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Items where Subject is "M Music"

Items where Subject is "M Music"

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20-channel 8mm film abc music abstract abstract animation abstraction acousmatic adaptation affect affective computing Akkadian Aldeburgh altered states altered states of consciousness ambisonics analogue music ancient Babylonian animacy animation Apollo 12 AR QR codes architecture Archive archive footage arousal art art gallery articulation artificial composition astronomy audience audio audio analysis audio compression audio streaming audio visual audio-visual audio-visual art audio-visual media audio-visual music audiovisual audiovisual media audiovisual performance augmented reality Babylonian bass culture bauer Beirut bells belonging Benjamin Britten binaural biofeedback Blackpool bossa nova brand communities branding Bray Jazz Festival Brazilian music bus timetable case studies cello choir choral chorus cinema climate emergency collaboration Collection complexity Composition Comprovisation computational creativity computer art computer graphics computer music Computing methodologies conflict contemporary composition contemporary mime context context-aware computing cosmopolitanism creative computing creativity cultural commodities cultural diversity cultural geography cultural informatics culture curved-time cyberculture data data body data compression data layout data management systems data structures data technology datapanic diasporia diffusion digital digital archives digital art digital arts digital death digital musical instruments diversity DIY electronics documentary drama DRHA Durational composition Dushume easter eggs ecoacoustics ecology edit EEG Einstein electro-acoustic electroacoustic electroacoustic music electronic dance music electronic music embodied emotion enderby wharf English identity entropy ethnography ethnomusicology exhibition Expanded Cinema Experimental film experimental sound experimentation field recording Film films fulldome game audio games user research gatekeepers generative composition generative music genetic algorithms gestural control gesture control glitch glitch music Global South graphics systems and interfaces greenwich hallucination harsh noise Heidegger heritage Hindustani classical hip hop history human aesthetic judgements human traces hybrid media hydrogen alpha Iklectik image immersion immersive immersive audio immersive media Improvisation Information systems information theory Installation inter-species performance interactive interdisciplinary art interdisciplinary research international festival interventions intonation Irish writing jazz Joseph Kepler joystick orchestra landscape Lebanon light listen literature review live electronics live music venue loudspeaker orchestra LUX lyrics machine learning materiality mathematics maths Max/MSP Maximalism media meditation MER method cultural studies methodology Middle East migration modern music MONO NO AWARE mosquitoes moving image multichannel concerts multichannel diffusion museums music music and emotion music composition music download music improvisation music information retrieval music perception Music performance music playlists music production music scores music visualiation Music visualisation music visualization musical interactive systems musical interfaces musicology nature-inspired algorithm new music noise noise music Northern Ireland Norway nostalgia NOTAM object based audio opera oral history overtime percussion performance performance art performance ecology performative synthesis Personal Data Protection Peter Pears philosophy physical theatre poems poetic poetry politics popular music Post-acousmatic practice practice-based research practice-led research Private Passions protest psychedelic visual music psychedelics Queens House queer studies Quiet race Radical Nails Sound(-Making) Object radio Radio 3 radiophonic raga rave culture rave music recording recording review regression representation research methods review rhythm River Bann Robert Mapplethorpe Robin Wilson Roma art Roma history royal academy of arts score screen-score shamanism silent film singing Singing synthesis singing voice Site-specific Sky 2 skyscape soft fascination software song Sonic art sonic economy sound sound art sound artist Sound design Sound image sound recording sound recording experimentation sound studies Sound-image soundscape Soundtrack space spatial audio spatial complexity spatial diffusion spectroscopy Stochastic diffusion search string quartet sub-cultures Suffolk Sumerian surround surround sound sustainability swarm intelligence syllabes symmetry synesthesia synthèse vocale taxonomy technology The Enlightenment theatre theatre translation third order Time tintinnabuli trance translation translation theory transnationalism tribes truce trumpet valence vaporwave version video game engines video games virtual choir virtual gifting virtual reality visual visual music visual patterns of hallucination visual structure visualisations visualization VJ VJing vocal Vocals voices voix chantée website world music ziad rahbani “Direct animation”
Number of items at this level: 752.

20-channel

Margetson, Emma ORCID: 0000-0002-1054-1973 (2021) Shifted Trajectories. [Composition]

8mm film

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2014) Digitized direct animation: creating materials for electroacoustic visual music using 8mm film. eContact! Online Journal for Electroacoustic Practices, 15 (4).

abc music

Walshaw, Chris ORCID: 0000-0003-0253-7779 (2014) A statistical analysis of the ABC music notation corpus: exploring duplication. In: Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Computer Engineering Department, Boğaziçi University, Turkey, Istanbul, Turkey, pp. 2-9.

abstract

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)

abstract animation

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 1. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 2. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 3. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Document of Singing Light 1 installation. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2014) Horizon. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Reservoir. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Shadow Sounds 1. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Sky 2. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Song Series Animacy. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Song series animacy. In: Digital Research in the Humanities and Arts 2014, 01 Sep 2015, Dublin, UK.

Watkins, Julie ORCID: 0000-0001-8872-7041 (2020) Visual music and embodied visceral affect. In: Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, (ed.) Sound and Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:https://doi.org/10.4324/9780429295102-9)

abstraction

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

acousmatic

Margetson, Emma ORCID: 0000-0002-1054-1973, Preye, Olivia and Waterfield, Alithea (2021) Walk with me. [Composition]

adaptation

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp.6.1.55_1)

affect

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Audiovisual spaces: spatiality, experience and potentiality in audiovisual composition. In: Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, (ed.) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:https://doi.org/10.4324/9780429295102-4)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:https://doi.org/10.14236/ewic/EVA2018.70)

affective computing

Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2019) Audio emotion recognition using machine learning to support sound design. In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019. Association for Computing Machinery (ACM), New York, pp. 116-123. ISBN 9781450372978 (doi:https://doi.org/10.1145/3356590.3356609)

Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2021) Supervised machine learning for audio emotion recognition: enhancing film sound design using audio features, regression models and artificial neural networks. Personal and Ubiquitous Computing, 25. pp. 637-650. ISSN 1617-4909 (Print), 1617-4917 (Online) (doi:https://doi.org/10.1007/s00779-020-01389-0)

Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2013) Automatic music playlist generation using affective technologies. In: Proceedings of the Fifth International Conference on Internet Technologies and Applications (ITA 13) : 10-13 September 2013. North East Wales Institute, Wrexham, Glyndŵr University, pp. 1-7. ISBN 9780946881819 ; 0946881812

Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2013) A discussion of musical features for automatic music playlist generation using affective technologies. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. ACM international conference proceedings . Association for Computing Machinery (ACM), New York, pp. 1-4. ISBN 978-1-4503-2659-9 (doi:https://doi.org/10.1145/2544114.2544128)

Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2016) An interactive music playlist generator that responds to user emotion and context. In: Electronic Visualisation and the Arts (EVA) London, UK, 12 - 14 July 2016. Electronic Workshops in Computing (eWiC) | BCS . BCS The Chartered Institute for IT, Swindon; London, pp. 275-276. ISBN 178017344X ; 978-1780173443 (doi:https://doi.org/10.14236/ewic/EVA2016.53)

Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2015) A self-report study that gauges perceived and induced emotion with music. In: 2015 Internet Technologies and Applications (ITA). 8-11 Sept. 2015, Glyndŵr University, Wrexham, North Wales, UK. IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 239-244. ISBN 978-1479980369 (doi:https://doi.org/10.1109/ITechA.2015.7317402)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2021) Practice-led and interdisciplinary research investigating affective sound design. In: Filimowicz, Michael, (ed.) Doing Research in Sound Design. Routledge - Focal Press, Abingdon, Oxon; New York, pp. 151-168. ISBN 9780429356360 ; 1000375196 ; 9781000375190 ; 978036740490-1 ; 978036740489-5 ; 978046935636 - 0 (doi:https://doi.org/10.4324/9780429356360)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Griffiths, Darryl, Roberts, Shaun and Picking, Richard (2014) Affective Audio. Leonardo Music Journal, 24. pp. 17-20. ISSN 0961-1215 (Print), 1531-4812 (Online) (doi:https://doi.org/10.1162/LMJ_a_00189)

Akkadian

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]

Aldeburgh

Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246

altered states

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

altered states of consciousness

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2016) Entoptic phenomena in audio: categories of psychedelic electroacoustic composition. Contemporary Music Review, 35 (2). pp. 202-223. ISSN 0749-4467 (Print), 1477-2256 (Online) (doi:https://doi.org/10.1080/07494467.2016.1221633)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2015) Representing altered states of consciousness in computer arts. In: EVA London 2015: Electronic Visualisation & the Arts. Proceedings of a conference held in London 7th-9th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2015 . BCS: The Chartered Institute for IT, Swindon; London. ISBN 9781780173160; 9781780173164 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/eva2015.9)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Virtual hallucinations: projects in VJing, virtual reality and cyberculture. In: EVA London 2019: Electronic Visualisation & the Arts. Proceedings of a conference held in London 8th-11th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019) . BCS, The Chartered Institute for IT, Swindon; London, pp. 293-301. ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2019.57)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart and Griffiths, Darryl (2014) Sound through the rabbit hole: sound design based on reports of auditory hallucination. In: AM '14: Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound. Aalborg Denmark October 1 - 3, 2014. Association for Computing Machinery (ACM), New York, pp. 1-18. ISBN 978-1-4503-3032-9 ; 1-4503-3032-0 (doi:https://doi.org/10.1145/2636879.2636883)

ambisonics

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 1st Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2021) Gherstl's Ghost - Original Soundtrack. [Composition]

Margetson, Emma ORCID: 0000-0002-1054-1973 (2021) Shifted Trajectories. [Composition]

analogue music

Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.

ancient Babylonian

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]

animacy

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)

animation

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) SKY. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

Apollo 12

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

AR QR codes

Boddington, Ghislaine ORCID: 0000-0003-0448-579X, Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]

architecture

Powers, Alan (2012) Britten, Pears and their architects. In: LeGrove, Judith, (ed.) A Musical Eye: The Visual World of Britten and Pears. Artists' Choice Editions, London, UK, pp. 133-143. ISBN 978-0-9558343-6-3

Archive

Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian ORCID: 0000-0002-7143-8013, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe (2017) Care! Object Beneath. [Creative Performance or Reading]

archive footage

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

arousal

Griffiths, Darryl, Cunningham, Stuart, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2021) A multi-genre model for music emotion recognition using linear regressors. Journal of New Music Research. ISSN 0929-8215 (Print), 1744-5027 (Online) (doi:https://doi.org/10.1080/09298215.2021.1977336)

art

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (ed.) (2020) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271466

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Audio-visual composition: an investigation of how best to compose no-figurative gestural visual music. In: Sound/Image Colloquium: Exploring Sonic and Audio-visual Practice, 12-13 Nov 2016, Greenwich, UK. (Unpublished)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) An investigation into evoking poetic and restorative places with visual music. In: Digital Research in the Humanities and Arts Conference, 04-07 Sep 2016, Brighton, UK. (Unpublished)

art gallery

Patel, Amit Dinesh (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

articulation

Feugère, Lionel ORCID: 0000-0003-0883-5224 and d'Alessandro, Christophe (2012) Digitartic : synthèse gestuelle de syllabes chantées. In: Actes des Journées d'Informatique Musicale (JIM 2012). UMONS/numediart, pp. 219-225.

artificial composition

Daylamani Zad, Damon, Araabi, Babak N. and Lucas, Caru (2006) A novel approach to automatic music composing: Using genetic algorithm. In: International Computer Music Conference Proceedings. MPublishing, University of Michigan Library, Ann Arbor, MI, USA, pp. 551-555.

astronomy

Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.

audience

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene_00016_1)

audio

Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2019) Audio emotion recognition using machine learning to support sound design. In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019. Association for Computing Machinery (ACM), New York, pp. 116-123. ISBN 9781450372978 (doi:https://doi.org/10.1145/3356590.3356609)

Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2021) Supervised machine learning for audio emotion recognition: enhancing film sound design using audio features, regression models and artificial neural networks. Personal and Ubiquitous Computing, 25. pp. 637-650. ISSN 1617-4909 (Print), 1617-4917 (Online) (doi:https://doi.org/10.1007/s00779-020-01389-0)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)

audio analysis

Cunningham, Stuart, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2018) High-level analysis of audio features for identifying emotional valence in human singing. In: AM'18: Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion. September 12-14 2018, Wrexham, Wales UK. Association for Computing Machinery (ACM), New York, pp. 1-4. ISBN 978-1-4503-6609-0 ; 978-1-4503-6609-0/18/09 (doi:https://doi.org/10.1145/3243274.3243313)

audio compression

Cunningham, Stuart, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Griffiths, Darryl (2014) ACERemix: a tool for glitch music production and performance. In: AM '14: Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound. Aalborg Denmark October 1 - 3, 2014. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-3032-9 (doi:https://doi.org/10.1145/2636879.2636888)

audio streaming

Breating Space, (Collective) and Thompson, Ian ORCID: 0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]

audio visual

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

audio-visual

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) SKY. [Video]

audio-visual art

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

audio-visual media

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

audio-visual music

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

audiovisual

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2017) (I)MAGESOUND(S) - expanded audiovisual practice. eContact!, 19 (2).

