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Items where Subject is "NX Arts in general"

Items where Subject is "NX Arts in general"

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'Don't Look Now' 'New Leadership' and performance support Abstract painting Abstract sculpture activity at the edges adaptation Addressing social issues and inclusion aesthetics affect afterlife agency AHRC Allan Scott alumni American and advanced music animation anthology Anthropology Arabian nights architectural books architectural education architectural publishing architecture archive research art Art and Health art criticism Art depot artificial intelligence artist artistic directors artistic research arts arts and humanities arts based research artworks audience audience study audio-visual augmented reality Austerity autobiography autoethnography autotheory Balnakiel BAME Bass bass culture bass shaker bereavement bilingualism bodies body body data body interfaces book design book futures book review Breaking down barriers British art Cambridge Canterbury care and activism Carl Jung Changing values and expectations China choreography chormunity Chris Bryant cities co-curation co-design Codesign cognitive Collectarium collection research collective communication technologies Communications communities community community cohesion community curation community engagement community movement composition computer art conference Contemporary Creative Arts contemporary poetry Control Voltage Copy Press corporatism creative computing Creative Industies creative industries creative maps creativity Creativity and the nature of humanity critical artistic research critical theory criticism and interpretation cultural dissonance Cultural Diversity Culture curated group exhibition curating histories curation curatorial practice curatorial theory/practice Cyprus dance Daphne du Maurier data visualisation datafication death online studies Deep Bass deep map deep noise Democratization of the Creative Arts Depot Untapped design Desire for active involvement diaspora digital art digital arts Digital Cultural Heritage digital death digital media digital media haptics digital models of exhibitions digital storytelling Digital technologies digital technology Diversity drama drawings drift codes Dushume dwelling e-art e-culture e-science Early modern drama Eating secret ecologies ecology Education and the Creative Arts eighteenth century Electroacoustic Music electronic arts performance electronic music embodied experience embodied geography embodiment embodying technology emotion empowering engagement England Enlightenment ephemeral media epistemology ergodic literatures erotic philosophy and the senses essay ethics Euripides Everlyn Nicodemus evidence exhibition exhibition documentation exhibition histories experiential structures experimental experimental film Experimental Music experimental noise experimental phenomenology Experimental Sound extending the senses Externalities Eyes Falling barriers to entry Faustienne feminist feminist queer and intersectional theory festival fiction Field Recording film fine art Folkestone Food forest fractal philosophy Gender Geographic Information Systems Glitch Global South glocalisation green space greenwich guidebook hacking hand drawn maps harsh bass Harsh Noise Heidegger history history and criticism holographic gaming holographic wave compositions horror hospice human human interaction/interface Human Rights human tissue hybrid experience identity identity theft immersion immersive immersive experiences immersive practices immortality Informal learning installation installation art interaction design interculturalism intergenerational engagement intergenerational workshop international international research exhibition catalogue internet Interreg interviews intimacy Keywords knowledge exchange knowledge systems krisis Lancaster University landscape language LANGUAGE writing legacy liberal arts Lisa Robertson Live art live visuals Liverpool locative media Lyn Hejinian machine learning Marcus du Sautoy marginalisation Martin Conway Masquerade mathematical proof media media agility media arts philosophy literary England performance media installation memory metamedia methodology Middle East mobile publishing multi-media publishing museum and community museum community engagement museum outreach music Music Technology myth narrative narrative archaeology necro-financialisation network technologies neuro-psychologist new media new media art New Romani art new writing Nicolas Roeg Nigerian history Nigerian drama Nigerian history Nigerian literature Nigerian literature (english) Nigerian poetry Nigerian poetry (English) Nigerian theatre noise Nollywood non-philosophy NWE ododo organ donation Othello outputs Overcoming the urban-rural divide pandemics participants participatory art performance Performance art performance cartography performance perspectives performances performativity periodicals personal data protection phenomenological gaze philosophy photography play poetics poetry poetry reading politics politics of language post-conceptual art posthumous-agents Practice as Research Knowledge Exchange practice-research presence public public curation Public engagement public health Publishing QR codes race radical Rage Raymond Williams Reaching excluded groups reader communities Readers Union reduced visuals reflections regeneration representation research review RIBA Richard Hawkins robotics Robots Role of the Creative Arts Roma art Roma history Sally Potter Scicomm science Science communication: theory and models Science Fiction Scotland Second Life selfhood sensation sensing virtual reality/mixed reality serious games Serjeants Inn Smashfest Social social connectedness Social inclusion social media Social Network Analysis social semiotics somatic Sound sound art sound design sound studies sound-art soundscape soundscape research spaces of the exhibition spatial politics static glow STEM storytelling students studio practice Study and teaching style subject Sunday Enessi Sunday Enessi Ododo supercomputing sustainability symposium synthetic life Technological Intimacy technology-reliant works television temporal dissonance The 19th Step The Creative Arts The Creative Arts and employment and entrepreneurship The Creative Arts and sustainability The Keyword Project The Roundhouse theatre theatricality theory time trade periodicals trauma Ukraine university urban history urbanism Uses of the Creative Arts valuing nature Victorian video games video texts virtual exhibition virtual gifting virtual reality virtual spaces visual ethnography visual language visual music vocality Vulnerability walking Watch Man weaving web-sciences WebAR women word maps work world cinema writing youtube ‘non-representational’ cultural theory
Number of items at this level: 579.

'Don't Look Now'

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Don’t look now: adapting prose narrative for the screen. In: Screenwriting - History, Theory and Practice, 9-11 Sep 2010, Copenhagen, Denmark. (Unpublished)

'New Leadership' and performance support

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

Abstract painting

Waterworth, David (2015) Stockwell Depot 1967-79 (Exhibition). [Show/Exhibition]

Abstract sculpture

Waterworth, David (2015) Stockwell Depot 1967-79 (Exhibition). [Show/Exhibition]

activity at the edges

Kennedy, Stephen (2021) The guardians of the possible. In: Korolkova, Maria and Barker, Timothy, (eds.) Miscommunications: Errors, Mistakes, Media. Film & Media Studies 2021 . Bloomsbury, London, pp. 103-116. ISBN 978-1501363856 ; 978-1501363825 ; 978-1501363832 (doi:https://doi.org/10.5040/9781501363825.0014)

adaptation

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Don’t look now: adapting prose narrative for the screen. In: Screenwriting - History, Theory and Practice, 9-11 Sep 2010, Copenhagen, Denmark. (Unpublished)

Addressing social issues and inclusion

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

aesthetics

Golding, Johnny (2010) Keynote: the need to know (Law): minority report on museum interface, space, technologies. In: Museum Interfaces, Spaces, Technologies (MIST), 22-23 March 2010, Dept of Architecture, Cambridge University. (Unpublished)

Walker, Mark (2008) Experiential embodiment and human immediacy: Adorno’s negative affinity. PhD thesis, University of Greenwich.

affect

Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Alleviating digital fatigue through embodied artistic practice and green space. International Journal of Performance Arts and Digital Media. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2024.2305448)

afterlife

Samson, Audrey and Tobias Schäfer, Mirko (2018) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Theory in the New Humanities . Bloomsbury Press, London, UK, pp. 407-410. ISBN 978-1350030244

agency

Wall, Edward Duncan (2017) Landscape and Agency - Multi-component item. Routledge, Oxon.

AHRC

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Kennedy, Stephen, Rehal, Kamalveer and Maffioletti, Catherine (2019) Co-Design Methods towards Inclusive design in Diverse Communities: Empowering Youth through Entrepreneurial Skills. In: Design Research for Change 2019. Lancaster University, pp. 118-119. ISBN 978-1862203631

Allan Scott

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Don’t look now: adapting prose narrative for the screen. In: Screenwriting - History, Theory and Practice, 9-11 Sep 2010, Copenhagen, Denmark. (Unpublished)

alumni

Ramachandran, Rahesh ORCID: 0000-0001-9238-5021 and Rayan, Elnayal (2021) House of many cultures: the Other's story. [Show/Exhibition]

American

Critchley, Emily (2009) Review of Magenta Soul Whip by Lisa Robertson. HOW2, 3 (3).

and advanced music

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

animation

Sporton, Gregory (2010) The Watertower. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2021) Enhancing artistic practice through integrating strategies for preservation into the work. Body, Space & Technology, 20 (1). pp. 97-105. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.370)

anthology

Critchley, Emily (2010) Emily Critchley. In: Etter, Carrie, (ed.) Infinite Difference: Other Poetries by U.K. Women Poets. Shearsman Books, Exeter, UK, pp. 176-185. ISBN 978-1848610996 (pbk)

Anthropology

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Sound programme: the sounds that bring us together - Boo Su. In: EASA2022: Transformation, Hope and the Commons: Sound Programme: The Sounds that Bring us Together. Panel P122b at conference, 27th July 2022, School of History, Anthropology, Philosophy and Politics at Queen’s University Belfast.

Arabian nights

Ramachandran, Rahesh ORCID: 0000-0001-9238-5021 and Allan, Sarah (2019) Sensorium The sensorium of the Arabian Nights (Evoking the Genie). [Show/Exhibition]

architectural books

Aling, Michael ORCID: 0000-0002-9714-235X (2017) Book Designs as Architectural Projects. Intellect. (doi:https://doi.org/10.1386/des.6.1.86_1)

architectural education

Ramachandran, Rahesh ORCID: 0000-0001-9238-5021 and Rayan, Elnayal (2021) House of many cultures: the Other's story. [Show/Exhibition]

architectural publishing

Aling, Michael ORCID: 0000-0002-9714-235X (2017) Book Designs as Architectural Projects. Intellect. (doi:https://doi.org/10.1386/des.6.1.86_1)

architecture

Auxiliadora Gálvez, María, Boljsakov, Natalija, Ruíz, María, Parte, Carmen, Athique Winterbottom, Anushka, Castiajo, Carla, Jiménez Mazuelas, Chus, Conti, Elisabetta, Pina, Ema, Bernardes, Joana, van Gelder, Lotte, Barreira, Luísa, Natário, Natário, Paulos, Manuela, Pais Oliveira, Marta, Leroy, Najla, Pinto, Sofia and Santos, Sofia (2023) Expansion - Into the wild: a guide for bodies and the cities they create. In: Gálvez, María Auxiliadora, (ed.) Ping! Ginecue + Estigma: Into the Wild. Galeria Municipal do Porto, Porto, pp. 10-11.

Clear, Nic (2008) A to Z. In: Clear, Nicholas and Stark, Gabor, (eds.) Adjacencies: innovative practices in spatial design and education. Circulating Objects series . Canterbury School of Architecture, Canterbury, UK, pp. 40-43. ISBN 9780955822520

Ramachandran, Rahesh ORCID: 0000-0001-9238-5021 and Rayan, Elnayal (2021) House of many cultures: the Other's story. [Show/Exhibition]

Ramachandran, Rahesh ORCID: 0000-0001-9238-5021 and Rayan, Elnayal (2021) House of many cultures: the Other's story. [Show/Exhibition]

Wall, Edward Duncan (2017) Landscape and Agency - Multi-component item. Routledge, Oxon.

archive research

Waterworth, David (2019) Pathways in the Serlachius Foundation Collection and its extended constituencies. [Show/Exhibition]

Waterworth, David (2019) Serlachius residency report for the project: a parallel collection. Project Report. UNSPECIFIED. (Unpublished)

art

Adil, Alev (2011) Dream and diaspora : Tracey Emin's Turkish Cypriot legacy. In: Tracey Emin Study Day, 13 June 2011, Hayward Gallery South Bank. (Unpublished)

Cheddie, Janice (2007) Listening to trauma in the art of Everlyn Nicodemus. Third Text, 21 (1). pp. 79-89. ISSN 0952-8822 (Print), 1475-5297 (Online) (doi:https://doi.org/10.1080/09528820601138667)

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2022) "select important things". [Show/Exhibition]

Sigthorsson, Gauti (2009) Sensation for sensation's sake: affect and the temptation of 'Wow!'. Alba, 3. ISSN 1403-5448

Sporton, Gregory (2011) The "e" Prefix: e-Science, e-Art & the New Creativity. Malaysia Art Gallery Guide. pp. 30-33. ISSN 2231-914X

Art and Health

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Hignell-Tully, Daniel, Grant, Claire, Renaud, Alain and Havsteen-Franklin, Dominik (2024) KIMA: Noise Map - Participatory online art exploring the effect of noise on health. In: Proceedings of EVA London 2024, UK: Electronic Visualisation in the Arts, London, 8th - 12th Jul, 2024. BCS Learning and Development Ltd. - Chartered Institute of IT, London. (In Press)

art criticism

Sigthorsson, Gauti (2009) Sensation for sensation's sake: affect and the temptation of 'Wow!'. Alba, 3. ISSN 1403-5448

Art depot

Smith, Caroline (2009) Eating secret (at Art Depot). [Show/Exhibition]

artificial intelligence

Golding, Johnny (2010) Keynote: the need to know (Law): minority report on museum interface, space, technologies. In: Museum Interfaces, Spaces, Technologies (MIST), 22-23 March 2010, Dept of Architecture, Cambridge University. (Unpublished)

Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2022) GROUPTHINK: telepresence and agency during Live performance. Proceedings of the ACM on Computer Graphics and Interactive Techniques, 5 (4):39. pp. 1-10. ISSN 2577-6193 (Online) (doi:https://doi.org/10.1145/3533610)

artist

Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Alleviating digital fatigue through embodied artistic practice and green space. International Journal of Performance Arts and Digital Media. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2024.2305448)

artistic directors

Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2022) ‘Creating change where it matters the most’: artistic directorship and representation in the London theatre. Comparative Drama, 56 (1-2). pp. 199-226. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0008)

artistic research

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Weaving an artistic research methodology. Performance Matters, 9 (1-2). pp. 157-170. ISSN 2369-2537

arts

Rowland, Susan, (ed.) (2008) Psyche and the arts: Jungian approaches to music, architecture, literature, painting and film. Routledge, East Sussex, England. ISBN 978-0-415-43836-0

