Items where Faculty / School / Research Centre / Research Groups is "School of Design and Creative Industries"

University Structure (19971)
- Faculty of Law, Arts and Social Sciences (168)
  - School of Design and Creative Industries (66)

Group by: Date | Creators | Item Type | Uncontrolled Keywords | No Grouping

10 year health plan 16mm film 1960s 1970s 3D 3D scanning academic journal addiction advocacy Africa agritech AI anarchy animation architectural heritage architecture art audio experience audiovisual installation avatar Bass Below Deck biometrics Black diaspora black sun case study censorship change children cinema arts co-design collaborations collective communication community engagement computational creativity concert consent craft creative arts creative health creative industries creative methods creativity critical shifts critical theory curating histories curatorial practice Cutty Bass data decisions decolonisation deepfake design devised digital digital curiosity digital human twins digital identities digital interfaces digital models of exhibitions digital participatory art digital platforms digital technology direct address DISPLACED displacement displays dissertation writing distortion doctoral research documentary drawing duration ecology editorial education equitable collaboration essay film ethics & inclusivity of participatory art Eurocentrism Europe exhibition documentation exhibition text expanded art practices expanded cinema experience experimental cinema experimental sound expertise film Friction Gaussian splats gen Z gender gentrification geogrqphy Germany graphic design Greenwich Studio Theatre Greenwich Theatre group exhibition haunted health Heritage Gallery higher education historical imagery history homelessness humming humour hybrid experience Hélène Cixous identity illustration image immersive listening immersive noise inclusive pedagogy industrial strategy innovation installation art intentions internet interview investment italian diaspora knowledge exchange l voids landscape landscape architecture LGBTQIA+ literature live performance Logs & Low End Bass Cartographies: Navigating the Colonial Archive through Sound London maintenance making practice marginalisation marketing Marx measuring media infrastructures memory mining moving image multi-format music mythologies narrative narrative you NeuroArt new technologies noise Noises of the Nautical Dead online participant participatory participatory art participatory design participatory performance pedagogical approaches to arts-based disciplines peer review performance photographic analysis photography Pixar place-making planning historiography play politics post-war posters power practice prison privacy pronouns of address protest psychiatry publics publishing race and identity Cultural bias Institutional exclusion Avant-garde music Electronic music Sound system culture Diasporic sound practices Improvisation Electroacoustic music Soundscape composition Field recordings DIY and lo-fi technologies Representation in music Cultural synthesis Critical race theory Sonic innovation Music pedagogy Inclusive sound practices Technological infrastructures in music reality reconstruction regeneration regulation relational practice research research conference research extracts Resonanz routine ruins screenwriting studies scripting sculpture second-person narration sexuality skills smart society social social cleansing society solidarity sonic arts Sonic Tonnage sound sound art sound image sound mapping sound studies sound/image soundscape soundwalk South Asian diaspora space spaces of the exhibition spatial politics spatial practices speculation students supply surveillance symbiotic relations symposium teachers technology tennessee territory terrorism The Gardner time topography trust urban design urban development urban planning history urban space USA video virtual production Virtual Reality visual communication visual culture visual research methods VR weddings wellbeing

Number of items at this level: 330.

10 year health plan

Mag Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032, Havsteen-Franklin, Dominik, Grant, Claire, Hignell-Tully, Daniel, Trotman, Natasha, Boddington, Ghislaine and Mag Gingrich, Oliver (2025) p_ART_icipate: Standards for Ethics and Accessibility in Digital Creative Health. University of Greenwich, London, UK.

16mm film

Bual, Savinder, Hobbs, Jim, Payne, Simon and Vallance, Andrew (2025) Contact (pt 2): an exhibition at New Arts Project, London. [Show/Exhibition]

Jaar, Alfredo, Antoniou, Klitsa, Ressler, Oliver, Cahen, Robert, O’Malley, Niamh, Tsitsopoulos, Filippos, Hobbs, James and et., al. (2024) Black Sun at Carbon Tierra Biennale. [Show/Exhibition]

