Items where Subject is "PN1993 Motion Pictures"
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- PN Literature (General) (79)
- P Language and Literature (79)
16mm film
Hobbs, James (2015) Motion In Form II. [Show/Exhibition]
Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]
Hobbs, James (2015) Utopia/Dystopia. [Show/Exhibition]
Hobbs, Jim (2015) One Hundred Foot III. [Show/Exhibition]
1950's
McClean, Mairead (2009) For the record. [Creative Performance or Reading] (Unpublished)
Aardman
Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Young Oh, Min (2023) Chicken Run: Dawn of the Nugget is a fast-paced slapstick extravaganza. The Conversation. ISSN 2201-5639
acoustic environment
Thompson, Ian ORCID: 0000-0002-7143-8013 (2024) The soundtrack as an acoustic environment: some insights from soundscape research. In: Filimowicz, Michael, (ed.) The Routledge Handbook of Sound Design. Routledge Handbooks . Routledge - Focal Press Book, London; Oxford, UK, pp. 139-156. ISBN 978-1032351476; 978-1032351575; 978-1003325567 (doi:https://doi.org/10.4324/9781003325567)
adaptation
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) The Girl On The Train: Why adapting the ultimate commuting novel makes perfect sense in a world of Brief Encounters. The Huffington Post.
Adaptation of literature and film
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Adaptation and creative writing: Brokeback Mountain on the London Underground. In: Cutchins, Dennis, Raw, Laurence and Welsh, James M., (eds.) Redefining Adaptation Studies. Scarecrow Press, pp. 45-55. ISBN 978-0810872981
adaptation studies
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624
aesthetics
Mroz, Matilda (2010) Tarkovsky’s Mirror: “The elusive charm of recognition”. In: Memory and Post-War Russian Cinema: Film Critics on the Front Lines (A symposium in honour of Maia Turovskaya), 4-5 Nov 2010, Trinity College, University of Cambridge. (Unpublished)
aesthetics duration
Mroz, Matilda (2011) Sculptural form and immersive space: the case of Matthew Barney. In: Moving Image and Institution: Cinema and the Museum in the 21st Century, -11 July 2011, Fitzwilliam College, University of Cambridge. (Unpublished)
African fiilm
Solanke, Adeola (2015) Dazzling Mirage. [Play, Short Story or Poetry]
African film
Solanke, Adeola (2015) African Film and Social Change Conference. In: African Film and Social Change Conference, 7-8 November 2015, University of Westminster, 35 Marylebone Road, London NW1 5LS.
agency and memory in Polish
Mroz, Matilda (2012) Secrets and spies: Communist histories in recent Polish cinema. In: Suffering, Agency, and Memory in Polish, Russian, and Ukrainian Films. Memory at War Conference, 22- 23 Mar 2012, Theologisch Instituut, Groningen, Netherlands. (Unpublished)
AIDS
Tran, Danielle (2016) Visible and invisible trauma: locating AIDS within a gendered framework in Darrell James Roodt’s Yesterday. Safundi, 17 (4). pp. 434-446. ISSN 1753-3171 (Print), 1543-1304 (Online) (doi:https://doi.org/10.1080/17533171.2016.1223615)
American Civil War
Collins, John Roy (2006) Reel wars: Cold War, civil rights and Hollywood's changing interpretation of the American Civil War 1945-75. MPhil thesis, University of Greenwich.
animated films
Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Young Oh, Min (2023) Chicken Run: Dawn of the Nugget is a fast-paced slapstick extravaganza. The Conversation. ISSN 2201-5639
animation
Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Young Oh, Min (2023) Chicken Run: Dawn of the Nugget is a fast-paced slapstick extravaganza. The Conversation. ISSN 2201-5639
Pallant, Christopher ORCID: 0000-0002-1308-2565 (ed.) (2021) Animation: Critical and Primary Sources. Animation: Critical and Primary Sources, I-IV . Bloomsbury Academic USA, New York. ISBN 978-1501305757; 1501305751
Pallant, Christopher ORCID: 0000-0002-1308-2565 (2022) Beyond Bagpuss: A History of Smallfilms Animation Studio. British Film Institute (BFI) . Bloomsbury Publishing, London. ISBN 978-1839022388; 1839022388; 978-1839022395; 978-1839022418; 978-1839022401
Pallant, Christopher ORCID: 0000-0002-1308-2565 and Holliday, Christopher (eds.) (2022) Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Bloomsbury Open Access, Film & Media Studies 2023 . Bloomsbury Academic, New York. ISBN 978-1501373961; 978-1501351228; 978-1501351204; 978-1501351211
Pallant, Christopher ORCID: 0000-0002-1308-2565 , Humberstone, Nigel and Humberstone, Klive (2023) Revisiting the production of Watership Down through the Arthur Humberstone Animation Archive. In: Lester, Catherine, (ed.) Watership Down: Perspectives On and Beyond Animated Violence. Bloomsbury Open Access, Film & Media Studies 2023 . Bloomsbury Academic, New York, pp. 41-59. ISBN 978-1501376993; 978-1501376979; 978-1501376986; 978-1501376955
appropriation
Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)
architecture
Brown, Christopher (2018) Coccolith. [Video]
Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832
Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)
Architecture film and animation
Aling, Michael ORCID: 0000-0002-9714-235X (2015) Digital Cottage Industries. [Artefact]
archive