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

Finkelstein, Joanne (2009) Sprezzatura and the cool charm of being artless. Brand Literary Magazine, 5 (Summer). pp. 87-92. ISSN 1754-0593

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2018) SMASHfestUK Earth and Sky Tour 2017. [Show/Exhibition]

Keith, Lindsay ORCID: 0000-0002-5324-1719 , Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

Kennell, James ORCID: 0000-0002-7877-7843 (2008) Arts-led regeneration and community cohesion: a study of Folkestone, Kent. In: Collins, Mike, Holmes, Kirsten and Slater, Alix, (eds.) Sport, Leisure, Culture and Social Capital: Discourse and Practice. LSA publication (100). Leisure Studies Association, Eastbourne, UK, pp. 139-154. ISBN 978-1-905369-11-9

arts and humanities

Golding, Sue (2012) The university must be defended: collateral damage, part 37. Angelaki: Journal of Theoretical Humanities, 17 (1). pp. 131-134. ISSN 0969-725X (Print), 1469-2899 (Online)

arts based research

Saratsi, Eirini, Acott, Timothy, Allinson, Ewan, Edwards, David, Fremantle, Chris and Fish, Robert (2019) Valuing Arts and Arts Research. Discussion Paper. Valuing Nature Paper VNP22.

artworks

Walker, Mark (2008) Experiential embodiment and human immediacy: Adorno’s negative affinity. PhD thesis, University of Greenwich.

audience

Keith, Lindsay ORCID: 0000-0002-5324-1719 , Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

audience study

Masu, Raul and Correia, Nuno N. ORCID: 0000-0002-9999-9162 (2020) Pathways to live visuals in dance performances: a quantitative audience study. EAI Endorsed Transactions on Creative Technologies, 20 (23):e5. ISSN 2409-9708 (Online) (doi:https://doi.org/10.4108/eai.13-7-2018.163987)

audio-visual

Watkins, Julie ORCID: 0000-0001-8872-7041 (2021) Enhancing artistic practice through integrating strategies for preservation into the work. Body, Space & Technology, 20 (1). pp. 97-105. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.370)

augmented reality

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

Pitsillides, Stacey, Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Vindis, Tadej (2022) Donate yourself: an AR trail exploring the future of organ, tissue and body data donation. Virtual Creativity, 12 (1). pp. 103-123. ISSN 2397-9704 (Print), 2397-9712 (Online) (doi:https://doi.org/10.1386/vcr_00064_1)

Austerity

King, Andrew ORCID: 0000-0003-2348-4231 (ed.) (2019) Keep the Door of my Lips: the Unspoken Cost of Work in Victorian/ Austerity Britain. Stephen Lawrence Gallery. ISBN 978-0957343054

autobiography

Adil, Alev (2011) Dream and diaspora : Tracey Emin's Turkish Cypriot legacy. In: Tracey Emin Study Day, 13 June 2011, Hayward Gallery South Bank. (Unpublished)

Smith, Caroline (2009) Eating secret [at Kingston University]. In: Kingston University for Performing Lives International Symposium, 6 - 8 July, 2009, Kingston University. (Unpublished)

autoethnography

Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Alleviating digital fatigue through embodied artistic practice and green space. International Journal of Performance Arts and Digital Media. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2024.2305448)

autotheory

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2022) "select important things". [Show/Exhibition]

Balnakiel

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

BAME

Ramachandran, Rahesh ORCID: 0000-0001-9238-5021 and Rayan, Elnayal (2021) House of many cultures: the Other's story. [Show/Exhibition]

Bass

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Feast or Famine - Control Voltage 16. [Creative Performance or Reading]

bass culture

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)

bass shaker

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)

bereavement

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Co-Designing with the Bereaved: how Curatorial Dilemmas become Ethical Reflections. [Working Paper] (Submitted)

bilingualism

Rabourdin, Caroline ORCID: 0000-0002-9694-0384 (2018) 'I', taken away from me. [Creative Performance or Reading]

bodies

Athique Winterbottom, Anushka (2023) Forest bodies: a walk with the forest (video). [Show/Exhibition]

Athique Winterbottom, Anushka (2023) Forest bodies: we are forest (book). [Artefact]

body

Auxiliadora Gálvez, María, Boljsakov, Natalija, Ruíz, María, Parte, Carmen, Athique Winterbottom, Anushka, Castiajo, Carla, Jiménez Mazuelas, Chus, Conti, Elisabetta, Pina, Ema, Bernardes, Joana, van Gelder, Lotte, Barreira, Luísa, Natário, Natário, Paulos, Manuela, Pais Oliveira, Marta, Leroy, Najla, Pinto, Sofia and Santos, Sofia (2023) Expansion - Into the wild: a guide for bodies and the cities they create. In: Gálvez, María Auxiliadora, (ed.) Ping! Ginecue + Estigma: Into the Wild. Galeria Municipal do Porto, Porto, pp. 10-11.

body data

Pitsillides, Stacey, Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Vindis, Tadej (2022) Donate yourself: an AR trail exploring the future of organ, tissue and body data donation. Virtual Creativity, 12 (1). pp. 103-123. ISSN 2397-9704 (Print), 2397-9712 (Online) (doi:https://doi.org/10.1386/vcr_00064_1)

body interfaces

Baker, Camille and Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2022) Editorial. Extended senses: embodying technology. Intellect - Virtual Creativity, Volume 12, Issue Extended Senses: Embodying Technology,, 12 (1). pp. 3-8. ISSN 2397-9704 (Print), 2397-9712 (Online) (doi:https://doi.org/10.1386/vcr_00057_2)

book design

Aling, Michael ORCID: 0000-0002-9714-235X (2017) Book Designs as Architectural Projects. Intellect. (doi:https://doi.org/10.1386/des.6.1.86_1)

book futures

Aling, Michael ORCID: 0000-0002-9714-235X (2017) Book Designs as Architectural Projects. Intellect. (doi:https://doi.org/10.1386/des.6.1.86_1)

book review

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2022) Review: Ludified, edited by Marko Ciciliani, Barbara Lüneburg, and Andreas Pirchner. Journal of Sound and Music in Games, 3 (2-3). pp. 146-149. ISSN 2578-3432 (Online) (doi:https://doi.org/10.1525/jsmg.2022.3.2-3.146)

Breaking down barriers

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

British art

Waterworth, David (2015) Stockwell Depot 1967-79 (Exhibition). [Show/Exhibition]

Cambridge

Critchley, Emily (2007) [A conference overview & introductory remarks] Cambridge Experimental Women's Poetry Festival 5 - 9 October 2006. HOW2, 3 (1).

Canterbury

Clear, Nic (2008) A to Z. In: Clear, Nicholas and Stark, Gabor, (eds.) Adjacencies: innovative practices in spatial design and education. Circulating Objects series . Canterbury School of Architecture, Canterbury, UK, pp. 40-43. ISBN 9780955822520

care and activism

Holman Jones, Stacy, Harris, Daniel X, Campbell, Alyson, Myers, Misha ORCID: 0000-0002-4355-6602 , Murray, Peta, Grigor, Mish and Stevens, Ripley (2021) On Care-fulness: Critical Creative Expressions of Care in a Feminist Theatre Research Project. Research in Arts and Education, 2021 (4). pp. 259-282. ISSN 2670-2142 (doi:https://doi.org/10.54916/rae.119524)

Carl Jung

Rowland, Susan, (ed.) (2008) Psyche and the arts: Jungian approaches to music, architecture, literature, painting and film. Routledge, East Sussex, England. ISBN 978-0-415-43836-0

Changing values and expectations

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

China

Ramachandran, Rahesh ORCID: 0000-0001-9238-5021 and Allan, Sarah (2019) Sensorium The sensorium of the Arabian Nights (Evoking the Genie). [Show/Exhibition]

choreography

Sabisch, Petra (2009) Choreographing relations: practical philosophy and contemporary choreography. PhD thesis, University of Greenwich.

chormunity

Markowski, Marianne ORCID: 0000-0003-4652-3168 , Richards, Jaqueline, Rivoal, Dominique, Scorah, Kay and Wright, Molly (2023) Summary report for PARKE pilot 'learn to love being with less'. Centre for Chronic Illness and Ageing, University of Greenwich, London. (Unpublished)

Chris Bryant

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Don’t look now: adapting prose narrative for the screen. In: Screenwriting - History, Theory and Practice, 9-11 Sep 2010, Copenhagen, Denmark. (Unpublished)

cities

Auxiliadora Gálvez, María, Boljsakov, Natalija, Ruíz, María, Parte, Carmen, Athique Winterbottom, Anushka, Castiajo, Carla, Jiménez Mazuelas, Chus, Conti, Elisabetta, Pina, Ema, Bernardes, Joana, van Gelder, Lotte, Barreira, Luísa, Natário, Natário, Paulos, Manuela, Pais Oliveira, Marta, Leroy, Najla, Pinto, Sofia and Santos, Sofia (2023) Expansion - Into the wild: a guide for bodies and the cities they create. In: Gálvez, María Auxiliadora, (ed.) Ping! Ginecue + Estigma: Into the Wild. Galeria Municipal do Porto, Porto, pp. 10-11.

Falahat, Somaiyeh and Shirazi, M. Reza (2019) The making of Tehran: the incremental encroachment of modernity. In: Yacobi, Haim and Nasasra, Mansour, (eds.) Routledge Handbook on Middle East Cities. Routledge, London, UK. ISBN 978-1315625164 (doi:https://doi.org/10.4324/9781315625164-3)

Wall, Edward Duncan (2017) Landscape and Agency - Multi-component item. Routledge, Oxon.

co-curation

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Co-Designing with the Bereaved: how Curatorial Dilemmas become Ethical Reflections. [Working Paper] (Submitted)

co-design

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Co-Designing with the Bereaved: how Curatorial Dilemmas become Ethical Reflections. [Working Paper] (Submitted)

Codesign

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Kennedy, Stephen, Rehal, Kamalveer and Maffioletti, Catherine (2019) Co-Design Methods towards Inclusive design in Diverse Communities: Empowering Youth through Entrepreneurial Skills. In: Design Research for Change 2019. Lancaster University, pp. 118-119. ISBN 978-1862203631

cognitive

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

Collectarium

Beard, Sophie, Waller, Allyson and Maloney, Pete (2021) Collectarium lockdown space: sharing domestic transformations and innovations for pandemics. In: Urban Assemblage: The City as Architecture, Media, AI and Big Data, 28th - 30th June 2021, University of Hertfordshire, Hatfield. (Unpublished)

collection research

Waterworth, David (2019) Pathways in the Serlachius Foundation Collection and its extended constituencies. [Show/Exhibition]

Waterworth, David (2019) Serlachius residency report for the project: a parallel collection. Project Report. UNSPECIFIED. (Unpublished)

collective

Athique Winterbottom, Anushka, Goodwin, Duncan ORCID: 0000-0003-2524-9059 , Liu, Alexis and Wall, Edward Duncan (2023) Collective Landscape Futures symposium. In: Collective Landscape Futures symposium. 18th -19th May 2023. University of Greenwich, London. University of Greenwich, London.

communication technologies

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

Communications

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

communities

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2020) Uncovering New Voices at the Royal Court Theatre- Interview with Vicky Featherstone. In: Galea, Marco and Musca, Szabolcs, (eds.) Redefining Theatre Communities – International Perspectives on Community-Conscious Theatre-Making. Intellect, Bristol. ISBN 9781789380767

community

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2018) SMASHfestUK Earth and Sky Tour 2017. [Show/Exhibition]

community cohesion

Kennell, James ORCID: 0000-0002-7877-7843 (2008) Arts-led regeneration and community cohesion: a study of Folkestone, Kent. In: Collins, Mike, Holmes, Kirsten and Slater, Alix, (eds.) Sport, Leisure, Culture and Social Capital: Discourse and Practice. LSA publication (100). Leisure Studies Association, Eastbourne, UK, pp. 139-154. ISBN 978-1-905369-11-9

community curation

Waterworth, David (2019) Pathways in the Serlachius Foundation Collection and its extended constituencies. [Show/Exhibition]

Waterworth, David (2019) Serlachius residency report for the project: a parallel collection. Project Report. UNSPECIFIED. (Unpublished)

community engagement

Markowski, Marianne ORCID: 0000-0003-4652-3168 and Richards, Jaqueline (2022) The power of movement in co-creation. National Centre for Academic and Cultural Exchange.

Markowski, Marianne ORCID: 0000-0003-4652-3168 and Rivoal, Dominique (2023) (PARKE) Workshop "learn to love being with less". [Video]

community movement

Markowski, Marianne ORCID: 0000-0003-4652-3168 , Richards, Jaqueline, Rivoal, Dominique, Scorah, Kay and Wright, Molly (2023) Summary report for PARKE pilot 'learn to love being with less'. Centre for Chronic Illness and Ageing, University of Greenwich, London. (Unpublished)

composition

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Sound programme: the sounds that bring us together - Boo Su. In: EASA2022: Transformation, Hope and the Commons: Sound Programme: The Sounds that Bring us Together. Panel P122b at conference, 27th July 2022, School of History, Anthropology, Philosophy and Politics at Queen’s University Belfast.

computer art

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2022) Review: Ludified, edited by Marko Ciciliani, Barbara Lüneburg, and Andreas Pirchner. Journal of Sound and Music in Games, 3 (2-3). pp. 146-149. ISSN 2578-3432 (Online) (doi:https://doi.org/10.1525/jsmg.2022.3.2-3.146)

conference

Critchley, Emily (2007) [A conference overview & introductory remarks] Cambridge Experimental Women's Poetry Festival 5 - 9 October 2006. HOW2, 3 (1).

Contemporary Creative Arts

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

contemporary poetry

Critchley, Emily (2010) 'Hejinian's Faustienne Beings-With'. In: Chivers, Tom, (ed.) Stress Fractures: Essays on Poetry. Penned in the Margins, London, pp. 55-72. ISBN 978-0-9565467-1-5

Critchley, Emily (2009) Review of Magenta Soul Whip by Lisa Robertson. HOW2, 3 (3).

