Items where Subject is "M Music"

Library of Congress Subject Areas (21746)
- M Music and Books on Music (204)
  - M Music (183)

Group by: Creators | Item Type | Uncontrolled Keywords

20-channel 8mm film abc music abstract abstract animation abstraction acousmatic acousmatic music acoustic environment activism adaptation affect affective computing African African-Caribbean Akkadian Aldeburgh altered states altered states of consciousness ambisonics Amiga analogue music ancient Babylonian animacy animation Apollo 12 applied Arts applied music AR QR codes architecture Archive archive footage arousal art art gallery artefact articulation artificial composition astronomy audience audio audio analysis audio compression audio streaming audio visual audio-visual audio-visual art audio-visual media audio-visual music audiovisual audiovisual media audiovisual performance augmented reality Avartan Babylonian Bantu bass Bass Culture Bass Shaker bassial audio BassShaker bauer Beirut bells belonging Benjamin Britten binaural bioacoustics biofeedback Birmingham Blackpool bossa nova brand communities branding Bray Jazz Festival Brazilian music breakbeat Brutalism bus timetable Caribbean case studies cello Chakria Chatham Historic Dockyard children chironomids choir choral chorus cinema clicks climate emergency clinical psychology clusters Cold War collaboration Collection community psychology complexity Composition Comprovisation computational creativity computer art computer graphics computer music Computing methodologies conflict contemporary composition contemporary mime context context-aware computing cosmopolitanism creative computing creative practice creative practice as research creativity Culicomorpha cultural commodities cultural diversity cultural geography cultural informatics culture curved-time cyberculture data data body data compression data layout data management systems data structures data technology datapanic decolonisation deep deep bass Deep Noise Dhangsha diasporia diffusion digital digital archives digital art digital arts digital death digital musical instruments Dirty Electronics dirtyelectronics Disruptive Frequencies diversity DIY electronics DIY Music DIY nomad DJ Set documentary drama DRHA Durational composition Dushume easter eggs ecoacoustics ecology edit EEG Einstein Ekbatan El Salvador electro-acoustic electroacoustic electroacoustic music electronic dance music electronic music embodied embodied listening emotion enderby wharf English identity entropy ethnography ethnomusicology exhibition Expanded Cinema experimental Experimental film Experimental Music Experimental Noise Experimental Sound experimentation exploration field recording Film filmmaking films folk songs folk stories frequency fulldome gallery sound game audio games user research Gary Stewart gatekeepers generative composition generative music genetic algorithms gestural control gesture control Glitch glitch music Global South graphics systems and interfaces greenwich hallucination haptic Harsh Bass Harsh Noise health health inequality Heidegger heritage Hindustani classical hip hop history home computers horns human aesthetic judgements human traces hybrid media hydrogen alpha Iklectik Iklectika IKO loudspeaker image immersion immersive immersive audio immersive media Improvisation Information systems information theory Installation inter-species performance interactive interdisciplinary art interdisciplinary research international festival interventions intonation Irish writing jazz Joseph Kepler joystick orchestra jungle landscape Latin America Lebanon light listen listening literature review Live Electronics live music venue loudspeaker orchestra lowercase LUX lyrics machine learning map marches marginalised frequencies materiality mathematics maths Max/MSP Maximalism media meditation mental health mental health disparity MER method cultural studies methodology Middle East migration modern music MONO NO AWARE mosquitoes moving image multichannel multichannel ambisonics multichannel concerts multichannel diffusion muralism museums music music and emotion music composition music download Music for Hope music for wellbeing music improvisation music information retrieval music perception Music performance music playlists music production music scores music visualiation Music visualisation music visualization musical interactive systems musical interfaces musicology narrative therapy NASA nature-inspired algorithm new music Nicole Raymond Nights Under the Moon Nikki Sheth NikNak noise Noise Music noise selector Nonclassical Northern Ireland Norway nostalgia NOTAM object based audio opera oral history overtime Panel Discussion perception percussion performance performance art performance ecology performative synthesis Personal Data Protection Peter Pears philosophy physical theatre play poems poetic poetry politics popular music Post Cold War Post-acousmatic Poulomi Desai practice practice-based research practice-led research prefigurative politics Private Passions protest psychedelic visual music psychedelics Queens House queer studies Quiet race Radical Nails Sound(-Making) Object radio Radio 3 radiophonic raga rave culture rave music recording recording review regression representation research methods review rhythm River Bann Robert Mapplethorpe Robin Wilson Roma art Roma history royal academy of arts RSPB science-art score screen-score shamanism silent film Simon Atkinson Simon Hardeman singing Singing synthesis singing voice Site-specific Sky 2 skyscape social inequality soft fascination software solidarity song Sonic art sonic economy sound sound art sound artist Sound design sound design practice sound diffusion Sound image sound installation sound objects sound recording sound recording experimentation sound studies Sound-image sounds soundscape soundscape studies Soundtrack space spatial audio spatial audio workflows spatial complexity spatial compositions spatial diffusion spatial sound speakers spectroscopy Stochastic diffusion search string quartet studio bench sub-cultures Suffolk Sumerian surround surround sound sustainability swarm intelligence swarms syllabes symmetry synesthesia synthèse vocale Talk taxonomy technology temporality Thames Thamesmead The Enlightenment theatre theatre translation third order Time tintinnabuli trance translation translation theory transnationalism tribes truce trumpet valence vaporwave version vibrating floor vibration vibrotactile video game engines video games virtual choir virtual gifting virtual reality visual visual music visual patterns of hallucination visual structure visualisations visualization VJ VJing vocal Vocals voice voices voix chantée website wellbeing Windrush world music ziad rahbani “Direct animation”

Number of items at this level: 1081.

20-channel

Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973 (2021) Shifted Trajectories. [Composition]

8mm film

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Cunningham, Stuart (2014) Digitized direct animation: creating materials for electroacoustic visual music using 8mm film. eContact! Online Journal for Electroacoustic Practices, 15 (4).

abc music

Walshaw, Chris ORCID: https://orcid.org/0000-0003-0253-7779 (2014) A statistical analysis of the ABC music notation corpus: exploring duplication. In: Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Computer Engineering Department, Boğaziçi University, Turkey, Istanbul, Turkey, pp. 2-9.

abstract

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:10.16995/bst.20)

abstract animation

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Ambience 1. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Ambience 2. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Ambience 3. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Document of Singing Light 1 installation. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2014) Horizon. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2015) Reservoir. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2015) Shadow Sounds 1. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Sky 2. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2015) Song Series Animacy. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2015) Song series animacy. In: Digital Research in the Humanities and Arts 2014, 01 Sep 2015, Dublin, UK.