Mroz, Matilda (2013) Traces and copies in audiovisual archives: the case of General Sikorski. In: Archiving the History of Polish Exile in Great Britain, 22 Feb 2013, University of Manchester, UK. (Unpublished)
Archive Derrida
Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. In: Europe East and West: Film, History, and Mourning, 18 May 2010, King's College, University of Cambridge. (Unpublished)
Art
Hobbs, James (2015) Utopia/Dystopia. [Show/Exhibition]
Hobbs, Jim (2015) One Hundred Foot III. [Show/Exhibition]
Mroz, Matilda (2011) History in Polish film and new media. In: University of Central Lancashire Guest Lecture, 30 Mar 2001, UCLAN, Preston, UK. (Unpublished)
Artists film
Hobbs, James (2015) Motion In Form II. [Show/Exhibition]
Asia
Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)
Asian Cinema
Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Distributing Asian cinema, Past and present: Definitions from DVD labels. In: Magnan-Park, Aaron Han Joon, Marchetti, Gina and Tan, See Kam, (eds.) The Palgrave Handbook of Asian Cinema. Literature, Cultural and Media Studies . Palgrave Macmillan. ISBN 978-1349958214 (doi:https://doi.org/10.1057/978-1-349-95822-1)
audiences' technology
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]
audiovisual
Pettit, Zoë ORCID: 0000-0002-1909-8947 (2009) Connecting cultures: cultural transfer in subtitling and dubbing. In: Díaz Cintas, Jorge, (ed.) New Trends In Audiovisual Translation. Topics in Translation . Multilingual Matters, Bristol, UK, pp. 47-60. ISBN 9781847691545
authorship
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2023) Collaboration, cooperation and authorship in screenwriting aka how many people does it take to create an author? In: Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . Palgrave, Cham, pp. 73-92. ISBN 978-3031207693 (doi:https://doi.org/10.1007/978-3-031-20769-3_4)
Pallant, Christopher ORCID: 0000-0002-1308-2565 (ed.) (2021) Animation: Critical and Primary Sources. Animation: Critical and Primary Sources, I-IV . Bloomsbury Academic USA, New York. ISBN 978-1501305757; 1501305751
Barney
Mroz, Matilda (2011) Sculptural form and immersive space: the case of Matthew Barney. In: Moving Image and Institution: Cinema and the Museum in the 21st Century, -11 July 2011, Fitzwilliam College, University of Cambridge. (Unpublished)
Beauty
Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]
belonging
Adil, Alev (2007) Longing and (un)belonging: desire and displacement in the cinematic city. In: Inter: A European Cultural Studies Conference in Sweden, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS), 11-13 June 2007, Norrköping, Sweden.
binaural audio
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]
binaural sound
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]
Biopic
Nwonka, Clive James (2016) Hunger as political epistemology. Studies in European Cinema, 13 (2). pp. 134-148. ISSN 1741-1548 (doi:https://doi.org/10.1080/17411548.2016.1210300)
body
Mroz, Matilda (2012) Borys Lankosz’s Rewers. In: Europe East and West: Film, History and Mourning Seminar, 13 June 2012, Keynes Hall, King’s College, University of Cambridge. (Unpublished)
Mroz, Matilda (2007) Fracturing the marble façade: Visceral excavation in Andrzej Wajda’s 'Man of Marble'. Senses of Cinema, 43. ISSN 1443-4059
Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. In: Europe East and West: Film, History, and Mourning, 18 May 2010, King's College, University of Cambridge. (Unpublished)
box office success and failure
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Minecraft the Movie: How will the adaptation respond to the challenge of creativity? The Huffington Post.
Brexit
Stabb, Walter (2019) Europe Endless. [Video]
Brief Encounter
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) The Girl On The Train: Why adapting the ultimate commuting novel makes perfect sense in a world of Brief Encounters. The Huffington Post.
British People
Mo, Lab Ky (2021) The Uncertain Kingdom: British People. [Video]
British social realism
Nwonka, Clive James (2014) 'You’re what’s wrong with me’: Fish Tank, The selfish giant and the language of contemporary British social realism. New Cinemas: Journal of Contemporary Film, 12 (3). ISSN 1474-2756 (doi:https://doi.org/10.1386/ncin.12.3.205_1)
British television
Pallant, Christopher ORCID: 0000-0002-1308-2565 (2022) Beyond Bagpuss: A History of Smallfilms Animation Studio. British Film Institute (BFI) . Bloomsbury Publishing, London. ISBN 978-1839022388; 1839022388; 978-1839022395; 978-1839022418; 978-1839022401
censorship
Mroz, Matilda (2011) History in Polish film and new media. In: University of Central Lancashire Guest Lecture, 30 Mar 2001, UCLAN, Preston, UK. (Unpublished)
Cheng Yu-Chieh
Brown, Christopher (2017) “Even If You Have Nothing, You Should Keep Filming”: An Interview with Cheng Yu-Chieh on 'Wawa No Cidal' (2015). Senses of Cinema (82). ISSN 1443-4059
Chicken Run
Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Young Oh, Min (2023) Chicken Run: Dawn of the Nugget is a fast-paced slapstick extravaganza. The Conversation. ISSN 2201-5639
China
Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)
cinema
Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.
Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832
Garcia, Mark (2018) REDroom REDux. [Video] (Submitted)
Gritton, Jim, Stewart, Jill ORCID: 0000-0002-3031-8082 , Jeavons, Charlotte, Mehmet, Nevin and La Placa, Vincent (2016) Movies in the classroom: Lessons for curriculum design. Compass: Journal of Learning and Teaching, 8 (12). ISSN 2044-0073 (Print), 2044-0081 (Online) (doi:https://doi.org/10.21100/compass.v8i12.272)
Pallant, Christopher ORCID: 0000-0002-1308-2565 and Holliday, Christopher (eds.) (2022) Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Bloomsbury Open Access, Film & Media Studies 2023 . Bloomsbury Academic, New York. ISBN 978-1501373961; 978-1501351228; 978-1501351204; 978-1501351211
Solanke, Adeola (2015) African Film and Social Change Conference. In: African Film and Social Change Conference, 7-8 November 2015, University of Westminster, 35 Marylebone Road, London NW1 5LS.
cinema adaptations
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Minecraft the Movie: How will the adaptation respond to the challenge of creativity? The Huffington Post.
cinema and landscape
Aling, Michael ORCID: 0000-0002-9714-235X (2015) Digital Cottage Industries. [Artefact]
cinematic city
Adil, Alev (2007) Longing and (un)belonging: desire and displacement in the cinematic city. In: Inter: A European Cultural Studies Conference in Sweden, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS), 11-13 June 2007, Norrköping, Sweden.
cinematic prisons
Fiddler, Michael ORCID: 0000-0002-0695-6770 (2009) Spaces of observation and obscurity: cinematic prisons of light and dark. Prison Service Journal, 185. pp. 8-12. ISSN 0300-3558
Cinematic realism
Nwonka, Clive James (2016) Hunger as political epistemology. Studies in European Cinema, 13 (2). pp. 134-148. ISSN 1741-1548 (doi:https://doi.org/10.1080/17411548.2016.1210300)
cinematography
Mroz, Matilda (2012) Borys Lankosz’s Rewers. In: Europe East and West: Film, History and Mourning Seminar, 13 June 2012, Keynes Hall, King’s College, University of Cambridge. (Unpublished)
coccolith
Brown, Christopher (2018) Coccolith. [Video]
Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509208.2019.1593027)
Colbourne
Hobbs, James (2015) Motion In Form II. [Show/Exhibition]
Cold War
Collins, John Roy (2006) Reel wars: Cold War, civil rights and Hollywood's changing interpretation of the American Civil War 1945-75. MPhil thesis, University of Greenwich.
Colin MacCabe
Stabb, Walter (2019) Europe Endless. [Video]
collaboration
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2023) Collaboration, cooperation and authorship in screenwriting aka how many people does it take to create an author? In: Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . Palgrave, Cham, pp. 73-92. ISBN 978-3031207693 (doi:https://doi.org/10.1007/978-3-031-20769-3_4)
comedy and language
Klika (Klikova), Deborah ORCID: 0000-0001-9883-2646 (2024) Comedy and language. In: Screen writing Research Network Conference 2024 “Conversation Beyond Script”, 10th - 14th Sep, 2024, Palacký University, Olomouc Czechia Republic. (Unpublished)
comic tension
Klika (Klikova), Deborah ORCID: 0000-0001-9883-2646 (2024) Comedy and language. In: Screen writing Research Network Conference 2024 “Conversation Beyond Script”, 10th - 14th Sep, 2024, Palacký University, Olomouc Czechia Republic. (Unpublished)
Klika (Klikova), Deborah ORCID: 0000-0001-9883-2646 (2023) The bind in film comedy. In: Screenwriting Research Network (SRN) conference 2023: Gender and the Female Gaze, 20th - 23rd Sep, 2023, Stephens College, Columbia, Missouri. (Unpublished)
Communism
Mroz, Matilda (2007) Fracturing the marble façade: Visceral excavation in Andrzej Wajda’s 'Man of Marble'. Senses of Cinema, 43. ISSN 1443-4059
Composition
Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)
computer animation
Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Young Oh, Min (2023) Chicken Run: Dawn of the Nugget is a fast-paced slapstick extravaganza. The Conversation. ISSN 2201-5639
Counsell
Hobbs, James (2015) Motion In Form II. [Show/Exhibition]
cratfsmanship
Petković, Dušan (2017) Weathering the maelstrom: the effect of digital workflows on craft identity in independent cinema. PhD thesis, University of Greenwich.
creative writing
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Adaptation and creative writing: Brokeback Mountain on the London Underground. In: Cutchins, Dennis, Raw, Laurence and Welsh, James M., (eds.) Redefining Adaptation Studies. Scarecrow Press, pp. 45-55. ISBN 978-0810872981
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Analysing the screenplay: A comparative approach. In: Nelmes, Jill, (ed.) Analysing The Screenplay. Routledge, London, pp. 237-251. ISBN 978-0415556347
cultural exchange
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624
Cultural Studies
Nwonka, Clive (2015) Diversity pie: rethinking social exclusion and diversity policy in the British film industry. Journal of Media Practice, 16 (1). pp. 73-90. ISSN 1468-2753 (doi:https://doi.org/10.1080/14682753.2015.1015802)
Cultural studies New Labour
Nwonka, Clive James (2014) 'You’re what’s wrong with me’: Fish Tank, The selfish giant and the language of contemporary British social realism. New Cinemas: Journal of Contemporary Film, 12 (3). ISSN 1474-2756 (doi:https://doi.org/10.1386/ncin.12.3.205_1)
culture
Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.
Pettit, Zoë ORCID: 0000-0002-1909-8947 (2009) Connecting cultures: cultural transfer in subtitling and dubbing. In: Díaz Cintas, Jorge, (ed.) New Trends In Audiovisual Translation. Topics in Translation . Multilingual Matters, Bristol, UK, pp. 47-60. ISBN 9781847691545
Curated
Hobbs, Jim (2015) One Hundred Foot III. [Show/Exhibition]
Curating Russian Film
Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Adapting Russian and Soviet Film Heritage for Public Audiences in Europe and the UK. [Show/Exhibition]
Curation
Christie, Ian, Korolkova, Maria ORCID: 0000-0002-1784-3675 and Waddell, Justine (2017) A World to Win: A Century of Revolution on Screen. [Show/Exhibition]
Curriculum Design
Gritton, Jim, Stewart, Jill ORCID: 0000-0002-3031-8082 , Jeavons, Charlotte, Mehmet, Nevin and La Placa, Vincent (2016) Movies in the classroom: Lessons for curriculum design. Compass: Journal of Learning and Teaching, 8 (12). ISSN 2044-0073 (Print), 2044-0081 (Online) (doi:https://doi.org/10.21100/compass.v8i12.272)
Dario Argento
Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.