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Audiovisual spaces: spatiality, experience and potentiality in audiovisual composition. In: Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, (ed.) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:https://doi.org/10.4324/9780429295102-4)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (ed.) (2020) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271466

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2011) Tiny jungle: psychedelic techniques in audio-visual composition. In: Proceedings of the International Computer Music Conference : Huddersfield, UK : ICMC 2011. Michigan Publishing ; International Computer Music Association (ICMA), San Francisco : International Computer Music Association ; Huddersfield : Centre for Research in New Music, University of Huddersfield, pp. 324-327. ISBN 0984527400 ; 9780984527403

audiovisual media

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)

audiovisual performance

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2015) EEG as a controller for psychedelic visual music in an immersive dome environment. Sonic Ideas/Ideas Sonicas, 7 (14):7963. pp. 87-94. ISSN 2317-9694 (Print), 2317-9694 (Online)

augmented reality

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Virtual hallucinations: projects in VJing, virtual reality and cyberculture. In: EVA London 2019: Electronic Visualisation & the Arts. Proceedings of a conference held in London 8th-11th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019) . BCS, The Chartered Institute for IT, Swindon; London, pp. 293-301. ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2019.57)

Babylonian

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Farquhar, Angus, Morell, Purni, Johnson, James and Sinclair, Cameron (2021) Over Lunan (presentation of performance). [Creative Performance or Reading]

bass culture

Patel, Amit Dinesh (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)

Patel, Amit Dinesh (2021) Boo Su (2021). [Composition] (Unpublished)

Patel, Amit Dinesh (2021) Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition. [Show/Exhibition]

Patel, Amit Dinesh (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]

Patel, Amit Dinesh (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - EMOM. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

bauer

Hill, Andrew ORCID: 0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]

Beirut

Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)

bells

Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]

belonging

Smyth, Cherry (2022) If the river is hidden. [Creative Performance or Reading]

Benjamin Britten

Powers, Alan (2012) Britten, Pears and their architects. In: LeGrove, Judith, (ed.) A Musical Eye: The Visual World of Britten and Pears. Artists' Choice Editions, London, UK, pp. 133-143. ISBN 978-0-9558343-6-3

Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246

binaural

Margetson, Emma ORCID: 0000-0002-1054-1973, Preye, Olivia and Waterfield, Alithea (2021) Walk with me. [Composition]

Thompson, Ian ORCID: 0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.

biofeedback

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2015) EEG as a controller for psychedelic visual music in an immersive dome environment. Sonic Ideas/Ideas Sonicas, 7 (14):7963. pp. 87-94. ISSN 2317-9694 (Print), 2317-9694 (Online)

Blackpool

Breating Space, (Collective) and Thompson, Ian ORCID: 0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]

bossa nova

Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)

brand communities

Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)

branding

Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)

Bray Jazz Festival

Smyth, Cherry (2022) 'Lost Bees'. [Audio]

Brazilian music

Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)

bus timetable

Thompson, Ian ORCID: 0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]

case studies

Cunningham, Stuart, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2016) In-Game Intoxication: Demonstrating the Evaluation of the Audio Experience of Games with a Focus on Altered States of Consciousness. In: Garcia-Ruiz, Miguel Angel, (ed.) Games User Research: A Case Study Approach. CRC Press - Taylor and Francis, New York, pp. 97-118. ISBN 9781498706407 ; 9781315371597 (doi:https://doi.org/10.1201/b21564-6)

cello

Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]

choir

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]

choral

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]

chorus

Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]

cinema

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

climate emergency

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Farquhar, Angus, Morell, Purni, Johnson, James and Sinclair, Cameron (2021) Over Lunan (presentation of performance). [Creative Performance or Reading]

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Morell, Purni, Angus, Farquhar and Ross, Charlie (2021) Over Lunan (Radio Documentary). [Play, Short Story or Poetry]

collaboration

Smyth, Cherry (2022) If the river is hidden. [Creative Performance or Reading]

Smyth, Cherry (2022) 'Lost Bees'. [Audio]

Collection

Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian ORCID: 0000-0002-7143-8013, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe (2017) Care! Object Beneath. [Creative Performance or Reading]

complexity

Javaheri Javid, Mohammed Ali, Blackwell, Tim, Zimmer, Robert and Al-Rifaie, Mohammad Majid ORCID: 0000-0002-1798-9615 (2016) Correlation between human aesthetic judgement and spatial complexity measure. In: EvoMUSART 2016: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series, 9596 . Springer-Verlag, Berlin, Heidelberg, Cham, pp. 79-91. ISBN 978-3-319-31007-7 ; 978-3-319-31008-4 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:https://doi.org/10.1007/978-3-319-31008-4_6)

Composition

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Audiovisual spaces: spatiality, experience and potentiality in audiovisual composition. In: Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, (ed.) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:https://doi.org/10.4324/9780429295102-4)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2021) Gherstl's Ghost - Original Soundtrack. [Composition]

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Farquhar, Angus, Morell, Purni, Johnson, James and Sinclair, Cameron (2021) Over Lunan (presentation of performance). [Creative Performance or Reading]

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Morell, Purni, Angus, Farquhar and Ross, Charlie (2021) Over Lunan (Radio Documentary). [Play, Short Story or Poetry]

Margetson, Emma ORCID: 0000-0002-1054-1973, Preye, Olivia and Waterfield, Alithea (2021) Walk with me. [Composition]

Patel, Amit Dinesh (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)

Patel, Amit Dinesh (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]

Thompson, Ian ORCID: 0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]

Thompson, Ian ORCID: 0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2013) Nausea: an approach to sonic arts composition based on ASC. In: Proceedings of the Fifth International Conference on Internet Technologies and Applications (ITA 13) : 10-13 September 2013. North East Wales Institute, Wrexham, Glyndŵr University, pp. 1-8. ISBN 9780946881819 ; 0946881812

Comprovisation

Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian ORCID: 0000-0002-7143-8013, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe (2017) Care! Object Beneath. [Creative Performance or Reading]

computational creativity

Al-Rifaie, Mohammad Majid ORCID: 0000-0002-1798-9615 and Bishop, Mark (2013) Swarmic paintings and colour attention. In: Evolutionary and Biologically Inspired Music, Sound, Art and Design Second International Conference, EvoMUSART 2013, Vienna, Austria, April 3-5, 2013. Proceedings. Lecture Notes in Computer Science book series (LNCS), 7834 . Springer, Berlin, Germany, pp. 97-108. ISBN 978-3642369544 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:https://doi.org/10.1007/978-3-642-36955-1_9)

computer art

Bowen, Jonathan P., Giannini, Tula, Polmeer, Gareth, Gannis, Carla, Gardiner, Jeremy, Kearney, Jonathan, Wands, Bruce and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) States of being: art and identity in digital space and time. In: EVA London 2018: Electronic Visualisation & the Arts. Proceedings of a conference held in London 11th-13th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2018 . BCS: The Chartered Institute for IT, Swindon; London, pp. 1-7. ISBN 978-1780174631 ; 978-1780174632 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2018.1)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2015) Optical research: a curated visual music collection. In: EVA London 2015: Electronic Visualisation & the Arts. Proceedings of a conference held in London 7th-9th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2015) . BCS, The Chartered Institute for IT, Swindon; London, pp. 371-372. ISBN 978-1780173160 ; 1780173164 (doi:https://doi.org/10.14236/ewic/eva2015.82)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2015) Representing altered states of consciousness in computer arts. In: EVA London 2015: Electronic Visualisation & the Arts. Proceedings of a conference held in London 7th-9th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2015 . BCS: The Chartered Institute for IT, Swindon; London. ISBN 9781780173160; 9781780173164 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/eva2015.9)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2014) EEG as a controller for psychedelic visual music in an immersive dome environment. In: EVA London 2014: Proceedings of the EVA London 2014 on Electronic Visualisation and the Arts. Electronic Workshops in Computing (eWiC) | BCS . BCS, The Chartered Institute for IT, Swindon; London. ISBN 978-1780172859 ; 1780172850 (doi:https://doi.org/10.14236/ewic/EVA2014.45)

computer graphics

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Cyberdream VR: visualizing rave music and vaporwave in Virtual Reality. In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019. Association for Computing Machinery (ACM), New York, pp. 277-281. ISBN 9781450372978 (doi:https://doi.org/10.1145/3356590.3356637)

computer music

De Laubier, Serge, Bertrand, Guillaume, Genevois, Hugues, Goudard, Vincent, Doval, Boris, Feugère, Lionel ORCID: 0000-0003-0883-5224, Le Beux, Sylvain and d'Alessandro, Christophe (2012) OrJo et la Méta-Mallette 4.0. In: Actes des Journées d'Informatique Musicale (JIM 2012). UMONS/numediart, pp. 227-232.

Feugère, Lionel ORCID: 0000-0003-0883-5224, Doval, Boris, d'Alessandro, Christophe and Perrotin, Olivier (2015) Cantor Digitalis: First-Prize Winners of the Margaret Guthman Musical Instrument Competition. [Creative Performance or Reading]

Ratcliffe, Robert, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Kanga, Zubin (2011) Mutations (megamix): exploring notions of the ‘DJ set’, ‘mashup’ and ‘remix’ through live piano-based performance. eContact! Online Journal for Electroacoustic Practices, 13 (2).

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2010) Bass drum, saxophone and laptop: real-time psychedelic performance software. eContact! Online Journal for Electroacoustic Practices, 12 (4).

