A

Acton, Thomas (2010) Is tradition the enemy of history? In: Orta, Lucy, (ed.) Mapping the Invisible: EU-Roma Gypsies. Black Dog Publishing / London College of Fashion, London, UK, pp. 20-23. ISBN 978 1 906155 91 9

Al-Rifaie, Asmaa Majid and Al-Rifaie, Mohammad Majid ORCID: 0000-0002-1798-9615 (2015) Generative music with stochastic diffusion search. In: EvoMUSART 2015: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series (LNCS), 9027 . Springer, Cham, Switzerland, pp. 1-14. ISBN 978-3319164977 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:https://doi.org/10.1007/978-3-319-16498-4_1)

Al-Rifaie, Mohammad Majid ORCID: 0000-0002-1798-9615 and Bishop, Mark (2013) Swarmic paintings and colour attention. In: Evolutionary and Biologically Inspired Music, Sound, Art and Design Second International Conference, EvoMUSART 2013, Vienna, Austria, April 3-5, 2013. Proceedings. Lecture Notes in Computer Science book series (LNCS), 7834 . Springer, Berlin, Germany, pp. 97-108. ISBN 978-3642369544 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:https://doi.org/10.1007/978-3-642-36955-1_9)

B

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian ORCID: 0000-0002-7143-8013, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Creative Performance or Reading]

Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian ORCID: 0000-0002-7143-8013, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe (2017) Care! Object Beneath. [Creative Performance or Reading]

Boddington, Ghislaine ORCID: 0000-0003-0448-579X, Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Vindis, Tadej (2020) Research & Development Project GIFT AR (DATUM INNOVATE UK) and public output DONATE YOURSELF (HUMAN CELL ATLAS). [Show/Exhibition]

Bowen, Jonathan P., Giannini, Tula, Polmeer, Gareth, Gannis, Carla, Gardiner, Jeremy, Kearney, Jonathan, Wands, Bruce and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) States of being: art and identity in digital space and time. In: EVA London 2018: Electronic Visualisation & the Arts. Proceedings of a conference held in London 11th-13th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2018 . BCS: The Chartered Institute for IT, Swindon; London, pp. 1-7. ISBN 978-1780174631 ; 978-1780174632 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2018.1)

Breathing Space, (collective) (2015) HERD. [Creative Performance or Reading]

Breating Space, (Collective) and Thompson, Ian ORCID: 0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]

C

Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2019) Audio emotion recognition using machine learning to support sound design. In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019. Association for Computing Machinery (ACM), New York, pp. 116-123. ISBN 9781450372978 (doi:https://doi.org/10.1145/3356590.3356609)

Cunningham, Stuart, Ridley, Harrison, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2021) Supervised machine learning for audio emotion recognition: enhancing film sound design using audio features, regression models and artificial neural networks. Personal and Ubiquitous Computing, 25. pp. 637-650. ISSN 1617-4909 (Print), 1617-4917 (Online) (doi:https://doi.org/10.1007/s00779-020-01389-0)

Cunningham, Stuart, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Griffiths, Darryl (2014) ACERemix: a tool for glitch music production and performance. In: AM '14: Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound. Aalborg Denmark October 1 - 3, 2014. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-3032-9 (doi:https://doi.org/10.1145/2636879.2636888)

Cunningham, Stuart, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2018) High-level analysis of audio features for identifying emotional valence in human singing. In: AM'18: Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion. September 12-14 2018, Wrexham, Wales UK. Association for Computing Machinery (ACM), New York, pp. 1-4. ISBN 978-1-4503-6609-0 ; 978-1-4503-6609-0/18/09 (doi:https://doi.org/10.1145/3243274.3243313)

Cunningham, Stuart, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2016) In-Game Intoxication: Demonstrating the Evaluation of the Audio Experience of Games with a Focus on Altered States of Consciousness. In: Garcia-Ruiz, Miguel Angel, (ed.) Games User Research: A Case Study Approach. CRC Press - Taylor and Francis, New York, pp. 97-118. ISBN 9781498706407 ; 9781315371597 (doi:https://doi.org/10.1201/b21564-6)

Cunningham, Stuart, Weinel, Jonathan ORCID: 0000-0001-5347-3897, Roberts, Shaun, Grout, Vic and Griffiths, Darryl (2013) Initial objective and subjective evaluation of a similarity-based audio compression technique. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. ACM international conference proceedings series (1). Association for Computing Machinery (ACM), New York, pp. 1-6. ISBN 978-1-4503-2659-9 (doi:https://doi.org/10.1145/2544114.2544116)

D

Daylamani Zad, Damon, Araabi, Babak N. and Lucas, Caru (2006) A novel approach to automatic music composing: Using genetic algorithm. In: International Computer Music Conference Proceedings. MPublishing, University of Michigan Library, Ann Arbor, MI, USA, pp. 551-555.

