Dunlop, Jane Frances ORCID: https://orcid.org/0009-0000-4350-5381 (2023) Weaving an artistic research methodology. Performance Matters, 9 (1-2). pp. 157-170. ISSN 2369-2537

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Abstract

Weaving occurs as a central theme in my work, as aesthetic motif as well as conceptual frame. In this article, I discuss the “weaving” that forms my approach to artistic research. As artistic research methodology, weaving enacts the generative and relation qualities of feminist epistemologies, through which I locate my own practice, both topically, as a study of emotion and technology, as well as methodologically and politically as invested in feminist approaches to cultural objects and to the knowledge processes that render them meaningful. Through a discussion of my own artistic practice, I demonstrate how weaving operates as an artistic research process that captures the intertwining of academic and creative practice. I argue that it is through the twinned strength and friction of weaving that artistic research creates epistemological possibilities. Weaving is a concept that holds the possibility of multiple threads and thus implies the strength and frictions of things—different contexts, people or concepts—brought together. Weaving is a generative process, a process that creates new totalities through relation while maintaining the discrete identities of the same threads that bind it together.

Item Type:	Article
Uncontrolled Keywords:	performance; artistic research; weaving; methodology
Subjects:	N Fine Arts > NX Arts in general
Faculty / School / Research Centre / Research Group:	Faculty of Liberal Arts & Sciences Faculty of Liberal Arts & Sciences > School of Design (DES)
Last Modified:	07 Mar 2024 13:45
URI:	http://gala.gre.ac.uk/id/eprint/43454

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