A

Acton, Thomas (2010) Is tradition the enemy of history? In: Orta, Lucy, (ed.) Mapping the Invisible: EU-Roma Gypsies. Black Dog Publishing / London College of Fashion, London, UK, pp. 20-23. ISBN 978 1 906155 91 9

B

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Performance]

Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe (2017) Care! Object Beneath. [Performance]

Breathing Space, (Collective) and Thompson, Ian (2016) RISE. [Show/Exhibition]

Breathing Space, (collective) (2015) HERD. [Performance]

Breating Space, (Collective) and Thompson, Ian (2016) RISE. [Performance]

D

Daylamani Zad, Damon, Araabi, Babak N. and Lucas, Caru (2006) A novel approach to automatic music composing: Using genetic algorithm. In: International Computer Music Conference Proceedings. MPublishing, University of Michigan Library, Ann Arbor, MI, USA, pp. 551-555.

De Laubier, Serge, Bertrand, Guillaume, Genevois, Hugues, Goudard, Vincent, Doval, Boris, Feugère, Lionel ORCID: 0000-0003-0883-5224, Le Beux, Sylvain and d'Alessandro, Christophe (2012) OrJo et la Méta-Mallette 4.0. In: Actes des Journées d'Informatique Musicale (JIM 2012). UMONS/numediart, pp. 227-232.

Duke, Russell (2020) Noise practice in the digital age. PhD thesis, University of Greenwich.

F

Feugère, Lionel ORCID: 0000-0003-0883-5224 and Doval, Boris (2011) Contrôle par le geste d'une voix chantée de synthèse. In: Journée Science et Musique (JSM 2012), 13 Oct 2012, Diapason, campus Universitaire de Beaulieu, Rennes, France. (Unpublished)

Feugère, Lionel ORCID: 0000-0003-0883-5224, Doval, Boris, d'Alessandro, Christophe and Perrotin, Olivier (2015) Cantor Digitalis: First-Prize Winners of the Margaret Guthman Musical Instrument Competition. [Performance]

Feugère, Lionel ORCID: 0000-0003-0883-5224, Le Beux, Sylvain and d'Alessandro, Christophe (2011) Chorus Digitalis: polyphonic gestural singing. In: 1st International Workshop on Performative Speech and Singing Synthesis (P3S 2011). University of British Columbia.

Feugère, Lionel ORCID: 0000-0003-0883-5224 and d'Alessandro, Christophe (2012) Digitartic : synthèse gestuelle de syllabes chantées. In: Actes des Journées d'Informatique Musicale (JIM 2012). UMONS/numediart, pp. 219-225.

G

Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]

H

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 1st Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]

Hill, Andrew ORCID: 0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, James (2017) (I)MAGESOUND(S) - expanded audiovisual practice. eContact!, 19 (2).

Hill, Andrew ORCID: 0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

K

Kanellos, Emmanouil (2018) Visual trends in contemporary visual music practice. Body, Space & Technology, 17 (1):294. pp. 22-33. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.294)

Kennedy, Stephen (2011) Audiostate. six compositions for film/live art performance. [Show/Exhibition] (Unpublished)

Kennedy, Stephen (2013) Echostate. Zetesis: Research generated by curiosity, 1 (1). pp. 68-77. ISSN n/a

Kennedy, Stephen (2019) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford University Press, New York. (In Press)

Kennedy, Steve (2009) Leaving on a jet plane of immanence. The Issues: In Contemporary Culture and Aesthetics. Nerve Ltd., London, UK. ISBN 0955003725

Kennedy, Steve (2010) A sonic economy. CTHEORY - Code Drift: Essays in Critical Digital Studies, 003:649. ISSN 1190-9153

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Audiovisual spaces: spatiality, experience and potentiality in audiovisual composition. In: Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, (ed.) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:https://doi.org/10.4324/9780429295102-4)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Chase. [Composition] (Unpublished)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (ed.) (2020) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271466

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene_00016_1)

Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

L

Le Beux, Sylvain, Feugère, Lionel ORCID: 0000-0003-0883-5224 and d'Alessandro, Christophe (2012) Chorus digitalis: experiment in chironomic choir singing. In: 12th Annual Conference of the International Speech Communication Association 2011 (INTERSPEECH 2011). International Speech Communications Association, pp. 2016-2019. ISBN 978-1618392701

M

Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.

Mann, Tony (2003) [Recording review] William Herschel, Symphonies Nos. 2, 8, 12, 13, 14, 17. BSHM Newsletter, 49. p. 42.

Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.

O

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp.6.1.55_1)

P

Powers, Alan (2012) Britten, Pears and their architects. In: LeGrove, Judith, (ed.) A Musical Eye: The Visual World of Britten and Pears. Artists' Choice Editions, London, UK, pp. 133-143. ISBN 978-0-9558343-6-3

Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246

S

Sigthorsson, Gauti (2008) Acoustic pockets of the outside [presentation on "Musical Interfaces" panel]. In: Futuresonic 2008: Urban Festival of Art, Music and Ideas, 1 - 5 May 2008, Manchester, UK. (Unpublished)

Sigthorsson, Gauti (2007) [Panelist on "DIY?: we're doing it already, thanks" and moderator on "The Stranger in the crowd: fans shout back"]. In: In the City, 20-22 Oct 2007, Manchester, UK. (Unpublished)

Sparkes, Sarah and Thompson, Ian (2018) The Cosmic Pond. [Dataset]

T

Thompson, Ian (2016) Arrival Time. [Dataset]

Thompson, Ian (2019) Collaborations with Breathing Space Collective. [Dataset]

Thompson, Ian (2014) Litus Expromo. [Dataset]

Thompson, Ian (2018) Sonos Localia. [Dataset]

Thompson, Ian, Shiell, Stephen and Wilson, Richard (2016) BELL. [Performance]

Thompson, Ian, Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]

V

van Klyton, Aaron C. (2015) Space and place in world music production. City, Culture and Society, 6 (4). pp. 101-108. ISSN 1877-9166 (doi:https://doi.org/10.1016/j.ccs.2015.06.001)

W

Wallis, Jillian (2015) Reverie. [Performance]

Walshaw, Chris ORCID: 0000-0003-0253-7779 (2014) A statistical analysis of the ABC music notation corpus: exploring duplication. In: Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Computer Engineering Department, Boğaziçi University, Turkey, Istanbul, Turkey, pp. 2-9.

Watkins, Julie (2016) Ambience 1. [Video]

Watkins, Julie (2016) Ambience 2. [Video]

Watkins, Julie (2016) Ambience 3. [Video]

Watkins, Julie (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.20)

Watkins, Julie (2016) Audio-visual composition: an investigation of how best to compose no-figurative gestural visual music. In: Sound/Image Colloquium: Exploring Sonic and Audio-visual Practice, 12-13 Nov 2016, Greenwich, UK. (Unpublished)

Watkins, Julie (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:https://doi.org/10.16995/bst.296)

Watkins, Julie (2018) Creating Affective Visual Music. In: Proceedings of Proceedings of EVA London 2018, UK. ScienceOpen, pp. 374-381. (doi:https://doi.org/10.14236/ewic/EVA2018.70)

Watkins, Julie (2017) Data ache and visual music practice meditated by instrument design. In: dataAche: DRHA2017 Book of Abstracts. DRHA.

Watkins, Julie (2018) Document of Singing Light 1 installation. [Video]

Watkins, Julie (2014) Horizon. [Video]

Watkins, Julie (2019) Interactive visual music. In: Proceedings of EVA London 2019 (EVA 2019). Electronic Workshops in Computing . ScienceOpen, pp. 302-309. ISSN 1477-9358 (doi:https://doi.org/10.14236/ewic/EVA2019.58)

Watkins, Julie (2015) Reservoir. [Video]

Watkins, Julie (2017) SKY. [Video]

Watkins, Julie (2015) Shadow Sounds 1. [Video]

Watkins, Julie (2019) Singing Light 2. [Show/Exhibition]

Watkins, Julie (2018) Singing light: creating affective visual music. In: Seeing Sound: 2018 Papers. Seeing Sound.

Watkins, Julie (2018) Sky 2. [Video]

Watkins, Julie (2015) Song Series Animacy. [Video]

Watkins, Julie (2015) Song series animacy. In: Digital Research in the Humanities and Arts 2014, 01 Sep 2015, Dublin, UK.

Watkins, Julie (2020) Visual music and embodied visceral affect. In: Knight-Hill, Andrew ORCID: 0000-0003-1521-0396, (ed.) Sound and Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:https://doi.org/10.4324/9780429295102-9)

Watkins, Julie (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.9)

Watkins, Julie (2016) An investigation into evoking poetic and restorative places with visual music. In: Digital Research in the Humanities and Arts Conference, 04-07 Sep 2016, Brighton, UK. (Unpublished)

Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)