De Laubier, Serge, Bertrand, Guillaume, Genevois, Hugues, Goudard, Vincent, Doval, Boris, Feugère, Lionel ORCID: 0000-0003-0883-5224, Le Beux, Sylvain and d'Alessandro, Christophe (2012) OrJo et la Méta-Mallette 4.0. In: Actes des Journées d'Informatique Musicale (JIM 2012). UMONS/numediart, pp. 227-232.

Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.

F

Feugère, Lionel ORCID: 0000-0003-0883-5224 and Doval, Boris (2011) Contrôle par le geste d'une voix chantée de synthèse. In: Journée Science et Musique (JSM 2012), 13 Oct 2012, Diapason, campus Universitaire de Beaulieu, Rennes, France. (Unpublished)

Feugère, Lionel ORCID: 0000-0003-0883-5224, Doval, Boris, d'Alessandro, Christophe and Perrotin, Olivier (2015) Cantor Digitalis: First-Prize Winners of the Margaret Guthman Musical Instrument Competition. [Creative Performance or Reading]

Feugère, Lionel ORCID: 0000-0003-0883-5224, Le Beux, Sylvain and d'Alessandro, Christophe (2011) Chorus Digitalis: polyphonic gestural singing. In: 1st International Workshop on Performative Speech and Singing Synthesis (P3S 2011). University of British Columbia.

Feugère, Lionel ORCID: 0000-0003-0883-5224 and d'Alessandro, Christophe (2012) Digitartic : synthèse gestuelle de syllabes chantées. In: Actes des Journées d'Informatique Musicale (JIM 2012). UMONS/numediart, pp. 219-225.

G

Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]

Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2013) Automatic music playlist generation using affective technologies. In: Proceedings of the Fifth International Conference on Internet Technologies and Applications (ITA 13) : 10-13 September 2013. North East Wales Institute, Wrexham, Glyndŵr University, pp. 1-7. ISBN 9780946881819 ; 0946881812

Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2013) A discussion of musical features for automatic music playlist generation using affective technologies. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. ACM international conference proceedings . Association for Computing Machinery (ACM), New York, pp. 1-4. ISBN 978-1-4503-2659-9 (doi:https://doi.org/10.1145/2544114.2544128)

Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2016) An interactive music playlist generator that responds to user emotion and context. In: Electronic Visualisation and the Arts (EVA) London, UK, 12 - 14 July 2016. Electronic Workshops in Computing (eWiC) | BCS . BCS The Chartered Institute for IT, Swindon; London, pp. 275-276. ISBN 178017344X ; 978-1780173443 (doi:https://doi.org/10.14236/ewic/EVA2016.53)

Griffiths, Darryl, Cunningham, Stuart and Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2015) A self-report study that gauges perceived and induced emotion with music. In: 2015 Internet Technologies and Applications (ITA). 8-11 Sept. 2015, Glyndŵr University, Wrexham, North Wales, UK. IEEExplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, NJ, pp. 239-244. ISBN 978-1479980369 (doi:https://doi.org/10.1109/ITechA.2015.7317402)

Griffiths, Darryl, Cunningham, Stuart, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Picking, Richard (2021) A multi-genre model for music emotion recognition using linear regressors. Journal of New Music Research. ISSN 0929-8215 (Print), 1744-5027 (Online) (doi:https://doi.org/10.1080/09298215.2021.1977336)

H

Hardeman, Simon (2021) "Nights Under the Moon" by Simon Hardeman. [Audio]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 1st Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2017) (I)MAGESOUND(S) - expanded audiovisual practice. eContact!, 19 (2).