Control Voltage

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Feast or Famine - Control Voltage 16. [Creative Performance or Reading]

Copy Press

Rabourdin, Caroline ORCID: 0000-0002-9694-0384 (2018) 'I', taken away from me. [Creative Performance or Reading]

corporatism

Golding, Sue (2012) The university must be defended: collateral damage, part 37. Angelaki: Journal of Theoretical Humanities, 17 (1). pp. 131-134. ISSN 0969-725X (Print), 1469-2899 (Online)

creative computing

Sporton, Gregory and Sharl, Robert (2006) Ultra parallelism: the grid, the supercomputer and the creative artist. In: Gibbon, Joan and Winwood, Kaye, (eds.) Hothaus papers: perspectives and paradigms in media arts. Vivid/Article Press, Birmingham, UK, pp. 102-108.

Creative Industies

Williams, Alex, Dovey, John, Cronin, Bruce ORCID: 0000-0002-3776-8924 , Garside, Peter, Flintham, Matthew, Smith, Matthew, Barnett, David, Brooks, Richard, Boddington, Anne and Taylor, Faye (2017) The Hidden Story: Understanding Knowledge Exchange Partnerships with the Creative Economy. Project Report. Kingston University in partnership with University Alliance; UWE Bristol; & Greenwich, Coventry & Sheffield Hallam Universities,.

creative industries

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sigthorsson, Gauti (2013) Introducing the creative industries: from theory to practice. SAGE Publications Ltd., London, UK. ISBN 978-1849205733

creative maps

Finlay, Alec, Heddon, Deirdre and Myers, Misha ORCID: 0000-0002-4355-6602 (2021) WILD CITY | FIADH-BHAILE | ORASUL SALBATIC: Mapping the Wild in the Greeny Howe of Glasgow. In: Cohen, Phil and Duggan, Mike, (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 201-206. ISBN 978-1538147191; 978-1538147214

creativity

Sporton, Gregory (2009) The "e" prefix: e-Science, e-Art & the new creativity. Digital Humanities Quarterly, 3 (4). ISSN 1938-4122

Creativity and the nature of humanity

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

critical artistic research

Holman Jones, Stacy, Harris, Daniel X, Campbell, Alyson, Myers, Misha ORCID: 0000-0002-4355-6602 , Murray, Peta, Grigor, Mish and Stevens, Ripley (2021) On Care-fulness: Critical Creative Expressions of Care in a Feminist Theatre Research Project. Research in Arts and Education, 2021 (4). pp. 259-282. ISSN 2670-2142 (doi:https://doi.org/10.54916/rae.119524)

critical theory

Kennedy, Stephen (2021) The guardians of the possible. In: Korolkova, Maria and Barker, Timothy, (eds.) Miscommunications: Errors, Mistakes, Media. Film & Media Studies 2021 . Bloomsbury, London, pp. 103-116. ISBN 978-1501363856 ; 978-1501363825 ; 978-1501363832 (doi:https://doi.org/10.5040/9781501363825.0014)

criticism and interpretation

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

cultural dissonance

Myers, Misha ORCID: 0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214

Cultural Diversity

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Exploring cultural diversity in experimental sound at rethinking the history of technology based music. In: Rethinking the History of Technology-based Music, 9th - 11th June 2022, University of Huddersfield.

Culture

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Feast or Famine - Control Voltage 16. [Creative Performance or Reading]

curated group exhibition

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2019) "Fast Forward to the Analogue: vintage immersions". [Show/Exhibition]

curating histories

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2023) Far Away, So Close: spatial politics and the use of computer-generated exhibition models in curatorial discourse. Beyond Matter, Within Space. Curatorial and art mediation techniques on the verge of virtual reality. ZKM - Center for Art and Media Karlsruhe, Karlsruhe, Germany. (In Press)

curation

Waterworth, David (2023) Not Necessarily in the Right Order. [Show/Exhibition]

Waterworth, David (2019) Pathways in the Serlachius Foundation Collection and its extended constituencies. [Show/Exhibition]

Waterworth, David (2019) Serlachius residency report for the project: a parallel collection. Project Report. UNSPECIFIED. (Unpublished)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2021) Enhancing artistic practice through integrating strategies for preservation into the work. Body, Space & Technology, 20 (1). pp. 97-105. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.370)

curatorial practice

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2019) Between the art canon and the margins: historicizing technology-reliant art via curatorial practice. Arts, 8 (3):121. ISSN 2076-0752 (doi:https://doi.org/10.3390/arts8030121)

curatorial theory/practice

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Spatial Immersions: the field of exhibition practices [multi-component output - ongoing research project]. UNSPECIFIED. (Unpublished)

Cyprus

Adil, Alev (2011) Dream and diaspora : Tracey Emin's Turkish Cypriot legacy. In: Tracey Emin Study Day, 13 June 2011, Hayward Gallery South Bank. (Unpublished)

Adil, Alev (2010) Photography and borders: Nicosia’s green line as a milieux de memoire. In: International Conference of Photography and Theory - Cypriot Photography in Context: Time Place and Identity, 25-26 Nov 2010, Cyprus University of Technology, Limassol, Cyprus. (Unpublished)

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Marios, Psaras and Siamptani, Mala (2019) “d+iD Empowering individuals” international research project exhibition and research publication (multi-component output, 2019-ongoing). [Show/Exhibition]

dance

Mann, A.J.S. (2008) Reviews: 'The 19th Step' research performance [Performance review]. The London Mathematical Society Newsletter (371). pp. 23-25.

Masu, Raul and Correia, Nuno N. ORCID: 0000-0002-9999-9162 (2020) Pathways to live visuals in dance performances: a quantitative audience study. EAI Endorsed Transactions on Creative Technologies, 20 (23):e5. ISSN 2409-9708 (Online) (doi:https://doi.org/10.4108/eai.13-7-2018.163987)

Daphne du Maurier

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Don’t look now: adapting prose narrative for the screen. In: Screenwriting - History, Theory and Practice, 9-11 Sep 2010, Copenhagen, Denmark. (Unpublished)

data visualisation

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 and Hirst, Nicola (2016) The Design Studio as a Social Organism and Ecology. In: DRHA Conference 2016, 4th-7th September 2016 WhoLoDancE, University of Brighton. (Unpublished)

datafication

Samson, Audrey and Tobias Schäfer, Mirko (2018) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Theory in the New Humanities . Bloomsbury Press, London, UK, pp. 407-410. ISBN 978-1350030244

death online studies

Samson, Audrey and Tobias Schäfer, Mirko (2018) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Theory in the New Humanities . Bloomsbury Press, London, UK, pp. 407-410. ISBN 978-1350030244

Deep Bass

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Feast or Famine - Control Voltage 16. [Creative Performance or Reading]

deep map

Myers, Misha ORCID: 0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214

deep noise

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)

Democratization of the Creative Arts

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

Depot Untapped

Smith, Caroline (2009) Eating secret (at Art Depot). [Show/Exhibition]

design

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2017) Diversity + inclusivity by design: what is enabled when designers design with and for others? [Show/Exhibition]

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Kennedy, Stephen, Rehal, Kamalveer and Maffioletti, Catherine (2019) Co-Design Methods towards Inclusive design in Diverse Communities: Empowering Youth through Entrepreneurial Skills. In: Design Research for Change 2019. Lancaster University, pp. 118-119. ISBN 978-1862203631

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Marios, Psaras and Siamptani, Mala (2019) “d+iD Empowering individuals” international research project exhibition and research publication (multi-component output, 2019-ongoing). [Show/Exhibition]

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 and Hirst, Nicola (2016) The Design Studio as a Social Organism and Ecology. In: DRHA Conference 2016, 4th-7th September 2016 WhoLoDancE, University of Brighton. (Unpublished)

Wall, Edward Duncan (2017) Landscape and Agency - Multi-component item. Routledge, Oxon.

Desire for active involvement

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

diaspora

Adil, Alev (2011) Dream and diaspora : Tracey Emin's Turkish Cypriot legacy. In: Tracey Emin Study Day, 13 June 2011, Hayward Gallery South Bank. (Unpublished)

digital art

Golding, Sue (2006) The assassination of time (ζeta-philosophy). In: Digital Art Weeks, 12-16 Jul 2006, Eidgenössische Technische Hochschule, Zurich, Switzerland.

digital arts

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2019) Between the art canon and the margins: historicizing technology-reliant art via curatorial practice. Arts, 8 (3):121. ISSN 2076-0752 (doi:https://doi.org/10.3390/arts8030121)

Digital Cultural Heritage

Papadaki, Elena ORCID: 0000-0002-6653-4334 , Maragiannis, Anastasios and Chatzichristodoulou, Maria (2018) Digital Cultural Heritage in the 'land of the ancient': the case of Greece (panel discussion). In: DRHA 2018 - Creative Legacies: Collaborative Practices for Digital Cultural Heritage, 9-12 September 2018, Valletta, Malta. (Unpublished)

digital death

Pitsillides, Stacey, Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Vindis, Tadej (2022) Donate yourself: an AR trail exploring the future of organ, tissue and body data donation. Virtual Creativity, 12 (1). pp. 103-123. ISSN 2397-9704 (Print), 2397-9712 (Online) (doi:https://doi.org/10.1386/vcr_00064_1)

digital media

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2011) Digital intimacies: aesthetic and affective strategies in the production and use of online video. In: Grainge, Paul, (ed.) Ephemeral Media: Transitory Screen Culture from Television to YouTube. Palgrave Macmillan, Basingstoke, UK, pp. 214-227. ISBN 9781844574353

digital media haptics

Baker, Camille and Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2022) Editorial. Extended senses: embodying technology. Intellect - Virtual Creativity, Volume 12, Issue Extended Senses: Embodying Technology,, 12 (1). pp. 3-8. ISSN 2397-9704 (Print), 2397-9712 (Online) (doi:https://doi.org/10.1386/vcr_00057_2)

digital models of exhibitions

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2023) Far Away, So Close: spatial politics and the use of computer-generated exhibition models in curatorial discourse. Beyond Matter, Within Space. Curatorial and art mediation techniques on the verge of virtual reality. ZKM - Center for Art and Media Karlsruhe, Karlsruhe, Germany. (In Press)

digital storytelling

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

Digital technologies

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

digital technology

Sporton, Gregory (2010) EP: VV East Side Projects: virtualised and visualised. [Show/Exhibition]

Diversity

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

Ramachandran, Rahesh ORCID: 0000-0001-9238-5021 and Rayan, Elnayal (2021) House of many cultures: the Other's story. [Show/Exhibition]

drama

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

drawings

Ramachandran, Rahesh ORCID: 0000-0001-9238-5021 and Allan, Sarah (2019) Sensorium The sensorium of the Arabian Nights (Evoking the Genie). [Show/Exhibition]

drift codes

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

Dushume

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Feast or Famine - Control Voltage 16. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)

dwelling

Golding, Sue (2010) Tactile philosophy: From ars scientifica to ars erotica. In: Touched: Philosophy Meets Art, 19 Nov 2010, Liverpool, UK. (Unpublished)

e-art

Sporton, Gregory (2009) The "e" prefix: e-Science, e-Art & the new creativity. Digital Humanities Quarterly, 3 (4). ISSN 1938-4122

e-culture

Sporton, Gregory (2009) The "e" prefix: e-Science, e-Art & the new creativity. Digital Humanities Quarterly, 3 (4). ISSN 1938-4122

e-science

Sporton, Gregory (2009) The "e" prefix: e-Science, e-Art & the new creativity. Digital Humanities Quarterly, 3 (4). ISSN 1938-4122

Early modern drama

Young, Jennifer (2019) Q2 Othello at the Serjeants' Inn. In: The Early Modern Inns of Court and the Circulation of Texts, 14-15 Jun 2019, King's College London, London. (Unpublished)

Eating secret

Smith, Caroline (2009) Eating secret (at Art Depot). [Show/Exhibition]

Smith, Caroline (2009) Eating secret (at The Roundhouse). [Show/Exhibition]

ecologies

Athique Winterbottom, Anushka (2023) Forest bodies: a walk with the forest (video). [Show/Exhibition]

Athique Winterbottom, Anushka (2023) Forest bodies: we are forest (book). [Artefact]

ecology

Wall, Edward Duncan (2017) Landscape and Agency - Multi-component item. Routledge, Oxon.