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2020) Visual music and embodied visceral affect. In: Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, (ed.) Sound and Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:10.4324/9780429295102-9)

abstraction

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:10.16995/bst.294)

acousmatic

Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973 (2024) Contemplations. [Artefact]

Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973, Preye, Olivia and Waterfield, Alithea (2021) Walk with me. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Sound/Image: intersections. Premier of “Kiln”. [Creative Performance or Reading]

acousmatic music

Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 (2023) 3D spatialisation technologies and aesthetic practice within electroacoustic composition: a journey through listening, composition and performance. Musica/Tecnologia, 17. pp. 69-94. ISSN 1974-0042 (Print), 1974-0050 (Online) (doi:10.36253/music_tec-15197)

acoustic environment

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2024) The soundtrack as an acoustic environment: some insights from soundscape research. In: Filimowicz, Michael, (ed.) The Routledge Handbook of Sound Design. Routledge Handbooks . Routledge - Focal Press Book, London; Oxford, UK, pp. 139-156. ISBN 978-1032351476; 978-1032351575; 978-1003325567 (doi:10.4324/9781003325567)

activism

Bradbury, Pablo, McIndoe, Emily and Redden, Andrew (2024) Changing the picture and Music for Hope: cultural expressions of solidarity in the UK with El Salvador at the end of the Cold War. Alternautas, 11 (1). pp. 89-125. ISSN 2057-4924 (Online) (doi:10.31273/an.v11i1.1593)

adaptation

O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:10.1386/jafp.6.1.55_1)

affect

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2020) Audiovisual spaces: spatiality, experience and potentiality in audiovisual composition. In: Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, (ed.) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:10.4324/9780429295102-4)

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:10.14236/ewic/EVA2018.70)

affective computing

Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2019) Audio emotion recognition using machine learning to support sound design. In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019. Association for Computing Machinery (ACM), New York, pp. 116-123. ISBN 9781450372978 (doi:10.1145/3356590.3356609)

Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2021) Supervised machine learning for audio emotion recognition: enhancing film sound design using audio features, regression models and artificial neural networks. Personal and Ubiquitous Computing, 25. pp. 637-650. ISSN 1617-4909 (Print), 1617-4917 (Online) (doi:10.1007/s00779-020-01389-0)

Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2013) Automatic music playlist generation using affective technologies. In: Proceedings of the Fifth International Conference on Internet Technologies and Applications (ITA 13) : 10-13 September 2013. North East Wales Institute, Wrexham, Glyndŵr University, pp. 1-7. ISBN 9780946881819 ; 0946881812

Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2013) A discussion of musical features for automatic music playlist generation using affective technologies. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. ACM international conference proceedings . Association for Computing Machinery (ACM), New York, pp. 1-4. ISBN 978-1-4503-2659-9 (doi:10.1145/2544114.2544128)

Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2016) An interactive music playlist generator that responds to user emotion and context. In: Electronic Visualisation and the Arts (EVA) London, UK, 12 - 14 July 2016. Electronic Workshops in Computing (eWiC) | BCS . BCS The Chartered Institute for IT, Swindon; London, pp. 275-276. ISBN 178017344X ; 978-1780173443 (doi:10.14236/ewic/EVA2016.53)

Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2015) A self-report study that gauges perceived and induced emotion with music. In: 2015 Internet Technologies and Applications (ITA). 8-11 Sept. 2015, Glyndŵr University, Wrexham, North Wales, UK. IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 239-244. ISBN 978-1479980369 (doi:10.1109/ITechA.2015.7317402)

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Cunningham, Stuart (2021) Practice-led and interdisciplinary research investigating affective sound design. In: Filimowicz, Michael, (ed.) Doing Research in Sound Design. Routledge - Focal Press, Abingdon, Oxon; New York, pp. 151-168. ISBN 9780429356360 ; 1000375196 ; 9781000375190 ; 978036740490-1 ; 978036740489-5 ; 978046935636 - 0 (doi:10.4324/9780429356360)

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Cunningham, Stuart, Griffiths, Darryl, Roberts, Shaun and Picking, Richard (2014) Affective Audio. Leonardo Music Journal, 24. pp. 17-20. ISSN 0961-1215 (Print), 1531-4812 (Online) (doi:10.1162/LMJ_a_00189)

African

Durrant, Tracy, Dodzro, Ron, Emmanuel, Myrtle ORCID: https://orcid.org/0000-0002-7975-9751, Franklin, Pamela, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Mustapha, Asma'u (2024) Re-igniting Windrush folk stories and songs to improve African-Caribbean mental health disparities in the London Boroughs of Lewisham and Greenwich. [Video]

African-Caribbean

Akkadian

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]

Aldeburgh

Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246

altered states

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

altered states of consciousness

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:10.1093/oxfordhb/9780190460242.013.24)

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2016) Entoptic phenomena in audio: categories of psychedelic electroacoustic composition. Contemporary Music Review, 35 (2). pp. 202-223. ISSN 0749-4467 (Print), 1477-2256 (Online) (doi:10.1080/07494467.2016.1221633)

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2015) Representing altered states of consciousness in computer arts. In: EVA London 2015: Electronic Visualisation & the Arts. Proceedings of a conference held in London 7th-9th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2015 . BCS: The Chartered Institute for IT, Swindon; London. ISBN 9781780173160; 9781780173164 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:10.14236/ewic/eva2015.9)

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2019) Virtual hallucinations: projects in VJing, virtual reality and cyberculture. In: EVA London 2019: Electronic Visualisation & the Arts. Proceedings of a conference held in London 8th-11th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019) . BCS, The Chartered Institute for IT, Swindon; London, pp. 293-301. ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:10.14236/ewic/EVA2019.57)

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Cunningham, Stuart and Griffiths, Darryl (2014) Sound through the rabbit hole: sound design based on reports of auditory hallucination. In: AM '14: Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound. Aalborg Denmark October 1 - 3, 2014. Association for Computing Machinery (ACM), New York, pp. 1-18. ISBN 978-1-4503-3032-9 ; 1-4503-3032-0 (doi:10.1145/2636879.2636883)

ambisonics

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 1st Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2021) Gherstl's Ghost - Original Soundtrack. [Composition]

Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973 (2021) Shifted Trajectories. [Composition]

Amiga

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2024) Trackers and Breakbeats: celebrating Brain Records’ underground revolution. [Show/Exhibition]

analogue music

Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.

ancient Babylonian

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]

animacy

animation

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:10.16995/bst.294)

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:10.14236/ewic/EVA2019.58)

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2017) SKY. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:10.16995/bst.9)

Apollo 12

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

applied Arts

applied music

AR QR codes

Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X, Pitsillides, Stacey ORCID: https://orcid.org/0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]

architecture

Powers, Alan (2012) Britten, Pears and their architects. In: LeGrove, Judith, (ed.) A Musical Eye: The Visual World of Britten and Pears. Artists' Choice Editions, London, UK, pp. 133-143. ISBN 978-0-9558343-6-3

archive footage

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

arousal

Griffiths, Darryl, Cunningham, Stuart, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2021) A multi-genre model for music emotion recognition using linear regressors. Journal of New Music Research. ISSN 0929-8215 (Print), 1744-5027 (Online) (doi:10.1080/09298215.2021.1977336)

art

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (ed.) (2020) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271466

