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Items where Subject is "NX Arts in general"

Items where Subject is "NX Arts in general"

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'Don't Look Now' 'New Leadership' and performance support Abstract painting Abstract sculpture adaptation Addressing social issues and inclusion aesthetics afterlife Allan Scott American and advanced music animation anthology architecture archive research art art criticism Art depot artificial intelligence arts arts and humanities artworks audience augmented reality Austerity autobiography Balnakiel bereavement Breaking down barriers British art Cambridge Canterbury Carl Jung Changing values and expectations choreography Chris Bryant co-curation co-design cognitive collection research communication technologies Communications community community cohesion community curation conference Contemporary Creative Arts contemporary poetry corporatism creative computing Creative Industies creative industries creativity Creativity and the nature of humanity criticism and interpretation curated group exhibition curation curatorial practice Cyprus dance Daphne du Maurier data visualisation datafication death online studies Democratization of the Creative Arts Depot Untapped design Desire for active involvement diaspora digital art digital arts Digital Cultural Heritage digital media digital storytelling Digital technologies digital technology Diversity drama drift codes dwelling e-art e-culture e-science Early modern drama Eating secret Education and the Creative Arts eighteenth century electronic arts performance emotion engagement England Enlightenment ephemeral media epistemology erotic philosophy and the senses essay ethics Euripides Everlyn Nicodemus evidence exhibition exhibition documentation exhibition histories experiential structures experimental experimental film experimental phenomenology Externalities Falling barriers to entry Faustienne feminist festival fiction film Folkestone Food fractal philosophy Gender Geographic Information Systems glocalisation hacking Heidegger history history and criticism holographic gaming holographic wave compositions hospice human human rights identity identity theft immersive installation installation art interculturalism international research exhibition catalogue internet interviews intimacy Knowledge Exchange krisis LANGUAGE writing liberal arts Lisa Robertson Live art Liverpool Lyn Hejinian Marcus du Sautoy marginalisation Martin Conway Masquerade mathematical proof media media agility media arts philosophy literary England performance memory mobile publishing multi-media publishing museum and community museum community engagement museum outreach myth narrative necro-financialisation network technologies neuro-psychologist new media art New Romani art new writing Nicolas Roeg Nigerian history Nigerian drama Nigerian history Nigerian literature Nigerian literature (english) Nigerian poetry Nigerian poetry (English) Nigerian theatre Nollywood non-philosophy ododo Othello Overcoming the urban-rural divide participants performance Performance art performance perspectives performances performativity periodicals philosophy photography play poetics poetry poetry reading post-conceptual art posthumous-agents public public curation Public engagement Publishing radical Rage Reaching excluded groups reader communities regeneration research review Richard Hawkins robotics Robots Role of the Creative Arts Roma art Roma history Sally Potter Scicomm science Science Fiction Scotland Second Life selfhood sensation serious games Serjeants Inn Smashfest Social social media Social Network Analysis social semiotics static glow STEM storytelling studio practice Study and teaching style subject Sunday Enessi Sunday Enessi Ododo supercomputing synthetic life Technological Intimacy technology-reliant works The 19th Step The Creative Arts The Creative Arts and employment and entrepreneurship The Creative Arts and sustainability The Roundhouse theatre theory time trade periodicals trauma university urban history Uses of the Creative Arts Victorian video texts virtual reality visual ethnography Vulnerability Watch Man web-sciences women work writing youtube ‘non-representational’ cultural theory
Number of items at this level: 337.

'Don't Look Now'

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Don’t look now: adapting prose narrative for the screen. In: Screenwriting - History, Theory and Practice, 9-11 Sep 2010, Copenhagen, Denmark. (Unpublished)

'New Leadership' and performance support

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

Abstract painting

Waterworth, David (2015) Stockwell Depot 1967-79 (Exhibition). [Show/Exhibition]

Abstract sculpture

Waterworth, David (2015) Stockwell Depot 1967-79 (Exhibition). [Show/Exhibition]

adaptation

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Don’t look now: adapting prose narrative for the screen. In: Screenwriting - History, Theory and Practice, 9-11 Sep 2010, Copenhagen, Denmark. (Unpublished)

Addressing social issues and inclusion

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

aesthetics

Golding, Johnny (2010) Keynote: the need to know (Law): minority report on museum interface, space, technologies. In: Museum Interfaces, Spaces, Technologies (MIST), 22-23 March 2010, Dept of Architecture, Cambridge University. (Unpublished)

Walker, Mark (2008) Experiential embodiment and human immediacy: Adorno’s negative affinity. PhD thesis, University of Greenwich.

afterlife

Samson, Audrey and Tobias Schäfer, Mirko (2018) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Theory in the New Humanities . Bloomsbury Press, London, UK, pp. 407-410. ISBN 978-1350030244

Allan Scott

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Don’t look now: adapting prose narrative for the screen. In: Screenwriting - History, Theory and Practice, 9-11 Sep 2010, Copenhagen, Denmark. (Unpublished)

American

Critchley, Emily (2009) Review of Magenta Soul Whip by Lisa Robertson. HOW2, 3 (3).

and advanced music

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

animation

Sporton, Gregory (2010) The Watertower. [Show/Exhibition]

anthology

Critchley, Emily (2010) Emily Critchley. In: Etter, Carrie, (ed.) Infinite Difference: Other Poetries by U.K. Women Poets. Shearsman Books, Exeter, UK, pp. 176-185. ISBN 978-1848610996 (pbk)

architecture

Clear, Nic (2008) A to Z. In: Clear, Nicholas and Stark, Gabor, (eds.) Adjacencies: innovative practices in spatial design and education. Circulating Objects series . Canterbury School of Architecture, Canterbury, UK, pp. 40-43. ISBN 9780955822520

archive research

Waterworth, David (2019) Pathways in the Serlachius Foundation Collection and its extended constituencies. [Show/Exhibition]

Waterworth, David (2019) Serlachius residency report for the project: a parallel collection. Project Report. UNSPECIFIED. (Unpublished)

art

Adil, Alev (2011) Dream and diaspora : Tracey Emin's Turkish Cypriot legacy. In: Tracey Emin Study Day, 13 June 2011, Hayward Gallery South Bank. (Unpublished)

Cheddie, Janice (2007) Listening to trauma in the art of Everlyn Nicodemus. Third Text, 21 (1). pp. 79-89. ISSN 0952-8822 (Print), 1475-5297 (Online) (doi:https://doi.org/10.1080/09528820601138667)

Sigthorsson, Gauti (2009) Sensation for sensation's sake: affect and the temptation of 'Wow!'. Alba, 3. ISSN 1403-5448

Sporton, Gregory (2011) The "e" Prefix: e-Science, e-Art & the New Creativity. Malaysia Art Gallery Guide. pp. 30-33. ISSN 2231-914X

art criticism

Sigthorsson, Gauti (2009) Sensation for sensation's sake: affect and the temptation of 'Wow!'. Alba, 3. ISSN 1403-5448

