Article

Critchley, Emily (2018) 3 new poems in Granta. Granta, 142. ISSN 0017-3231

Critchley, Emily (2018) Five new poems by Emily Critchley. Fortnightly Review.

Critchley, Emily (2018) Poems in RIALTO MAGAZINE. The Rialto, 90.

Critchley, Emily (2009) Two poems: 'perhaps other reasons' and 'for Susana Gardner'. Cambridge Literary Review, 1 (1).

Critchley, Emily (2007) [A conference overview & introductory remarks] Cambridge Experimental Women's Poetry Festival 5 - 9 October 2006. HOW2, 3 (1).

Critchley, Emily (2010) A selection of North American women writers from the Greenwich Cross-Genre Festival (July 2010), and some thoughts about their work. Cambridge Literary Review, II (4). pp. 33-43. ISSN 2042-129x

Critchley, Emily and Burnett, Elizabeth-Jane (2018) #MeToo: A Poetry Collective. Chicago Review. ISSN 0009-3696

Hale, Ann M. (2015) 2014 VanArsdel prize essay: W. T. Stead and participatory reader networks. Victorian Periodicals Review, 48 (1). pp. 15-41. ISSN 0709-4698 (Print), 1712-526X (Online) (doi:https://doi.org/10.1353/vpr.2015.0000)

Jones, Emrys (2011) [Book Review] Tim Milnes and Kerry Sinanan (eds.), Romanticism, Sincerity and Authenticity (Basingstoke and New York: Palgrave Macmillan, 2010. Romanticism, 17 (3). pp. 385-387. ISSN 1354-991X (Print), 1750-0192 (Online) (doi:https://doi.org/10.3366/rom.2011.0056)

Jones, Emrys D. (2013) Eighteenth-Century English Literature, 1660-1789. By CHARLOTTE SUSSMAN. Cambridge: Polity. 2012. 291 p. £16.99 (pb). ISBN 978-0-7456-2515-7. The Long 18th Century: Literature from 1660 to 1790. By PENNY PRITCHARD. Harlow: York Press. 2010. iv + 373 p. £10.99 (pb). ISBN 978-1-4082-0473-3. The Wiley-Blackwell Encyclopedia of Eighteenth-Century Writers and Writing, 1660-1789. Edited by PAUL BAINES , JULIAN FERRARO and PAT ROGERS . Oxford: Wiley-Blackwell. 2011. xxxiv + 397 p. £110 (hb). ISBN 978-1-4051-5669-1 [Review]. Journal for Eighteenth-Century Studies, 36 (3). pp. 462-466. ISSN 1754-0194 (Print), 1754-0208 (Online) (doi:https://doi.org/10.1111/1754-0208.12015)

King, Andrew ORCID: 0000-0003-2348-4231 (2011) Advertising in The ILN. Research Tools: Illustrated London News Historical Archive 1842-2003.

King, Andrew ORCID: 0000-0003-2348-4231 (2009) [Book Review] Dickens, family, authorship: psychoanalytic perspectives on kinship and creativity. SHARP News, 18 (1). pp. 11-12.

King, Andrew ORCID: 0000-0003-2348-4231 (2012) [Book Review] The historical Jesus and the literary imagination 1860–1920. Nineteenth-Century Contexts, 34 (1). pp. 77-80. ISSN 0890-5495 (Print), 1477-2663 (Online) (doi:https://doi.org/10.1080/08905495.2011.651289)

King, Andrew ORCID: 0000-0003-2348-4231 (2009) [Book Review] Women’s literary collaboration, queerness, and late Victorian culture. SHARP News, 18 (2). pp. 10-11.

King, Andrew ORCID: 0000-0003-2348-4231 (2008) [Book review] Dickens and the popular radical imagination. The Dickensian, 104 (474). pp. 45-47. ISSN 0012-2440

King, Andrew ORCID: 0000-0003-2348-4231 (2012) [Book review] Refiguring mass communication: a history. Media History, 18 (3-4). pp. 477-479. ISSN 1368-8804 (Print), 1469-9729 (Online) (doi:https://doi.org/10.1080/13688804.2012.722280)

King, Andrew ORCID: 0000-0003-2348-4231 (2017) Forget Me Not. The Rise of the British Literary Annual 1823–1835. Nineteenth-Century Contexts, 39 (3). pp. 237-240. ISSN 0890-5495 (Print), 1477-2663 (Online) (doi:https://doi.org/10.1080/08905495.2017.1312780)

King, Andrew ORCID: 0000-0003-2348-4231 (2021) Intro-/Inter-: Laurel Brake and the political epistemology of the introduction 1990–2016. Journal of Victorian Culture (JVC), 26 (3). pp. 338-339. ISSN 1355-5502 (Print), 1750-0133 (Online) (doi:https://doi.org/10.1093/jvcult/vcab012)

