Items where Faculty / School / Research Centre / Research Groups is "School of Design and Creative Industries"

University Structure (20227)
- Faculty of Law, Arts and Social Sciences (217)
  - School of Design and Creative Industries (88)

Group by: Date | Creators | Item Type | Uncontrolled Keywords | No Grouping

10 year health plan 16mm film 1960s 1970s 3D 3D scanning academic journal Academy Awards 2024 accessibility addiction advocacy Africa agritech AI AI scholarship anarchy animation architectural heritage architecture art art activism audio experience audiovisual installation avatar Bass Below Deck bias biometrics Black diaspora black sun brand design Buffy case study censorship change children cinema arts co-design collaborations collective communication community engagement compression computational creativity concert conflict consent conservation content production corporations craft creative arts creative health creative industries creative methods creativity critical reading list critical shifts critical theory CSS curating histories curatorial practice Cutty Bass dance data decisions decolonisation decolonising sound deepfake defense design design for web content designers developers devised digital digital curiosity digital human twins digital identities digital interfaces digital media digital models of exhibitions digital participatory art digital platforms digital technology direct address disaster capitalism DISPLACED displacement displays dissertation writing distortion doctoral research documentary drama drama and theatre: general interest drawing dream dream factory duration Dushume ecology editorial education embodied energy environmental impact equitable collaboration essay film ethics ethics & inclusivity of participatory art EU AI Act Eurocentrism Europe exhibition documentation exhibition text expanded art practices expanded cinema experience experimental cinema experimental sound expertise experts female filmmakers film film archive film market fires food system Friction front end coding front end development front-end coding funerals future Gaussian splats gen Z gender gentrification geogrqphy Germany graphic design Greenwich Studio Theatre Greenwich Theatre group exhibition haunted health Heritage Gallery higher education historical imagery history Hollywood homeless homelessness hostels HTML humming humour hybrid experience Hélène Cixous identity illustration image immersive immersive listening immersive noise inclusive design inclusive pedagogy industrial strategy infrastructure innovation installation art intentions internet interview investment italian diaspora Kidman knowledge exchange l voids labour exploitation landscape landscape architecture leverage points LGBTQIA+ literature live performance Logs & Low End Bass Cartographies: Navigating the Colonial Archive through Sound London maintenance making practice marginalisation marketing Marx mass communication measuring media media infrastructures memory military mindful mining moving image multi-format music mythologies narrative narrative you NeuroArt new technologies noise Noises of the Nautical Dead online online outputs Ortigia Oscars Oscars 2024 participant participatory participatory art participatory design participatory performance Pascal Diot pedagogical approaches to arts-based disciplines peer review performance performance studies photographic analysis photography Pixar place-making planning planning historiography play politics post-war post-war planning post-war reconstruction posters power practice prefigurative politics presentation preservation prison privacy pronouns of address protest psychiatry publics publishing race and identity Cultural bias Institutional exclusion Avant-garde music Electronic music Sound system culture Diasporic sound practices Improvisation Electroacoustic music Soundscape composition Field recordings DIY and lo-fi technologies Representation in music Cultural synthesis Critical race theory Sonic innovation Music pedagogy Inclusive sound practices Technological infrastructures in music reality reboot reconstruction regeneration regulation relational practice research research conference research extracts Resonanz responsive design routine ruins screenwriting studies scripting sculpture second-person narration sexuality skills slide design smart society social social cleansing society solidarity sonic arts Sonic Tonnage sound sound art sound image sound mapping sound studies sound/image soundscape soundwalk South Asian diaspora space spaces of the exhibition spatial politics spatial practices speculation students supply surveillance sustainability SVG code symbiotic relations symposium teachers technology template design and build tennessee territory terrorism The Gardner The Noise Selector theatre time topography training transformation trust typography urban design urban development urban planning history urban space USA vector graphics Venice Film Festival Venice Production Bridge video virtual production Virtual Reality visual communication visual culture visual research methods VR W3C war economy warfare water consumption web design web development web industry web publishing web standards webdesign weddings wellbeing women writing for the web

Number of items at this level: 453.

10 year health plan

Mag Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032, Havsteen-Franklin, Dominik, Grant, Claire, Hignell-Tully, Daniel, Trotman, Natasha, Boddington, Ghislaine and Mag Gingrich, Oliver (2025) p_ART_icipate: Standards for Ethics and Accessibility in Digital Creative Health. University of Greenwich, London, UK.

16mm film

Bual, Savinder, Hobbs, Jim, Payne, Simon and Vallance, Andrew (2025) Contact (pt 2): an exhibition at New Arts Project, London. [Show/Exhibition]

Jaar, Alfredo, Antoniou, Klitsa, Ressler, Oliver, Cahen, Robert, O’Malley, Niamh, Tsitsopoulos, Filippos, Hobbs, James and et., al. (2024) Black Sun at Carbon Tierra Biennale. [Show/Exhibition]

1960s

Bowie, Laura ORCID: https://orcid.org/0000-0002-9084-2142 (2025) “A demonstration is also FUN”. Folk humour and play as tactics to disrupt the rational state during the 1968 protests. In: Chao, Shun-Liang and Westbrook, Vivienne, (eds.) Humour in Times of Confrontations: 1901 to the Present. Humor in Literature and Culture . Routledge - Taylor and Francis Group, New York. ISBN 978-0367208769; 978-0429263866 (doi:10.4324/9780429263866-6)

1970s

Bowie, Laura ORCID: https://orcid.org/0000-0002-9084-2142 (2024) Films as Theatres of Protest: the spatial dimensions of terrorism in 1970s West Germany. In: Perez Baquero, Rafael and Cayuela Sanchez, Salvador, (eds.) Terrifying Europe: History and Memory of Terrorism in European Identity. Estudios Europeos . ‎Marcial Pons Ediciones Jurídicas y Sociales, S.A., Madrid, Spain, pp. 167-202. ISBN 978-8413818177 (doi:10.2307/jj.26844213.10)

3D

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Chat with Da Vinci & Ada Lovelace in 3D and Digital Twins in Fashion & Football. [Audio]

3D scanning

Mag Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032, Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041, Flynn, Ryan, Spencer, George and Vargas, Samanta (2025) Mapping urban noise through stereoscopy and Gaussian splats. In: ANIMEX Conference 2025, 17-20 Nov 2025, London, UK.

academic journal

Bell, Nickolas (2025) Multicomponent Output: itinerant space online journal of doctoral research. University of Greenwich.