Art depot

Smith, Caroline (2009) Eating secret (at Art Depot). [Show/Exhibition]

artificial intelligence

Golding, Johnny (2010) Keynote: the need to know (Law): minority report on museum interface, space, technologies. In: Museum Interfaces, Spaces, Technologies (MIST), 22-23 March 2010, Dept of Architecture, Cambridge University. (Unpublished)

arts

Rowland, Susan, (ed.) (2008) Psyche and the arts: Jungian approaches to music, architecture, literature, painting and film. Routledge, East Sussex, England. ISBN 978-0-415-43836-0

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

Finkelstein, Joanne (2009) Sprezzatura and the cool charm of being artless. Brand Literary Magazine, 5 (Summer). pp. 87-92. ISSN 1754-0593

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2018) SMASHfestUK Earth and Sky Tour 2017. [Show/Exhibition]

Keith, Lindsay ORCID: 0000-0002-5324-1719, Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

Kennell, James ORCID: 0000-0002-7877-7843 (2008) Arts-led regeneration and community cohesion: a study of Folkestone, Kent. In: Collins, Mike, Holmes, Kirsten and Slater, Alix, (eds.) Sport, Leisure, Culture and Social Capital: Discourse and Practice. LSA publication (100). Leisure Studies Association, Eastbourne, UK, pp. 139-154. ISBN 978-1-905369-11-9

arts and humanities

Golding, Sue (2012) The university must be defended: collateral damage, part 37. Angelaki: Journal of Theoretical Humanities, 17 (1). pp. 131-134. ISSN 0969-725X (Print), 1469-2899 (Online)

artworks

Walker, Mark (2008) Experiential embodiment and human immediacy: Adorno’s negative affinity. PhD thesis, University of Greenwich.

audience

Keith, Lindsay ORCID: 0000-0002-5324-1719, Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

augmented reality

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

Austerity

King, Andrew ORCID: 0000-0003-2348-4231 (ed.) (2019) Keep the Door of my Lips: the Unspoken Cost of Work in Victorian/ Austerity Britain. Stephen Lawrence Gallery. ISBN 978-0957343054

autobiography

Adil, Alev (2011) Dream and diaspora : Tracey Emin's Turkish Cypriot legacy. In: Tracey Emin Study Day, 13 June 2011, Hayward Gallery South Bank. (Unpublished)

Smith, Caroline (2009) Eating secret [at Kingston University]. In: Kingston University for Performing Lives International Symposium, 6 - 8 July, 2009, Kingston University. (Unpublished)

Balnakiel

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

bereavement

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Co-Designing with the Bereaved: how Curatorial Dilemmas become Ethical Reflections. [Working Paper] (Submitted)

Breaking down barriers

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

British art

Waterworth, David (2015) Stockwell Depot 1967-79 (Exhibition). [Show/Exhibition]

Cambridge

Critchley, Emily (2007) [A conference overview & introductory remarks] Cambridge Experimental Women's Poetry Festival 5 - 9 October 2006. HOW2, 3 (1).

Canterbury

Clear, Nic (2008) A to Z. In: Clear, Nicholas and Stark, Gabor, (eds.) Adjacencies: innovative practices in spatial design and education. Circulating Objects series . Canterbury School of Architecture, Canterbury, UK, pp. 40-43. ISBN 9780955822520

Carl Jung

Rowland, Susan, (ed.) (2008) Psyche and the arts: Jungian approaches to music, architecture, literature, painting and film. Routledge, East Sussex, England. ISBN 978-0-415-43836-0

Changing values and expectations

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

choreography

Sabisch, Petra (2009) Choreographing relations: practical philosophy and contemporary choreography. PhD thesis, University of Greenwich.

Chris Bryant

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Don’t look now: adapting prose narrative for the screen. In: Screenwriting - History, Theory and Practice, 9-11 Sep 2010, Copenhagen, Denmark. (Unpublished)

co-curation

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Co-Designing with the Bereaved: how Curatorial Dilemmas become Ethical Reflections. [Working Paper] (Submitted)

co-design

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Co-Designing with the Bereaved: how Curatorial Dilemmas become Ethical Reflections. [Working Paper] (Submitted)

cognitive

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

collection research

Waterworth, David (2019) Pathways in the Serlachius Foundation Collection and its extended constituencies. [Show/Exhibition]

Waterworth, David (2019) Serlachius residency report for the project: a parallel collection. Project Report. UNSPECIFIED. (Unpublished)

communication technologies

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

Communications

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

community

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2018) SMASHfestUK Earth and Sky Tour 2017. [Show/Exhibition]

community cohesion

Kennell, James ORCID: 0000-0002-7877-7843 (2008) Arts-led regeneration and community cohesion: a study of Folkestone, Kent. In: Collins, Mike, Holmes, Kirsten and Slater, Alix, (eds.) Sport, Leisure, Culture and Social Capital: Discourse and Practice. LSA publication (100). Leisure Studies Association, Eastbourne, UK, pp. 139-154. ISBN 978-1-905369-11-9

community curation

Waterworth, David (2019) Pathways in the Serlachius Foundation Collection and its extended constituencies. [Show/Exhibition]

Waterworth, David (2019) Serlachius residency report for the project: a parallel collection. Project Report. UNSPECIFIED. (Unpublished)

conference

Critchley, Emily (2007) [A conference overview & introductory remarks] Cambridge Experimental Women's Poetry Festival 5 - 9 October 2006. HOW2, 3 (1).

Contemporary Creative Arts

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

contemporary poetry

Critchley, Emily (2010) 'Hejinian's Faustienne Beings-With'. In: Chivers, Tom, (ed.) Stress Fractures: Essays on Poetry. Penned in the Margins, London, pp. 55-72. ISBN 978-0-9565467-1-5

Critchley, Emily (2009) Review of Magenta Soul Whip by Lisa Robertson. HOW2, 3 (3).

corporatism

Golding, Sue (2012) The university must be defended: collateral damage, part 37. Angelaki: Journal of Theoretical Humanities, 17 (1). pp. 131-134. ISSN 0969-725X (Print), 1469-2899 (Online)

creative computing

Sporton, Gregory and Sharl, Robert (2006) Ultra parallelism: the grid, the supercomputer and the creative artist. In: Gibbon, Joan and Winwood, Kaye, (eds.) Hothaus papers: perspectives and paradigms in media arts. Vivid/Article Press, Birmingham, UK, pp. 102-108.

