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Items where Subject is "NX Arts in general"

Items where Subject is "NX Arts in general"

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Group by: Creators | Item Type | Uncontrolled Keywords
Number of items at this level: 88.


Cheddie, Janice (2007) Listening to trauma in the art of Everlyn Nicodemus. Third Text, 21 (1). pp. 79-89. ISSN 0952-8822 (Print), 1475-5297 (Online) (doi:

Critchley, Emily (2009) Review of Magenta Soul Whip by Lisa Robertson. HOW2, 3 (3).

Critchley, Emily (2007) [A conference overview & introductory remarks] Cambridge Experimental Women's Poetry Festival 5 - 9 October 2006. HOW2, 3 (1).

Finkelstein, Joanne (2009) Sprezzatura and the cool charm of being artless. Brand Literary Magazine, 5 (Summer). pp. 87-92. ISSN 1754-0593

Golding, Sue (2012) The university must be defended: collateral damage, part 37. Angelaki: Journal of Theoretical Humanities, 17 (1). pp. 131-134. ISSN 0969-725X (Print), 1469-2899 (Online)

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2021) Communities and narratives in neglected 1 spaces: voices from SMASHfestUK. Journal of Science Communication, 20 (1):C04. ISSN 1824-2049 (doi:

Lammin, Hannah ORCID: 0000-0002-9752-9335 (2018) Krisis as the scene of non-decisional judgement: A performance-fiction for the generic human. Performance Philosophy, 4 (1). pp. 66-85. ISSN 2057-7176 (Online) (doi:

Mann, A.J.S. (2008) Reviews: 'The 19th Step' research performance [Performance review]. The London Mathematical Society Newsletter (371). pp. 23-25.

Masu, Raul and Correia, Nuno N. ORCID: 0000-0002-9999-9162 (2020) Pathways to live visuals in dance performances: a quantitative audience study. EAI Endorsed Transactions on Creative Technologies, 20 (23):e5. ISSN 2409-9708 (Online) (doi:

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2019) Between the art canon and the margins: historicizing technology-reliant art via curatorial practice. Arts, 8 (3):121. ISSN 2076-0752 (doi:

Sigthorsson, Gauti (2009) Sensation for sensation's sake: affect and the temptation of 'Wow!'. Alba, 3. ISSN 1403-5448

Sporton, Gregory (2011) The "e" Prefix: e-Science, e-Art & the New Creativity. Malaysia Art Gallery Guide. pp. 30-33. ISSN 2231-914X

Sporton, Gregory (2009) The "e" prefix: e-Science, e-Art & the new creativity. Digital Humanities Quarterly, 3 (4). ISSN 1938-4122

Watkins, Julie ORCID: 0000-0001-8872-7041 (2021) Enhancing artistic practice through integrating strategies for preservation into the work. Body, Space & Technology, 20 (1). pp. 97-105. ISSN 1470-9120 (Online) (doi:

Book Section

Acton, Thomas (2010) Is tradition the enemy of history? In: Orta, Lucy, (ed.) Mapping the Invisible: EU-Roma Gypsies. Black Dog Publishing / London College of Fashion, London, UK, pp. 20-23. ISBN 978 1 906155 91 9

Acton, Thomas (2007) Refusing exclusion. In: Politi, G., Sharp, C., Uhlirova, K., Foltyna, L. and Gute, C., (eds.) Praguebiennale 3: Glocal and Outsiders: Connecting Cultures in Central Europe. Giancarlo Politi, Milan, Italy, pp. 393-394. ISBN 9788878161429

Adeyemi, Sola (2010) Language and accessibility in Femi Osofisan’s drama. In: Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro, (eds.) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK, pp. 187-202. ISBN 978-0956683700

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

Clear, Nic (2008) A to Z. In: Clear, Nicholas and Stark, Gabor, (eds.) Adjacencies: innovative practices in spatial design and education. Circulating Objects series . Canterbury School of Architecture, Canterbury, UK, pp. 40-43. ISBN 9780955822520

