSN 1477-9358 (Print), 1477-9358 (Online)
(doi:https://doi.org/10.14236/ewic/EVA2019.57)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2020)
Visualising rave music in Virtual Reality: symbolic and interactive approaches.
In: EVA London 2020 (Electronic Visualisation and the Arts).
Electronic Workshops in Computing (eWiC) | BCS
.
British Computer Society (BSC), Swindon; London, pp. 78-84.
ISSN 1477-9358
(doi:https://doi.org/10.14236/ewic/EVA2020.13)
visual
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song.
Body, Space & Technology, 15 (22).
ISSN 1470-9120
(doi:https://doi.org/10.16995/bst.20)
visual music
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
Ambience 1.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
Ambience 2.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2016)
Ambience 3.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2018)
Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces.
Body, Space & Technology, 17 (1).
pp. 51-75.
ISSN 1470-9120
(doi:https://doi.org/10.16995/bst.296)
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2018)
Creating Affective Visual Music.
In: Proceedings of Proceedings of EVA London 2018, UK.
ScienceOpen, pp. 374-381.
(doi:https://doi.org/10.14236/ewic/EVA2018.70)
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2018)
Document of Singing Light 1 installation.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2014)
Horizon.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2019)
Interactive visual music.
In: Proceedings of EVA London 2019 (EVA 2019).
Electronic Workshops in Computing
.
ScienceOpen, pp. 302-309.
ISSN 1477-9358
(doi:https://doi.org/10.14236/ewic/EVA2019.58)
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2015)
Reservoir.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2017)
SKY.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2015)
Shadow Sounds 1.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2019)
Singing Light 2.
[Show/Exhibition]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2018)
Sky 2.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2015)
Song Series Animacy.
[Video]
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2015)
Song series animacy.
In: Digital Research in the Humanities and Arts 2014, 01 Sep 2015, Dublin, UK.
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2020)
Visual music and embodied visceral affect.
In: Knight-Hill, Andrew
ORCID: 0000-0003-1521-0396
, (ed.)
Sound and Image: Aesthetics and Practices.
Sound Design
.
Routledge, London, UK.
ISBN 978-0367271473
(doi:https://doi.org/10.4324/9780429295102-9)
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2017)
An investigation into composing visual music today.
Body, Space & Technology, 16 (02):09.
ISSN 1470-9120 (Print), 1470-9120 (Online)
(doi:https://doi.org/10.16995/bst.9)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2018)
Inner sound: altered states of consciousness in electronic music and audio-visual media.
Oxford University Press, New York.
ISBN 9780190671198
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2015)
Optical research: a curated visual music collection.
In: EVA London 2015: Electronic Visualisation & the Arts. Proceedings of a conference held in London 7th-9th July.
Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2015)
.
BCS, The Chartered Institute for IT, Swindon; London, pp. 371-372.
ISBN 978-1780173160 ; 1780173164
(doi:https://doi.org/10.14236/ewic/eva2015.82)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2021)
Synaesthetic audio-visual sound toys in virtual reality.
In: AM '21: Audio Mostly 2021.
Association for Computing Machinery (ACM), New York, USA, pp. 135-138.
ISBN 978-1450385695
(doi:https://doi.org/10.1145/3478384.3478400)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2020)
Visualising rave music in Virtual Reality: symbolic and interactive approaches.
In: EVA London 2020 (Electronic Visualisation and the Arts).
Electronic Workshops in Computing (eWiC) | BCS
.
British Computer Society (BSC), Swindon; London, pp. 78-84.
ISSN 1477-9358
(doi:https://doi.org/10.14236/ewic/EVA2020.13)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
, Cunningham, Stuart, Picking, Richard and Williams, Lyall
(2015)
Holophonor: On the Future Technology of Visual Music.
In: Curran, Kevin, (ed.)
Recent Advances in Ambient Intelligence and Context-Aware Computing.
Recent Advances in Ambient Intelligence and Context-Aware Computing
.
IGI Global, USA, pp. 143-154.
ISBN 9781466672840 ; 1466672846 ; 9781466672857
(doi:https://doi.org/10.4018/978-1-4666-7284-0.ch015)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
, Cunningham, Stuart, Picking, Richard and Williams, Lyall
(2015)
Holophonor: designing the visual music instruments of the future.
In: Curran, Kevin, (ed.)
Recent Advances in Ambient Intelligence and Context-Aware Computing.
IGI Global, USA, pp. 143-154.
ISBN 9781466672840 ; 9781466672857, 1466672854 ; 1466672846
(doi:https://doi.org/10.4018/978-1-4666-7284-0.ch009)
visual patterns of hallucination
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2013)
Visual patterns of hallucination as a basis for sonic arts composition.
In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden.
Association for Computing Machinery (ACM), New York, pp. 1-7.
ISBN 978-1-4503-2659-9
(doi:https://doi.org/10.1145/2544114.2544125)
visual structure
Watkins, Julie
ORCID: 0000-0001-8872-7041
(2018)
Creating Affective Visual Music.
