Items where Subject is "M Music"
- Library of Congress Subject Areas (21199)
- M Music and Books on Music (198)
- M Music (177)
- M Music and Books on Music (198)
20-channel
Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973 (2021) Shifted Trajectories. [Composition]
8mm film
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Cunningham, Stuart (2014) Digitized direct animation: creating materials for electroacoustic visual music using 8mm film. eContact! Online Journal for Electroacoustic Practices, 15 (4).
abc music
Walshaw, Chris ORCID: https://orcid.org/0000-0003-0253-7779 (2014) A statistical analysis of the ABC music notation corpus: exploring duplication. In: Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Computer Engineering Department, Boğaziçi University, Turkey, Istanbul, Turkey, pp. 2-9.
abstract
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:10.16995/bst.20)
abstract animation
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Ambience 1. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Ambience 2. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Ambience 3. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Document of Singing Light 1 installation. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2014) Horizon. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2015) Reservoir. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2015) Shadow Sounds 1. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Sky 2. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2015) Song Series Animacy. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2015) Song series animacy. In: Digital Research in the Humanities and Arts 2014, 01 Sep 2015, Dublin, UK.
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2020) Visual music and embodied visceral affect. In: Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, (ed.) Sound and Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:10.4324/9780429295102-9)
abstraction
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:10.16995/bst.294)
acousmatic
Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973 (2024) Contemplations. [Artefact]
Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973, Preye, Olivia and Waterfield, Alithea (2021) Walk with me. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Sound/Image: intersections. Premier of “Kiln”. [Creative Performance or Reading]
acousmatic music
Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 (2023) 3D spatialisation technologies and aesthetic practice within electroacoustic composition: a journey through listening, composition and performance. Musica/Tecnologia, 17. pp. 69-94. ISSN 1974-0042 (Print), 1974-0050 (Online) (doi:10.36253/music_tec-15197)
acoustic environment
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2024) The soundtrack as an acoustic environment: some insights from soundscape research. In: Filimowicz, Michael, (ed.) The Routledge Handbook of Sound Design. Routledge Handbooks . Routledge - Focal Press Book, London; Oxford, UK, pp. 139-156. ISBN 978-1032351476; 978-1032351575; 978-1003325567 (doi:10.4324/9781003325567)
adaptation
O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:10.1386/jafp.6.1.55_1)
affect
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2020) Audiovisual spaces: spatiality, experience and potentiality in audiovisual composition. In: Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, (ed.) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:10.4324/9780429295102-4)
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:10.14236/ewic/EVA2018.70)
affective computing
Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2019) Audio emotion recognition using machine learning to support sound design. In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019. Association for Computing Machinery (ACM), New York, pp. 116-123. ISBN 9781450372978 (doi:10.1145/3356590.3356609)
Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2021) Supervised machine learning for audio emotion recognition: enhancing film sound design using audio features, regression models and artificial neural networks. Personal and Ubiquitous Computing, 25. pp. 637-650. ISSN 1617-4909 (Print), 1617-4917 (Online) (doi:10.1007/s00779-020-01389-0)
Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2013) Automatic music playlist generation using affective technologies. In: Proceedings of the Fifth International Conference on Internet Technologies and Applications (ITA 13) : 10-13 September 2013. North East Wales Institute, Wrexham, Glyndŵr University, pp. 1-7. ISBN 9780946881819 ; 0946881812
Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2013) A discussion of musical features for automatic music playlist generation using affective technologies. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. ACM international conference proceedings . Association for Computing Machinery (ACM), New York, pp. 1-4. ISBN 978-1-4503-2659-9 (doi:10.1145/2544114.2544128)
Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2016) An interactive music playlist generator that responds to user emotion and context. In: Electronic Visualisation and the Arts (EVA) London, UK, 12 - 14 July 2016. Electronic Workshops in Computing (eWiC) | BCS . BCS The Chartered Institute for IT, Swindon; London, pp. 275-276. ISBN 178017344X ; 978-1780173443 (doi:10.14236/ewic/EVA2016.53)
Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2015) A self-report study that gauges perceived and induced emotion with music. In: 2015 Internet Technologies and Applications (ITA). 8-11 Sept. 2015, Glyndŵr University, Wrexham, North Wales, UK. IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 239-244. ISBN 978-1479980369 (doi:10.1109/ITechA.2015.7317402)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Cunningham, Stuart (2021) Practice-led and interdisciplinary research investigating affective sound design. In: Filimowicz, Michael, (ed.) Doing Research in Sound Design. Routledge - Focal Press, Abingdon, Oxon; New York, pp. 151-168. ISBN 9780429356360 ; 1000375196 ; 9781000375190 ; 978036740490-1 ; 978036740489-5 ; 978046935636 - 0 (doi:10.4324/9780429356360)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Cunningham, Stuart, Griffiths, Darryl, Roberts, Shaun and Picking, Richard (2014) Affective Audio. Leonardo Music Journal, 24. pp. 17-20. ISSN 0961-1215 (Print), 1531-4812 (Online) (doi:10.1162/LMJ_a_00189)
African
Durrant, Tracy, Dodzro, Ron, Emmanuel, Myrtle ORCID: https://orcid.org/0000-0002-7975-9751, Franklin, Pamela, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Mustapha, Asma'u (2024) Re-igniting Windrush folk stories and songs to improve African-Caribbean mental health disparities in the London Boroughs of Lewisham and Greenwich. [Video]
African-Caribbean
Durrant, Tracy, Dodzro, Ron, Emmanuel, Myrtle ORCID: https://orcid.org/0000-0002-7975-9751, Franklin, Pamela, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Mustapha, Asma'u (2024) Re-igniting Windrush folk stories and songs to improve African-Caribbean mental health disparities in the London Boroughs of Lewisham and Greenwich. [Video]
Akkadian
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]
Aldeburgh
Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246
altered states
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
altered states of consciousness
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:10.1093/oxfordhb/9780190460242.013.24)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2016) Entoptic phenomena in audio: categories of psychedelic electroacoustic composition. Contemporary Music Review, 35 (2). pp. 202-223. ISSN 0749-4467 (Print), 1477-2256 (Online) (doi:10.1080/07494467.2016.1221633)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2015) Representing altered states of consciousness in computer arts. In: EVA London 2015: Electronic Visualisation & the Arts. Proceedings of a conference held in London 7th-9th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2015 . BCS: The Chartered Institute for IT, Swindon; London. ISBN 9781780173160; 9781780173164 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:10.14236/ewic/eva2015.9)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2019) Virtual hallucinations: projects in VJing, virtual reality and cyberculture. In: EVA London 2019: Electronic Visualisation & the Arts. Proceedings of a conference held in London 8th-11th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019) . BCS, The Chartered Institute for IT, Swindon; London, pp. 293-301. ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:10.14236/ewic/EVA2019.57)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Cunningham, Stuart and Griffiths, Darryl (2014) Sound through the rabbit hole: sound design based on reports of auditory hallucination. In: AM '14: Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound. Aalborg Denmark October 1 - 3, 2014. Association for Computing Machinery (ACM), New York, pp. 1-18. ISBN 978-1-4503-3032-9 ; 1-4503-3032-0 (doi:10.1145/2636879.2636883)
ambisonics
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 1st Mvmnt. - Spectral Spaces. [Composition] (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2021) Gherstl's Ghost - Original Soundtrack. [Composition]
Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973 (2021) Shifted Trajectories. [Composition]
Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 (2023) 3D spatialisation technologies and aesthetic practice within electroacoustic composition: a journey through listening, composition and performance. Musica/Tecnologia, 17. pp. 69-94. ISSN 1974-0042 (Print), 1974-0050 (Online) (doi:10.36253/music_tec-15197)
Amiga
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2024) Trackers and Breakbeats: celebrating Brain Records’ underground revolution. [Show/Exhibition]
analogue music
Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.
ancient Babylonian
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]
animacy
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:10.16995/bst.20)
animation
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:10.16995/bst.294)
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:10.16995/bst.20)
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:10.14236/ewic/EVA2019.58)
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2017) SKY. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:10.16995/bst.9)
Apollo 12
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)
applied Arts
Durrant, Tracy, Dodzro, Ron, Emmanuel, Myrtle ORCID: https://orcid.org/0000-0002-7975-9751, Franklin, Pamela, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Mustapha, Asma'u (2024) Re-igniting Windrush folk stories and songs to improve African-Caribbean mental health disparities in the London Boroughs of Lewisham and Greenwich. [Video]
applied music
Durrant, Tracy, Dodzro, Ron, Emmanuel, Myrtle ORCID: https://orcid.org/0000-0002-7975-9751, Franklin, Pamela, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Mustapha, Asma'u (2024) Re-igniting Windrush folk stories and songs to improve African-Caribbean mental health disparities in the London Boroughs of Lewisham and Greenwich. [Video]
AR QR codes
Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X, Pitsillides, Stacey ORCID: https://orcid.org/0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]
architecture
Powers, Alan (2012) Britten, Pears and their architects. In: LeGrove, Judith, (ed.) A Musical Eye: The Visual World of Britten and Pears. Artists' Choice Editions, London, UK, pp. 133-143. ISBN 978-0-9558343-6-3
Archive
Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe (2017) Care! Object Beneath. [Creative Performance or Reading]
archive footage
Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.
arousal
Griffiths, Darryl, Cunningham, Stuart, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2021) A multi-genre model for music emotion recognition using linear regressors. Journal of New Music Research. ISSN 0929-8215 (Print), 1744-5027 (Online) (doi:10.1080/09298215.2021.1977336)
art
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (ed.) (2020) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271466
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:10.16995/bst.20)
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Audio-visual composition: an investigation of how best to compose no-figurative gestural visual music. In: Sound/Image Colloquium: Exploring Sonic and Audio-visual Practice, 12-13 Nov 2016, Greenwich, UK. (Unpublished)
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) An investigation into evoking poetic and restorative places with visual music. In: Digital Research in the Humanities and Arts Conference, 04-07 Sep 2016, Brighton, UK. (Unpublished)
art gallery
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]
artefact
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise ii. [Creative Performance or Reading]
articulation
Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224 and d'Alessandro, Christophe (2012) Digitartic : synthèse gestuelle de syllabes chantées. In: Actes des Journées d'Informatique Musicale (JIM 2012). UMONS/numediart, pp. 219-225.
artificial composition
Daylamani Zad, Damon, Araabi, Babak N. and Lucas, Caru (2006) A novel approach to automatic music composing: Using genetic algorithm. In: International Computer Music Conference Proceedings. MPublishing, University of Michigan Library, Ann Arbor, MI, USA, pp. 551-555.
astronomy
Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.
audience
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:10.1386/scene_00016_1)
audio
Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2019) Audio emotion recognition using machine learning to support sound design. In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019. Association for Computing Machinery (ACM), New York, pp. 116-123. ISBN 9781450372978 (doi:10.1145/3356590.3356609)
Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2021) Supervised machine learning for audio emotion recognition: enhancing film sound design using audio features, regression models and artificial neural networks. Personal and Ubiquitous Computing, 25. pp. 637-650. ISSN 1617-4909 (Print), 1617-4917 (Online) (doi:10.1007/s00779-020-01389-0)
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:10.16995/bst.20)
audio analysis
Cunningham, Stuart, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2018) High-level analysis of audio features for identifying emotional valence in human singing. In: AM'18: Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion. September 12-14 2018, Wrexham, Wales UK. Association for Computing Machinery (ACM), New York, pp. 1-4. ISBN 978-1-4503-6609-0 ; 978-1-4503-6609-0/18/09 (doi:10.1145/3243274.3243313)
audio compression
Cunningham, Stuart, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Griffiths, Darryl (2014) ACERemix: a tool for glitch music production and performance. In: AM '14: Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound. Aalborg Denmark October 1 - 3, 2014. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-3032-9 (doi:10.1145/2636879.2636888)
audio streaming
Breating Space, (Collective) and Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]
audio visual
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:10.16995/bst.9)
audio-visual
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:10.16995/bst.20)
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2017) SKY. [Video]
audio-visual art
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:10.16995/bst.294)
audio-visual media
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
audio-visual music
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:10.16995/bst.294)
audiovisual
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2017) (I)MAGESOUND(S) - expanded audiovisual practice. eContact!, 19 (2).
