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Acton, Thomas (2010) Is tradition the enemy of history? In: Orta, Lucy, (ed.) Mapping the Invisible: EU-Roma Gypsies. Black Dog Publishing / London College of Fashion, London, UK, pp. 20-23. ISBN 978 1 906155 91 9

Acton, Thomas (2007) Refusing exclusion. In: Politi, G., Sharp, C., Uhlirova, K., Foltyna, L. and Gute, C., (eds.) Praguebiennale 3: Glocal and Outsiders: Connecting Cultures in Central Europe. Giancarlo Politi, Milan, Italy, pp. 393-394. ISBN 9788878161429

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

Adeyemi, Sola (2010) Language and accessibility in Femi Osofisan’s drama. In: Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro, (eds.) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK, pp. 187-202. ISBN 978-0956683700

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

Adil, Alev (2011) Dream and diaspora : Tracey Emin's Turkish Cypriot legacy. In: Tracey Emin Study Day, 13 June 2011, Hayward Gallery South Bank. (Unpublished)

Adil, Alev (2010) Photography and borders: Nicosia’s green line as a milieux de memoire. In: International Conference of Photography and Theory - Cypriot Photography in Context: Time Place and Identity, 25-26 Nov 2010, Cyprus University of Technology, Limassol, Cyprus. (Unpublished)

Aling, Michael ORCID: 0000-0002-9714-235X (2017) Book Designs as Architectural Projects. Intellect. (doi:https://doi.org/10.1386/des.6.1.86_1)

Athique Winterbottom, Anushka (2023) Forest bodies: a walk with the forest (video). [Show/Exhibition]

Athique Winterbottom, Anushka (2023) Forest bodies: we are forest (book). [Artefact]

Athique Winterbottom, Anushka, Goodwin, Duncan ORCID: 0000-0003-2524-9059 , Liu, Alexis and Wall, Edward Duncan (2023) Collective Landscape Futures symposium. In: Collective Landscape Futures symposium. 18th -19th May 2023. University of Greenwich, London. University of Greenwich, London.

Auxiliadora Gálvez, María, Boljsakov, Natalija, Ruíz, María, Parte, Carmen, Athique Winterbottom, Anushka, Castiajo, Carla, Jiménez Mazuelas, Chus, Conti, Elisabetta, Pina, Ema, Bernardes, Joana, van Gelder, Lotte, Barreira, Luísa, Natário, Natário, Paulos, Manuela, Pais Oliveira, Marta, Leroy, Najla, Pinto, Sofia and Santos, Sofia (2023) Expansion - Into the wild: a guide for bodies and the cities they create. In: Gálvez, María Auxiliadora, (ed.) Ping! Ginecue + Estigma: Into the Wild. Galeria Municipal do Porto, Porto, pp. 10-11.

B

Baker, Camille and Boddington, Ghislaine ORCID: 0000-0003-0448-579X (2022) Editorial. Extended senses: embodying technology. Intellect - Virtual Creativity, Volume 12, Issue Extended Senses: Embodying Technology,, 12 (1). pp. 3-8. ISSN 2397-9704 (Print), 2397-9712 (Online) (doi:https://doi.org/10.1386/vcr_00057_2)

Beard, Sophie, Waller, Allyson and Maloney, Pete (2021) Collectarium lockdown space: sharing domestic transformations and innovations for pandemics. In: Urban Assemblage: The City as Architecture, Media, AI and Big Data, 28th - 30th June 2021, University of Hertfordshire, Hatfield. (Unpublished)

Beard, Sophie, Waller, Allyson and Maloney, Pete (2024) Now Play This Festival 2024. Collectarium lockdown space featuring Indoor Hopscotch, Stair Slide and Pineapple Dance. [Show/Exhibition]

C

Cheddie, Janice (2007) Listening to trauma in the art of Everlyn Nicodemus. Third Text, 21 (1). pp. 79-89. ISSN 0952-8822 (Print), 1475-5297 (Online) (doi:https://doi.org/10.1080/09528820601138667)

Clear, Nic (2008) A to Z. In: Clear, Nicholas and Stark, Gabor, (eds.) Adjacencies: innovative practices in spatial design and education. Circulating Objects series . Canterbury School of Architecture, Canterbury, UK, pp. 40-43. ISBN 9780955822520

Coulson-Thomas, Colin (2017) The case for the creative arts. In: 2017 Dubai Global Convention for Excellence and Innovation, 18th-20th April 2017, Al Ameera Hall, Hotel The Grand Hyatt, Dubai, UAE.