King, Andrew ORCID: 0000-0003-2348-4231 (2010) "Killing time," or Mrs Braby’s peppermints: The double economy of the Family Herald and the Family Herald Supplements. Victorian Periodicals Review, 43 (2). pp. 149-173. ISSN 0709-4698 (Print), 1712-526X (Online) (doi:https://doi.org/10.1353/vpr.0.0118)

King, Andrew ORCID: 0000-0003-2348-4231 (1984) The 'Ordo Prophetarum' of the "Jeu d'Adam": construction and completeness. Medium Aevum, 53. pp. 49-58. ISSN 0025-8385

King, Andrew ORCID: 0000-0003-2348-4231 (2002) Sympathy as subversion? Reading Lady Audley’s Secret in the kitchen. Journal of Victorian Culture, 7 (1). pp. 60-85. ISSN 1355-5502 (Print), 1750-0133 (Online) (doi:https://doi.org/10.3366/jvc.2002.7.1.60)

King, Andrew ORCID: 0000-0003-2348-4231 (2019) Victorian Popular Fictions Today: “feel these words as mama does!”. Victorian Popular Fictions, 1 (1):1. pp. 6-34. ISSN 2632-4253 (Online)

King, Andrew ORCID: 0000-0003-2348-4231 (2020) Welcome. Victorian Popular Fictions, 2 (2):1. pp. 1-2. ISSN 2632-4253 (doi:https://doi.org/10.46911/DZGG6238)

King, Andrew ORCID: 0000-0003-2348-4231 (2021) Welcome. Victorian Popular Fictions, 3 (1):1. pp. 1-3. ISSN 2632-4253 (doi:https://doi.org/10.46911/JFAN9805)

Lambirth, Andrew (2006) A ripple that ruffled feathers: an appreciation of 30 years of Michael Rosen's poetry for children. Changing English: Studies in Culture and Education, 13 (1). pp. 45-54. ISSN 1358-684X (Print), 1469-3585 (Online) (doi:https://doi.org/10.1080/13586840500347517)

Langan, Michael (2009) Writing under the bridge: an international conversation between Elizabeth Pisani, Wayson Choy, Christos Tsiolkas, Zdravka Evtimova and Michael Langan. Brand Literary Magazine (04). pp. 91-97. ISSN 1754-0593

Lee, Adele (2013) Review of Anne Witchard, Lao She in London. The Literary London Journal, 10 (2). ISSN 1744-0807

Mann, Tony (2004) [Book review] Reviews. Scarlett Thomas, PopCo, London and New York: Fourth Estate, 2004. BSHM Bulletin (3). pp. 54-55.

Mann, Tony (2003) [Screenplay review] Tom Stoppard's "Galileo". BSHM Newsletter, 49. pp. 41-42.

Morton, John ORCID: 0000-0002-9089-7450 (2017) LEONEE ORMOND (ed.). The Reception of Alfred Tennyson in Europe. Review of English Studies, 68 (287). pp. 1020-1022. ISSN 0034-6551 (Print), 1471-6968 (Online) (doi:https://doi.org/10.1093/res/hgx056)

Morton, John ORCID: 0000-0002-9089-7450 (2015) Review of 'Victorian Celebrity Culture and Tennyson's Circle', by Charlotte Boyce, Paraic Finnerty, and Anne-Marie Millim. Victorian Studies, 57 (3). pp. 547-549. ISSN 0042-5222 (Print), 1527-2052 (Online)

Morton, John ORCID: 0000-0002-9089-7450 (2022) Wordsworth's death and the figure of the poet in 1850. Victoriographies, 12 (1). pp. 98-114. ISSN 2044-2416 (Print), 2044-2424 (Online)

Morton, John ORCID: 0000-0002-9089-7450 (2018) The endurance of ‘The Charge of the Light Brigade’. Tennyson Research Bulletin, 11 (2).

Morton, John S. ORCID: 0000-0002-9089-7450 (2013) Robert Browning and Mick Imlah: Forming and collecting the dramatic monologue. Australasian Journal of Victorian Studies, 18 (3). pp. 84-98. ISSN 1327-8746

Morton, John S. ORCID: 0000-0002-9089-7450 (2010) ‘Tennyson at 200: the bicentenary of the Victorian laureate’. Literature Compass, 7 (9). pp. 867-882. ISSN 1741-4113 (doi:https://doi.org/10.1111/j.1741-4113.2010.00748.x)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2017) Humanum ex machina: Translation in the post-global, posthuman world. Target. International Journal of Translation Studies, 29 (2). pp. 284-300. ISSN 0924-1884 (Print), 1569-9986 (Online) (doi:https://doi.org/10.1075/target.29.2.05oth)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2012) Rewriting The Book of Disquiet. Word & Text: A Journal of Literary Studies & Linguistics, 2 (2). pp. 173-179. ISSN 2069-9271