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2020) Audiovisual spaces: spatiality, experience and potentiality in audiovisual composition. In: Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, (ed.) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:10.4324/9780429295102-4)
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (ed.) (2020) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271466
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2011) Tiny jungle: psychedelic techniques in audio-visual composition. In: Proceedings of the International Computer Music Conference : Huddersfield, UK : ICMC 2011. Michigan Publishing ; International Computer Music Association (ICMA), San Francisco : International Computer Music Association ; Huddersfield : Centre for Research in New Music, University of Huddersfield, pp. 324-327. ISBN 0984527400 ; 9780984527403
audiovisual media
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:10.1093/oxfordhb/9780190460242.013.24)
audiovisual performance
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2015) EEG as a controller for psychedelic visual music in an immersive dome environment. Sonic Ideas/Ideas Sonicas, 7 (14):7963. pp. 87-94. ISSN 2317-9694 (Print), 2317-9694 (Online)
augmented reality
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:10.1093/oxfordhb/9780190460242.013.24)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2019) Virtual hallucinations: projects in VJing, virtual reality and cyberculture. In: EVA London 2019: Electronic Visualisation & the Arts. Proceedings of a conference held in London 8th-11th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019) . BCS, The Chartered Institute for IT, Swindon; London, pp. 293-301. ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:10.14236/ewic/EVA2019.57)
Avartan
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]
Babylonian
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Farquhar, Angus, Morell, Purni, Johnson, James and Sinclair, Cameron (2021) Over Lunan (presentation of performance). [Creative Performance or Reading]
Bantu
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies. [Artefact]
bass
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise ii. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone. [Show/Exhibition]
Bass Culture
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - EMOM. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2024) Shifting Monoliths: Unstable Noise and Bass. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Sound/Image: intersections. Premier of “Kiln”. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: Dushume and Dirty Electronics limited edition White Label cassette tape EP. [Artefact]
Bass Shaker
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: Dushume and Dirty Electronics limited edition White Label cassette tape EP. [Artefact]
bassial audio
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]
BassShaker
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]
bauer
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]
Beirut
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:10.4324/9781003008514-5)
bells
Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]
belonging
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
Benjamin Britten
Powers, Alan (2012) Britten, Pears and their architects. In: LeGrove, Judith, (ed.) A Musical Eye: The Visual World of Britten and Pears. Artists' Choice Editions, London, UK, pp. 133-143. ISBN 978-0-9558343-6-3
Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246
binaural
Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973, Preye, Olivia and Waterfield, Alithea (2021) Walk with me. [Composition]
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.
bioacoustics
Meïer, Robin, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Gibson, Gabriella and Cenno, Aurélie (2023) Experiment in swarm communication: Culicomorpha. [Video]
biofeedback
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2015) EEG as a controller for psychedelic visual music in an immersive dome environment. Sonic Ideas/Ideas Sonicas, 7 (14):7963. pp. 87-94. ISSN 2317-9694 (Print), 2317-9694 (Online)
Birmingham
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise ii. [Creative Performance or Reading]
Blackpool
Breating Space, (Collective) and Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]
bossa nova
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:10.4324/9781003008514-5)
brand communities
Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)
branding
Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)
Bray Jazz Festival
Smyth, Cherry (2022) 'Lost Bees'. [Audio]
Brazilian music
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:10.4324/9781003008514-5)
breakbeat
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2024) Trackers and Breakbeats: celebrating Brain Records’ underground revolution. [Show/Exhibition]
bus timetable
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]
Caribbean
Durrant, Tracy, Dodzro, Ron, Emmanuel, Myrtle ORCID: https://orcid.org/0000-0002-7975-9751, Franklin, Pamela, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Mustapha, Asma'u (2024) Re-igniting Windrush folk stories and songs to improve African-Caribbean mental health disparities in the London Boroughs of Lewisham and Greenwich. [Video]
case studies
Cunningham, Stuart, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2016) In-Game Intoxication: Demonstrating the Evaluation of the Audio Experience of Games with a Focus on Altered States of Consciousness. In: Garcia-Ruiz, Miguel Angel, (ed.) Games User Research: A Case Study Approach. CRC Press - Taylor and Francis, New York, pp. 97-118. ISBN 9781498706407 ; 9781315371597 (doi:10.1201/b21564-6)
cello
Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]
Chakria
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria. [Composition]
Chatham Historic Dockyard
Pasoulas, Aki, Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 (2023) Sonic heritage: listening to the past. In: (In)tangible Heritage(s): Design, culture and technology – past, present, and future. AMPS, University of Kent. 15th - 17th June, 2022. AMPS Proceedings Series, 29 (1). Architecture Media Politics Society (AMPS), Canterbury, pp. 133-138. ISSN 2398-9467
chironomids
Meïer, Robin, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Gibson, Gabriella and Cenno, Aurélie (2023) Experiment in swarm communication: Culicomorpha. [Video]
choir
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]
choral
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]
chorus
Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]
cinema
Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.
clicks
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]
climate emergency
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Farquhar, Angus, Morell, Purni, Johnson, James and Sinclair, Cameron (2021) Over Lunan (presentation of performance). [Creative Performance or Reading]
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Morell, Purni, Angus, Farquhar and Ross, Charlie (2021) Over Lunan (Radio Documentary). [Play, Short Story or Poetry]
clinical psychology
Durrant, Tracy, Dodzro, Ron, Emmanuel, Myrtle ORCID: https://orcid.org/0000-0002-7975-9751, Franklin, Pamela, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Mustapha, Asma'u (2024) Re-igniting Windrush folk stories and songs to improve African-Caribbean mental health disparities in the London Boroughs of Lewisham and Greenwich. [Video]
clusters
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]
collaboration
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
Smyth, Cherry (2022) 'Lost Bees'. [Audio]
Collection
Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe (2017) Care! Object Beneath. [Creative Performance or Reading]
community psychology
Durrant, Tracy, Dodzro, Ron, Emmanuel, Myrtle ORCID: https://orcid.org/0000-0002-7975-9751, Franklin, Pamela, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Mustapha, Asma'u (2024) Re-igniting Windrush folk stories and songs to improve African-Caribbean mental health disparities in the London Boroughs of Lewisham and Greenwich. [Video]
complexity
Javaheri Javid, Mohammed Ali, Blackwell, Tim, Zimmer, Robert and Al-Rifaie, Mohammad Majid ORCID: https://orcid.org/0000-0002-1798-9615 (2016) Correlation between human aesthetic judgement and spatial complexity measure. In: EvoMUSART 2016: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series, 9596 . Springer-Verlag, Berlin, Heidelberg, Cham, pp. 79-91. ISBN 978-3-319-31007-7 ; 978-3-319-31008-4 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:10.1007/978-3-319-31008-4_6)
Composition
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2020) Audiovisual spaces: spatiality, experience and potentiality in audiovisual composition. In: Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, (ed.) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:10.4324/9780429295102-4)
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2021) Gherstl's Ghost - Original Soundtrack. [Composition]
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2023) Through an Ocean of Storms. [Composition]
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Farquhar, Angus, Morell, Purni, Johnson, James and Sinclair, Cameron (2021) Over Lunan (presentation of performance). [Creative Performance or Reading]
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Morell, Purni, Angus, Farquhar and Ross, Charlie (2021) Over Lunan (Radio Documentary). [Play, Short Story or Poetry]
Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973, Preye, Olivia and Waterfield, Alithea (2021) Walk with me. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:10.16995/bst.9)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2013) Nausea: an approach to sonic arts composition based on ASC. In: Proceedings of the Fifth International Conference on Internet Technologies and Applications (ITA 13) : 10-13 September 2013. North East Wales Institute, Wrexham, Glyndŵr University, pp. 1-8. ISBN 9780946881819 ; 0946881812
Comprovisation
Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe (2017) Care! Object Beneath. [Creative Performance or Reading]
computational creativity
Al-Rifaie, Mohammad Majid ORCID: https://orcid.org/0000-0002-1798-9615 and Bishop, Mark (2013) Swarmic paintings and colour attention. In: Evolutionary and Biologically Inspired Music, Sound, Art and Design Second International Conference, EvoMUSART 2013, Vienna, Austria, April 3-5, 2013. Proceedings. Lecture Notes in Computer Science book series (LNCS), 7834 . Springer, Berlin, Germany, pp. 97-108. ISBN 978-3642369544 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:10.1007/978-3-642-36955-1_9)
computer art
Bowen, Jonathan P., Giannini, Tula, Polmeer, Gareth, Gannis, Carla, Gardiner, Jeremy, Kearney, Jonathan, Wands, Bruce and Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2018) States of being: art and identity in digital space and time. In: EVA London 2018: Electronic Visualisation & the Arts. Proceedings of a conference held in London 11th-13th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2018 . BCS: The Chartered Institute for IT, Swindon; London, pp. 1-7. ISBN 978-1780174631 ; 978-1780174632 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:10.14236/ewic/EVA2018.1)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2015) Optical research: a curated visual music collection. In: EVA London 2015: Electronic Visualisation & the Arts. Proceedings of a conference held in London 7th-9th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2015) . BCS, The Chartered Institute for IT, Swindon; London, pp. 371-372. ISBN 978-1780173160 ; 1780173164 (doi:10.14236/ewic/eva2015.82)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2015) Representing altered states of consciousness in computer arts. In: EVA London 2015: Electronic Visualisation & the Arts. Proceedings of a conference held in London 7th-9th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2015 . BCS: The Chartered Institute for IT, Swindon; London. ISBN 9781780173160; 9781780173164 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:10.14236/ewic/eva2015.9)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2014) EEG as a controller for psychedelic visual music in an immersive dome environment. In: EVA London 2014: Proceedings of the EVA London 2014 on Electronic Visualisation and the Arts. Electronic Workshops in Computing (eWiC) | BCS . BCS, The Chartered Institute for IT, Swindon; London. ISBN 978-1780172859 ; 1780172850 (doi:10.14236/ewic/EVA2014.45)
computer graphics
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2019) Cyberdream VR: visualizing rave music and vaporwave in Virtual Reality. In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019. Association for Computing Machinery (ACM), New York, pp. 277-281. ISBN 9781450372978 (doi:10.1145/3356590.3356637)
computer music
De Laubier, Serge, Bertrand, Guillaume, Genevois, Hugues, Goudard, Vincent, Doval, Boris, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Le Beux, Sylvain and d'Alessandro, Christophe (2012) OrJo et la Méta-Mallette 4.0. In: Actes des Journées d'Informatique Musicale (JIM 2012). UMONS/numediart, pp. 227-232.
Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Doval, Boris, d'Alessandro, Christophe and Perrotin, Olivier (2015) Cantor Digitalis: First-Prize Winners of the Margaret Guthman Musical Instrument Competition. [Creative Performance or Reading]
Ratcliffe, Robert, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Kanga, Zubin (2011) Mutations (megamix): exploring notions of the ‘DJ set’, ‘mashup’ and ‘remix’ through live piano-based performance. eContact! Online Journal for Electroacoustic Practices, 13 (2).
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2010) Bass drum, saxophone and laptop: real-time psychedelic performance software. eContact! Online Journal for Electroacoustic Practices, 12 (4).
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2016) Entoptic phenomena in audio: categories of psychedelic electroacoustic composition. Contemporary Music Review, 35 (2). pp. 202-223. ISSN 0749-4467 (Print), 1477-2256 (Online) (doi:10.1080/07494467.2016.1221633)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2013) Nausea: an approach to sonic arts composition based on ASC. In: Proceedings of the Fifth International Conference on Internet Technologies and Applications (ITA 13) : 10-13 September 2013. North East Wales Institute, Wrexham, Glyndŵr University, pp. 1-8. ISBN 9780946881819 ; 0946881812
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2014) Shamanic diffusions: a technoshamanic philosophy of electroacoustic music. Sonic Ideas/Ideas Sonicas, 6 (12). ISSN 2317-9694
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2011) Tiny jungle: psychedelic techniques in audio-visual composition. In: Proceedings of the International Computer Music Conference : Huddersfield, UK : ICMC 2011. Michigan Publishing ; International Computer Music Association (ICMA), San Francisco : International Computer Music Association ; Huddersfield : Centre for Research in New Music, University of Huddersfield, pp. 324-327. ISBN 0984527400 ; 9780984527403
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2015) EEG as a controller for psychedelic visual music in an immersive dome environment. Sonic Ideas/Ideas Sonicas, 7 (14):7963. pp. 87-94. ISSN 2317-9694 (Print), 2317-9694 (Online)
Computing methodologies
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2019) Cyberdream VR: visualizing rave music and vaporwave in Virtual Reality. In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019. Association for Computing Machinery (ACM), New York, pp. 277-281. ISBN 9781450372978 (doi:10.1145/3356590.3356637)
conflict
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:10.4324/9781003008514-5)
contemporary composition
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]
contemporary mime
Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2015) Reverie. [Creative Performance or Reading]
context
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)
context-aware computing
Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2016) An interactive music playlist generator that responds to user emotion and context. In: Electronic Visualisation and the Arts (EVA) London, UK, 12 - 14 July 2016. Electronic Workshops in Computing (eWiC) | BCS . BCS The Chartered Institute for IT, Swindon; London, pp. 275-276. ISBN 178017344X ; 978-1780173443 (doi:10.14236/ewic/EVA2016.53)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Cunningham, Stuart, Picking, Richard and Williams, Lyall (2015) Holophonor: On the Future Technology of Visual Music. In: Curran, Kevin, (ed.) Recent Advances in Ambient Intelligence and Context-Aware Computing. Recent Advances in Ambient Intelligence and Context-Aware Computing . IGI Global, USA, pp. 143-154. ISBN 9781466672840 ; 1466672846 ; 9781466672857 (doi:10.4018/978-1-4666-7284-0.ch015)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Cunningham, Stuart, Picking, Richard and Williams, Lyall (2015) Holophonor: designing the visual music instruments of the future. In: Curran, Kevin, (ed.) Recent Advances in Ambient Intelligence and Context-Aware Computing. IGI Global, USA, pp. 143-154. ISBN 9781466672840 ; 9781466672857, 1466672854 ; 1466672846 (doi:10.4018/978-1-4666-7284-0.ch009)
cosmopolitanism
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:10.4324/9781003008514-5)
creative computing
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2020) Cyberdreams: visualizing music in extended reality. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 209-227. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:10.1007/978-3-030-42097-0_12)
creativity
Kennedy, Steve ORCID: https://orcid.org/0000-0003-1119-9505 (2009) Leaving on a jet plane of immanence. The Issues: In Contemporary Culture and Aesthetics. Nerve Ltd., London, UK. ISBN 0955003725
Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)
Culicomorpha
Meïer, Robin, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Gibson, Gabriella and Cenno, Aurélie (2023) Experiment in swarm communication: Culicomorpha. [Video]
cultural commodities
van Klyton, Aaron C. (2015) Space and place in world music production. City, Culture and Society, 6 (4). pp. 101-108. ISSN 1877-9166 (doi:10.1016/j.ccs.2015.06.001)
cultural diversity
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Throwing a stone into the pond. In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin. (Unpublished)
cultural geography
Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246
cultural informatics
Walshaw, Chris ORCID: https://orcid.org/0000-0003-0253-7779 (2014) A statistical analysis of the ABC music notation corpus: exploring duplication. In: Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Computer Engineering Department, Boğaziçi University, Turkey, Istanbul, Turkey, pp. 2-9.
