Article

Brown, Christopher (2017) “Even If You Have Nothing, You Should Keep Filming”: An Interview with Cheng Yu-Chieh on 'Wawa No Cidal' (2015). Senses of Cinema (82). ISSN 1443-4059

Brown, Christopher (2017) Performance enhancement: identity, surface aesthetics, and the direction of actors in Yang Yang 陽陽 (Cheng Yu-Chieh, 2009). Asian Cinema, 28 (1). pp. 23-37. ISSN 1059-440X (Print), 2049-6710 (Online) (doi:https://doi.org/10.1386/ac.28.1.23_1)

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Screenwriting strategies in Marguerite Duras's script for 'Hiroshima, Mon Amour' (1960). Journal of Screenwriting, 1 (1). pp. 149-173. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.1.1.149/1)

Fiddler, Michael ORCID: 0000-0002-0695-6770 (2007) Projecting the prison: the depiction of the uncanny in The Shawshank Redemption. Crime Media Culture, 3 (2). pp. 192-206. ISSN 1741-6590 (doi:https://doi.org/10.1177/1741659007078546)

Fiddler, Michael ORCID: 0000-0002-0695-6770 (2009) Spaces of observation and obscurity: cinematic prisons of light and dark. Prison Service Journal, 185. pp. 8-12. ISSN 0300-3558

Fiddler, Michael ORCID: 0000-0002-0695-6770 and Banwell, Stacy ORCID: 0000-0001-7395-2617 (2018) ‘Forget about all your taboos’: transgressive memory and Nazisploitation. Studies in European Cinema. ISSN 1741-1548 (Print), 2040-0594 (Online) (doi:https://doi.org/10.1080/17411548.2018.1456188)

Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Young Oh, Min (2023) Chicken Run: Dawn of the Nugget is a fast-paced slapstick extravaganza. The Conversation. ISSN 2201-5639

Gritton, Jim, Stewart, Jill ORCID: 0000-0002-3031-8082 , Jeavons, Charlotte, Mehmet, Nevin and La Placa, Vincent (2016) Movies in the classroom: Lessons for curriculum design. Compass: Journal of Learning and Teaching, 8 (12). ISSN 2044-0073 (Print), 2044-0081 (Online) (doi:https://doi.org/10.21100/compass.v8i12.272)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509208.2019.1593027)

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)

Mroz, Matilda (2009) [Book Review] Contemporary European Cinema by Mary P. Wood. London: Hodder Arnold, 2007, 200 pp., ISBN 978-0340761366. The European Legacy: Toward New Paradigms, 14 (7). pp. 881-929. ISSN 1084-8770 (Print), 1470-1316 (Online) (doi:https://doi.org/10.1080/10848770903363961)

Mroz, Matilda (2007) Fracturing the marble façade: Visceral excavation in Andrzej Wajda’s 'Man of Marble'. Senses of Cinema, 43. ISSN 1443-4059

Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. Studies in Eastern European Cinema, 1 (2). pp. 153-165. ISSN 2040-350X (Print), 2040-3518 (Online) (doi:https://doi.org/10.1386/seec.1.2.153_1)

Mroz, Matilda (2009) 'Walkover'. Senses of Cinema, 51. ISSN 1443-4059

Nwonka, Clive (2015) Diversity pie: rethinking social exclusion and diversity policy in the British film industry. Journal of Media Practice, 16 (1). pp. 73-90. ISSN 1468-2753 (doi:https://doi.org/10.1080/14682753.2015.1015802)

Nwonka, Clive James (2016) Hunger as political epistemology. Studies in European Cinema, 13 (2). pp. 134-148. ISSN 1741-1548 (doi:https://doi.org/10.1080/17411548.2016.1210300)

Nwonka, Clive James (2014) 'You’re what’s wrong with me’: Fish Tank, The selfish giant and the language of contemporary British social realism. New Cinemas: Journal of Contemporary Film, 12 (3). ISSN 1474-2756 (doi:https://doi.org/10.1386/ncin.12.3.205_1)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) The Girl On The Train: Why adapting the ultimate commuting novel makes perfect sense in a world of Brief Encounters. The Huffington Post.

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Minecraft the Movie: How will the adaptation respond to the challenge of creativity? The Huffington Post.

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2020) Law, Camera, Action! New Law Journal, 170 (7906). p. 22. ISSN 0306-6479

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2022) The lawyer in popular film. New Law Journal, 172 (7988). p. 22. ISSN 0306-6479 (Print), 2046-2239 (Online)

Pawlowski, Mark ORCID: 0000-0002-5473-5809 and Greer, Sarah (2009) Film and literature in the legal classroom. The Law Teacher, 43 (1). pp. 49-61. ISSN 0306-9400 (Print), 1943-0353 (Online) (doi:https://doi.org/10.1080/03069400802703144)

Tran, Danielle (2016) Visible and invisible trauma: locating AIDS within a gendered framework in Darrell James Roodt’s Yesterday. Safundi, 17 (4). pp. 434-446. ISSN 1753-3171 (Print), 1543-1304 (Online) (doi:https://doi.org/10.1080/17533171.2016.1223615)