Dariusz Baliszewski
Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. Studies in Eastern European Cinema, 1 (2). pp. 153-165. ISSN 2040-350X (Print), 2040-3518 (Online) (doi:https://doi.org/10.1386/seec.1.2.153_1)
David Lynch
Garcia, Mark (2018) REDroom REDux. [Video] (Submitted)
Death
Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]
delivering justice
Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2022) The lawyer in popular film. New Law Journal, 172 (7988). p. 22. ISSN 0306-6479 (Print), 2046-2239 (Online)
Derrida
Mroz, Matilda (2013) Traces and copies in audiovisual archives: the case of General Sikorski. In: Archiving the History of Polish Exile in Great Britain, 22 Feb 2013, University of Manchester, UK. (Unpublished)
design
Pallant, Christopher ORCID: 0000-0002-1308-2565 and Holliday, Christopher (eds.) (2022) Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Bloomsbury Open Access, Film & Media Studies 2023 . Bloomsbury Academic, New York. ISBN 978-1501373961; 978-1501351228; 978-1501351204; 978-1501351211
Pallant, Christopher ORCID: 0000-0002-1308-2565 , Humberstone, Nigel and Humberstone, Klive (2023) Revisiting the production of Watership Down through the Arthur Humberstone Animation Archive. In: Lester, Catherine, (ed.) Watership Down: Perspectives On and Beyond Animated Violence. Bloomsbury Open Access, Film & Media Studies 2023 . Bloomsbury Academic, New York, pp. 41-59. ISBN 978-1501376993; 978-1501376979; 978-1501376986; 978-1501376955
Diagrams
Garcia, Mark (2018) REDroom REDux. [Video] (Submitted)
diaspora
Adil, Alev (2007) Longing and (un)belonging: desire and displacement in the cinematic city. In: Inter: A European Cultural Studies Conference in Sweden, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS), 11-13 June 2007, Norrköping, Sweden.
diegesis
Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509208.2019.1593027)
digital and physical world
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2016) The Pub Under the Stairs. [Creative Performance or Reading]
digital cinema
Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. In: Europe East and West: Film, History, and Mourning, 18 May 2010, King's College, University of Cambridge. (Unpublished)
digital technology
Petković, Dušan (2017) Weathering the maelstrom: the effect of digital workflows on craft identity in independent cinema. PhD thesis, University of Greenwich.
digital workflow
Petković, Dušan (2017) Weathering the maelstrom: the effect of digital workflows on craft identity in independent cinema. PhD thesis, University of Greenwich.
displacement
Adil, Alev (2007) Longing and (un)belonging: desire and displacement in the cinematic city. In: Inter: A European Cultural Studies Conference in Sweden, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS), 11-13 June 2007, Norrköping, Sweden.
distribution
Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Moving from Japanese film distribution to production: An interview with Third Window Films’ Adam Torel. Bright Lights Film Journal. ISSN 0147-4049 (Online)
Diversity
Nwonka, Clive (2015) Diversity pie: rethinking social exclusion and diversity policy in the British film industry. Journal of Media Practice, 16 (1). pp. 73-90. ISSN 1468-2753 (doi:https://doi.org/10.1080/14682753.2015.1015802)
Dunkirk
Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509208.2019.1593027)
duration
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2016) The Pub Under the Stairs. [Creative Performance or Reading]
DVD labels
Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Distributing Asian cinema, Past and present: Definitions from DVD labels. In: Magnan-Park, Aaron Han Joon, Marchetti, Gina and Tan, See Kam, (eds.) The Palgrave Handbook of Asian Cinema. Literature, Cultural and Media Studies . Palgrave Macmillan. ISBN 978-1349958214 (doi:https://doi.org/10.1057/978-1-349-95822-1)
Editing
Garcia, Mark (2018) REDroom REDux. [Video] (Submitted)
embodied listening
Thompson, Ian ORCID: 0000-0002-7143-8013 (2024) The soundtrack as an acoustic environment: some insights from soundscape research. In: Filimowicz, Michael, (ed.) The Routledge Handbook of Sound Design. Routledge Handbooks . Routledge - Focal Press Book, London; Oxford, UK, pp. 139-156. ISBN 978-1032351476; 978-1032351575; 978-1003325567 (doi:https://doi.org/10.4324/9781003325567)
Establishment
Hobbs, James (2017) I am a Karate American egg. [Creative Performance or Reading]
European Cinema
Mroz, Matilda (2009) [Book Review] Contemporary European Cinema by Mary P. Wood. London: Hodder Arnold, 2007, 200 pp., ISBN 978-0340761366. The European Legacy: Toward New Paradigms, 14 (7). pp. 881-929. ISSN 1084-8770 (Print), 1470-1316 (Online) (doi:https://doi.org/10.1080/10848770903363961)
Evgenii Bauer
Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)
Expanded Cinema
Hobbs, James (2017) I am a Karate American egg. [Creative Performance or Reading]
Hobbs, James (2015) Motion In Form II. [Show/Exhibition]
Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]
Experimental Cinema
Hobbs, Jim (2015) One Hundred Foot III. [Show/Exhibition]
experimental film
Brown, Christopher (2018) Coccolith. [Video]
Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)
Hobbs, James (2015) Motion In Form II. [Show/Exhibition]
Hobbs, James (2015) Utopia/Dystopia. [Show/Exhibition]
Fatih Akin
Adil, Alev (2007) Longing and (un)belonging: desire and displacement in the cinematic city. In: Inter: A European Cultural Studies Conference in Sweden, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS), 11-13 June 2007, Norrköping, Sweden.