culture
Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)
curved-time
Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]
cyberculture
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2019) Virtual hallucinations: projects in VJing, virtual reality and cyberculture. In: EVA London 2019: Electronic Visualisation & the Arts. Proceedings of a conference held in London 8th-11th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019) . BCS, The Chartered Institute for IT, Swindon; London, pp. 293-301. ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:10.14236/ewic/EVA2019.57)
data
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2017) Data ache and visual music practice meditated by instrument design. In: dataAche: DRHA2017 Book of Abstracts. DRHA.
data body
Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X, Pitsillides, Stacey ORCID: https://orcid.org/0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]
data compression
Cunningham, Stuart, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Roberts, Shaun, Grout, Vic and Griffiths, Darryl (2013) Initial objective and subjective evaluation of a similarity-based audio compression technique. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. ACM international conference proceedings series (1). Association for Computing Machinery (ACM), New York, pp. 1-6. ISBN 978-1-4503-2659-9 (doi:10.1145/2544114.2544116)
data layout
Cunningham, Stuart, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Roberts, Shaun, Grout, Vic and Griffiths, Darryl (2013) Initial objective and subjective evaluation of a similarity-based audio compression technique. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. ACM international conference proceedings series (1). Association for Computing Machinery (ACM), New York, pp. 1-6. ISBN 978-1-4503-2659-9 (doi:10.1145/2544114.2544116)
data management systems
Cunningham, Stuart, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Roberts, Shaun, Grout, Vic and Griffiths, Darryl (2013) Initial objective and subjective evaluation of a similarity-based audio compression technique. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. ACM international conference proceedings series (1). Association for Computing Machinery (ACM), New York, pp. 1-6. ISBN 978-1-4503-2659-9 (doi:10.1145/2544114.2544116)
data structures
Cunningham, Stuart, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Roberts, Shaun, Grout, Vic and Griffiths, Darryl (2013) Initial objective and subjective evaluation of a similarity-based audio compression technique. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. ACM international conference proceedings series (1). Association for Computing Machinery (ACM), New York, pp. 1-6. ISBN 978-1-4503-2659-9 (doi:10.1145/2544114.2544116)
data technology
Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X, Pitsillides, Stacey ORCID: https://orcid.org/0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]
datapanic
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]
decolonisation
Durrant, Tracy, Dodzro, Ron, Emmanuel, Myrtle ORCID: https://orcid.org/0000-0002-7975-9751, Franklin, Pamela, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Mustapha, Asma'u (2024) Re-igniting Windrush folk stories and songs to improve African-Caribbean mental health disparities in the London Boroughs of Lewisham and Greenwich. [Video]
deep
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise ii. [Creative Performance or Reading]
deep bass
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Sound/Image: intersections. Premier of “Kiln”. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]
Deep Noise
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria Live - Performance at Kings Place, London. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise ii. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)
Dhangsha
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X, Das, Aniruddha and Keating, Marcella (2023) Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating. In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
diasporia
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Throwing a stone into the pond. In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin. (Unpublished)
diffusion
Breating Space, (Collective) and Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]
digital
Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.
digital archives
Walshaw, Chris ORCID: https://orcid.org/0000-0003-0253-7779 (2014) A statistical analysis of the ABC music notation corpus: exploring duplication. In: Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Computer Engineering Department, Boğaziçi University, Turkey, Istanbul, Turkey, pp. 2-9.
digital art
Bowen, Jonathan P., Giannini, Tula, Polmeer, Gareth, Gannis, Carla, Gardiner, Jeremy, Kearney, Jonathan, Wands, Bruce and Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2018) States of being: art and identity in digital space and time. In: EVA London 2018: Electronic Visualisation & the Arts. Proceedings of a conference held in London 11th-13th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2018 . BCS: The Chartered Institute for IT, Swindon; London, pp. 1-7. ISBN 978-1780174631 ; 978-1780174632 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:10.14236/ewic/EVA2018.1)
digital arts
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:10.16995/bst.294)
digital death
Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X, Pitsillides, Stacey ORCID: https://orcid.org/0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]
digital musical instruments
Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Doval, Boris, d'Alessandro, Christophe and Perrotin, Olivier (2015) Cantor Digitalis: First-Prize Winners of the Margaret Guthman Musical Instrument Competition. [Creative Performance or Reading]
Dirty Electronics
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: Dushume and Dirty Electronics limited edition White Label cassette tape EP. [Artefact]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]
dirtyelectronics
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise. [Creative Performance or Reading]
Disruptive Frequencies
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria Live - Performance at Kings Place, London. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies. [Artefact]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]
diversity
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Exploring cultural diversity in experimental sound. Array, the journal of the International Computer Music Association (ICMA), 2021 (1):3. pp. 17-22. ISSN 2590-0056 (Online) (doi:10.25370/array.v20213269)
DIY electronics
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2024) Shifting Monoliths: Unstable Noise and Bass. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: Dushume and Dirty Electronics limited edition White Label cassette tape EP. [Artefact]
DIY Music
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: Dushume and Dirty Electronics limited edition White Label cassette tape EP. [Artefact]
DIY nomad
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: Dushume and Dirty Electronics limited edition White Label cassette tape EP. [Artefact]
DJ Set
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]
documentary
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Morell, Purni, Angus, Farquhar and Ross, Charlie (2021) Over Lunan (Radio Documentary). [Play, Short Story or Poetry]
drama
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Morell, Purni, Angus, Farquhar and Ross, Charlie (2021) Over Lunan (Radio Documentary). [Play, Short Story or Poetry]
DRHA
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2017) Data ache and visual music practice meditated by instrument design. In: dataAche: DRHA2017 Book of Abstracts. DRHA.
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) An investigation into evoking poetic and restorative places with visual music. In: Digital Research in the Humanities and Arts Conference, 04-07 Sep 2016, Brighton, UK. (Unpublished)
Durational composition
Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Creative Performance or Reading]
Dushume
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria Live - Performance at Kings Place, London. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies. [Artefact]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2024) Shifting Monoliths: Unstable Noise and Bass. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X, Das, Aniruddha and Keating, Marcella (2023) Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating. In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: Dushume and Dirty Electronics limited edition White Label cassette tape EP. [Artefact]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]
easter eggs
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Griffiths, Darryl and Cunningham, Stuart (2014) Easter eggs: hidden tracks and messages in musical mediums. In: Joint International Computer Music Conference/Sound and Music Computing 2014, Athens. International Computer Music Association, Michigan and Washington, pp. 1-8. ISSN 2223-3881 (Print), 2223-3881 (Online)
ecoacoustics
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]
ecology
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
Smyth, Cherry (2022) 'Lost Bees'. [Audio]
edit
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - EMOM. [Creative Performance or Reading]
EEG
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2014) EEG as a controller for psychedelic visual music in an immersive dome environment. In: EVA London 2014: Proceedings of the EVA London 2014 on Electronic Visualisation and the Arts. Electronic Workshops in Computing (eWiC) | BCS . BCS, The Chartered Institute for IT, Swindon; London. ISBN 978-1780172859 ; 1780172850 (doi:10.14236/ewic/EVA2014.45)
Einstein
Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]
electro-acoustic
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]
electroacoustic
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 1st Mvmnt. - Spectral Spaces. [Composition] (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:10.1386/scene_00016_1)
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Martin, Brona and Pasoulas, Aki (2021) Whispers of the Past. [Composition]
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Morell, Purni, Angus, Farquhar and Ross, Charlie (2021) Over Lunan (Radio Documentary). [Play, Short Story or Poetry]
Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973 (2024) Contemplations. [Artefact]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.
electroacoustic music
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).
Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 (2023) 3D spatialisation technologies and aesthetic practice within electroacoustic composition: a journey through listening, composition and performance. Musica/Tecnologia, 17. pp. 69-94. ISSN 1974-0042 (Print), 1974-0050 (Online) (doi:10.36253/music_tec-15197)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Exploring cultural diversity in experimental sound. Array, the journal of the International Computer Music Association (ICMA), 2021 (1):3. pp. 17-22. ISSN 2590-0056 (Online) (doi:10.25370/array.v20213269)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Sound/Image: intersections. Premier of “Kiln”. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]
electronic dance music
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
electronic music
Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Le Beux, Sylvain and d'Alessandro, Christophe (2011) Chorus Digitalis: polyphonic gestural singing. In: 1st International Workshop on Performative Speech and Singing Synthesis (P3S 2011). University of British Columbia.
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)
Ratcliffe, Robert, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Kanga, Zubin (2011) Mutations (megamix): exploring notions of the ‘DJ set’, ‘mashup’ and ‘remix’ through live piano-based performance. eContact! Online Journal for Electroacoustic Practices, 13 (2).
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2010) Bass drum, saxophone and laptop: real-time psychedelic performance software. eContact! Online Journal for Electroacoustic Practices, 12 (4).
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
embodied
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:10.14236/ewic/EVA2019.58)
embodied listening
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2024) The soundtrack as an acoustic environment: some insights from soundscape research. In: Filimowicz, Michael, (ed.) The Routledge Handbook of Sound Design. Routledge Handbooks . Routledge - Focal Press Book, London; Oxford, UK, pp. 139-156. ISBN 978-1032351476; 978-1032351575; 978-1003325567 (doi:10.4324/9781003325567)
emotion
Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2019) Audio emotion recognition using machine learning to support sound design. In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019. Association for Computing Machinery (ACM), New York, pp. 116-123. ISBN 9781450372978 (doi:10.1145/3356590.3356609)
Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2021) Supervised machine learning for audio emotion recognition: enhancing film sound design using audio features, regression models and artificial neural networks. Personal and Ubiquitous Computing, 25. pp. 637-650. ISSN 1617-4909 (Print), 1617-4917 (Online) (doi:10.1007/s00779-020-01389-0)
Griffiths, Darryl, Cunningham, Stuart, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2021) A multi-genre model for music emotion recognition using linear regressors. Journal of New Music Research. ISSN 0929-8215 (Print), 1744-5027 (Online) (doi:10.1080/09298215.2021.1977336)
enderby wharf
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]
English identity
Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246
entropy
Daylamani Zad, Damon, Araabi, Babak N. and Lucas, Caru (2006) A novel approach to automatic music composing: Using genetic algorithm. In: International Computer Music Conference Proceedings. MPublishing, University of Michigan Library, Ann Arbor, MI, USA, pp. 551-555.
ethnography
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:10.4324/9781003008514-5)
ethnomusicology
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:10.4324/9781003008514-5)
exhibition
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition. [Show/Exhibition]
Expanded Cinema
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2017) (I)MAGESOUND(S) - expanded audiovisual practice. eContact!, 19 (2).
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).
Experimental film
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:10.16995/bst.296)
Experimental Music
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X, Das, Aniruddha and Keating, Marcella (2023) Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating. In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
Experimental Noise
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X, Das, Aniruddha and Keating, Marcella (2023) Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating. In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]
Experimental Sound
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Exploring cultural diversity in experimental sound. Array, the journal of the International Computer Music Association (ICMA), 2021 (1):3. pp. 17-22. ISSN 2590-0056 (Online) (doi:10.25370/array.v20213269)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2024) Shifting Monoliths: Unstable Noise and Bass. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Throwing a stone into the pond. In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin. (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X, Das, Aniruddha and Keating, Marcella (2023) Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating. In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]
experimentation
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]
exploration
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2023) Through an Ocean of Storms. [Composition]
field recording
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]
Film
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2017) (I)MAGESOUND(S) - expanded audiovisual practice. eContact!, 19 (2).