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2014) Stages of the Loss: translation as contamination. How The Ritual made it to the Royal National Theatre. Theatre Research International, 39 (2). pp. 120-132. ISSN 0307-8833 (Print), 1474-0672 (Online) (doi:https://doi.org/10.1017/S0307883314000042)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:https://doi.org/10.1386/jafp.6.1.55_1)

Pennell, Sara ORCID: 0000-0002-2594-4601 (2024) Gender, commerce and the Restoration book trade: mapping the bookscape of Hannah Wolley’s The Ladies Directory (1661). Book History, 27 (1). pp. 1-31. ISSN 1098-7371 (Print), 1529-1499 (Online) (doi:https://doi.org/10.1353/bh.2024.a929571)

Pheby, Alexander (2016) Three pinhead priests, two in flight, one walking on water, enforce the ritual of land-bound remembrance on a boy child found watching birds at swim. Visual Verse: An Anthology of Art and Words, 3 (3).

Sheridan, Claire (2017) An Old Romantic? Thomas Love Peacock, Comedy and Nostalgia. The Charles Lamb Bulletin (165). ISSN 0308-0951

Stenke, Katarina ORCID: 0000-0003-4006-3826 (2018) Dissenting from Edward Young’s Night Thoughts: christian time and poetic metre in Anne Steele’s graveyard poems. Journal for Eighteenth-Century Studies, 41 (2):JECS12534. pp. 273-288. ISSN 1754-0194 (Print), 1754-0208 (Online) (doi:https://doi.org/10.1111/1754-0208.12534)

Stenke, Katarina ORCID: 0000-0003-4006-3826 (2014) "The well-dissembled mourner": lightning's (dis)course in the still lives of Thomson's "Celadon and Amelia". Studies in the Literary Imagination, 46 (1). pp. 19-46. ISSN 0039-3819 (Print), 2165-2678 (Online) (doi:https://doi.org/10.1353/sli.2013.0007)

Book Section

Adeyemi, Adesola (2013) Ìtàn Ògìnìntìn, The Winter's Tale: Shakespeare meets Yoruba gods. In: Banham, Martin, Gibbs, James, Hutchison, Yvette, Osofisan, Femi and Plastow, Jane, (eds.) African Theatre: Shakespeare in and out of Africa. African Theatre (12). James Currey / Boydell & Brewer Ltd., Woodbridge, UK, pp. 48-60. ISBN 9781847010803

Baillie, Justine ORCID: 0000-0002-0056-9155 (2020) "Diasporic modernism: Memory, the object and Jean Rhys’s Good Morning, Midnight (1939)". In: Cuny, Noëlle and Kalck, Xavier, (eds.) Modernist Objects: Literature, Art, Culture. Seminal Modernisms . Clemson University Press, South Carolina. ISBN 978-1949979503

Bavidge, Jenny (2012) Rats, floods and flowers: London's Gothicized nature. In: Phillips, Lawrence and Witchard, Anne, (eds.) London Gothic: Place, Space and the Gothic Imagination. Continuum Literary Series . Continuum International Publishing Group, London: New York, pp. 103-120. ISBN 9781441106827 (Hardback)

Critchley, Emily (2022) Contemporary ecopoetries of Britain and Ireland. In: Brigley, Zoe, (ed.) The Bloomsbury Companion to Contemporary Poetry in Ireland and the UK. Bloomsbury, London. (In Press)

Critchley, Emily (2018) Highly commended poem by Forward Prize 2018. In: , Bidisha and Sieghart, William, (eds.) The Forward Book of Poetry 2019. Faber & Faber. ISBN 978-0571347674

Critchley, Emily (2018) Poems in "The World Speaking Back", a Denise Riley birthday celebration. In: Lehoczky, Agnes and Skoulding, Zoe, (eds.) The World Speaking Back...: To Denise Riley. Boiler House, University of East Anglia (UEA). ISBN 978-1911343394

Derbyshire, Henry ORCID: 0000-0002-1373-1166 (2019) “Four-square behind the sputum”: dramatic form, female characters and implacable politics in Restoration and Summer. In: Nicolás Román, Susana, (ed.) Women in Edward Bond. Transatlantic Studies in British and North American Culture . Peter Lang. ISBN 978-3631773659 (doi:https://doi.org/10.3726/b15005)

Derbyshire, Henry ORCID: 0000-0002-1373-1166 (2019) 'Let Battle Commence!': The Wesker Controversies. In: Etienne, Anne and Saunders, Graham, (eds.) Arnold Wesker: Fragments and Visions. Intellect. (In Press)

Derbyshire, Henry ORCID: 0000-0002-1373-1166 and Hodson, Loveday (2020) Engaging with human rights: truth and reconciliation and hang. In: Adiseshiah, Sian and Bolton, Jacqueline, (eds.) Debbie Tucker Green: Critical Perspectives. Palgrave Macmillan, pp. 89-108. ISBN 978-3030345808