1960s

Bowie, Laura ORCID: https://orcid.org/0000-0002-9084-2142 (2025) “A demonstration is also FUN”. Folk humour and play as tactics to disrupt the rational state during the 1968 protests. In: Chao, Shun-Liang and Westbrook, Vivienne, (eds.) Humour in Times of Confrontations: 1901 to the Present. Humor in Literature and Culture . Routledge - Taylor and Francis Group, New York. ISBN 978-0367208769; 978-0429263866 (doi:10.4324/9780429263866-6)

1970s

Bowie, Laura ORCID: https://orcid.org/0000-0002-9084-2142 (2024) Films as Theatres of Protest: the spatial dimensions of terrorism in 1970s West Germany. In: Perez Baquero, Rafael and Cayuela Sanchez, Salvador, (eds.) Terrifying Europe: History and Memory of Terrorism in European Identity. Estudios Europeos . ‎Marcial Pons Ediciones Jurídicas y Sociales, S.A., Madrid, Spain, pp. 167-202. ISBN 978-8413818177 (doi:10.2307/jj.26844213.10)

3D

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Chat with Da Vinci & Ada Lovelace in 3D and Digital Twins in Fashion & Football. [Audio]

3D scanning

Mag Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032, Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041, Flynn, Ryan, Spencer, George and Vargas, Samanta (2025) Mapping urban noise through stereoscopy and Gaussian splats. In: ANIMEX Conference 2025, 17-20 Nov 2025, London, UK.

academic journal

Bell, Nickolas (2025) Multicomponent Output: itinerant space online journal of doctoral research. University of Greenwich.

addiction

Frame, Matthew (2023) Illustration: "Reserve Army of Addiction". [Image]

advocacy

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) Internet blackout in Equatorial Guinea and social media bans in Venezuela. [Audio]

Africa

Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X, Farrell, Alex, Kahara, Wambui and Olson, Parmy (2025) AI isn’t coming – it’s already here. [Audio]

agritech

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) What’s next for agritech? How lawyers are getting food from farm to table. [Audio]

AI

Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Digital human twins – our future data selves. In: The 32nd International Display Workshops IDW '25, 03-05 Dec 2025, Hiroshima, Japan.

Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X, Farrell, Alex, Kahara, Wambui and Olson, Parmy (2025) AI isn’t coming – it’s already here. [Audio]

Gingrich, Olive ORCID: https://orcid.org/0000-0002-1656-0032, Ticho, Sarah, Baker, Camille and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Animating avatars for social good. In: Animating Digital Identities, 17 Jun 2025, London, UK.

Haslage, Leah, Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Weddings Reimagined: VR vows, smart rings & the rise of intimacy tech | Bridechilla x Somewhere on Earth. [Audio]

Mag Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032 (2025) Zeitgeist: decolonising AI - an interactive AI-based XR experience of flow mental states. [Show/Exhibition]

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) 35,000 AI Deepfake Models Found Online – The Shocking Rise of Non-Consensual Porn. [Audio]

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) AI can now sell your intentions – marketing your decisions before you make them. [Audio]

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Chat with Da Vinci & Ada Lovelace in 3D and Digital Twins in Fashion & Football. [Audio]

Mitchell, Gareth, Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X, Kahara, Wambui and Olson, Parmy (2025) AI, Curiosity, and the Future of Humanity: Digitally Curious & Somewhere on Earth Unite for a Groundbreaking Tech Podcast Crossover. [Audio]

Mitchell, Gareth, Gilchrist, Iain and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) AI submissions are avoiding detection at a well-respected university in the UK. [Audio]

anarchy

Frame, Matthew (2022) Illustration: "DOPE Fiends: an interview with Dog Section Press". [Image]

animation

Mag Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032, Bozzi, Nicola ORCID: https://orcid.org/0000-0003-1506-8078, Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X and Isaeva, Tatiana (2025) Animating Digital Identities. In: Animating Digital Identities, 17 Jun 2025, London, UK.