Creative Industies

Williams, Alex, Dovey, John, Cronin, Bruce ORCID: 0000-0002-3776-8924, Garside, Peter, Flintham, Matthew, Smith, Matthew, Barnett, David, Brooks, Richard, Boddington, Anne and Taylor, Faye (2017) The Hidden Story: Understanding Knowledge Exchange Partnerships with the Creative Economy. Project Report. Kingston University in partnership with University Alliance; UWE Bristol; & Greenwich, Coventry & Sheffield Hallam Universities,.

creative industries

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sigthorsson, Gauti (2013) Introducing the creative industries: from theory to practice. SAGE Publications Ltd., London, UK. ISBN 978-1849205733

creativity

Sporton, Gregory (2009) The "e" prefix: e-Science, e-Art & the new creativity. Digital Humanities Quarterly, 3 (4). ISSN 1938-4122

Creativity and the nature of humanity

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

criticism and interpretation

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

curated group exhibition

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2019) "Fast Forward to the Analogue: vintage immersions". [Show/Exhibition]

curation

Waterworth, David (2019) Pathways in the Serlachius Foundation Collection and its extended constituencies. [Show/Exhibition]

Waterworth, David (2019) Serlachius residency report for the project: a parallel collection. Project Report. UNSPECIFIED. (Unpublished)

curatorial practice

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2019) Between the art canon and the margins: historicizing technology-reliant art via curatorial practice. Arts, 8 (3):121. ISSN 2076-0752 (doi:https://doi.org/10.3390/arts8030121)

Cyprus

Adil, Alev (2011) Dream and diaspora : Tracey Emin's Turkish Cypriot legacy. In: Tracey Emin Study Day, 13 June 2011, Hayward Gallery South Bank. (Unpublished)

Adil, Alev (2010) Photography and borders: Nicosia’s green line as a milieux de memoire. In: International Conference of Photography and Theory - Cypriot Photography in Context: Time Place and Identity, 25-26 Nov 2010, Cyprus University of Technology, Limassol, Cyprus. (Unpublished)

dance

Mann, A.J.S. (2008) Reviews: 'The 19th Step' research performance [Performance review]. The London Mathematical Society Newsletter (371). pp. 23-25.

Daphne du Maurier

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Don’t look now: adapting prose narrative for the screen. In: Screenwriting - History, Theory and Practice, 9-11 Sep 2010, Copenhagen, Denmark. (Unpublished)

data visualisation

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 and Hirst, Nicola (2016) The Design Studio as a Social Organism and Ecology. In: DRHA Conference 2016, 4th-7th September 2016 WhoLoDancE, University of Brighton. (Unpublished)

datafication

Samson, Audrey and Tobias Schäfer, Mirko (2018) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Theory in the New Humanities . Bloomsbury Press, London, UK, pp. 407-410. ISBN 978-1350030244

death online studies

Samson, Audrey and Tobias Schäfer, Mirko (2018) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Theory in the New Humanities . Bloomsbury Press, London, UK, pp. 407-410. ISBN 978-1350030244

Democratization of the Creative Arts

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

Depot Untapped

Smith, Caroline (2009) Eating secret (at Art Depot). [Show/Exhibition]

design

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2017) Diversity + inclusivity by design: what is enabled when designers design with and for others? [Show/Exhibition]

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 and Hirst, Nicola (2016) The Design Studio as a Social Organism and Ecology. In: DRHA Conference 2016, 4th-7th September 2016 WhoLoDancE, University of Brighton. (Unpublished)

Desire for active involvement

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

diaspora

Adil, Alev (2011) Dream and diaspora : Tracey Emin's Turkish Cypriot legacy. In: Tracey Emin Study Day, 13 June 2011, Hayward Gallery South Bank. (Unpublished)

digital art

Golding, Sue (2006) The assassination of time (ζeta-philosophy). In: Digital Art Weeks, 12-16 Jul 2006, Eidgenössische Technische Hochschule, Zurich, Switzerland.

digital arts

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2019) Between the art canon and the margins: historicizing technology-reliant art via curatorial practice. Arts, 8 (3):121. ISSN 2076-0752 (doi:https://doi.org/10.3390/arts8030121)

Digital Cultural Heritage

Papadaki, Elena ORCID: 0000-0002-6653-4334, Maragiannis, Anastasios and Chatzichristodoulou, Maria (2018) Digital Cultural Heritage in the 'land of the ancient': the case of Greece (panel discussion). In: DRHA 2018 - Creative Legacies: Collaborative Practices for Digital Cultural Heritage, 9-12 September 2018, Valletta, Malta. (Unpublished)

digital media

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2011) Digital intimacies: aesthetic and affective strategies in the production and use of online video. In: Grainge, Paul, (ed.) Ephemeral Media: Transitory Screen Culture from Television to YouTube. Palgrave Macmillan, Basingstoke, UK, pp. 214-227. ISBN 9781844574353

digital storytelling

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

Digital technologies

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

digital technology

Sporton, Gregory (2010) EP: VV East Side Projects: virtualised and visualised. [Show/Exhibition]

Diversity

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

drama

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

drift codes

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

dwelling

Golding, Sue (2010) Tactile philosophy: From ars scientifica to ars erotica. In: Touched: Philosophy Meets Art, 19 Nov 2010, Liverpool, UK. (Unpublished)

e-art

Sporton, Gregory (2009) The "e" prefix: e-Science, e-Art & the new creativity. Digital Humanities Quarterly, 3 (4). ISSN 1938-4122

e-culture

Sporton, Gregory (2009) The "e" prefix: e-Science, e-Art & the new creativity. Digital Humanities Quarterly, 3 (4). ISSN 1938-4122

e-science

Sporton, Gregory (2009) The "e" prefix: e-Science, e-Art & the new creativity. Digital Humanities Quarterly, 3 (4). ISSN 1938-4122

Early modern drama

Young, Jennifer (2019) Q2 Othello at the Serjeants' Inn. In: The Early Modern Inns of Court and the Circulation of Texts, 14-15 Jun 2019, King's College London, London. (Unpublished)

Eating secret

Smith, Caroline (2009) Eating secret (at Art Depot). [Show/Exhibition]

Smith, Caroline (2009) Eating secret (at The Roundhouse). [Show/Exhibition]

Education and the Creative Arts

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

eighteenth century

Longmore, Jane (2007) The urban renaissance in Liverpool, 1760-1800. Joseph Wright of Derby in Liverpool: laying the foundations of taste. Yale University Press, New Haven, Conn. ; London. ISBN 978-0300117455

electronic arts performance

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

emotion

King, Andrew ORCID: 0000-0003-2348-4231 (2011) Small screen and big screen: the economics of 'Rage'. In: The Big Screen vs. The Small Screen, 16 Feb 2011, Canterbury Christ Church University, UK. (Unpublished)

engagement

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2018) SMASHfestUK Earth and Sky Tour 2017. [Show/Exhibition]

Keith, Lindsay ORCID: 0000-0002-5324-1719, Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

England

Clear, Nic (2008) A to Z. In: Clear, Nicholas and Stark, Gabor, (eds.) Adjacencies: innovative practices in spatial design and education. Circulating Objects series . Canterbury School of Architecture, Canterbury, UK, pp. 40-43. ISBN 9780955822520

Enlightenment

Golding, Johnny (2010) Keynote: the need to know (Law): minority report on museum interface, space, technologies. In: Museum Interfaces, Spaces, Technologies (MIST), 22-23 March 2010, Dept of Architecture, Cambridge University. (Unpublished)

ephemeral media

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2011) Digital intimacies: aesthetic and affective strategies in the production and use of online video. In: Grainge, Paul, (ed.) Ephemeral Media: Transitory Screen Culture from Television to YouTube. Palgrave Macmillan, Basingstoke, UK, pp. 214-227. ISBN 9781844574353

epistemology

Critchley, Emily (2010) 'Hejinian's Faustienne Beings-With'. In: Chivers, Tom, (ed.) Stress Fractures: Essays on Poetry. Penned in the Margins, London, pp. 55-72. ISBN 978-0-9565467-1-5

erotic philosophy and the senses

Golding, Sue (2010) Tactile philosophy: From ars scientifica to ars erotica. In: Touched: Philosophy Meets Art, 19 Nov 2010, Liverpool, UK. (Unpublished)

essay

Critchley, Emily (2010) 'Hejinian's Faustienne Beings-With'. In: Chivers, Tom, (ed.) Stress Fractures: Essays on Poetry. Penned in the Margins, London, pp. 55-72. ISBN 978-0-9565467-1-5

ethics

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Co-Designing with the Bereaved: how Curatorial Dilemmas become Ethical Reflections. [Working Paper] (Submitted)

