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Items where Subject is "PN1993 Motion Pictures"

Items where Subject is "PN1993 Motion Pictures"

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Number of items at this level: 67.


Brown, Christopher (2017) “Even If You Have Nothing, You Should Keep Filming”: An Interview with Cheng Yu-Chieh on 'Wawa No Cidal' (2015). Senses of Cinema (82). ISSN 1443-4059

Brown, Christopher (2017) Performance enhancement: identity, surface aesthetics, and the direction of actors in Yang Yang 陽陽 (Cheng Yu-Chieh, 2009). Asian Cinema, 28 (1). pp. 23-37. ISSN 1059-440X (Print), 2049-6710 (Online) (doi:

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Screenwriting strategies in Marguerite Duras's script for 'Hiroshima, Mon Amour' (1960). Journal of Screenwriting, 1 (1). pp. 149-173. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:

Fiddler, Michael ORCID: 0000-0002-0695-6770 (2007) Projecting the prison: the depiction of the uncanny in The Shawshank Redemption. Crime Media Culture, 3 (2). pp. 192-206. ISSN 1741-6590 (doi:

Fiddler, Michael ORCID: 0000-0002-0695-6770 (2009) Spaces of observation and obscurity: cinematic prisons of light and dark. Prison Service Journal, 185. pp. 8-12. ISSN 0300-3558

Fiddler, Michael ORCID: 0000-0002-0695-6770 and Banwell, Stacy ORCID: 0000-0001-7395-2617 (2018) ‘Forget about all your taboos’: transgressive memory and Nazisploitation. Studies in European Cinema. ISSN 1741-1548 (Print), 2040-0594 (Online) (doi:

Gritton, Jim, Stewart, Jill, Jeavons, Charlotte, Mehmet, Nevin and La Placa, Vincent (2016) Movies in the classroom: Lessons for curriculum design. Compass: Journal of Learning and Teaching, 8 (12). ISSN 2044-0073 (Print), 2044-0081 (Online) (doi:

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:

Mroz, Matilda (2009) [Book Review] Contemporary European Cinema by Mary P. Wood. London: Hodder Arnold, 2007, 200 pp., ISBN 978-0340761366. The European Legacy: Toward New Paradigms, 14 (7). pp. 881-929. ISSN 1084-8770 (Print), 1470-1316 (Online) (doi:

Mroz, Matilda (2007) Fracturing the marble façade: Visceral excavation in Andrzej Wajda’s 'Man of Marble'. Senses of Cinema, 43. ISSN 1443-4059

Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. Studies in Eastern European Cinema, 1 (2). pp. 153-165. ISSN 2040-350X (Print), 2040-3518 (Online) (doi:

Mroz, Matilda (2009) 'Walkover'. Senses of Cinema, 51. ISSN 1443-4059

Nwonka, Clive (2015) Diversity pie: rethinking social exclusion and diversity policy in the British film industry. Journal of Media Practice, 16 (1). pp. 73-90. ISSN 1468-2753 (doi:

Nwonka, Clive James (2016) Hunger as political epistemology. Studies in European Cinema, 13 (2). pp. 134-148. ISSN 1741-1548 (doi:

Nwonka, Clive James (2014) 'You’re what’s wrong with me’: Fish Tank, The selfish giant and the language of contemporary British social realism. New Cinemas: Journal of Contemporary Film, 12 (3). ISSN 1474-2756 (doi:

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) The Girl On The Train: Why adapting the ultimate commuting novel makes perfect sense in a world of Brief Encounters. The Huffington Post.

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Minecraft the Movie: How will the adaptation respond to the challenge of creativity? The Huffington Post.

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2020) Law, Camera, Action! New Law Journal, 170 (7906). p. 22. ISSN 0306-6479

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2022) The lawyer in popular film. New Law Journal, 172 (7988). p. 22. ISSN 0306-6479 (Print), 2046-2239 (Online)

Pawlowski, Mark ORCID: 0000-0002-5473-5809 and Greer, Sarah (2009) Film and literature in the legal classroom. The Law Teacher, 43 (1). pp. 49-61. ISSN 0306-9400 (Print), 1943-0353 (Online) (doi:

Tran, Danielle (2016) Visible and invisible trauma: locating AIDS within a gendered framework in Darrell James Roodt’s Yesterday. Safundi, 17 (4). pp. 434-446. ISSN 1753-3171 (Print), 1543-1304 (Online) (doi:

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Moving from Japanese film distribution to production: An interview with Third Window Films’ Adam Torel. Bright Lights Film Journal. ISSN 0147-4049 (Online)

Book Section

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Adaptation and creative writing: Brokeback Mountain on the London Underground. In: Cutchins, Dennis, Raw, Laurence and Welsh, James M., (eds.) Redefining Adaptation Studies. Scarecrow Press, pp. 45-55. ISBN 978-0810872981

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Analysing the screenplay: A comparative approach. In: Nelmes, Jill, (ed.) Analysing The Screenplay. Routledge, London, pp. 237-251. ISBN 978-0415556347

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624

Pettit, Zoë ORCID: 0000-0002-1909-8947 (2009) Connecting cultures: cultural transfer in subtitling and dubbing. In: Díaz Cintas, Jorge, (ed.) New Trends In Audiovisual Translation. Topics in Translation . Multilingual Matters, Bristol, UK, pp. 47-60. ISBN 9781847691545