Critchley, Emily (2010) Emily Critchley. In: Etter, Carrie, (ed.) Infinite Difference: Other Poetries by U.K. Women Poets. Shearsman Books, Exeter, UK, pp. 176-185. ISBN 978-1848610996 (pbk)

Critchley, Emily (2010) 'Hejinian's Faustienne Beings-With'. In: Chivers, Tom, (ed.) Stress Fractures: Essays on Poetry. Penned in the Margins, London, pp. 55-72. ISBN 978-0-9565467-1-5

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2011) Digital intimacies: aesthetic and affective strategies in the production and use of online video. In: Grainge, Paul, (ed.) Ephemeral Media: Transitory Screen Culture from Television to YouTube. Palgrave Macmillan, Basingstoke, UK, pp. 214-227. ISBN 9781844574353

Falahat, Somaiyeh and Shirazi, M. Reza (2019) The making of Tehran: the incremental encroachment of modernity. In: Yacobi, Haim and Nasasra, Mansour, (eds.) Routledge Handbook on Middle East Cities. Routledge, London, UK. ISBN 978-1315625164 (doi:

Kennell, James ORCID: 0000-0002-7877-7843 (2008) Arts-led regeneration and community cohesion: a study of Folkestone, Kent. In: Collins, Mike, Holmes, Kirsten and Slater, Alix, (eds.) Sport, Leisure, Culture and Social Capital: Discourse and Practice. LSA publication (100). Leisure Studies Association, Eastbourne, UK, pp. 139-154. ISBN 978-1-905369-11-9

Longmore, Jane (2007) The urban renaissance in Liverpool, 1760-1800. Joseph Wright of Derby in Liverpool: laying the foundations of taste. Yale University Press, New Haven, Conn. ; London. ISBN 978-0300117455

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2020) Uncovering New Voices at the Royal Court Theatre- Interview with Vicky Featherstone. In: Galea, Marco and Musca, Szabolcs, (eds.) Redefining Theatre Communities – International Perspectives on Community-Conscious Theatre-Making. Intellect, Bristol. ISBN 9781789380767

Samson, Audrey and Tobias Schäfer, Mirko (2018) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Theory in the New Humanities . Bloomsbury Press, London, UK, pp. 407-410. ISBN 978-1350030244

Sporton, Gregory and Makiola, Iona (2011) The Watertower: augmented reality gaming for heritage. In: Beale, Katy, (ed.) Museums At Play – Games, Interaction and Learning. MuseumsEtc., Edinburgh, UK and Boston, USA, pp. 347-357. ISBN 9781907697142

Sporton, Gregory and Sharl, Robert (2006) Ultra parallelism: the grid, the supercomputer and the creative artist. In: Gibbon, Joan and Winwood, Kaye, (eds.) Hothaus papers: perspectives and paradigms in media arts. Vivid/Article Press, Birmingham, UK, pp. 102-108.


Rowland, Susan, (ed.) (2008) Psyche and the arts: Jungian approaches to music, architecture, literature, painting and film. Routledge, East Sussex, England. ISBN 978-0-415-43836-0

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sigthorsson, Gauti (2013) Introducing the creative industries: from theory to practice. SAGE Publications Ltd., London, UK. ISBN 978-1849205733

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

Edited Book

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

Falvey, Eddie, Wroot, Jonathan ORCID: 0000-0002-6827-728X and Hickinbottom, Joe (eds.) (2020) New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, United Kingdom. ISBN 978-1786836342 (In Press)

King, Andrew ORCID: 0000-0003-2348-4231 (ed.) (2019) Keep the Door of my Lips: the Unspoken Cost of Work in Victorian/ Austerity Britain. Stephen Lawrence Gallery. ISBN 978-0957343054

Conference Proceedings

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189, Kennedy, Stephen, Rehal, Kamalveer and Maffioletti, Catherine (2019) Co-Design Methods towards Inclusive design in Diverse Communities: Empowering Youth through Entrepreneurial Skills. In: Design Research for Change 2019. Lancaster University, pp. 118-119. ISBN 978-1862203631