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)
filmmaking
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2024) The soundtrack as an acoustic environment: some insights from soundscape research. In: Filimowicz, Michael, (ed.) The Routledge Handbook of Sound Design. Routledge Handbooks . Routledge - Focal Press Book, London; Oxford, UK, pp. 139-156. ISBN 978-1032351476; 978-1032351575; 978-1003325567 (doi:10.4324/9781003325567)
films
Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.
folk songs
Durrant, Tracy, Dodzro, Ron, Emmanuel, Myrtle ORCID: https://orcid.org/0000-0002-7975-9751, Franklin, Pamela, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Mustapha, Asma'u (2024) Re-igniting Windrush folk stories and songs to improve African-Caribbean mental health disparities in the London Boroughs of Lewisham and Greenwich. [Video]
folk stories
Durrant, Tracy, Dodzro, Ron, Emmanuel, Myrtle ORCID: https://orcid.org/0000-0002-7975-9751, Franklin, Pamela, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Mustapha, Asma'u (2024) Re-igniting Windrush folk stories and songs to improve African-Caribbean mental health disparities in the London Boroughs of Lewisham and Greenwich. [Video]
frequency
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]
fulldome
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2015) EEG as a controller for psychedelic visual music in an immersive dome environment. Sonic Ideas/Ideas Sonicas, 7 (14):7963. pp. 87-94. ISSN 2317-9694 (Print), 2317-9694 (Online)
gallery sound
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise. [Creative Performance or Reading]
game audio
Cunningham, Stuart, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2016) In-Game Intoxication: Demonstrating the Evaluation of the Audio Experience of Games with a Focus on Altered States of Consciousness. In: Garcia-Ruiz, Miguel Angel, (ed.) Games User Research: A Case Study Approach. CRC Press - Taylor and Francis, New York, pp. 97-118. ISBN 9781498706407 ; 9781315371597 (doi:10.1201/b21564-6)
games user research
Cunningham, Stuart, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2016) In-Game Intoxication: Demonstrating the Evaluation of the Audio Experience of Games with a Focus on Altered States of Consciousness. In: Garcia-Ruiz, Miguel Angel, (ed.) Games User Research: A Case Study Approach. CRC Press - Taylor and Francis, New York, pp. 97-118. ISBN 9781498706407 ; 9781315371597 (doi:10.1201/b21564-6)
Gary Stewart
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies. [Artefact]
gatekeepers
van Klyton, Aaron C. (2015) Space and place in world music production. City, Culture and Society, 6 (4). pp. 101-108. ISSN 1877-9166 (doi:10.1016/j.ccs.2015.06.001)
generative composition
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]
generative music
Al-Rifaie, Asmaa Majid and Al-Rifaie, Mohammad Majid ORCID: https://orcid.org/0000-0002-1798-9615 (2015) Generative music with stochastic diffusion search. In: EvoMUSART 2015: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series (LNCS), 9027 . Springer, Cham, Switzerland, pp. 1-14. ISBN 978-3319164977 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:10.1007/978-3-319-16498-4_1)
genetic algorithms
Daylamani Zad, Damon, Araabi, Babak N. and Lucas, Caru (2006) A novel approach to automatic music composing: Using genetic algorithm. In: International Computer Music Conference Proceedings. MPublishing, University of Michigan Library, Ann Arbor, MI, USA, pp. 551-555.
gestural control
Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Le Beux, Sylvain and d'Alessandro, Christophe (2011) Chorus Digitalis: polyphonic gestural singing. In: 1st International Workshop on Performative Speech and Singing Synthesis (P3S 2011). University of British Columbia.
gesture control
Le Beux, Sylvain, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224 and d'Alessandro, Christophe (2012) Chorus digitalis: experiment in chironomic choir singing. In: 12th Annual Conference of the International Speech Communication Association 2011 (INTERSPEECH 2011). International Speech Communications Association, pp. 2016-2019. ISBN 978-1618392701
Glitch
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria Live - Performance at Kings Place, London. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise ii. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - EMOM. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2024) Shifting Monoliths: Unstable Noise and Bass. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Sound/Image: intersections. Premier of “Kiln”. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X, Das, Aniruddha and Keating, Marcella (2023) Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating. In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: Dushume and Dirty Electronics limited edition White Label cassette tape EP. [Artefact]
glitch music
Cunningham, Stuart, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Griffiths, Darryl (2014) ACERemix: a tool for glitch music production and performance. In: AM '14: Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound. Aalborg Denmark October 1 - 3, 2014. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-3032-9 (doi:10.1145/2636879.2636888)
Global South
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Throwing a stone into the pond. In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin. (Unpublished)
graphics systems and interfaces
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2019) Cyberdream VR: visualizing rave music and vaporwave in Virtual Reality. In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019. Association for Computing Machinery (ACM), New York, pp. 277-281. ISBN 9781450372978 (doi:10.1145/3356590.3356637)
greenwich
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]
hallucination
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:10.1093/oxfordhb/9780190460242.013.24)
haptic
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone. [Show/Exhibition]
Harsh Bass
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria Live - Performance at Kings Place, London. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise ii. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X, Das, Aniruddha and Keating, Marcella (2023) Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating. In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
Harsh Noise
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - EMOM. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X, Das, Aniruddha and Keating, Marcella (2023) Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating. In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: Dushume and Dirty Electronics limited edition White Label cassette tape EP. [Artefact]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]
health
Durrant, Tracy, Dodzro, Ron, Emmanuel, Myrtle ORCID: https://orcid.org/0000-0002-7975-9751, Franklin, Pamela, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Mustapha, Asma'u (2024) Re-igniting Windrush folk stories and songs to improve African-Caribbean mental health disparities in the London Boroughs of Lewisham and Greenwich. [Video]
health inequality
Durrant, Tracy, Dodzro, Ron, Emmanuel, Myrtle ORCID: https://orcid.org/0000-0002-7975-9751, Franklin, Pamela, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Mustapha, Asma'u (2024) Re-igniting Windrush folk stories and songs to improve African-Caribbean mental health disparities in the London Boroughs of Lewisham and Greenwich. [Video]
Heidegger
Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]
heritage
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Martin, Brona and Pasoulas, Aki (2021) Whispers of the Past. [Composition]
Pasoulas, Aki, Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 (2023) Sonic heritage: listening to the past. In: (In)tangible Heritage(s): Design, culture and technology – past, present, and future. AMPS, University of Kent. 15th - 17th June, 2022. AMPS Proceedings Series, 29 (1). Architecture Media Politics Society (AMPS), Canterbury, pp. 133-138. ISSN 2398-9467
Pasoulas, Aki, Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 (2023) Sonic heritage: listening to the past. In: (In)tangible Heritage(s): Design, culture and technology – past, present, and future. AMPS, University of Kent. 15th - 17th June, 2022. AMPS Proceedings Series, 29 (1). Architecture Media Politics Society (AMPS), Canterbury, pp. 133-138. ISSN 2398-9467
Hindustani classical
Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Doval, Boris, d'Alessandro, Christophe and Perrotin, Olivier (2015) Cantor Digitalis: First-Prize Winners of the Margaret Guthman Musical Instrument Competition. [Creative Performance or Reading]
hip hop
Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)
history
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Martin, Brona and Pasoulas, Aki (2021) Whispers of the Past. [Composition]
Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.
Mann, Tony (2003) [Recording review] William Herschel, Symphonies Nos. 2, 8, 12, 13, 14, 17. BSHM Newsletter, 49. p. 42.
home computers
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2024) Trackers and Breakbeats: celebrating Brain Records’ underground revolution. [Show/Exhibition]
horns
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]
human aesthetic judgements
Javaheri Javid, Mohammed Ali, Blackwell, Tim, Zimmer, Robert and Al-Rifaie, Mohammad Majid ORCID: https://orcid.org/0000-0002-1798-9615 (2016) Correlation between human aesthetic judgement and spatial complexity measure. In: EvoMUSART 2016: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series, 9596 . Springer-Verlag, Berlin, Heidelberg, Cham, pp. 79-91. ISBN 978-3-319-31007-7 ; 978-3-319-31008-4 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:10.1007/978-3-319-31008-4_6)
human traces
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Ambience 1. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Ambience 2. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Ambience 3. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:10.14236/ewic/EVA2018.70)
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Document of Singing Light 1 installation. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2014) Horizon. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:10.14236/ewic/EVA2019.58)
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2015) Reservoir. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2015) Shadow Sounds 1. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Sky 2. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2015) Song Series Animacy. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2015) Song series animacy. In: Digital Research in the Humanities and Arts 2014, 01 Sep 2015, Dublin, UK.
hybrid media
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:10.16995/bst.294)
hydrogen alpha
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)
Iklectik
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X, Das, Aniruddha and Keating, Marcella (2023) Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating. In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
Iklectika
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X, Das, Aniruddha and Keating, Marcella (2023) Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating. In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
IKO loudspeaker
Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 (2023) 3D spatialisation technologies and aesthetic practice within electroacoustic composition: a journey through listening, composition and performance. Musica/Tecnologia, 17. pp. 69-94. ISSN 1974-0042 (Print), 1974-0050 (Online) (doi:10.36253/music_tec-15197)
image
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:10.16995/bst.294)
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2020) Audiovisual spaces: spatiality, experience and potentiality in audiovisual composition. In: Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, (ed.) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:10.4324/9780429295102-4)
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (ed.) (2020) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271466
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition. [Show/Exhibition]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Audio-visual composition: an investigation of how best to compose no-figurative gestural visual music. In: Sound/Image Colloquium: Exploring Sonic and Audio-visual Practice, 12-13 Nov 2016, Greenwich, UK. (Unpublished)
immersion
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.
immersive
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2023) Through an Ocean of Storms. [Composition]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]
immersive audio
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2021) Gherstl's Ghost - Original Soundtrack. [Composition]
immersive media
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]
Improvisation
Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Creative Performance or Reading]
Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe (2017) Care! Object Beneath. [Creative Performance or Reading]
Breating Space, (Collective) and Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Exploring cultural diversity in experimental sound. Array, the journal of the International Computer Music Association (ICMA), 2021 (1):3. pp. 17-22. ISSN 2590-0056 (Online) (doi:10.25370/array.v20213269)
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]
Information systems
Cunningham, Stuart, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Roberts, Shaun, Grout, Vic and Griffiths, Darryl (2013) Initial objective and subjective evaluation of a similarity-based audio compression technique. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. ACM international conference proceedings series (1). Association for Computing Machinery (ACM), New York, pp. 1-6. ISBN 978-1-4503-2659-9 (doi:10.1145/2544114.2544116)
information theory
Javaheri Javid, Mohammed Ali, Blackwell, Tim, Zimmer, Robert and Al-Rifaie, Mohammad Majid ORCID: https://orcid.org/0000-0002-1798-9615 (2016) Correlation between human aesthetic judgement and spatial complexity measure. In: EvoMUSART 2016: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series, 9596 . Springer-Verlag, Berlin, Heidelberg, Cham, pp. 79-91. ISBN 978-3-319-31007-7 ; 978-3-319-31008-4 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:10.1007/978-3-319-31008-4_6)
Installation
Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Creative Performance or Reading]
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Audio-visual composition: an investigation of how best to compose no-figurative gestural visual music. In: Sound/Image Colloquium: Exploring Sonic and Audio-visual Practice, 12-13 Nov 2016, Greenwich, UK. (Unpublished)
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:10.14236/ewic/EVA2019.58)
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) An investigation into evoking poetic and restorative places with visual music. In: Digital Research in the Humanities and Arts Conference, 04-07 Sep 2016, Brighton, UK. (Unpublished)
inter-species performance
Meier, Robin, Dey, Nirmalaya, Ott, Christine and Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224 (2021) Truce. [Creative Performance or Reading]
interactive
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:10.14236/ewic/EVA2019.58)
interdisciplinary art
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
interdisciplinary research
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Cunningham, Stuart (2021) Practice-led and interdisciplinary research investigating affective sound design. In: Filimowicz, Michael, (ed.) Doing Research in Sound Design. Routledge - Focal Press, Abingdon, Oxon; New York, pp. 151-168. ISBN 9780429356360 ; 1000375196 ; 9781000375190 ; 978036740490-1 ; 978036740489-5 ; 978046935636 - 0 (doi:10.4324/9780429356360)
international festival
Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2015) Reverie. [Creative Performance or Reading]
interventions
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Throwing a stone into the pond. In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin. (Unpublished)
intonation
Le Beux, Sylvain, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224 and d'Alessandro, Christophe (2012) Chorus digitalis: experiment in chironomic choir singing. In: 12th Annual Conference of the International Speech Communication Association 2011 (INTERSPEECH 2011). International Speech Communications Association, pp. 2016-2019. ISBN 978-1618392701
Irish writing
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
jazz
O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:10.1386/jafp.6.1.55_1)
Smyth, Cherry (2022) 'Lost Bees'. [Audio]
Joseph Kepler
Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.
joystick orchestra
De Laubier, Serge, Bertrand, Guillaume, Genevois, Hugues, Goudard, Vincent, Doval, Boris, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Le Beux, Sylvain and d'Alessandro, Christophe (2012) OrJo et la Méta-Mallette 4.0. In: Actes des Journées d'Informatique Musicale (JIM 2012). UMONS/numediart, pp. 227-232.
jungle
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2024) Trackers and Breakbeats: celebrating Brain Records’ underground revolution. [Show/Exhibition]
landscape
Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246
Lebanon
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:10.4324/9781003008514-5)
light
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:10.14236/ewic/EVA2019.58)
listen
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Throwing a stone into the pond. In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin. (Unpublished)
listening
Pasoulas, Aki, Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 (2023) Sonic heritage: listening to the past. In: (In)tangible Heritage(s): Design, culture and technology – past, present, and future. AMPS, University of Kent. 15th - 17th June, 2022. AMPS Proceedings Series, 29 (1). Architecture Media Politics Society (AMPS), Canterbury, pp. 133-138. ISSN 2398-9467
literature review
Masu, Raul, Do Nascimento Correia, Nuno ORCID: https://orcid.org/0000-0002-9999-9162 and Romão, Teresa (2021) NIME scores: a systematic review of how scores have shaped performance ecologies in NIME. In: NIME 2021 Proceedings. Online and NYU Shanghai June 14-18, 2021. NIME. International Conference on New Interfaces for Musical Expression . New Interfaces for Musical Expression (NIME), Shanghai.
Live Electronics
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise ii. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - EMOM. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2024) Shifting Monoliths: Unstable Noise and Bass. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X, Das, Aniruddha and Keating, Marcella (2023) Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating. In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]
live music venue
van Klyton, Aaron C. (2015) Space and place in world music production. City, Culture and Society, 6 (4). pp. 101-108. ISSN 1877-9166 (doi:10.1016/j.ccs.2015.06.001)
loudspeaker orchestra
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)
lowercase
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]
LUX
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]
lyrics
Smyth, Cherry (2022) 'Lost Bees'. [Audio]
machine learning
Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2019) Audio emotion recognition using machine learning to support sound design. In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019. Association for Computing Machinery (ACM), New York, pp. 116-123. ISBN 9781450372978 (doi:10.1145/3356590.3356609)
Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2021) Supervised machine learning for audio emotion recognition: enhancing film sound design using audio features, regression models and artificial neural networks. Personal and Ubiquitous Computing, 25. pp. 637-650. ISSN 1617-4909 (Print), 1617-4917 (Online) (doi:10.1007/s00779-020-01389-0)
marches
Meïer, Robin, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Gibson, Gabriella and Cenno, Aurélie (2023) Experiment in swarm communication: Culicomorpha. [Video]
marginalised frequencies
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: Dushume and Dirty Electronics limited edition White Label cassette tape EP. [Artefact]
materiality
Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.