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

J

Javaheri Javid, Mohammed Ali, Blackwell, Tim, Zimmer, Robert and Al-Rifaie, Mohammad Majid ORCID: 0000-0002-1798-9615 (2016) Correlation between human aesthetic judgement and spatial complexity measure. In: EvoMUSART 2016: Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science book series, 9596 . Springer-Verlag, Berlin, Heidelberg, Cham, pp. 79-91. ISBN 978-3-319-31007-7 ; 978-3-319-31008-4 ISSN 0302-9743 (Print), 1611-3349 (Online) (doi:https://doi.org/10.1007/978-3-319-31008-4_6)

K

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

Kennedy, Stephen (2011) Audiostate. six compositions for film/live art performance. [Show/Exhibition] (Unpublished)

Kennedy, Stephen (2013) Echostate. Zetesis: Research generated by curiosity, 1 (1). pp. 68-77. ISSN n/a

Kennedy, Stephen (2019) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford University Press, New York. (In Press)

Kennedy, Stephen (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford Handbooks . Oxford University Press, Oxford & New York. ISBN 978-0190274054 (doi:https://doi.org/10.1093/oxfordhb/9780190274054.013.43)

Kennedy, Steve (2009) Leaving on a jet plane of immanence. The Issues: In Contemporary Culture and Aesthetics. Nerve Ltd., London, UK. ISBN 0955003725

Kennedy, Steve (2010) A sonic economy. CTHEORY - Code Drift: Essays in Critical Digital Studies, 003:649. ISSN 1190-9153

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Audiovisual spaces: spatiality, experience and potentiality in audiovisual composition. In: Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, (ed.) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:https://doi.org/10.4324/9780429295102-4)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Chase. [Composition] (Unpublished)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2021) Gherstl's Ghost - Original Soundtrack. [Composition]

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (ed.) (2020) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271466

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene_00016_1)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Farquhar, Angus, Morell, Purni, Johnson, James and Sinclair, Cameron (2021) Over Lunan (presentation of performance). [Creative Performance or Reading]

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Martin, Brona and Pasoulas, Aki (2023) Sonic heritage: listening to the past. In: (In)tangible Heritage(s): Design, culture and technology – past, present, and future. AMPS, University of Kent. 15th - 17th June, 2022. AMPS Proceedings Series, 29.1 . Architecture Media Politics Society (AMPS), Canterbury, pp. 133-138. ISSN 2398-9467

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Martin, Brona and Pasoulas, Aki (2021) Whispers of the Past. [Composition]

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Morell, Purni, Angus, Farquhar and Ross, Charlie (2021) Over Lunan (Radio Documentary). [Play, Short Story or Poetry]

L

Le Beux, Sylvain, Feugère, Lionel ORCID: 0000-0003-0883-5224 and d'Alessandro, Christophe (2012) Chorus digitalis: experiment in chironomic choir singing. In: 12th Annual Conference of the International Speech Communication Association 2011 (INTERSPEECH 2011). International Speech Communications Association, pp. 2016-2019. ISBN 978-1618392701

M

Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.

Mann, Tony (2003) [Recording review] William Herschel, Symphonies Nos. 2, 8, 12, 13, 14, 17. BSHM Newsletter, 49. p. 42.

Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.

Margetson, Emma ORCID: 0000-0002-1054-1973 (2021) Shifted Trajectories. [Composition]

Margetson, Emma ORCID: 0000-0002-1054-1973, Pitsillides, Stacey ORCID: 0000-0003-0961-5370, Nally, Claire, Demireva, Ella, Parvin, Asadzadeh Birjandi and Hegarty, Tom (2021) Tickets for the Afterlife. Death Positive Libraries, Redbridge Central Library, Newcastle City Library and Kirklees Libraries.

Margetson, Emma ORCID: 0000-0002-1054-1973, Preye, Olivia and Waterfield, Alithea (2021) Walk with me. [Composition]

Masu, Raul, Correia, Nuno N. ORCID: 0000-0002-9999-9162 and Romão, Teresa (2021) Technology-mediated musical connections: the ecology of a screen-score performance. In: AM '21: Audio Mostly 2021. Association for Computing Machinery (ACM), New York, USA, pp. 109-116. ISBN 978-1450385695 (doi:https://doi.org/10.1145/3478384.3478395)

Masu, Raul, Do Nascimento Correia, Nuno ORCID: 0000-0002-9999-9162 and Romão, Teresa (2021) NIME scores: a systematic review of how scores have shaped performance ecologies in NIME. In: NIME 2021 Proceedings. Online and NYU Shanghai June 14-18, 2021. NIME. International Conference on New Interfaces for Musical Expression . New Interfaces for Musical Expression (NIME), Shanghai.