Fiddler, Michael ORCID: 0000-0002-0695-6770 (2017) Sherlock Holmes. In: Turner, Jo, Taylor, Paul, Corteen, Karen and Morley, Sharon, (eds.) A Companion to the History of Crime and Criminal Justice. Companions in Criminology and Criminal Justice . Policy Press. ISBN 978-1447325871

Kennedy, Emma ORCID: 0000-0003-2690-5468 (2016) Present mysteries, removed occasions? Idealised magnificence and political pragmatism in Ben Jonson's The Golden Age Restored. In: Rogers, Elizabeth, Smith, Jeffrey W., Murray, Chris and Findlay, Laura, (eds.) The Golden Age: Nostalgia in Word and Image. Cambridge Scholars Publishing, Newcastle, pp. 13-32. ISBN 978-1443889063; 1443889067

King, Andrew ORCID: 0000-0003-2348-4231 (2018) Cassell's Illustrated Family Paper. In: Morrison, Kevin A., (ed.) Companion to Victorian Popular Fiction. McFarland, Jefferson, North Carolina, USA. ISBN 978-1476669038

King, Andrew ORCID: 0000-0003-2348-4231 (2018) The Family Herald. In: Morrison, Kevin A., (ed.) Companion to Victorian Popular Fiction. McFarland, Jefferson, North Carolina, USA. ISBN 978-1476669038

King, Andrew ORCID: 0000-0003-2348-4231 (2018) The London Journal. In: Morrison, Kevin A., (ed.) Companion to Victorian Popular Fiction. McFarland, Jefferson, North Carolina, USA. ISBN 978-1476669038

King, Andrew ORCID: 0000-0003-2348-4231 (2015) Ouida (Marie Louise Ramé). In: Feluga, Dino, Gilbert, Pamela and Hughes, Linda K., (eds.) The Encyclopedia of Victorian Literature. Wiley-Blackwell, Hoboken, New Jersey. ISBN 9781118405383 (doi:https://doi.org/10.1111/b.9781118405383.2015.x)

King, Andrew ORCID: 0000-0003-2348-4231 (2013) Ouida 1839-1908: quantities, aesthetics, politics. In: King, Andrew ORCID: 0000-0003-2348-4231 and Jordan, Jane, (eds.) Ouida and Victorian Popular Culture. The Nineteenth Century Series . Ashgate Publishing Limited, Farnham, UK, pp. 13-35. ISBN 9781409405894

King, Andrew ORCID: 0000-0003-2348-4231 (2018) Penny Fiction Periodicals. In: Morrison, Kevin A., (ed.) Companion to Victorian Popular Fiction. McFarland, Jefferson, North Carolina, USA. ISBN 978-1476669038

King, Andrew ORCID: 0000-0003-2348-4231 (2019) Publishing and marketing. In: Berensmeyer, Ingo, Beulens, Gert and Demoor, Marysa, (eds.) The Cambridge Handbook of Literary Authorship. Cambridge University Press, Cambridge, pp. 415-428. ISBN 978-1107168657 (doi:https://doi.org/10.1017/9781316717516)

King, Andrew ORCID: 0000-0003-2348-4231 (2018) Reynolds's Miscellany. In: Morrison, Kevin A., (ed.) Companion to Victorian Popular Fiction. McFarland, Jefferson, North Carolina, USA. ISBN 978-1476669038

King, Andrew ORCID: 0000-0003-2348-4231 (2018) Series and Serials. In: Morrison, Kevin A., (ed.) Companion to Victorian Popular Fiction. McFarland, Jefferson, North Carolina, USA. ISBN 978-1476669038

King, Andrew ORCID: 0000-0003-2348-4231 (2018) "Suicide". In: Morrison, Kevin A., (ed.) Companion to Victorian Popular Fiction. McFarland, Jefferson, North Carolina, USA. ISBN 978-1476669038

King, Andrew ORCID: 0000-0003-2348-4231 (2019) The trade and professional press. In: Finkelstein, David, (ed.) The Edinburgh History of the British and Irish Press: 2: Expansion and Evolution, 1800-1900. Edinburgh University Press, Edinburgh. ISBN 978-1474424882; 978-1474424912; 978-1474424905; 1474424880

Lee, Adele (2013) Antony and Cleopatra. Directed by Kemal Aydoğan for the Oyun Atölyesi Theatre Company (Istanbul, Turkey) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 36-38. ISBN 9781408188132

Lee, Adele (2013) Coriolanus. Directed by Motoi Miura for the Chiten Theatre Company (Kyoto, Japan) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 47-50. ISBN 9781408188132

Lee, Adele (2013) A Midsummer Night's Dream. Directed by Jung Yang-ung for the Yohangza Theatre Company (Seoul, South Korea) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 138-141. ISBN 9781408188132