Education and the Creative Arts

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

eighteenth century

Longmore, Jane (2007) The urban renaissance in Liverpool, 1760-1800. Joseph Wright of Derby in Liverpool: laying the foundations of taste. Yale University Press, New Haven, Conn. ; London. ISBN 978-0300117455

Electroacoustic Music

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Sound programme: the sounds that bring us together - Boo Su. In: EASA2022: Transformation, Hope and the Commons: Sound Programme: The Sounds that Bring us Together. Panel P122b at conference, 27th July 2022, School of History, Anthropology, Philosophy and Politics at Queen’s University Belfast.

electronic arts performance

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

electronic music

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)

embodied experience

Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Alleviating digital fatigue through embodied artistic practice and green space. International Journal of Performance Arts and Digital Media. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2024.2305448)

embodied geography

Myers, Misha ORCID: 0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214

embodiment

Athique Winterbottom, Anushka (2023) Forest bodies: a walk with the forest (video). [Show/Exhibition]

Athique Winterbottom, Anushka (2023) Forest bodies: we are forest (book). [Artefact]

Auxiliadora Gálvez, María, Boljsakov, Natalija, Ruíz, María, Parte, Carmen, Athique Winterbottom, Anushka, Castiajo, Carla, Jiménez Mazuelas, Chus, Conti, Elisabetta, Pina, Ema, Bernardes, Joana, van Gelder, Lotte, Barreira, Luísa, Natário, Natário, Paulos, Manuela, Pais Oliveira, Marta, Leroy, Najla, Pinto, Sofia and Santos, Sofia (2023) Expansion - Into the wild: a guide for bodies and the cities they create. In: Gálvez, María Auxiliadora, (ed.) Ping! Ginecue + Estigma: Into the Wild. Galeria Municipal do Porto, Porto, pp. 10-11.

embodying technology

Baker, Camille and Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2022) Editorial. Extended senses: embodying technology. Intellect - Virtual Creativity, Volume 12, Issue Extended Senses: Embodying Technology,, 12 (1). pp. 3-8. ISSN 2397-9704 (Print), 2397-9712 (Online) (doi:https://doi.org/10.1386/vcr_00057_2)

emotion

King, Andrew ORCID: 0000-0003-2348-4231 (2011) Small screen and big screen: the economics of 'Rage'. In: The Big Screen vs. The Small Screen, 16 Feb 2011, Canterbury Christ Church University, UK. (Unpublished)

empowering

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Marios, Psaras and Siamptani, Mala (2019) “d+iD Empowering individuals” international research project exhibition and research publication (multi-component output, 2019-ongoing). [Show/Exhibition]

engagement

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2018) SMASHfestUK Earth and Sky Tour 2017. [Show/Exhibition]

Keith, Lindsay ORCID: 0000-0002-5324-1719 , Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

England

Clear, Nic (2008) A to Z. In: Clear, Nicholas and Stark, Gabor, (eds.) Adjacencies: innovative practices in spatial design and education. Circulating Objects series . Canterbury School of Architecture, Canterbury, UK, pp. 40-43. ISBN 9780955822520

Enlightenment

Golding, Johnny (2010) Keynote: the need to know (Law): minority report on museum interface, space, technologies. In: Museum Interfaces, Spaces, Technologies (MIST), 22-23 March 2010, Dept of Architecture, Cambridge University. (Unpublished)

ephemeral media

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2011) Digital intimacies: aesthetic and affective strategies in the production and use of online video. In: Grainge, Paul, (ed.) Ephemeral Media: Transitory Screen Culture from Television to YouTube. Palgrave Macmillan, Basingstoke, UK, pp. 214-227. ISBN 9781844574353

epistemology

Critchley, Emily (2010) 'Hejinian's Faustienne Beings-With'. In: Chivers, Tom, (ed.) Stress Fractures: Essays on Poetry. Penned in the Margins, London, pp. 55-72. ISBN 978-0-9565467-1-5

ergodic literatures

Aling, Michael ORCID: 0000-0002-9714-235X (2017) Book Designs as Architectural Projects. Intellect. (doi:https://doi.org/10.1386/des.6.1.86_1)

erotic philosophy and the senses

Golding, Sue (2010) Tactile philosophy: From ars scientifica to ars erotica. In: Touched: Philosophy Meets Art, 19 Nov 2010, Liverpool, UK. (Unpublished)

essay

Critchley, Emily (2010) 'Hejinian's Faustienne Beings-With'. In: Chivers, Tom, (ed.) Stress Fractures: Essays on Poetry. Penned in the Margins, London, pp. 55-72. ISBN 978-0-9565467-1-5

ethics

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Co-Designing with the Bereaved: how Curatorial Dilemmas become Ethical Reflections. [Working Paper] (Submitted)

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Jefferies, Janis (2016) Intimate technologies: The ethics of simulated relationships. In: ISEA2016, Cultural R>Evolution. Proceedings of the 22nd International Symposium on Electronic Art . School of Creative Media, City University of Hong Kong, Hong Kong. ISBN 978-962-442-397-6

Euripides

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

Everlyn Nicodemus

Cheddie, Janice (2007) Listening to trauma in the art of Everlyn Nicodemus. Third Text, 21 (1). pp. 79-89. ISSN 0952-8822 (Print), 1475-5297 (Online) (doi:https://doi.org/10.1080/09528820601138667)

evidence

Keith, Lindsay ORCID: 0000-0002-5324-1719 , Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

exhibition

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Marios, Psaras and Siamptani, Mala (2019) “d+iD Empowering individuals” international research project exhibition and research publication (multi-component output, 2019-ongoing). [Show/Exhibition]

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Co-Designing with the Bereaved: how Curatorial Dilemmas become Ethical Reflections. [Working Paper] (Submitted)

Ramachandran, Rahesh ORCID: 0000-0001-9238-5021 and Allan, Sarah (2019) Sensorium The sensorium of the Arabian Nights (Evoking the Genie). [Show/Exhibition]

exhibition documentation

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2019) Between the art canon and the margins: historicizing technology-reliant art via curatorial practice. Arts, 8 (3):121. ISSN 2076-0752 (doi:https://doi.org/10.3390/arts8030121)

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2023) Far Away, So Close: spatial politics and the use of computer-generated exhibition models in curatorial discourse. Beyond Matter, Within Space. Curatorial and art mediation techniques on the verge of virtual reality. ZKM - Center for Art and Media Karlsruhe, Karlsruhe, Germany. (In Press)

exhibition histories

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2019) Between the art canon and the margins: historicizing technology-reliant art via curatorial practice. Arts, 8 (3):121. ISSN 2076-0752 (doi:https://doi.org/10.3390/arts8030121)

experiential structures

Walker, Mark (2008) Experiential embodiment and human immediacy: Adorno’s negative affinity. PhD thesis, University of Greenwich.

experimental

Critchley, Emily (2007) [A conference overview & introductory remarks] Cambridge Experimental Women's Poetry Festival 5 - 9 October 2006. HOW2, 3 (1).

experimental film

King, Andrew ORCID: 0000-0003-2348-4231 (2011) Small screen and big screen: the economics of 'Rage'. In: The Big Screen vs. The Small Screen, 16 Feb 2011, Canterbury Christ Church University, UK. (Unpublished)

Experimental Music

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Sound programme: the sounds that bring us together - Boo Su. In: EASA2022: Transformation, Hope and the Commons: Sound Programme: The Sounds that Bring us Together. Panel P122b at conference, 27th July 2022, School of History, Anthropology, Philosophy and Politics at Queen’s University Belfast.

experimental noise

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)

experimental phenomenology

Critchley, Emily (2010) 'Hejinian's Faustienne Beings-With'. In: Chivers, Tom, (ed.) Stress Fractures: Essays on Poetry. Penned in the Margins, London, pp. 55-72. ISBN 978-0-9565467-1-5

Experimental Sound

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Exploring cultural diversity in experimental sound at rethinking the history of technology based music. In: Rethinking the History of Technology-based Music, 9th - 11th June 2022, University of Huddersfield.

extending the senses

Baker, Camille and Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2022) Editorial. Extended senses: embodying technology. Intellect - Virtual Creativity, Volume 12, Issue Extended Senses: Embodying Technology,, 12 (1). pp. 3-8. ISSN 2397-9704 (Print), 2397-9712 (Online) (doi:https://doi.org/10.1386/vcr_00057_2)

Externalities

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

Eyes

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Kennedy, Stephen, Rehal, Kamalveer and Maffioletti, Catherine (2019) Co-Design Methods towards Inclusive design in Diverse Communities: Empowering Youth through Entrepreneurial Skills. In: Design Research for Change 2019. Lancaster University, pp. 118-119. ISBN 978-1862203631

Falling barriers to entry

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

Faustienne

Critchley, Emily (2010) 'Hejinian's Faustienne Beings-With'. In: Chivers, Tom, (ed.) Stress Fractures: Essays on Poetry. Penned in the Margins, London, pp. 55-72. ISBN 978-0-9565467-1-5

feminist

Critchley, Emily (2010) 'Hejinian's Faustienne Beings-With'. In: Chivers, Tom, (ed.) Stress Fractures: Essays on Poetry. Penned in the Margins, London, pp. 55-72. ISBN 978-0-9565467-1-5

feminist queer and intersectional theory

Holman Jones, Stacy, Harris, Daniel X, Campbell, Alyson, Myers, Misha ORCID: 0000-0002-4355-6602 , Murray, Peta, Grigor, Mish and Stevens, Ripley (2021) On Care-fulness: Critical Creative Expressions of Care in a Feminist Theatre Research Project. Research in Arts and Education, 2021 (4). pp. 259-282. ISSN 2670-2142 (doi:https://doi.org/10.54916/rae.119524)

festival

Critchley, Emily (2007) [A conference overview & introductory remarks] Cambridge Experimental Women's Poetry Festival 5 - 9 October 2006. HOW2, 3 (1).

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

fiction

Smith, Caroline (2008) End of the line: flash fiction collection on trauma [Reading]. [Creative Performance or Reading] (Unpublished)

Field Recording

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Sound programme: the sounds that bring us together - Boo Su. In: EASA2022: Transformation, Hope and the Commons: Sound Programme: The Sounds that Bring us Together. Panel P122b at conference, 27th July 2022, School of History, Anthropology, Philosophy and Politics at Queen’s University Belfast.

film

Falvey, Eddie, Wroot, Jonathan ORCID: 0000-0002-6827-728X and Hickinbottom, Joe (eds.) (2021) New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, United Kingdom. ISBN 978-1786836342

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

fine art

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Sound programme: the sounds that bring us together - Boo Su. In: EASA2022: Transformation, Hope and the Commons: Sound Programme: The Sounds that Bring us Together. Panel P122b at conference, 27th July 2022, School of History, Anthropology, Philosophy and Politics at Queen’s University Belfast.

Folkestone

Kennell, James ORCID: 0000-0002-7877-7843 (2008) Arts-led regeneration and community cohesion: a study of Folkestone, Kent. In: Collins, Mike, Holmes, Kirsten and Slater, Alix, (eds.) Sport, Leisure, Culture and Social Capital: Discourse and Practice. LSA publication (100). Leisure Studies Association, Eastbourne, UK, pp. 139-154. ISBN 978-1-905369-11-9

Food

Smith, Caroline (2009) Eating secret (at Art Depot). [Show/Exhibition]

Smith, Caroline (2009) Eating secret (at The Roundhouse). [Show/Exhibition]

forest

Athique Winterbottom, Anushka (2023) Forest bodies: a walk with the forest (video). [Show/Exhibition]

Athique Winterbottom, Anushka (2023) Forest bodies: we are forest (book). [Artefact]

fractal philosophy

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

Gender

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

King, Andrew ORCID: 0000-0003-2348-4231 (ed.) (2019) Keep the Door of my Lips: the Unspoken Cost of Work in Victorian/ Austerity Britain. Stephen Lawrence Gallery. ISBN 978-0957343054

Geographic Information Systems

Williams, Alex, Dovey, John, Cronin, Bruce ORCID: 0000-0002-3776-8924 , Garside, Peter, Flintham, Matthew, Smith, Matthew, Barnett, David, Brooks, Richard, Boddington, Anne and Taylor, Faye (2017) The Hidden Story: Understanding Knowledge Exchange Partnerships with the Creative Economy. Project Report. Kingston University in partnership with University Alliance; UWE Bristol; & Greenwich, Coventry & Sheffield Hallam Universities,.

Glitch

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Feast or Famine - Control Voltage 16. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)

Global South

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Exploring cultural diversity in experimental sound at rethinking the history of technology based music. In: Rethinking the History of Technology-based Music, 9th - 11th June 2022, University of Huddersfield.

glocalisation

Acton, Thomas (2007) Refusing exclusion. In: Politi, G., Sharp, C., Uhlirova, K., Foltyna, L. and Gute, C., (eds.) Praguebiennale 3: Glocal and Outsiders: Connecting Cultures in Central Europe. Giancarlo Politi, Milan, Italy, pp. 393-394. ISBN 9788878161429

green space

Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Alleviating digital fatigue through embodied artistic practice and green space. International Journal of Performance Arts and Digital Media. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2024.2305448)

greenwich

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Marios, Psaras and Siamptani, Mala (2019) “d+iD Empowering individuals” international research project exhibition and research publication (multi-component output, 2019-ongoing). [Show/Exhibition]

guidebook

Auxiliadora Gálvez, María, Boljsakov, Natalija, Ruíz, María, Parte, Carmen, Athique Winterbottom, Anushka, Castiajo, Carla, Jiménez Mazuelas, Chus, Conti, Elisabetta, Pina, Ema, Bernardes, Joana, van Gelder, Lotte, Barreira, Luísa, Natário, Natário, Paulos, Manuela, Pais Oliveira, Marta, Leroy, Najla, Pinto, Sofia and Santos, Sofia (2023) Expansion - Into the wild: a guide for bodies and the cities they create. In: Gálvez, María Auxiliadora, (ed.) Ping! Ginecue + Estigma: Into the Wild. Galeria Municipal do Porto, Porto, pp. 10-11.

hacking

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

hand drawn maps

Finlay, Alec, Heddon, Deirdre and Myers, Misha ORCID: 0000-0002-4355-6602 (2021) WILD CITY | FIADH-BHAILE | ORASUL SALBATIC: Mapping the Wild in the Greeny Howe of Glasgow. In: Cohen, Phil and Duggan, Mike, (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 201-206. ISBN 978-1538147191; 978-1538147214

harsh bass

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)

Harsh Noise

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Feast or Famine - Control Voltage 16. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)

Heidegger

Critchley, Emily (2010) 'Hejinian's Faustienne Beings-With'. In: Chivers, Tom, (ed.) Stress Fractures: Essays on Poetry. Penned in the Margins, London, pp. 55-72. ISBN 978-0-9565467-1-5

history

King, Andrew ORCID: 0000-0003-2348-4231 (ed.) (2019) Keep the Door of my Lips: the Unspoken Cost of Work in Victorian/ Austerity Britain. Stephen Lawrence Gallery. ISBN 978-0957343054

history and criticism

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

holographic gaming

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

holographic wave compositions

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

horror

Falvey, Eddie, Wroot, Jonathan ORCID: 0000-0002-6827-728X and Hickinbottom, Joe (eds.) (2021) New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, United Kingdom. ISBN 978-1786836342

hospice

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Co-Designing with the Bereaved: how Curatorial Dilemmas become Ethical Reflections. [Working Paper] (Submitted)

human

Golding, Johnny (2010) Keynote: the need to know (Law): minority report on museum interface, space, technologies. In: Museum Interfaces, Spaces, Technologies (MIST), 22-23 March 2010, Dept of Architecture, Cambridge University. (Unpublished)

human interaction/interface

Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2022) GROUPTHINK: telepresence and agency during Live performance. Proceedings of the ACM on Computer Graphics and Interactive Techniques, 5 (4):39. pp. 1-10. ISSN 2577-6193 (Online) (doi:https://doi.org/10.1145/3533610)

Human Rights

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2019) MCO: Human Rights and Media and Ukraine. Association for Progressive Communications (APC), Swedish International Development Cooperation Agency (Sida).