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Distributing Asian cinema, Past and present: Definitions from DVD labels. In: Magnan-Park, Aaron Han Joon, Marchetti, Gina and Tan, See Kam, (eds.) The Palgrave Handbook of Asian Cinema. Literature, Cultural and Media Studies . Palgrave Macmillan. ISBN 978-1349958214 (doi:


Dawson, Andrew (2009) Hollywood for historians. Historical Insights: Focus on Teaching . History at the Higher Education Academy, Coventry, UK. ISBN 978-1-905165-520

Etkind, Alexander, Finnin, Rory, Blacker, Uilleam, Fedor, Julie, Lewis, Simon, Mälksoo, Maria and Mroz, Matilda (2012) Remembering Katyn. Polity Press, Cambridge, UK. ISBN 9780745655765

Edited Book

Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832

Conference or Conference Paper

Adil, Alev (2007) Longing and (un)belonging: desire and displacement in the cinematic city. In: Inter: A European Cultural Studies Conference in Sweden, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS), 11-13 June 2007, Norrköping, Sweden.

Mroz, Matilda (2012) Borys Lankosz’s Rewers. In: Europe East and West: Film, History and Mourning Seminar, 13 June 2012, Keynes Hall, King’s College, University of Cambridge. (Unpublished)

Mroz, Matilda (2010) Cinema and memorial practices in post-war Poland. In: East European Memory Studies Research Group 2009-10, 10 Feb 2010, King's College, University of Cambridge, UK. (Unpublished)

Mroz, Matilda (2011) History in Polish film and new media. In: University of Central Lancashire Guest Lecture, 30 Mar 2001, UCLAN, Preston, UK. (Unpublished)

Mroz, Matilda (2013) Katyń in Poland. In: Remembering Katyń, 22 Mar 2013, Warsaw, Poland. (Unpublished)

Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. In: Europe East and West: Film, History, and Mourning, 18 May 2010, King's College, University of Cambridge. (Unpublished)

Mroz, Matilda (2011) Sculptural form and immersive space: the case of Matthew Barney. In: Moving Image and Institution: Cinema and the Museum in the 21st Century, -11 July 2011, Fitzwilliam College, University of Cambridge. (Unpublished)

Mroz, Matilda (2012) Secrets and spies: Communist histories in recent Polish cinema. In: Suffering, Agency, and Memory in Polish, Russian, and Ukrainian Films. Memory at War Conference, 22- 23 Mar 2012, Theologisch Instituut, Groningen, Netherlands. (Unpublished)

Mroz, Matilda (2010) Tarkovsky’s Mirror: “The elusive charm of recognition”. In: Memory and Post-War Russian Cinema: Film Critics on the Front Lines (A symposium in honour of Maia Turovskaya), 4-5 Nov 2010, Trinity College, University of Cambridge. (Unpublished)

Mroz, Matilda (2013) Traces and copies in audiovisual archives: the case of General Sikorski. In: Archiving the History of Polish Exile in Great Britain, 22 Feb 2013, University of Manchester, UK. (Unpublished)

Mroz, Matilda (2011) Wajda’s Katyn across generational and national boundaries. In: The Language of Art and Music: "An International Symposium on the Potential for Artistic Expression to Cross Cultural Barriers and the Relationship between Art, Culture, and International Relations", 17 - 20 Feb 2011, Institute for Cultural Diplomacy, Berlin. (Unpublished)

Solanke, Adeola (2015) African Film and Social Change Conference. In: African Film and Social Change Conference, 7-8 November 2015, University of Westminster, 35 Marylebone Road, London NW1 5LS.


Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.

Collins, John Roy (2006) Reel wars: Cold War, civil rights and Hollywood's changing interpretation of the American Civil War 1945-75. MPhil thesis, University of Greenwich.

Petković, Dušan (2017) Weathering the maelstrom: the effect of digital workflows on craft identity in independent cinema. PhD thesis, University of Greenwich.


Aling, Michael ORCID: 0000-0002-9714-235X (2015) Digital Cottage Industries. [Artefact]


Christie, Ian, Korolkova, Maria ORCID: 0000-0002-1784-3675 and Waddell, Justine (2017) A World to Win: A Century of Revolution on Screen. [Show/Exhibition]

Hobbs, James (2015) Motion In Form II. [Show/Exhibition]

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Hobbs, James (2015) Utopia/Dystopia. [Show/Exhibition]

Hobbs, Jim (2015) One Hundred Foot III. [Show/Exhibition]

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Adapting Russian and Soviet Film Heritage for Public Audiences in Europe and the UK. [Show/Exhibition]


Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Creative Performance or Reading

Hobbs, James (2017) I am a Karate American egg. [Creative Performance or Reading]

McClean, Mairead (2009) For the record. [Creative Performance or Reading] (Unpublished)

Wallis, Jillian (2016) The Pub Under the Stairs. [Creative Performance or Reading]

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]

Play, Short Story or Poetry

Solanke, Adeola (2015) Dazzling Mirage. [Play, Short Story or Poetry]


Brown, Christopher (2018) Coccolith. [Video]

Brown, Christopher (2015) Remission. [Video]

Garcia, Mark (2018) REDroom REDux. [Video] (Submitted)

Stabb, Walter (2017) Creative Madness in Song. [Video]

Stabb, Walter (2019) Europe Endless. [Video]

Stabb, Walter S. (2016) The Seasons In Quincy: Four Portraits of John Berger. [Video]

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

This list was generated on Thu Dec 1 12:52:55 2022 UTC.