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Jefferies, Janis (2016) Intimate technologies: The ethics of simulated relationships. In: ISEA2016, Cultural R>Evolution. Proceedings of the 22nd International Symposium on Electronic Art . School of Creative Media, City University of Hong Kong, Hong Kong. ISBN 978-962-442-397-6

Euripides

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

Everlyn Nicodemus

Cheddie, Janice (2007) Listening to trauma in the art of Everlyn Nicodemus. Third Text, 21 (1). pp. 79-89. ISSN 0952-8822 (Print), 1475-5297 (Online) (doi:https://doi.org/10.1080/09528820601138667)

evidence

Keith, Lindsay ORCID: 0000-0002-5324-1719, Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

exhibition

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Co-Designing with the Bereaved: how Curatorial Dilemmas become Ethical Reflections. [Working Paper] (Submitted)

exhibition documentation

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2019) Between the art canon and the margins: historicizing technology-reliant art via curatorial practice. Arts, 8 (3):121. ISSN 2076-0752 (doi:https://doi.org/10.3390/arts8030121)

exhibition histories

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2019) Between the art canon and the margins: historicizing technology-reliant art via curatorial practice. Arts, 8 (3):121. ISSN 2076-0752 (doi:https://doi.org/10.3390/arts8030121)

experiential structures

Walker, Mark (2008) Experiential embodiment and human immediacy: Adorno’s negative affinity. PhD thesis, University of Greenwich.

experimental

Critchley, Emily (2007) [A conference overview & introductory remarks] Cambridge Experimental Women's Poetry Festival 5 - 9 October 2006. HOW2, 3 (1).

experimental film

King, Andrew ORCID: 0000-0003-2348-4231 (2011) Small screen and big screen: the economics of 'Rage'. In: The Big Screen vs. The Small Screen, 16 Feb 2011, Canterbury Christ Church University, UK. (Unpublished)

experimental phenomenology

Critchley, Emily (2010) 'Hejinian's Faustienne Beings-With'. In: Chivers, Tom, (ed.) Stress Fractures: Essays on Poetry. Penned in the Margins, London, pp. 55-72. ISBN 978-0-9565467-1-5

Externalities

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

Falling barriers to entry

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

Faustienne

Critchley, Emily (2010) 'Hejinian's Faustienne Beings-With'. In: Chivers, Tom, (ed.) Stress Fractures: Essays on Poetry. Penned in the Margins, London, pp. 55-72. ISBN 978-0-9565467-1-5

feminist

Critchley, Emily (2010) 'Hejinian's Faustienne Beings-With'. In: Chivers, Tom, (ed.) Stress Fractures: Essays on Poetry. Penned in the Margins, London, pp. 55-72. ISBN 978-0-9565467-1-5

festival

Critchley, Emily (2007) [A conference overview & introductory remarks] Cambridge Experimental Women's Poetry Festival 5 - 9 October 2006. HOW2, 3 (1).

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

fiction

Smith, Caroline (2008) End of the line: flash fiction collection on trauma [Reading]. [Art/Poetry/Short Story Performance or Reading] (Unpublished)

film

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

Folkestone

Kennell, James ORCID: 0000-0002-7877-7843 (2008) Arts-led regeneration and community cohesion: a study of Folkestone, Kent. In: Collins, Mike, Holmes, Kirsten and Slater, Alix, (eds.) Sport, Leisure, Culture and Social Capital: Discourse and Practice. LSA publication (100). Leisure Studies Association, Eastbourne, UK, pp. 139-154. ISBN 978-1-905369-11-9

Food

Smith, Caroline (2009) Eating secret (at Art Depot). [Show/Exhibition]

Smith, Caroline (2009) Eating secret (at The Roundhouse). [Show/Exhibition]

fractal philosophy

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

Gender

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

King, Andrew ORCID: 0000-0003-2348-4231 (ed.) (2019) Keep the Door of my Lips: the Unspoken Cost of Work in Victorian/ Austerity Britain. Stephen Lawrence Gallery. ISBN 978-0957343054

Geographic Information Systems

Williams, Alex, Dovey, John, Cronin, Bruce ORCID: 0000-0002-3776-8924, Garside, Peter, Flintham, Matthew, Smith, Matthew, Barnett, David, Brooks, Richard, Boddington, Anne and Taylor, Faye (2017) The Hidden Story: Understanding Knowledge Exchange Partnerships with the Creative Economy. Project Report. Kingston University in partnership with University Alliance; UWE Bristol; & Greenwich, Coventry & Sheffield Hallam Universities,.

glocalisation

Acton, Thomas (2007) Refusing exclusion. In: Politi, G., Sharp, C., Uhlirova, K., Foltyna, L. and Gute, C., (eds.) Praguebiennale 3: Glocal and Outsiders: Connecting Cultures in Central Europe. Giancarlo Politi, Milan, Italy, pp. 393-394. ISBN 9788878161429

hacking

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

Heidegger

Critchley, Emily (2010) 'Hejinian's Faustienne Beings-With'. In: Chivers, Tom, (ed.) Stress Fractures: Essays on Poetry. Penned in the Margins, London, pp. 55-72. ISBN 978-0-9565467-1-5

history

King, Andrew ORCID: 0000-0003-2348-4231 (ed.) (2019) Keep the Door of my Lips: the Unspoken Cost of Work in Victorian/ Austerity Britain. Stephen Lawrence Gallery. ISBN 978-0957343054

history and criticism

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

holographic gaming

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

holographic wave compositions

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

hospice

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Co-Designing with the Bereaved: how Curatorial Dilemmas become Ethical Reflections. [Working Paper] (Submitted)

human

Golding, Johnny (2010) Keynote: the need to know (Law): minority report on museum interface, space, technologies. In: Museum Interfaces, Spaces, Technologies (MIST), 22-23 March 2010, Dept of Architecture, Cambridge University. (Unpublished)

human rights

Lammin, Hannah ORCID: 0000-0002-9752-9335 (2018) Krisis as the scene of non-decisional judgement: A performance-fiction for the generic human. Performance Philosophy, 4 (1). pp. 66-85. ISSN 2057-7176 (Online) (doi:https://doi.org/10.21476/PP.2018.41203)

identity

Adil, Alev (2011) Dream and diaspora : Tracey Emin's Turkish Cypriot legacy. In: Tracey Emin Study Day, 13 June 2011, Hayward Gallery South Bank. (Unpublished)