Critchley, Emily (2010) Emily Critchley. In: Etter, Carrie, (ed.) Infinite Difference: Other Poetries by U.K. Women Poets. Shearsman Books, Exeter, UK, pp. 176-185. ISBN 978-1848610996 (pbk)

Critchley, Emily (2010) 'Hejinian's Faustienne Beings-With'. In: Chivers, Tom, (ed.) Stress Fractures: Essays on Poetry. Penned in the Margins, London, pp. 55-72. ISBN 978-0-9565467-1-5

Critchley, Emily (2009) Review of Magenta Soul Whip by Lisa Robertson. HOW2, 3 (3).

Critchley, Emily (2007) [A conference overview & introductory remarks] Cambridge Experimental Women's Poetry Festival 5 - 9 October 2006. HOW2, 3 (1).

Critchley, Emily and Thornton, Tim (2011) Poetry Reading: Emily Critchely and Tim Thornton. [Creative Performance or Reading]

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Davies, Rosamund ORCID: 0000-0001-8645-8271 (2009) Digital intimacies: aesthetic and affective strategies in the production and use of online video. In: Ephemeral Media Workshop, 23-24 Jun 2009, Nottingham University. (Unpublished)

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2011) Digital intimacies: aesthetic and affective strategies in the production and use of online video. In: Grainge, Paul, (ed.) Ephemeral Media: Transitory Screen Culture from Television to YouTube. Palgrave Macmillan, Basingstoke, UK, pp. 214-227. ISBN 9781844574353

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Don’t look now: adapting prose narrative for the screen. In: Screenwriting - History, Theory and Practice, 9-11 Sep 2010, Copenhagen, Denmark. (Unpublished)

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sigthorsson, Gauti (2013) Introducing the creative industries: from theory to practice. SAGE Publications Ltd., London, UK. ISBN 978-1849205733

Davies, Rosamund ORCID: 0000-0001-8645-8271 and Sorrentino, Miriam ORCID: 0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

Derbyshire, Harry ORCID: 0000-0002-1373-1166 (2022) ‘Creating change where it matters the most’: artistic directorship and representation in the London theatre. Comparative Drama, 56 (1-2). pp. 199-226. ISSN 0010-4078 (doi:https://doi.org/10.1353/cdr.2022.0008)

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Multivocal theatricalities: articulating data in composites, choruses, crowds. In: Articulating Data: Multivocal Theatricalities, 11th - 12th May, 2023, Inspace, University of Edinburgh.

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2023) Weaving an artistic research methodology. Performance Matters, 9 (1-2). pp. 157-170. ISSN 2369-2537

Dunlop, Jane Frances ORCID: 0009-0000-4350-5381 (2022) "select important things". [Show/Exhibition]

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Falahat, Somaiyeh and Shirazi, M. Reza (2019) The making of Tehran: the incremental encroachment of modernity. In: Yacobi, Haim and Nasasra, Mansour, (eds.) Routledge Handbook on Middle East Cities. Routledge, London, UK. ISBN 978-1315625164 (doi:https://doi.org/10.4324/9781315625164-3)

Falvey, Eddie, Wroot, Jonathan ORCID: 0000-0002-6827-728X and Hickinbottom, Joe (eds.) (2021) New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, United Kingdom. ISBN 978-1786836342

Finkelstein, Joanne (2009) Sprezzatura and the cool charm of being artless. Brand Literary Magazine, 5 (Summer). pp. 87-92. ISSN 1754-0593

Finlay, Alec, Heddon, Deirdre and Myers, Misha ORCID: 0000-0002-4355-6602 (2021) WILD CITY | FIADH-BHAILE | ORASUL SALBATIC: Mapping the Wild in the Greeny Howe of Glasgow. In: Cohen, Phil and Duggan, Mike, (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 201-206. ISBN 978-1538147191; 978-1538147214