Kennedy, Stephen ORCID: https://orcid.org/0000-0003-1119-9505 (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford University Press, New York, pp. 141-151. (doi:10.1093/oxfordhb/9780190274054.013.43)
mathematics
Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.
Mann, Tony (2003) [Recording review] William Herschel, Symphonies Nos. 2, 8, 12, 13, 14, 17. BSHM Newsletter, 49. p. 42.
maths
Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.
Max/MSP
Ratcliffe, Robert, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Kanga, Zubin (2011) Mutations (megamix): exploring notions of the ‘DJ set’, ‘mashup’ and ‘remix’ through live piano-based performance. eContact! Online Journal for Electroacoustic Practices, 13 (2).
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2010) Bass drum, saxophone and laptop: real-time psychedelic performance software. eContact! Online Journal for Electroacoustic Practices, 12 (4).
Maximalism
Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Creative Performance or Reading]
media
Sigthorsson, Gauti (2007) [Panelist on "DIY?: we're doing it already, thanks" and moderator on "The Stranger in the crowd: fans shout back"]. In: In the City, 20-22 Oct 2007, Manchester, UK. (Unpublished)
meditation
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]
mental health
Durrant, Tracy, Dodzro, Ron, Emmanuel, Myrtle ORCID: https://orcid.org/0000-0002-7975-9751, Franklin, Pamela, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Mustapha, Asma'u (2024) Re-igniting Windrush folk stories and songs to improve African-Caribbean mental health disparities in the London Boroughs of Lewisham and Greenwich. [Video]
mental health disparity
Durrant, Tracy, Dodzro, Ron, Emmanuel, Myrtle ORCID: https://orcid.org/0000-0002-7975-9751, Franklin, Pamela, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Mustapha, Asma'u (2024) Re-igniting Windrush folk stories and songs to improve African-Caribbean mental health disparities in the London Boroughs of Lewisham and Greenwich. [Video]
MER
Griffiths, Darryl, Cunningham, Stuart, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2021) A multi-genre model for music emotion recognition using linear regressors. Journal of New Music Research. ISSN 0929-8215 (Print), 1744-5027 (Online) (doi:10.1080/09298215.2021.1977336)
method cultural studies
Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]
methodology
Kennedy, Steve ORCID: https://orcid.org/0000-0003-1119-9505 (2010) A sonic economy. CTHEORY - Code Drift: Essays in Critical Digital Studies, 003:649. ISSN 1190-9153
Middle East
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:10.4324/9781003008514-5)
migration
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:10.4324/9781003008514-5)
modern music
Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246
MONO NO AWARE
Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.
mosquitoes
Meier, Robin, Dey, Nirmalaya, Ott, Christine and Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224 (2021) Truce. [Creative Performance or Reading]
Meïer, Robin, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Gibson, Gabriella and Cenno, Aurélie (2023) Experiment in swarm communication: Culicomorpha. [Video]
moving image
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:10.16995/bst.296)
multichannel
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2023) Through an Ocean of Storms. [Composition]
multichannel ambisonics
Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973 (2024) Contemplations. [Artefact]
multichannel concerts
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:10.1386/scene_00016_1)
multichannel diffusion
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)
museums
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Martin, Brona and Pasoulas, Aki (2021) Whispers of the Past. [Composition]
Pasoulas, Aki, Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 (2023) Sonic heritage: listening to the past. In: (In)tangible Heritage(s): Design, culture and technology – past, present, and future. AMPS, University of Kent. 15th - 17th June, 2022. AMPS Proceedings Series, 29 (1). Architecture Media Politics Society (AMPS), Canterbury, pp. 133-138. ISSN 2398-9467
music
Al-Rifaie, Asmaa Majid and Al-Rifaie, Mohammad Majid ORCID: https://orcid.org/0000-0002-1798-9615 (2015) Generative music with stochastic diffusion search. In: EvoMUSART 2015: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series (LNCS), 9027 . Springer, Cham, Switzerland, pp. 1-14. ISBN 978-3319164977 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:10.1007/978-3-319-16498-4_1)
Breating Space, (Collective) and Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]
Durrant, Tracy, Dodzro, Ron, Emmanuel, Myrtle ORCID: https://orcid.org/0000-0002-7975-9751, Franklin, Pamela, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Mustapha, Asma'u (2024) Re-igniting Windrush folk stories and songs to improve African-Caribbean mental health disparities in the London Boroughs of Lewisham and Greenwich. [Video]
Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Doval, Boris, d'Alessandro, Christophe and Perrotin, Olivier (2015) Cantor Digitalis: First-Prize Winners of the Margaret Guthman Musical Instrument Competition. [Creative Performance or Reading]
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]
Kennedy, Stephen ORCID: https://orcid.org/0000-0003-1119-9505 (2011) Audiostate. six compositions for film/live art performance. [Show/Exhibition] (Unpublished)
Kennedy, Stephen ORCID: https://orcid.org/0000-0003-1119-9505 (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford Handbooks . Oxford University Press, Oxford & New York. ISBN 978-0190274054 (doi:10.1093/oxfordhb/9780190274054.013.43)
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (ed.) (2020) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271466
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2023) Through an Ocean of Storms. [Composition]
Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:10.4324/9781003008514-5)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Throwing a stone into the pond. In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin. (Unpublished)
Powers, Alan (2012) Britten, Pears and their architects. In: LeGrove, Judith, (ed.) A Musical Eye: The Visual World of Britten and Pears. Artists' Choice Editions, London, UK, pp. 133-143. ISBN 978-0-9558343-6-3
Sigthorsson, Gauti (2007) [Panelist on "DIY?: we're doing it already, thanks" and moderator on "The Stranger in the crowd: fans shout back"]. In: In the City, 20-22 Oct 2007, Manchester, UK. (Unpublished)
Smyth, Cherry (2022) 'Lost Bees'. [Audio]
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2017) Data ache and visual music practice meditated by instrument design. In: dataAche: DRHA2017 Book of Abstracts. DRHA.
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) An investigation into evoking poetic and restorative places with visual music. In: Digital Research in the Humanities and Arts Conference, 04-07 Sep 2016, Brighton, UK. (Unpublished)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2021) Cyberdream: an interactive rave music visualization in Virtual Reality. In: SA '21 XR: SIGGRAPH Asia 2021 XR. Association for Computing Machinery (ACM) Digital Library, New York, USA, p. 4. ISBN 978-1450390750 (doi:10.1145/3478514.3487609)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2021) Explosions in the mind: Composing Psychedelic Sounds and Visualisations. Palgrave Studies in Sound . Springer Singapore, Singapore. ISBN 978-9811640544
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2015) Representing altered states of consciousness in computer arts. In: EVA London 2015: Electronic Visualisation & the Arts. Proceedings of a conference held in London 7th-9th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2015 . BCS: The Chartered Institute for IT, Swindon; London. ISBN 9781780173160; 9781780173164 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:10.14236/ewic/eva2015.9)
Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)
music and emotion
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Cunningham, Stuart (2021) Practice-led and interdisciplinary research investigating affective sound design. In: Filimowicz, Michael, (ed.) Doing Research in Sound Design. Routledge - Focal Press, Abingdon, Oxon; New York, pp. 151-168. ISBN 9780429356360 ; 1000375196 ; 9781000375190 ; 978036740490-1 ; 978036740489-5 ; 978046935636 - 0 (doi:10.4324/9780429356360)
music composition
Daylamani Zad, Damon, Araabi, Babak N. and Lucas, Caru (2006) A novel approach to automatic music composing: Using genetic algorithm. In: International Computer Music Conference Proceedings. MPublishing, University of Michigan Library, Ann Arbor, MI, USA, pp. 551-555.
music download
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.
music for wellbeing
Durrant, Tracy, Dodzro, Ron, Emmanuel, Myrtle ORCID: https://orcid.org/0000-0002-7975-9751, Franklin, Pamela, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Mustapha, Asma'u (2024) Re-igniting Windrush folk stories and songs to improve African-Caribbean mental health disparities in the London Boroughs of Lewisham and Greenwich. [Video]
music improvisation
Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]
music information retrieval
Cunningham, Stuart, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2018) High-level analysis of audio features for identifying emotional valence in human singing. In: AM'18: Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion. September 12-14 2018, Wrexham, Wales UK. Association for Computing Machinery (ACM), New York, pp. 1-4. ISBN 978-1-4503-6609-0 ; 978-1-4503-6609-0/18/09 (doi:10.1145/3243274.3243313)
Walshaw, Chris ORCID: https://orcid.org/0000-0003-0253-7779 (2014) A statistical analysis of the ABC music notation corpus: exploring duplication. In: Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Computer Engineering Department, Boğaziçi University, Turkey, Istanbul, Turkey, pp. 2-9.
music perception
Griffiths, Darryl, Cunningham, Stuart, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2021) A multi-genre model for music emotion recognition using linear regressors. Journal of New Music Research. ISSN 0929-8215 (Print), 1744-5027 (Online) (doi:10.1080/09298215.2021.1977336)
Music performance
Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe (2017) Care! Object Beneath. [Creative Performance or Reading]
music playlists
Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2013) Automatic music playlist generation using affective technologies. In: Proceedings of the Fifth International Conference on Internet Technologies and Applications (ITA 13) : 10-13 September 2013. North East Wales Institute, Wrexham, Glyndŵr University, pp. 1-7. ISBN 9780946881819 ; 0946881812
Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2013) A discussion of musical features for automatic music playlist generation using affective technologies. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. ACM international conference proceedings . Association for Computing Machinery (ACM), New York, pp. 1-4. ISBN 978-1-4503-2659-9 (doi:10.1145/2544114.2544128)
Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2016) An interactive music playlist generator that responds to user emotion and context. In: Electronic Visualisation and the Arts (EVA) London, UK, 12 - 14 July 2016. Electronic Workshops in Computing (eWiC) | BCS . BCS The Chartered Institute for IT, Swindon; London, pp. 275-276. ISBN 178017344X ; 978-1780173443 (doi:10.14236/ewic/EVA2016.53)
Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2015) A self-report study that gauges perceived and induced emotion with music. In: 2015 Internet Technologies and Applications (ITA). 8-11 Sept. 2015, Glyndŵr University, Wrexham, North Wales, UK. IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 239-244. ISBN 978-1479980369 (doi:10.1109/ITechA.2015.7317402)
music production
Cunningham, Stuart, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Griffiths, Darryl (2014) ACERemix: a tool for glitch music production and performance. In: AM '14: Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound. Aalborg Denmark October 1 - 3, 2014. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-3032-9 (doi:10.1145/2636879.2636888)
music scores
Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.
music visualiation
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2020) Cyberdreams: visualizing music in extended reality. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 209-227. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:10.1007/978-3-030-42097-0_12)
Music visualisation
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2020) Visualising rave music in Virtual Reality: symbolic and interactive approaches. In: EVA London 2020 (Electronic Visualisation and the Arts). Electronic Workshops in Computing (eWiC) | BCS . British Computer Society (BSC), Swindon; London, pp. 78-84. ISSN 1477-9358 (doi:10.14236/ewic/EVA2020.13)
music visualization
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2021) Cyberdream: an interactive rave music visualization in Virtual Reality. In: SA '21 XR: SIGGRAPH Asia 2021 XR. Association for Computing Machinery (ACM) Digital Library, New York, USA, p. 4. ISBN 978-1450390750 (doi:10.1145/3478514.3487609)
musical interactive systems
Masu, Raul, Correia, Nuno N. ORCID: https://orcid.org/0000-0002-9999-9162 and Romão, Teresa (2021) Technology-mediated musical connections: the ecology of a screen-score performance. In: AM '21: Audio Mostly 2021. Association for Computing Machinery (ACM), New York, USA, pp. 109-116. ISBN 978-1450385695 (doi:10.1145/3478384.3478395)
musical interfaces
Sigthorsson, Gauti (2008) Acoustic pockets of the outside [presentation on "Musical Interfaces" panel]. In: Futuresonic 2008: Urban Festival of Art, Music and Ideas, 1 - 5 May 2008, Manchester, UK. (Unpublished)
musicology
O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:10.1386/jafp.6.1.55_1)
narrative therapy
Durrant, Tracy, Dodzro, Ron, Emmanuel, Myrtle ORCID: https://orcid.org/0000-0002-7975-9751, Franklin, Pamela, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Mustapha, Asma'u (2024) Re-igniting Windrush folk stories and songs to improve African-Caribbean mental health disparities in the London Boroughs of Lewisham and Greenwich. [Video]
NASA
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2023) Through an Ocean of Storms. [Composition]
nature-inspired algorithm
Al-Rifaie, Asmaa Majid and Al-Rifaie, Mohammad Majid ORCID: https://orcid.org/0000-0002-1798-9615 (2015) Generative music with stochastic diffusion search. In: EvoMUSART 2015: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series (LNCS), 9027 . Springer, Cham, Switzerland, pp. 1-14. ISBN 978-3319164977 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:10.1007/978-3-319-16498-4_1)
new music
Smyth, Cherry (2022) 'Lost Bees'. [Audio]
Nicole Raymond
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies. [Artefact]
Nights Under the Moon
Hardeman, Simon (2021) "Nights Under the Moon" by Simon Hardeman. [Audio]
Nikki Sheth
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies. [Artefact]
NikNak
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies. [Artefact]
noise
Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]
Kennedy, Stephen ORCID: https://orcid.org/0000-0003-1119-9505 (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford University Press, New York, pp. 141-151. (doi:10.1093/oxfordhb/9780190274054.013.43)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise ii. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Exploring cultural diversity in experimental sound. Array, the journal of the International Computer Music Association (ICMA), 2021 (1):3. pp. 17-22. ISSN 2590-0056 (Online) (doi:10.25370/array.v20213269)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - EMOM. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2024) Shifting Monoliths: Unstable Noise and Bass. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]
Noise Music
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - EMOM. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Sound/Image: intersections. Premier of “Kiln”. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: Dushume and Dirty Electronics limited edition White Label cassette tape EP. [Artefact]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]
noise selector
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2024) Shifting Monoliths: Unstable Noise and Bass. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: Dushume and Dirty Electronics limited edition White Label cassette tape EP. [Artefact]
Nonclassical
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria Live - Performance at Kings Place, London. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X, Das, Aniruddha and Keating, Marcella (2023) Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating. In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X, Das, Aniruddha and Keating, Marcella (2023) Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating. In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
Northern Ireland
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
Norway
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]
nostalgia
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:10.4324/9781003008514-5)
NOTAM
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]
object based audio
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]
opera
Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.