female protagonists
Klika (Klikova), Deborah ORCID: 0000-0001-9883-2646 (2023) The bind in film comedy. In: Screenwriting Research Network (SRN) conference 2023: Gender and the Female Gaze, 20th - 23rd Sep, 2023, Stephens College, Columbia, Missouri. (Unpublished)
feminism
Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.
film
Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.
Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832
Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509208.2019.1593027)
Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)
Mroz, Matilda (2012) Borys Lankosz’s Rewers. In: Europe East and West: Film, History and Mourning Seminar, 13 June 2012, Keynes Hall, King’s College, University of Cambridge. (Unpublished)
Mroz, Matilda (2011) History in Polish film and new media. In: University of Central Lancashire Guest Lecture, 30 Mar 2001, UCLAN, Preston, UK. (Unpublished)
Mroz, Matilda (2013) Katyń in Poland. In: Remembering Katyń, 22 Mar 2013, Warsaw, Poland. (Unpublished)
Mroz, Matilda (2010) Tarkovsky’s Mirror: “The elusive charm of recognition”. In: Memory and Post-War Russian Cinema: Film Critics on the Front Lines (A symposium in honour of Maia Turovskaya), 4-5 Nov 2010, Trinity College, University of Cambridge. (Unpublished)
Solanke, Adeola (2015) Dazzling Mirage. [Play, Short Story or Poetry]
Tran, Danielle (2016) Visible and invisible trauma: locating AIDS within a gendered framework in Darrell James Roodt’s Yesterday. Safundi, 17 (4). pp. 434-446. ISSN 1753-3171 (Print), 1543-1304 (Online) (doi:https://doi.org/10.1080/17533171.2016.1223615)
film adaptations
Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)
film aesthetics
Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. Studies in Eastern European Cinema, 1 (2). pp. 153-165. ISSN 2040-350X (Print), 2040-3518 (Online) (doi:https://doi.org/10.1386/seec.1.2.153_1)
Film Africa Festival
Solanke, Adeola (2015) Dazzling Mirage. [Play, Short Story or Poetry]
Film Art
Stabb, Walter S. (2016) The Seasons In Quincy: Four Portraits of John Berger. [Video]
film comedy
Klika (Klikova), Deborah ORCID: 0000-0001-9883-2646 (2024) Comedy and language. In: Screen writing Research Network Conference 2024 “Conversation Beyond Script”, 10th - 14th Sep, 2024, Palacký University, Olomouc Czechia Republic. (Unpublished)
Klika (Klikova), Deborah ORCID: 0000-0001-9883-2646 (2023) The bind in film comedy. In: Screenwriting Research Network (SRN) conference 2023: Gender and the Female Gaze, 20th - 23rd Sep, 2023, Stephens College, Columbia, Missouri. (Unpublished)
film history
Collins, John Roy (2006) Reel wars: Cold War, civil rights and Hollywood's changing interpretation of the American Civil War 1945-75. MPhil thesis, University of Greenwich.
Dawson, Andrew (2009) Hollywood for historians. Historical Insights: Focus on Teaching . History at the Higher Education Academy, Coventry, UK. ISBN 978-1-905165-520
film music
Mroz, Matilda (2011) Wajda’s Katyn across generational and national boundaries. In: The Language of Art and Music: "An International Symposium on the Potential for Artistic Expression to Cross Cultural Barriers and the Relationship between Art, Culture, and International Relations", 17 - 20 Feb 2011, Institute for Cultural Diplomacy, Berlin. (Unpublished)
Film portrait
Stabb, Walter S. (2016) The Seasons In Quincy: Four Portraits of John Berger. [Video]
film review
Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Young Oh, Min (2023) Chicken Run: Dawn of the Nugget is a fast-paced slapstick extravaganza. The Conversation. ISSN 2201-5639
Film Studies
Nwonka, Clive (2015) Diversity pie: rethinking social exclusion and diversity policy in the British film industry. Journal of Media Practice, 16 (1). pp. 73-90. ISSN 1468-2753 (doi:https://doi.org/10.1080/14682753.2015.1015802)
Nwonka, Clive James (2016) Hunger as political epistemology. Studies in European Cinema, 13 (2). pp. 134-148. ISSN 1741-1548 (doi:https://doi.org/10.1080/17411548.2016.1210300)
Nwonka, Clive James (2014) 'You’re what’s wrong with me’: Fish Tank, The selfish giant and the language of contemporary British social realism. New Cinemas: Journal of Contemporary Film, 12 (3). ISSN 1474-2756 (doi:https://doi.org/10.1386/ncin.12.3.205_1)
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624
film theory
Mroz, Matilda (2010) Cinema and memorial practices in post-war Poland. In: East European Memory Studies Research Group 2009-10, 10 Feb 2010, King's College, University of Cambridge, UK. (Unpublished)
Film Video Art
Garcia, Mark (2018) REDroom REDux. [Video] (Submitted)
filmmaking
Thompson, Ian ORCID: 0000-0002-7143-8013 (2024) The soundtrack as an acoustic environment: some insights from soundscape research. In: Filimowicz, Michael, (ed.) The Routledge Handbook of Sound Design. Routledge Handbooks . Routledge - Focal Press Book, London; Oxford, UK, pp. 139-156. ISBN 978-1032351476; 978-1032351575; 978-1003325567 (doi:https://doi.org/10.4324/9781003325567)
Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Moving from Japanese film distribution to production: An interview with Third Window Films’ Adam Torel. Bright Lights Film Journal. ISSN 0147-4049 (Online)
films
Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Young Oh, Min (2023) Chicken Run: Dawn of the Nugget is a fast-paced slapstick extravaganza. The Conversation. ISSN 2201-5639
Pawlowski, Mark ORCID: 0000-0002-5473-5809 and Greer, Sarah (2009) Film and literature in the legal classroom. The Law Teacher, 43 (1). pp. 49-61. ISSN 0306-9400 (Print), 1943-0353 (Online) (doi:https://doi.org/10.1080/03069400802703144)
game-design
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]
games
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]
gender
Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.