Lammin, Hannah ORCID: 0000-0002-9752-9335 (2018) Krisis as the scene of non-decisional judgement: A performance-fiction for the generic human. Performance Philosophy, 4 (1). pp. 66-85. ISSN 2057-7176 (Online) (doi:https://doi.org/10.21476/PP.2018.41203)

human tissue

Pitsillides, Stacey, Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Vindis, Tadej (2022) Donate yourself: an AR trail exploring the future of organ, tissue and body data donation. Virtual Creativity, 12 (1). pp. 103-123. ISSN 2397-9704 (Print), 2397-9712 (Online) (doi:https://doi.org/10.1386/vcr_00064_1)

hybrid experience

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2023) Far Away, So Close: spatial politics and the use of computer-generated exhibition models in curatorial discourse. Beyond Matter, Within Space. Curatorial and art mediation techniques on the verge of virtual reality. ZKM - Center for Art and Media Karlsruhe, Karlsruhe, Germany. (In Press)

identity

Adil, Alev (2011) Dream and diaspora : Tracey Emin's Turkish Cypriot legacy. In: Tracey Emin Study Day, 13 June 2011, Hayward Gallery South Bank. (Unpublished)

Adil, Alev (2010) Photography and borders: Nicosia’s green line as a milieux de memoire. In: International Conference of Photography and Theory - Cypriot Photography in Context: Time Place and Identity, 25-26 Nov 2010, Cyprus University of Technology, Limassol, Cyprus. (Unpublished)

identity theft

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

immersion

Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Alleviating digital fatigue through embodied artistic practice and green space. International Journal of Performance Arts and Digital Media. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2024.2305448)

immersive

Keith, Lindsay ORCID: 0000-0002-5324-1719 , Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2021) Enhancing artistic practice through integrating strategies for preservation into the work. Body, Space & Technology, 20 (1). pp. 97-105. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.370)

immersive experiences

Baker, Camille and Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2022) Editorial. Extended senses: embodying technology. Intellect - Virtual Creativity, Volume 12, Issue Extended Senses: Embodying Technology,, 12 (1). pp. 3-8. ISSN 2397-9704 (Print), 2397-9712 (Online) (doi:https://doi.org/10.1386/vcr_00057_2)

immersive practices

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Spatial Immersions: the field of exhibition practices [multi-component output - ongoing research project]. UNSPECIFIED. (Unpublished)

immortality

Pitsillides, Stacey, Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Vindis, Tadej (2022) Donate yourself: an AR trail exploring the future of organ, tissue and body data donation. Virtual Creativity, 12 (1). pp. 103-123. ISSN 2397-9704 (Print), 2397-9712 (Online) (doi:https://doi.org/10.1386/vcr_00064_1)

Informal learning

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2021) Communities and narratives in neglected 1 spaces: voices from SMASHfestUK. Journal of Science Communication, 20 (1):C04. ISSN 1824-2049 (doi:https://doi.org/10.22323/2.20010304)

installation

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

installation art

Sporton, Gregory and Makiola, Iona (2011) The Watertower: augmented reality gaming for heritage. In: Beale, Katy, (ed.) Museums At Play – Games, Interaction and Learning. MuseumsEtc., Edinburgh, UK and Boston, USA, pp. 347-357. ISBN 9781907697142

Waterworth, David (2023) Not Necessarily in the Right Order. [Show/Exhibition]

interaction design

Masu, Raul and Correia, Nuno N. ORCID: 0000-0002-9999-9162 (2020) Pathways to live visuals in dance performances: a quantitative audience study. EAI Endorsed Transactions on Creative Technologies, 20 (23):e5. ISSN 2409-9708 (Online) (doi:https://doi.org/10.4108/eai.13-7-2018.163987)

Pitsillides, Stacey, Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Vindis, Tadej (2022) Donate yourself: an AR trail exploring the future of organ, tissue and body data donation. Virtual Creativity, 12 (1). pp. 103-123. ISSN 2397-9704 (Print), 2397-9712 (Online) (doi:https://doi.org/10.1386/vcr_00064_1)

interculturalism

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

intergenerational engagement

Markowski, Marianne ORCID: 0000-0003-4652-3168 , Richards, Jaqueline, Rivoal, Dominique, Scorah, Kay and Wright, Molly (2023) Summary report for PARKE pilot 'learn to love being with less'. Centre for Chronic Illness and Ageing, University of Greenwich, London. (Unpublished)

intergenerational workshop

Markowski, Marianne ORCID: 0000-0003-4652-3168 and Richards, Jaqueline (2022) The power of movement in co-creation. National Centre for Academic and Cultural Exchange.

Markowski, Marianne ORCID: 0000-0003-4652-3168 and Rivoal, Dominique (2023) (PARKE) Workshop "learn to love being with less". [Video]

international

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2020) Uncovering New Voices at the Royal Court Theatre- Interview with Vicky Featherstone. In: Galea, Marco and Musca, Szabolcs, (eds.) Redefining Theatre Communities – International Perspectives on Community-Conscious Theatre-Making. Intellect, Bristol. ISBN 9781789380767

international research exhibition catalogue

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2017) Diversity + inclusivity by design: what is enabled when designers design with and for others? [Show/Exhibition]

internet

Sporton, Gregory (2010) EP: VV East Side Projects: virtualised and visualised. [Show/Exhibition]

Interreg

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Kennedy, Stephen, Rehal, Kamalveer and Maffioletti, Catherine (2019) Co-Design Methods towards Inclusive design in Diverse Communities: Empowering Youth through Entrepreneurial Skills. In: Design Research for Change 2019. Lancaster University, pp. 118-119. ISBN 978-1862203631

interviews

King, Andrew ORCID: 0000-0003-2348-4231 (2011) Small screen and big screen: the economics of 'Rage'. In: The Big Screen vs. The Small Screen, 16 Feb 2011, Canterbury Christ Church University, UK. (Unpublished)

intimacy

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2009) Digital intimacies: aesthetic and affective strategies in the production and use of online video. In: Ephemeral Media Workshop, 23-24 Jun 2009, Nottingham University. (Unpublished)

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2011) Digital intimacies: aesthetic and affective strategies in the production and use of online video. In: Grainge, Paul, (ed.) Ephemeral Media: Transitory Screen Culture from Television to YouTube. Palgrave Macmillan, Basingstoke, UK, pp. 214-227. ISBN 9781844574353

Smith, Caroline (2009) Eating secret [at Kingston University]. In: Kingston University for Performing Lives International Symposium, 6 - 8 July, 2009, Kingston University. (Unpublished)

Keywords

Stabb, Walter (2020) Keywords For Today. [Video]

knowledge exchange

Markowski, Marianne ORCID: 0000-0003-4652-3168 , Richards, Jaqueline, Rivoal, Dominique, Scorah, Kay and Wright, Molly (2023) Summary report for PARKE pilot 'learn to love being with less'. Centre for Chronic Illness and Ageing, University of Greenwich, London. (Unpublished)

Williams, Alex, Dovey, John, Cronin, Bruce ORCID: 0000-0002-3776-8924 , Garside, Peter, Flintham, Matthew, Smith, Matthew, Barnett, David, Brooks, Richard, Boddington, Anne and Taylor, Faye (2017) The Hidden Story: Understanding Knowledge Exchange Partnerships with the Creative Economy. Project Report. Kingston University in partnership with University Alliance; UWE Bristol; & Greenwich, Coventry & Sheffield Hallam Universities,.

knowledge systems

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2022) "select important things". [Show/Exhibition]

krisis

Lammin, Hannah ORCID: 0000-0002-9752-9335 (2018) Krisis as the scene of non-decisional judgement: A performance-fiction for the generic human. Performance Philosophy, 4 (1). pp. 66-85. ISSN 2057-7176 (Online) (doi:https://doi.org/10.21476/PP.2018.41203)

Lancaster University

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Kennedy, Stephen, Rehal, Kamalveer and Maffioletti, Catherine (2019) Co-Design Methods towards Inclusive design in Diverse Communities: Empowering Youth through Entrepreneurial Skills. In: Design Research for Change 2019. Lancaster University, pp. 118-119. ISBN 978-1862203631

landscape

Athique Winterbottom, Anushka, Goodwin, Duncan ORCID: 0000-0003-2524-9059 , Liu, Alexis and Wall, Edward Duncan (2023) Collective Landscape Futures symposium. In: Collective Landscape Futures symposium. 18th -19th May 2023. University of Greenwich, London. University of Greenwich, London.

Wall, Edward Duncan (2017) Landscape and Agency - Multi-component item. Routledge, Oxon.

language

Rabourdin, Caroline ORCID: 0000-0002-9694-0384 (2018) 'I', taken away from me. [Creative Performance or Reading]

LANGUAGE writing

Critchley, Emily (2010) 'Hejinian's Faustienne Beings-With'. In: Chivers, Tom, (ed.) Stress Fractures: Essays on Poetry. Penned in the Margins, London, pp. 55-72. ISBN 978-0-9565467-1-5

legacy

Pitsillides, Stacey, Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Vindis, Tadej (2022) Donate yourself: an AR trail exploring the future of organ, tissue and body data donation. Virtual Creativity, 12 (1). pp. 103-123. ISSN 2397-9704 (Print), 2397-9712 (Online) (doi:https://doi.org/10.1386/vcr_00064_1)

liberal arts

Golding, Sue (2012) The university must be defended: collateral damage, part 37. Angelaki: Journal of Theoretical Humanities, 17 (1). pp. 131-134. ISSN 0969-725X (Print), 1469-2899 (Online)

Lisa Robertson

Critchley, Emily (2009) Review of Magenta Soul Whip by Lisa Robertson. HOW2, 3 (3).

Live art

Smith, Caroline (2009) Eating secret (at Art Depot). [Show/Exhibition]

Smith, Caroline (2009) Eating secret (at The Roundhouse). [Show/Exhibition]

Smith, Caroline (2008) Eating secret [at Whitstable Biennale Satellite]. [Creative Performance or Reading]

Smith, Caroline (2007) Spank [at Intimacy: across visceral and digital performance]. [Creative Performance or Reading]

Smith, Caroline (2008) Spank [at Queer in Europe, Exeter University, September 08]. [Creative Performance or Reading]

Smith, Caroline (2008) Spank performance tour [at Betsey's Salon of Interdisciplinary Arts]. [Creative Performance or Reading]

Smith, Caroline (2008) Spank performance tour [at Further investigations, The Space In Between]. [Creative Performance or Reading]

Smith, Caroline (2008) Spank performance tour [at National Review of Live Art 2008]. [Creative Performance or Reading]

Smith, Caroline (2008) Spank performance tour [at OMSK]. [Creative Performance or Reading]

Smith, Caroline (2007) Spank performance tour [at Signals 07 arts festival]. [Creative Performance or Reading]

live visuals

Masu, Raul and Correia, Nuno N. ORCID: 0000-0002-9999-9162 (2020) Pathways to live visuals in dance performances: a quantitative audience study. EAI Endorsed Transactions on Creative Technologies, 20 (23):e5. ISSN 2409-9708 (Online) (doi:https://doi.org/10.4108/eai.13-7-2018.163987)

Liverpool

Longmore, Jane (2007) The urban renaissance in Liverpool, 1760-1800. Joseph Wright of Derby in Liverpool: laying the foundations of taste. Yale University Press, New Haven, Conn. ; London. ISBN 978-0300117455

locative media

Myers, Misha ORCID: 0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214

Lyn Hejinian

Critchley, Emily (2010) 'Hejinian's Faustienne Beings-With'. In: Chivers, Tom, (ed.) Stress Fractures: Essays on Poetry. Penned in the Margins, London, pp. 55-72. ISBN 978-0-9565467-1-5

machine learning

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Multivocal theatricalities: articulating data in composites, choruses, crowds. In: Articulating Data: Multivocal Theatricalities, 11th - 12th May, 2023, Inspace, University of Edinburgh.