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Audio-visual composition: an investigation of how best to compose no-figurative gestural visual music. In: Sound/Image Colloquium: Exploring Sonic and Audio-visual Practice, 12-13 Nov 2016, Greenwich, UK. (Unpublished)

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) An investigation into evoking poetic and restorative places with visual music. In: Digital Research in the Humanities and Arts Conference, 04-07 Sep 2016, Brighton, UK. (Unpublished)

art gallery

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

artefact

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise ii. [Creative Performance or Reading]

articulation

Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224 and d'Alessandro, Christophe (2012) Digitartic : synthèse gestuelle de syllabes chantées. In: Actes des Journées d'Informatique Musicale (JIM 2012). UMONS/numediart, pp. 219-225.

artificial composition

Daylamani Zad, Damon, Araabi, Babak N. and Lucas, Caru (2006) A novel approach to automatic music composing: Using genetic algorithm. In: International Computer Music Conference Proceedings. MPublishing, University of Michigan Library, Ann Arbor, MI, USA, pp. 551-555.

astronomy

Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.

audience

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:10.1386/scene_00016_1)

audio

audio analysis

Cunningham, Stuart, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2018) High-level analysis of audio features for identifying emotional valence in human singing. In: AM'18: Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion. September 12-14 2018, Wrexham, Wales UK. Association for Computing Machinery (ACM), New York, pp. 1-4. ISBN 978-1-4503-6609-0 ; 978-1-4503-6609-0/18/09 (doi:10.1145/3243274.3243313)

audio compression

Cunningham, Stuart, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Griffiths, Darryl (2014) ACERemix: a tool for glitch music production and performance. In: AM '14: Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound. Aalborg Denmark October 1 - 3, 2014. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-3032-9 (doi:10.1145/2636879.2636888)

audio streaming

Breating Space, (Collective) and Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]

audio visual

audio-visual

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2017) SKY. [Video]

audio-visual art

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:10.16995/bst.294)

audio-visual media

audio-visual music

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:10.16995/bst.294)

audiovisual

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2017) (I)MAGESOUND(S) - expanded audiovisual practice. eContact!, 19 (2).

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (ed.) (2020) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271466

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2011) Tiny jungle: psychedelic techniques in audio-visual composition. In: Proceedings of the International Computer Music Conference : Huddersfield, UK : ICMC 2011. Michigan Publishing ; International Computer Music Association (ICMA), San Francisco : International Computer Music Association ; Huddersfield : Centre for Research in New Music, University of Huddersfield, pp. 324-327. ISBN 0984527400 ; 9780984527403

audiovisual media

audiovisual performance

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2015) EEG as a controller for psychedelic visual music in an immersive dome environment. Sonic Ideas/Ideas Sonicas, 7 (14):7963. pp. 87-94. ISSN 2317-9694 (Print), 2317-9694 (Online)

augmented reality

Avartan

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]

Babylonian

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Farquhar, Angus, Morell, Purni, Johnson, James and Sinclair, Cameron (2021) Over Lunan (presentation of performance). [Creative Performance or Reading]

Bantu

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies. [Artefact]

bass

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise ii. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone. [Show/Exhibition]

Bass Culture

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - EMOM. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2024) Shifting Monoliths: Unstable Noise and Bass. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Sound/Image: intersections. Premier of “Kiln”. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: Dushume and Dirty Electronics limited edition White Label cassette tape EP. [Artefact]

Bass Shaker

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)

bassial audio

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]

BassShaker

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]

bauer

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]

Beirut

Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:10.4324/9781003008514-5)

bells

Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]

belonging

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

Benjamin Britten

binaural

Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973, Preye, Olivia and Waterfield, Alithea (2021) Walk with me. [Composition]

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.

bioacoustics

Meïer, Robin, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Gibson, Gabriella and Cenno, Aurélie (2023) Experiment in swarm communication: Culicomorpha. [Video]

biofeedback

Birmingham

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise ii. [Creative Performance or Reading]

Blackpool

Breating Space, (Collective) and Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]

bossa nova

brand communities

Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)

branding

Bray Jazz Festival

Smyth, Cherry (2022) 'Lost Bees'. [Audio]

Brazilian music

breakbeat

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2024) Trackers and Breakbeats: celebrating Brain Records’ underground revolution. [Show/Exhibition]

Brutalism

Stabb, Walter and Bastani, Hadi (2023) Brutalism Otherwise (Chapters 1-4). [Video]

Stabb, Walter and Bastani, Hadi (2024) Brutalism otherwise presentation Stockholm. In: Alliances and Commonalities 2024, 16-19 Oct 2024, Stockholm, Sweden. (Unpublished)

Stabb, Walter and Bastani, Hadi (2023) Brutalism otherwise presentation and conversation. In: Sound Image Festival, 09-12 Nov 2023, University of Greenwich. (Unpublished)

Stabb, Walter and Bastani, Hadi (2023) Multicomponent Output: Brutalism Otherwise. University of Greenwich.

bus timetable

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]

Caribbean

case studies

Cunningham, Stuart, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Picking, Richard (2016) In-Game Intoxication: Demonstrating the Evaluation of the Audio Experience of Games with a Focus on Altered States of Consciousness. In: Garcia-Ruiz, Miguel Angel, (ed.) Games User Research: A Case Study Approach. CRC Press - Taylor and Francis, New York, pp. 97-118. ISBN 9781498706407 ; 9781315371597 (doi:10.1201/b21564-6)

cello

Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]

Chakria

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria. [Composition]

Chatham Historic Dockyard

Pasoulas, Aki, Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 (2023) Sonic heritage: listening to the past. In: (In)tangible Heritage(s): Design, culture and technology – past, present, and future. AMPS, University of Kent. 15th - 17th June, 2022. AMPS Proceedings Series, 29 (1). Architecture Media Politics Society (AMPS), Canterbury, pp. 133-138. ISSN 2398-9467

children

Stabb, Walter, Bastani, Hadi and Bird, Natasha (2024) Audio Playscapes. [Artefact]

chironomids

Meïer, Robin, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Gibson, Gabriella and Cenno, Aurélie (2023) Experiment in swarm communication: Culicomorpha. [Video]

choir

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]

choral

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]

chorus

Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]

cinema

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

clicks

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]

climate emergency

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Morell, Purni, Angus, Farquhar and Ross, Charlie (2021) Over Lunan (Radio Documentary). [Play, Short Story or Poetry]

clinical psychology

clusters

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]

Cold War

collaboration

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

Smyth, Cherry (2022) 'Lost Bees'. [Audio]

Collection

community psychology

complexity

Javaheri Javid, Mohammed Ali, Blackwell, Tim, Zimmer, Robert and Al-Rifaie, Mohammad Majid ORCID: https://orcid.org/0000-0002-1798-9615 (2016) Correlation between human aesthetic judgement and spatial complexity measure. In: EvoMUSART 2016: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series, 9596 . Springer-Verlag, Berlin, Heidelberg, Cham, pp. 79-91. ISBN 978-3-319-31007-7 ; 978-3-319-31008-4 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:10.1007/978-3-319-31008-4_6)