Tran, Danielle (2016) Visible and invisible trauma: locating AIDS within a gendered framework in Darrell James Roodt’s Yesterday. Safundi, 17 (4). pp. 434-446. ISSN 1753-3171 (Print), 1543-1304 (Online) (doi:https://doi.org/10.1080/17533171.2016.1223615)
gender representation
Wroot, Jonathan ORCID: 0000-0002-6827-728X (2023) Ichi (2008). Female stars and gender representations in the Zatoichi franchise. In: Chan, Felicia, Elliott, Fraser and Willis, Andrew, (eds.) Women in East Asian Cinema: Gender Representations, Creative Labour and Global Histories. Edinburgh University Press, UK, pp. 79-92. ISBN 978-1399504942; 978-1399504928; 1399504924
General Sikorski
Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. Studies in Eastern European Cinema, 1 (2). pp. 153-165. ISSN 2040-350X (Print), 2040-3518 (Online) (doi:https://doi.org/10.1386/seec.1.2.153_1)
genre
Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.
Pallant, Christopher ORCID: 0000-0002-1308-2565 (ed.) (2021) Animation: Critical and Primary Sources. Animation: Critical and Primary Sources, I-IV . Bloomsbury Academic USA, New York. ISBN 978-1501305757; 1501305751
genre cinema
Wroot, Jonathan ORCID: 0000-0002-6827-728X (2023) Ichi (2008). Female stars and gender representations in the Zatoichi franchise. In: Chan, Felicia, Elliott, Fraser and Willis, Andrew, (eds.) Women in East Asian Cinema: Gender Representations, Creative Labour and Global Histories. Edinburgh University Press, UK, pp. 79-92. ISBN 978-1399504942; 978-1399504928; 1399504924
Genre filmmaking
Fiddler, Michael ORCID: 0000-0002-0695-6770 and Banwell, Stacy ORCID: 0000-0001-7395-2617 (2018) ‘Forget about all your taboos’: transgressive memory and Nazisploitation. Studies in European Cinema. ISSN 1741-1548 (Print), 2040-0594 (Online) (doi:https://doi.org/10.1080/17411548.2018.1456188)
geopolitics
Adil, Alev (2007) Longing and (un)belonging: desire and displacement in the cinematic city. In: Inter: A European Cultural Studies Conference in Sweden, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS), 11-13 June 2007, Norrköping, Sweden.
giallo
Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.
globalisation
Mroz, Matilda (2009) [Book Review] Contemporary European Cinema by Mary P. Wood. London: Hodder Arnold, 2007, 200 pp., ISBN 978-0340761366. The European Legacy: Toward New Paradigms, 14 (7). pp. 881-929. ISSN 1084-8770 (Print), 1470-1316 (Online) (doi:https://doi.org/10.1080/10848770903363961)
Glyka
Hobbs, James (2017) I am a Karate American egg. [Creative Performance or Reading]
good lawyering
Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2022) The lawyer in popular film. New Law Journal, 172 (7988). p. 22. ISSN 0306-6479 (Print), 2046-2239 (Online)
gravity
Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509208.2019.1593027)
health
Solanke, Adeola (2015) African Film and Social Change Conference. In: African Film and Social Change Conference, 7-8 November 2015, University of Westminster, 35 Marylebone Road, London NW1 5LS.
hero lawyer
Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2022) The lawyer in popular film. New Law Journal, 172 (7988). p. 22. ISSN 0306-6479 (Print), 2046-2239 (Online)
Hiroshima Mon Amour
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Screenwriting strategies in Marguerite Duras's script for 'Hiroshima, Mon Amour' (1960). Journal of Screenwriting, 1 (1). pp. 149-173. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.1.1.149/1)
historical artefacts
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2016) The Pub Under the Stairs. [Creative Performance or Reading]
historical films
Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. Studies in Eastern European Cinema, 1 (2). pp. 153-165. ISSN 2040-350X (Print), 2040-3518 (Online) (doi:https://doi.org/10.1386/seec.1.2.153_1)
history
Mroz, Matilda (2007) Fracturing the marble façade: Visceral excavation in Andrzej Wajda’s 'Man of Marble'. Senses of Cinema, 43. ISSN 1443-4059
Mroz, Matilda (2011) History in Polish film and new media. In: University of Central Lancashire Guest Lecture, 30 Mar 2001, UCLAN, Preston, UK. (Unpublished)
Mroz, Matilda (2013) Katyń in Poland. In: Remembering Katyń, 22 Mar 2013, Warsaw, Poland. (Unpublished)
Pallant, Christopher ORCID: 0000-0002-1308-2565 and Holliday, Christopher (eds.) (2022) Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Bloomsbury Open Access, Film & Media Studies 2023 . Bloomsbury Academic, New York. ISBN 978-1501373961; 978-1501351228; 978-1501351204; 978-1501351211
Hobbs
Hobbs, James (2017) I am a Karate American egg. [Creative Performance or Reading]
Hobbs, James (2015) Motion In Form II. [Show/Exhibition]
Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]
Hobbs, James (2015) Utopia/Dystopia. [Show/Exhibition]
Hobbs, Jim (2015) One Hundred Foot III. [Show/Exhibition]
Hollywood
Dawson, Andrew (2009) Hollywood for historians. Historical Insights: Focus on Teaching . History at the Higher Education Academy, Coventry, UK. ISBN 978-1-905165-520
Hollywood cinema
Collins, John Roy (2006) Reel wars: Cold War, civil rights and Hollywood's changing interpretation of the American Civil War 1945-75. MPhil thesis, University of Greenwich.