Academy Awards 2024

Signorelli, Valentina ORCID: https://orcid.org/0000-0001-7411-7277 (2025) Notte degli Oscar: Fabbrica di Sogni e di Polemiche ("Oscars Night: Dream Factory and Factory of Controversy"). Fortune Entertainment, Mar. p. 8. ISSN 1120‑5059

accessibility

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2025) The Slide Library. [Teaching Resource]

addiction

Frame, Matthew (2023) Illustration: "Reserve Army of Addiction". [Image]

advocacy

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) Internet blackout in Equatorial Guinea and social media bans in Venezuela. [Audio]

Africa

Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) AI isn’t coming – it’s already here. [Audio]

agritech

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) What’s next for agritech? How lawyers are getting food from farm to table. [Audio]

AI

Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) AI isn’t coming – it’s already here. [Audio]

Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Digital human twins – our future data selves. In: The 32nd International Display Workshops IDW '25, 03-05 Dec 2025, Hiroshima, Japan.

Gingrich, Olive ORCID: https://orcid.org/0000-0002-1656-0032, Ticho, Sarah, Baker, Camille and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Animating avatars for social good. In: Animating Digital Identities, 17 Jun 2025, London, UK.

Haslage, Leah, Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Weddings Reimagined: VR vows, smart rings & the rise of intimacy tech | Bridechilla x Somewhere on Earth. [Audio]

Mag Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032 (2025) Zeitgeist: decolonising AI - an interactive AI-based XR experience of flow mental states. [Show/Exhibition]

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) 35,000 AI Deepfake Models Found Online – The Shocking Rise of Non-Consensual Porn. [Audio]

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) AI can now sell your intentions – marketing your decisions before you make them. [Audio]

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) AI submissions are avoiding detection at a well-respected university in the UK. [Audio]

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) AI, Curiosity, and the Future of Humanity: Digitally Curious & Somewhere on Earth Unite for a Groundbreaking Tech Podcast Crossover. [Audio]

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Chat with Da Vinci & Ada Lovelace in 3D and Digital Twins in Fashion & Football. [Audio]

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2026) The cost of AI. Prisca Schmarsow.

Signorelli, Valentina ORCID: https://orcid.org/0000-0001-7411-7277 (2025) Buffy reboot: How to tackle the problem that vampires don’t age but actors do. The Independent. ISSN 1741-9743 (Print), 0951‑9467 (Online)

AI scholarship

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2026) The cost of AI. Prisca Schmarsow.

anarchy

Frame, Matthew (2022) Illustration: "DOPE Fiends: an interview with Dog Section Press". [Image]

animation

Mag Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032, Bozzi, Nicola ORCID: https://orcid.org/0000-0003-1506-8078, Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X and Isaeva, Tatiana (2025) Animating Digital Identities. In: Animating Digital Identities, 17 Jun 2025, London, UK.

Pallant, Chris ORCID: https://orcid.org/0000-0002-1308-2565 and Holliday, Christopher (2024) Lucas meets Luxo: Lucasfilm’s Computer Graphics Lab (CGL) and the development of Pixar Animation Studios. In: Ravalli, Richard, (ed.) Lucas: His Hollywood Legacy. The University Press of Kentucky, Kentucky, USA. ISBN 978-0813198781

architectural heritage

Rabourdin, Caroline ORCID: https://orcid.org/0000-0002-9694-0384 (2025) Genesis and Genealogies: Lieux de mémoire and counter-monuments in the writings of Hélène Cixous. In: AMPS London Heritages 2025 Conference, 25th - 27th June, 2025, University of Greenwich, London.

architecture

Athique Winterbottom, Anushka, Goodwin, Duncan ORCID: https://orcid.org/0000-0003-2524-9059 and Wall, Edward Duncan ORCID: https://orcid.org/0000-0003-0505-7076 (eds.) (2025) Collective Landscape Futures. Routledge. (In Press)

Murray, Shaun (2025) Ineffaceable illumination: changing the way, we see architecture. Design Ecologies, 14. pp. 13-39. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:10.1386/des_00031_1)

Stabb, Walter, Bastani, Hadi and Bird, Natasha (2025) Thamesmead creative playscapes paper at MeCCSA 2025. In: Media, Communication and Cultural Studies Association Conference 2025, 04-06 Sept 2025, Edinburgh, UK.

Stabb, Walter, Signorelli, Valentina ORCID: https://orcid.org/0000-0001-7411-7277, Bastani, Hadi and Bird, Natasha (2025) Thamesmead Creative Playscapes Creative Participatory Research Workshops 2025. [Artefact]

Wall, Ed ORCID: https://orcid.org/0000-0003-0505-7076 (2025) Architecture for Warfare: How Corporations Profit From Destruction and Reconstruction. Jovis, Berlin. ISBN 978-3986122812

art

Bell, Nickolas (2025) Multicomponent Output: itinerant space online journal of doctoral research. University of Greenwich.

art activism

Milliken, Sarah ORCID: https://orcid.org/0000-0001-7151-8753 (2026) The role of art activism in the prefigurative politics of food system transformation. In: Sareen, Siddharth and Juhola, Sirkku, (eds.) Transitions to Sustainability: The Prefigurative Politics of Present Transformation. Palgrave Studies in Environmental Transformation, Transition and Accountability (PSETTA) . Palgrave Macmillan, Cham, Switzerland, pp. 385-399. ISBN 978-3032073945 (doi:10.1007/978-3-032-07395-2_25)

audio experience

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Morell, Purni, Farquhar, Angus and Johnson, James (2025) Glasgow Requiem: "the walk". [Creative Performance or Reading]

audiovisual installation

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2025) Multicomponent Output: The Accurate Perception Available When Our Eye Becomes Single. University of Greenwich.