Composition

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2021) Gherstl's Ghost - Original Soundtrack. [Composition]

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2023) Through an Ocean of Storms. [Composition]

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Morell, Purni, Angus, Farquhar and Ross, Charlie (2021) Over Lunan (Radio Documentary). [Play, Short Story or Poetry]

Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973, Preye, Olivia and Waterfield, Alithea (2021) Walk with me. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2013) Nausea: an approach to sonic arts composition based on ASC. In: Proceedings of the Fifth International Conference on Internet Technologies and Applications (ITA 13) : 10-13 September 2013. North East Wales Institute, Wrexham, Glyndŵr University, pp. 1-8. ISBN 9780946881819 ; 0946881812

Comprovisation

computational creativity

Al-Rifaie, Mohammad Majid ORCID: https://orcid.org/0000-0002-1798-9615 and Bishop, Mark (2013) Swarmic paintings and colour attention. In: Evolutionary and Biologically Inspired Music, Sound, Art and Design Second International Conference, EvoMUSART 2013, Vienna, Austria, April 3-5, 2013. Proceedings. Lecture Notes in Computer Science book series (LNCS), 7834 . Springer, Berlin, Germany, pp. 97-108. ISBN 978-3642369544 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:10.1007/978-3-642-36955-1_9)

computer art

Bowen, Jonathan P., Giannini, Tula, Polmeer, Gareth, Gannis, Carla, Gardiner, Jeremy, Kearney, Jonathan, Wands, Bruce and Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2018) States of being: art and identity in digital space and time. In: EVA London 2018: Electronic Visualisation & the Arts. Proceedings of a conference held in London 11th-13th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2018 . BCS: The Chartered Institute for IT, Swindon; London, pp. 1-7. ISBN 978-1780174631 ; 978-1780174632 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:10.14236/ewic/EVA2018.1)

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2015) Optical research: a curated visual music collection. In: EVA London 2015: Electronic Visualisation & the Arts. Proceedings of a conference held in London 7th-9th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2015) . BCS, The Chartered Institute for IT, Swindon; London, pp. 371-372. ISBN 978-1780173160 ; 1780173164 (doi:10.14236/ewic/eva2015.82)

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2014) EEG as a controller for psychedelic visual music in an immersive dome environment. In: EVA London 2014: Proceedings of the EVA London 2014 on Electronic Visualisation and the Arts. Electronic Workshops in Computing (eWiC) | BCS . BCS, The Chartered Institute for IT, Swindon; London. ISBN 978-1780172859 ; 1780172850 (doi:10.14236/ewic/EVA2014.45)

computer graphics

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2019) Cyberdream VR: visualizing rave music and vaporwave in Virtual Reality. In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019. Association for Computing Machinery (ACM), New York, pp. 277-281. ISBN 9781450372978 (doi:10.1145/3356590.3356637)

computer music

De Laubier, Serge, Bertrand, Guillaume, Genevois, Hugues, Goudard, Vincent, Doval, Boris, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Le Beux, Sylvain and d'Alessandro, Christophe (2012) OrJo et la Méta-Mallette 4.0. In: Actes des Journées d'Informatique Musicale (JIM 2012). UMONS/numediart, pp. 227-232.

Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Doval, Boris, d'Alessandro, Christophe and Perrotin, Olivier (2015) Cantor Digitalis: First-Prize Winners of the Margaret Guthman Musical Instrument Competition. [Creative Performance or Reading]

Ratcliffe, Robert, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 and Kanga, Zubin (2011) Mutations (megamix): exploring notions of the ‘DJ set’, ‘mashup’ and ‘remix’ through live piano-based performance. eContact! Online Journal for Electroacoustic Practices, 13 (2).

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2010) Bass drum, saxophone and laptop: real-time psychedelic performance software. eContact! Online Journal for Electroacoustic Practices, 12 (4).

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2014) Shamanic diffusions: a technoshamanic philosophy of electroacoustic music. Sonic Ideas/Ideas Sonicas, 6 (12). ISSN 2317-9694

Computing methodologies

conflict

contemporary composition

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]

contemporary mime

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2015) Reverie. [Creative Performance or Reading]

context

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)

context-aware computing

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Cunningham, Stuart, Picking, Richard and Williams, Lyall (2015) Holophonor: On the Future Technology of Visual Music. In: Curran, Kevin, (ed.) Recent Advances in Ambient Intelligence and Context-Aware Computing. Recent Advances in Ambient Intelligence and Context-Aware Computing . IGI Global, USA, pp. 143-154. ISBN 9781466672840 ; 1466672846 ; 9781466672857 (doi:10.4018/978-1-4666-7284-0.ch015)

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Cunningham, Stuart, Picking, Richard and Williams, Lyall (2015) Holophonor: designing the visual music instruments of the future. In: Curran, Kevin, (ed.) Recent Advances in Ambient Intelligence and Context-Aware Computing. IGI Global, USA, pp. 143-154. ISBN 9781466672840 ; 9781466672857, 1466672854 ; 1466672846 (doi:10.4018/978-1-4666-7284-0.ch009)

cosmopolitanism

creative computing

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2020) Cyberdreams: visualizing music in extended reality. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 209-227. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:10.1007/978-3-030-42097-0_12)

creative practice

Stabb, Walter, Bastani, Hadi and Bird, Natasha (2024) Audio Playscapes. [Artefact]

creative practice as research

Stabb, Walter and Bastani, Hadi (2023) Multicomponent Output: Brutalism Otherwise. University of Greenwich.

creativity

Kennedy, Steve ORCID: https://orcid.org/0000-0003-1119-9505 (2009) Leaving on a jet plane of immanence. The Issues: In Contemporary Culture and Aesthetics. Nerve Ltd., London, UK. ISBN 0955003725

Culicomorpha

Meïer, Robin, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Gibson, Gabriella and Cenno, Aurélie (2023) Experiment in swarm communication: Culicomorpha. [Video]

cultural commodities

van Klyton, Aaron C. (2015) Space and place in world music production. City, Culture and Society, 6 (4). pp. 101-108. ISSN 1877-9166 (doi:10.1016/j.ccs.2015.06.001)

cultural diversity

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Throwing a stone into the pond. In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin. (Unpublished)

cultural geography

cultural informatics

culture

curved-time

Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]

cyberculture

data

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2017) Data ache and visual music practice meditated by instrument design. In: dataAche: DRHA2017 Book of Abstracts. DRHA.

data body

data compression

Cunningham, Stuart, Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Roberts, Shaun, Grout, Vic and Griffiths, Darryl (2013) Initial objective and subjective evaluation of a similarity-based audio compression technique. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. ACM international conference proceedings series (1). Association for Computing Machinery (ACM), New York, pp. 1-6. ISBN 978-1-4503-2659-9 (doi:10.1145/2544114.2544116)

data layout

data management systems

data structures

data technology

datapanic

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]

decolonisation

deep

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise ii. [Creative Performance or Reading]

deep bass

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Sound/Image: intersections. Premier of “Kiln”. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]