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2016) Entoptic phenomena in audio: categories of psychedelic electroacoustic composition. Contemporary Music Review, 35 (2). pp. 202-223. ISSN 0749-4467 (Print), 1477-2256 (Online) (doi:https://doi.org/10.1080/07494467.2016.1221633)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2013) Nausea: an approach to sonic arts composition based on ASC. In: Proceedings of the Fifth International Conference on Internet Technologies and Applications (ITA 13) : 10-13 September 2013. North East Wales Institute, Wrexham, Glyndŵr University, pp. 1-8. ISBN 9780946881819 ; 0946881812

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2014) Shamanic diffusions: a technoshamanic philosophy of electroacoustic music. Sonic Ideas/Ideas Sonicas, 6 (12). ISSN 2317-9694

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2011) Tiny jungle: psychedelic techniques in audio-visual composition. In: Proceedings of the International Computer Music Conference : Huddersfield, UK : ICMC 2011. Michigan Publishing ; International Computer Music Association (ICMA), San Francisco : International Computer Music Association ; Huddersfield : Centre for Research in New Music, University of Huddersfield, pp. 324-327. ISBN 0984527400 ; 9780984527403

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2015) EEG as a controller for psychedelic visual music in an immersive dome environment. Sonic Ideas/Ideas Sonicas, 7 (14):7963. pp. 87-94. ISSN 2317-9694 (Print), 2317-9694 (Online)

Computing methodologies

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Cyberdream VR: visualizing rave music and vaporwave in Virtual Reality. In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019. Association for Computing Machinery (ACM), New York, pp. 277-281. ISBN 9781450372978 (doi:https://doi.org/10.1145/3356590.3356637)

conflict

Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)

contemporary composition

Hill, Andrew ORCID: 0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]

contemporary mime

Wallis, Jillian (2015) Reverie. [Creative Performance or Reading]

context

Hill, Andrew ORCID: 0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)

context-aware computing

Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2016) An interactive music playlist generator that responds to user emotion and context. In: Electronic Visualisation and the Arts (EVA) London, UK, 12 - 14 July 2016. Electronic Workshops in Computing (eWiC) | BCS . BCS The Chartered Institute for IT, Swindon; London, pp. 275-276. ISBN 178017344X ; 978-1780173443 (doi:https://doi.org/10.14236/ewic/EVA2016.53)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Picking, Richard and Williams, Lyall (2015) Holophonor: On the Future Technology of Visual Music. In: Curran, Kevin, (ed.) Recent Advances in Ambient Intelligence and Context-Aware Computing. Recent Advances in Ambient Intelligence and Context-Aware Computing . IGI Global, USA, pp. 143-154. ISBN 9781466672840 ; 1466672846 ; 9781466672857 (doi:https://doi.org/10.4018/978-1-4666-7284-0.ch015)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Picking, Richard and Williams, Lyall (2015) Holophonor: designing the visual music instruments of the future. In: Curran, Kevin, (ed.) Recent Advances in Ambient Intelligence and Context-Aware Computing. IGI Global, USA, pp. 143-154. ISBN 9781466672840 ; 9781466672857, 1466672854 ; 1466672846 (doi:https://doi.org/10.4018/978-1-4666-7284-0.ch009)

cosmopolitanism

Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)

creative computing

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Cyberdreams: visualizing music in extended reality. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 209-227. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_12)

creativity

Kennedy, Steve (2009) Leaving on a jet plane of immanence. The Issues: In Contemporary Culture and Aesthetics. Nerve Ltd., London, UK. ISBN 0955003725

Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)

cultural commodities

van Klyton, Aaron C. (2015) Space and place in world music production. City, Culture and Society, 6 (4). pp. 101-108. ISSN 1877-9166 (doi:https://doi.org/10.1016/j.ccs.2015.06.001)

cultural diversity

Patel, Amit Dinesh (2022) Throwing a stone into the pond. In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin. (Unpublished)

cultural geography

Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246

cultural informatics

Walshaw, Chris ORCID: 0000-0003-0253-7779 (2014) A statistical analysis of the ABC music notation corpus: exploring duplication. In: Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Computer Engineering Department, Boğaziçi University, Turkey, Istanbul, Turkey, pp. 2-9.

culture

Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)

curved-time

Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]

cyberculture

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Virtual hallucinations: projects in VJing, virtual reality and cyberculture. In: EVA London 2019: Electronic Visualisation & the Arts. Proceedings of a conference held in London 8th-11th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019) . BCS, The Chartered Institute for IT, Swindon; London, pp. 293-301. ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2019.57)

data

Thompson, Ian ORCID: 0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) Data ache and visual music practice meditated by instrument design. In: dataAche: DRHA2017 Book of Abstracts. DRHA.

data body

Boddington, Ghislaine ORCID: 0000-0003-0448-579X, Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]

data compression

Cunningham, Stuart, Weinel, Jonathan ORCID: 0000-0001-5347-3897, Roberts, Shaun, Grout, Vic and Griffiths, Darryl (2013) Initial objective and subjective evaluation of a similarity-based audio compression technique. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. ACM international conference proceedings series (1). Association for Computing Machinery (ACM), New York, pp. 1-6. ISBN 978-1-4503-2659-9 (doi:https://doi.org/10.1145/2544114.2544116)

data layout

Cunningham, Stuart, Weinel, Jonathan ORCID: 0000-0001-5347-3897, Roberts, Shaun, Grout, Vic and Griffiths, Darryl (2013) Initial objective and subjective evaluation of a similarity-based audio compression technique. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. ACM international conference proceedings series (1). Association for Computing Machinery (ACM), New York, pp. 1-6. ISBN 978-1-4503-2659-9 (doi:https://doi.org/10.1145/2544114.2544116)

data management systems

Cunningham, Stuart, Weinel, Jonathan ORCID: 0000-0001-5347-3897, Roberts, Shaun, Grout, Vic and Griffiths, Darryl (2013) Initial objective and subjective evaluation of a similarity-based audio compression technique. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. ACM international conference proceedings series (1). Association for Computing Machinery (ACM), New York, pp. 1-6. ISBN 978-1-4503-2659-9 (doi:https://doi.org/10.1145/2544114.2544116)

data structures

Cunningham, Stuart, Weinel, Jonathan ORCID: 0000-0001-5347-3897, Roberts, Shaun, Grout, Vic and Griffiths, Darryl (2013) Initial objective and subjective evaluation of a similarity-based audio compression technique. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. ACM international conference proceedings series (1). Association for Computing Machinery (ACM), New York, pp. 1-6. ISBN 978-1-4503-2659-9 (doi:https://doi.org/10.1145/2544114.2544116)

data technology

Boddington, Ghislaine ORCID: 0000-0003-0448-579X, Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]

datapanic

Patel, Amit Dinesh (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]

diasporia

Patel, Amit Dinesh (2022) Throwing a stone into the pond. In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin. (Unpublished)

diffusion

Breating Space, (Collective) and Thompson, Ian ORCID: 0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]

digital

Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.

digital archives

Walshaw, Chris ORCID: 0000-0003-0253-7779 (2014) A statistical analysis of the ABC music notation corpus: exploring duplication. In: Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Computer Engineering Department, Boğaziçi University, Turkey, Istanbul, Turkey, pp. 2-9.

digital art

Bowen, Jonathan P., Giannini, Tula, Polmeer, Gareth, Gannis, Carla, Gardiner, Jeremy, Kearney, Jonathan, Wands, Bruce and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) States of being: art and identity in digital space and time. In: EVA London 2018: Electronic Visualisation & the Arts. Proceedings of a conference held in London 11th-13th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2018 . BCS: The Chartered Institute for IT, Swindon; London, pp. 1-7. ISBN 978-1780174631 ; 978-1780174632 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2018.1)

digital arts

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

digital death

Boddington, Ghislaine ORCID: 0000-0003-0448-579X, Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]

digital musical instruments

Feugère, Lionel ORCID: 0000-0003-0883-5224, Doval, Boris, d'Alessandro, Christophe and Perrotin, Olivier (2015) Cantor Digitalis: First-Prize Winners of the Margaret Guthman Musical Instrument Competition. [Creative Performance or Reading]

diversity

Patel, Amit Dinesh (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]

Patel, Amit Dinesh (2021) Exploring cultural diversity in experimental sound. Array, the journal of the International Computer Music Association (ICMA), 2021 (1):3. pp. 17-22. ISSN 2590-0056 (Online) (doi:https://doi.org/10.25370/array.v20213269)

DIY electronics

Patel, Amit Dinesh (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

documentary

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Morell, Purni, Angus, Farquhar and Ross, Charlie (2021) Over Lunan (Radio Documentary). [Play, Short Story or Poetry]

drama

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Morell, Purni, Angus, Farquhar and Ross, Charlie (2021) Over Lunan (Radio Documentary). [Play, Short Story or Poetry]

DRHA

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) Data ache and visual music practice meditated by instrument design. In: dataAche: DRHA2017 Book of Abstracts. DRHA.

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) An investigation into evoking poetic and restorative places with visual music. In: Digital Research in the Humanities and Arts Conference, 04-07 Sep 2016, Brighton, UK. (Unpublished)

Durational composition

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian ORCID: 0000-0002-7143-8013, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Creative Performance or Reading]

Dushume

Patel, Amit Dinesh (2021) Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition. [Show/Exhibition]

Patel, Amit Dinesh (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]

easter eggs

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Griffiths, Darryl and Cunningham, Stuart (2014) Easter eggs: hidden tracks and messages in musical mediums. In: Joint International Computer Music Conference/Sound and Music Computing 2014, Athens. International Computer Music Association, Michigan and Washington, pp. 1-8. ISSN 2223-3881 (Print), 2223-3881 (Online)

ecoacoustics

Thompson, Ian ORCID: 0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]

ecology

Smyth, Cherry (2022) If the river is hidden. [Creative Performance or Reading]

Smyth, Cherry (2022) 'Lost Bees'. [Audio]

edit

Patel, Amit Dinesh (2022) Lasurnii - EMOM. [Creative Performance or Reading]

EEG

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2014) EEG as a controller for psychedelic visual music in an immersive dome environment. In: EVA London 2014: Proceedings of the EVA London 2014 on Electronic Visualisation and the Arts. Electronic Workshops in Computing (eWiC) | BCS . BCS, The Chartered Institute for IT, Swindon; London. ISBN 978-1780172859 ; 1780172850 (doi:https://doi.org/10.14236/ewic/EVA2014.45)

Einstein

Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]

electro-acoustic

Thompson, Ian ORCID: 0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]

Thompson, Ian ORCID: 0000-0002-7143-8013, Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]

electroacoustic

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 1st Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene_00016_1)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Martin, Brona and Pasoulas, Aki (2021) Whispers of the Past. [Composition]

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Morell, Purni, Angus, Farquhar and Ross, Charlie (2021) Over Lunan (Radio Documentary). [Play, Short Story or Poetry]

Patel, Amit Dinesh (2021) Boo Su (2021). [Composition] (Unpublished)

Thompson, Ian ORCID: 0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.

electroacoustic music

Hill, Andrew ORCID: 0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

Patel, Amit Dinesh (2021) Exploring cultural diversity in experimental sound. Array, the journal of the International Computer Music Association (ICMA), 2021 (1):3. pp. 17-22. ISSN 2590-0056 (Online) (doi:https://doi.org/10.25370/array.v20213269)

electronic dance music

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

electronic music

Feugère, Lionel ORCID: 0000-0003-0883-5224, Le Beux, Sylvain and d'Alessandro, Christophe (2011) Chorus Digitalis: polyphonic gestural singing. In: 1st International Workshop on Performative Speech and Singing Synthesis (P3S 2011). University of British Columbia.

Ratcliffe, Robert, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Kanga, Zubin (2011) Mutations (megamix): exploring notions of the ‘DJ set’, ‘mashup’ and ‘remix’ through live piano-based performance. eContact! Online Journal for Electroacoustic Practices, 13 (2).

Thompson, Ian ORCID: 0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]

Thompson, Ian ORCID: 0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2010) Bass drum, saxophone and laptop: real-time psychedelic performance software. eContact! Online Journal for Electroacoustic Practices, 12 (4).