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2022) "select important things". [Show/Exhibition]

Marcus du Sautoy

Mann, A.J.S. (2008) Reviews: 'The 19th Step' research performance [Performance review]. The London Mathematical Society Newsletter (371). pp. 23-25.

marginalisation

Acton, Thomas (2007) Refusing exclusion. In: Politi, G., Sharp, C., Uhlirova, K., Foltyna, L. and Gute, C., (eds.) Praguebiennale 3: Glocal and Outsiders: Connecting Cultures in Central Europe. Giancarlo Politi, Milan, Italy, pp. 393-394. ISBN 9788878161429

Martin Conway

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

Masquerade

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

mathematical proof

Mann, A.J.S. (2008) Reviews: 'The 19th Step' research performance [Performance review]. The London Mathematical Society Newsletter (371). pp. 23-25.

media

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sigthorsson, Gauti (2013) Introducing the creative industries: from theory to practice. SAGE Publications Ltd., London, UK. ISBN 978-1849205733

Falvey, Eddie, Wroot, Jonathan ORCID: 0000-0002-6827-728X and Hickinbottom, Joe (eds.) (2021) New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, United Kingdom. ISBN 978-1786836342

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2019) MCO: Human Rights and Media and Ukraine. Association for Progressive Communications (APC), Swedish International Development Cooperation Agency (Sida).

media agility

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

media arts philosophy literary England performance

Golding, Sue (2010) The Allergic Bodies Conference: Postgraduate/Postdoctoral Research Conference, 2010. In: The Allergic Bodies Postgraduate/Postdoctoral Research Conference, 27 May 2010, University of Greenwich, Maritime Campus.

media installation

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2022) "select important things". [Show/Exhibition]

memory

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

metamedia

Aling, Michael ORCID: 0000-0002-9714-235X (2017) Book Designs as Architectural Projects. Intellect. (doi:https://doi.org/10.1386/des.6.1.86_1)

methodology

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Weaving an artistic research methodology. Performance Matters, 9 (1-2). pp. 157-170. ISSN 2369-2537

Middle East

Falahat, Somaiyeh and Shirazi, M. Reza (2019) The making of Tehran: the incremental encroachment of modernity. In: Yacobi, Haim and Nasasra, Mansour, (eds.) Routledge Handbook on Middle East Cities. Routledge, London, UK. ISBN 978-1315625164 (doi:https://doi.org/10.4324/9781315625164-3)

mobile publishing

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

multi-media publishing

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

museum and community

Waterworth, David (2019) Pathways in the Serlachius Foundation Collection and its extended constituencies. [Show/Exhibition]

Waterworth, David (2019) Serlachius residency report for the project: a parallel collection. Project Report. UNSPECIFIED. (Unpublished)

museum community engagement

Waterworth, David (2019) Pathways in the Serlachius Foundation Collection and its extended constituencies. [Show/Exhibition]

Waterworth, David (2019) Serlachius residency report for the project: a parallel collection. Project Report. UNSPECIFIED. (Unpublished)

museum outreach

Waterworth, David (2019) Pathways in the Serlachius Foundation Collection and its extended constituencies. [Show/Exhibition]

Waterworth, David (2019) Serlachius residency report for the project: a parallel collection. Project Report. UNSPECIFIED. (Unpublished)

music

Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2022) GROUPTHINK: telepresence and agency during Live performance. Proceedings of the ACM on Computer Graphics and Interactive Techniques, 5 (4):39. pp. 1-10. ISSN 2577-6193 (Online) (doi:https://doi.org/10.1145/3533610)

Kennedy, Stephen (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford Handbooks . Oxford University Press, Oxford & New York. ISBN 978-0190274054 (doi:https://doi.org/10.1093/oxfordhb/9780190274054.013.43)

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Feast or Famine - Control Voltage 16. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Sound programme: the sounds that bring us together - Boo Su. In: EASA2022: Transformation, Hope and the Commons: Sound Programme: The Sounds that Bring us Together. Panel P122b at conference, 27th July 2022, School of History, Anthropology, Philosophy and Politics at Queen’s University Belfast.

Music Technology

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Exploring cultural diversity in experimental sound at rethinking the history of technology based music. In: Rethinking the History of Technology-based Music, 9th - 11th June 2022, University of Huddersfield.

myth

Lammin, Hannah ORCID: 0000-0002-9752-9335 (2018) Krisis as the scene of non-decisional judgement: A performance-fiction for the generic human. Performance Philosophy, 4 (1). pp. 66-85. ISSN 2057-7176 (Online) (doi:https://doi.org/10.21476/PP.2018.41203)

narrative

Keith, Lindsay ORCID: 0000-0002-5324-1719 , Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

narrative archaeology

Myers, Misha ORCID: 0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214

necro-financialisation

Samson, Audrey and Tobias Schäfer, Mirko (2018) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Theory in the New Humanities . Bloomsbury Press, London, UK, pp. 407-410. ISBN 978-1350030244

network technologies

Sporton, Gregory and Sharl, Robert (2006) Ultra parallelism: the grid, the supercomputer and the creative artist. In: Gibbon, Joan and Winwood, Kaye, (eds.) Hothaus papers: perspectives and paradigms in media arts. Vivid/Article Press, Birmingham, UK, pp. 102-108.

neuro-psychologist

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

new media

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Spatial Immersions: the field of exhibition practices [multi-component output - ongoing research project]. UNSPECIFIED. (Unpublished)

new media art

Sporton, Gregory (2010) EP: VV East Side Projects: virtualised and visualised. [Show/Exhibition]

New Romani art

Acton, Thomas (2007) Refusing exclusion. In: Politi, G., Sharp, C., Uhlirova, K., Foltyna, L. and Gute, C., (eds.) Praguebiennale 3: Glocal and Outsiders: Connecting Cultures in Central Europe. Giancarlo Politi, Milan, Italy, pp. 393-394. ISBN 9788878161429

new writing

Critchley, Emily (2010) Emily Critchley. In: Etter, Carrie, (ed.) Infinite Difference: Other Poetries by U.K. Women Poets. Shearsman Books, Exeter, UK, pp. 176-185. ISBN 978-1848610996 (pbk)

Nicolas Roeg

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Don’t look now: adapting prose narrative for the screen. In: Screenwriting - History, Theory and Practice, 9-11 Sep 2010, Copenhagen, Denmark. (Unpublished)

Nigerian history

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

Nigerian drama

Adeyemi, Sola (2010) Language and accessibility in Femi Osofisan’s drama. In: Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro, (eds.) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK, pp. 187-202. ISBN 978-0956683700

Nigerian history

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

Nigerian literature

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

Nigerian literature (english)

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

Nigerian poetry

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

Nigerian poetry (English)

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

Nigerian theatre

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

noise

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Hignell-Tully, Daniel, Grant, Claire, Renaud, Alain and Havsteen-Franklin, Dominik (2024) KIMA: Noise Map - Participatory online art exploring the effect of noise on health. In: Proceedings of EVA London 2024, UK: Electronic Visualisation in the Arts, London, 8th - 12th Jul, 2024. BCS Learning and Development Ltd. - Chartered Institute of IT, London. (In Press)

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Sound programme: the sounds that bring us together - Boo Su. In: EASA2022: Transformation, Hope and the Commons: Sound Programme: The Sounds that Bring us Together. Panel P122b at conference, 27th July 2022, School of History, Anthropology, Philosophy and Politics at Queen’s University Belfast.

Nollywood

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

non-philosophy

Lammin, Hannah ORCID: 0000-0002-9752-9335 (2018) Krisis as the scene of non-decisional judgement: A performance-fiction for the generic human. Performance Philosophy, 4 (1). pp. 66-85. ISSN 2057-7176 (Online) (doi:https://doi.org/10.21476/PP.2018.41203)

NWE

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Kennedy, Stephen, Rehal, Kamalveer and Maffioletti, Catherine (2019) Co-Design Methods towards Inclusive design in Diverse Communities: Empowering Youth through Entrepreneurial Skills. In: Design Research for Change 2019. Lancaster University, pp. 118-119. ISBN 978-1862203631

ododo

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

organ donation

Pitsillides, Stacey, Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Vindis, Tadej (2022) Donate yourself: an AR trail exploring the future of organ, tissue and body data donation. Virtual Creativity, 12 (1). pp. 103-123. ISSN 2397-9704 (Print), 2397-9712 (Online) (doi:https://doi.org/10.1386/vcr_00064_1)

Othello

Young, Jennifer (2019) Q2 Othello at the Serjeants' Inn. In: The Early Modern Inns of Court and the Circulation of Texts, 14-15 Jun 2019, King's College London, London. (Unpublished)

outputs

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Marios, Psaras and Siamptani, Mala (2019) “d+iD Empowering individuals” international research project exhibition and research publication (multi-component output, 2019-ongoing). [Show/Exhibition]

Overcoming the urban-rural divide

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

pandemics

Beard, Sophie, Waller, Allyson and Maloney, Pete (2021) Collectarium lockdown space: sharing domestic transformations and innovations for pandemics. In: Urban Assemblage: The City as Architecture, Media, AI and Big Data, 28th - 30th June 2021, University of Hertfordshire, Hatfield. (Unpublished)

participants

Keith, Lindsay ORCID: 0000-0002-5324-1719 , Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

participatory art

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Hignell-Tully, Daniel, Grant, Claire, Renaud, Alain and Havsteen-Franklin, Dominik (2024) KIMA: Noise Map - Participatory online art exploring the effect of noise on health. In: Proceedings of EVA London 2024, UK: Electronic Visualisation in the Arts, London, 8th - 12th Jul, 2024. BCS Learning and Development Ltd. - Chartered Institute of IT, London. (In Press)

performance

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Weaving an artistic research methodology. Performance Matters, 9 (1-2). pp. 157-170. ISSN 2369-2537

Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2022) GROUPTHINK: telepresence and agency during Live performance. Proceedings of the ACM on Computer Graphics and Interactive Techniques, 5 (4):39. pp. 1-10. ISSN 2577-6193 (Online) (doi:https://doi.org/10.1145/3533610)

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Feast or Famine - Control Voltage 16. [Creative Performance or Reading]

Sabisch, Petra (2009) Choreographing relations: practical philosophy and contemporary choreography. PhD thesis, University of Greenwich.

Smith, Caroline (2008) End of the line: flash fiction collection on trauma [Reading]. [Creative Performance or Reading] (Unpublished)

Performance art

Smith, Caroline (2009) Eating secret (at Art Depot). [Show/Exhibition]

Smith, Caroline (2009) Eating secret (at The Roundhouse). [Show/Exhibition]

performance cartography

Myers, Misha ORCID: 0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214

performance perspectives

Smith, Caroline (2009) Eating secret [at Kingston University]. In: Kingston University for Performing Lives International Symposium, 6 - 8 July, 2009, Kingston University. (Unpublished)

performances

Smith, Caroline (2009) Eating secret [at Kingston University]. In: Kingston University for Performing Lives International Symposium, 6 - 8 July, 2009, Kingston University. (Unpublished)

Smith, Caroline (2008) Eating secret [at Whitstable Biennale Satellite]. [Creative Performance or Reading]

Smith, Caroline (2007) Spank [at Intimacy: across visceral and digital performance]. [Creative Performance or Reading]

Smith, Caroline (2008) Spank [at Queer in Europe, Exeter University, September 08]. [Creative Performance or Reading]

Smith, Caroline (2008) Spank performance tour [at Betsey's Salon of Interdisciplinary Arts]. [Creative Performance or Reading]

Smith, Caroline (2008) Spank performance tour [at Further investigations, The Space In Between]. [Creative Performance or Reading]

Smith, Caroline (2008) Spank performance tour [at National Review of Live Art 2008]. [Creative Performance or Reading]

Smith, Caroline (2008) Spank performance tour [at OMSK]. [Creative Performance or Reading]

Smith, Caroline (2007) Spank performance tour [at Signals 07 arts festival]. [Creative Performance or Reading]

performativity

Lammin, Hannah ORCID: 0000-0002-9752-9335 (2018) Krisis as the scene of non-decisional judgement: A performance-fiction for the generic human. Performance Philosophy, 4 (1). pp. 66-85. ISSN 2057-7176 (Online) (doi:https://doi.org/10.21476/PP.2018.41203)

periodicals

King, Andrew ORCID: 0000-0003-2348-4231 (ed.) (2019) Keep the Door of my Lips: the Unspoken Cost of Work in Victorian/ Austerity Britain. Stephen Lawrence Gallery. ISBN 978-0957343054

personal data protection

Pitsillides, Stacey, Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Vindis, Tadej (2022) Donate yourself: an AR trail exploring the future of organ, tissue and body data donation. Virtual Creativity, 12 (1). pp. 103-123. ISSN 2397-9704 (Print), 2397-9712 (Online) (doi:https://doi.org/10.1386/vcr_00064_1)

phenomenological gaze

Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Alleviating digital fatigue through embodied artistic practice and green space. International Journal of Performance Arts and Digital Media. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2024.2305448)

philosophy

Critchley, Emily (2010) 'Hejinian's Faustienne Beings-With'. In: Chivers, Tom, (ed.) Stress Fractures: Essays on Poetry. Penned in the Margins, London, pp. 55-72. ISBN 978-0-9565467-1-5

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Sound programme: the sounds that bring us together - Boo Su. In: EASA2022: Transformation, Hope and the Commons: Sound Programme: The Sounds that Bring us Together. Panel P122b at conference, 27th July 2022, School of History, Anthropology, Philosophy and Politics at Queen’s University Belfast.

Sabisch, Petra (2009) Choreographing relations: practical philosophy and contemporary choreography. PhD thesis, University of Greenwich.

Walker, Mark (2008) Experiential embodiment and human immediacy: Adorno’s negative affinity. PhD thesis, University of Greenwich.

photography

Adil, Alev (2010) Photography and borders: Nicosia’s green line as a milieux de memoire. In: International Conference of Photography and Theory - Cypriot Photography in Context: Time Place and Identity, 25-26 Nov 2010, Cyprus University of Technology, Limassol, Cyprus. (Unpublished)

play

McKean, Kathy (2007) Beneath You Spider Girls Are Everywhere! [Play, Short Story or Poetry]

poetics

Critchley, Emily (2009) Review of Magenta Soul Whip by Lisa Robertson. HOW2, 3 (3).