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Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Callus, Paula (2022) Remediated sites: Lumen Prize Virtual Gallery as site of memory and digital assemblage. Leonardo, 55 (5). pp. 475-481. ISSN 0024-094X (Print), 1530-9282 (Online) (doi:https://doi.org/10.1162/leon_a_02251)

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Havsteen-Franklin, Dominik, Renaud, Alain, Hignell-Tully, Daniel and Grant, Claire (2024) Participatory presence: social connectedness through collaborative art practices. International Journal of Performance Arts and Digital Media. pp. 1-25. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2024.2340418)

Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Hignell-Tully, Daniel, Grant, Claire, Renaud, Alain and Havsteen-Franklin, Dominik (2024) KIMA: Noise Map - Participatory online art exploring the effect of noise on health. In: Proceedings of EVA London 2024. Electronic Workshops in Computing (eWiC) . BCS Learning and Development Ltd. - Chartered Institute of IT, London, pp. 31-38. ISSN 1447-9358 (doi:https://doi.org/10.14236/ewic/EVA2024.7)

Golding, Johnny (2010) Keynote: the need to know (Law): minority report on museum interface, space, technologies. In: Museum Interfaces, Spaces, Technologies (MIST), 22-23 March 2010, Dept of Architecture, Cambridge University. (Unpublished)

Golding, Sue (2010) The Allergic Bodies Conference: Postgraduate/Postdoctoral Research Conference, 2010. In: The Allergic Bodies Postgraduate/Postdoctoral Research Conference, 27 May 2010, University of Greenwich, Maritime Campus.

Golding, Sue (2010) Tactile philosophy: From ars scientifica to ars erotica. In: Touched: Philosophy Meets Art, 19 Nov 2010, Liverpool, UK. (Unpublished)

Golding, Sue (2006) The assassination of time (ζeta-philosophy). In: Digital Art Weeks, 12-16 Jul 2006, Eidgenössische Technische Hochschule, Zurich, Switzerland.

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

Golding, Sue (2012) The university must be defended: collateral damage, part 37. Angelaki: Journal of Theoretical Humanities, 17 (1). pp. 131-134. ISSN 0969-725X (Print), 1469-2899 (Online)

Guillery, Kesia, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade and Simon, Bart (2024) Liveness, audio mixing and participatory theatre: hacking the familiar in 'Binaural Dinner Date'. In: O’Dwyer, Néill, Scott, Joanne and Young, Gareth W., (eds.) XR Performance: Scenographic Explorations. Bloomsbury Methuen. (In Press)

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Holman Jones, Stacy, Harris, Daniel X, Campbell, Alyson, Myers, Misha ORCID: 0000-0002-4355-6602 , Murray, Peta, Grigor, Mish and Stevens, Ripley (2021) On Care-fulness: Critical Creative Expressions of Care in a Feminist Theatre Research Project. Research in Arts and Education, 2021 (4). pp. 259-282. ISSN 2670-2142 (doi:https://doi.org/10.54916/rae.119524)

Hossaini, Ali, Gingrich, Oliver ORCID: 0000-0002-1656-0032 , Rahman, Shama, Grierson, Mick, Murr, Joshua, Chamberlain, Alan and Renaud, Alain (2022) GROUPTHINK: telepresence and agency during Live performance. Proceedings of the ACM on Computer Graphics and Interactive Techniques, 5 (4):39. pp. 1-10. ISSN 2577-6193 (Online) (doi:https://doi.org/10.1145/3533610)

I

Illingworth, Shona (2011) The watch man - Balnakiel. Film and Video Umbrella, London. ISBN 978-1-904270-3-48

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Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2021) Communities and narratives in neglected 1 spaces: voices from SMASHfestUK. Journal of Science Communication, 20 (1):C04. ISSN 1824-2049 (doi:https://doi.org/10.22323/2.20010304)

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2018) SMASHfestUK Earth and Sky Tour 2017. [Show/Exhibition]

Keith, Lindsay ORCID: 0000-0002-5324-1719 and Griffiths, Wyn (2015) SMASHfestUK: Exploring approaches for widening participation and increasing diversity in STEM through the Arts. In: Science in Public 2015, 9th - 10th July 2015, University of the West of England.