Lee, Adele (2013) New directions: 'put[ing] on some other shape': Richard III as an Arab V.I.P. In: Connolly, Annaliese, (ed.) Richard III : A Critical Reader. Arden Early Modern Drama Guides . Bloomsbury Arden Shakespeare, London, UK, pp. 155-178. ISBN 9781441168252

Lee, Adele (2009) One Husband Too Many and the problem of postcolonial Hong Kong. In: Huang, Alexander C.Y. and Ross, Charles S., (eds.) Shakespeare in Hollywood, Asia and Cyberspace. Purdue University Press, West Lafayette, Indiana, USA, pp. 195-204. ISBN 978-1-55753-529-0

Lee, Adele (2013) Titus Adronicus. Directed by Tang Shu-wing Theatre Studio (Hong Kong) at Shakespeare's Globe. In: Edmondson, Paul, Prescott, Paul and Sullivan, Erin, (eds.) A Year of Shakespeare: Re-living the World Shakespeare Festival. Bloomsbury Arden Shakespeare, London, UK, pp. 207-209. ISBN 9781408188132

Lee, Adele (2013) Titus in No Man's Land: The Tang Shu-wing Theatre Studio's production. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 110-114. ISBN 9781107040557

Lee, Adele (2013) ‘A girdle round about the earth’: Yohangza’s A Midsummer Night’s Dream. In: Bennett, Susan and Carson, Christie, (eds.) Shakespeare Beyond English: A Global Experiment. Cambridge University Press, Cambridge, UK, pp. 83-86. ISBN 9781107040557

Morton, John ORCID: 0000-0002-9089-7450 (2024) Neo-Victorian poetry. In: Brenda Ayres, Brenda and Maier, Sarah E., (eds.) The Palgrave Handbook of Neo-Victorianism. Palgrave Macmillan, Cham, Switzerland, pp. 273-293. ISBN 978-3031321597; 978-3031321603; 3031321596 (doi:https://doi.org/10.1007/978-3-031-32160-3_15)

Morton, John ORCID: 0000-0002-9089-7450 (2017) Researching a single journalist: Alfred Austin. In: Easley, Alexis, King, Andrew ORCID: 0000-0003-2348-4231 and Morton, John ORCID: 0000-0002-9089-7450 , (eds.) Researching the Nineteenth-Century Periodical Press: Case Studies. Routledge, pp. 14-29. ISBN 978-1409468851

Smyth, Cherry (2022) Out of Dazzle. In: Quinn, Leeanne and Woods, Joseph, (eds.) Romance Options: love poems for today. Dedalus, Dublin. ISBN 978-1915629012

Smyth, Cherry (2021) Selected poems for Irish Queer Poetry. In: Maddern, Paul, (ed.) Queering the Green: Post-2002 Queer Irish Poetry. Lifeboat Press, Belfast, pp. 332-347. ISBN 978-1916222830

Stenke, Katarina ORCID: 0000-0003-4006-3826 (2017) A literary progenitor: Lancelot Addison, father of the more famous Joseph. In: Corfield, Penelope J. and Hanan, Leonie, (eds.) Hats Off, Gentlemen! Changing Arts of Communication in the Eighteenth Century: Arts de communiquer au dix-huitième siècle. Lumières internationales . Honoré Champion, Paris, pp. 129-147. ISBN 978-2745344366

Weston, Daniel (2016) W.G. Sebald's afterlives: haunting contemporary landscape writing. In: Heholt, Ruth and Downing, Niamh, (eds.) Haunted Landscapes: Super-Nature and the Environment. Rowman & Littlefield International, London, pp. 167-180. ISBN 978-1783488810

Weston, Daniel Peter (2020) Manifestos and Poetics/Poets on Writing. In: Gortschacher, Wolfgang and Malcolm, David, (eds.) A Companion to Contemporary British and Irish Poetry, 1960-2015. Wiley-Blackwell, Chichester, UK, pp. 97-105. ISBN 978-1118843208; 978-1118843253; 978-1118843215 (doi:https://doi.org/10.1002/9781118843215.ch2b.1)

Weston, Daniel Peter (2015) Nature writing and the environmental imagination. In: James, David, (ed.) The Cambridge Companion to British Fiction since 1945. Cambridge University Press, Cambridge, pp. 110-126. ISBN 978-1107562714 (doi:https://doi.org/10.1017/CCO9781139628754.009)

Weston, Daniel Peter (2018) The environment in British fiction and non-fiction prose since 1945. Oxford Research Encyclopedia of Literature. Oxford University Press, Oxford.