Golding, Johnny (2010) Keynote: the need to know (Law): minority report on museum interface, space, technologies. In: Museum Interfaces, Spaces, Technologies (MIST), 22-23 March 2010, Dept of Architecture, Cambridge University. (Unpublished)

poetry

Critchley, Emily (2010) Emily Critchley. In: Etter, Carrie, (ed.) Infinite Difference: Other Poetries by U.K. Women Poets. Shearsman Books, Exeter, UK, pp. 176-185. ISBN 978-1848610996 (pbk)

Critchley, Emily (2007) [A conference overview & introductory remarks] Cambridge Experimental Women's Poetry Festival 5 - 9 October 2006. HOW2, 3 (1).

poetry reading

Critchley, Emily and Thornton, Tim (2011) Poetry Reading: Emily Critchely and Tim Thornton. [Creative Performance or Reading]

Rabourdin, Caroline ORCID: 0000-0002-9694-0384 (2018) 'I', taken away from me. [Creative Performance or Reading]

politics

Wall, Edward Duncan (2017) Landscape and Agency - Multi-component item. Routledge, Oxon.

politics of language

Rabourdin, Caroline ORCID: 0000-0002-9694-0384 (2018) 'I', taken away from me. [Creative Performance or Reading]

post-conceptual art

Golding, Sue (2010) Tactile philosophy: From ars scientifica to ars erotica. In: Touched: Philosophy Meets Art, 19 Nov 2010, Liverpool, UK. (Unpublished)

posthumous-agents

Samson, Audrey and Tobias Schäfer, Mirko (2018) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Theory in the New Humanities . Bloomsbury Press, London, UK, pp. 407-410. ISBN 978-1350030244

Practice as Research Knowledge Exchange

Markowski, Marianne ORCID: 0000-0003-4652-3168 and Rivoal, Dominique (2023) (PARKE) Workshop "learn to love being with less". [Video]

practice-research

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Marios, Psaras and Siamptani, Mala (2019) “d+iD Empowering individuals” international research project exhibition and research publication (multi-component output, 2019-ongoing). [Show/Exhibition]

presence

Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Callus, Paula (2022) Remediated sites: Lumen Prize Virtual Gallery as site of memory and digital assemblage. Leonardo, 55 (5). pp. 475-481. ISSN 0024-094X (Print), 1530-9282 (Online) (doi:https://doi.org/10.1162/leon_a_02251)

public

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2018) SMASHfestUK Earth and Sky Tour 2017. [Show/Exhibition]

Keith, Lindsay ORCID: 0000-0002-5324-1719 , Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

public curation

Waterworth, David (2019) Pathways in the Serlachius Foundation Collection and its extended constituencies. [Show/Exhibition]

Waterworth, David (2019) Serlachius residency report for the project: a parallel collection. Project Report. UNSPECIFIED. (Unpublished)

Public engagement

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

public health

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Hignell-Tully, Daniel, Grant, Claire, Renaud, Alain and Havsteen-Franklin, Dominik (2024) KIMA: Noise Map - Participatory online art exploring the effect of noise on health. In: Proceedings of EVA London 2024, UK: Electronic Visualisation in the Arts, London, 8th - 12th Jul, 2024. BCS Learning and Development Ltd. - Chartered Institute of IT, London. (In Press)

Publishing

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

QR codes

Pitsillides, Stacey, Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Vindis, Tadej (2022) Donate yourself: an AR trail exploring the future of organ, tissue and body data donation. Virtual Creativity, 12 (1). pp. 103-123. ISSN 2397-9704 (Print), 2397-9712 (Online) (doi:https://doi.org/10.1386/vcr_00064_1)

race

Ramachandran, Rahesh ORCID: 0000-0001-9238-5021 and Rayan, Elnayal (2021) House of many cultures: the Other's story. [Show/Exhibition]

radical

Critchley, Emily (2010) Emily Critchley. In: Etter, Carrie, (ed.) Infinite Difference: Other Poetries by U.K. Women Poets. Shearsman Books, Exeter, UK, pp. 176-185. ISBN 978-1848610996 (pbk)

Rage

King, Andrew ORCID: 0000-0003-2348-4231 (2011) Small screen and big screen: the economics of 'Rage'. In: The Big Screen vs. The Small Screen, 16 Feb 2011, Canterbury Christ Church University, UK. (Unpublished)

Raymond Williams

Stabb, Walter (2020) Keywords For Today. [Video]

Reaching excluded groups

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

reader communities

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

Readers Union

Rabourdin, Caroline ORCID: 0000-0002-9694-0384 (2018) 'I', taken away from me. [Creative Performance or Reading]

reduced visuals

Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Alleviating digital fatigue through embodied artistic practice and green space. International Journal of Performance Arts and Digital Media. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2024.2305448)

reflections

Markowski, Marianne ORCID: 0000-0003-4652-3168 and Richards, Jaqueline (2022) The power of movement in co-creation. National Centre for Academic and Cultural Exchange.

regeneration

Kennell, James ORCID: 0000-0002-7877-7843 (2008) Arts-led regeneration and community cohesion: a study of Folkestone, Kent. In: Collins, Mike, Holmes, Kirsten and Slater, Alix, (eds.) Sport, Leisure, Culture and Social Capital: Discourse and Practice. LSA publication (100). Leisure Studies Association, Eastbourne, UK, pp. 139-154. ISBN 978-1-905369-11-9

representation

Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2022) ‘Creating change where it matters the most’: artistic directorship and representation in the London theatre. Comparative Drama, 56 (1-2). pp. 199-226. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0008)

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Exploring cultural diversity in experimental sound at rethinking the history of technology based music. In: Rethinking the History of Technology-based Music, 9th - 11th June 2022, University of Huddersfield.

research

Golding, Sue (2012) The university must be defended: collateral damage, part 37. Angelaki: Journal of Theoretical Humanities, 17 (1). pp. 131-134. ISSN 0969-725X (Print), 1469-2899 (Online)

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Kennedy, Stephen, Rehal, Kamalveer and Maffioletti, Catherine (2019) Co-Design Methods towards Inclusive design in Diverse Communities: Empowering Youth through Entrepreneurial Skills. In: Design Research for Change 2019. Lancaster University, pp. 118-119. ISBN 978-1862203631

review

Critchley, Emily (2009) Review of Magenta Soul Whip by Lisa Robertson. HOW2, 3 (3).

RIBA

Ramachandran, Rahesh ORCID: 0000-0001-9238-5021 and Rayan, Elnayal (2021) House of many cultures: the Other's story. [Show/Exhibition]

Richard Hawkins

Young, Jennifer (2019) Q2 Othello at the Serjeants' Inn. In: The Early Modern Inns of Court and the Circulation of Texts, 14-15 Jun 2019, King's College London, London. (Unpublished)

robotics

Golding, Johnny (2010) Keynote: the need to know (Law): minority report on museum interface, space, technologies. In: Museum Interfaces, Spaces, Technologies (MIST), 22-23 March 2010, Dept of Architecture, Cambridge University. (Unpublished)

Robots

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Jefferies, Janis (2016) Intimate technologies: The ethics of simulated relationships. In: ISEA2016, Cultural R>Evolution. Proceedings of the 22nd International Symposium on Electronic Art . School of Creative Media, City University of Hong Kong, Hong Kong. ISBN 978-962-442-397-6

Role of the Creative Arts

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

Roma art

Acton, Thomas (2010) Is tradition the enemy of history? In: Orta, Lucy, (ed.) Mapping the Invisible: EU-Roma Gypsies. Black Dog Publishing / London College of Fashion, London, UK, pp. 20-23. ISBN 978 1 906155 91 9

Roma history

Acton, Thomas (2010) Is tradition the enemy of history? In: Orta, Lucy, (ed.) Mapping the Invisible: EU-Roma Gypsies. Black Dog Publishing / London College of Fashion, London, UK, pp. 20-23. ISBN 978 1 906155 91 9

Sally Potter

King, Andrew ORCID: 0000-0003-2348-4231 (2011) Small screen and big screen: the economics of 'Rage'. In: The Big Screen vs. The Small Screen, 16 Feb 2011, Canterbury Christ Church University, UK. (Unpublished)

Scicomm

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

science

Golding, Sue (2012) The university must be defended: collateral damage, part 37. Angelaki: Journal of Theoretical Humanities, 17 (1). pp. 131-134. ISSN 0969-725X (Print), 1469-2899 (Online)

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

Science communication: theory and models

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2021) Communities and narratives in neglected 1 spaces: voices from SMASHfestUK. Journal of Science Communication, 20 (1):C04. ISSN 1824-2049 (doi:https://doi.org/10.22323/2.20010304)

Science Fiction

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Jefferies, Janis (2016) Intimate technologies: The ethics of simulated relationships. In: ISEA2016, Cultural R>Evolution. Proceedings of the 22nd International Symposium on Electronic Art . School of Creative Media, City University of Hong Kong, Hong Kong. ISBN 978-962-442-397-6

Scotland

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

Second Life

Sporton, Gregory (2010) EP: VV East Side Projects: virtualised and visualised. [Show/Exhibition]

selfhood

Smith, Caroline (2009) Eating secret [at Kingston University]. In: Kingston University for Performing Lives International Symposium, 6 - 8 July, 2009, Kingston University. (Unpublished)

sensation

Sigthorsson, Gauti (2009) Sensation for sensation's sake: affect and the temptation of 'Wow!'. Alba, 3. ISSN 1403-5448

sensing virtual reality/mixed reality

Baker, Camille and Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2022) Editorial. Extended senses: embodying technology. Intellect - Virtual Creativity, Volume 12, Issue Extended Senses: Embodying Technology,, 12 (1). pp. 3-8. ISSN 2397-9704 (Print), 2397-9712 (Online) (doi:https://doi.org/10.1386/vcr_00057_2)

serious games

Sporton, Gregory and Makiola, Iona (2011) The Watertower: augmented reality gaming for heritage. In: Beale, Katy, (ed.) Museums At Play – Games, Interaction and Learning. MuseumsEtc., Edinburgh, UK and Boston, USA, pp. 347-357. ISBN 9781907697142

Serjeants Inn

Young, Jennifer (2019) Q2 Othello at the Serjeants' Inn. In: The Early Modern Inns of Court and the Circulation of Texts, 14-15 Jun 2019, King's College London, London. (Unpublished)

Smashfest

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

Social

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

social connectedness

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Hignell-Tully, Daniel, Grant, Claire, Renaud, Alain and Havsteen-Franklin, Dominik (2024) KIMA: Noise Map - Participatory online art exploring the effect of noise on health. In: Proceedings of EVA London 2024, UK: Electronic Visualisation in the Arts, London, 8th - 12th Jul, 2024. BCS Learning and Development Ltd. - Chartered Institute of IT, London. (In Press)

Social inclusion

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2021) Communities and narratives in neglected 1 spaces: voices from SMASHfestUK. Journal of Science Communication, 20 (1):C04. ISSN 1824-2049 (doi:https://doi.org/10.22323/2.20010304)

social media

Samson, Audrey and Tobias Schäfer, Mirko (2018) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Theory in the New Humanities . Bloomsbury Press, London, UK, pp. 407-410. ISBN 978-1350030244

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 and Hirst, Nicola (2016) The Design Studio as a Social Organism and Ecology. In: DRHA Conference 2016, 4th-7th September 2016 WhoLoDancE, University of Brighton. (Unpublished)

Social Network Analysis

Williams, Alex, Dovey, John, Cronin, Bruce ORCID: 0000-0002-3776-8924 , Garside, Peter, Flintham, Matthew, Smith, Matthew, Barnett, David, Brooks, Richard, Boddington, Anne and Taylor, Faye (2017) The Hidden Story: Understanding Knowledge Exchange Partnerships with the Creative Economy. Project Report. Kingston University in partnership with University Alliance; UWE Bristol; & Greenwich, Coventry & Sheffield Hallam Universities,.

social semiotics

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 and Hirst, Nicola (2016) The Design Studio as a Social Organism and Ecology. In: DRHA Conference 2016, 4th-7th September 2016 WhoLoDancE, University of Brighton. (Unpublished)

somatic

Auxiliadora Gálvez, María, Boljsakov, Natalija, Ruíz, María, Parte, Carmen, Athique Winterbottom, Anushka, Castiajo, Carla, Jiménez Mazuelas, Chus, Conti, Elisabetta, Pina, Ema, Bernardes, Joana, van Gelder, Lotte, Barreira, Luísa, Natário, Natário, Paulos, Manuela, Pais Oliveira, Marta, Leroy, Najla, Pinto, Sofia and Santos, Sofia (2023) Expansion - Into the wild: a guide for bodies and the cities they create. In: Gálvez, María Auxiliadora, (ed.) Ping! Ginecue + Estigma: Into the Wild. Galeria Municipal do Porto, Porto, pp. 10-11.

Sound

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Feast or Famine - Control Voltage 16. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Sound programme: the sounds that bring us together - Boo Su. In: EASA2022: Transformation, Hope and the Commons: Sound Programme: The Sounds that Bring us Together. Panel P122b at conference, 27th July 2022, School of History, Anthropology, Philosophy and Politics at Queen’s University Belfast.

sound art

Kennedy, Stephen (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford Handbooks . Oxford University Press, Oxford & New York. ISBN 978-0190274054 (doi:https://doi.org/10.1093/oxfordhb/9780190274054.013.43)

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Feast or Famine - Control Voltage 16. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Sound programme: the sounds that bring us together - Boo Su. In: EASA2022: Transformation, Hope and the Commons: Sound Programme: The Sounds that Bring us Together. Panel P122b at conference, 27th July 2022, School of History, Anthropology, Philosophy and Politics at Queen’s University Belfast.

sound design

Thompson, Ian ORCID: 0000-0002-7143-8013 (2021) The soundscape approach: new opportunities in sound design practice. In: Filimowicz, Michael, (ed.) Doing Research in Sound Design. Sound Design, 1 . Focal Press, Oxford, pp. 214-239. ISBN 978-0429356360 ; 978-0367404895 (doi:https://doi.org/10.4324/9780429356360-12)

sound studies

Kennedy, Stephen (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford Handbooks . Oxford University Press, Oxford & New York. ISBN 978-0190274054 (doi:https://doi.org/10.1093/oxfordhb/9780190274054.013.43)

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Sound programme: the sounds that bring us together - Boo Su. In: EASA2022: Transformation, Hope and the Commons: Sound Programme: The Sounds that Bring us Together. Panel P122b at conference, 27th July 2022, School of History, Anthropology, Philosophy and Politics at Queen’s University Belfast.

sound-art

Waterworth, David (2023) Not Necessarily in the Right Order. [Show/Exhibition]

soundscape

Thompson, Ian ORCID: 0000-0002-7143-8013 (2021) The soundscape approach: new opportunities in sound design practice. In: Filimowicz, Michael, (ed.) Doing Research in Sound Design. Sound Design, 1 . Focal Press, Oxford, pp. 214-239. ISBN 978-0429356360 ; 978-0367404895 (doi:https://doi.org/10.4324/9780429356360-12)

soundscape research

Thompson, Ian ORCID: 0000-0002-7143-8013 (2021) The soundscape approach: new opportunities in sound design practice. In: Filimowicz, Michael, (ed.) Doing Research in Sound Design. Sound Design, 1 . Focal Press, Oxford, pp. 214-239. ISBN 978-0429356360 ; 978-0367404895 (doi:https://doi.org/10.4324/9780429356360-12)

spaces of the exhibition

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2023) Far Away, So Close: spatial politics and the use of computer-generated exhibition models in curatorial discourse. Beyond Matter, Within Space. Curatorial and art mediation techniques on the verge of virtual reality. ZKM - Center for Art and Media Karlsruhe, Karlsruhe, Germany. (In Press)

spatial politics

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2023) Far Away, So Close: spatial politics and the use of computer-generated exhibition models in curatorial discourse. Beyond Matter, Within Space. Curatorial and art mediation techniques on the verge of virtual reality. ZKM - Center for Art and Media Karlsruhe, Karlsruhe, Germany. (In Press)

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Spatial Immersions: the field of exhibition practices [multi-component output - ongoing research project]. UNSPECIFIED. (Unpublished)

static glow

Samson, Audrey and Tobias Schäfer, Mirko (2018) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Theory in the New Humanities . Bloomsbury Press, London, UK, pp. 407-410. ISBN 978-1350030244

STEM

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2018) SMASHfestUK Earth and Sky Tour 2017. [Show/Exhibition]

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

Keith, Lindsay ORCID: 0000-0002-5324-1719 , Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

storytelling

Keith, Lindsay ORCID: 0000-0002-5324-1719 , Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

students

Ramachandran, Rahesh ORCID: 0000-0001-9238-5021 and Rayan, Elnayal (2021) House of many cultures: the Other's story. [Show/Exhibition]

studio practice

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 and Hirst, Nicola (2016) The Design Studio as a Social Organism and Ecology. In: DRHA Conference 2016, 4th-7th September 2016 WhoLoDancE, University of Brighton. (Unpublished)

Waterworth, David (2015) Stockwell Depot 1967-79 (Exhibition). [Show/Exhibition]

Study and teaching

Clear, Nic (2008) A to Z. In: Clear, Nicholas and Stark, Gabor, (eds.) Adjacencies: innovative practices in spatial design and education. Circulating Objects series . Canterbury School of Architecture, Canterbury, UK, pp. 40-43. ISBN 9780955822520

style

Finkelstein, Joanne (2009) Sprezzatura and the cool charm of being artless. Brand Literary Magazine, 5 (Summer). pp. 87-92. ISSN 1754-0593

subject

Walker, Mark (2008) Experiential embodiment and human immediacy: Adorno’s negative affinity. PhD thesis, University of Greenwich.