avatar

Bass Below Deck

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2025) Jaggered. [Composition]

bias

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2026) The cost of AI. Prisca Schmarsow.

biometrics

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) Biometrics – do we have a choice in who has this data and how they use it? [Audio]

Black diaspora

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2025) Editorial: Experimental sound from the Black and South Asian diaspora. Organised Sound: An International Journal of Music and Technology, 30. pp. 1-5. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771825000111)

black sun

Jaar, Alfredo, Antoniou, Klitsa, Ressler, Oliver, Cahen, Robert, O’Malley, Niamh, Tsitsopoulos, Filippos, Hobbs, James and et., al. (2024) Black Sun at Carbon Tierra Biennale. [Show/Exhibition]

brand design

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2025) The Slide Library. [Teaching Resource]

Buffy

case study

Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032, Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 and Flynn, Ryan (2025) Fostering independent animation learners through an inclusive, scaffolded pedagogy. Compass: Journal of Learning and Teaching, 18 (1). pp. 46-59. ISSN 2044-0081 (doi:10.21100/compass.v18i1.1631)

Pentaris, Panagiotis ORCID: https://orcid.org/0000-0001-5593-8555, Dudley, Alan, Evans, David ORCID: https://orcid.org/0000-0001-6874-3845, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137, Yau, Carmen, Matthews, Kasandra Renee and Hassan, Rania (2024) An exploration of lived experiences of sexually and gender diverse staff members in Higher Education: a case study. Journal of Homosexuality, 72 (7). pp. 1200-1221. ISSN 0091-8369 (Print), 1540-3602 (Online) (doi:10.1080/00918369.2024.2370321)

censorship

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) Internet blackout in Equatorial Guinea and social media bans in Venezuela. [Audio]

change

Bell, Nickolas (2020) Symposium Review: "Design Research for Change Symposium Design Museum, London". Design Issues, 37 (2). pp. 89-92. ISSN 0747-9360 (Print), 1531-4790 (Online) (doi:10.1162/desi_r_00638)

children

cinema arts

Hobbs, James (2024) MONO NO AWARE XVIII Festival of Cinema Arts Live performance of H(xy)/V(z)=Ø. [Show/Exhibition]

co-design

Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137, Franklin, Pamela, McKenzie, Doreen, Zaremba-Byrne, Katarzyna and Zigomo, Pamela (2025) DOTS knowledge exchange: Designing Open Third Spaces for equitable collaboration. CoDesign: International Journal of CoCreation in Design and the Arts. pp. 1-16. ISSN 1571-0882 (Print), 1745-3755 (Online) (doi:10.1080/15710882.2025.2557946)

Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137, Franklin, Pamela, McKenzie, Doreen, Zaremba-Byrne, Katarzyna and Zigomo, Pamela (2024) DOTS knowledge exchange: Designing Open Third Spaces for equitable collaboration. CoDesign: International Journal of CoCreation in Design and the Arts. ISSN 1571-0882 (Print), 15710882.2025.2557946 (Online) (doi:10.1080/15710882.2025.2557946)

collaborations

Hobbs, James (2024) "For Want of (not) Measuring" at Project 78 and Solaris Gallery. [Show/Exhibition]

collective

communication

Bell, Nickolas (2025) Multicomponent Output: itinerant space online journal of doctoral research. University of Greenwich.

community engagement

compression

Kennedy, Stephen ORCID: https://orcid.org/0000-0003-1119-9505 (2025) Compression Mode: The Edge of Sensibility. Bloomsbury. ISBN 978-1501369346

computational creativity

Mag Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032 (2025) Zeitgeist: decolonising AI - an interactive AI-based XR experience of flow mental states. [Show/Exhibition]

concert

Hobbs, James (2024) Polarities - Summer Rethymno. [Show/Exhibition]

conflict

Wall, Ed ORCID: https://orcid.org/0000-0003-0505-7076 (2025) Architecture for Warfare: How Corporations Profit From Destruction and Reconstruction. Jovis, Berlin. ISBN 978-3986122812

consent

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) Biometrics – do we have a choice in who has this data and how they use it? [Audio]

conservation

Signorelli, Valentina ORCID: https://orcid.org/0000-0001-7411-7277 (2025) A Ortigia memoria e futuor degli archivi cinematografici ("Ortigia as the place for cinematic memory and archive"). Fortune Entertainment, Lug/Ag. pp. 22-24. ISSN 1120‑5059

content production

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2025) Good content for the web. Manual. Prisca Schmarsow, Online.

corporations

Wall, Ed ORCID: https://orcid.org/0000-0003-0505-7076 (2025) Architecture for Warfare: How Corporations Profit From Destruction and Reconstruction. Jovis, Berlin. ISBN 978-3986122812

craft

Hobbs, James and Jones, Patrick (2025) For Want of (not) Measuring at The Revelator, Glasgow, UK. [Show/Exhibition]

creative arts

creative health

Mag Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032, Grant, Claire, Havsteen-Franklin, Dominik and Spencer, George (2025) p_ART_icipate! Facilitation and Design of Participatory Online Arts. In: The London Conference in Critical Thought (LCCT), 20-21 Jun 2025, London, UK.