Meier, Robin, Dey, Nirmalaya, Ott, Christine and Feugère, Lionel ORCID: 0000-0003-0883-5224 (2021) Truce. [Creative Performance or Reading]

Messeder, Gabrielle (2021) Brazilian encounters: Beirut’s ‘Golden Age’. In: Davis, Ruth and Oberlander, Brian, (eds.) Music and Encounter at the Mediterranean Crossroads: A Sea of Voices. Arts, Politics & International Relations . Routledge, New York; Abingdon, pp. 75-90. ISBN 978-1003008514; 978-0367442484 (doi:https://doi.org/10.4324/9781003008514-5)

O

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp.6.1.55_1)

P

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2021) Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition. [Show/Exhibition]

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2021) Exploring cultural diversity in experimental sound. Array, the journal of the International Computer Music Association (ICMA), 2021 (1):3. pp. 17-22. ISSN 2590-0056 (Online) (doi:https://doi.org/10.25370/array.v20213269)

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Lasurnii. [Composition]

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Lasurnii - EMOM. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Throwing a stone into the pond. In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin. (Unpublished)

Powers, Alan (2012) Britten, Pears and their architects. In: LeGrove, Judith, (ed.) A Musical Eye: The Visual World of Britten and Pears. Artists' Choice Editions, London, UK, pp. 133-143. ISBN 978-0-9558343-6-3

Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246

R

Ratcliffe, Robert, Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Kanga, Zubin (2011) Mutations (megamix): exploring notions of the ‘DJ set’, ‘mashup’ and ‘remix’ through live piano-based performance. eContact! Online Journal for Electroacoustic Practices, 13 (2).

S

Sigthorsson, Gauti (2008) Acoustic pockets of the outside [presentation on "Musical Interfaces" panel]. In: Futuresonic 2008: Urban Festival of Art, Music and Ideas, 1 - 5 May 2008, Manchester, UK. (Unpublished)

Sigthorsson, Gauti (2007) [Panelist on "DIY?: we're doing it already, thanks" and moderator on "The Stranger in the crowd: fans shout back"]. In: In the City, 20-22 Oct 2007, Manchester, UK. (Unpublished)

Smyth, Cherry (2022) 'If the river is hidden'. [Creative Performance or Reading]

Smyth, Cherry (2022) 'Lost Bees'. [Audio]

T

Thompson, Ian ORCID: 0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]

Thompson, Ian ORCID: 0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]

Thompson, Ian ORCID: 0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]

Thompson, Ian ORCID: 0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.

Thompson, Ian ORCID: 0000-0002-7143-8013, Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]

V

van Klyton, Aaron C. (2015) Space and place in world music production. City, Culture and Society, 6 (4). pp. 101-108. ISSN 1877-9166 (doi:https://doi.org/10.1016/j.ccs.2015.06.001)

W

Wallis, Jillian (2015) Reverie. [Creative Performance or Reading]

Walshaw, Chris ORCID: 0000-0003-0253-7779 (2014) A statistical analysis of the ABC music notation corpus: exploring duplication. In: Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Computer Engineering Department, Boğaziçi University, Turkey, Istanbul, Turkey, pp. 2-9.

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 1. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 2. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Ambience 3. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) Audio-visual composition: an investigation of how best to compose no-figurative gestural visual music. In: Sound/Image Colloquium: Exploring Sonic and Audio-visual Practice, 12-13 Nov 2016, Greenwich, UK. (Unpublished)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.296)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:https://doi.org/10.14236/ewic/EVA2018.70)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) Data ache and visual music practice meditated by instrument design. In: dataAche: DRHA2017 Book of Abstracts. DRHA.

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Document of Singing Light 1 installation. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2014) Horizon. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Reservoir. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) SKY. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Shadow Sounds 1. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2019) Singing Light 2. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Singing light: creating affective visual music. In: Seeing Sound: 2018 Papers. Seeing Sound.

Watkins, Julie ORCID: 0000-0001-8872-7041 (2018) Sky 2. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Song Series Animacy. [Video]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2015) Song series animacy. In: Digital Research in the Humanities and Arts 2014, 01 Sep 2015, Dublin, UK.