Pallant, Chris ORCID: https://orcid.org/0000-0002-1308-2565 and Holliday, Christopher (2024) Lucas meets Luxo: Lucasfilm’s Computer Graphics Lab (CGL) and the development of Pixar Animation Studios. In: Ravalli, Richard, (ed.) Lucas: His Hollywood Legacy. The University Press of Kentucky, Kentucky, USA. ISBN 978-0813198781

architectural heritage

Rabourdin, Caroline ORCID: https://orcid.org/0000-0002-9694-0384 (2025) Genesis and Genealogies: Lieux de mémoire and counter-monuments in the writings of Hélène Cixous. In: AMPS London Heritages 2025 Conference, 25th - 27th June, 2025, University of Greenwich, London.

architecture

Athique Winterbottom, Anushka, Goodwin, Duncan ORCID: https://orcid.org/0000-0003-2524-9059 and Wall, Edward Duncan ORCID: https://orcid.org/0000-0003-0505-7076 (eds.) (2025) Collective Landscape Futures. Routledge. (In Press)

Murray, Shaun (2025) Ineffaceable illumination: changing the way, we see architecture. Design Ecologies, 14. pp. 13-39. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:10.1386/des_00031_1)

Stabb, Walter, Bastani, Hadi and Bird, Natasha (2025) Thamesmead creative playscapes paper at MeCCSA 2025. In: Media, Communication and Cultural Studies Association Conference 2025, 04-06 Sept 2025, Edinburgh, UK.

Stabb, Walter, Signorelli, Valentina ORCID: https://orcid.org/0000-0001-7411-7277, Bastani, Hadi and Bird, Natasha (2025) Thamesmead Creative Playscapes Creative Participatory Research Workshops 2025. [Artefact]

art

Bell, Nickolas (2025) Multicomponent Output: itinerant space online journal of doctoral research. University of Greenwich.

audio experience

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Morell, Purni, Farquhar, Angus and Johnson, James (2025) Glasgow Requiem: "the walk". [Creative Performance or Reading]

audiovisual installation

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2025) Multicomponent Output: The Accurate Perception Available When Our Eye Becomes Single. University of Greenwich.

avatar

Bass Below Deck

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2025) Jaggered. [Composition]

biometrics

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) Biometrics – do we have a choice in who has this data and how they use it? [Audio]

Black diaspora

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2025) Editorial: Experimental sound from the Black and South Asian diaspora. Organised Sound: An International Journal of Music and Technology, 30. pp. 1-5. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771825000111)

black sun

Jaar, Alfredo, Antoniou, Klitsa, Ressler, Oliver, Cahen, Robert, O’Malley, Niamh, Tsitsopoulos, Filippos, Hobbs, James and et., al. (2024) Black Sun at Carbon Tierra Biennale. [Show/Exhibition]

case study

Gingrich, Oliver, Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 and Flynn, Ryan (2025) Fostering independent animation learners through an inclusive, scaffolded pedagogy. Compass: Journal of Learning and Teaching, 18 (1). pp. 46-59. ISSN 2044-0081 (doi:10.21100/compass.v18i1.1631)

Pentaris, Panagiotis ORCID: https://orcid.org/0000-0001-5593-8555, Dudley, Alan, Evans, David ORCID: https://orcid.org/0000-0001-6874-3845, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137, Yau, Carmen, Matthews, Kasandra Renee and Hassan, Rania (2024) An exploration of lived experiences of sexually and gender diverse staff members in Higher Education: a case study. Journal of Homosexuality, 72 (7). pp. 1200-1221. ISSN 0091-8369 (Print), 1540-3602 (Online) (doi:10.1080/00918369.2024.2370321)

censorship

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) Internet blackout in Equatorial Guinea and social media bans in Venezuela. [Audio]

change

Bell, Nickolas (2020) Symposium Review: "Design Research for Change Symposium Design Museum, London". Design Issues, 37 (2). pp. 89-92. ISSN 0747-9360 (Print), 1531-4790 (Online) (doi:10.1162/desi_r_00638)

children

cinema arts

Hobbs, James (2024) MONO NO AWARE XVIII Festival of Cinema Arts Live performance of H(xy)/V(z)=Ø. [Show/Exhibition]

co-design

Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137, Franklin, Pamela, McKenzie, Doreen, Zaremba-Byrne, Katarzyna and Zigomo, Pamela (2025) DOTS knowledge exchange: Designing Open Third Spaces for equitable collaboration. CoDesign: International Journal of CoCreation in Design and the Arts. pp. 1-16. ISSN 1571-0882 (Print), 1745-3755 (Online) (doi:10.1080/15710882.2025.2557946)

Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137, Franklin, Pamela, McKenzie, Doreen, Zaremba-Byrne, Katarzyna and Zigomo, Pamela (2024) DOTS knowledge exchange: Designing Open Third Spaces for equitable collaboration. CoDesign: International Journal of CoCreation in Design and the Arts. ISSN 1571-0882 (Print), 15710882.2025.2557946 (Online) (doi:10.1080/15710882.2025.2557946)

collaborations

Hobbs, James (2024) "For Want of (not) Measuring" at Project 78 and Solaris Gallery. [Show/Exhibition]

collective

communication

Bell, Nickolas (2025) Multicomponent Output: itinerant space online journal of doctoral research. University of Greenwich.

community engagement

computational creativity

Mag Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032 (2025) Zeitgeist: decolonising AI - an interactive AI-based XR experience of flow mental states. [Show/Exhibition]

concert

Hobbs, James (2024) Polarities - Summer Rethymno. [Show/Exhibition]

consent

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) Biometrics – do we have a choice in who has this data and how they use it? [Audio]

craft

Hobbs, James and Jones, Patrick (2025) For Want of (not) Measuring at The Revelator, Glasgow, UK. [Show/Exhibition]

creative arts

creative health

Mag Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032, Grant, Claire, Havsteen-Franklin, Dominik and Spencer, George (2025) p_ART_icipate! Facilitation and Design of Participatory Online Arts. In: The London Conference in Critical Thought (LCCT), 20-21 Jun 2025, London, UK.

Mag Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032, Renaud, Alain, Negrao, David and Emets, Evgenia (2025) KIMA Resonanz - Exhibition at Ars Electronica Festival 2025. [Show/Exhibition]

creative industries

creative methods

creativity

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Chat with Da Vinci & Ada Lovelace in 3D and Digital Twins in Fashion & Football. [Audio]

critical shifts

Hobbs, James (2024) "H(xy)/V(z)=Ø" at Critical Shifts Exhibition, Barin Han, Istanbul, Turkey. [Show/Exhibition]

critical theory

curating histories

Papadaki, Elena ORCID: https://orcid.org/0000-0002-6653-4334 (2023) Far Away, So Close: Spatial politics and the use of computer-generated exhibition models in curatorial discourse. In: Nolasco-Rózsás, Lívia and Schädler, Marianne, (eds.) Beyond Matter, Within Space: Curatorial and art mediation techniques on the verge of virtual reality. Hatje Cantz Verlag - ZKM Center for Art and Media Karlsruhe, Karlsruhe, Germany, pp. 242-249. ISBN 978-3775756167

curatorial practice

Papadaki, Elena ORCID: https://orcid.org/0000-0002-6653-4334 (2025) Curation and Exhibition Text: "Toriteri: l'être post-territoire" [Toriteri: the post-territorial being]. [Show/Exhibition]

Papadaki, Elena ORCID: https://orcid.org/0000-0002-6653-4334 (2024) Multicomponent Output: Friction as Method: Curating Process in the Age of Automation. University of Greenwich.

Cutty Bass

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2025) Jaggered. [Composition]

data

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) AI can now sell your intentions – marketing your decisions before you make them. [Audio]

decisions

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) AI can now sell your intentions – marketing your decisions before you make them. [Audio]

decolonisation

Mag Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032 (2025) Zeitgeist: decolonising AI - an interactive AI-based XR experience of flow mental states. [Show/Exhibition]

deepfake

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) 35,000 AI Deepfake Models Found Online – The Shocking Rise of Non-Consensual Porn. [Audio]

design

Bell, Nickolas (2025) Multicomponent Output: itinerant space online journal of doctoral research. University of Greenwich.

Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Blurred realities, space, self, and storytelling in luxury retail. In: Blurred Realities: Reimagining Identity, Space, and Experience, 01 May 2025, London, UK.

devised

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 and Stabb, Walter (2025) Ambitious Panic Paper presentation and film screening, MeCCSA 2025. In: Media, Communication and Cultural Studies Association Conference 2025, 04-06 Sept 2025, Edinburgh, UK.

digital

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Chat with Da Vinci & Ada Lovelace in 3D and Digital Twins in Fashion & Football. [Audio]

digital curiosity

digital human twins

digital identities

digital interfaces

digital models of exhibitions

digital participatory art

digital platforms

digital technology

direct address

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2025) Talking to You: Addressing the viewer in Virtual Reality narratives. Illuminace. The Journal of Film Theory, History, and Aesthetics, 37 (2). pp. 53-73. ISSN 0862-397X (Print), 2570-9267 (Online) (doi:10.58193/ilu.1812)