Adil, Alev (2010) Photography and borders: Nicosia’s green line as a milieux de memoire. In: International Conference of Photography and Theory - Cypriot Photography in Context: Time Place and Identity, 25-26 Nov 2010, Cyprus University of Technology, Limassol, Cyprus. (Unpublished)

identity theft

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

immersive

Keith, Lindsay ORCID: 0000-0002-5324-1719, Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

installation

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

installation art

Sporton, Gregory and Makiola, Iona (2011) The Watertower: augmented reality gaming for heritage. In: Beale, Katy, (ed.) Museums At Play – Games, Interaction and Learning. MuseumsEtc., Edinburgh, UK and Boston, USA, pp. 347-357. ISBN 9781907697142

interculturalism

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

international research exhibition catalogue

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2017) Diversity + inclusivity by design: what is enabled when designers design with and for others? [Show/Exhibition]

internet

Sporton, Gregory (2010) EP: VV East Side Projects: virtualised and visualised. [Show/Exhibition]

interviews

King, Andrew ORCID: 0000-0003-2348-4231 (2011) Small screen and big screen: the economics of 'Rage'. In: The Big Screen vs. The Small Screen, 16 Feb 2011, Canterbury Christ Church University, UK. (Unpublished)

intimacy

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2009) Digital intimacies: aesthetic and affective strategies in the production and use of online video. In: Ephemeral Media Workshop, 23-24 Jun 2009, Nottingham University. (Unpublished)

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2011) Digital intimacies: aesthetic and affective strategies in the production and use of online video. In: Grainge, Paul, (ed.) Ephemeral Media: Transitory Screen Culture from Television to YouTube. Palgrave Macmillan, Basingstoke, UK, pp. 214-227. ISBN 9781844574353

Smith, Caroline (2009) Eating secret [at Kingston University]. In: Kingston University for Performing Lives International Symposium, 6 - 8 July, 2009, Kingston University. (Unpublished)

Knowledge Exchange

Williams, Alex, Dovey, John, Cronin, Bruce ORCID: 0000-0002-3776-8924, Garside, Peter, Flintham, Matthew, Smith, Matthew, Barnett, David, Brooks, Richard, Boddington, Anne and Taylor, Faye (2017) The Hidden Story: Understanding Knowledge Exchange Partnerships with the Creative Economy. Project Report. Kingston University in partnership with University Alliance; UWE Bristol; & Greenwich, Coventry & Sheffield Hallam Universities,.

krisis

Lammin, Hannah ORCID: 0000-0002-9752-9335 (2018) Krisis as the scene of non-decisional judgement: A performance-fiction for the generic human. Performance Philosophy, 4 (1). pp. 66-85. ISSN 2057-7176 (Online) (doi:https://doi.org/10.21476/PP.2018.41203)

LANGUAGE writing

Critchley, Emily (2010) 'Hejinian's Faustienne Beings-With'. In: Chivers, Tom, (ed.) Stress Fractures: Essays on Poetry. Penned in the Margins, London, pp. 55-72. ISBN 978-0-9565467-1-5

liberal arts

Golding, Sue (2012) The university must be defended: collateral damage, part 37. Angelaki: Journal of Theoretical Humanities, 17 (1). pp. 131-134. ISSN 0969-725X (Print), 1469-2899 (Online)

Lisa Robertson

Critchley, Emily (2009) Review of Magenta Soul Whip by Lisa Robertson. HOW2, 3 (3).

Live art

Smith, Caroline (2009) Eating secret (at Art Depot). [Show/Exhibition]

Smith, Caroline (2009) Eating secret (at The Roundhouse). [Show/Exhibition]

Smith, Caroline (2008) Eating secret [at Whitstable Biennale Satellite]. [Art/Poetry/Short Story Performance or Reading]

Smith, Caroline (2007) Spank [at Intimacy: across visceral and digital performance]. [Art/Poetry/Short Story Performance or Reading]

Smith, Caroline (2008) Spank [at Queer in Europe, Exeter University, September 08]. [Art/Poetry/Short Story Performance or Reading]

Smith, Caroline (2008) Spank performance tour [at Betsey's Salon of Interdisciplinary Arts]. [Art/Poetry/Short Story Performance or Reading]

Smith, Caroline (2008) Spank performance tour [at Further investigations, The Space In Between]. [Art/Poetry/Short Story Performance or Reading]

Smith, Caroline (2008) Spank performance tour [at National Review of Live Art 2008]. [Art/Poetry/Short Story Performance or Reading]

Smith, Caroline (2008) Spank performance tour [at OMSK]. [Art/Poetry/Short Story Performance or Reading]

Smith, Caroline (2007) Spank performance tour [at Signals 07 arts festival]. [Art/Poetry/Short Story Performance or Reading]

Liverpool

Longmore, Jane (2007) The urban renaissance in Liverpool, 1760-1800. Joseph Wright of Derby in Liverpool: laying the foundations of taste. Yale University Press, New Haven, Conn. ; London. ISBN 978-0300117455

Lyn Hejinian

Critchley, Emily (2010) 'Hejinian's Faustienne Beings-With'. In: Chivers, Tom, (ed.) Stress Fractures: Essays on Poetry. Penned in the Margins, London, pp. 55-72. ISBN 978-0-9565467-1-5

Marcus du Sautoy

Mann, A.J.S. (2008) Reviews: 'The 19th Step' research performance [Performance review]. The London Mathematical Society Newsletter (371). pp. 23-25.

marginalisation

Acton, Thomas (2007) Refusing exclusion. In: Politi, G., Sharp, C., Uhlirova, K., Foltyna, L. and Gute, C., (eds.) Praguebiennale 3: Glocal and Outsiders: Connecting Cultures in Central Europe. Giancarlo Politi, Milan, Italy, pp. 393-394. ISBN 9788878161429

Martin Conway

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

Masquerade

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

mathematical proof

Mann, A.J.S. (2008) Reviews: 'The 19th Step' research performance [Performance review]. The London Mathematical Society Newsletter (371). pp. 23-25.

media

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sigthorsson, Gauti (2013) Introducing the creative industries: from theory to practice. SAGE Publications Ltd., London, UK. ISBN 978-1849205733

media agility

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

media arts philosophy literary England performance

Golding, Sue (2010) The Allergic Bodies Conference: Postgraduate/Postdoctoral Research Conference, 2010. In: The Allergic Bodies Postgraduate/Postdoctoral Research Conference, 27 May 2010, University of Greenwich, Maritime Campus.

memory

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

mobile publishing

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

multi-media publishing

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

museum and community

Waterworth, David (2019) Pathways in the Serlachius Foundation Collection and its extended constituencies. [Show/Exhibition]

Waterworth, David (2019) Serlachius residency report for the project: a parallel collection. Project Report. UNSPECIFIED. (Unpublished)

museum community engagement

Waterworth, David (2019) Pathways in the Serlachius Foundation Collection and its extended constituencies. [Show/Exhibition]

Waterworth, David (2019) Serlachius residency report for the project: a parallel collection. Project Report. UNSPECIFIED. (Unpublished)

museum outreach

Waterworth, David (2019) Pathways in the Serlachius Foundation Collection and its extended constituencies. [Show/Exhibition]