Mag Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032, Renaud, Alain, Negrao, David and Emets, Evgenia (2025) KIMA Resonanz - Exhibition at Ars Electronica Festival 2025. [Show/Exhibition]

creative industries

creative methods

creativity

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Chat with Da Vinci & Ada Lovelace in 3D and Digital Twins in Fashion & Football. [Audio]

critical reading list

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2026) The cost of AI. Prisca Schmarsow.

critical shifts

Hobbs, James (2024) "H(xy)/V(z)=Ø" at Critical Shifts Exhibition, Barin Han, Istanbul, Turkey. [Show/Exhibition]

critical theory

CSS

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2026) SVG Icons 3 ways. [Teaching Resource]

curating histories

Papadaki, Elena ORCID: https://orcid.org/0000-0002-6653-4334 (2023) Far Away, So Close: Spatial politics and the use of computer-generated exhibition models in curatorial discourse. In: Nolasco-Rózsás, Lívia and Schädler, Marianne, (eds.) Beyond Matter, Within Space: Curatorial and art mediation techniques on the verge of virtual reality. Hatje Cantz Verlag - ZKM Center for Art and Media Karlsruhe, Karlsruhe, Germany, pp. 242-249. ISBN 978-3775756167

curatorial practice

Papadaki, Elena ORCID: https://orcid.org/0000-0002-6653-4334 (2025) Curation and Exhibition Text: "Toriteri: l'être post-territoire" [Toriteri: the post-territorial being]. [Show/Exhibition]

Papadaki, Elena ORCID: https://orcid.org/0000-0002-6653-4334 (2024) Multicomponent Output: Friction as Method: Curating Process in the Age of Automation. University of Greenwich.

Cutty Bass

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2025) Jaggered. [Composition]

dance

McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884, Weston, Sarah, Condron, Aiden, Wilson, Thomas and Hricik, Klara (2025) Editorial. Theatre, Dance and Performance Training (TDPT), 16 (1). pp. 1-5. ISSN 1944-3927 (Print), 944-3919 (Online) (doi:10.1080/19443927.2025.2465210)

data

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) AI can now sell your intentions – marketing your decisions before you make them. [Audio]

decisions

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) AI can now sell your intentions – marketing your decisions before you make them. [Audio]

decolonisation

Mag Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032 (2025) Zeitgeist: decolonising AI - an interactive AI-based XR experience of flow mental states. [Show/Exhibition]

decolonising sound

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2025) The noise selector. The Routledge Handbook to Rethinking the History of Technology-Based Music. Routledge, pp. 210-226. ISBN 978-1032554204 (doi:10.4324/9781003430599-15)

deepfake

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) 35,000 AI Deepfake Models Found Online – The Shocking Rise of Non-Consensual Porn. [Audio]

defense

Wall, Ed ORCID: https://orcid.org/0000-0003-0505-7076 (2025) Architecture for Warfare: How Corporations Profit From Destruction and Reconstruction. Jovis, Berlin. ISBN 978-3986122812

design

Bell, Nickolas (2025) Multicomponent Output: itinerant space online journal of doctoral research. University of Greenwich.

Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Blurred realities, space, self, and storytelling in luxury retail. In: Blurred Realities: Reimagining Identity, Space, and Experience, 01 May 2025, London, UK.

design for web content

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2025) Good content for the web. Manual. Prisca Schmarsow, Online.

designers

developers

devised

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 and Stabb, Walter (2025) Ambitious Panic Paper presentation and film screening, MeCCSA 2025. In: Media, Communication and Cultural Studies Association Conference 2025, 04-06 Sept 2025, Edinburgh, UK.

digital

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Chat with Da Vinci & Ada Lovelace in 3D and Digital Twins in Fashion & Football. [Audio]

digital curiosity

digital human twins

digital identities

digital interfaces

digital media

Kennedy, Stephen ORCID: https://orcid.org/0000-0003-1119-9505 (2025) Compression Mode: The Edge of Sensibility. Bloomsbury. ISBN 978-1501369346

digital models of exhibitions

digital participatory art

digital platforms

digital technology

direct address

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2025) Talking to You: Addressing the viewer in Virtual Reality narratives. Illuminace. The Journal of Film Theory, History, and Aesthetics, 37 (2). pp. 53-73. ISSN 0862-397X (Print), 2570-9267 (Online) (doi:10.58193/ilu.1812)

disaster capitalism

Wall, Ed ORCID: https://orcid.org/0000-0003-0505-7076 (2025) Architecture for Warfare: How Corporations Profit From Destruction and Reconstruction. Jovis, Berlin. ISBN 978-3986122812

DISPLACED

Mo, Lab (2025) "DISPLACED" A photographic Exhibition by LAB KY MO. [Show/Exhibition]

displacement

Hobbs, James (2024) "H(xy)/V(z)=Ø" at Critical Shifts Exhibition, Barin Han, Istanbul, Turkey. [Show/Exhibition]

displays

dissertation writing

distortion

Hobbs, James (2024) MONO NO AWARE XVIII Festival of Cinema Arts Live performance of H(xy)/V(z)=Ø. [Show/Exhibition]

doctoral research

Bell, Nickolas (2025) Multicomponent Output: itinerant space online journal of doctoral research. University of Greenwich.

documentary

Signorelli, Valentina ORCID: https://orcid.org/0000-0001-7411-7277 (2025) "Mamma, That's All Right". [Video]

drama

Hand, Richard J. and O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (eds.) (2023) American Horror Story and Cult Television: Narratives, Histories and Discourses. Anthem Press. ISBN 978-1785279331

drama and theatre: general interest

drawing

Hobbs, James (2024) "For Want of (not) Measuring" at Project 78 and Solaris Gallery. [Show/Exhibition]

Hobbs, James and Jones, Patrick (2025) For Want of (not) Measuring at The Revelator, Glasgow, UK. [Show/Exhibition]

Murray, Shaun (2025) Ineffaceable illumination: changing the way, we see architecture. Design Ecologies, 14. pp. 13-39. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:10.1386/des_00031_1)

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2026) Mindful Drawing through the Body. [Video]

dream

dream factory

duration

Murray, Shaun (2025) Ineffaceable illumination: changing the way, we see architecture. Design Ecologies, 14. pp. 13-39. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:10.1386/des_00031_1)

Dushume

ecology

Murray, Shaun (2025) Ineffaceable illumination: changing the way, we see architecture. Design Ecologies, 14. pp. 13-39. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:10.1386/des_00031_1)

editorial

Frame, Matthew (2022) Illustration: "DOPE Fiends: an interview with Dog Section Press". [Image]

Frame, Matthew (2023) Illustration: "Human Beings". [Image]

Frame, Matthew (2023) Illustration: "Reserve Army of Addiction". [Image]

education

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) AI submissions are avoiding detection at a well-respected university in the UK. [Audio]

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Are teachers keeping up with their pupils when it comes to AI in the classroom? [Audio]

embodied

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2026) Mindful Drawing through the Body. [Video]

energy

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2026) The cost of AI. Prisca Schmarsow.

environmental impact

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2026) The cost of AI. Prisca Schmarsow.

equitable collaboration

essay film

ethics

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2026) The cost of AI. Prisca Schmarsow.