DISPLACED

Mo, Lab (2025) "DISPLACED" A photographic Exhibition by LAB KY MO. [Show/Exhibition]

displacement

Hobbs, James (2024) "H(xy)/V(z)=Ø" at Critical Shifts Exhibition, Barin Han, Istanbul, Turkey. [Show/Exhibition]

displays

dissertation writing

distortion

Hobbs, James (2024) MONO NO AWARE XVIII Festival of Cinema Arts Live performance of H(xy)/V(z)=Ø. [Show/Exhibition]

doctoral research

Bell, Nickolas (2025) Multicomponent Output: itinerant space online journal of doctoral research. University of Greenwich.

documentary

Signorelli, Valentina ORCID: https://orcid.org/0000-0001-7411-7277 (2025) "Mamma, That's All Right". [Video]

drawing

Hobbs, James (2024) "For Want of (not) Measuring" at Project 78 and Solaris Gallery. [Show/Exhibition]

Hobbs, James and Jones, Patrick (2025) For Want of (not) Measuring at The Revelator, Glasgow, UK. [Show/Exhibition]

Murray, Shaun (2025) Ineffaceable illumination: changing the way, we see architecture. Design Ecologies, 14. pp. 13-39. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:10.1386/des_00031_1)

duration

Murray, Shaun (2025) Ineffaceable illumination: changing the way, we see architecture. Design Ecologies, 14. pp. 13-39. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:10.1386/des_00031_1)

ecology

Murray, Shaun (2025) Ineffaceable illumination: changing the way, we see architecture. Design Ecologies, 14. pp. 13-39. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:10.1386/des_00031_1)

editorial

Frame, Matthew (2022) Illustration: "DOPE Fiends: an interview with Dog Section Press". [Image]

Frame, Matthew (2023) Illustration: "Human Beings". [Image]

Frame, Matthew (2023) Illustration: "Reserve Army of Addiction". [Image]

education

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Are teachers keeping up with their pupils when it comes to AI in the classroom? [Audio]

equitable collaboration

essay film

ethics & inclusivity of participatory art

Eurocentrism

Europe

exhibition documentation

exhibition text

Papadaki, Elena ORCID: https://orcid.org/0000-0002-6653-4334 (2025) Curation and Exhibition Text: "Toriteri: l'être post-territoire" [Toriteri: the post-territorial being]. [Show/Exhibition]

expanded art practices

Bual, Savinder, Hobbs, Jim, Payne, Simon and Vallance, Andrew (2025) Contact (pt 2): an exhibition at New Arts Project, London. [Show/Exhibition]

expanded cinema

Hobbs, James (2024) MONO NO AWARE XVIII Festival of Cinema Arts Live performance of H(xy)/V(z)=Ø. [Show/Exhibition]

Hobbs, James (2025) "Polarities - Dischord", Irida, Athens, Greece. [Show/Exhibition]

Hobbs, James (2024) Polarities - Summer Rethymno. [Show/Exhibition]

Hobbs, James and Jones, Patrick (2025) For Want of (not) Measuring at The Revelator, Glasgow, UK. [Show/Exhibition]

experience

experimental cinema

Hobbs, James (2024) "H(xy)/V(z)=Ø" at Critical Shifts Exhibition, Barin Han, Istanbul, Turkey. [Show/Exhibition]

Hobbs, James (2024) MONO NO AWARE XVIII Festival of Cinema Arts Live performance of H(xy)/V(z)=Ø. [Show/Exhibition]

experimental sound

expertise

film

Friction

Papadaki, Elena ORCID: https://orcid.org/0000-0002-6653-4334 (2024) Multicomponent Output: Friction as Method: Curating Process in the Age of Automation. University of Greenwich.