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

embodied

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)

emotion

Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2019) Audio emotion recognition using machine learning to support sound design. In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019. Association for Computing Machinery (ACM), New York, pp. 116-123. ISBN 9781450372978 (doi:https://doi.org/10.1145/3356590.3356609)

Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2021) Supervised machine learning for audio emotion recognition: enhancing film sound design using audio features, regression models and artificial neural networks. Personal and Ubiquitous Computing, 25. pp. 637-650. ISSN 1617-4909 (Print), 1617-4917 (Online) (doi:https://doi.org/10.1007/s00779-020-01389-0)

Griffiths, Darryl, Cunningham, Stuart, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2021) A multi-genre model for music emotion recognition using linear regressors. Journal of New Music Research. ISSN 0929-8215 (Print), 1744-5027 (Online) (doi:https://doi.org/10.1080/09298215.2021.1977336)

enderby wharf

Thompson, Ian ORCID: 0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]

English identity

Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246

entropy

Daylamani Zad, Damon, Araabi, Babak N. and Lucas, Caru (2006) A novel approach to automatic music composing: Using genetic algorithm. In: International Computer Music Conference Proceedings. MPublishing, University of Michigan Library, Ann Arbor, MI, USA, pp. 551-555.

ethnography

Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)

ethnomusicology

Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)

exhibition

Patel, Amit Dinesh (2021) Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition. [Show/Exhibition]

Expanded Cinema

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2017) (I)MAGESOUND(S) - expanded audiovisual practice. eContact!, 19 (2).

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

Experimental film

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.296)

experimental sound

Patel, Amit Dinesh (2021) Boo Su (2021). [Composition] (Unpublished)

Patel, Amit Dinesh (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]

Patel, Amit Dinesh (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]

Patel, Amit Dinesh (2021) Exploring cultural diversity in experimental sound. Array, the journal of the International Computer Music Association (ICMA), 2021 (1):3. pp. 17-22. ISSN 2590-0056 (Online) (doi:https://doi.org/10.25370/array.v20213269)

Patel, Amit Dinesh (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Throwing a stone into the pond. In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin. (Unpublished)

experimentation

Patel, Amit Dinesh (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

field recording

Thompson, Ian ORCID: 0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]

Film

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2017) (I)MAGESOUND(S) - expanded audiovisual practice. eContact!, 19 (2).

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

films

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

fulldome

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2015) EEG as a controller for psychedelic visual music in an immersive dome environment. Sonic Ideas/Ideas Sonicas, 7 (14):7963. pp. 87-94. ISSN 2317-9694 (Print), 2317-9694 (Online)

game audio

Cunningham, Stuart, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2016) In-Game Intoxication: Demonstrating the Evaluation of the Audio Experience of Games with a Focus on Altered States of Consciousness. In: Garcia-Ruiz, Miguel Angel, (ed.) Games User Research: A Case Study Approach. CRC Press - Taylor and Francis, New York, pp. 97-118. ISBN 9781498706407 ; 9781315371597 (doi:https://doi.org/10.1201/b21564-6)

games user research

Cunningham, Stuart, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2016) In-Game Intoxication: Demonstrating the Evaluation of the Audio Experience of Games with a Focus on Altered States of Consciousness. In: Garcia-Ruiz, Miguel Angel, (ed.) Games User Research: A Case Study Approach. CRC Press - Taylor and Francis, New York, pp. 97-118. ISBN 9781498706407 ; 9781315371597 (doi:https://doi.org/10.1201/b21564-6)

gatekeepers

van Klyton, Aaron C. (2015) Space and place in world music production. City, Culture and Society, 6 (4). pp. 101-108. ISSN 1877-9166 (doi:https://doi.org/10.1016/j.ccs.2015.06.001)

generative composition

Thompson, Ian ORCID: 0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]

generative music

Al-Rifaie, Asmaa Majid and Al-Rifaie, Mohammad Majid ORCID: 0000-0002-1798-9615 (2015) Generative music with stochastic diffusion search. In: EvoMUSART 2015: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series (LNCS), 9027 . Springer, Cham, Switzerland, pp. 1-14. ISBN 978-3319164977 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:https://doi.org/10.1007/978-3-319-16498-4_1)

genetic algorithms

Daylamani Zad, Damon, Araabi, Babak N. and Lucas, Caru (2006) A novel approach to automatic music composing: Using genetic algorithm. In: International Computer Music Conference Proceedings. MPublishing, University of Michigan Library, Ann Arbor, MI, USA, pp. 551-555.

gestural control

Feugère, Lionel ORCID: 0000-0003-0883-5224, Le Beux, Sylvain and d'Alessandro, Christophe (2011) Chorus Digitalis: polyphonic gestural singing. In: 1st International Workshop on Performative Speech and Singing Synthesis (P3S 2011). University of British Columbia.

gesture control

Le Beux, Sylvain, Feugère, Lionel ORCID: 0000-0003-0883-5224 and d'Alessandro, Christophe (2012) Chorus digitalis: experiment in chironomic choir singing. In: 12th Annual Conference of the International Speech Communication Association 2011 (INTERSPEECH 2011). International Speech Communications Association, pp. 2016-2019. ISBN 978-1618392701

glitch

Patel, Amit Dinesh (2021) Boo Su (2021). [Composition] (Unpublished)

Patel, Amit Dinesh (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]

Patel, Amit Dinesh (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - EMOM. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

glitch music

Cunningham, Stuart, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Griffiths, Darryl (2014) ACERemix: a tool for glitch music production and performance. In: AM '14: Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound. Aalborg Denmark October 1 - 3, 2014. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-3032-9 (doi:https://doi.org/10.1145/2636879.2636888)

Global South

Patel, Amit Dinesh (2022) Throwing a stone into the pond. In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin. (Unpublished)

graphics systems and interfaces

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Cyberdream VR: visualizing rave music and vaporwave in Virtual Reality. In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019. Association for Computing Machinery (ACM), New York, pp. 277-281. ISBN 9781450372978 (doi:https://doi.org/10.1145/3356590.3356637)

greenwich

Thompson, Ian ORCID: 0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]

hallucination

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)

harsh noise

Patel, Amit Dinesh (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)

Patel, Amit Dinesh (2021) Boo Su (2021). [Composition] (Unpublished)

Patel, Amit Dinesh (2021) Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition. [Show/Exhibition]

Patel, Amit Dinesh (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]

Patel, Amit Dinesh (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - EMOM. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

Heidegger

Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]

heritage

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Martin, Brona and Pasoulas, Aki (2021) Whispers of the Past. [Composition]

Hindustani classical

Feugère, Lionel ORCID: 0000-0003-0883-5224, Doval, Boris, d'Alessandro, Christophe and Perrotin, Olivier (2015) Cantor Digitalis: First-Prize Winners of the Margaret Guthman Musical Instrument Competition. [Creative Performance or Reading]

hip hop

Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)

history

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Martin, Brona and Pasoulas, Aki (2021) Whispers of the Past. [Composition]

Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.

Mann, Tony (2003) [Recording review] William Herschel, Symphonies Nos. 2, 8, 12, 13, 14, 17. BSHM Newsletter, 49. p. 42.

human aesthetic judgements

Javaheri Javid, Mohammed Ali, Blackwell, Tim, Zimmer, Robert and Al-Rifaie, Mohammad Majid ORCID: 0000-0002-1798-9615 (2016) Correlation between human aesthetic judgement and spatial complexity measure. In: EvoMUSART 2016: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series, 9596 . Springer-Verlag, Berlin, Heidelberg, Cham, pp. 79-91. ISBN 978-3-319-31007-7 ; 978-3-319-31008-4 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:https://doi.org/10.1007/978-3-319-31008-4_6)

human traces

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 1. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 2. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 3. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:https://doi.org/10.14236/ewic/EVA2018.70)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Document of Singing Light 1 installation. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2014) Horizon. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Reservoir. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Shadow Sounds 1. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Sky 2. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Song Series Animacy. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Song series animacy. In: Digital Research in the Humanities and Arts 2014, 01 Sep 2015, Dublin, UK.

hybrid media

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

hydrogen alpha

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

Iklectik

Patel, Amit Dinesh (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]

image

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Audiovisual spaces: spatiality, experience and potentiality in audiovisual composition. In: Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, (ed.) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:https://doi.org/10.4324/9780429295102-4)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (ed.) (2020) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271466

Patel, Amit Dinesh (2021) Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Audio-visual composition: an investigation of how best to compose no-figurative gestural visual music. In: Sound/Image Colloquium: Exploring Sonic and Audio-visual Practice, 12-13 Nov 2016, Greenwich, UK. (Unpublished)

immersion

Thompson, Ian ORCID: 0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.

immersive

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

immersive audio

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2021) Gherstl's Ghost - Original Soundtrack. [Composition]

immersive media

Hill, Andrew ORCID: 0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

Improvisation

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian ORCID: 0000-0002-7143-8013, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Creative Performance or Reading]

Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian ORCID: 0000-0002-7143-8013, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe (2017) Care! Object Beneath. [Creative Performance or Reading]

Breating Space, (Collective) and Thompson, Ian ORCID: 0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]

Patel, Amit Dinesh (2021) Exploring cultural diversity in experimental sound. Array, the journal of the International Computer Music Association (ICMA), 2021 (1):3. pp. 17-22. ISSN 2590-0056 (Online) (doi:https://doi.org/10.25370/array.v20213269)

Thompson, Ian ORCID: 0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]

Thompson, Ian ORCID: 0000-0002-7143-8013, Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]

Information systems

Cunningham, Stuart, Weinel, Jonathan ORCID: 0000-0001-5347-3897, Roberts, Shaun, Grout, Vic and Griffiths, Darryl (2013) Initial objective and subjective evaluation of a similarity-based audio compression technique. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. ACM international conference proceedings series (1). Association for Computing Machinery (ACM), New York, pp. 1-6. ISBN 978-1-4503-2659-9 (doi:https://doi.org/10.1145/2544114.2544116)

information theory

Javaheri Javid, Mohammed Ali, Blackwell, Tim, Zimmer, Robert and Al-Rifaie, Mohammad Majid ORCID: 0000-0002-1798-9615 (2016) Correlation between human aesthetic judgement and spatial complexity measure. In: EvoMUSART 2016: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series, 9596 . Springer-Verlag, Berlin, Heidelberg, Cham, pp. 79-91. ISBN 978-3-319-31007-7 ; 978-3-319-31008-4 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:https://doi.org/10.1007/978-3-319-31008-4_6)

Installation

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian ORCID: 0000-0002-7143-8013, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Creative Performance or Reading]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Thompson, Ian ORCID: 0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Audio-visual composition: an investigation of how best to compose no-figurative gestural visual music. In: Sound/Image Colloquium: Exploring Sonic and Audio-visual Practice, 12-13 Nov 2016, Greenwich, UK. (Unpublished)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) An investigation into evoking poetic and restorative places with visual music. In: Digital Research in the Humanities and Arts Conference, 04-07 Sep 2016, Brighton, UK. (Unpublished)

inter-species performance

Meier, Robin, Dey, Nirmalaya, Ott, Christine and Feugère, Lionel ORCID: 0000-0003-0883-5224 (2021) Truce. [Creative Performance or Reading]

interactive

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)

interdisciplinary art

Smyth, Cherry (2022) If the river is hidden. [Creative Performance or Reading]

interdisciplinary research

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2021) Practice-led and interdisciplinary research investigating affective sound design. In: Filimowicz, Michael, (ed.) Doing Research in Sound Design. Routledge - Focal Press, Abingdon, Oxon; New York, pp. 151-168. ISBN 9780429356360 ; 1000375196 ; 9781000375190 ; 978036740490-1 ; 978036740489-5 ; 978046935636 - 0 (doi:https://doi.org/10.4324/9780429356360)

international festival

Wallis, Jillian (2015) Reverie. [Creative Performance or Reading]

interventions

Patel, Amit Dinesh (2022) Throwing a stone into the pond. In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin. (Unpublished)

intonation

Le Beux, Sylvain, Feugère, Lionel ORCID: 0000-0003-0883-5224 and d'Alessandro, Christophe (2012) Chorus digitalis: experiment in chironomic choir singing. In: 12th Annual Conference of the International Speech Communication Association 2011 (INTERSPEECH 2011). International Speech Communications Association, pp. 2016-2019. ISBN 978-1618392701