Wall, Ed ORCID: https://orcid.org/0000-0003-0505-7076 (2025) Architecture for Warfare: How Corporations Profit From Destruction and Reconstruction. Jovis, Berlin. ISBN 978-3986122812

ethics & inclusivity of participatory art

EU AI Act

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2026) The cost of AI. Prisca Schmarsow.

Eurocentrism

Europe

exhibition documentation

exhibition text

Papadaki, Elena ORCID: https://orcid.org/0000-0002-6653-4334 (2025) Curation and Exhibition Text: "Toriteri: l'être post-territoire" [Toriteri: the post-territorial being]. [Show/Exhibition]

expanded art practices

Bual, Savinder, Hobbs, Jim, Payne, Simon and Vallance, Andrew (2025) Contact (pt 2): an exhibition at New Arts Project, London. [Show/Exhibition]

expanded cinema

Hobbs, James (2024) MONO NO AWARE XVIII Festival of Cinema Arts Live performance of H(xy)/V(z)=Ø. [Show/Exhibition]

Hobbs, James (2025) "Polarities - Dischord", Irida, Athens, Greece. [Show/Exhibition]

Hobbs, James (2024) Polarities - Summer Rethymno. [Show/Exhibition]

Hobbs, James and Jones, Patrick (2025) For Want of (not) Measuring at The Revelator, Glasgow, UK. [Show/Exhibition]

experience

experimental cinema

Hobbs, James (2024) "H(xy)/V(z)=Ø" at Critical Shifts Exhibition, Barin Han, Istanbul, Turkey. [Show/Exhibition]

Hobbs, James (2024) MONO NO AWARE XVIII Festival of Cinema Arts Live performance of H(xy)/V(z)=Ø. [Show/Exhibition]

experimental sound

expertise

experts

female filmmakers

Signorelli, Valentina ORCID: https://orcid.org/0000-0001-7411-7277 (2025) Kidman e la rapresentanza delle donne nell' industria audiovisiva ("Kidman and Female Representation in the Film Industry"). Fortune Entertainment, Apr. p. 7. ISSN 1120‑5059

film

Chapman, Mark (2024) On the importance of remembering. Mag North: Cultural Narrative for the North of England.

Signorelli, Valentina ORCID: https://orcid.org/0000-0001-7411-7277 (2025) Hollywood in fiamme e quare futuro per l'industria audiovisiva Europea ("Hollywood in Flames and the future of the European Audiovisual Industry"). Fortune Entertainment, Feb. p. 8. ISSN 1120‑5059

film archive

film market

Signorelli, Valentina ORCID: https://orcid.org/0000-0001-7411-7277 (2025) Il mercato deve rapresentare tutti ("The film market must represent everyone"). Fortune Entertainment, Ott. p. 34. ISSN 1120‑5059

fires

food system

Friction

Papadaki, Elena ORCID: https://orcid.org/0000-0002-6653-4334 (2024) Multicomponent Output: Friction as Method: Curating Process in the Age of Automation. University of Greenwich.

front end coding

front end development

front-end coding

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2025) CMS: a brief introduction. [Teaching Resource]

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2026) SVG Icons 3 ways. [Teaching Resource]

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2025) The Slide Library. [Teaching Resource]

funerals

Chapman, Mark (2024) On the importance of remembering. Mag North: Cultural Narrative for the North of England.

future

Gaussian splats

gen Z

gender

gentrification

Wall, Ed ORCID: https://orcid.org/0000-0003-0505-7076 (2022) Chapter 12. From cleaning to cleansing: maintenance as an urban development practice at Paddington Waterside, London. In: Viderman, Tihomir, Knierbein, Sabine, Kränzle, Elina, Frank, Sybille, Roskamm, Nikolai and Wall, Ed ORCID: https://orcid.org/0000-0003-0505-7076, (eds.) Unsettled: Urban Routines, Temporalities, and Contestations. Routledge - Taylor and Francis Group, New York, pp. 140-152. ISBN 978-0429290237 (doi:10.4324/9780429290237-14)

geogrqphy

Germany

Bowie, Laura ORCID: https://orcid.org/0000-0002-9084-2142 (2025) ‘Earth-writing’ and the shudder of the eerie: lessons from Berlin. Design Ecologies, 14. pp. 67-90. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:10.1386/des_00029_1)

graphic design

Bell, Nickolas (2025) Multicomponent Output: Communicating research visually. University of Greenwich.

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2025) The Slide Library. [Teaching Resource]

Greenwich Studio Theatre

Mo, Lab and Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2025) "THE GARDENER" A play by Lab Ky Mo. [Play, Short Story or Poetry]

Greenwich Theatre

Mo, Lab and Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2025) "THE GARDENER" A play by Lab Ky Mo. [Play, Short Story or Poetry]

group exhibition

Hobbs, James (2024) "For Want of (not) Measuring" at Project 78 and Solaris Gallery. [Show/Exhibition]

haunted

health

Heritage Gallery

Mo, Lab (2025) "DISPLACED" A photographic Exhibition by LAB KY MO. [Show/Exhibition]

higher education

historical imagery

Aelbrecht, Wes and Bowie, Laura ORCID: https://orcid.org/0000-0002-9084-2142 (2025) Through the camera lens: the role of photography in shaping planning histories. Planning Perspectives. pp. 1-18. ISSN 0266-5433 (Print), 1466-4518 (Online) (doi:10.1080/02665433.2025.2568626)

history

Frame, Matthew (2021) Illustration: "The Paris Commune in Britain". [Image]

Frame, Matthew (2024) Marx Memorial and Workers Library promotional illustrations. [Artefact]

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Chat with Da Vinci & Ada Lovelace in 3D and Digital Twins in Fashion & Football. [Audio]

Hollywood

homeless

Chapman, Mark (2024) On the importance of remembering. Mag North: Cultural Narrative for the North of England.

homelessness

Frame, Matthew (2022) Illustration: "Abolish Psychiatry". [Image]

Frame, Matthew (2021) Illustration: "The Paris Commune in Britain". [Image]

hostels

Chapman, Mark (2024) On the importance of remembering. Mag North: Cultural Narrative for the North of England.