Holocaust film
Fiddler, Michael ORCID: 0000-0002-0695-6770 and Banwell, Stacy ORCID: 0000-0001-7395-2617 (2018) ‘Forget about all your taboos’: transgressive memory and Nazisploitation. Studies in European Cinema. ISSN 1741-1548 (Print), 2040-0594 (Online) (doi:https://doi.org/10.1080/17411548.2018.1456188)
Home Army
Mroz, Matilda (2010) Cinema and memorial practices in post-war Poland. In: East European Memory Studies Research Group 2009-10, 10 Feb 2010, King's College, University of Cambridge, UK. (Unpublished)
homophily
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2023) Collaboration, cooperation and authorship in screenwriting aka how many people does it take to create an author? In: Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . Palgrave, Cham, pp. 73-92. ISBN 978-3031207693 (doi:https://doi.org/10.1007/978-3-031-20769-3_4)
Hong Kong
Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)
horror film
Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.
idea development
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2023) Collaboration, cooperation and authorship in screenwriting aka how many people does it take to create an author? In: Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . Palgrave, Cham, pp. 73-92. ISBN 978-3031207693 (doi:https://doi.org/10.1007/978-3-031-20769-3_4)
identity
Adil, Alev (2007) Longing and (un)belonging: desire and displacement in the cinematic city. In: Inter: A European Cultural Studies Conference in Sweden, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS), 11-13 June 2007, Norrköping, Sweden.
Brown, Christopher (2017) Performance enhancement: identity, surface aesthetics, and the direction of actors in Yang Yang 陽陽 (Cheng Yu-Chieh, 2009). Asian Cinema, 28 (1). pp. 23-37. ISSN 1059-440X (Print), 2049-6710 (Online) (doi:https://doi.org/10.1386/ac.28.1.23_1)
McClean, Mairead (2009) For the record. [Creative Performance or Reading] (Unpublished)
identity politics
Pallant, Christopher ORCID: 0000-0002-1308-2565 (ed.) (2021) Animation: Critical and Primary Sources. Animation: Critical and Primary Sources, I-IV . Bloomsbury Academic USA, New York. ISBN 978-1501305757; 1501305751
Image
Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]
immersive
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]
imprisonment
McClean, Mairead (2009) For the record. [Creative Performance or Reading] (Unpublished)
independent
Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Moving from Japanese film distribution to production: An interview with Third Window Films’ Adam Torel. Bright Lights Film Journal. ISSN 0147-4049 (Online)
independent cinema
Petković, Dušan (2017) Weathering the maelstrom: the effect of digital workflows on craft identity in independent cinema. PhD thesis, University of Greenwich.
indexicality film theor
Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. In: Europe East and West: Film, History, and Mourning, 18 May 2010, King's College, University of Cambridge. (Unpublished)
individual redemption
Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2022) The lawyer in popular film. New Law Journal, 172 (7988). p. 22. ISSN 0306-6479 (Print), 2046-2239 (Online)
Installation
Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]
installation art
Mroz, Matilda (2011) Sculptural form and immersive space: the case of Matthew Barney. In: Moving Image and Institution: Cinema and the Museum in the 21st Century, -11 July 2011, Fitzwilliam College, University of Cambridge. (Unpublished)
interactive
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]
Interior Design
Garcia, Mark (2018) REDroom REDux. [Video] (Submitted)
Interiors
Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)
internment
McClean, Mairead (2009) For the record. [Creative Performance or Reading] (Unpublished)
Irish literature
Stabb, Walter (2019) Europe Endless. [Video]
Japan
Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Moving from Japanese film distribution to production: An interview with Third Window Films’ Adam Torel. Bright Lights Film Journal. ISSN 0147-4049 (Online)
Japanese cinema
Wroot, Jonathan ORCID: 0000-0002-6827-728X (2023) Ichi (2008). Female stars and gender representations in the Zatoichi franchise. In: Chan, Felicia, Elliott, Fraser and Willis, Andrew, (eds.) Women in East Asian Cinema: Gender Representations, Creative Labour and Global Histories. Edinburgh University Press, UK, pp. 79-92. ISBN 978-1399504942; 978-1399504928; 1399504924
John Berger
Stabb, Walter S. (2016) The Seasons In Quincy: Four Portraits of John Berger. [Video]
Katyn
Etkind, Alexander, Finnin, Rory, Blacker, Uilleam, Fedor, Julie, Lewis, Simon, Mälksoo, Maria and Mroz, Matilda (2012) Remembering Katyn. Polity Press, Cambridge, UK. ISBN 9780745655765
Katyn massacre
Mroz, Matilda (2013) Katyń in Poland. In: Remembering Katyń, 22 Mar 2013, Warsaw, Poland. (Unpublished)
Katyn massacres
Mroz, Matilda (2011) Wajda’s Katyn across generational and national boundaries. In: The Language of Art and Music: "An International Symposium on the Potential for Artistic Expression to Cross Cultural Barriers and the Relationship between Art, Culture, and International Relations", 17 - 20 Feb 2011, Institute for Cultural Diplomacy, Berlin. (Unpublished)