Irish writing

Smyth, Cherry (2022) If the river is hidden. [Creative Performance or Reading]

jazz

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp.6.1.55_1)

Smyth, Cherry (2022) 'Lost Bees'. [Audio]

Joseph Kepler

Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.

joystick orchestra

De Laubier, Serge, Bertrand, Guillaume, Genevois, Hugues, Goudard, Vincent, Doval, Boris, Feugère, Lionel ORCID: 0000-0003-0883-5224, Le Beux, Sylvain and d'Alessandro, Christophe (2012) OrJo et la Méta-Mallette 4.0. In: Actes des Journées d'Informatique Musicale (JIM 2012). UMONS/numediart, pp. 227-232.

landscape

Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246

Lebanon

Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)

light

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)

listen

Patel, Amit Dinesh (2022) Throwing a stone into the pond. In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin. (Unpublished)

literature review

Masu, Raul, Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 and Romão, Teresa (2021) NIME scores: a systematic review of how scores have shaped performance ecologies in NIME. In: NIME 2021 Proceedings. Online and NYU Shanghai June 14-18, 2021. NIME. International Conference on New Interfaces for Musical Expression . New Interfaces for Musical Expression (NIME), Shanghai.

live electronics

Patel, Amit Dinesh (2021) Boo Su (2021). [Composition] (Unpublished)

Patel, Amit Dinesh (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]

Patel, Amit Dinesh (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - EMOM. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

live music venue

van Klyton, Aaron C. (2015) Space and place in world music production. City, Culture and Society, 6 (4). pp. 101-108. ISSN 1877-9166 (doi:https://doi.org/10.1016/j.ccs.2015.06.001)

loudspeaker orchestra

Hill, Andrew ORCID: 0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)

LUX

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

lyrics

Smyth, Cherry (2022) 'Lost Bees'. [Audio]

machine learning

Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2019) Audio emotion recognition using machine learning to support sound design. In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019. Association for Computing Machinery (ACM), New York, pp. 116-123. ISBN 9781450372978 (doi:https://doi.org/10.1145/3356590.3356609)

Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2021) Supervised machine learning for audio emotion recognition: enhancing film sound design using audio features, regression models and artificial neural networks. Personal and Ubiquitous Computing, 25. pp. 637-650. ISSN 1617-4909 (Print), 1617-4917 (Online) (doi:https://doi.org/10.1007/s00779-020-01389-0)

materiality

Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.

mathematics

Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.

Mann, Tony (2003) [Recording review] William Herschel, Symphonies Nos. 2, 8, 12, 13, 14, 17. BSHM Newsletter, 49. p. 42.

maths

Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.

Max/MSP

Ratcliffe, Robert, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Kanga, Zubin (2011) Mutations (megamix): exploring notions of the ‘DJ set’, ‘mashup’ and ‘remix’ through live piano-based performance. eContact! Online Journal for Electroacoustic Practices, 13 (2).

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2010) Bass drum, saxophone and laptop: real-time psychedelic performance software. eContact! Online Journal for Electroacoustic Practices, 12 (4).

Maximalism

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian ORCID: 0000-0002-7143-8013, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Creative Performance or Reading]

media

Sigthorsson, Gauti (2007) [Panelist on "DIY?: we're doing it already, thanks" and moderator on "The Stranger in the crowd: fans shout back"]. In: In the City, 20-22 Oct 2007, Manchester, UK. (Unpublished)

meditation

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

MER

Griffiths, Darryl, Cunningham, Stuart, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2021) A multi-genre model for music emotion recognition using linear regressors. Journal of New Music Research. ISSN 0929-8215 (Print), 1744-5027 (Online) (doi:https://doi.org/10.1080/09298215.2021.1977336)

method cultural studies

Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]

methodology

Kennedy, Steve (2010) A sonic economy. CTHEORY - Code Drift: Essays in Critical Digital Studies, 003:649. ISSN 1190-9153

Middle East

Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)

migration

Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)

modern music

Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246

MONO NO AWARE

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

mosquitoes

Meier, Robin, Dey, Nirmalaya, Ott, Christine and Feugère, Lionel ORCID: 0000-0003-0883-5224 (2021) Truce. [Creative Performance or Reading]

moving image

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.296)

multichannel concerts

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene_00016_1)

multichannel diffusion

Hill, Andrew ORCID: 0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)

museums

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Martin, Brona and Pasoulas, Aki (2021) Whispers of the Past. [Composition]

music

Al-Rifaie, Asmaa Majid and Al-Rifaie, Mohammad Majid ORCID: 0000-0002-1798-9615 (2015) Generative music with stochastic diffusion search. In: EvoMUSART 2015: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series (LNCS), 9027 . Springer, Cham, Switzerland, pp. 1-14. ISBN 978-3319164977 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:https://doi.org/10.1007/978-3-319-16498-4_1)

Breating Space, (Collective) and Thompson, Ian ORCID: 0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]

Feugère, Lionel ORCID: 0000-0003-0883-5224, Doval, Boris, d'Alessandro, Christophe and Perrotin, Olivier (2015) Cantor Digitalis: First-Prize Winners of the Margaret Guthman Musical Instrument Competition. [Creative Performance or Reading]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Kennedy, Stephen (2011) Audiostate. six compositions for film/live art performance. [Show/Exhibition] (Unpublished)

Kennedy, Stephen (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford Handbooks . Oxford University Press, Oxford & New York. ISBN 978-0190274054 (doi:https://doi.org/10.1093/oxfordhb/9780190274054.013.43)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (ed.) (2020) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271466

Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.

Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)

Patel, Amit Dinesh (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)

Patel, Amit Dinesh (2021) Boo Su (2021). [Composition] (Unpublished)

Patel, Amit Dinesh (2022) Throwing a stone into the pond. In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin. (Unpublished)

Powers, Alan (2012) Britten, Pears and their architects. In: LeGrove, Judith, (ed.) A Musical Eye: The Visual World of Britten and Pears. Artists' Choice Editions, London, UK, pp. 133-143. ISBN 978-0-9558343-6-3

Sigthorsson, Gauti (2007) [Panelist on "DIY?: we're doing it already, thanks" and moderator on "The Stranger in the crowd: fans shout back"]. In: In the City, 20-22 Oct 2007, Manchester, UK. (Unpublished)

Smyth, Cherry (2022) 'Lost Bees'. [Audio]

Thompson, Ian ORCID: 0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]

Thompson, Ian ORCID: 0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) Data ache and visual music practice meditated by instrument design. In: dataAche: DRHA2017 Book of Abstracts. DRHA.

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) An investigation into evoking poetic and restorative places with visual music. In: Digital Research in the Humanities and Arts Conference, 04-07 Sep 2016, Brighton, UK. (Unpublished)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Cyberdream: an interactive rave music visualization in Virtual Reality. In: SA '21 XR: SIGGRAPH Asia 2021 XR. Association for Computing Machinery (ACM) Digital Library, New York, USA, p. 4. ISBN 978-1450390750 (doi:https://doi.org/10.1145/3478514.3487609)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Explosions in the mind: Composing Psychedelic Sounds and Visualisations. Palgrave Studies in Sound . Springer Singapore, Singapore. ISBN 978-9811640544

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2015) Representing altered states of consciousness in computer arts. In: EVA London 2015: Electronic Visualisation & the Arts. Proceedings of a conference held in London 7th-9th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2015 . BCS: The Chartered Institute for IT, Swindon; London. ISBN 9781780173160; 9781780173164 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/eva2015.9)

Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)

music and emotion

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2021) Practice-led and interdisciplinary research investigating affective sound design. In: Filimowicz, Michael, (ed.) Doing Research in Sound Design. Routledge - Focal Press, Abingdon, Oxon; New York, pp. 151-168. ISBN 9780429356360 ; 1000375196 ; 9781000375190 ; 978036740490-1 ; 978036740489-5 ; 978046935636 - 0 (doi:https://doi.org/10.4324/9780429356360)

music composition

Daylamani Zad, Damon, Araabi, Babak N. and Lucas, Caru (2006) A novel approach to automatic music composing: Using genetic algorithm. In: International Computer Music Conference Proceedings. MPublishing, University of Michigan Library, Ann Arbor, MI, USA, pp. 551-555.

music download

Thompson, Ian ORCID: 0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.

music improvisation

Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]

music information retrieval

Cunningham, Stuart, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2018) High-level analysis of audio features for identifying emotional valence in human singing. In: AM'18: Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion. September 12-14 2018, Wrexham, Wales UK. Association for Computing Machinery (ACM), New York, pp. 1-4. ISBN 978-1-4503-6609-0 ; 978-1-4503-6609-0/18/09 (doi:https://doi.org/10.1145/3243274.3243313)

Walshaw, Chris ORCID: 0000-0003-0253-7779 (2014) A statistical analysis of the ABC music notation corpus: exploring duplication. In: Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Computer Engineering Department, Boğaziçi University, Turkey, Istanbul, Turkey, pp. 2-9.

music perception

Griffiths, Darryl, Cunningham, Stuart, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2021) A multi-genre model for music emotion recognition using linear regressors. Journal of New Music Research. ISSN 0929-8215 (Print), 1744-5027 (Online) (doi:https://doi.org/10.1080/09298215.2021.1977336)

Music performance

Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian ORCID: 0000-0002-7143-8013, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe (2017) Care! Object Beneath. [Creative Performance or Reading]

music playlists

Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2013) Automatic music playlist generation using affective technologies. In: Proceedings of the Fifth International Conference on Internet Technologies and Applications (ITA 13) : 10-13 September 2013. North East Wales Institute, Wrexham, Glyndŵr University, pp. 1-7. ISBN 9780946881819 ; 0946881812

Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2013) A discussion of musical features for automatic music playlist generation using affective technologies. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. ACM international conference proceedings . Association for Computing Machinery (ACM), New York, pp. 1-4. ISBN 978-1-4503-2659-9 (doi:https://doi.org/10.1145/2544114.2544128)

Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2016) An interactive music playlist generator that responds to user emotion and context. In: Electronic Visualisation and the Arts (EVA) London, UK, 12 - 14 July 2016. Electronic Workshops in Computing (eWiC) | BCS . BCS The Chartered Institute for IT, Swindon; London, pp. 275-276. ISBN 178017344X ; 978-1780173443 (doi:https://doi.org/10.14236/ewic/EVA2016.53)

Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2015) A self-report study that gauges perceived and induced emotion with music. In: 2015 Internet Technologies and Applications (ITA). 8-11 Sept. 2015, Glyndŵr University, Wrexham, North Wales, UK. IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 239-244. ISBN 978-1479980369 (doi:https://doi.org/10.1109/ITechA.2015.7317402)

music production

Cunningham, Stuart, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Griffiths, Darryl (2014) ACERemix: a tool for glitch music production and performance. In: AM '14: Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound. Aalborg Denmark October 1 - 3, 2014. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-3032-9 (doi:https://doi.org/10.1145/2636879.2636888)

music scores

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

music visualiation

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Cyberdreams: visualizing music in extended reality. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 209-227. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_12)