Deep Noise

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria Live - Performance at Kings Place, London. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise ii. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)

Dhangsha

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X, Das, Aniruddha and Keating, Marcella (2023) Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating. In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.

diasporia

diffusion

Breating Space, (Collective) and Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]

digital

Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.

digital archives

digital art

digital arts

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:10.16995/bst.294)

digital death

digital musical instruments

Dirty Electronics

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]

dirtyelectronics

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise. [Creative Performance or Reading]

Disruptive Frequencies

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria Live - Performance at Kings Place, London. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies. [Artefact]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]

diversity

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Exploring cultural diversity in experimental sound. Array, the journal of the International Computer Music Association (ICMA), 2021 (1):3. pp. 17-22. ISSN 2590-0056 (Online) (doi:10.25370/array.v20213269)

DIY electronics

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2024) Shifting Monoliths: Unstable Noise and Bass. [Creative Performance or Reading]

DIY Music

DIY nomad

DJ Set

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]

documentary

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Morell, Purni, Angus, Farquhar and Ross, Charlie (2021) Over Lunan (Radio Documentary). [Play, Short Story or Poetry]

drama

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Morell, Purni, Angus, Farquhar and Ross, Charlie (2021) Over Lunan (Radio Documentary). [Play, Short Story or Poetry]

DRHA

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2017) Data ache and visual music practice meditated by instrument design. In: dataAche: DRHA2017 Book of Abstracts. DRHA.

Durational composition

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Creative Performance or Reading]

Dushume

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria Live - Performance at Kings Place, London. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies. [Artefact]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2024) Shifting Monoliths: Unstable Noise and Bass. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]

easter eggs

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897, Griffiths, Darryl and Cunningham, Stuart (2014) Easter eggs: hidden tracks and messages in musical mediums. In: Joint International Computer Music Conference/Sound and Music Computing 2014, Athens. International Computer Music Association, Michigan and Washington, pp. 1-8. ISSN 2223-3881 (Print), 2223-3881 (Online)

ecoacoustics

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]

ecology

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

Smyth, Cherry (2022) 'Lost Bees'. [Audio]

edit

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - EMOM. [Creative Performance or Reading]

EEG

Einstein

Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]

Ekbatan

Stabb, Walter and Bastani, Hadi (2023) Brutalism Otherwise (Chapters 1-4). [Video]

Stabb, Walter and Bastani, Hadi (2024) Brutalism otherwise presentation Stockholm. In: Alliances and Commonalities 2024, 16-19 Oct 2024, Stockholm, Sweden. (Unpublished)

Stabb, Walter and Bastani, Hadi (2023) Brutalism otherwise presentation and conversation. In: Sound Image Festival, 09-12 Nov 2023, University of Greenwich. (Unpublished)

El Salvador

electro-acoustic

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]

electroacoustic

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 1st Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Martin, Brona and Pasoulas, Aki (2021) Whispers of the Past. [Composition]

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Morell, Purni, Angus, Farquhar and Ross, Charlie (2021) Over Lunan (Radio Documentary). [Play, Short Story or Poetry]

Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973 (2024) Contemplations. [Artefact]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.

electroacoustic music

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Sound/Image: intersections. Premier of “Kiln”. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]

electronic dance music

electronic music

Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Le Beux, Sylvain and d'Alessandro, Christophe (2011) Chorus Digitalis: polyphonic gestural singing. In: 1st International Workshop on Performative Speech and Singing Synthesis (P3S 2011). University of British Columbia.

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]

embodied

embodied listening

emotion

enderby wharf

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]

English identity

entropy

ethnography

ethnomusicology

exhibition

Expanded Cinema

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2017) (I)MAGESOUND(S) - expanded audiovisual practice. eContact!, 19 (2).

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

experimental

Stabb, Walter and Bastani, Hadi (2023) Brutalism Otherwise (Chapters 1-4). [Video]

Stabb, Walter and Bastani, Hadi (2024) Brutalism otherwise presentation Stockholm. In: Alliances and Commonalities 2024, 16-19 Oct 2024, Stockholm, Sweden. (Unpublished)

Stabb, Walter and Bastani, Hadi (2023) Brutalism otherwise presentation and conversation. In: Sound Image Festival, 09-12 Nov 2023, University of Greenwich. (Unpublished)

Stabb, Walter and Bastani, Hadi (2023) Multicomponent Output: Brutalism Otherwise. University of Greenwich.

Experimental film

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:10.16995/bst.296)

Experimental Music

Experimental Noise

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]

Experimental Sound

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2024) Shifting Monoliths: Unstable Noise and Bass. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]

experimentation

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

exploration

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2023) Through an Ocean of Storms. [Composition]

field recording

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]

Film

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2017) (I)MAGESOUND(S) - expanded audiovisual practice. eContact!, 19 (2).

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

Stabb, Walter and Bastani, Hadi (2023) Brutalism Otherwise (Chapters 1-4). [Video]

Stabb, Walter, Bastani, Hadi and Bird, Natasha (2024) Audio Playscapes. [Artefact]

filmmaking

films

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

folk songs

folk stories

frequency

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]

fulldome

gallery sound

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise. [Creative Performance or Reading]

game audio

games user research

Gary Stewart

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies. [Artefact]

gatekeepers

van Klyton, Aaron C. (2015) Space and place in world music production. City, Culture and Society, 6 (4). pp. 101-108. ISSN 1877-9166 (doi:10.1016/j.ccs.2015.06.001)

generative composition

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]

generative music

Al-Rifaie, Asmaa Majid and Al-Rifaie, Mohammad Majid ORCID: https://orcid.org/0000-0002-1798-9615 (2015) Generative music with stochastic diffusion search. In: EvoMUSART 2015: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series (LNCS), 9027 . Springer, Cham, Switzerland, pp. 1-14. ISBN 978-3319164977 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:10.1007/978-3-319-16498-4_1)

genetic algorithms

gestural control

gesture control

Le Beux, Sylvain, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224 and d'Alessandro, Christophe (2012) Chorus digitalis: experiment in chironomic choir singing. In: 12th Annual Conference of the International Speech Communication Association 2011 (INTERSPEECH 2011). International Speech Communications Association, pp. 2016-2019. ISBN 978-1618392701

Glitch

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria Live - Performance at Kings Place, London. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise ii. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - EMOM. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2024) Shifting Monoliths: Unstable Noise and Bass. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Sound/Image: intersections. Premier of “Kiln”. [Creative Performance or Reading]

glitch music

Global South

graphics systems and interfaces

greenwich

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]

hallucination

haptic

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone. [Show/Exhibition]

Harsh Bass

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria Live - Performance at Kings Place, London. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise ii. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)

Harsh Noise

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - EMOM. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]

health

health inequality

Heidegger

Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]

heritage

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Martin, Brona and Pasoulas, Aki (2021) Whispers of the Past. [Composition]

Hindustani classical

hip hop

history

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Martin, Brona and Pasoulas, Aki (2021) Whispers of the Past. [Composition]

Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.