In: Proceedings of Proceedings of EVA London 2018, UK.
ScienceOpen, pp. 374-381.
(doi:https://doi.org/10.14236/ewic/EVA2018.70)
visualisations
Bowen, Jonathan P., Giannini, Tula, Polmeer, Gareth, Gannis, Carla, Gardiner, Jeremy, Kearney, Jonathan, Wands, Bruce and Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2018)
States of being: art and identity in digital space and time.
In: EVA London 2018: Electronic Visualisation & the Arts. Proceedings of a conference held in London 11th-13th July.
Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2018
.
BCS: The Chartered Institute for IT, Swindon; London, pp. 1-7.
ISBN 978-1780174631 ; 978-1780174632
ISSN 1477-9358 (Print), 1477-9358 (Online)
(doi:https://doi.org/10.14236/ewic/EVA2018.1)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2021)
Explosions in the mind: Composing Psychedelic Sounds and Visualisations.
Palgrave Studies in Sound
.
Springer Singapore, Singapore.
ISBN 978-9811640544
visualization
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2021)
Synaesthetic audio-visual sound toys in virtual reality.
In: AM '21: Audio Mostly 2021.
Association for Computing Machinery (ACM), New York, USA, pp. 135-138.
ISBN 978-1450385695
(doi:https://doi.org/10.1145/3478384.3478400)
VJ
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2020)
Cyberdreams: visualizing music in extended reality.
In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.)
Technology, Design and the Arts - Opportunities and Challenges.
Springer Series on Cultural Computing
.
Springer, Cham, pp. 209-227.
ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0
(doi:https://doi.org/10.1007/978-3-030-42097-0_12)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2021)
Synaesthetic audio-visual sound toys in virtual reality.
In: AM '21: Audio Mostly 2021.
Association for Computing Machinery (ACM), New York, USA, pp. 135-138.
ISBN 978-1450385695
(doi:https://doi.org/10.1145/3478384.3478400)
VJing
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2019)
Virtual hallucinations: projects in VJing, virtual reality and cyberculture.
In: EVA London 2019: Electronic Visualisation & the Arts. Proceedings of a conference held in London 8th-11th July.
Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019)
.
BCS, The Chartered Institute for IT, Swindon; London, pp. 293-301.
ISSN 1477-9358 (Print), 1477-9358 (Online)
(doi:https://doi.org/10.14236/ewic/EVA2019.57)
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
(2020)
Visualising rave music in Virtual Reality: symbolic and interactive approaches.
In: EVA London 2020 (Electronic Visualisation and the Arts).
Electronic Workshops in Computing (eWiC) | BCS
.
British Computer Society (BSC), Swindon; London, pp. 78-84.
ISSN 1477-9358
(doi:https://doi.org/10.14236/ewic/EVA2020.13)
vocal
Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]
Breating Space, (Collective) and Thompson, Ian
ORCID: 0000-0002-7143-8013
(2016)
RISE.
[Creative Performance or Reading]
Vocals
Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian
ORCID: 0000-0002-7143-8013
, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe
(2017)
Care! Object Beneath.
[Creative Performance or Reading]
Thompson, Ian
ORCID: 0000-0002-7143-8013
(2019)
Collaborations with Breathing Space Collective.
[Creative Performance or Reading]
voice
Meïer, Robin, Feugère, Lionel
ORCID: 0000-0003-0883-5224
, Gibson, Gabriella and Cenno, Aurélie
(2023)
Experiment in swarm communication: Culicomorpha.
[Video]
voices
Patel, Amit Dinesh
ORCID: 0000-0002-6328-240X
(2022)
Throwing a stone into the pond.
In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin.
(Unpublished)
voix chantée
Feugère, Lionel
ORCID: 0000-0003-0883-5224
and Doval, Boris
(2011)
Contrôle par le geste d'une voix chantée de synthèse.
In: Journée Science et Musique (JSM 2012), 13 Oct 2012, Diapason, campus Universitaire de Beaulieu, Rennes, France.
(Unpublished)
website
Margetson, Emma
ORCID: 0000-0002-1054-1973
, Pitsillides, Stacey
ORCID: 0000-0003-0961-5370
, Nally, Claire, Demireva, Ella, Parvin, Asadzadeh Birjandi and Hegarty, Tom
(2021)
Tickets for the Afterlife.
Death Positive Libraries, Redbridge Central Library, Newcastle City Library and Kirklees Libraries.
world music
van Klyton, Aaron C. (2015) Space and place in world music production. City, Culture and Society, 6 (4). pp. 101-108. ISSN 1877-9166 (doi:https://doi.org/10.1016/j.ccs.2015.06.001)
ziad rahbani
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)
“Direct animation”
Weinel, Jonathan
ORCID: 0000-0001-5347-3897
and Cunningham, Stuart
(2014)
Digitized direct animation: creating materials for electroacoustic visual music using 8mm film.
eContact! Online Journal for Electroacoustic Practices, 15 (4).