Waterworth, David (2019) Serlachius residency report for the project: a parallel collection. Project Report. UNSPECIFIED. (Unpublished)

myth

Lammin, Hannah ORCID: 0000-0002-9752-9335 (2018) Krisis as the scene of non-decisional judgement: A performance-fiction for the generic human. Performance Philosophy, 4 (1). pp. 66-85. ISSN 2057-7176 (Online) (doi:https://doi.org/10.21476/PP.2018.41203)

narrative

Keith, Lindsay ORCID: 0000-0002-5324-1719, Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

necro-financialisation

Samson, Audrey and Tobias Schäfer, Mirko (2018) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Theory in the New Humanities . Bloomsbury Press, London, UK, pp. 407-410. ISBN 978-1350030244

network technologies

Sporton, Gregory and Sharl, Robert (2006) Ultra parallelism: the grid, the supercomputer and the creative artist. In: Gibbon, Joan and Winwood, Kaye, (eds.) Hothaus papers: perspectives and paradigms in media arts. Vivid/Article Press, Birmingham, UK, pp. 102-108.

neuro-psychologist

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

new media art

Sporton, Gregory (2010) EP: VV East Side Projects: virtualised and visualised. [Show/Exhibition]

New Romani art

Acton, Thomas (2007) Refusing exclusion. In: Politi, G., Sharp, C., Uhlirova, K., Foltyna, L. and Gute, C., (eds.) Praguebiennale 3: Glocal and Outsiders: Connecting Cultures in Central Europe. Giancarlo Politi, Milan, Italy, pp. 393-394. ISBN 9788878161429

new writing

Critchley, Emily (2010) Emily Critchley. In: Etter, Carrie, (ed.) Infinite Difference: Other Poetries by U.K. Women Poets. Shearsman Books, Exeter, UK, pp. 176-185. ISBN 978-1848610996 (pbk)

Nicolas Roeg

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Don’t look now: adapting prose narrative for the screen. In: Screenwriting - History, Theory and Practice, 9-11 Sep 2010, Copenhagen, Denmark. (Unpublished)

Nigerian history

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

Nigerian drama

Adeyemi, Sola (2010) Language and accessibility in Femi Osofisan’s drama. In: Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro, (eds.) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK, pp. 187-202. ISBN 978-0956683700

Nigerian history

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

Nigerian literature

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

Nigerian literature (english)

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

Nigerian poetry

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

Nigerian poetry (English)

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

Nigerian theatre

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

Nollywood

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

non-philosophy

Lammin, Hannah ORCID: 0000-0002-9752-9335 (2018) Krisis as the scene of non-decisional judgement: A performance-fiction for the generic human. Performance Philosophy, 4 (1). pp. 66-85. ISSN 2057-7176 (Online) (doi:https://doi.org/10.21476/PP.2018.41203)

ododo

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

Othello

Young, Jennifer (2019) Q2 Othello at the Serjeants' Inn. In: The Early Modern Inns of Court and the Circulation of Texts, 14-15 Jun 2019, King's College London, London. (Unpublished)

Overcoming the urban-rural divide

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

participants

Keith, Lindsay ORCID: 0000-0002-5324-1719, Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

performance

Sabisch, Petra (2009) Choreographing relations: practical philosophy and contemporary choreography. PhD thesis, University of Greenwich.

Smith, Caroline (2008) End of the line: flash fiction collection on trauma [Reading]. [Art/Poetry/Short Story Performance or Reading] (Unpublished)

Performance art

Smith, Caroline (2009) Eating secret (at Art Depot). [Show/Exhibition]

Smith, Caroline (2009) Eating secret (at The Roundhouse). [Show/Exhibition]

performance perspectives

Smith, Caroline (2009) Eating secret [at Kingston University]. In: Kingston University for Performing Lives International Symposium, 6 - 8 July, 2009, Kingston University. (Unpublished)

performances

Smith, Caroline (2009) Eating secret [at Kingston University]. In: Kingston University for Performing Lives International Symposium, 6 - 8 July, 2009, Kingston University. (Unpublished)

Smith, Caroline (2008) Eating secret [at Whitstable Biennale Satellite]. [Art/Poetry/Short Story Performance or Reading]

Smith, Caroline (2007) Spank [at Intimacy: across visceral and digital performance]. [Art/Poetry/Short Story Performance or Reading]

Smith, Caroline (2008) Spank [at Queer in Europe, Exeter University, September 08]. [Art/Poetry/Short Story Performance or Reading]

Smith, Caroline (2008) Spank performance tour [at Betsey's Salon of Interdisciplinary Arts]. [Art/Poetry/Short Story Performance or Reading]

Smith, Caroline (2008) Spank performance tour [at Further investigations, The Space In Between]. [Art/Poetry/Short Story Performance or Reading]

Smith, Caroline (2008) Spank performance tour [at National Review of Live Art 2008]. [Art/Poetry/Short Story Performance or Reading]

Smith, Caroline (2008) Spank performance tour [at OMSK]. [Art/Poetry/Short Story Performance or Reading]

Smith, Caroline (2007) Spank performance tour [at Signals 07 arts festival]. [Art/Poetry/Short Story Performance or Reading]

performativity

Lammin, Hannah ORCID: 0000-0002-9752-9335 (2018) Krisis as the scene of non-decisional judgement: A performance-fiction for the generic human. Performance Philosophy, 4 (1). pp. 66-85. ISSN 2057-7176 (Online) (doi:https://doi.org/10.21476/PP.2018.41203)

periodicals

King, Andrew ORCID: 0000-0003-2348-4231 (ed.) (2019) Keep the Door of my Lips: the Unspoken Cost of Work in Victorian/ Austerity Britain. Stephen Lawrence Gallery. ISBN 978-0957343054

philosophy

Critchley, Emily (2010) 'Hejinian's Faustienne Beings-With'. In: Chivers, Tom, (ed.) Stress Fractures: Essays on Poetry. Penned in the Margins, London, pp. 55-72. ISBN 978-0-9565467-1-5

Sabisch, Petra (2009) Choreographing relations: practical philosophy and contemporary choreography. PhD thesis, University of Greenwich.

Walker, Mark (2008) Experiential embodiment and human immediacy: Adorno’s negative affinity. PhD thesis, University of Greenwich.

photography

Adil, Alev (2010) Photography and borders: Nicosia’s green line as a milieux de memoire. In: International Conference of Photography and Theory - Cypriot Photography in Context: Time Place and Identity, 25-26 Nov 2010, Cyprus University of Technology, Limassol, Cyprus. (Unpublished)

play

McKean, Kathy (2007) Beneath You Spider Girls Are Everywhere! [Play, Short Story or Poetry]

poetics

Critchley, Emily (2009) Review of Magenta Soul Whip by Lisa Robertson. HOW2, 3 (3).