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Jefferies, Janis (2016) Intimate technologies: The ethics of simulated relationships. In: ISEA2016, Cultural R>Evolution. Proceedings of the 22nd International Symposium on Electronic Art . School of Creative Media, City University of Hong Kong, Hong Kong. ISBN 978-962-442-397-6

Conference or Conference Paper

Adil, Alev (2011) Dream and diaspora : Tracey Emin's Turkish Cypriot legacy. In: Tracey Emin Study Day, 13 June 2011, Hayward Gallery South Bank. (Unpublished)

Adil, Alev (2010) Photography and borders: Nicosia’s green line as a milieux de memoire. In: International Conference of Photography and Theory - Cypriot Photography in Context: Time Place and Identity, 25-26 Nov 2010, Cyprus University of Technology, Limassol, Cyprus. (Unpublished)

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2009) Digital intimacies: aesthetic and affective strategies in the production and use of online video. In: Ephemeral Media Workshop, 23-24 Jun 2009, Nottingham University. (Unpublished)

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Don’t look now: adapting prose narrative for the screen. In: Screenwriting - History, Theory and Practice, 9-11 Sep 2010, Copenhagen, Denmark. (Unpublished)

Golding, Johnny (2010) Keynote: the need to know (Law): minority report on museum interface, space, technologies. In: Museum Interfaces, Spaces, Technologies (MIST), 22-23 March 2010, Dept of Architecture, Cambridge University. (Unpublished)

Golding, Sue (2010) The Allergic Bodies Conference: Postgraduate/Postdoctoral Research Conference, 2010. In: The Allergic Bodies Postgraduate/Postdoctoral Research Conference, 27 May 2010, University of Greenwich, Maritime Campus.

Golding, Sue (2010) Tactile philosophy: From ars scientifica to ars erotica. In: Touched: Philosophy Meets Art, 19 Nov 2010, Liverpool, UK. (Unpublished)

Golding, Sue (2006) The assassination of time (ζeta-philosophy). In: Digital Art Weeks, 12-16 Jul 2006, Eidgenössische Technische Hochschule, Zurich, Switzerland.

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

King, Andrew ORCID: 0000-0003-2348-4231 (2011) Small screen and big screen: the economics of 'Rage'. In: The Big Screen vs. The Small Screen, 16 Feb 2011, Canterbury Christ Church University, UK. (Unpublished)

Papadaki, Elena ORCID: 0000-0002-6653-4334, Maragiannis, Anastasios and Chatzichristodoulou, Maria (2018) Digital Cultural Heritage in the 'land of the ancient': the case of Greece (panel discussion). In: DRHA 2018 - Creative Legacies: Collaborative Practices for Digital Cultural Heritage, 9-12 September 2018, Valletta, Malta. (Unpublished)

Smith, Caroline (2009) Eating secret [at Kingston University]. In: Kingston University for Performing Lives International Symposium, 6 - 8 July, 2009, Kingston University. (Unpublished)

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 and Hirst, Nicola (2016) The Design Studio as a Social Organism and Ecology. In: DRHA Conference 2016, 4th-7th September 2016 WhoLoDancE, University of Brighton. (Unpublished)

Young, Jennifer (2019) Q2 Othello at the Serjeants' Inn. In: The Early Modern Inns of Court and the Circulation of Texts, 14-15 Jun 2019, King's College London, London. (Unpublished)

Working Paper

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Co-Designing with the Bereaved: how Curatorial Dilemmas become Ethical Reflections. [Working Paper] (Submitted)


Saratsi, Eirini, Acott, Timothy, Allinson, Ewan, Edwards, David, Fremantle, Chris and Fish, Robert (2019) Valuing Arts and Arts Research. Discussion Paper. Valuing Nature Paper VNP22.

Waterworth, David (2019) Serlachius residency report for the project: a parallel collection. Project Report. UNSPECIFIED. (Unpublished)

Williams, Alex, Dovey, John, Cronin, Bruce ORCID: 0000-0002-3776-8924, Garside, Peter, Flintham, Matthew, Smith, Matthew, Barnett, David, Brooks, Richard, Boddington, Anne and Taylor, Faye (2017) The Hidden Story: Understanding Knowledge Exchange Partnerships with the Creative Economy. Project Report. Kingston University in partnership with University Alliance; UWE Bristol; & Greenwich, Coventry & Sheffield Hallam Universities,.