Young, Jennifer (2022) Chapter 1. Women "think round it"! Writing and Publication in Emilia. In: Kressly, Laura, Patient, Aida and Williams, Kimberly A., (eds.) Notelets of Filth: A Companion Reader to Morgan Lloyd Malcolm's Emilia. Routledge Advances in Theatre & Performance Studies . Routledge, London; Abingdon and New York, pp. 1-12. ISBN 978-1003033387; 978-0367498290; 978-0367470982 (doi:https://doi.org/10.4324/9781003033387)

Young, Jennifer M. (2015) Minding their F's and Q's: Shakespeare and the Fleet Street Syndicate 1630-32. In: Hinks, John and Feely, Catherine, (eds.) Historical Networks in the Book Trade. The History of the Book (14). Routledge, London, pp. 83-100. ISBN 978-1848935891

Book

Critchley, Emily (2011) IMAGINARYLOVEPOEMS. Corrupt Press Limited, Paris, France. ISBN 979-1090394179

Critchley, Emily (2011) Love / all that / & OK. Penned in the Margins, London, UK. ISBN 978-0-9565467-7-7

Critchley, Emily (2016) Some Curious Thing. Barque Press. ISBN 978-1-903488-88-1

Critchley, Emily (2017) Ten Thousand Things. Boiler House Press, University of East Anglia. ISBN 978-1-911343-17-2

Critchley, Emily (2013) This is not a true thing. Intercapillary Editions, London, UK. ISBN 978-1291388787

Graham, James and Holden, Nicholas ORCID: 0000-0002-3437-1702 (2021) This House by James Graham. Methuen Student Drama Editions, 1 (1). Bloomsbury Methuen, London. ISBN 9781350155534

Pheby, Alexander (2018) Lucia. Galley Beggar Press. ISBN 9781910296882

Pheby, Alexander (2019) Mordew. Galley Beggar Press, Norwich.

Vlitos (Lloyd), Paul (Ellery) (2024) The Final Act of Juliette Willoughby. Pan Macmillan, London; Dublin. ISBN 978-1035020805; 978-103500812; 1035020807

Edited Book

Brake, Laurel, Demoor, Marysa, Beetham, Margaret, Dawson, Gowan, Dekker, Odin, Haywood, Ian, Hughes, Linda K., Humpherys, Anne, Jones, Aled, King, Andrew ORCID: 0000-0003-2348-4231 , Knight, Mark, Law, Cheryl, Maidment, Brian, Shattock, Joanne, Tilley, Elizabeth, Turner, Mark W. and Wood, John (eds.) (2008) Dictionary of nineteenth-century journalism in Great-Britain and Ireland. In: King, Andrew ORCID: 0000-0003-2348-4231 , Beetham, Margaret, Dawson, Gowan, Dekkers, Odin, Haywood, Ian, Hughes, Linda, Jones, Aled, Humpherys, Anne, Knight, Mark, Maidment, Brian, Shattock, Joanne, Tilley, Elizabeth and Turner, Mark, (eds.) The British Library / Academia Press, London, UK & Ghent, Belgium. ISBN 9780712350396

Critchley, Emily (ed.) (2015) Out of Everywhere 2: Linguistically Innovative Poetry by Women in North America & the UK. Reality Street, Hastings, UK. ISBN 978-1874400684

Davies, Rosamund ORCID: 0000-0001-8645-8271 , Potts, Cherry and Rehal, Kam (eds.) (2019) Story Cities: A City Guide for the Imagination. Arachne Press, UK. ISBN 978-1909208780

Dymoke, Sue, Lambirth, Andrew and Wilson, Anthony (eds.) (2013) Making poetry matter: International research on poetry pedagogy. Bloomsbury Academic, London / New York. ISBN 9781441101471

King, Andrew ORCID: 0000-0003-2348-4231 and Jordan, Jane (eds.) (2013) Ouida and Victorian popular culture. The Nineteenth Century Series . Ashgate Publishing Limited, Farnham, UK. ISBN 9781409405900

Conference Proceedings

King, Andrew ORCID: 0000-0003-2348-4231 (2021) Embarrassed by being mistaken for a woman. In: Victorian inclusion and exclusion: Victorian popular fiction association, 13th annual conference, 14-16 July 2021. School of Humanities and Social Sciences, University of Greenwich, University of Greenwich, London. (Unpublished)

Conference or Conference Paper

Baillie, Justine ORCID: 0000-0002-0056-9155 (2007) History, memory and the construction of gender in Ishiguro's 'A Pale View of Hills and The Remains of the Day'. In: Kazuo Ishiguro and the International Novel, 1 - 2 June 2007, Liverpool Hope University, Liverpool. (Unpublished)

Jones, Emrys (2013) Imagining friendship in the eighteenth century. In: Public Lecture: Imagining Friendship in the Eighteenth Century, 26 Sep 2013, Dr Johnson's House, London, UK. (Unpublished)

King, Andrew ORCID: 0000-0003-2348-4231 (2010) Branding the Victorian periodical: the case of the Family Herald. In: 42nd Annual Conference of the Research Society for Victorian Periodicals, 10-11 Sep 2010, Yale University, USA. (Unpublished)

King, Andrew ORCID: 0000-0003-2348-4231 (2017) Colby Prize Lecture part 1 (and final): Periodical Collaborations - Past, Present and Future. In: Research Society for Victorian Periodicals, 27-29 July 2017, Freiburg, Germany.