HTML

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2026) SVG Icons 3 ways. [Teaching Resource]

humming

humour

hybrid experience

Hélène Cixous

identity

illustration

Frame, Matthew (2022) Illustration: "Abolish Psychiatry". [Image]

Frame, Matthew (2022) Illustration: "DOPE Fiends: an interview with Dog Section Press". [Image]

Frame, Matthew (2023) Illustration: "Human Beings". [Image]

Frame, Matthew (2023) Illustration: "Reserve Army of Addiction". [Image]

Frame, Matthew (2021) Illustration: "The Paris Commune in Britain". [Image]

Frame, Matthew (2024) Marx Memorial and Workers Library promotional illustrations. [Artefact]

image

Hobbs, James and Jones, Patrick (2025) For Want of (not) Measuring at The Revelator, Glasgow, UK. [Show/Exhibition]

immersive

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2026) Mindful Drawing through the Body. [Video]

immersive listening

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Morell, Purni, Farquhar, Angus and Johnson, James (2025) Glasgow Requiem: "the walk". [Creative Performance or Reading]

immersive noise

inclusive design

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2025) The Slide Library. [Teaching Resource]

inclusive pedagogy

industrial strategy

infrastructure

Wall, Ed ORCID: https://orcid.org/0000-0003-0505-7076 (2025) Architecture for Warfare: How Corporations Profit From Destruction and Reconstruction. Jovis, Berlin. ISBN 978-3986122812

innovation

Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) AI isn’t coming – it’s already here. [Audio]

Mag Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032 (2025) p_ART_icipate! - Digital Participatory Art & Mythologies of Innovation. In: Mythologies Of Innovation, 27 Jun 2025, London, UK.

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) What’s next for agritech? How lawyers are getting food from farm to table. [Audio]

installation art

Jaar, Alfredo, Antoniou, Klitsa, Ressler, Oliver, Cahen, Robert, O’Malley, Niamh, Tsitsopoulos, Filippos, Hobbs, James and et., al. (2024) Black Sun at Carbon Tierra Biennale. [Show/Exhibition]

intentions

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) AI can now sell your intentions – marketing your decisions before you make them. [Audio]

internet

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) Internet blackout in Equatorial Guinea and social media bans in Venezuela. [Audio]

interview

Frame, Matthew (2022) Illustration: "DOPE Fiends: an interview with Dog Section Press". [Image]

investment

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) What’s next for agritech? How lawyers are getting food from farm to table. [Audio]

italian diaspora

Signorelli, Valentina ORCID: https://orcid.org/0000-0001-7411-7277 (2025) "Mamma, That's All Right". [Video]

Kidman

knowledge exchange

l voids

labour exploitation

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2026) The cost of AI. Prisca Schmarsow.

landscape

landscape architecture

leverage points

LGBTQIA+

literature

live performance

Hobbs, James (2024) Polarities - Summer Rethymno. [Show/Exhibition]

Logs & Low End Bass Cartographies: Navigating the Colonial Archive through Sound

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2025) Jaggered. [Composition]

London

maintenance

making practice

Papadaki, Elena ORCID: https://orcid.org/0000-0002-6653-4334 (2024) Multicomponent Output: Friction as Method: Curating Process in the Age of Automation. University of Greenwich.

marginalisation

marketing

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) AI can now sell your intentions – marketing your decisions before you make them. [Audio]

Marx

Frame, Matthew (2024) Marx Memorial and Workers Library promotional illustrations. [Artefact]

mass communication

measuring

Hobbs, James (2024) "For Want of (not) Measuring" at Project 78 and Solaris Gallery. [Show/Exhibition]

Hobbs, James and Jones, Patrick (2025) For Want of (not) Measuring at The Revelator, Glasgow, UK. [Show/Exhibition]

media

media infrastructures

memory

military

Wall, Ed ORCID: https://orcid.org/0000-0003-0505-7076 (2025) Architecture for Warfare: How Corporations Profit From Destruction and Reconstruction. Jovis, Berlin. ISBN 978-3986122812

mindful

Watkins, Julie ORCID: https://orcid.org/0000-0001-8872-7041 (2026) Mindful Drawing through the Body. [Video]

mining

Jaar, Alfredo, Antoniou, Klitsa, Ressler, Oliver, Cahen, Robert, O’Malley, Niamh, Tsitsopoulos, Filippos, Hobbs, James and et., al. (2024) Black Sun at Carbon Tierra Biennale. [Show/Exhibition]

moving image

Hobbs, James (2024) "For Want of (not) Measuring" at Project 78 and Solaris Gallery. [Show/Exhibition]

multi-format

Bell, Nickolas (2025) Multicomponent Output: itinerant space online journal of doctoral research. University of Greenwich.

music

Signorelli, Valentina ORCID: https://orcid.org/0000-0001-7411-7277 (2025) "Mamma, That's All Right". [Video]

mythologies

narrative

narrative you

NeuroArt

Mag Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032, Renaud, Alain, Negrao, David and Emets, Evgenia (2025) KIMA: Resonanz at Ars Electronica Centre. [Show/Exhibition]

new technologies

Bual, Savinder, Hobbs, Jim, Payne, Simon and Vallance, Andrew (2025) Contact (pt 2): an exhibition at New Arts Project, London. [Show/Exhibition]

noise

Hobbs, James (2025) "Polarities - Dischord", Irida, Athens, Greece. [Show/Exhibition]