Music visualisation

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Visualising rave music in Virtual Reality: symbolic and interactive approaches. In: EVA London 2020 (Electronic Visualisation and the Arts). Electronic Workshops in Computing (eWiC) | BCS . British Computer Society (BSC), Swindon; London, pp. 78-84. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2020.13)

music visualization

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Cyberdream: an interactive rave music visualization in Virtual Reality. In: SA '21 XR: SIGGRAPH Asia 2021 XR. Association for Computing Machinery (ACM) Digital Library, New York, USA, p. 4. ISBN 978-1450390750 (doi:https://doi.org/10.1145/3478514.3487609)

musical interactive systems

Masu, Raul, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Romão, Teresa (2021) Technology-mediated musical connections: the ecology of a screen-score performance. In: AM '21: Audio Mostly 2021. Association for Computing Machinery (ACM), New York, USA, pp. 109-116. ISBN 978-1450385695 (doi:https://doi.org/10.1145/3478384.3478395)

musical interfaces

Sigthorsson, Gauti (2008) Acoustic pockets of the outside [presentation on "Musical Interfaces" panel]. In: Futuresonic 2008: Urban Festival of Art, Music and Ideas, 1 - 5 May 2008, Manchester, UK. (Unpublished)

musicology

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp.6.1.55_1)

nature-inspired algorithm

Al-Rifaie, Asmaa Majid and Al-Rifaie, Mohammad Majid ORCID: 0000-0002-1798-9615 (2015) Generative music with stochastic diffusion search. In: EvoMUSART 2015: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series (LNCS), 9027 . Springer, Cham, Switzerland, pp. 1-14. ISBN 978-3319164977 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:https://doi.org/10.1007/978-3-319-16498-4_1)

new music

Smyth, Cherry (2022) 'Lost Bees'. [Audio]

noise

Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Patel, Amit Dinesh (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)

Patel, Amit Dinesh (2021) Boo Su (2021). [Composition] (Unpublished)

Patel, Amit Dinesh (2021) Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition. [Show/Exhibition]

Patel, Amit Dinesh (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]

Patel, Amit Dinesh (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]

Patel, Amit Dinesh (2021) Exploring cultural diversity in experimental sound. Array, the journal of the International Computer Music Association (ICMA), 2021 (1):3. pp. 17-22. ISSN 2590-0056 (Online) (doi:https://doi.org/10.25370/array.v20213269)

Patel, Amit Dinesh (2022) Lasurnii - EMOM. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

noise music

Patel, Amit Dinesh (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)

Patel, Amit Dinesh (2021) Boo Su (2021). [Composition] (Unpublished)

Patel, Amit Dinesh (2021) Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition. [Show/Exhibition]

Patel, Amit Dinesh (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]

Patel, Amit Dinesh (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - EMOM. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

Northern Ireland

Smyth, Cherry (2022) If the river is hidden. [Creative Performance or Reading]

Norway

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

nostalgia

Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)

NOTAM

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

object based audio

Hill, Andrew ORCID: 0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

opera

Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.

oral history

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Martin, Brona and Pasoulas, Aki (2021) Whispers of the Past. [Composition]

overtime

Thompson, Ian ORCID: 0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]

percussion

Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]

performance

Breating Space, (Collective) and Thompson, Ian ORCID: 0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 1st Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2017) (I)MAGESOUND(S) - expanded audiovisual practice. eContact!, 19 (2).

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene_00016_1)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Farquhar, Angus, Morell, Purni, Johnson, James and Sinclair, Cameron (2021) Over Lunan (presentation of performance). [Creative Performance or Reading]

Patel, Amit Dinesh (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)

Patel, Amit Dinesh (2022) Lasurnii - EMOM. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

Smyth, Cherry (2022) If the river is hidden. [Creative Performance or Reading]

Thompson, Ian ORCID: 0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

performance art

Patel, Amit Dinesh (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]

performance ecology

Masu, Raul, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Romão, Teresa (2021) Technology-mediated musical connections: the ecology of a screen-score performance. In: AM '21: Audio Mostly 2021. Association for Computing Machinery (ACM), New York, USA, pp. 109-116. ISBN 978-1450385695 (doi:https://doi.org/10.1145/3478384.3478395)

Masu, Raul, Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 and Romão, Teresa (2021) NIME scores: a systematic review of how scores have shaped performance ecologies in NIME. In: NIME 2021 Proceedings. Online and NYU Shanghai June 14-18, 2021. NIME. International Conference on New Interfaces for Musical Expression . New Interfaces for Musical Expression (NIME), Shanghai.

performative synthesis

Le Beux, Sylvain, Feugère, Lionel ORCID: 0000-0003-0883-5224 and d'Alessandro, Christophe (2012) Chorus digitalis: experiment in chironomic choir singing. In: 12th Annual Conference of the International Speech Communication Association 2011 (INTERSPEECH 2011). International Speech Communications Association, pp. 2016-2019. ISBN 978-1618392701

Personal Data Protection

Boddington, Ghislaine ORCID: 0000-0003-0448-579X, Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]

Peter Pears

Powers, Alan (2012) Britten, Pears and their architects. In: LeGrove, Judith, (ed.) A Musical Eye: The Visual World of Britten and Pears. Artists' Choice Editions, London, UK, pp. 133-143. ISBN 978-0-9558343-6-3

philosophy

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2014) Shamanic diffusions: a technoshamanic philosophy of electroacoustic music. Sonic Ideas/Ideas Sonicas, 6 (12). ISSN 2317-9694

physical theatre

Wallis, Jillian (2015) Reverie. [Creative Performance or Reading]

poems

Smyth, Cherry (2022) 'Lost Bees'. [Audio]

poetic

Wallis, Jillian (2015) Reverie. [Creative Performance or Reading]

poetry

Smyth, Cherry (2022) If the river is hidden. [Creative Performance or Reading]

politics

Kennedy, Steve (2009) Leaving on a jet plane of immanence. The Issues: In Contemporary Culture and Aesthetics. Nerve Ltd., London, UK. ISBN 0955003725

popular music

Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)

Post-acousmatic

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)

practice

Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.

practice-based research

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:https://doi.org/10.14236/ewic/EVA2018.70)

practice-led research

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2021) Practice-led and interdisciplinary research investigating affective sound design. In: Filimowicz, Michael, (ed.) Doing Research in Sound Design. Routledge - Focal Press, Abingdon, Oxon; New York, pp. 151-168. ISBN 9780429356360 ; 1000375196 ; 9781000375190 ; 978036740490-1 ; 978036740489-5 ; 978046935636 - 0 (doi:https://doi.org/10.4324/9780429356360)

Private Passions

Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.

protest

Kennedy, Steve (2009) Leaving on a jet plane of immanence. The Issues: In Contemporary Culture and Aesthetics. Nerve Ltd., London, UK. ISBN 0955003725

psychedelic visual music

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2014) Digitized direct animation: creating materials for electroacoustic visual music using 8mm film. eContact! Online Journal for Electroacoustic Practices, 15 (4).

psychedelics

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

Queens House

Thompson, Ian ORCID: 0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]

queer studies

Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246

Quiet

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

race

Patel, Amit Dinesh (2021) Exploring cultural diversity in experimental sound. Array, the journal of the International Computer Music Association (ICMA), 2021 (1):3. pp. 17-22. ISSN 2590-0056 (Online) (doi:https://doi.org/10.25370/array.v20213269)

Patel, Amit Dinesh (2022) Throwing a stone into the pond. In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin. (Unpublished)

Radical Nails Sound(-Making) Object

Patel, Amit Dinesh (2022) Lasurnii. [Composition]

radio

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Morell, Purni, Angus, Farquhar and Ross, Charlie (2021) Over Lunan (Radio Documentary). [Play, Short Story or Poetry]

Radio 3

Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.

radiophonic

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Morell, Purni, Angus, Farquhar and Ross, Charlie (2021) Over Lunan (Radio Documentary). [Play, Short Story or Poetry]

raga

Feugère, Lionel ORCID: 0000-0003-0883-5224, Doval, Boris, d'Alessandro, Christophe and Perrotin, Olivier (2015) Cantor Digitalis: First-Prize Winners of the Margaret Guthman Musical Instrument Competition. [Creative Performance or Reading]

rave culture

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Virtual hallucinations: projects in VJing, virtual reality and cyberculture. In: EVA London 2019: Electronic Visualisation & the Arts. Proceedings of a conference held in London 8th-11th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019) . BCS, The Chartered Institute for IT, Swindon; London, pp. 293-301. ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2019.57)

rave music

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Visualising rave music in Virtual Reality: symbolic and interactive approaches. In: EVA London 2020 (Electronic Visualisation and the Arts). Electronic Workshops in Computing (eWiC) | BCS . British Computer Society (BSC), Swindon; London, pp. 78-84. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2020.13)

recording

Patel, Amit Dinesh (2021) Boo Su (2021). [Composition] (Unpublished)

recording review

Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.

Mann, Tony (2003) [Recording review] William Herschel, Symphonies Nos. 2, 8, 12, 13, 14, 17. BSHM Newsletter, 49. p. 42.

regression

Griffiths, Darryl, Cunningham, Stuart, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2021) A multi-genre model for music emotion recognition using linear regressors. Journal of New Music Research. ISSN 0929-8215 (Print), 1744-5027 (Online) (doi:https://doi.org/10.1080/09298215.2021.1977336)

representation

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

research methods

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2021) Practice-led and interdisciplinary research investigating affective sound design. In: Filimowicz, Michael, (ed.) Doing Research in Sound Design. Routledge - Focal Press, Abingdon, Oxon; New York, pp. 151-168. ISBN 9780429356360 ; 1000375196 ; 9781000375190 ; 978036740490-1 ; 978036740489-5 ; 978046935636 - 0 (doi:https://doi.org/10.4324/9780429356360)

review

Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.

rhythm

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:https://doi.org/10.14236/ewic/EVA2018.70)

River Bann

Smyth, Cherry (2022) If the river is hidden. [Creative Performance or Reading]

Robert Mapplethorpe

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

Robin Wilson

Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.

Roma art

Acton, Thomas (2010) Is tradition the enemy of history? In: Orta, Lucy, (ed.) Mapping the Invisible: EU-Roma Gypsies. Black Dog Publishing / London College of Fashion, London, UK, pp. 20-23. ISBN 978 1 906155 91 9

Roma history

Acton, Thomas (2010) Is tradition the enemy of history? In: Orta, Lucy, (ed.) Mapping the Invisible: EU-Roma Gypsies. Black Dog Publishing / London College of Fashion, London, UK, pp. 20-23. ISBN 978 1 906155 91 9

royal academy of arts

Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]

score

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Chase. [Composition] (Unpublished)

Masu, Raul, Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 and Romão, Teresa (2021) NIME scores: a systematic review of how scores have shaped performance ecologies in NIME. In: NIME 2021 Proceedings. Online and NYU Shanghai June 14-18, 2021. NIME. International Conference on New Interfaces for Musical Expression . New Interfaces for Musical Expression (NIME), Shanghai.

screen-score

Masu, Raul, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Romão, Teresa (2021) Technology-mediated musical connections: the ecology of a screen-score performance. In: AM '21: Audio Mostly 2021. Association for Computing Machinery (ACM), New York, USA, pp. 109-116. ISBN 978-1450385695 (doi:https://doi.org/10.1145/3478384.3478395)

shamanism

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2014) Shamanic diffusions: a technoshamanic philosophy of electroacoustic music. Sonic Ideas/Ideas Sonicas, 6 (12). ISSN 2317-9694

silent film

Hill, Andrew ORCID: 0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]

singing

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) SKY. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

Singing synthesis

Feugère, Lionel ORCID: 0000-0003-0883-5224, Le Beux, Sylvain and d'Alessandro, Christophe (2011) Chorus Digitalis: polyphonic gestural singing. In: 1st International Workshop on Performative Speech and Singing Synthesis (P3S 2011). University of British Columbia.