Golding, Johnny (2010) Keynote: the need to know (Law): minority report on museum interface, space, technologies. In: Museum Interfaces, Spaces, Technologies (MIST), 22-23 March 2010, Dept of Architecture, Cambridge University. (Unpublished)

poetry

Critchley, Emily (2010) Emily Critchley. In: Etter, Carrie, (ed.) Infinite Difference: Other Poetries by U.K. Women Poets. Shearsman Books, Exeter, UK, pp. 176-185. ISBN 978-1848610996 (pbk)

Critchley, Emily (2007) [A conference overview & introductory remarks] Cambridge Experimental Women's Poetry Festival 5 - 9 October 2006. HOW2, 3 (1).

poetry reading

Critchley, Emily and Thornton, Tim (2011) Poetry Reading: Emily Critchely and Tim Thornton. [Art/Poetry/Short Story Performance or Reading]

post-conceptual art

Golding, Sue (2010) Tactile philosophy: From ars scientifica to ars erotica. In: Touched: Philosophy Meets Art, 19 Nov 2010, Liverpool, UK. (Unpublished)

posthumous-agents

Samson, Audrey and Tobias Schäfer, Mirko (2018) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Theory in the New Humanities . Bloomsbury Press, London, UK, pp. 407-410. ISBN 978-1350030244

public

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2018) SMASHfestUK Earth and Sky Tour 2017. [Show/Exhibition]

Keith, Lindsay ORCID: 0000-0002-5324-1719, Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

public curation

Waterworth, David (2019) Pathways in the Serlachius Foundation Collection and its extended constituencies. [Show/Exhibition]

Waterworth, David (2019) Serlachius residency report for the project: a parallel collection. Project Report. UNSPECIFIED. (Unpublished)

Public engagement

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

Publishing

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

radical

Critchley, Emily (2010) Emily Critchley. In: Etter, Carrie, (ed.) Infinite Difference: Other Poetries by U.K. Women Poets. Shearsman Books, Exeter, UK, pp. 176-185. ISBN 978-1848610996 (pbk)

Rage

King, Andrew ORCID: 0000-0003-2348-4231 (2011) Small screen and big screen: the economics of 'Rage'. In: The Big Screen vs. The Small Screen, 16 Feb 2011, Canterbury Christ Church University, UK. (Unpublished)

Reaching excluded groups

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

reader communities

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

regeneration

Kennell, James ORCID: 0000-0002-7877-7843 (2008) Arts-led regeneration and community cohesion: a study of Folkestone, Kent. In: Collins, Mike, Holmes, Kirsten and Slater, Alix, (eds.) Sport, Leisure, Culture and Social Capital: Discourse and Practice. LSA publication (100). Leisure Studies Association, Eastbourne, UK, pp. 139-154. ISBN 978-1-905369-11-9

research

Golding, Sue (2012) The university must be defended: collateral damage, part 37. Angelaki: Journal of Theoretical Humanities, 17 (1). pp. 131-134. ISSN 0969-725X (Print), 1469-2899 (Online)

review

Critchley, Emily (2009) Review of Magenta Soul Whip by Lisa Robertson. HOW2, 3 (3).

Richard Hawkins

Young, Jennifer (2019) Q2 Othello at the Serjeants' Inn. In: The Early Modern Inns of Court and the Circulation of Texts, 14-15 Jun 2019, King's College London, London. (Unpublished)

robotics

Golding, Johnny (2010) Keynote: the need to know (Law): minority report on museum interface, space, technologies. In: Museum Interfaces, Spaces, Technologies (MIST), 22-23 March 2010, Dept of Architecture, Cambridge University. (Unpublished)

Robots

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Jefferies, Janis (2016) Intimate technologies: The ethics of simulated relationships. In: ISEA2016, Cultural R>Evolution. Proceedings of the 22nd International Symposium on Electronic Art . School of Creative Media, City University of Hong Kong, Hong Kong. ISBN 978-962-442-397-6

Role of the Creative Arts

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

Roma art

Acton, Thomas (2010) Is tradition the enemy of history? In: Orta, Lucy, (ed.) Mapping the Invisible: EU-Roma Gypsies. Black Dog Publishing / London College of Fashion, London, UK, pp. 20-23. ISBN 978 1 906155 91 9

Roma history

Acton, Thomas (2010) Is tradition the enemy of history? In: Orta, Lucy, (ed.) Mapping the Invisible: EU-Roma Gypsies. Black Dog Publishing / London College of Fashion, London, UK, pp. 20-23. ISBN 978 1 906155 91 9

Sally Potter

King, Andrew ORCID: 0000-0003-2348-4231 (2011) Small screen and big screen: the economics of 'Rage'. In: The Big Screen vs. The Small Screen, 16 Feb 2011, Canterbury Christ Church University, UK. (Unpublished)

Scicomm

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

science

Golding, Sue (2012) The university must be defended: collateral damage, part 37. Angelaki: Journal of Theoretical Humanities, 17 (1). pp. 131-134. ISSN 0969-725X (Print), 1469-2899 (Online)

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

Science Fiction

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Jefferies, Janis (2016) Intimate technologies: The ethics of simulated relationships. In: ISEA2016, Cultural R>Evolution. Proceedings of the 22nd International Symposium on Electronic Art . School of Creative Media, City University of Hong Kong, Hong Kong. ISBN 978-962-442-397-6

Scotland

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

Second Life

Sporton, Gregory (2010) EP: VV East Side Projects: virtualised and visualised. [Show/Exhibition]

selfhood

Smith, Caroline (2009) Eating secret [at Kingston University]. In: Kingston University for Performing Lives International Symposium, 6 - 8 July, 2009, Kingston University. (Unpublished)

sensation

Sigthorsson, Gauti (2009) Sensation for sensation's sake: affect and the temptation of 'Wow!'. Alba, 3. ISSN 1403-5448

serious games

Sporton, Gregory and Makiola, Iona (2011) The Watertower: augmented reality gaming for heritage. In: Beale, Katy, (ed.) Museums At Play – Games, Interaction and Learning. MuseumsEtc., Edinburgh, UK and Boston, USA, pp. 347-357. ISBN 9781907697142

Serjeants Inn

Young, Jennifer (2019) Q2 Othello at the Serjeants' Inn. In: The Early Modern Inns of Court and the Circulation of Texts, 14-15 Jun 2019, King's College London, London. (Unpublished)

Smashfest

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

Social

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

social media

Samson, Audrey and Tobias Schäfer, Mirko (2018) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Theory in the New Humanities . Bloomsbury Press, London, UK, pp. 407-410. ISBN 978-1350030244

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 and Hirst, Nicola (2016) The Design Studio as a Social Organism and Ecology. In: DRHA Conference 2016, 4th-7th September 2016 WhoLoDancE, University of Brighton. (Unpublished)

Social Network Analysis

Williams, Alex, Dovey, John, Cronin, Bruce ORCID: 0000-0002-3776-8924, Garside, Peter, Flintham, Matthew, Smith, Matthew, Barnett, David, Brooks, Richard, Boddington, Anne and Taylor, Faye (2017) The Hidden Story: Understanding Knowledge Exchange Partnerships with the Creative Economy. Project Report. Kingston University in partnership with University Alliance; UWE Bristol; & Greenwich, Coventry & Sheffield Hallam Universities,.

social semiotics

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 and Hirst, Nicola (2016) The Design Studio as a Social Organism and Ecology. In: DRHA Conference 2016, 4th-7th September 2016 WhoLoDancE, University of Brighton. (Unpublished)

static glow

Samson, Audrey and Tobias Schäfer, Mirko (2018) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Theory in the New Humanities . Bloomsbury Press, London, UK, pp. 407-410. ISBN 978-1350030244