Keith, Lindsay ORCID: 0000-0002-5324-1719 , Griffiths, Wyn, Spurring, Sally, Lie, Esther and Elizabeth, O'Rourke (2018) The Curious Case of the Flood in the Night Time. [Show/Exhibition]

Kennedy, Stephen ORCID: 0000-0003-1119-9505 (2021) The art that is made out of time. In: Grant, Jane, Matthias, John and Prior, David, (eds.) The Oxford Handbook of Sound Art. Oxford Handbooks . Oxford University Press, Oxford & New York. ISBN 978-0190274054 (doi:https://doi.org/10.1093/oxfordhb/9780190274054.013.43)

Kennedy, Stephen ORCID: 0000-0003-1119-9505 (2021) The guardians of the possible. In: Korolkova, Maria and Barker, Timothy, (eds.) Miscommunications: Errors, Mistakes, Media. Film & Media Studies 2021 . Bloomsbury, London, pp. 103-116. ISBN 978-1501363856 ; 978-1501363825 ; 978-1501363832 (doi:https://doi.org/10.5040/9781501363825.0014)

Kennedy, Stephen ORCID: 0000-0003-1119-9505 and Withers, Simon ORCID: 0000-0002-0203-359X (2024) Time, Space, and Monumentality: a few minutes before midnight on Wednesday 4th September 2024. In: Time, Space, and Monumentality, 4th Sep, 2024, University of Greenwich, London. (Unpublished)

Kennell, James ORCID: 0000-0002-7877-7843 (2008) Arts-led regeneration and community cohesion: a study of Folkestone, Kent. In: Collins, Mike, Holmes, Kirsten and Slater, Alix, (eds.) Sport, Leisure, Culture and Social Capital: Discourse and Practice. LSA publication (100). Leisure Studies Association, Eastbourne, UK, pp. 139-154. ISBN 978-1-905369-11-9

King, Andrew ORCID: 0000-0003-2348-4231 (ed.) (2019) Keep the Door of my Lips: the Unspoken Cost of Work in Victorian/ Austerity Britain. Stephen Lawrence Gallery. ISBN 978-0957343054

King, Andrew ORCID: 0000-0003-2348-4231 (2011) Small screen and big screen: the economics of 'Rage'. In: The Big Screen vs. The Small Screen, 16 Feb 2011, Canterbury Christ Church University, UK. (Unpublished)

Klika (Klikova), Deborah ORCID: 0000-0001-9883-2646 (2023) The bind in film comedy. In: Screenwriting Research Network (SRN) conference 2023: Gender and the Female Gaze, 20th - 23rd Sep, 2023, Stephens College, Columbia, Missouri. (Unpublished)

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2019) MCO: Human Rights and Media and Ukraine. Association for Progressive Communications (APC), Swedish International Development Cooperation Agency (Sida).

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Lammin, Hannah ORCID: 0000-0002-9752-9335 (2018) Krisis as the scene of non-decisional judgement: A performance-fiction for the generic human. Performance Philosophy, 4 (1). pp. 66-85. ISSN 2057-7176 (Online) (doi:https://doi.org/10.21476/PP.2018.41203)

Longmore, Jane (2007) The urban renaissance in Liverpool, 1760-1800. Joseph Wright of Derby in Liverpool: laying the foundations of taste. Yale University Press, New Haven, Conn. ; London. ISBN 978-0300117455

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Maffioletti, Catherine (2023) Multicomponent Output. University of Greenwich.

Maffioletti, Catherine and Brunner, Richard (2023) Red Clover. Bracken. Black Cohosh. [Video]

Maffioletti, Catherine and Elizabeth, Kay (2024) Death of a Document. [Creative Performance or Reading]

Mann, A.J.S. (2008) Reviews: 'The 19th Step' research performance [Performance review]. The London Mathematical Society Newsletter (371). pp. 23-25.

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 (2017) Diversity + inclusivity by design: what is enabled when designers design with and for others? [Show/Exhibition]

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Kennedy, Stephen ORCID: 0000-0003-1119-9505 , Rehal, Kamalveer and Maffioletti, Catherine (2019) Co-Design Methods towards Inclusive design in Diverse Communities: Empowering Youth through Entrepreneurial Skills. In: Design Research for Change 2019. Lancaster University, pp. 118-119. ISBN 978-1862203631

Maragiannis, Anastasios ORCID: 0000-0002-1662-0189 , Marios, Psaras and Siamptani, Mala (2019) “d+iD Empowering individuals” international research project exhibition and research publication (multi-component output, 2019-ongoing). [Show/Exhibition]

Markowski, Marianne ORCID: 0000-0003-4652-3168 and Richards, Jaqueline (2022) The power of movement in co-creation. National Centre for Academic and Cultural Exchange.