Le Beux, Sylvain, Feugère, Lionel ORCID: 0000-0003-0883-5224 and d'Alessandro, Christophe (2012) Chorus digitalis: experiment in chironomic choir singing. In: 12th Annual Conference of the International Speech Communication Association 2011 (INTERSPEECH 2011). International Speech Communications Association, pp. 2016-2019. ISBN 978-1618392701

singing voice

Feugère, Lionel ORCID: 0000-0003-0883-5224, Doval, Boris, d'Alessandro, Christophe and Perrotin, Olivier (2015) Cantor Digitalis: First-Prize Winners of the Margaret Guthman Musical Instrument Competition. [Creative Performance or Reading]

Site-specific

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian ORCID: 0000-0002-7143-8013, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Creative Performance or Reading]

Thompson, Ian ORCID: 0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]

Sky 2

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Singing light: creating affective visual music. In: Seeing Sound: 2018 Papers. Seeing Sound.

skyscape

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) SKY. [Video]

soft fascination

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

software

Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.

song

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)

Sonic art

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

Patel, Amit Dinesh (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)

Thompson, Ian ORCID: 0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]

Thompson, Ian ORCID: 0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.

sonic economy

Kennedy, Stephen (2013) Echostate. Zetesis: Research generated by curiosity, 1 (1). pp. 68-77. ISSN n/a

Kennedy, Steve (2010) A sonic economy. CTHEORY - Code Drift: Essays in Critical Digital Studies, 003:649. ISSN 1190-9153

sound

Breating Space, (Collective) and Thompson, Ian ORCID: 0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]

Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2017) (I)MAGESOUND(S) - expanded audiovisual practice. eContact!, 19 (2).

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Audiovisual spaces: spatiality, experience and potentiality in audiovisual composition. In: Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, (ed.) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:https://doi.org/10.4324/9780429295102-4)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (ed.) (2020) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271466

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

Patel, Amit Dinesh (2021) Boo Su (2021). [Composition] (Unpublished)

Patel, Amit Dinesh (2021) Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition. [Show/Exhibition]

Patel, Amit Dinesh (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Audio-visual composition: an investigation of how best to compose no-figurative gestural visual music. In: Sound/Image Colloquium: Exploring Sonic and Audio-visual Practice, 12-13 Nov 2016, Greenwich, UK. (Unpublished)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Singing light: creating affective visual music. In: Seeing Sound: 2018 Papers. Seeing Sound.

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2014) EEG as a controller for psychedelic visual music in an immersive dome environment. In: EVA London 2014: Proceedings of the EVA London 2014 on Electronic Visualisation and the Arts. Electronic Workshops in Computing (eWiC) | BCS . BCS, The Chartered Institute for IT, Swindon; London. ISBN 978-1780172859 ; 1780172850 (doi:https://doi.org/10.14236/ewic/EVA2014.45)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Griffiths, Darryl and Cunningham, Stuart (2014) Easter eggs: hidden tracks and messages in musical mediums. In: Joint International Computer Music Conference/Sound and Music Computing 2014, Athens. International Computer Music Association, Michigan and Washington, pp. 1-8. ISSN 2223-3881 (Print), 2223-3881 (Online)

sound art

Hill, Andrew ORCID: 0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

Kennedy, Stephen (2019) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford University Press, New York. (In Press)

Kennedy, Stephen (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford Handbooks . Oxford University Press, Oxford & New York. ISBN 978-0190274054 (doi:https://doi.org/10.1093/oxfordhb/9780190274054.013.43)

Patel, Amit Dinesh (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)

Patel, Amit Dinesh (2021) Boo Su (2021). [Composition] (Unpublished)

Patel, Amit Dinesh (2021) Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition. [Show/Exhibition]

Patel, Amit Dinesh (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]

Patel, Amit Dinesh (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - EMOM. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Throwing a stone into the pond. In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin. (Unpublished)

Thompson, Ian ORCID: 0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]

Thompson, Ian ORCID: 0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]

Thompson, Ian ORCID: 0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]

sound artist

Patel, Amit Dinesh (2021) Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition. [Show/Exhibition]

Sound design

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian ORCID: 0000-0002-7143-8013, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Creative Performance or Reading]

Breating Space, (Collective) and Thompson, Ian ORCID: 0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]

Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2019) Audio emotion recognition using machine learning to support sound design. In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019. Association for Computing Machinery (ACM), New York, pp. 116-123. ISBN 9781450372978 (doi:https://doi.org/10.1145/3356590.3356609)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

Margetson, Emma ORCID: 0000-0002-1054-1973, Pitsillides, Stacey ORCID: 0000-0003-0961-5370, Nally, Claire, Demireva, Ella, Parvin, Asadzadeh Birjandi and Hegarty, Tom (2021) Tickets for the Afterlife. Death Positive Libraries, Redbridge Central Library, Newcastle City Library and Kirklees Libraries.

Margetson, Emma ORCID: 0000-0002-1054-1973, Preye, Olivia and Waterfield, Alithea (2021) Walk with me. [Composition]

Thompson, Ian ORCID: 0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Cyberdream: an interactive rave music visualization in Virtual Reality. In: SA '21 XR: SIGGRAPH Asia 2021 XR. Association for Computing Machinery (ACM) Digital Library, New York, USA, p. 4. ISBN 978-1450390750 (doi:https://doi.org/10.1145/3478514.3487609)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Explosions in the mind: Composing Psychedelic Sounds and Visualisations. Palgrave Studies in Sound . Springer Singapore, Singapore. ISBN 978-9811640544

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2013) Nausea: an approach to sonic arts composition based on ASC. In: Proceedings of the Fifth International Conference on Internet Technologies and Applications (ITA 13) : 10-13 September 2013. North East Wales Institute, Wrexham, Glyndŵr University, pp. 1-8. ISBN 9780946881819 ; 0946881812

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Synaesthetic audio-visual sound toys in virtual reality. In: AM '21: Audio Mostly 2021. Association for Computing Machinery (ACM), New York, USA, pp. 135-138. ISBN 978-1450385695 (doi:https://doi.org/10.1145/3478384.3478400)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2013) Visual patterns of hallucination as a basis for sonic arts composition. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-2659-9 (doi:https://doi.org/10.1145/2544114.2544125)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Visualising rave music in Virtual Reality: symbolic and interactive approaches. In: EVA London 2020 (Electronic Visualisation and the Arts). Electronic Workshops in Computing (eWiC) | BCS . British Computer Society (BSC), Swindon; London, pp. 78-84. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2020.13)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2021) Practice-led and interdisciplinary research investigating affective sound design. In: Filimowicz, Michael, (ed.) Doing Research in Sound Design. Routledge - Focal Press, Abingdon, Oxon; New York, pp. 151-168. ISBN 9780429356360 ; 1000375196 ; 9781000375190 ; 978036740490-1 ; 978036740489-5 ; 978046935636 - 0 (doi:https://doi.org/10.4324/9780429356360)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart and Griffiths, Darryl (2014) Sound through the rabbit hole: sound design based on reports of auditory hallucination. In: AM '14: Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound. Aalborg Denmark October 1 - 3, 2014. Association for Computing Machinery (ACM), New York, pp. 1-18. ISBN 978-1-4503-3032-9 ; 1-4503-3032-0 (doi:https://doi.org/10.1145/2636879.2636883)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Griffiths, Darryl, Roberts, Shaun and Picking, Richard (2014) Affective Audio. Leonardo Music Journal, 24. pp. 17-20. ISSN 0961-1215 (Print), 1531-4812 (Online) (doi:https://doi.org/10.1162/LMJ_a_00189)

Sound image

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)

sound recording

Thompson, Ian ORCID: 0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.

sound recording experimentation

Patel, Amit Dinesh (2021) Boo Su (2021). [Composition] (Unpublished)

sound studies

Kennedy, Stephen (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford Handbooks . Oxford University Press, Oxford & New York. ISBN 978-0190274054 (doi:https://doi.org/10.1093/oxfordhb/9780190274054.013.43)

Thompson, Ian ORCID: 0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.

Sound-image

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

soundscape

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Farquhar, Angus, Morell, Purni, Johnson, James and Sinclair, Cameron (2021) Over Lunan (presentation of performance). [Creative Performance or Reading]

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Martin, Brona and Pasoulas, Aki (2021) Whispers of the Past. [Composition]

Soundtrack

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2021) Gherstl's Ghost - Original Soundtrack. [Composition]

space

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Audiovisual spaces: spatiality, experience and potentiality in audiovisual composition. In: Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, (ed.) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:https://doi.org/10.4324/9780429295102-4)

Patel, Amit Dinesh (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

spatial audio

Hill, Andrew ORCID: 0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

spatial complexity

Javaheri Javid, Mohammed Ali, Blackwell, Tim, Zimmer, Robert and Al-Rifaie, Mohammad Majid ORCID: 0000-0002-1798-9615 (2016) Correlation between human aesthetic judgement and spatial complexity measure. In: EvoMUSART 2016: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series, 9596 . Springer-Verlag, Berlin, Heidelberg, Cham, pp. 79-91. ISBN 978-3-319-31007-7 ; 978-3-319-31008-4 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:https://doi.org/10.1007/978-3-319-31008-4_6)

spatial diffusion

Thompson, Ian ORCID: 0000-0002-7143-8013, Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]

spectroscopy

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

Stochastic diffusion search

Al-Rifaie, Asmaa Majid and Al-Rifaie, Mohammad Majid ORCID: 0000-0002-1798-9615 (2015) Generative music with stochastic diffusion search. In: EvoMUSART 2015: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series (LNCS), 9027 . Springer, Cham, Switzerland, pp. 1-14. ISBN 978-3319164977 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:https://doi.org/10.1007/978-3-319-16498-4_1)

Al-Rifaie, Asmaa Majid and Al-Rifaie, Mohammad Majid ORCID: 0000-0002-1798-9615 (2015) Generative music with stochastic diffusion search. In: EvoMUSART 2015: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series (LNCS), 9027 . Springer, Cham, Switzerland, pp. 1-14. ISBN 978-3319164977 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:https://doi.org/10.1007/978-3-319-16498-4_1)

Al-Rifaie, Mohammad Majid ORCID: 0000-0002-1798-9615 and Bishop, Mark (2013) Swarmic paintings and colour attention. In: Evolutionary and Biologically Inspired Music, Sound, Art and Design Second International Conference, EvoMUSART 2013, Vienna, Austria, April 3-5, 2013. Proceedings. Lecture Notes in Computer Science book series (LNCS), 7834 . Springer, Berlin, Germany, pp. 97-108. ISBN 978-3642369544 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:https://doi.org/10.1007/978-3-642-36955-1_9)

string quartet

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2021) Gherstl's Ghost - Original Soundtrack. [Composition]

sub-cultures

Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)

Suffolk

Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246

Sumerian

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]

surround

Hill, Andrew ORCID: 0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)

surround sound

Hill, Andrew ORCID: 0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

sustainability

Boddington, Ghislaine ORCID: 0000-0003-0448-579X, Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]

swarm intelligence

Al-Rifaie, Asmaa Majid and Al-Rifaie, Mohammad Majid ORCID: 0000-0002-1798-9615 (2015) Generative music with stochastic diffusion search. In: EvoMUSART 2015: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series (LNCS), 9027 . Springer, Cham, Switzerland, pp. 1-14. ISBN 978-3319164977 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:https://doi.org/10.1007/978-3-319-16498-4_1)

Al-Rifaie, Mohammad Majid ORCID: 0000-0002-1798-9615 and Bishop, Mark (2013) Swarmic paintings and colour attention. In: Evolutionary and Biologically Inspired Music, Sound, Art and Design Second International Conference, EvoMUSART 2013, Vienna, Austria, April 3-5, 2013. Proceedings. Lecture Notes in Computer Science book series (LNCS), 7834 . Springer, Berlin, Germany, pp. 97-108. ISBN 978-3642369544 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:https://doi.org/10.1007/978-3-642-36955-1_9)

syllabes

Feugère, Lionel ORCID: 0000-0003-0883-5224 and d'Alessandro, Christophe (2012) Digitartic : synthèse gestuelle de syllabes chantées. In: Actes des Journées d'Informatique Musicale (JIM 2012). UMONS/numediart, pp. 219-225.

symmetry

Javaheri Javid, Mohammed Ali, Blackwell, Tim, Zimmer, Robert and Al-Rifaie, Mohammad Majid ORCID: 0000-0002-1798-9615 (2016) Correlation between human aesthetic judgement and spatial complexity measure. In: EvoMUSART 2016: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series, 9596 . Springer-Verlag, Berlin, Heidelberg, Cham, pp. 79-91. ISBN 978-3-319-31007-7 ; 978-3-319-31008-4 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:https://doi.org/10.1007/978-3-319-31008-4_6)

synesthesia

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)

synthèse vocale

Feugère, Lionel ORCID: 0000-0003-0883-5224 and Doval, Boris (2011) Contrôle par le geste d'une voix chantée de synthèse. In: Journée Science et Musique (JSM 2012), 13 Oct 2012, Diapason, campus Universitaire de Beaulieu, Rennes, France. (Unpublished)

Feugère, Lionel ORCID: 0000-0003-0883-5224 and d'Alessandro, Christophe (2012) Digitartic : synthèse gestuelle de syllabes chantées. In: Actes des Journées d'Informatique Musicale (JIM 2012). UMONS/numediart, pp. 219-225.

taxonomy

Masu, Raul, Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 and Romão, Teresa (2021) NIME scores: a systematic review of how scores have shaped performance ecologies in NIME. In: NIME 2021 Proceedings. Online and NYU Shanghai June 14-18, 2021. NIME. International Conference on New Interfaces for Musical Expression . New Interfaces for Musical Expression (NIME), Shanghai.

technology

Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.