Watkins, Julie ORCID: 0000-0001-8872-7041 (2020) Visual music and embodied visceral affect. In: Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, (ed.) Sound and Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:https://doi.org/10.4324/9780429295102-9)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2016) An investigation into evoking poetic and restorative places with visual music. In: Digital Research in the Humanities and Arts Conference, 04-07 Sep 2016, Brighton, UK. (Unpublished)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Augmented unreality: synesthetic artworks and audio-visual hallucinations. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkerga, Martin, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford Handbooks, 2 . Oxford University Press, New York, pp. 301-320. ISBN 9780190460242 (doi:https://doi.org/10.1093/oxfordhb/9780190460242.013.24)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2010) Bass drum, saxophone and laptop: real-time psychedelic performance software. eContact! Online Journal for Electroacoustic Practices, 12 (4).

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Cyberdream VR: visualizing rave music and vaporwave in Virtual Reality. In: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. September 18 - 20, 2019. Association for Computing Machinery (ACM), New York, pp. 277-281. ISBN 9781450372978 (doi:https://doi.org/10.1145/3356590.3356637)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Cyberdream: an interactive rave music visualization in Virtual Reality. In: SA '21 XR: SIGGRAPH Asia 2021 XR. Association for Computing Machinery (ACM) Digital Library, New York, USA, p. 4. ISBN 978-1450390750 (doi:https://doi.org/10.1145/3478514.3487609)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Cyberdreams: visualizing music in extended reality. In: Earnshaw, R., Liggett, S., Excell, P. and Thalmann, D., (eds.) Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . Springer, Cham, pp. 209-227. ISBN 978-3-030-42099-4 ; 978-3-030-42096-3 ; 978-3-030-42097-0 (doi:https://doi.org/10.1007/978-3-030-42097-0_12)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2016) Entoptic phenomena in audio: categories of psychedelic electroacoustic composition. Contemporary Music Review, 35 (2). pp. 202-223. ISSN 0749-4467 (Print), 1477-2256 (Online) (doi:https://doi.org/10.1080/07494467.2016.1221633)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Explosions in the mind: Composing Psychedelic Sounds and Visualisations. Palgrave Studies in Sound . Springer Singapore, Singapore. ISBN 978-9811640544

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2018) Inner sound: altered states of consciousness in electronic music and audio-visual media. Oxford University Press, New York. ISBN 9780190671198

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2013) Nausea: an approach to sonic arts composition based on ASC. In: Proceedings of the Fifth International Conference on Internet Technologies and Applications (ITA 13) : 10-13 September 2013. North East Wales Institute, Wrexham, Glyndŵr University, pp. 1-8. ISBN 9780946881819 ; 0946881812

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2015) Optical research: a curated visual music collection. In: EVA London 2015: Electronic Visualisation & the Arts. Proceedings of a conference held in London 7th-9th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2015) . BCS, The Chartered Institute for IT, Swindon; London, pp. 371-372. ISBN 978-1780173160 ; 1780173164 (doi:https://doi.org/10.14236/ewic/eva2015.82)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2015) Representing altered states of consciousness in computer arts. In: EVA London 2015: Electronic Visualisation & the Arts. Proceedings of a conference held in London 7th-9th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2015 . BCS: The Chartered Institute for IT, Swindon; London. ISBN 9781780173160; 9781780173164 ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/eva2015.9)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2014) Shamanic diffusions: a technoshamanic philosophy of electroacoustic music. Sonic Ideas/Ideas Sonicas, 6 (12). ISSN 2317-9694

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2021) Synaesthetic audio-visual sound toys in virtual reality. In: AM '21: Audio Mostly 2021. Association for Computing Machinery (ACM), New York, USA, pp. 135-138. ISBN 978-1450385695 (doi:https://doi.org/10.1145/3478384.3478400)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2011) Tiny jungle: psychedelic techniques in audio-visual composition. In: Proceedings of the International Computer Music Conference : Huddersfield, UK : ICMC 2011. Michigan Publishing ; International Computer Music Association (ICMA), San Francisco : International Computer Music Association ; Huddersfield : Centre for Research in New Music, University of Huddersfield, pp. 324-327. ISBN 0984527400 ; 9780984527403