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Moving from Japanese film distribution to production: An interview with Third Window Films’ Adam Torel. Bright Lights Film Journal. ISSN 0147-4049 (Online)

Book Section

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2023) Collaboration, cooperation and authorship in screenwriting aka how many people does it take to create an author? In: Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . Palgrave, Cham, pp. 73-92. ISBN 978-3031207693 (doi:https://doi.org/10.1007/978-3-031-20769-3_4)

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Adaptation and creative writing: Brokeback Mountain on the London Underground. In: Cutchins, Dennis, Raw, Laurence and Welsh, James M., (eds.) Redefining Adaptation Studies. Scarecrow Press, pp. 45-55. ISBN 978-0810872981

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Analysing the screenplay: A comparative approach. In: Nelmes, Jill, (ed.) Analysing The Screenplay. Routledge, London, pp. 237-251. ISBN 978-0415556347

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624

Pallant, Christopher ORCID: 0000-0002-1308-2565 , Humberstone, Nigel and Humberstone, Klive (2023) Revisiting the production of Watership Down through the Arthur Humberstone Animation Archive. In: Lester, Catherine, (ed.) Watership Down: Perspectives On and Beyond Animated Violence. Bloomsbury Open Access, Film & Media Studies 2023 . Bloomsbury Academic, New York, pp. 41-59. ISBN 978-1501376993; 978-1501376979; 978-1501376986; 978-1501376955

Pettit, Zoë ORCID: 0000-0002-1909-8947 (2009) Connecting cultures: cultural transfer in subtitling and dubbing. In: Díaz Cintas, Jorge, (ed.) New Trends In Audiovisual Translation. Topics in Translation . Multilingual Matters, Bristol, UK, pp. 47-60. ISBN 9781847691545

Thompson, Ian ORCID: 0000-0002-7143-8013 (2024) The soundtrack as an acoustic environment: some insights from soundscape research. In: Filimowicz, Michael, (ed.) The Routledge Handbook of Sound Design. Routledge Handbooks . Routledge - Focal Press Book, London; Oxford, UK, pp. 139-156. ISBN 978-1032351476; 978-1032351575; 978-1003325567 (doi:https://doi.org/10.4324/9781003325567)

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Distributing Asian cinema, Past and present: Definitions from DVD labels. In: Magnan-Park, Aaron Han Joon, Marchetti, Gina and Tan, See Kam, (eds.) The Palgrave Handbook of Asian Cinema. Literature, Cultural and Media Studies . Palgrave Macmillan. ISBN 978-1349958214 (doi:https://doi.org/10.1057/978-1-349-95822-1)

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2023) Ichi (2008). Female stars and gender representations in the Zatoichi franchise. In: Chan, Felicia, Elliott, Fraser and Willis, Andrew, (eds.) Women in East Asian Cinema: Gender Representations, Creative Labour and Global Histories. Edinburgh University Press, UK, pp. 79-92. ISBN 978-1399504942; 978-1399504928; 1399504924

Book

Dawson, Andrew (2009) Hollywood for historians. Historical Insights: Focus on Teaching . History at the Higher Education Academy, Coventry, UK. ISBN 978-1-905165-520

Etkind, Alexander, Finnin, Rory, Blacker, Uilleam, Fedor, Julie, Lewis, Simon, Mälksoo, Maria and Mroz, Matilda (2012) Remembering Katyn. Polity Press, Cambridge, UK. ISBN 9780745655765

Pallant, Christopher ORCID: 0000-0002-1308-2565 (2022) Beyond Bagpuss: A History of Smallfilms Animation Studio. British Film Institute (BFI) . Bloomsbury Publishing, London. ISBN 978-1839022388; 1839022388; 978-1839022395; 978-1839022418; 978-1839022401

Edited Book

Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832

Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus (eds.) (2023) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . The Palgrave Handbook of Screenwriting Studies, Cham. ISBN 978-3031207693

Pallant, Christopher ORCID: 0000-0002-1308-2565 (ed.) (2021) Animation: Critical and Primary Sources. Animation: Critical and Primary Sources, I-IV . Bloomsbury Academic USA, New York. ISBN 978-1501305757; 1501305751

Pallant, Christopher ORCID: 0000-0002-1308-2565 and Holliday, Christopher (eds.) (2022) Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Bloomsbury Open Access, Film & Media Studies 2023 . Bloomsbury Academic, New York. ISBN 978-1501373961; 978-1501351228; 978-1501351204; 978-1501351211

Conference or Conference Paper

Adil, Alev (2007) Longing and (un)belonging: desire and displacement in the cinematic city. In: Inter: A European Cultural Studies Conference in Sweden, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS), 11-13 June 2007, Norrköping, Sweden.