Markowski, Marianne ORCID: 0000-0003-4652-3168 , Richards, Jaqueline, Rivoal, Dominique, Scorah, Kay and Wright, Molly (2023) Summary report for PARKE pilot 'learn to love being with less'. Centre for Chronic Illness and Ageing, University of Greenwich, London. (Unpublished)

Markowski, Marianne ORCID: 0000-0003-4652-3168 and Rivoal, Dominique (2023) (PARKE) Workshop "learn to love being with less". [Video]

Masu, Raul and Correia, Nuno N. ORCID: 0000-0002-9999-9162 (2020) Pathways to live visuals in dance performances: a quantitative audience study. EAI Endorsed Transactions on Creative Technologies, 20 (23):e5. ISSN 2409-9708 (Online) (doi:https://doi.org/10.4108/eai.13-7-2018.163987)

McKean, Kathy (2007) Beneath You Spider Girls Are Everywhere! [Play, Short Story or Poetry]

McLaughlin, James ORCID: 0000-0002-2146-6884 , Turner, Jane, Weston, Sarah and Condron, Aiden (2024) Editorial. Theatre, Dance and Performance Training, 15 (2):1. pp. 135-142. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2024.2365586)

McLaughlin, James ORCID: 0000-0002-2146-6884 , Weston, Sarah, Turner, Jane and Condron, Aiden (2024) Special Issue: Theatre, Dance and Performance Training, Volume 15, Issue 2 (2024). Taylor and Francis Group - Routledge, Abingdon, UK.

Myers, Misha ORCID: 0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214

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O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2020) Uncovering New Voices at the Royal Court Theatre- Interview with Vicky Featherstone. In: Galea, Marco and Musca, Szabolcs, (eds.) Redefining Theatre Communities – International Perspectives on Community-Conscious Theatre-Making. Intellect, Bristol. ISBN 9781789380767

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Papadaki, Elena ORCID: 0000-0002-6653-4334 (2019) Between the art canon and the margins: historicizing technology-reliant art via curatorial practice. Arts, 8 (3):121. ISSN 2076-0752 (doi:https://doi.org/10.3390/arts8030121)

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2023) Far Away, So Close: spatial politics and the use of computer-generated exhibition models in curatorial discourse. Beyond Matter, Within Space. Curatorial and art mediation techniques on the verge of virtual reality. ZKM - Center for Art and Media Karlsruhe, Karlsruhe, Germany. (In Press)

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2019) "Fast Forward to the Analogue: vintage immersions". [Show/Exhibition]

Papadaki, Elena ORCID: 0000-0002-6653-4334 (2020) Spatial Immersions: the field of exhibition practices [multi-component output - ongoing research project]. UNSPECIFIED. (Unpublished)

Papadaki, Elena ORCID: 0000-0002-6653-4334 , Maragiannis, Anastasios and Chatzichristodoulou, Maria (2018) Digital Cultural Heritage in the 'land of the ancient': the case of Greece (panel discussion). In: DRHA 2018 - Creative Legacies: Collaborative Practices for Digital Cultural Heritage, 9-12 September 2018, Valletta, Malta. (Unpublished)

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Exploring cultural diversity in experimental sound at rethinking the history of technology based music. In: Rethinking the History of Technology-based Music, 9th - 11th June 2022, University of Huddersfield.

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Feast or Famine - Control Voltage 16. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)

Patel, Amit Dinesh ORCID: 0000-0002-6328-240X (2022) Sound programme: the sounds that bring us together - Boo Su. In: EASA2022: Transformation, Hope and the Commons: Sound Programme: The Sounds that Bring us Together. Panel P122b at conference, 27th July 2022, School of History, Anthropology, Philosophy and Politics at Queen’s University Belfast.

