Guillery, Kesia, Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 , Maravala, Persis-Jade and Simon, Bart (2024) Liveness, audio mixing and participatory theatre: hacking the familiar in 'Binaural Dinner Date'. In: O’Dwyer, Néill, Scott, Joanne and Young, Gareth W., (eds.) XR Performance: Scenographic Explorations. Bloomsbury Methuen. (In Press)

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Abstract

This chapter expands the notion of digitally mediated experience and extended reality by closely examining the participatory theatre experience Binaural Dinner Date (2017) by its authors ZU-UK. Binaural Dinner Date draws on the affordances of real-time binaural audio mixing, theatre practice and elements of everyday life to build a pervasive and post-immersive experience that hacks familiar and taken-for-granted rituals, norms and expectations around dating and intimacy. Digital audio operation technologies combined with skilled human performance and participation make possible subtle slippages in banal realities of common social experience, prompting new questions, personal insights and reflections.

Item Type:	Book Section
Uncontrolled Keywords:	participatory theatre; binaural audio; post-immersive; pervasive experience; intimacy; ‘hacking the familiar’
Subjects:	N Fine Arts > NX Arts in general P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater T Technology > T Technology (General)
Faculty / School / Research Centre / Research Group:	Faculty of Liberal Arts & Sciences Faculty of Liberal Arts & Sciences > School of Stage and Screen
Last Modified:	07 Jun 2024 08:28
URI:	http://gala.gre.ac.uk/id/eprint/47370

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