oral history
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Martin, Brona and Pasoulas, Aki (2021) Whispers of the Past. [Composition]
Pasoulas, Aki, Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 (2023) Sonic heritage: listening to the past. In: (In)tangible Heritage(s): Design, culture and technology – past, present, and future. AMPS, University of Kent. 15th - 17th June, 2022. AMPS Proceedings Series, 29 (1). Architecture Media Politics Society (AMPS), Canterbury, pp. 133-138. ISSN 2398-9467
overtime
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]
Panel Discussion
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X, Das, Aniruddha and Keating, Marcella (2023) Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating. In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
perception
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2024) The soundtrack as an acoustic environment: some insights from soundscape research. In: Filimowicz, Michael, (ed.) The Routledge Handbook of Sound Design. Routledge Handbooks . Routledge - Focal Press Book, London; Oxford, UK, pp. 139-156. ISBN 978-1032351476; 978-1032351575; 978-1003325567 (doi:10.4324/9781003325567)
percussion
Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]
performance
Breating Space, (Collective) and Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 1st Mvmnt. - Spectral Spaces. [Composition] (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2017) (I)MAGESOUND(S) - expanded audiovisual practice. eContact!, 19 (2).
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:10.1386/scene_00016_1)
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Farquhar, Angus, Morell, Purni, Johnson, James and Sinclair, Cameron (2021) Over Lunan (presentation of performance). [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - EMOM. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:10.16995/bst.9)
performance art
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]
performance ecology
Masu, Raul, Correia, Nuno N. ORCID: https://orcid.org/0000-0002-9999-9162 and Romão, Teresa (2021) Technology-mediated musical connections: the ecology of a screen-score performance. In: AM '21: Audio Mostly 2021. Association for Computing Machinery (ACM), New York, USA, pp. 109-116. ISBN 978-1450385695 (doi:10.1145/3478384.3478395)
Masu, Raul, Do Nascimento Correia, Nuno ORCID: https://orcid.org/0000-0002-9999-9162 and Romão, Teresa (2021) NIME scores: a systematic review of how scores have shaped performance ecologies in NIME. In: NIME 2021 Proceedings. Online and NYU Shanghai June 14-18, 2021. NIME. International Conference on New Interfaces for Musical Expression . New Interfaces for Musical Expression (NIME), Shanghai.
performative synthesis
Le Beux, Sylvain, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224 and d'Alessandro, Christophe (2012) Chorus digitalis: experiment in chironomic choir singing. In: 12th Annual Conference of the International Speech Communication Association 2011 (INTERSPEECH 2011). International Speech Communications Association, pp. 2016-2019. ISBN 978-1618392701
Personal Data Protection
Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X, Pitsillides, Stacey ORCID: https://orcid.org/0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]
Peter Pears
Powers, Alan (2012) Britten, Pears and their architects. In: LeGrove, Judith, (ed.) A Musical Eye: The Visual World of Britten and Pears. Artists' Choice Editions, London, UK, pp. 133-143. ISBN 978-0-9558343-6-3
philosophy
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2014) Shamanic diffusions: a technoshamanic philosophy of electroacoustic music. Sonic Ideas/Ideas Sonicas, 6 (12). ISSN 2317-9694
physical theatre
Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2015) Reverie. [Creative Performance or Reading]
poems
Smyth, Cherry (2022) 'Lost Bees'. [Audio]
poetic
Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2015) Reverie. [Creative Performance or Reading]
poetry
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
politics
Kennedy, Steve ORCID: https://orcid.org/0000-0003-1119-9505 (2009) Leaving on a jet plane of immanence. The Issues: In Contemporary Culture and Aesthetics. Nerve Ltd., London, UK. ISBN 0955003725
popular music
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:10.4324/9781003008514-5)
Post-acousmatic
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)
Poulomi Desai
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies. [Artefact]
practice
Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.
practice-based research
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:10.14236/ewic/EVA2018.70)
practice-led research
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Cunningham, Stuart (2021) Practice-led and interdisciplinary research investigating affective sound design. In: Filimowicz, Michael, (ed.) Doing Research in Sound Design. Routledge - Focal Press, Abingdon, Oxon; New York, pp. 151-168. ISBN 9780429356360 ; 1000375196 ; 9781000375190 ; 978036740490-1 ; 978036740489-5 ; 978046935636 - 0 (doi:10.4324/9780429356360)
Private Passions
Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.
protest
Kennedy, Steve ORCID: https://orcid.org/0000-0003-1119-9505 (2009) Leaving on a jet plane of immanence. The Issues: In Contemporary Culture and Aesthetics. Nerve Ltd., London, UK. ISBN 0955003725
psychedelic visual music
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Cunningham, Stuart (2014) Digitized direct animation: creating materials for electroacoustic visual music using 8mm film. eContact! Online Journal for Electroacoustic Practices, 15 (4).
psychedelics
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
Queens House
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]
queer studies
Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246
Quiet
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]
race
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Exploring cultural diversity in experimental sound. Array, the journal of the International Computer Music Association (ICMA), 2021 (1):3. pp. 17-22. ISSN 2590-0056 (Online) (doi:10.25370/array.v20213269)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Throwing a stone into the pond. In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin. (Unpublished)
Radical Nails Sound(-Making) Object
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii. [Composition]
radio
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Morell, Purni, Angus, Farquhar and Ross, Charlie (2021) Over Lunan (Radio Documentary). [Play, Short Story or Poetry]
Radio 3
Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.
radiophonic
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Morell, Purni, Angus, Farquhar and Ross, Charlie (2021) Over Lunan (Radio Documentary). [Play, Short Story or Poetry]
raga
Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Doval, Boris, d'Alessandro, Christophe and Perrotin, Olivier (2015) Cantor Digitalis: First-Prize Winners of the Margaret Guthman Musical Instrument Competition. [Creative Performance or Reading]
rave culture
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2019) Virtual hallucinations: projects in VJing, virtual reality and cyberculture. In: EVA London 2019: Electronic Visualisation & the Arts. Proceedings of a conference held in London 8th-11th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019) . BCS, The Chartered Institute for IT, Swindon; London, pp. 293-301. ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:10.14236/ewic/EVA2019.57)
rave music
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2024) Trackers and Breakbeats: celebrating Brain Records’ underground revolution. [Show/Exhibition]
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2020) Visualising rave music in Virtual Reality: symbolic and interactive approaches. In: EVA London 2020 (Electronic Visualisation and the Arts). Electronic Workshops in Computing (eWiC) | BCS . British Computer Society (BSC), Swindon; London, pp. 78-84. ISSN 1477-9358 (doi:10.14236/ewic/EVA2020.13)
recording
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)
recording review
Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.
Mann, Tony (2003) [Recording review] William Herschel, Symphonies Nos. 2, 8, 12, 13, 14, 17. BSHM Newsletter, 49. p. 42.
regression
Griffiths, Darryl, Cunningham, Stuart, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2021) A multi-genre model for music emotion recognition using linear regressors. Journal of New Music Research. ISSN 0929-8215 (Print), 1744-5027 (Online) (doi:10.1080/09298215.2021.1977336)
representation
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:10.16995/bst.294)
research methods
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Cunningham, Stuart (2021) Practice-led and interdisciplinary research investigating affective sound design. In: Filimowicz, Michael, (ed.) Doing Research in Sound Design. Routledge - Focal Press, Abingdon, Oxon; New York, pp. 151-168. ISBN 9780429356360 ; 1000375196 ; 9781000375190 ; 978036740490-1 ; 978036740489-5 ; 978046935636 - 0 (doi:10.4324/9780429356360)
review
Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.
rhythm
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:10.14236/ewic/EVA2018.70)
River Bann
Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]
Robert Mapplethorpe
Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.
Robin Wilson
Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.
Roma art
Acton, Thomas (2010) Is tradition the enemy of history? In: Orta, Lucy, (ed.) Mapping the Invisible: EU-Roma Gypsies. Black Dog Publishing / London College of Fashion, London, UK, pp. 20-23. ISBN 978 1 906155 91 9
Roma history
Acton, Thomas (2010) Is tradition the enemy of history? In: Orta, Lucy, (ed.) Mapping the Invisible: EU-Roma Gypsies. Black Dog Publishing / London College of Fashion, London, UK, pp. 20-23. ISBN 978 1 906155 91 9
royal academy of arts
Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]
RSPB
Meïer, Robin, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Gibson, Gabriella and Cenno, Aurélie (2023) Experiment in swarm communication: Culicomorpha. [Video]
science-art
Meïer, Robin, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Gibson, Gabriella and Cenno, Aurélie (2023) Experiment in swarm communication: Culicomorpha. [Video]
score
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2020) Chase. [Composition] (Unpublished)
Masu, Raul, Do Nascimento Correia, Nuno ORCID: https://orcid.org/0000-0002-9999-9162 and Romão, Teresa (2021) NIME scores: a systematic review of how scores have shaped performance ecologies in NIME. In: NIME 2021 Proceedings. Online and NYU Shanghai June 14-18, 2021. NIME. International Conference on New Interfaces for Musical Expression . New Interfaces for Musical Expression (NIME), Shanghai.
screen-score
Masu, Raul, Correia, Nuno N. ORCID: https://orcid.org/0000-0002-9999-9162 and Romão, Teresa (2021) Technology-mediated musical connections: the ecology of a screen-score performance. In: AM '21: Audio Mostly 2021. Association for Computing Machinery (ACM), New York, USA, pp. 109-116. ISBN 978-1450385695 (doi:10.1145/3478384.3478395)
shamanism
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2014) Shamanic diffusions: a technoshamanic philosophy of electroacoustic music. Sonic Ideas/Ideas Sonicas, 6 (12). ISSN 2317-9694
silent film
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]
Simon Atkinson
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]
Simon Hardeman
Hardeman, Simon (2021) "Nights Under the Moon" by Simon Hardeman. [Audio]
singing
Durrant, Tracy, Dodzro, Ron, Emmanuel, Myrtle ORCID: https://orcid.org/0000-0002-7975-9751, Franklin, Pamela, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Mustapha, Asma'u (2024) Re-igniting Windrush folk stories and songs to improve African-Caribbean mental health disparities in the London Boroughs of Lewisham and Greenwich. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2017) SKY. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:10.16995/bst.9)
Singing synthesis
Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Le Beux, Sylvain and d'Alessandro, Christophe (2011) Chorus Digitalis: polyphonic gestural singing. In: 1st International Workshop on Performative Speech and Singing Synthesis (P3S 2011). University of British Columbia.
Le Beux, Sylvain, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224 and d'Alessandro, Christophe (2012) Chorus digitalis: experiment in chironomic choir singing. In: 12th Annual Conference of the International Speech Communication Association 2011 (INTERSPEECH 2011). International Speech Communications Association, pp. 2016-2019. ISBN 978-1618392701
singing voice
Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Doval, Boris, d'Alessandro, Christophe and Perrotin, Olivier (2015) Cantor Digitalis: First-Prize Winners of the Margaret Guthman Musical Instrument Competition. [Creative Performance or Reading]
Site-specific
Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Creative Performance or Reading]
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]
Sky 2
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Singing light: creating affective visual music. In: Seeing Sound: 2018 Papers. Seeing Sound.
skyscape
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2017) SKY. [Video]
social inequality
Durrant, Tracy, Dodzro, Ron, Emmanuel, Myrtle ORCID: https://orcid.org/0000-0002-7975-9751, Franklin, Pamela, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Mustapha, Asma'u (2024) Re-igniting Windrush folk stories and songs to improve African-Caribbean mental health disparities in the London Boroughs of Lewisham and Greenwich. [Video]
soft fascination
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]
software
Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.
song
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:10.16995/bst.20)
Sonic art
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.
sonic economy
Kennedy, Stephen ORCID: https://orcid.org/0000-0003-1119-9505 (2013) Echostate. Zetesis: Research generated by curiosity, 1 (1). pp. 68-77. ISSN n/a
Kennedy, Steve ORCID: https://orcid.org/0000-0003-1119-9505 (2010) A sonic economy. CTHEORY - Code Drift: Essays in Critical Digital Studies, 003:649. ISSN 1190-9153
sound
Breating Space, (Collective) and Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]
Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2017) (I)MAGESOUND(S) - expanded audiovisual practice. eContact!, 19 (2).