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 (2018) Co-Designing with the Bereaved: how Curatorial Dilemmas become Ethical Reflections. [Working Paper] (Submitted)

Pitsillides, Stacey, Boddington, Ghislaine ORCID: 0000-0003-0448-579X and Vindis, Tadej (2022) Donate yourself: an AR trail exploring the future of organ, tissue and body data donation. Virtual Creativity, 12 (1). pp. 103-123. ISSN 2397-9704 (Print), 2397-9712 (Online) (doi:https://doi.org/10.1386/vcr_00064_1)

Pitsillides, Stacey ORCID: 0000-0003-0961-5370 and Jefferies, Janis (2016) Intimate technologies: The ethics of simulated relationships. In: ISEA2016, Cultural R>Evolution. Proceedings of the 22nd International Symposium on Electronic Art . School of Creative Media, City University of Hong Kong, Hong Kong. ISBN 978-962-442-397-6

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Rabourdin, Caroline ORCID: 0000-0002-9694-0384 (2018) 'I', taken away from me. [Creative Performance or Reading]

Ramachandran, Rahesh ORCID: 0000-0001-9238-5021 and Allan, Sarah (2019) Sensorium The sensorium of the Arabian Nights (Evoking the Genie). [Show/Exhibition]

Ramachandran, Rahesh ORCID: 0000-0001-9238-5021 and Rayan, Elnayal (2021) House of many cultures: the Other's story. [Show/Exhibition]

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Sabisch, Petra (2009) Choreographing relations: practical philosophy and contemporary choreography. PhD thesis, University of Greenwich.

Samson, Audrey and Tobias Schäfer, Mirko (2018) Static glow. In: Braidotti, Rosi and Hlavajova, Maria, (eds.) The Posthuman Glossary. Theory in the New Humanities . Bloomsbury Press, London, UK, pp. 407-410. ISBN 978-1350030244

Saratsi, Eirini, Acott, Timothy, Allinson, Ewan, Edwards, David, Fremantle, Chris and Fish, Robert (2019) Valuing Arts and Arts Research. Discussion Paper. Valuing Nature Paper VNP22.

Sigthorsson, Gauti (2009) Sensation for sensation's sake: affect and the temptation of 'Wow!'. Alba, 3. ISSN 1403-5448

Simpson, Ella ORCID: 0000-0001-5561-4606 and Gardner, Amanda (2024) Chapter 9. Making the story count: an argument for the development of a narrative evaluation tool in the Arts in criminal justice sector. In: Gardner, Amanda and Caulfield, Laura, (eds.) Arts in Criminal Justice and Corrections: International Perspectives on Methods, Journeys, and Challenges. Routledge - Taylor and Francis Group, London; Milton Park, Oxon. ISBN 978-1032512976; 978-1003401582; 1032512970 (In Press)

Smith, Caroline (2009) Eating secret (at Art Depot). [Show/Exhibition]

Smith, Caroline (2009) Eating secret (at The Roundhouse). [Show/Exhibition]

Smith, Caroline (2009) Eating secret [at Kingston University]. In: Kingston University for Performing Lives International Symposium, 6 - 8 July, 2009, Kingston University. (Unpublished)

Smith, Caroline (2008) Eating secret [at Whitstable Biennale Satellite]. [Creative Performance or Reading]

Smith, Caroline (2008) End of the line: flash fiction collection on trauma [Reading]. [Creative Performance or Reading] (Unpublished)

Smith, Caroline (2007) Spank [at Intimacy: across visceral and digital performance]. [Creative Performance or Reading]

Smith, Caroline (2008) Spank [at Queer in Europe, Exeter University, September 08]. [Creative Performance or Reading]

Smith, Caroline (2008) Spank performance tour [at Betsey's Salon of Interdisciplinary Arts]. [Creative Performance or Reading]

Smith, Caroline (2008) Spank performance tour [at Further investigations, The Space In Between]. [Creative Performance or Reading]

Smith, Caroline (2008) Spank performance tour [at National Review of Live Art 2008]. [Creative Performance or Reading]

Smith, Caroline (2008) Spank performance tour [at OMSK]. [Creative Performance or Reading]

Smith, Caroline (2007) Spank performance tour [at Signals 07 arts festival]. [Creative Performance or Reading]