Gaussian splats

gen Z

gender

gentrification

Wall, Ed ORCID: https://orcid.org/0000-0003-0505-7076 (2022) Chapter 12. From cleaning to cleansing: maintenance as an urban development practice at Paddington Waterside, London. In: Viderman, Tihomir, Knierbein, Sabine, Kränzle, Elina, Frank, Sybille, Roskamm, Nikolai and Wall, Ed ORCID: https://orcid.org/0000-0003-0505-7076, (eds.) Unsettled: Urban Routines, Temporalities, and Contestations. Routledge - Taylor and Francis Group, New York, pp. 140-152. ISBN 978-0429290237 (doi:10.4324/9780429290237-14)

geogrqphy

Germany

Bowie, Laura ORCID: https://orcid.org/0000-0002-9084-2142 (2025) ‘Earth-writing’ and the shudder of the eerie: lessons from Berlin. Design Ecologies, 14. pp. 67-90. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:10.1386/des_00029_1)

graphic design

Bell, Nickolas (2025) Multicomponent Output: Communicating research visually. University of Greenwich.

Greenwich Studio Theatre

Mo, Lab and Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2025) "THE GARDENER" A play by Lab Ky Mo. [Play, Short Story or Poetry]

Greenwich Theatre

Mo, Lab and Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2025) "THE GARDENER" A play by Lab Ky Mo. [Play, Short Story or Poetry]

group exhibition

Hobbs, James (2024) "For Want of (not) Measuring" at Project 78 and Solaris Gallery. [Show/Exhibition]

haunted

health

Heritage Gallery

Mo, Lab (2025) "DISPLACED" A photographic Exhibition by LAB KY MO. [Show/Exhibition]

higher education

historical imagery

Aelbrecht, Wes and Bowie, Laura ORCID: https://orcid.org/0000-0002-9084-2142 (2025) Through the camera lens: the role of photography in shaping planning histories. Planning Perspectives. pp. 1-18. ISSN 0266-5433 (Print), 1466-4518 (Online) (doi:10.1080/02665433.2025.2568626)

history

Frame, Matthew (2021) Illustration: "The Paris Commune in Britain". [Image]

Frame, Matthew (2024) Marx Memorial and Workers Library promotional illustrations. [Artefact]

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Chat with Da Vinci & Ada Lovelace in 3D and Digital Twins in Fashion & Football. [Audio]

homelessness

Frame, Matthew (2022) Illustration: "Abolish Psychiatry". [Image]

Frame, Matthew (2021) Illustration: "The Paris Commune in Britain". [Image]

humming

humour

hybrid experience

Hélène Cixous

identity

illustration

Frame, Matthew (2022) Illustration: "Abolish Psychiatry". [Image]

Frame, Matthew (2022) Illustration: "DOPE Fiends: an interview with Dog Section Press". [Image]

Frame, Matthew (2023) Illustration: "Human Beings". [Image]

Frame, Matthew (2023) Illustration: "Reserve Army of Addiction". [Image]

Frame, Matthew (2021) Illustration: "The Paris Commune in Britain". [Image]

Frame, Matthew (2024) Marx Memorial and Workers Library promotional illustrations. [Artefact]

image

Hobbs, James and Jones, Patrick (2025) For Want of (not) Measuring at The Revelator, Glasgow, UK. [Show/Exhibition]

immersive listening

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Morell, Purni, Farquhar, Angus and Johnson, James (2025) Glasgow Requiem: "the walk". [Creative Performance or Reading]

immersive noise

inclusive pedagogy

industrial strategy

innovation

Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X, Farrell, Alex, Kahara, Wambui and Olson, Parmy (2025) AI isn’t coming – it’s already here. [Audio]

Mag Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032 (2025) p_ART_icipate! - Digital Participatory Art & Mythologies of Innovation. In: Mythologies Of Innovation, 27 Jun 2025, London, UK.

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) What’s next for agritech? How lawyers are getting food from farm to table. [Audio]

installation art

Jaar, Alfredo, Antoniou, Klitsa, Ressler, Oliver, Cahen, Robert, O’Malley, Niamh, Tsitsopoulos, Filippos, Hobbs, James and et., al. (2024) Black Sun at Carbon Tierra Biennale. [Show/Exhibition]

intentions

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) AI can now sell your intentions – marketing your decisions before you make them. [Audio]

internet

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) Internet blackout in Equatorial Guinea and social media bans in Venezuela. [Audio]

interview

Frame, Matthew (2022) Illustration: "DOPE Fiends: an interview with Dog Section Press". [Image]

investment

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) What’s next for agritech? How lawyers are getting food from farm to table. [Audio]

italian diaspora

Signorelli, Valentina ORCID: https://orcid.org/0000-0001-7411-7277 (2025) "Mamma, That's All Right". [Video]

knowledge exchange

l voids

landscape

landscape architecture

LGBTQIA+

literature

live performance

Hobbs, James (2024) Polarities - Summer Rethymno. [Show/Exhibition]