The Enlightenment

Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]

theatre

Hill, Andrew ORCID: 0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Farquhar, Angus, Morell, Purni, Johnson, James and Sinclair, Cameron (2021) Over Lunan (presentation of performance). [Creative Performance or Reading]

Patel, Amit Dinesh (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]

theatre translation

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp.6.1.55_1)

third order

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 1st Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Time

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian ORCID: 0000-0002-7143-8013, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Creative Performance or Reading]

tintinnabuli

Thompson, Ian ORCID: 0000-0002-7143-8013, Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]

trance

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

translation

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp.6.1.55_1)

translation theory

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp.6.1.55_1)

transnationalism

Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)

tribes

Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)

truce

Meier, Robin, Dey, Nirmalaya, Ott, Christine and Feugère, Lionel ORCID: 0000-0003-0883-5224 (2021) Truce. [Creative Performance or Reading]

trumpet

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 1st Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

valence

Griffiths, Darryl, Cunningham, Stuart, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2021) A multi-genre model for music emotion recognition using linear regressors. Journal of New Music Research. ISSN 0929-8215 (Print), 1744-5027 (Online) (doi:https://doi.org/10.1080/09298215.2021.1977336)

vaporwave

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Virtual hallucinations: projects in VJing, virtual reality and cyberculture. In: EVA London 2019: Electronic Visualisation & the Arts. Proceedings of a conference held in London 8th-11th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019) . BCS, The Chartered Institute for IT, Swindon; London, pp. 293-301. ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2019.57)

version

Patel, Amit Dinesh (2022) Lasurnii - EMOM. [Creative Performance or Reading]

video game engines

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Synaesthetic audio-visual sound toys in virtual reality. In: AM '21: Audio Mostly 2021. Association for Computing Machinery (ACM), New York, USA, pp. 135-138. ISBN 978-1450385695 (doi:https://doi.org/10.1145/3478384.3478400)

video games

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Griffiths, Darryl and Cunningham, Stuart (2014) Easter eggs: hidden tracks and messages in musical mediums. In: Joint International Computer Music Conference/Sound and Music Computing 2014, Athens. International Computer Music Association, Michigan and Washington, pp. 1-8. ISSN 2223-3881 (Print), 2223-3881 (Online)

virtual choir

Feugère, Lionel ORCID: 0000-0003-0883-5224, Le Beux, Sylvain and d'Alessandro, Christophe (2011) Chorus Digitalis: polyphonic gestural singing. In: 1st International Workshop on Performative Speech and Singing Synthesis (P3S 2011). University of British Columbia.

virtual gifting

Boddington, Ghislaine ORCID: 0000-0003-0448-579X, Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]

virtual reality

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Cyberdream VR: visualizing rave music and vaporwave in Virtual Reality. In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019. Association for Computing Machinery (ACM), New York, pp. 277-281. ISBN 9781450372978 (doi:https://doi.org/10.1145/3356590.3356637)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Cyberdream: an interactive rave music visualization in Virtual Reality. In: SA '21 XR: SIGGRAPH Asia 2021 XR. Association for Computing Machinery (ACM) Digital Library, New York, USA, p. 4. ISBN 978-1450390750 (doi:https://doi.org/10.1145/3478514.3487609)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Cyberdreams: visualizing music in extended reality. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 209-227. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_12)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Explosions in the mind: Composing Psychedelic Sounds and Visualisations. Palgrave Studies in Sound . Springer Singapore, Singapore. ISBN 978-9811640544

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Synaesthetic audio-visual sound toys in virtual reality. In: AM '21: Audio Mostly 2021. Association for Computing Machinery (ACM), New York, USA, pp. 135-138. ISBN 978-1450385695 (doi:https://doi.org/10.1145/3478384.3478400)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Virtual hallucinations: projects in VJing, virtual reality and cyberculture. In: EVA London 2019: Electronic Visualisation & the Arts. Proceedings of a conference held in London 8th-11th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019) . BCS, The Chartered Institute for IT, Swindon; London, pp. 293-301. ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2019.57)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Visualising rave music in Virtual Reality: symbolic and interactive approaches. In: EVA London 2020 (Electronic Visualisation and the Arts). Electronic Workshops in Computing (eWiC) | BCS . British Computer Society (BSC), Swindon; London, pp. 78-84. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2020.13)

visual

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)

visual music

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 1. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 2. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 3. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.296)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:https://doi.org/10.14236/ewic/EVA2018.70)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Document of Singing Light 1 installation. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2014) Horizon. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Reservoir. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) SKY. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Shadow Sounds 1. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Sky 2. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Song Series Animacy. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Song series animacy. In: Digital Research in the Humanities and Arts 2014, 01 Sep 2015, Dublin, UK.

Watkins, Julie ORCID: 0000-0001-8872-7041 (2020) Visual music and embodied visceral affect. In: Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, (ed.) Sound and Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:https://doi.org/10.4324/9780429295102-9)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2015) Optical research: a curated visual music collection. In: EVA London 2015: Electronic Visualisation & the Arts. Proceedings of a conference held in London 7th-9th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2015) . BCS, The Chartered Institute for IT, Swindon; London, pp. 371-372. ISBN 978-1780173160 ; 1780173164 (doi:https://doi.org/10.14236/ewic/eva2015.82)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Synaesthetic audio-visual sound toys in virtual reality. In: AM '21: Audio Mostly 2021. Association for Computing Machinery (ACM), New York, USA, pp. 135-138. ISBN 978-1450385695 (doi:https://doi.org/10.1145/3478384.3478400)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Visualising rave music in Virtual Reality: symbolic and interactive approaches. In: EVA London 2020 (Electronic Visualisation and the Arts). Electronic Workshops in Computing (eWiC) | BCS . British Computer Society (BSC), Swindon; London, pp. 78-84. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2020.13)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Picking, Richard and Williams, Lyall (2015) Holophonor: On the Future Technology of Visual Music. In: Curran, Kevin, (ed.) Recent Advances in Ambient Intelligence and Context-Aware Computing. Recent Advances in Ambient Intelligence and Context-Aware Computing . IGI Global, USA, pp. 143-154. ISBN 9781466672840 ; 1466672846 ; 9781466672857 (doi:https://doi.org/10.4018/978-1-4666-7284-0.ch015)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Picking, Richard and Williams, Lyall (2015) Holophonor: designing the visual music instruments of the future. In: Curran, Kevin, (ed.) Recent Advances in Ambient Intelligence and Context-Aware Computing. IGI Global, USA, pp. 143-154. ISBN 9781466672840 ; 9781466672857, 1466672854 ; 1466672846 (doi:https://doi.org/10.4018/978-1-4666-7284-0.ch009)

visual patterns of hallucination

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2013) Visual patterns of hallucination as a basis for sonic arts composition. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-2659-9 (doi:https://doi.org/10.1145/2544114.2544125)

visual structure

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:https://doi.org/10.14236/ewic/EVA2018.70)

visualisations

Bowen, Jonathan P., Giannini, Tula, Polmeer, Gareth, Gannis, Carla, Gardiner, Jeremy, Kearney, Jonathan, Wands, Bruce and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) States of being: art and identity in digital space and time. In: EVA London 2018: Electronic Visualisation & the Arts. Proceedings of a conference held in London 11th-13th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2018 . BCS: The Chartered Institute for IT, Swindon; London, pp. 1-7. ISBN 978-1780174631 ; 978-1780174632 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2018.1)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Explosions in the mind: Composing Psychedelic Sounds and Visualisations. Palgrave Studies in Sound . Springer Singapore, Singapore. ISBN 978-9811640544

visualization

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Synaesthetic audio-visual sound toys in virtual reality. In: AM '21: Audio Mostly 2021. Association for Computing Machinery (ACM), New York, USA, pp. 135-138. ISBN 978-1450385695 (doi:https://doi.org/10.1145/3478384.3478400)

VJ

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Cyberdreams: visualizing music in extended reality. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 209-227. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_12)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Synaesthetic audio-visual sound toys in virtual reality. In: AM '21: Audio Mostly 2021. Association for Computing Machinery (ACM), New York, USA, pp. 135-138. ISBN 978-1450385695 (doi:https://doi.org/10.1145/3478384.3478400)

VJing

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Virtual hallucinations: projects in VJing, virtual reality and cyberculture. In: EVA London 2019: Electronic Visualisation & the Arts. Proceedings of a conference held in London 8th-11th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019) . BCS, The Chartered Institute for IT, Swindon; London, pp. 293-301. ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2019.57)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Visualising rave music in Virtual Reality: symbolic and interactive approaches. In: EVA London 2020 (Electronic Visualisation and the Arts). Electronic Workshops in Computing (eWiC) | BCS . British Computer Society (BSC), Swindon; London, pp. 78-84. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2020.13)

vocal

Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]

Breating Space, (Collective) and Thompson, Ian ORCID: 0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]

Vocals

Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian ORCID: 0000-0002-7143-8013, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe (2017) Care! Object Beneath. [Creative Performance or Reading]

Thompson, Ian ORCID: 0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]

voices

Patel, Amit Dinesh (2022) Throwing a stone into the pond. In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin. (Unpublished)

voix chantée

Feugère, Lionel ORCID: 0000-0003-0883-5224 and Doval, Boris (2011) Contrôle par le geste d'une voix chantée de synthèse. In: Journée Science et Musique (JSM 2012), 13 Oct 2012, Diapason, campus Universitaire de Beaulieu, Rennes, France. (Unpublished)

website

Margetson, Emma ORCID: 0000-0002-1054-1973, Pitsillides, Stacey ORCID: 0000-0003-0961-5370, Nally, Claire, Demireva, Ella, Parvin, Asadzadeh Birjandi and Hegarty, Tom (2021) Tickets for the Afterlife. Death Positive Libraries, Redbridge Central Library, Newcastle City Library and Kirklees Libraries.

world music

van Klyton, Aaron C. (2015) Space and place in world music production. City, Culture and Society, 6 (4). pp. 101-108. ISSN 1877-9166 (doi:https://doi.org/10.1016/j.ccs.2015.06.001)

ziad rahbani

Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)

“Direct animation”

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2014) Digitized direct animation: creating materials for electroacoustic visual music using 8mm film. eContact! Online Journal for Electroacoustic Practices, 15 (4).

This list was generated on Fri Dec 2 03:00:04 2022 UTC.