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:10.16995/bst.294)
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2020) Audiovisual spaces: spatiality, experience and potentiality in audiovisual composition. In: Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, (ed.) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:10.4324/9780429295102-4)
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (ed.) (2020) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271466
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2023) Through an Ocean of Storms. [Composition]
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)
Pasoulas, Aki, Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 (2023) Sonic heritage: listening to the past. In: (In)tangible Heritage(s): Design, culture and technology – past, present, and future. AMPS, University of Kent. 15th - 17th June, 2022. AMPS Proceedings Series, 29 (1). Architecture Media Politics Society (AMPS), Canterbury, pp. 133-138. ISSN 2398-9467
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Audio-visual composition: an investigation of how best to compose no-figurative gestural visual music. In: Sound/Image Colloquium: Exploring Sonic and Audio-visual Practice, 12-13 Nov 2016, Greenwich, UK. (Unpublished)
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Singing light: creating affective visual music. In: Seeing Sound: 2018 Papers. Seeing Sound.
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2014) EEG as a controller for psychedelic visual music in an immersive dome environment. In: EVA London 2014: Proceedings of the EVA London 2014 on Electronic Visualisation and the Arts. Electronic Workshops in Computing (eWiC) | BCS . BCS, The Chartered Institute for IT, Swindon; London. ISBN 978-1780172859 ; 1780172850 (doi:10.14236/ewic/EVA2014.45)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Griffiths, Darryl and Cunningham, Stuart (2014) Easter eggs: hidden tracks and messages in musical mediums. In: Joint International Computer Music Conference/Sound and Music Computing 2014, Athens. International Computer Music Association, Michigan and Washington, pp. 1-8. ISSN 2223-3881 (Print), 2223-3881 (Online)
sound art
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]
Kennedy, Stephen ORCID: https://orcid.org/0000-0003-1119-9505 (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford University Press, New York, pp. 141-151. (doi:10.1093/oxfordhb/9780190274054.013.43)
Kennedy, Stephen ORCID: https://orcid.org/0000-0003-1119-9505 (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford Handbooks . Oxford University Press, Oxford & New York. ISBN 978-0190274054 (doi:10.1093/oxfordhb/9780190274054.013.43)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise ii. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - EMOM. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2024) Shifting Monoliths: Unstable Noise and Bass. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Throwing a stone into the pond. In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin. (Unpublished)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X, Das, Aniruddha and Keating, Marcella (2023) Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating. In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: Dushume and Dirty Electronics limited edition White Label cassette tape EP. [Artefact]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]
sound artist
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]
Sound design
Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Creative Performance or Reading]
Breating Space, (Collective) and Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]
Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2019) Audio emotion recognition using machine learning to support sound design. In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019. Association for Computing Machinery (ACM), New York, pp. 116-123. ISBN 9781450372978 (doi:10.1145/3356590.3356609)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)
Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)
Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973, Pitsillides, Stacey ORCID: https://orcid.org/0000-0003-0961-5370, Nally, Claire, Demireva, Ella, Parvin, Asadzadeh Birjandi and Hegarty, Tom (2021) Tickets for the Afterlife. Death Positive Libraries, Redbridge Central Library, Newcastle City Library and Kirklees Libraries.
Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973, Preye, Olivia and Waterfield, Alithea (2021) Walk with me. [Composition]
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:10.1093/oxfordhb/9780190460242.013.24)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2021) Cyberdream: an interactive rave music visualization in Virtual Reality. In: SA '21 XR: SIGGRAPH Asia 2021 XR. Association for Computing Machinery (ACM) Digital Library, New York, USA, p. 4. ISBN 978-1450390750 (doi:10.1145/3478514.3487609)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2021) Explosions in the mind: Composing Psychedelic Sounds and Visualisations. Palgrave Studies in Sound . Springer Singapore, Singapore. ISBN 978-9811640544
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2013) Nausea: an approach to sonic arts composition based on ASC. In: Proceedings of the Fifth International Conference on Internet Technologies and Applications (ITA 13) : 10-13 September 2013. North East Wales Institute, Wrexham, Glyndŵr University, pp. 1-8. ISBN 9780946881819 ; 0946881812
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2021) Synaesthetic audio-visual sound toys in virtual reality. In: AM '21: Audio Mostly 2021. Association for Computing Machinery (ACM), New York, USA, pp. 135-138. ISBN 978-1450385695 (doi:10.1145/3478384.3478400)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2013) Visual patterns of hallucination as a basis for sonic arts composition. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-2659-9 (doi:10.1145/2544114.2544125)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2020) Visualising rave music in Virtual Reality: symbolic and interactive approaches. In: EVA London 2020 (Electronic Visualisation and the Arts). Electronic Workshops in Computing (eWiC) | BCS . British Computer Society (BSC), Swindon; London, pp. 78-84. ISSN 1477-9358 (doi:10.14236/ewic/EVA2020.13)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Cunningham, Stuart (2021) Practice-led and interdisciplinary research investigating affective sound design. In: Filimowicz, Michael, (ed.) Doing Research in Sound Design. Routledge - Focal Press, Abingdon, Oxon; New York, pp. 151-168. ISBN 9780429356360 ; 1000375196 ; 9781000375190 ; 978036740490-1 ; 978036740489-5 ; 978046935636 - 0 (doi:10.4324/9780429356360)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Cunningham, Stuart and Griffiths, Darryl (2014) Sound through the rabbit hole: sound design based on reports of auditory hallucination. In: AM '14: Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound. Aalborg Denmark October 1 - 3, 2014. Association for Computing Machinery (ACM), New York, pp. 1-18. ISBN 978-1-4503-3032-9 ; 1-4503-3032-0 (doi:10.1145/2636879.2636883)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Cunningham, Stuart, Griffiths, Darryl, Roberts, Shaun and Picking, Richard (2014) Affective Audio. Leonardo Music Journal, 24. pp. 17-20. ISSN 0961-1215 (Print), 1531-4812 (Online) (doi:10.1162/LMJ_a_00189)
sound design practice
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2024) The soundtrack as an acoustic environment: some insights from soundscape research. In: Filimowicz, Michael, (ed.) The Routledge Handbook of Sound Design. Routledge Handbooks . Routledge - Focal Press Book, London; Oxford, UK, pp. 139-156. ISBN 978-1032351476; 978-1032351575; 978-1003325567 (doi:10.4324/9781003325567)
sound diffusion
Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 (2023) 3D spatialisation technologies and aesthetic practice within electroacoustic composition: a journey through listening, composition and performance. Musica/Tecnologia, 17. pp. 69-94. ISSN 1974-0042 (Print), 1974-0050 (Online) (doi:10.36253/music_tec-15197)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Sound/Image: intersections. Premier of “Kiln”. [Creative Performance or Reading]
Sound image
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)
sound installation
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: Dushume and Dirty Electronics limited edition White Label cassette tape EP. [Artefact]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]
sound objects
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]
sound recording
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.
sound recording experimentation
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)
sound studies
Kennedy, Stephen ORCID: https://orcid.org/0000-0003-1119-9505 (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford Handbooks . Oxford University Press, Oxford & New York. ISBN 978-0190274054 (doi:10.1093/oxfordhb/9780190274054.013.43)
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.
Sound-image
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]
sounds
Meïer, Robin, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Gibson, Gabriella and Cenno, Aurélie (2023) Experiment in swarm communication: Culicomorpha. [Video]
soundscape
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Farquhar, Angus, Morell, Purni, Johnson, James and Sinclair, Cameron (2021) Over Lunan (presentation of performance). [Creative Performance or Reading]
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Martin, Brona and Pasoulas, Aki (2021) Whispers of the Past. [Composition]
Pasoulas, Aki, Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 (2023) Sonic heritage: listening to the past. In: (In)tangible Heritage(s): Design, culture and technology – past, present, and future. AMPS, University of Kent. 15th - 17th June, 2022. AMPS Proceedings Series, 29 (1). Architecture Media Politics Society (AMPS), Canterbury, pp. 133-138. ISSN 2398-9467
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2024) The soundtrack as an acoustic environment: some insights from soundscape research. In: Filimowicz, Michael, (ed.) The Routledge Handbook of Sound Design. Routledge Handbooks . Routledge - Focal Press Book, London; Oxford, UK, pp. 139-156. ISBN 978-1032351476; 978-1032351575; 978-1003325567 (doi:10.4324/9781003325567)
soundscape studies
Pasoulas, Aki, Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 (2023) Sonic heritage: listening to the past. In: (In)tangible Heritage(s): Design, culture and technology – past, present, and future. AMPS, University of Kent. 15th - 17th June, 2022. AMPS Proceedings Series, 29 (1). Architecture Media Politics Society (AMPS), Canterbury, pp. 133-138. ISSN 2398-9467
Soundtrack
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2021) Gherstl's Ghost - Original Soundtrack. [Composition]
space
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2020) Audiovisual spaces: spatiality, experience and potentiality in audiovisual composition. In: Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, (ed.) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:10.4324/9780429295102-4)
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2023) Through an Ocean of Storms. [Composition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]
spatial audio
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]
Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 (2023) 3D spatialisation technologies and aesthetic practice within electroacoustic composition: a journey through listening, composition and performance. Musica/Tecnologia, 17. pp. 69-94. ISSN 1974-0042 (Print), 1974-0050 (Online) (doi:10.36253/music_tec-15197)
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria Live - Performance at Kings Place, London. [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Sound/Image: intersections. Premier of “Kiln”. [Creative Performance or Reading]
spatial audio workflows
Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 (2023) 3D spatialisation technologies and aesthetic practice within electroacoustic composition: a journey through listening, composition and performance. Musica/Tecnologia, 17. pp. 69-94. ISSN 1974-0042 (Print), 1974-0050 (Online) (doi:10.36253/music_tec-15197)
spatial complexity
Javaheri Javid, Mohammed Ali, Blackwell, Tim, Zimmer, Robert and Al-Rifaie, Mohammad Majid ORCID: https://orcid.org/0000-0002-1798-9615 (2016) Correlation between human aesthetic judgement and spatial complexity measure. In: EvoMUSART 2016: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series, 9596 . Springer-Verlag, Berlin, Heidelberg, Cham, pp. 79-91. ISBN 978-3-319-31007-7 ; 978-3-319-31008-4 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:10.1007/978-3-319-31008-4_6)
spatial compositions
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Sound/Image: intersections. Premier of “Kiln”. [Creative Performance or Reading]
spatial diffusion
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]
spatial sound
Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973 (2024) Contemplations. [Artefact]
speakers
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]
spectroscopy
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)
Stochastic diffusion search
Al-Rifaie, Asmaa Majid and Al-Rifaie, Mohammad Majid ORCID: https://orcid.org/0000-0002-1798-9615 (2015) Generative music with stochastic diffusion search. In: EvoMUSART 2015: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series (LNCS), 9027 . Springer, Cham, Switzerland, pp. 1-14. ISBN 978-3319164977 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:10.1007/978-3-319-16498-4_1)
Al-Rifaie, Asmaa Majid and Al-Rifaie, Mohammad Majid ORCID: https://orcid.org/0000-0002-1798-9615 (2015) Generative music with stochastic diffusion search. In: EvoMUSART 2015: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series (LNCS), 9027 . Springer, Cham, Switzerland, pp. 1-14. ISBN 978-3319164977 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:10.1007/978-3-319-16498-4_1)
Al-Rifaie, Mohammad Majid ORCID: https://orcid.org/0000-0002-1798-9615 and Bishop, Mark (2013) Swarmic paintings and colour attention. In: Evolutionary and Biologically Inspired Music, Sound, Art and Design Second International Conference, EvoMUSART 2013, Vienna, Austria, April 3-5, 2013. Proceedings. Lecture Notes in Computer Science book series (LNCS), 7834 . Springer, Berlin, Germany, pp. 97-108. ISBN 978-3642369544 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:10.1007/978-3-642-36955-1_9)
string quartet
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2021) Gherstl's Ghost - Original Soundtrack. [Composition]
studio bench
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: Dushume and Dirty Electronics limited edition White Label cassette tape EP. [Artefact]
sub-cultures
Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)
Suffolk
Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246
Sumerian
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]
surround
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)
surround sound
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria Live - Performance at Kings Place, London. [Creative Performance or Reading]
sustainability
Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X, Pitsillides, Stacey ORCID: https://orcid.org/0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]
swarm intelligence
Al-Rifaie, Asmaa Majid and Al-Rifaie, Mohammad Majid ORCID: https://orcid.org/0000-0002-1798-9615 (2015) Generative music with stochastic diffusion search. In: EvoMUSART 2015: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series (LNCS), 9027 . Springer, Cham, Switzerland, pp. 1-14. ISBN 978-3319164977 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:10.1007/978-3-319-16498-4_1)
Al-Rifaie, Mohammad Majid ORCID: https://orcid.org/0000-0002-1798-9615 and Bishop, Mark (2013) Swarmic paintings and colour attention. In: Evolutionary and Biologically Inspired Music, Sound, Art and Design Second International Conference, EvoMUSART 2013, Vienna, Austria, April 3-5, 2013. Proceedings. Lecture Notes in Computer Science book series (LNCS), 7834 . Springer, Berlin, Germany, pp. 97-108. ISBN 978-3642369544 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:10.1007/978-3-642-36955-1_9)
swarms
Meïer, Robin, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Gibson, Gabriella and Cenno, Aurélie (2023) Experiment in swarm communication: Culicomorpha. [Video]
syllabes
Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224 and d'Alessandro, Christophe (2012) Digitartic : synthèse gestuelle de syllabes chantées. In: Actes des Journées d'Informatique Musicale (JIM 2012). UMONS/numediart, pp. 219-225.
symmetry
Javaheri Javid, Mohammed Ali, Blackwell, Tim, Zimmer, Robert and Al-Rifaie, Mohammad Majid ORCID: https://orcid.org/0000-0002-1798-9615 (2016) Correlation between human aesthetic judgement and spatial complexity measure. In: EvoMUSART 2016: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series, 9596 . Springer-Verlag, Berlin, Heidelberg, Cham, pp. 79-91. ISBN 978-3-319-31007-7 ; 978-3-319-31008-4 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:10.1007/978-3-319-31008-4_6)
synesthesia
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:10.1093/oxfordhb/9780190460242.013.24)
synthèse vocale
Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224 and Doval, Boris (2011) Contrôle par le geste d'une voix chantée de synthèse. In: Journée Science et Musique (JSM 2012), 13 Oct 2012, Diapason, campus Universitaire de Beaulieu, Rennes, France. (Unpublished)
Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224 and d'Alessandro, Christophe (2012) Digitartic : synthèse gestuelle de syllabes chantées. In: Actes des Journées d'Informatique Musicale (JIM 2012). UMONS/numediart, pp. 219-225.