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2019) Virtual hallucinations: projects in VJing, virtual reality and cyberculture. In: EVA London 2019: Electronic Visualisation & the Arts. Proceedings of a conference held in London 8th-11th July. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019) . BCS, The Chartered Institute for IT, Swindon; London, pp. 293-301. ISSN 1477-9358 (Print), 1477-9358 (Online) (doi:https://doi.org/10.14236/ewic/EVA2019.57)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2013) Visual patterns of hallucination as a basis for sonic arts composition. In: AM '13: Proceedings of the 8th Audio Mostly Conference. September 18 - 20 2013, Piteå, Sweden. Association for Computing Machinery (ACM), New York, pp. 1-7. ISBN 978-1-4503-2659-9 (doi:https://doi.org/10.1145/2544114.2544125)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2020) Visualising rave music in Virtual Reality: symbolic and interactive approaches. In: EVA London 2020 (Electronic Visualisation and the Arts). Electronic Workshops in Computing (eWiC) | BCS . British Computer Society (BSC), Swindon; London, pp. 78-84. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2020.13)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2014) Digitized direct animation: creating materials for electroacoustic visual music using 8mm film. eContact! Online Journal for Electroacoustic Practices, 15 (4).

Weinel, Jonathan ORCID: 0000-0001-5347-3897 and Cunningham, Stuart (2021) Practice-led and interdisciplinary research investigating affective sound design. In: Filimowicz, Michael, (ed.) Doing Research in Sound Design. Routledge - Focal Press, Abingdon, Oxon; New York, pp. 151-168. ISBN 9780429356360 ; 1000375196 ; 9781000375190 ; 978036740490-1 ; 978036740489-5 ; 978046935636 - 0 (doi:https://doi.org/10.4324/9780429356360)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart and Griffiths, Darryl (2014) Sound through the rabbit hole: sound design based on reports of auditory hallucination. In: AM '14: Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound. Aalborg Denmark October 1 - 3, 2014. Association for Computing Machinery (ACM), New York, pp. 1-18. ISBN 978-1-4503-3032-9 ; 1-4503-3032-0 (doi:https://doi.org/10.1145/2636879.2636883)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Griffiths, Darryl, Roberts, Shaun and Picking, Richard (2014) Affective Audio. Leonardo Music Journal, 24. pp. 17-20. ISSN 0961-1215 (Print), 1531-4812 (Online) (doi:https://doi.org/10.1162/LMJ_a_00189)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Picking, Richard and Williams, Lyall (2015) Holophonor: On the Future Technology of Visual Music. In: Curran, Kevin, (ed.) Recent Advances in Ambient Intelligence and Context-Aware Computing. Recent Advances in Ambient Intelligence and Context-Aware Computing . IGI Global, USA, pp. 143-154. ISBN 9781466672840 ; 1466672846 ; 9781466672857 (doi:https://doi.org/10.4018/978-1-4666-7284-0.ch015)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Picking, Richard and Williams, Lyall (2015) Holophonor: designing the visual music instruments of the future. In: Curran, Kevin, (ed.) Recent Advances in Ambient Intelligence and Context-Aware Computing. IGI Global, USA, pp. 143-154. ISBN 9781466672840 ; 9781466672857, 1466672854 ; 1466672846 (doi:https://doi.org/10.4018/978-1-4666-7284-0.ch009)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2015) EEG as a controller for psychedelic visual music in an immersive dome environment. Sonic Ideas/Ideas Sonicas, 7 (14):7963. pp. 87-94. ISSN 2317-9694 (Print), 2317-9694 (Online)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Cunningham, Stuart, Roberts, Nathan, Roberts, Shaun and Griffiths, Darryl (2014) EEG as a controller for psychedelic visual music in an immersive dome environment. In: EVA London 2014: Proceedings of the EVA London 2014 on Electronic Visualisation and the Arts. Electronic Workshops in Computing (eWiC) | BCS . BCS, The Chartered Institute for IT, Swindon; London. ISBN 978-1780172859 ; 1780172850 (doi:https://doi.org/10.14236/ewic/EVA2014.45)

Weinel, Jonathan ORCID: 0000-0001-5347-3897, Griffiths, Darryl and Cunningham, Stuart (2014) Easter eggs: hidden tracks and messages in musical mediums. In: Joint International Computer Music Conference/Sound and Music Computing 2014, Athens. International Computer Music Association, Michigan and Washington, pp. 1-8. ISSN 2223-3881 (Print), 2223-3881 (Online)

Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)