Sorrentino, Miriam ORCID: 0000-0003-1198-4562 and Hirst, Nicola (2016) The Design Studio as a Social Organism and Ecology. In: DRHA Conference 2016, 4th-7th September 2016 WhoLoDancE, University of Brighton. (Unpublished)

Sporton, Gregory (2010) EP: VV East Side Projects: virtualised and visualised. [Show/Exhibition]

Sporton, Gregory (2010) The Watertower. [Show/Exhibition]

Sporton, Gregory (2011) The "e" Prefix: e-Science, e-Art & the New Creativity. Malaysia Art Gallery Guide. pp. 30-33. ISSN 2231-914X

Sporton, Gregory (2009) The "e" prefix: e-Science, e-Art & the new creativity. Digital Humanities Quarterly, 3 (4). ISSN 1938-4122

Sporton, Gregory and Makiola, Iona (2011) The Watertower: augmented reality gaming for heritage. In: Beale, Katy, (ed.) Museums At Play – Games, Interaction and Learning. MuseumsEtc., Edinburgh, UK and Boston, USA, pp. 347-357. ISBN 9781907697142

Sporton, Gregory and Sharl, Robert (2006) Ultra parallelism: the grid, the supercomputer and the creative artist. In: Gibbon, Joan and Winwood, Kaye, (eds.) Hothaus papers: perspectives and paradigms in media arts. Vivid/Article Press, Birmingham, UK, pp. 102-108.

Stabb, Walter (2020) Keywords For Today. [Video]

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Thompson, Ian ORCID: 0000-0002-7143-8013 (2021) The soundscape approach: new opportunities in sound design practice. In: Filimowicz, Michael, (ed.) Doing Research in Sound Design. Sound Design, 1 . Focal Press, Oxford, pp. 214-239. ISBN 978-0429356360 ; 978-0367404895 (doi:https://doi.org/10.4324/9780429356360-12)

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Walker, Mark (2008) Experiential embodiment and human immediacy: Adorno’s negative affinity. PhD thesis, University of Greenwich.

Wall, Edward Duncan (2017) Landscape and Agency - Multi-component item. Routledge, Oxon.

Waterworth, David (2023) Not Necessarily in the Right Order. [Show/Exhibition]

Waterworth, David (2019) Pathways in the Serlachius Foundation Collection and its extended constituencies. [Show/Exhibition]

Waterworth, David (2019) Serlachius residency report for the project: a parallel collection. Project Report. UNSPECIFIED. (Unpublished)

Waterworth, David (2015) Stockwell Depot 1967-79 (Exhibition). [Show/Exhibition]

Watkins, Julie ORCID: 0000-0001-8872-7041 (2024) Alleviating digital fatigue through embodied artistic practice and green space. International Journal of Performance Arts and Digital Media. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:https://doi.org/10.1080/14794713.2024.2305448)

Watkins, Julie ORCID: 0000-0001-8872-7041 (2021) Enhancing artistic practice through integrating strategies for preservation into the work. Body, Space & Technology, 20 (1). pp. 97-105. ISSN 1470-9120 (Online) (doi:https://doi.org/10.16995/bst.370)

Weinel, Jonathan ORCID: 0000-0001-5347-3897 (2022) Review: Ludified, edited by Marko Ciciliani, Barbara Lüneburg, and Andreas Pirchner. Journal of Sound and Music in Games, 3 (2-3). pp. 146-149. ISSN 2578-3432 (Online) (doi:https://doi.org/10.1525/jsmg.2022.3.2-3.146)

Williams, Alex, Dovey, John, Cronin, Bruce ORCID: 0000-0002-3776-8924 , Garside, Peter, Flintham, Matthew, Smith, Matthew, Barnett, David, Brooks, Richard, Boddington, Anne and Taylor, Faye (2017) The Hidden Story: Understanding Knowledge Exchange Partnerships with the Creative Economy. Project Report. Kingston University in partnership with University Alliance; UWE Bristol; & Greenwich, Coventry & Sheffield Hallam Universities,.

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Young, Jennifer (2019) Q2 Othello at the Serjeants' Inn. In: The Early Modern Inns of Court and the Circulation of Texts, 14-15 Jun 2019, King's College London, London. (Unpublished)