Noises of the Nautical Dead

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2025) Jaggered. [Composition]

online

Bell, Nickolas (2025) Multicomponent Output: itinerant space online journal of doctoral research. University of Greenwich.

online outputs

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2025) CMS: a brief introduction. [Teaching Resource]

Ortigia

Oscars

Oscars 2024

participant

participatory

participatory art

participatory design

participatory performance

Mag Gingrich, Oliver ORCID: https://orcid.org/0000-0002-1656-0032, Renaud, Alain, Negrao, David and Emets, Evgenia (2025) KIMA: Resonanz at Ars Electronica Centre. [Show/Exhibition]

Pascal Diot

pedagogical approaches to arts-based disciplines

Papadaki, Elena ORCID: https://orcid.org/0000-0002-6653-4334 (2024) Multicomponent Output: Friction as Method: Curating Process in the Age of Automation. University of Greenwich.

peer review

Bell, Nickolas (2025) Multicomponent Output: itinerant space online journal of doctoral research. University of Greenwich.

performance

Hobbs, James (2025) "Polarities - Dischord", Irida, Athens, Greece. [Show/Exhibition]

performance studies

photographic analysis

photography

Chapman, Mark (2024) On the importance of remembering. Mag North: Cultural Narrative for the North of England.

Hobbs, James (2024) "For Want of (not) Measuring" at Project 78 and Solaris Gallery. [Show/Exhibition]

Hobbs, James and Jones, Patrick (2025) For Want of (not) Measuring at The Revelator, Glasgow, UK. [Show/Exhibition]

Pixar

place-making

planning

Wall, Ed ORCID: https://orcid.org/0000-0003-0505-7076 (2025) Architecture for Warfare: How Corporations Profit From Destruction and Reconstruction. Jovis, Berlin. ISBN 978-3986122812

planning historiography

play

politics

Frame, Matthew (2023) Illustration: "Human Beings". [Image]

Frame, Matthew (2023) Illustration: "Reserve Army of Addiction". [Image]

post-war

post-war planning

Wall, Ed ORCID: https://orcid.org/0000-0003-0505-7076 (2025) Architecture for Warfare: How Corporations Profit From Destruction and Reconstruction. Jovis, Berlin. ISBN 978-3986122812

post-war reconstruction

Wall, Ed ORCID: https://orcid.org/0000-0003-0505-7076 (2025) Architecture for Warfare: How Corporations Profit From Destruction and Reconstruction. Jovis, Berlin. ISBN 978-3986122812

posters

Bell, Nickolas (2025) Multicomponent Output: Communicating research visually. University of Greenwich.

power

practice

Murray, Shaun (2025) Ineffaceable illumination: changing the way, we see architecture. Design Ecologies, 14. pp. 13-39. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:10.1386/des_00031_1)

prefigurative politics

presentation

preservation

prison

Frame, Matthew (2023) Illustration: "Human Beings". [Image]

privacy

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) Biometrics – do we have a choice in who has this data and how they use it? [Audio]

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2026) The cost of AI. Prisca Schmarsow.

pronouns of address

protest

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) Internet blackout in Equatorial Guinea and social media bans in Venezuela. [Audio]

psychiatry

Frame, Matthew (2022) Illustration: "Abolish Psychiatry". [Image]

publics

publishing

Bell, Nickolas (2025) Multicomponent Output: itinerant space online journal of doctoral research. University of Greenwich.

Frame, Matthew (2022) Illustration: "Abolish Psychiatry". [Image]

Frame, Matthew (2022) Illustration: "DOPE Fiends: an interview with Dog Section Press". [Image]

Frame, Matthew (2023) Illustration: "Human Beings". [Image]

Frame, Matthew (2023) Illustration: "Reserve Army of Addiction". [Image]

Frame, Matthew (2021) Illustration: "The Paris Commune in Britain". [Image]

race and identity Cultural bias Institutional exclusion Avant-garde music Electronic music Sound system culture Diasporic sound practices Improvisation Electroacoustic music Soundscape composition Field recordings DIY and lo-fi technologies Representation in music Cultural synthesis Critical race theory Sonic innovation Music pedagogy Inclusive sound practices Technological infrastructures in music

reality

reboot

reconstruction

regeneration

regulation

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) Biometrics – do we have a choice in who has this data and how they use it? [Audio]

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) What’s next for agritech? How lawyers are getting food from farm to table. [Audio]

relational practice

research

Bell, Nickolas (2025) Multicomponent Output: Communicating research visually. University of Greenwich.

research conference

Bell, Nickolas (2025) Multicomponent Output: Communicating research visually. University of Greenwich.

research extracts

Bell, Nickolas (2025) Multicomponent Output: itinerant space online journal of doctoral research. University of Greenwich.

Resonanz

responsive design

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2025) The Slide Library. [Teaching Resource]

routine

Murray, Shaun (2025) Ineffaceable illumination: changing the way, we see architecture. Design Ecologies, 14. pp. 13-39. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:10.1386/des_00031_1)

ruins

screenwriting studies

scripting

sculpture

Bual, Savinder, Hobbs, Jim, Payne, Simon and Vallance, Andrew (2025) Contact (pt 2): an exhibition at New Arts Project, London. [Show/Exhibition]

Hobbs, James (2024) "For Want of (not) Measuring" at Project 78 and Solaris Gallery. [Show/Exhibition]

Hobbs, James and Jones, Patrick (2025) For Want of (not) Measuring at The Revelator, Glasgow, UK. [Show/Exhibition]

second-person narration

sexuality

skills

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Are teachers keeping up with their pupils when it comes to AI in the classroom? [Audio]

slide design

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2025) The Slide Library. [Teaching Resource]

smart society

social

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) Internet blackout in Equatorial Guinea and social media bans in Venezuela. [Audio]

social cleansing

society

solidarity

Frame, Matthew (2021) Illustration: "The Paris Commune in Britain". [Image]

sonic arts

Sonic Tonnage

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2025) Jaggered. [Composition]

sound

Bual, Savinder, Hobbs, Jim, Payne, Simon and Vallance, Andrew (2025) Contact (pt 2): an exhibition at New Arts Project, London. [Show/Exhibition]