STEM

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2018) SMASHfestUK Earth and Sky Tour 2017. [Show/Exhibition]

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

Keith, Lindsay ORCID: 0000-0002-5324-1719, Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

storytelling

Keith, Lindsay ORCID: 0000-0002-5324-1719, Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

studio practice

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 and Hirst, Nicola (2016) The Design Studio as a Social Organism and Ecology. In: DRHA Conference 2016, 4th-7th September 2016 WhoLoDancE, University of Brighton. (Unpublished)

Waterworth, David (2015) Stockwell Depot 1967-79 (Exhibition). [Show/Exhibition]

Study and teaching

Clear, Nic (2008) A to Z. In: Clear, Nicholas and Stark, Gabor, (eds.) Adjacencies: innovative practices in spatial design and education. Circulating Objects series . Canterbury School of Architecture, Canterbury, UK, pp. 40-43. ISBN 9780955822520

style

Finkelstein, Joanne (2009) Sprezzatura and the cool charm of being artless. Brand Literary Magazine, 5 (Summer). pp. 87-92. ISSN 1754-0593

subject

Walker, Mark (2008) Experiential embodiment and human immediacy: Adorno’s negative affinity. PhD thesis, University of Greenwich.

Sunday Enessi

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

Sunday Enessi Ododo

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

supercomputing

Sporton, Gregory and Sharl, Robert (2006) Ultra parallelism: the grid, the supercomputer and the creative artist. In: Gibbon, Joan and Winwood, Kaye, (eds.) Hothaus papers: perspectives and paradigms in media arts. Vivid/Article Press, Birmingham, UK, pp. 102-108.

synthetic life

Golding, Sue (2010) Tactile philosophy: From ars scientifica to ars erotica. In: Touched: Philosophy Meets Art, 19 Nov 2010, Liverpool, UK. (Unpublished)

Technological Intimacy

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Jefferies, Janis (2016) Intimate technologies: The ethics of simulated relationships. In: ISEA2016, Cultural R>Evolution. Proceedings of the 22nd International Symposium on Electronic Art . School of Creative Media, City University of Hong Kong, Hong Kong. ISBN 978-962-442-397-6

technology-reliant works

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2019) Between the art canon and the margins: historicizing technology-reliant art via curatorial practice. Arts, 8 (3):121. ISSN 2076-0752 (doi:https://doi.org/10.3390/arts8030121)

The 19th Step

Mann, A.J.S. (2008) Reviews: 'The 19th Step' research performance [Performance review]. The London Mathematical Society Newsletter (371). pp. 23-25.

The Creative Arts

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

The Creative Arts and employment and entrepreneurship

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

The Creative Arts and sustainability

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

The Roundhouse

Smith, Caroline (2009) Eating secret (at The Roundhouse). [Show/Exhibition]

theatre

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

Keith, Lindsay ORCID: 0000-0002-5324-1719, Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

theory

Walker, Mark (2008) Experiential embodiment and human immediacy: Adorno’s negative affinity. PhD thesis, University of Greenwich.

time

Golding, Sue (2006) The assassination of time (ζeta-philosophy). In: Digital Art Weeks, 12-16 Jul 2006, Eidgenössische Technische Hochschule, Zurich, Switzerland.

trade periodicals

King, Andrew ORCID: 0000-0003-2348-4231 (ed.) (2019) Keep the Door of my Lips: the Unspoken Cost of Work in Victorian/ Austerity Britain. Stephen Lawrence Gallery. ISBN 978-0957343054

trauma

Cheddie, Janice (2007) Listening to trauma in the art of Everlyn Nicodemus. Third Text, 21 (1). pp. 79-89. ISSN 0952-8822 (Print), 1475-5297 (Online) (doi:https://doi.org/10.1080/09528820601138667)

university

Golding, Sue (2012) The university must be defended: collateral damage, part 37. Angelaki: Journal of Theoretical Humanities, 17 (1). pp. 131-134. ISSN 0969-725X (Print), 1469-2899 (Online)

urban history

Longmore, Jane (2007) The urban renaissance in Liverpool, 1760-1800. Joseph Wright of Derby in Liverpool: laying the foundations of taste. Yale University Press, New Haven, Conn. ; London. ISBN 978-0300117455

Uses of the Creative Arts

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

Victorian

King, Andrew ORCID: 0000-0003-2348-4231 (ed.) (2019) Keep the Door of my Lips: the Unspoken Cost of Work in Victorian/ Austerity Britain. Stephen Lawrence Gallery. ISBN 978-0957343054

video texts

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2009) Digital intimacies: aesthetic and affective strategies in the production and use of online video. In: Ephemeral Media Workshop, 23-24 Jun 2009, Nottingham University. (Unpublished)

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2011) Digital intimacies: aesthetic and affective strategies in the production and use of online video. In: Grainge, Paul, (ed.) Ephemeral Media: Transitory Screen Culture from Television to YouTube. Palgrave Macmillan, Basingstoke, UK, pp. 214-227. ISBN 9781844574353

virtual reality

Sporton, Gregory and Makiola, Iona (2011) The Watertower: augmented reality gaming for heritage. In: Beale, Katy, (ed.) Museums At Play – Games, Interaction and Learning. MuseumsEtc., Edinburgh, UK and Boston, USA, pp. 347-357. ISBN 9781907697142

visual ethnography

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 and Hirst, Nicola (2016) The Design Studio as a Social Organism and Ecology. In: DRHA Conference 2016, 4th-7th September 2016 WhoLoDancE, University of Brighton. (Unpublished)

Vulnerability

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Jefferies, Janis (2016) Intimate technologies: The ethics of simulated relationships. In: ISEA2016, Cultural R>Evolution. Proceedings of the 22nd International Symposium on Electronic Art . School of Creative Media, City University of Hong Kong, Hong Kong. ISBN 978-962-442-397-6

Watch Man

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

web-sciences

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

women

Critchley, Emily (2010) Emily Critchley. In: Etter, Carrie, (ed.) Infinite Difference: Other Poetries by U.K. Women Poets. Shearsman Books, Exeter, UK, pp. 176-185. ISBN 978-1848610996 (pbk)

Critchley, Emily (2007) [A conference overview & introductory remarks] Cambridge Experimental Women's Poetry Festival 5 - 9 October 2006. HOW2, 3 (1).

work

King, Andrew ORCID: 0000-0003-2348-4231 (ed.) (2019) Keep the Door of my Lips: the Unspoken Cost of Work in Victorian/ Austerity Britain. Stephen Lawrence Gallery. ISBN 978-0957343054

writing

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

youtube

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2011) Digital intimacies: aesthetic and affective strategies in the production and use of online video. In: Grainge, Paul, (ed.) Ephemeral Media: Transitory Screen Culture from Television to YouTube. Palgrave Macmillan, Basingstoke, UK, pp. 214-227. ISBN 9781844574353

‘non-representational’ cultural theory

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

This list was generated on Sun Feb 16 19:13:25 2020 UTC.