Sabisch, Petra (2009) Choreographing relations: practical philosophy and contemporary choreography. PhD thesis, University of Greenwich.

Walker, Mark (2008) Experiential embodiment and human immediacy: Adorno’s negative affinity. PhD thesis, University of Greenwich.


Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2018) SMASHfestUK Earth and Sky Tour 2017. [Show/Exhibition]

Keith, Lindsay ORCID: 0000-0002-5324-1719, Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2017) Diversity + inclusivity by design: what is enabled when designers design with and for others? [Show/Exhibition]

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189, Marios, Psaras and Siamptani, Mala (2019) “d+iD Empowering individuals” international research project exhibition and research publication (multi-component output, 2019-ongoing). [Show/Exhibition]

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2019) "Fast Forward to the Analogue: vintage immersions". [Show/Exhibition]

Smith, Caroline (2009) Eating secret (at Art Depot). [Show/Exhibition]

Smith, Caroline (2009) Eating secret (at The Roundhouse). [Show/Exhibition]

Sporton, Gregory (2010) EP: VV East Side Projects: virtualised and visualised. [Show/Exhibition]

Sporton, Gregory (2010) The Watertower. [Show/Exhibition]

Waterworth, David (2019) Pathways in the Serlachius Foundation Collection and its extended constituencies. [Show/Exhibition]

Waterworth, David (2015) Stockwell Depot 1967-79 (Exhibition). [Show/Exhibition]

Art/Poetry/Short Story Performance or Reading

Critchley, Emily and Thornton, Tim (2011) Poetry Reading: Emily Critchely and Tim Thornton. [Art/Poetry/Short Story Performance or Reading]

Rabourdin, Caroline ORCID: 0000-0002-9694-0384 (2018) 'I', taken away from me. [Art/Poetry/Short Story Performance or Reading]

Smith, Caroline (2008) Eating secret [at Whitstable Biennale Satellite]. [Art/Poetry/Short Story Performance or Reading]

Smith, Caroline (2008) End of the line: flash fiction collection on trauma [Reading]. [Art/Poetry/Short Story Performance or Reading] (Unpublished)

Smith, Caroline (2007) Spank [at Intimacy: across visceral and digital performance]. [Art/Poetry/Short Story Performance or Reading]

Smith, Caroline (2008) Spank [at Queer in Europe, Exeter University, September 08]. [Art/Poetry/Short Story Performance or Reading]

Smith, Caroline (2008) Spank performance tour [at Betsey's Salon of Interdisciplinary Arts]. [Art/Poetry/Short Story Performance or Reading]

Smith, Caroline (2008) Spank performance tour [at Further investigations, The Space In Between]. [Art/Poetry/Short Story Performance or Reading]

Smith, Caroline (2008) Spank performance tour [at National Review of Live Art 2008]. [Art/Poetry/Short Story Performance or Reading]

Smith, Caroline (2008) Spank performance tour [at OMSK]. [Art/Poetry/Short Story Performance or Reading]

Smith, Caroline (2007) Spank performance tour [at Signals 07 arts festival]. [Art/Poetry/Short Story Performance or Reading]

Play, Short Story or Poetry

McKean, Kathy (2007) Beneath You Spider Girls Are Everywhere! [Play, Short Story or Poetry]


Aling, Michael ORCID: 0000-0002-9714-235X (2017) Book Designs as Architectural Projects. Intellect. (doi:

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2019) MCO: Human Rights and Media and Ukraine. Association for Progressive Communications (APC), Swedish International Development Cooperation Agency (Sida).

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Spatial Immersions: the field of exhibition practices [multi-component output - ongoing research project]. UNSPECIFIED. (Unpublished)

Wall, Edward Duncan (2017) Landscape and Agency - Multi-component item. Routledge, Oxon.

This list was generated on Fri Dec 3 10:18:06 2021 UTC.