Mann, Tony (2003) [Recording review] William Herschel, Symphonies Nos. 2, 8, 12, 13, 14, 17. BSHM Newsletter, 49. p. 42.

home computers

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2024) Trackers and Breakbeats: celebrating Brain Records’ underground revolution. [Show/Exhibition]

horns

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]

human aesthetic judgements

human traces

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Ambience 1. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Ambience 2. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Ambience 3. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Document of Singing Light 1 installation. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2014) Horizon. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2015) Reservoir. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2015) Shadow Sounds 1. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Sky 2. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2015) Song Series Animacy. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2015) Song series animacy. In: Digital Research in the Humanities and Arts 2014, 01 Sep 2015, Dublin, UK.

hybrid media

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:10.16995/bst.294)

hydrogen alpha

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

Iklectik

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]

Iklectika

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]

IKO loudspeaker

image

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:10.16995/bst.294)

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (ed.) (2020) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271466

Stabb, Walter and Bastani, Hadi (2023) Brutalism Otherwise (Chapters 1-4). [Video]

Stabb, Walter and Bastani, Hadi (2024) Brutalism otherwise presentation Stockholm. In: Alliances and Commonalities 2024, 16-19 Oct 2024, Stockholm, Sweden. (Unpublished)

Stabb, Walter and Bastani, Hadi (2023) Brutalism otherwise presentation and conversation. In: Sound Image Festival, 09-12 Nov 2023, University of Greenwich. (Unpublished)

Stabb, Walter and Bastani, Hadi (2023) Multicomponent Output: Brutalism Otherwise. University of Greenwich.

immersion

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.

immersive

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2023) Through an Ocean of Storms. [Composition]

Stabb, Walter, Bastani, Hadi and Bird, Natasha (2024) Audio Playscapes. [Artefact]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

immersive audio

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2021) Gherstl's Ghost - Original Soundtrack. [Composition]

immersive media

Improvisation

Breating Space, (Collective) and Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]

Information systems

information theory

Installation

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

inter-species performance

Meier, Robin, Dey, Nirmalaya, Ott, Christine and Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224 (2021) Truce. [Creative Performance or Reading]

interactive

interdisciplinary art

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

interdisciplinary research

international festival

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2015) Reverie. [Creative Performance or Reading]

interventions

intonation

Irish writing

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

jazz

Smyth, Cherry (2022) 'Lost Bees'. [Audio]

Joseph Kepler

Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.

joystick orchestra

jungle

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2024) Trackers and Breakbeats: celebrating Brain Records’ underground revolution. [Show/Exhibition]

landscape

Latin America

Lebanon

light

listen

listening

literature review

Masu, Raul, Do Nascimento Correia, Nuno ORCID: https://orcid.org/0000-0002-9999-9162 and Romão, Teresa (2021) NIME scores: a systematic review of how scores have shaped performance ecologies in NIME. In: NIME 2021 Proceedings. Online and NYU Shanghai June 14-18, 2021. NIME. International Conference on New Interfaces for Musical Expression . New Interfaces for Musical Expression (NIME), Shanghai.

Live Electronics

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise ii. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - EMOM. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2024) Shifting Monoliths: Unstable Noise and Bass. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]

live music venue

van Klyton, Aaron C. (2015) Space and place in world music production. City, Culture and Society, 6 (4). pp. 101-108. ISSN 1877-9166 (doi:10.1016/j.ccs.2015.06.001)

loudspeaker orchestra

lowercase

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]

LUX

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

lyrics

Smyth, Cherry (2022) 'Lost Bees'. [Audio]

machine learning

map

Stabb, Walter, Bastani, Hadi and Bird, Natasha (2024) Audio Playscapes. [Artefact]

marches

Meïer, Robin, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Gibson, Gabriella and Cenno, Aurélie (2023) Experiment in swarm communication: Culicomorpha. [Video]

marginalised frequencies

materiality

Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.

Kennedy, Stephen ORCID: https://orcid.org/0000-0003-1119-9505 (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford University Press, New York, pp. 141-151. (doi:10.1093/oxfordhb/9780190274054.013.43)

mathematics

Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.

Mann, Tony (2003) [Recording review] William Herschel, Symphonies Nos. 2, 8, 12, 13, 14, 17. BSHM Newsletter, 49. p. 42.

maths

Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.

Max/MSP

Maximalism

media

Sigthorsson, Gauti (2007) [Panelist on "DIY?: we're doing it already, thanks" and moderator on "The Stranger in the crowd: fans shout back"]. In: In the City, 20-22 Oct 2007, Manchester, UK. (Unpublished)

meditation

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

mental health

mental health disparity

MER

method cultural studies

Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]

methodology

Kennedy, Steve ORCID: https://orcid.org/0000-0003-1119-9505 (2010) A sonic economy. CTHEORY - Code Drift: Essays in Critical Digital Studies, 003:649. ISSN 1190-9153

Middle East

migration

modern music

MONO NO AWARE

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

mosquitoes

Meier, Robin, Dey, Nirmalaya, Ott, Christine and Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224 (2021) Truce. [Creative Performance or Reading]

Meïer, Robin, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Gibson, Gabriella and Cenno, Aurélie (2023) Experiment in swarm communication: Culicomorpha. [Video]

moving image

multichannel

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2023) Through an Ocean of Storms. [Composition]

multichannel ambisonics

Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973 (2024) Contemplations. [Artefact]

multichannel concerts

multichannel diffusion

muralism

museums

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Martin, Brona and Pasoulas, Aki (2021) Whispers of the Past. [Composition]

music

Breating Space, (Collective) and Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Kennedy, Stephen ORCID: https://orcid.org/0000-0003-1119-9505 (2011) Audiostate. six compositions for film/live art performance. [Show/Exhibition] (Unpublished)

Kennedy, Stephen ORCID: https://orcid.org/0000-0003-1119-9505 (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford Handbooks . Oxford University Press, Oxford & New York. ISBN 978-0190274054 (doi:10.1093/oxfordhb/9780190274054.013.43)

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (ed.) (2020) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271466

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2023) Through an Ocean of Storms. [Composition]

Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)

Smyth, Cherry (2022) 'Lost Bees'. [Audio]

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2017) Data ache and visual music practice meditated by instrument design. In: dataAche: DRHA2017 Book of Abstracts. DRHA.

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2021) Cyberdream: an interactive rave music visualization in Virtual Reality. In: SA '21 XR: SIGGRAPH Asia 2021 XR. Association for Computing Machinery (ACM) Digital Library, New York, USA, p. 4. ISBN 978-1450390750 (doi:10.1145/3478514.3487609)

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2021) Explosions in the mind: Composing Psychedelic Sounds and Visualisations. Palgrave Studies in Sound . Springer Singapore, Singapore. ISBN 978-9811640544

music and emotion

music composition

music download

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.