Klika (Klikova), Deborah ORCID: 0000-0001-9883-2646 (2024) Comedy and language. In: Screen writing Research Network Conference 2024 “Conversation Beyond Script”, 10th - 14th Sep, 2024, Palacký University, Olomouc Czechia Republic. (Unpublished)

Klika (Klikova), Deborah ORCID: 0000-0001-9883-2646 (2023) The bind in film comedy. In: Screenwriting Research Network (SRN) conference 2023: Gender and the Female Gaze, 20th - 23rd Sep, 2023, Stephens College, Columbia, Missouri. (Unpublished)

Mroz, Matilda (2012) Borys Lankosz’s Rewers. In: Europe East and West: Film, History and Mourning Seminar, 13 June 2012, Keynes Hall, King’s College, University of Cambridge. (Unpublished)

Mroz, Matilda (2010) Cinema and memorial practices in post-war Poland. In: East European Memory Studies Research Group 2009-10, 10 Feb 2010, King's College, University of Cambridge, UK. (Unpublished)

Mroz, Matilda (2011) History in Polish film and new media. In: University of Central Lancashire Guest Lecture, 30 Mar 2001, UCLAN, Preston, UK. (Unpublished)

Mroz, Matilda (2013) Katyń in Poland. In: Remembering Katyń, 22 Mar 2013, Warsaw, Poland. (Unpublished)

Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. In: Europe East and West: Film, History, and Mourning, 18 May 2010, King's College, University of Cambridge. (Unpublished)

Mroz, Matilda (2011) Sculptural form and immersive space: the case of Matthew Barney. In: Moving Image and Institution: Cinema and the Museum in the 21st Century, -11 July 2011, Fitzwilliam College, University of Cambridge. (Unpublished)

Mroz, Matilda (2012) Secrets and spies: Communist histories in recent Polish cinema. In: Suffering, Agency, and Memory in Polish, Russian, and Ukrainian Films. Memory at War Conference, 22- 23 Mar 2012, Theologisch Instituut, Groningen, Netherlands. (Unpublished)

Mroz, Matilda (2010) Tarkovsky’s Mirror: “The elusive charm of recognition”. In: Memory and Post-War Russian Cinema: Film Critics on the Front Lines (A symposium in honour of Maia Turovskaya), 4-5 Nov 2010, Trinity College, University of Cambridge. (Unpublished)

Mroz, Matilda (2013) Traces and copies in audiovisual archives: the case of General Sikorski. In: Archiving the History of Polish Exile in Great Britain, 22 Feb 2013, University of Manchester, UK. (Unpublished)

Mroz, Matilda (2011) Wajda’s Katyn across generational and national boundaries. In: The Language of Art and Music: "An International Symposium on the Potential for Artistic Expression to Cross Cultural Barriers and the Relationship between Art, Culture, and International Relations", 17 - 20 Feb 2011, Institute for Cultural Diplomacy, Berlin. (Unpublished)

Solanke, Adeola (2015) African Film and Social Change Conference. In: African Film and Social Change Conference, 7-8 November 2015, University of Westminster, 35 Marylebone Road, London NW1 5LS.

Thesis

Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.

Collins, John Roy (2006) Reel wars: Cold War, civil rights and Hollywood's changing interpretation of the American Civil War 1945-75. MPhil thesis, University of Greenwich.

Petković, Dušan (2017) Weathering the maelstrom: the effect of digital workflows on craft identity in independent cinema. PhD thesis, University of Greenwich.

Artefact

Aling, Michael ORCID: 0000-0002-9714-235X (2015) Digital Cottage Industries. [Artefact]

Show/Exhibition

Christie, Ian, Korolkova, Maria ORCID: 0000-0002-1784-3675 and Waddell, Justine (2017) A World to Win: A Century of Revolution on Screen. [Show/Exhibition]

Hobbs, James (2015) Motion In Form II. [Show/Exhibition]

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Hobbs, James (2015) Utopia/Dystopia. [Show/Exhibition]

Hobbs, Jim (2015) One Hundred Foot III. [Show/Exhibition]

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Adapting Russian and Soviet Film Heritage for Public Audiences in Europe and the UK. [Show/Exhibition]

Composition

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Creative Performance or Reading

Hobbs, James (2017) I am a Karate American egg. [Creative Performance or Reading]

McClean, Mairead (2009) For the record. [Creative Performance or Reading] (Unpublished)

Wallis, Jillian ORCID: 0000-0002-5004-9262 (2016) The Pub Under the Stairs. [Creative Performance or Reading]

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]

Play, Short Story or Poetry

Solanke, Adeola (2015) Dazzling Mirage. [Play, Short Story or Poetry]

Video

Brown, Christopher (2018) Coccolith. [Video]

Brown, Christopher (2015) Remission. [Video]

Garcia, Mark (2018) REDroom REDux. [Video] (Submitted)

Mo, Lab Ky (2021) The Uncertain Kingdom: British People. [Video]

Stabb, Walter (2017) Creative Madness in Song. [Video]

Stabb, Walter (2019) Europe Endless. [Video]

Stabb, Walter S. (2016) The Seasons In Quincy: Four Portraits of John Berger. [Video]

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]