Talk
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X, Das, Aniruddha and Keating, Marcella (2023) Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating. In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.
taxonomy
Masu, Raul, Do Nascimento Correia, Nuno ORCID: https://orcid.org/0000-0002-9999-9162 and Romão, Teresa (2021) NIME scores: a systematic review of how scores have shaped performance ecologies in NIME. In: NIME 2021 Proceedings. Online and NYU Shanghai June 14-18, 2021. NIME. International Conference on New Interfaces for Musical Expression . New Interfaces for Musical Expression (NIME), Shanghai.
technology
Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.
temporality
Kennedy, Stephen ORCID: https://orcid.org/0000-0003-1119-9505 (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford University Press, New York, pp. 141-151. (doi:10.1093/oxfordhb/9780190274054.013.43)
Thames
Meïer, Robin, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Gibson, Gabriella and Cenno, Aurélie (2023) Experiment in swarm communication: Culicomorpha. [Video]
The Enlightenment
Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]
theatre
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Farquhar, Angus, Morell, Purni, Johnson, James and Sinclair, Cameron (2021) Over Lunan (presentation of performance). [Creative Performance or Reading]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]
theatre translation
O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:10.1386/jafp.6.1.55_1)
third order
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 1st Mvmnt. - Spectral Spaces. [Composition] (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)
Time
Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Creative Performance or Reading]
tintinnabuli
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]
trance
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
translation
O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:10.1386/jafp.6.1.55_1)
translation theory
O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:10.1386/jafp.6.1.55_1)
transnationalism
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:10.4324/9781003008514-5)
tribes
Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)
truce
Meier, Robin, Dey, Nirmalaya, Ott, Christine and Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224 (2021) Truce. [Creative Performance or Reading]
trumpet
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 1st Mvmnt. - Spectral Spaces. [Composition] (Unpublished)
Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)
Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)
valence
Griffiths, Darryl, Cunningham, Stuart, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2021) A multi-genre model for music emotion recognition using linear regressors. Journal of New Music Research. ISSN 0929-8215 (Print), 1744-5027 (Online) (doi:10.1080/09298215.2021.1977336)
vaporwave
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2019) Virtual hallucinations: projects in VJing, virtual reality and cyberculture. In: EVA London 2019: Electronic Visualisation & the Arts. Proceedings of a conference held in London 8th-11th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019) . BCS, The Chartered Institute for IT, Swindon; London, pp. 293-301. ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:10.14236/ewic/EVA2019.57)
version
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - EMOM. [Creative Performance or Reading]
vibrating floor
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone. [Show/Exhibition]
vibration
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]
vibrotactile
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]
video game engines
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2021) Synaesthetic audio-visual sound toys in virtual reality. In: AM '21: Audio Mostly 2021. Association for Computing Machinery (ACM), New York, USA, pp. 135-138. ISBN 978-1450385695 (doi:10.1145/3478384.3478400)
video games
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Griffiths, Darryl and Cunningham, Stuart (2014) Easter eggs: hidden tracks and messages in musical mediums. In: Joint International Computer Music Conference/Sound and Music Computing 2014, Athens. International Computer Music Association, Michigan and Washington, pp. 1-8. ISSN 2223-3881 (Print), 2223-3881 (Online)
virtual choir
Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Le Beux, Sylvain and d'Alessandro, Christophe (2011) Chorus Digitalis: polyphonic gestural singing. In: 1st International Workshop on Performative Speech and Singing Synthesis (P3S 2011). University of British Columbia.
virtual gifting
Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X, Pitsillides, Stacey ORCID: https://orcid.org/0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]
virtual reality
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2019) Cyberdream VR: visualizing rave music and vaporwave in Virtual Reality. In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019. Association for Computing Machinery (ACM), New York, pp. 277-281. ISBN 9781450372978 (doi:10.1145/3356590.3356637)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2021) Cyberdream: an interactive rave music visualization in Virtual Reality. In: SA '21 XR: SIGGRAPH Asia 2021 XR. Association for Computing Machinery (ACM) Digital Library, New York, USA, p. 4. ISBN 978-1450390750 (doi:10.1145/3478514.3487609)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2020) Cyberdreams: visualizing music in extended reality. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 209-227. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:10.1007/978-3-030-42097-0_12)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2021) Explosions in the mind: Composing Psychedelic Sounds and Visualisations. Palgrave Studies in Sound . Springer Singapore, Singapore. ISBN 978-9811640544
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2021) Synaesthetic audio-visual sound toys in virtual reality. In: AM '21: Audio Mostly 2021. Association for Computing Machinery (ACM), New York, USA, pp. 135-138. ISBN 978-1450385695 (doi:10.1145/3478384.3478400)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2019) Virtual hallucinations: projects in VJing, virtual reality and cyberculture. In: EVA London 2019: Electronic Visualisation & the Arts. Proceedings of a conference held in London 8th-11th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019) . BCS, The Chartered Institute for IT, Swindon; London, pp. 293-301. ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:10.14236/ewic/EVA2019.57)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2020) Visualising rave music in Virtual Reality: symbolic and interactive approaches. In: EVA London 2020 (Electronic Visualisation and the Arts). Electronic Workshops in Computing (eWiC) | BCS . British Computer Society (BSC), Swindon; London, pp. 78-84. ISSN 1477-9358 (doi:10.14236/ewic/EVA2020.13)
visual
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:10.16995/bst.20)
visual music
Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:10.16995/bst.294)
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Ambience 1. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Ambience 2. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Ambience 3. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:10.16995/bst.296)
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:10.14236/ewic/EVA2018.70)
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Document of Singing Light 1 installation. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2014) Horizon. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:10.14236/ewic/EVA2019.58)
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2015) Reservoir. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2017) SKY. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2015) Shadow Sounds 1. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Sky 2. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2015) Song Series Animacy. [Video]
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2015) Song series animacy. In: Digital Research in the Humanities and Arts 2014, 01 Sep 2015, Dublin, UK.
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2020) Visual music and embodied visceral affect. In: Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, (ed.) Sound and Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:10.4324/9780429295102-9)
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:10.16995/bst.9)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2015) Optical research: a curated visual music collection. In: EVA London 2015: Electronic Visualisation & the Arts. Proceedings of a conference held in London 7th-9th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2015) . BCS, The Chartered Institute for IT, Swindon; London, pp. 371-372. ISBN 978-1780173160 ; 1780173164 (doi:10.14236/ewic/eva2015.82)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2021) Synaesthetic audio-visual sound toys in virtual reality. In: AM '21: Audio Mostly 2021. Association for Computing Machinery (ACM), New York, USA, pp. 135-138. ISBN 978-1450385695 (doi:10.1145/3478384.3478400)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2020) Visualising rave music in Virtual Reality: symbolic and interactive approaches. In: EVA London 2020 (Electronic Visualisation and the Arts). Electronic Workshops in Computing (eWiC) | BCS . British Computer Society (BSC), Swindon; London, pp. 78-84. ISSN 1477-9358 (doi:10.14236/ewic/EVA2020.13)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Cunningham, Stuart, Picking, Richard and Williams, Lyall (2015) Holophonor: On the Future Technology of Visual Music. In: Curran, Kevin, (ed.) Recent Advances in Ambient Intelligence and Context-Aware Computing. Recent Advances in Ambient Intelligence and Context-Aware Computing . IGI Global, USA, pp. 143-154. ISBN 9781466672840 ; 1466672846 ; 9781466672857 (doi:10.4018/978-1-4666-7284-0.ch015)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Cunningham, Stuart, Picking, Richard and Williams, Lyall (2015) Holophonor: designing the visual music instruments of the future. In: Curran, Kevin, (ed.) Recent Advances in Ambient Intelligence and Context-Aware Computing. IGI Global, USA, pp. 143-154. ISBN 9781466672840 ; 9781466672857, 1466672854 ; 1466672846 (doi:10.4018/978-1-4666-7284-0.ch009)
visual patterns of hallucination
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2013) Visual patterns of hallucination as a basis for sonic arts composition. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-2659-9 (doi:10.1145/2544114.2544125)
visual structure
Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:10.14236/ewic/EVA2018.70)
visualisations
Bowen, Jonathan P., Giannini, Tula, Polmeer, Gareth, Gannis, Carla, Gardiner, Jeremy, Kearney, Jonathan, Wands, Bruce and Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2018) States of being: art and identity in digital space and time. In: EVA London 2018: Electronic Visualisation & the Arts. Proceedings of a conference held in London 11th-13th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2018 . BCS: The Chartered Institute for IT, Swindon; London, pp. 1-7. ISBN 978-1780174631 ; 978-1780174632 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:10.14236/ewic/EVA2018.1)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2021) Explosions in the mind: Composing Psychedelic Sounds and Visualisations. Palgrave Studies in Sound . Springer Singapore, Singapore. ISBN 978-9811640544
visualization
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2021) Synaesthetic audio-visual sound toys in virtual reality. In: AM '21: Audio Mostly 2021. Association for Computing Machinery (ACM), New York, USA, pp. 135-138. ISBN 978-1450385695 (doi:10.1145/3478384.3478400)
VJ
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2020) Cyberdreams: visualizing music in extended reality. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 209-227. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:10.1007/978-3-030-42097-0_12)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2021) Synaesthetic audio-visual sound toys in virtual reality. In: AM '21: Audio Mostly 2021. Association for Computing Machinery (ACM), New York, USA, pp. 135-138. ISBN 978-1450385695 (doi:10.1145/3478384.3478400)
VJing
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2019) Virtual hallucinations: projects in VJing, virtual reality and cyberculture. In: EVA London 2019: Electronic Visualisation & the Arts. Proceedings of a conference held in London 8th-11th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019) . BCS, The Chartered Institute for IT, Swindon; London, pp. 293-301. ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:10.14236/ewic/EVA2019.57)
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2020) Visualising rave music in Virtual Reality: symbolic and interactive approaches. In: EVA London 2020 (Electronic Visualisation and the Arts). Electronic Workshops in Computing (eWiC) | BCS . British Computer Society (BSC), Swindon; London, pp. 78-84. ISSN 1477-9358 (doi:10.14236/ewic/EVA2020.13)
vocal
Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]
Breating Space, (Collective) and Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]
Vocals
Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe (2017) Care! Object Beneath. [Creative Performance or Reading]
Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]
voice
Meïer, Robin, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Gibson, Gabriella and Cenno, Aurélie (2023) Experiment in swarm communication: Culicomorpha. [Video]
voices
Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Throwing a stone into the pond. In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin. (Unpublished)
voix chantée
Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224 and Doval, Boris (2011) Contrôle par le geste d'une voix chantée de synthèse. In: Journée Science et Musique (JSM 2012), 13 Oct 2012, Diapason, campus Universitaire de Beaulieu, Rennes, France. (Unpublished)
website
Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973, Pitsillides, Stacey ORCID: https://orcid.org/0000-0003-0961-5370, Nally, Claire, Demireva, Ella, Parvin, Asadzadeh Birjandi and Hegarty, Tom (2021) Tickets for the Afterlife. Death Positive Libraries, Redbridge Central Library, Newcastle City Library and Kirklees Libraries.
wellbeing
Durrant, Tracy, Dodzro, Ron, Emmanuel, Myrtle ORCID: https://orcid.org/0000-0002-7975-9751, Franklin, Pamela, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Mustapha, Asma'u (2024) Re-igniting Windrush folk stories and songs to improve African-Caribbean mental health disparities in the London Boroughs of Lewisham and Greenwich. [Video]
Windrush
Durrant, Tracy, Dodzro, Ron, Emmanuel, Myrtle ORCID: https://orcid.org/0000-0002-7975-9751, Franklin, Pamela, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Mustapha, Asma'u (2024) Re-igniting Windrush folk stories and songs to improve African-Caribbean mental health disparities in the London Boroughs of Lewisham and Greenwich. [Video]
world music
van Klyton, Aaron C. (2015) Space and place in world music production. City, Culture and Society, 6 (4). pp. 101-108. ISSN 1877-9166 (doi:10.1016/j.ccs.2015.06.001)
ziad rahbani
Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:10.4324/9781003008514-5)
“Direct animation”
Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Cunningham, Stuart (2014) Digitized direct animation: creating materials for electroacoustic visual music using 8mm film. eContact! Online Journal for Electroacoustic Practices, 15 (4).