King, Andrew ORCID: 0000-0003-2348-4231 (2008) Defiance and persistence: Ouida’s radical conservatism. In: Ouida Centenary Conference, 20 Sep 2008, Kingston University, UK. (Unpublished)

King, Andrew ORCID: 0000-0003-2348-4231 (2018) Excessive reference: “proximity” and personality in nineteenth-century crime fiction. In: Measure and Excess: INCS International Conference, 13-15 June 2018, Universita di Roma 3, Rome, Italy.

King, Andrew ORCID: 0000-0003-2348-4231 (2011) Hollywood’s grandmas: epistemology, ethics and erotics in the Victorian transatlantic popular novel. In: Sex, Courtship and Marriage in Victorian Popular Culture: 3rd Annual Conference for the Association for Victorian Popular Fiction, 18-19 July 2011, Institute of English Studies, University of London. (Unpublished)

King, Andrew ORCID: 0000-0003-2348-4231 (2014) If it doesn't hurt it isn't real: realism, Dickens, journalism. In: Public lecture series, 3-12 Nov 2014, University of Macerata, Italy. (Unpublished)

King, Andrew ORCID: 0000-0003-2348-4231 (2013) Negotiations of modernity: The Bankers’ Magazine and the professionalisation of banking. In: Research Society for Victorian Periodicals 45th Annual Conference, 11-13 July 2013, Salford, UK. (Unpublished)

King, Andrew ORCID: 0000-0003-2348-4231 (2014) New women, new publishing? Women and print culture 1890-1914. In: Public lecture series, 3-12 Nov 2014, University of Macerata, Italy. (Unpublished)

King, Andrew ORCID: 0000-0003-2348-4231 (2013) Orientalism at art school: Lord Leighton addresses the RA 1879-95. In: Victorian Orientalism(s), 28-29 June 2013, University of Catania, Italy. (Unpublished)

King, Andrew ORCID: 0000-0003-2348-4231 (2010) Ouida and the Mark of Woman in the late nineteenth century. In: Research in Authorship as Performance (RAP) Seminar, 1 Dec 2010, University of Ghent, Belgium. (Unpublished)

King, Andrew ORCID: 0000-0003-2348-4231 (2008) Ouida and the aesthetics of social transformation. In: Ouida in Exile: The Stubborn Pilgrim, 30-31 Aug 2008, Bagni di Lucca, Italy. (Unpublished)

King, Andrew ORCID: 0000-0003-2348-4231 (2023) Ouida on the Margins 1839-1857. In: Ouida: High Priestess of the Impossible (A VPFA Study Day), 3rd - 4th November 2023, online virtual event.

King, Andrew ORCID: 0000-0003-2348-4231 (2012) Ouida, money and a change of heART. In: Victorian Popular Fiction 4th Annual Conference, 11-13 July 2012, Institute of English Studies, University of London. (Unpublished)

King, Andrew ORCID: 0000-0003-2348-4231 (2013) Ouida’s grounded cosmopolitanism. In: The Global and the Local, 1st supernumerary conference of NAVSA, BAVS AVSA, 3-6 June 2013, Ca’ Foscari University of Venice, Italy. (Unpublished)

King, Andrew ORCID: 0000-0003-2348-4231 (2018) Serial Marketing: Ouida in the 1860s. In: Open University History of Books and Reading with Institute of English Studies, 5 March 2018, Senate House, University of London. (Unpublished)

King, Andrew ORCID: 0000-0003-2348-4231 (2014) Sex and the city: Victorian women, power, periodicals and shopping. In: Public lecture series, 3-12 Nov 2014, University of Macerata, Italy. (Unpublished)

King, Andrew ORCID: 0000-0003-2348-4231 (2018) Subjugations: the case of the Stanfield Hall Murders and J.F. Smith’s Stanfield Hall (1848). In: Desubjugating Knowledges in Nineteenth-Century Print Culture, 13 October 2018, Keynes Library, Birkbeck. (Unpublished)

King, Andrew ORCID: 0000-0003-2348-4231 (2018) Switching: creating reference works for Nineteenth-Century serials. In: Media History Seminar, 12 March 2019, Senate House, University of London. (Unpublished)

King, Andrew ORCID: 0000-0003-2348-4231 (2008) Watchdog or propaganda? The nineteenth-century press and the ‘fourth estate'. In: Launch of the Nineteenth-Century Serials Edition (NCSE), 13 May 2008, British Library, UK. (Unpublished)