Music for Hope

music for wellbeing

music improvisation

Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]

music information retrieval

music perception

Music performance

music playlists

music production

music scores

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

music visualiation

Music visualisation

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2020) Visualising rave music in Virtual Reality: symbolic and interactive approaches. In: EVA London 2020 (Electronic Visualisation and the Arts). Electronic Workshops in Computing (eWiC) | BCS . British Computer Society (BSC), Swindon; London, pp. 78-84. ISSN 1477-9358 (doi:10.14236/ewic/EVA2020.13)

music visualization

musical interactive systems

Masu, Raul, Correia, Nuno N. ORCID: https://orcid.org/0000-0002-9999-9162 and Romão, Teresa (2021) Technology-mediated musical connections: the ecology of a screen-score performance. In: AM '21: Audio Mostly 2021. Association for Computing Machinery (ACM), New York, USA, pp. 109-116. ISBN 978-1450385695 (doi:10.1145/3478384.3478395)

musical interfaces

Sigthorsson, Gauti (2008) Acoustic pockets of the outside [presentation on "Musical Interfaces" panel]. In: Futuresonic 2008: Urban Festival of Art, Music and Ideas, 1 - 5 May 2008, Manchester, UK. (Unpublished)

musicology

narrative therapy

NASA

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2023) Through an Ocean of Storms. [Composition]

nature-inspired algorithm

new music

Smyth, Cherry (2022) 'Lost Bees'. [Audio]

Nicole Raymond

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies. [Artefact]

Nights Under the Moon

Hardeman, Simon (2021) "Nights Under the Moon" by Simon Hardeman. [Audio]

Nikki Sheth

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies. [Artefact]

NikNak

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies. [Artefact]

noise

Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise ii. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - EMOM. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2024) Shifting Monoliths: Unstable Noise and Bass. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]

Noise Music

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - EMOM. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Sound/Image: intersections. Premier of “Kiln”. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]

noise selector

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2024) Shifting Monoliths: Unstable Noise and Bass. [Creative Performance or Reading]

Nonclassical

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria Live - Performance at Kings Place, London. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]

Northern Ireland

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

Norway

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

nostalgia

NOTAM

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

object based audio

opera

Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.

oral history

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Martin, Brona and Pasoulas, Aki (2021) Whispers of the Past. [Composition]

overtime

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]

Panel Discussion

perception

percussion

Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]

performance

Breating Space, (Collective) and Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 1st Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2017) (I)MAGESOUND(S) - expanded audiovisual practice. eContact!, 19 (2).

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - EMOM. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]

performance art

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]

performance ecology

performative synthesis

Personal Data Protection

Peter Pears

philosophy

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2014) Shamanic diffusions: a technoshamanic philosophy of electroacoustic music. Sonic Ideas/Ideas Sonicas, 6 (12). ISSN 2317-9694

physical theatre

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2015) Reverie. [Creative Performance or Reading]

play

Stabb, Walter, Bastani, Hadi and Bird, Natasha (2024) Audio Playscapes. [Artefact]

poems

Smyth, Cherry (2022) 'Lost Bees'. [Audio]

poetic

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2015) Reverie. [Creative Performance or Reading]

poetry

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

politics

Kennedy, Steve ORCID: https://orcid.org/0000-0003-1119-9505 (2009) Leaving on a jet plane of immanence. The Issues: In Contemporary Culture and Aesthetics. Nerve Ltd., London, UK. ISBN 0955003725

popular music

Post Cold War

Post-acousmatic

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)

Poulomi Desai

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies. [Artefact]

practice

Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.

practice-based research

practice-led research

prefigurative politics

Private Passions

Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.

protest

Kennedy, Steve ORCID: https://orcid.org/0000-0003-1119-9505 (2009) Leaving on a jet plane of immanence. The Issues: In Contemporary Culture and Aesthetics. Nerve Ltd., London, UK. ISBN 0955003725

psychedelic visual music

psychedelics

Queens House

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]

queer studies

Quiet

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

race

Radical Nails Sound(-Making) Object

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii. [Composition]

radio

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Morell, Purni, Angus, Farquhar and Ross, Charlie (2021) Over Lunan (Radio Documentary). [Play, Short Story or Poetry]

Radio 3

Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.

radiophonic

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Morell, Purni, Angus, Farquhar and Ross, Charlie (2021) Over Lunan (Radio Documentary). [Play, Short Story or Poetry]

raga

rave culture

rave music

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2024) Trackers and Breakbeats: celebrating Brain Records’ underground revolution. [Show/Exhibition]

recording

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)

recording review

Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.

Mann, Tony (2003) [Recording review] William Herschel, Symphonies Nos. 2, 8, 12, 13, 14, 17. BSHM Newsletter, 49. p. 42.

regression

representation

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:10.16995/bst.294)

research methods

review

Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.

rhythm

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]

River Bann

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

Robert Mapplethorpe

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

Robin Wilson

Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.

Roma art

Acton, Thomas (2010) Is tradition the enemy of history? In: Orta, Lucy, (ed.) Mapping the Invisible: EU-Roma Gypsies. Black Dog Publishing / London College of Fashion, London, UK, pp. 20-23. ISBN 978 1 906155 91 9

Roma history

royal academy of arts

Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]

RSPB

Meïer, Robin, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Gibson, Gabriella and Cenno, Aurélie (2023) Experiment in swarm communication: Culicomorpha. [Video]

science-art

Meïer, Robin, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Gibson, Gabriella and Cenno, Aurélie (2023) Experiment in swarm communication: Culicomorpha. [Video]

score

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2020) Chase. [Composition] (Unpublished)

screen-score

shamanism

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2014) Shamanic diffusions: a technoshamanic philosophy of electroacoustic music. Sonic Ideas/Ideas Sonicas, 6 (12). ISSN 2317-9694

silent film

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]

Simon Atkinson

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]

Simon Hardeman

Hardeman, Simon (2021) "Nights Under the Moon" by Simon Hardeman. [Audio]

singing

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2017) SKY. [Video]

Singing synthesis

singing voice

Site-specific

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]

Sky 2

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Singing light: creating affective visual music. In: Seeing Sound: 2018 Papers. Seeing Sound.

skyscape

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2017) SKY. [Video]

social inequality

soft fascination

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

software

Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.

solidarity

song

Sonic art

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.

sonic economy

Kennedy, Stephen ORCID: https://orcid.org/0000-0003-1119-9505 (2013) Echostate. Zetesis: Research generated by curiosity, 1 (1). pp. 68-77. ISSN n/a

Kennedy, Steve ORCID: https://orcid.org/0000-0003-1119-9505 (2010) A sonic economy. CTHEORY - Code Drift: Essays in Critical Digital Studies, 003:649. ISSN 1190-9153

sound

Breating Space, (Collective) and Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]

Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2017) (I)MAGESOUND(S) - expanded audiovisual practice. eContact!, 19 (2).