Sunday Enessi

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

Sunday Enessi Ododo

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

supercomputing

Sporton, Gregory and Sharl, Robert (2006) Ultra parallelism: the grid, the supercomputer and the creative artist. In: Gibbon, Joan and Winwood, Kaye, (eds.) Hothaus papers: perspectives and paradigms in media arts. Vivid/Article Press, Birmingham, UK, pp. 102-108.

sustainability

Markowski, Marianne ORCID: 0000-0003-4652-3168 and Richards, Jaqueline (2022) The power of movement in co-creation. National Centre for Academic and Cultural Exchange.

Markowski, Marianne ORCID: 0000-0003-4652-3168 and Rivoal, Dominique (2023) (PARKE) Workshop "learn to love being with less". [Video]

Pitsillides, Stacey, Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Vindis, Tadej (2022) Donate yourself: an AR trail exploring the future of organ, tissue and body data donation. Virtual Creativity, 12 (1). pp. 103-123. ISSN 2397-9704 (Print), 2397-9712 (Online) (doi:https://doi.org/10.1386/vcr_00064_1)

symposium

Athique Winterbottom, Anushka, Goodwin, Duncan ORCID: 0000-0003-2524-9059 , Liu, Alexis and Wall, Edward Duncan (2023) Collective Landscape Futures symposium. In: Collective Landscape Futures symposium. 18th -19th May 2023. University of Greenwich, London. University of Greenwich, London.

synthetic life

Golding, Sue (2010) Tactile philosophy: From ars scientifica to ars erotica. In: Touched: Philosophy Meets Art, 19 Nov 2010, Liverpool, UK. (Unpublished)

Technological Intimacy

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Jefferies, Janis (2016) Intimate technologies: The ethics of simulated relationships. In: ISEA2016, Cultural R>Evolution. Proceedings of the 22nd International Symposium on Electronic Art . School of Creative Media, City University of Hong Kong, Hong Kong. ISBN 978-962-442-397-6

technology-reliant works

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2019) Between the art canon and the margins: historicizing technology-reliant art via curatorial practice. Arts, 8 (3):121. ISSN 2076-0752 (doi:https://doi.org/10.3390/arts8030121)

television

Falvey, Eddie, Wroot, Jonathan ORCID: 0000-0002-6827-728X and Hickinbottom, Joe (eds.) (2021) New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, United Kingdom. ISBN 978-1786836342

temporal dissonance

Myers, Misha ORCID: 0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214

The 19th Step

Mann, A.J.S. (2008) Reviews: 'The 19th Step' research performance [Performance review]. The London Mathematical Society Newsletter (371). pp. 23-25.

The Creative Arts

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

The Creative Arts and employment and entrepreneurship

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

The Creative Arts and sustainability

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

The Keyword Project

Stabb, Walter (2020) Keywords For Today. [Video]

The Roundhouse

Smith, Caroline (2009) Eating secret (at The Roundhouse). [Show/Exhibition]

theatre

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2022) ‘Creating change where it matters the most’: artistic directorship and representation in the London theatre. Comparative Drama, 56 (1-2). pp. 199-226. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0008)

Holman Jones, Stacy, Harris, Daniel X, Campbell, Alyson, Myers, Misha ORCID: 0000-0002-4355-6602 , Murray, Peta, Grigor, Mish and Stevens, Ripley (2021) On Care-fulness: Critical Creative Expressions of Care in a Feminist Theatre Research Project. Research in Arts and Education, 2021 (4). pp. 259-282. ISSN 2670-2142 (doi:https://doi.org/10.54916/rae.119524)

Keith, Lindsay ORCID: 0000-0002-5324-1719 , Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2020) Uncovering New Voices at the Royal Court Theatre- Interview with Vicky Featherstone. In: Galea, Marco and Musca, Szabolcs, (eds.) Redefining Theatre Communities – International Perspectives on Community-Conscious Theatre-Making. Intellect, Bristol. ISBN 9781789380767

theatricality

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Multivocal theatricalities: articulating data in composites, choruses, crowds. In: Articulating Data: Multivocal Theatricalities, 11th - 12th May, 2023, Inspace, University of Edinburgh.

theory

Walker, Mark (2008) Experiential embodiment and human immediacy: Adorno’s negative affinity. PhD thesis, University of Greenwich.

time

Golding, Sue (2006) The assassination of time (ζeta-philosophy). In: Digital Art Weeks, 12-16 Jul 2006, Eidgenössische Technische Hochschule, Zurich, Switzerland.

trade periodicals

King, Andrew ORCID: 0000-0003-2348-4231 (ed.) (2019) Keep the Door of my Lips: the Unspoken Cost of Work in Victorian/ Austerity Britain. Stephen Lawrence Gallery. ISBN 978-0957343054

trauma

Cheddie, Janice (2007) Listening to trauma in the art of Everlyn Nicodemus. Third Text, 21 (1). pp. 79-89. ISSN 0952-8822 (Print), 1475-5297 (Online) (doi:https://doi.org/10.1080/09528820601138667)

Ukraine

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2019) MCO: Human Rights and Media and Ukraine. Association for Progressive Communications (APC), Swedish International Development Cooperation Agency (Sida).

university

Golding, Sue (2012) The university must be defended: collateral damage, part 37. Angelaki: Journal of Theoretical Humanities, 17 (1). pp. 131-134. ISSN 0969-725X (Print), 1469-2899 (Online)

urban history

Longmore, Jane (2007) The urban renaissance in Liverpool, 1760-1800. Joseph Wright of Derby in Liverpool: laying the foundations of taste. Yale University Press, New Haven, Conn. ; London. ISBN 978-0300117455

urbanism

Wall, Edward Duncan (2017) Landscape and Agency - Multi-component item. Routledge, Oxon.

Uses of the Creative Arts

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

valuing nature

Saratsi, Eirini, Acott, Timothy, Allinson, Ewan, Edwards, David, Fremantle, Chris and Fish, Robert (2019) Valuing Arts and Arts Research. Discussion Paper. Valuing Nature Paper VNP22.

Victorian

King, Andrew ORCID: 0000-0003-2348-4231 (ed.) (2019) Keep the Door of my Lips: the Unspoken Cost of Work in Victorian/ Austerity Britain. Stephen Lawrence Gallery. ISBN 978-0957343054

video games

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2022) Review: Ludified, edited by Marko Ciciliani, Barbara Lüneburg, and Andreas Pirchner. Journal of Sound and Music in Games, 3 (2-3). pp. 146-149. ISSN 2578-3432 (Online) (doi:https://doi.org/10.1525/jsmg.2022.3.2-3.146)

video texts

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2009) Digital intimacies: aesthetic and affective strategies in the production and use of online video. In: Ephemeral Media Workshop, 23-24 Jun 2009, Nottingham University. (Unpublished)

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2011) Digital intimacies: aesthetic and affective strategies in the production and use of online video. In: Grainge, Paul, (ed.) Ephemeral Media: Transitory Screen Culture from Television to YouTube. Palgrave Macmillan, Basingstoke, UK, pp. 214-227. ISBN 9781844574353

virtual exhibition

Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Callus, Paula (2022) Remediated sites: Lumen Prize Virtual Gallery as site of memory and digital assemblage. Leonardo, 55 (5). pp. 475-481. ISSN 0024-094X (Print), 1530-9282 (Online) (doi:https://doi.org/10.1162/leon_a_02251)

virtual gifting

Pitsillides, Stacey, Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Vindis, Tadej (2022) Donate yourself: an AR trail exploring the future of organ, tissue and body data donation. Virtual Creativity, 12 (1). pp. 103-123. ISSN 2397-9704 (Print), 2397-9712 (Online) (doi:https://doi.org/10.1386/vcr_00064_1)

virtual reality

Sporton, Gregory and Makiola, Iona (2011) The Watertower: augmented reality gaming for heritage. In: Beale, Katy, (ed.) Museums At Play – Games, Interaction and Learning. MuseumsEtc., Edinburgh, UK and Boston, USA, pp. 347-357. ISBN 9781907697142

virtual spaces

Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Callus, Paula (2022) Remediated sites: Lumen Prize Virtual Gallery as site of memory and digital assemblage. Leonardo, 55 (5). pp. 475-481. ISSN 0024-094X (Print), 1530-9282 (Online) (doi:https://doi.org/10.1162/leon_a_02251)

visual ethnography

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 and Hirst, Nicola (2016) The Design Studio as a Social Organism and Ecology. In: DRHA Conference 2016, 4th-7th September 2016 WhoLoDancE, University of Brighton. (Unpublished)

visual language

Aling, Michael ORCID: 0000-0002-9714-235X (2017) Book Designs as Architectural Projects. Intellect. (doi:https://doi.org/10.1386/des.6.1.86_1)

visual music

Watkins, Julie ORCID: 0000-0001-8872-7041 (2021) Enhancing artistic practice through integrating strategies for preservation into the work. Body, Space & Technology, 20 (1). pp. 97-105. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.370)

vocality

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Multivocal theatricalities: articulating data in composites, choruses, crowds. In: Articulating Data: Multivocal Theatricalities, 11th - 12th May, 2023, Inspace, University of Edinburgh.

Vulnerability

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Jefferies, Janis (2016) Intimate technologies: The ethics of simulated relationships. In: ISEA2016, Cultural R>Evolution. Proceedings of the 22nd International Symposium on Electronic Art . School of Creative Media, City University of Hong Kong, Hong Kong. ISBN 978-962-442-397-6

walking

Athique Winterbottom, Anushka (2023) Forest bodies: we are forest (book). [Artefact]

Finlay, Alec, Heddon, Deirdre and Myers, Misha ORCID: 0000-0002-4355-6602 (2021) WILD CITY | FIADH-BHAILE | ORASUL SALBATIC: Mapping the Wild in the Greeny Howe of Glasgow. In: Cohen, Phil and Duggan, Mike, (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 201-206. ISBN 978-1538147191; 978-1538147214

Watch Man

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

weaving

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Weaving an artistic research methodology. Performance Matters, 9 (1-2). pp. 157-170. ISSN 2369-2537

web-sciences

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

WebAR

Pitsillides, Stacey, Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Vindis, Tadej (2022) Donate yourself: an AR trail exploring the future of organ, tissue and body data donation. Virtual Creativity, 12 (1). pp. 103-123. ISSN 2397-9704 (Print), 2397-9712 (Online) (doi:https://doi.org/10.1386/vcr_00064_1)

women

Critchley, Emily (2010) Emily Critchley. In: Etter, Carrie, (ed.) Infinite Difference: Other Poetries by U.K. Women Poets. Shearsman Books, Exeter, UK, pp. 176-185. ISBN 978-1848610996 (pbk)

Critchley, Emily (2007) [A conference overview & introductory remarks] Cambridge Experimental Women's Poetry Festival 5 - 9 October 2006. HOW2, 3 (1).

word maps

Finlay, Alec, Heddon, Deirdre and Myers, Misha ORCID: 0000-0002-4355-6602 (2021) WILD CITY | FIADH-BHAILE | ORASUL SALBATIC: Mapping the Wild in the Greeny Howe of Glasgow. In: Cohen, Phil and Duggan, Mike, (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 201-206. ISBN 978-1538147191; 978-1538147214

work

King, Andrew ORCID: 0000-0003-2348-4231 (ed.) (2019) Keep the Door of my Lips: the Unspoken Cost of Work in Victorian/ Austerity Britain. Stephen Lawrence Gallery. ISBN 978-0957343054

world cinema

Falvey, Eddie, Wroot, Jonathan ORCID: 0000-0002-6827-728X and Hickinbottom, Joe (eds.) (2021) New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, United Kingdom. ISBN 978-1786836342

writing

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

youtube

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2011) Digital intimacies: aesthetic and affective strategies in the production and use of online video. In: Grainge, Paul, (ed.) Ephemeral Media: Transitory Screen Culture from Television to YouTube. Palgrave Macmillan, Basingstoke, UK, pp. 214-227. ISBN 9781844574353

‘non-representational’ cultural theory

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

This list was generated on Thu Apr 18 23:35:59 2024 UTC.