Logs & Low End Bass Cartographies: Navigating the Colonial Archive through Sound

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2025) Jaggered. [Composition]

London

maintenance

making practice

Papadaki, Elena ORCID: https://orcid.org/0000-0002-6653-4334 (2024) Multicomponent Output: Friction as Method: Curating Process in the Age of Automation. University of Greenwich.

marginalisation

marketing

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) AI can now sell your intentions – marketing your decisions before you make them. [Audio]

Marx

Frame, Matthew (2024) Marx Memorial and Workers Library promotional illustrations. [Artefact]

measuring

Hobbs, James (2024) "For Want of (not) Measuring" at Project 78 and Solaris Gallery. [Show/Exhibition]

Hobbs, James and Jones, Patrick (2025) For Want of (not) Measuring at The Revelator, Glasgow, UK. [Show/Exhibition]

media infrastructures

memory

mining

Jaar, Alfredo, Antoniou, Klitsa, Ressler, Oliver, Cahen, Robert, O’Malley, Niamh, Tsitsopoulos, Filippos, Hobbs, James and et., al. (2024) Black Sun at Carbon Tierra Biennale. [Show/Exhibition]

moving image

Hobbs, James (2024) "For Want of (not) Measuring" at Project 78 and Solaris Gallery. [Show/Exhibition]

multi-format

Bell, Nickolas (2025) Multicomponent Output: itinerant space online journal of doctoral research. University of Greenwich.

music

Signorelli, Valentina ORCID: https://orcid.org/0000-0001-7411-7277 (2025) "Mamma, That's All Right". [Video]

mythologies

narrative

narrative you

NeuroArt

Mag Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032, Renaud, Alain, Negrao, David and Emets, Evgenia (2025) KIMA: Resonanz at Ars Electronica Centre. [Show/Exhibition]

new technologies

Bual, Savinder, Hobbs, Jim, Payne, Simon and Vallance, Andrew (2025) Contact (pt 2): an exhibition at New Arts Project, London. [Show/Exhibition]

noise

Hobbs, James (2025) "Polarities - Dischord", Irida, Athens, Greece. [Show/Exhibition]

Noises of the Nautical Dead

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2025) Jaggered. [Composition]

online

Bell, Nickolas (2025) Multicomponent Output: itinerant space online journal of doctoral research. University of Greenwich.

participant

participatory

participatory art

participatory design

participatory performance

Mag Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032, Renaud, Alain, Negrao, David and Emets, Evgenia (2025) KIMA: Resonanz at Ars Electronica Centre. [Show/Exhibition]

pedagogical approaches to arts-based disciplines

Papadaki, Elena ORCID: https://orcid.org/0000-0002-6653-4334 (2024) Multicomponent Output: Friction as Method: Curating Process in the Age of Automation. University of Greenwich.

peer review

Bell, Nickolas (2025) Multicomponent Output: itinerant space online journal of doctoral research. University of Greenwich.

performance

Hobbs, James (2025) "Polarities - Dischord", Irida, Athens, Greece. [Show/Exhibition]

photographic analysis

photography

Hobbs, James (2024) "For Want of (not) Measuring" at Project 78 and Solaris Gallery. [Show/Exhibition]

Hobbs, James and Jones, Patrick (2025) For Want of (not) Measuring at The Revelator, Glasgow, UK. [Show/Exhibition]

Pixar

place-making

planning historiography

play

politics

Frame, Matthew (2023) Illustration: "Human Beings". [Image]

Frame, Matthew (2023) Illustration: "Reserve Army of Addiction". [Image]

post-war

posters

Bell, Nickolas (2025) Multicomponent Output: Communicating research visually. University of Greenwich.

power

practice

Murray, Shaun (2025) Ineffaceable illumination: changing the way, we see architecture. Design Ecologies, 14. pp. 13-39. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:10.1386/des_00031_1)

prison

Frame, Matthew (2023) Illustration: "Human Beings". [Image]

privacy

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) Biometrics – do we have a choice in who has this data and how they use it? [Audio]

pronouns of address

protest

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) Internet blackout in Equatorial Guinea and social media bans in Venezuela. [Audio]

psychiatry

Frame, Matthew (2022) Illustration: "Abolish Psychiatry". [Image]

publics

publishing

Bell, Nickolas (2025) Multicomponent Output: itinerant space online journal of doctoral research. University of Greenwich.