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:10.16995/bst.294)

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (ed.) (2020) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271466

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2023) Through an Ocean of Storms. [Composition]

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]

Stabb, Walter and Bastani, Hadi (2023) Brutalism Otherwise (Chapters 1-4). [Video]

Stabb, Walter and Bastani, Hadi (2024) Brutalism otherwise presentation Stockholm. In: Alliances and Commonalities 2024, 16-19 Oct 2024, Stockholm, Sweden. (Unpublished)

Stabb, Walter and Bastani, Hadi (2023) Brutalism otherwise presentation and conversation. In: Sound Image Festival, 09-12 Nov 2023, University of Greenwich. (Unpublished)

Stabb, Walter and Bastani, Hadi (2023) Multicomponent Output: Brutalism Otherwise. University of Greenwich.

Stabb, Walter, Bastani, Hadi and Bird, Natasha (2024) Audio Playscapes. [Artefact]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Singing light: creating affective visual music. In: Seeing Sound: 2018 Papers. Seeing Sound.

sound art

Kennedy, Stephen ORCID: https://orcid.org/0000-0003-1119-9505 (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford Handbooks . Oxford University Press, Oxford & New York. ISBN 978-0190274054 (doi:10.1093/oxfordhb/9780190274054.013.43)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise ii. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - EMOM. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2024) Shifting Monoliths: Unstable Noise and Bass. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]

sound artist

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]

Sound design

Breating Space, (Collective) and Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973, Pitsillides, Stacey ORCID: https://orcid.org/0000-0003-0961-5370, Nally, Claire, Demireva, Ella, Parvin, Asadzadeh Birjandi and Hegarty, Tom (2021) Tickets for the Afterlife. Death Positive Libraries, Redbridge Central Library, Newcastle City Library and Kirklees Libraries.

Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973, Preye, Olivia and Waterfield, Alithea (2021) Walk with me. [Composition]

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2021) Synaesthetic audio-visual sound toys in virtual reality. In: AM '21: Audio Mostly 2021. Association for Computing Machinery (ACM), New York, USA, pp. 135-138. ISBN 978-1450385695 (doi:10.1145/3478384.3478400)

Weinel, Jonathan ORCID: https://orcid.org/0000-0001-5347-3897 (2013) Visual patterns of hallucination as a basis for sonic arts composition. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-2659-9 (doi:10.1145/2544114.2544125)

sound design practice

sound diffusion

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Sound/Image: intersections. Premier of “Kiln”. [Creative Performance or Reading]

Sound image

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)

sound installation

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]

sound objects

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]

sound recording

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.

sound recording experimentation

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)

sound studies

Kennedy, Stephen ORCID: https://orcid.org/0000-0003-1119-9505 (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford Handbooks . Oxford University Press, Oxford & New York. ISBN 978-0190274054 (doi:10.1093/oxfordhb/9780190274054.013.43)

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.

Sound-image

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

sounds

Meïer, Robin, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Gibson, Gabriella and Cenno, Aurélie (2023) Experiment in swarm communication: Culicomorpha. [Video]

soundscape

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Martin, Brona and Pasoulas, Aki (2021) Whispers of the Past. [Composition]

soundscape studies

Soundtrack

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2021) Gherstl's Ghost - Original Soundtrack. [Composition]

space

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2023) Through an Ocean of Storms. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

spatial audio

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria Live - Performance at Kings Place, London. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Sound/Image: intersections. Premier of “Kiln”. [Creative Performance or Reading]

spatial audio workflows

spatial complexity

spatial compositions

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Sound/Image: intersections. Premier of “Kiln”. [Creative Performance or Reading]

spatial diffusion

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]

spatial sound

Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973 (2024) Contemplations. [Artefact]

speakers

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]

spectroscopy

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

Stochastic diffusion search

string quartet

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2021) Gherstl's Ghost - Original Soundtrack. [Composition]

studio bench

sub-cultures

Suffolk

Sumerian

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]

surround

surround sound

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria Live - Performance at Kings Place, London. [Creative Performance or Reading]

sustainability

swarm intelligence

swarms

Meïer, Robin, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Gibson, Gabriella and Cenno, Aurélie (2023) Experiment in swarm communication: Culicomorpha. [Video]

syllabes

symmetry

synesthesia

synthèse vocale

Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224 and Doval, Boris (2011) Contrôle par le geste d'une voix chantée de synthèse. In: Journée Science et Musique (JSM 2012), 13 Oct 2012, Diapason, campus Universitaire de Beaulieu, Rennes, France. (Unpublished)

Talk

taxonomy

technology

Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.

temporality

Thames

Meïer, Robin, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Gibson, Gabriella and Cenno, Aurélie (2023) Experiment in swarm communication: Culicomorpha. [Video]

Thamesmead

Stabb, Walter and Bastani, Hadi (2023) Brutalism Otherwise (Chapters 1-4). [Video]

Stabb, Walter and Bastani, Hadi (2024) Brutalism otherwise presentation Stockholm. In: Alliances and Commonalities 2024, 16-19 Oct 2024, Stockholm, Sweden. (Unpublished)

Stabb, Walter and Bastani, Hadi (2023) Brutalism otherwise presentation and conversation. In: Sound Image Festival, 09-12 Nov 2023, University of Greenwich. (Unpublished)

Stabb, Walter, Bastani, Hadi and Bird, Natasha (2024) Audio Playscapes. [Artefact]

The Enlightenment

Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]

theatre

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]

theatre translation

third order

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 1st Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Time

tintinnabuli

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]

trance

translation

translation theory

transnationalism

tribes

truce

Meier, Robin, Dey, Nirmalaya, Ott, Christine and Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224 (2021) Truce. [Creative Performance or Reading]

trumpet

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 1st Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

valence

vaporwave

version

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - EMOM. [Creative Performance or Reading]

vibrating floor

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone. [Show/Exhibition]

vibration

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]

vibrotactile

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]

video game engines

video games

virtual choir

virtual gifting

virtual reality

visual

visual music

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:10.16995/bst.294)

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Ambience 1. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Ambience 2. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2016) Ambience 3. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Document of Singing Light 1 installation. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2014) Horizon. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2015) Reservoir. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2017) SKY. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2015) Shadow Sounds 1. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2018) Sky 2. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2015) Song Series Animacy. [Video]

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2015) Song series animacy. In: Digital Research in the Humanities and Arts 2014, 01 Sep 2015, Dublin, UK.

visual patterns of hallucination

visual structure

visualisations

visualization

VJ

VJing

vocal

Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]

Breating Space, (Collective) and Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]

Vocals

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]

voice

Meïer, Robin, Feugère, Lionel ORCID: https://orcid.org/0000-0003-0883-5224, Gibson, Gabriella and Cenno, Aurélie (2023) Experiment in swarm communication: Culicomorpha. [Video]

voices

voix chantée

website

wellbeing

Windrush

world music

van Klyton, Aaron C. (2015) Space and place in world music production. City, Culture and Society, 6 (4). pp. 101-108. ISSN 1877-9166 (doi:10.1016/j.ccs.2015.06.001)

ziad rahbani

“Direct animation”

This list was generated on Sun Apr 20 09:10:46 2025 UTC.