King, Andrew ORCID: 0000-0003-2348-4231 (2011) What Betsy Read: sentiment and sensation in the kitchen 1840–1860. In: Victorian Print and Popular Culture Seminar Series, 9 Feb 2011, Liverpool John Moores University, UK. (Unpublished)

King, Andrew ORCID: 0000-0003-2348-4231 (2011) What Betsy read: sentiment and sensation 1830-1860. In: The Dickens Fellowship, 9 May 2011, Canterbury, Kent. (Unpublished)

King, Andrew ORCID: 0000-0003-2348-4231 (2013) What Betsy read: sentiment and sensation in the kitchen 1840–1860. In: Birkbeck Forum for Nineteenth-Century Studies, 28 Jan 2013, Birkbeck, University of London. (Unpublished)

King, Andrew ORCID: 0000-0003-2348-4231 (2018) What is "Victorian popular fiction"? In: War and Peace: the 10th Annual Conference of the Victorian Popular Fiction Association, 3-7 July 2018, Senate House, University of London. (Unpublished)

King, Andrew ORCID: 0000-0003-2348-4231 (2018) The shape of water. In: The Body and the Page: Annual Conference of the Research Society for Victorian periodicals, 26-28 July 2018, University of Victoria, BC.

King, Andrew ORCID: 0000-0003-2348-4231 (2013) A terrible secret: or, don't believe the critics and see for yourself. The material reality of Victorian popular reading. In: A Terrible Secret. Or, Don't Believe the Critics: See for Yourself. The Material Reality of Victorian Popular Reading: a Workshop, 25 June 2013, University of Catania, Italy. (Unpublished)

Lambirth, Andrew, Smith, Sarah ORCID: 0009-0008-9815-8629 and Steele, Susanna (2011) Leading poetry: ten subject leaders talk about poetry teaching in their schools. In: Empowerment Through Literacy: Literacy Shaping Futures, 1-3 July 2011, University of Chester.

Morton, John S. ORCID: 0000-0002-9089-7450 (2010) “ ‘Vex thou not the poet’s mind’: posthumous poetical forms of addressing Tennyson”. In: British Association of Victorian Studies Conference, Victorian Forms and Formations, 2-4 September 2010, University of Glasgow, Scotland. (Unpublished)

Morton, John S. ORCID: 0000-0002-9089-7450 (2010) The dead are not dead but alive!: Imlah and Tennyson. In: Mick Imlah: His Life and Work, 10 Dec 2010, Institute of English Studies, University of London, Senate House. (Unpublished)

Thesis

Blake, Andrew John (1984) Fiction as history: an examination of the ideological content of the 19th century novel of manners, with a case study of the portrayal of the ruling class in Anthony Trollope's novels. PhD thesis, Thames Polytechnic.

Brown, G. M. (1983) G.K.Chesterton: an argument for his status as a serious creative writer in the mainstream of English Romanticism, with a discussion of his possible influence on the novelist and poet Charles Williams. MPhil thesis, Thames Polytechnic.

Somerville, Niall James Damien (2017) The reappropriation of the Victorian in the novels of Margaret Atwood and Angela Carter. PhD thesis, University of Greenwich.

Show/Exhibition

Smith, Caroline (2011) Last of the red wine (Performance). [Show/Exhibition]

Smith, Caroline (2009) Once more with feeling: Feminism and the archive. [Show/Exhibition]

Creative Performance or Reading

Hutchins, Emma (2008) NOT stalking David Tennant (aka "having it all"). [Creative Performance or Reading] (Unpublished)

Play, Short Story or Poetry

Critchley, Emily (2019) Home. [Play, Short Story or Poetry]

Critchley, Emily (2018) Poems to mark the death of John Ashbery. [Play, Short Story or Poetry]

Pheby, Alexander (2018) Dreams of the Dead - IX. [Play, Short Story or Poetry]

Rapi, Nina (2008) Scatman. [Play, Short Story or Poetry]

Video

King, Andrew ORCID: 0000-0003-2348-4231 (2017) Detective Fiction Session 2: "Detection and Sensation”: Part 1: ‘Why Henry Dunbar?’. [Video]

King, Andrew ORCID: 0000-0003-2348-4231 (2017) Detective Fiction: Introduction Part 2: “Time for Detection”. [Video]

King, Andrew ORCID: 0000-0003-2348-4231 (2017) Detective Fiction: Introduction Part 3: “Discourse and the Interpretation of Texts”. [Video]

King, Andrew ORCID: 0000-0003-2348-4231 (2017) Henry Dunbar Part 2. [Video]

King, Andrew ORCID: 0000-0003-2348-4231 (2017) Henry Dunbar Part 3. [Video]

King, Andrew ORCID: 0000-0003-2348-4231 (2017) Henry Dunbar Part 4. [Video]