Frame, Matthew (2022) Illustration: "Abolish Psychiatry". [Image]

Frame, Matthew (2022) Illustration: "DOPE Fiends: an interview with Dog Section Press". [Image]

Frame, Matthew (2023) Illustration: "Human Beings". [Image]

Frame, Matthew (2023) Illustration: "Reserve Army of Addiction". [Image]

Frame, Matthew (2021) Illustration: "The Paris Commune in Britain". [Image]

race and identity Cultural bias Institutional exclusion Avant-garde music Electronic music Sound system culture Diasporic sound practices Improvisation Electroacoustic music Soundscape composition Field recordings DIY and lo-fi technologies Representation in music Cultural synthesis Critical race theory Sonic innovation Music pedagogy Inclusive sound practices Technological infrastructures in music

reality

reconstruction

regeneration

regulation

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) Biometrics – do we have a choice in who has this data and how they use it? [Audio]

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) What’s next for agritech? How lawyers are getting food from farm to table. [Audio]

relational practice

research

Bell, Nickolas (2025) Multicomponent Output: Communicating research visually. University of Greenwich.

research conference

Bell, Nickolas (2025) Multicomponent Output: Communicating research visually. University of Greenwich.

research extracts

Bell, Nickolas (2025) Multicomponent Output: itinerant space online journal of doctoral research. University of Greenwich.

Resonanz

routine

Murray, Shaun (2025) Ineffaceable illumination: changing the way, we see architecture. Design Ecologies, 14. pp. 13-39. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:10.1386/des_00031_1)

ruins

screenwriting studies

scripting

sculpture

Bual, Savinder, Hobbs, Jim, Payne, Simon and Vallance, Andrew (2025) Contact (pt 2): an exhibition at New Arts Project, London. [Show/Exhibition]

Hobbs, James (2024) "For Want of (not) Measuring" at Project 78 and Solaris Gallery. [Show/Exhibition]

Hobbs, James and Jones, Patrick (2025) For Want of (not) Measuring at The Revelator, Glasgow, UK. [Show/Exhibition]

second-person narration

sexuality

skills

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Are teachers keeping up with their pupils when it comes to AI in the classroom? [Audio]

smart society

social

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) Internet blackout in Equatorial Guinea and social media bans in Venezuela. [Audio]

social cleansing

society

solidarity

Frame, Matthew (2021) Illustration: "The Paris Commune in Britain". [Image]

sonic arts

Sonic Tonnage

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2025) Jaggered. [Composition]

sound

Bual, Savinder, Hobbs, Jim, Payne, Simon and Vallance, Andrew (2025) Contact (pt 2): an exhibition at New Arts Project, London. [Show/Exhibition]

Hobbs, James (2024) "For Want of (not) Measuring" at Project 78 and Solaris Gallery. [Show/Exhibition]

Hobbs, James and Jones, Patrick (2025) For Want of (not) Measuring at The Revelator, Glasgow, UK. [Show/Exhibition]

sound art

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2025) Multicomponent Output: The Accurate Perception Available When Our Eye Becomes Single. University of Greenwich.

sound image

Hobbs, James (2025) "Polarities - Dischord", Irida, Athens, Greece. [Show/Exhibition]

Hobbs, James (2024) Polarities - Summer Rethymno. [Show/Exhibition]

sound mapping

sound studies

sound/image

Bual, Savinder, Hobbs, Jim, Payne, Simon and Vallance, Andrew (2025) Contact (pt 2): an exhibition at New Arts Project, London. [Show/Exhibition]

soundscape

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2025) Multicomponent Output: The Accurate Perception Available When Our Eye Becomes Single. University of Greenwich.

soundwalk

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Morell, Purni, Farquhar, Angus and Johnson, James (2025) Glasgow Requiem: "the walk". [Creative Performance or Reading]