Hobbs, James (2024) "For Want of (not) Measuring" at Project 78 and Solaris Gallery. [Show/Exhibition]

Hobbs, James and Jones, Patrick (2025) For Want of (not) Measuring at The Revelator, Glasgow, UK. [Show/Exhibition]

sound art

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2025) Multicomponent Output: The Accurate Perception Available When Our Eye Becomes Single. University of Greenwich.

sound image

Hobbs, James (2025) "Polarities - Dischord", Irida, Athens, Greece. [Show/Exhibition]

Hobbs, James (2024) Polarities - Summer Rethymno. [Show/Exhibition]

sound mapping

sound studies

Kennedy, Stephen ORCID: https://orcid.org/0000-0003-1119-9505 (2025) Compression Mode: The Edge of Sensibility. Bloomsbury. ISBN 978-1501369346

sound/image

Bual, Savinder, Hobbs, Jim, Payne, Simon and Vallance, Andrew (2025) Contact (pt 2): an exhibition at New Arts Project, London. [Show/Exhibition]

soundscape

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2025) Multicomponent Output: The Accurate Perception Available When Our Eye Becomes Single. University of Greenwich.

soundwalk

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Morell, Purni, Farquhar, Angus and Johnson, James (2025) Glasgow Requiem: "the walk". [Creative Performance or Reading]

South Asian diaspora

space

spaces of the exhibition

spatial politics

spatial practices

Papadaki, Elena ORCID: https://orcid.org/0000-0002-6653-4334 (2025) Curation and Exhibition Text: "Toriteri: l'être post-territoire" [Toriteri: the post-territorial being]. [Show/Exhibition]

speculation

Murray, Shaun (2025) Ineffaceable illumination: changing the way, we see architecture. Design Ecologies, 14. pp. 13-39. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:10.1386/des_00031_1)

students

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Are teachers keeping up with their pupils when it comes to AI in the classroom? [Audio]

supply

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) What’s next for agritech? How lawyers are getting food from farm to table. [Audio]

surveillance

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2024) Biometrics – do we have a choice in who has this data and how they use it? [Audio]

sustainability

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2026) The cost of AI. Prisca Schmarsow.

SVG code

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2026) SVG Icons 3 ways. [Teaching Resource]

symbiotic relations

Papadaki, Elena ORCID: https://orcid.org/0000-0002-6653-4334 (2024) Multicomponent Output: Friction as Method: Curating Process in the Age of Automation. University of Greenwich.

symposium

teachers

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Are teachers keeping up with their pupils when it comes to AI in the classroom? [Audio]

technology

Mitchell, Gareth and Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) Are teachers keeping up with their pupils when it comes to AI in the classroom? [Audio]

template design and build

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2025) CMS: a brief introduction. [Teaching Resource]

tennessee

Signorelli, Valentina ORCID: https://orcid.org/0000-0001-7411-7277 (2025) "Mamma, That's All Right". [Video]

territory

Papadaki, Elena ORCID: https://orcid.org/0000-0002-6653-4334 (2025) Curation and Exhibition Text: "Toriteri: l'être post-territoire" [Toriteri: the post-territorial being]. [Show/Exhibition]

terrorism

The Gardner

Mo, Lab and Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2025) "THE GARDENER" A play by Lab Ky Mo. [Play, Short Story or Poetry]

The Noise Selector

theatre

time

Murray, Shaun (2025) Ineffaceable illumination: changing the way, we see architecture. Design Ecologies, 14. pp. 13-39. ISSN 2043-068X (Print), 2043-0698 (Online) (doi:10.1386/des_00031_1)

topography

training

transformation

trust

Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X (2025) AI isn’t coming – it’s already here. [Audio]

typography

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2025) The Slide Library. [Teaching Resource]

urban design

urban development

urban planning history

urban space

USA

vector graphics

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2026) SVG Icons 3 ways. [Teaching Resource]

Venice Film Festival

Venice Production Bridge

video

Hobbs, James and Jones, Patrick (2025) For Want of (not) Measuring at The Revelator, Glasgow, UK. [Show/Exhibition]

virtual production

Virtual Reality

visual communication

Bell, Nickolas (2025) Multicomponent Output: Communicating research visually. University of Greenwich.

visual culture

visual research methods

VR

W3C

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2025) The Slide Library. [Teaching Resource]

war economy

Wall, Ed ORCID: https://orcid.org/0000-0003-0505-7076 (2025) Architecture for Warfare: How Corporations Profit From Destruction and Reconstruction. Jovis, Berlin. ISBN 978-3986122812

warfare

Wall, Ed ORCID: https://orcid.org/0000-0003-0505-7076 (2025) Architecture for Warfare: How Corporations Profit From Destruction and Reconstruction. Jovis, Berlin. ISBN 978-3986122812

water consumption

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2026) The cost of AI. Prisca Schmarsow.

web design

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2025) CMS: a brief introduction. [Teaching Resource]

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2026) SVG Icons 3 ways. [Teaching Resource]

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2025) The Slide Library. [Teaching Resource]

web development

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2025) CMS: a brief introduction. [Teaching Resource]

web industry

web publishing

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2025) CMS: a brief introduction. [Teaching Resource]

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2025) Good content for the web. Manual. Prisca Schmarsow, Online.

web standards

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2025) The Slide Library. [Teaching Resource]

webdesign

weddings

wellbeing

women

writing for the web

Schmarsow, Prisca ORCID: https://orcid.org/0009-0003-6756-6420 (2025) Good content for the web. Manual. Prisca Schmarsow, Online.

This list was generated on Sun Mar 1 14:46:23 2026 UTC.