Language
Hobbs, James (2017) I am a Karate American egg. [Creative Performance or Reading]
law film
Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2022) The lawyer in popular film. New Law Journal, 172 (7988). p. 22. ISSN 0306-6479 (Print), 2046-2239 (Online)
law films
Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2020) Law, Camera, Action! New Law Journal, 170 (7906). p. 22. ISSN 0306-6479
law students
Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2020) Law, Camera, Action! New Law Journal, 170 (7906). p. 22. ISSN 0306-6479
Leadership
Gritton, Jim, Stewart, Jill ORCID: 0000-0002-3031-8082 , Jeavons, Charlotte, Mehmet, Nevin and La Placa, Vincent (2016) Movies in the classroom: Lessons for curriculum design. Compass: Journal of Learning and Teaching, 8 (12). ISSN 2044-0073 (Print), 2044-0081 (Online) (doi:https://doi.org/10.21100/compass.v8i12.272)
legal classroom
Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2020) Law, Camera, Action! New Law Journal, 170 (7906). p. 22. ISSN 0306-6479
legal education
Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2020) Law, Camera, Action! New Law Journal, 170 (7906). p. 22. ISSN 0306-6479
legal practice
Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2020) Law, Camera, Action! New Law Journal, 170 (7906). p. 22. ISSN 0306-6479
LGBT
Brown, Christopher (2015) Remission. [Video]
light and dark
Fiddler, Michael ORCID: 0000-0002-0695-6770 (2009) Spaces of observation and obscurity: cinematic prisons of light and dark. Prison Service Journal, 185. pp. 8-12. ISSN 0300-3558
literature
Pawlowski, Mark ORCID: 0000-0002-5473-5809 and Greer, Sarah (2009) Film and literature in the legal classroom. The Law Teacher, 43 (1). pp. 49-61. ISSN 0306-9400 (Print), 1943-0353 (Online) (doi:https://doi.org/10.1080/03069400802703144)
live performance
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2016) The Pub Under the Stairs. [Creative Performance or Reading]
LUX
Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)
Mapplethorpe
Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]
Marguerite Duras
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Screenwriting strategies in Marguerite Duras's script for 'Hiroshima, Mon Amour' (1960). Journal of Screenwriting, 1 (1). pp. 149-173. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.1.1.149/1)
Masculinity landscape
Brown, Christopher (2015) Remission. [Video]
massacre
Etkind, Alexander, Finnin, Rory, Blacker, Uilleam, Fedor, Julie, Lewis, Simon, Mälksoo, Maria and Mroz, Matilda (2012) Remembering Katyn. Polity Press, Cambridge, UK. ISBN 9780745655765
memorial
Mroz, Matilda (2013) Katyń in Poland. In: Remembering Katyń, 22 Mar 2013, Warsaw, Poland. (Unpublished)
Mroz, Matilda (2011) Wajda’s Katyn across generational and national boundaries. In: The Language of Art and Music: "An International Symposium on the Potential for Artistic Expression to Cross Cultural Barriers and the Relationship between Art, Culture, and International Relations", 17 - 20 Feb 2011, Institute for Cultural Diplomacy, Berlin. (Unpublished)
memorials
Mroz, Matilda (2010) Cinema and memorial practices in post-war Poland. In: East European Memory Studies Research Group 2009-10, 10 Feb 2010, King's College, University of Cambridge, UK. (Unpublished)
memory
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Screenwriting strategies in Marguerite Duras's script for 'Hiroshima, Mon Amour' (1960). Journal of Screenwriting, 1 (1). pp. 149-173. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.1.1.149/1)
Etkind, Alexander, Finnin, Rory, Blacker, Uilleam, Fedor, Julie, Lewis, Simon, Mälksoo, Maria and Mroz, Matilda (2012) Remembering Katyn. Polity Press, Cambridge, UK. ISBN 9780745655765
McClean, Mairead (2009) For the record. [Creative Performance or Reading] (Unpublished)
Mroz, Matilda (2010) Cinema and memorial practices in post-war Poland. In: East European Memory Studies Research Group 2009-10, 10 Feb 2010, King's College, University of Cambridge, UK. (Unpublished)
Mroz, Matilda (2011) History in Polish film and new media. In: University of Central Lancashire Guest Lecture, 30 Mar 2001, UCLAN, Preston, UK. (Unpublished)
Mroz, Matilda (2010) Tarkovsky’s Mirror: “The elusive charm of recognition”. In: Memory and Post-War Russian Cinema: Film Critics on the Front Lines (A symposium in honour of Maia Turovskaya), 4-5 Nov 2010, Trinity College, University of Cambridge. (Unpublished)
Mental Health
Stabb, Walter (2017) Creative Madness in Song. [Video]
Michael Winterbottom
Adil, Alev (2007) Longing and (un)belonging: desire and displacement in the cinematic city. In: Inter: A European Cultural Studies Conference in Sweden, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS), 11-13 June 2007, Norrköping, Sweden.
mimesis
Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509208.2019.1593027)
misogynism
Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.
mourning
Mroz, Matilda (2010) Cinema and memorial practices in post-war Poland. In: East European Memory Studies Research Group 2009-10, 10 Feb 2010, King's College, University of Cambridge, UK. (Unpublished)
Multi-Media
Hobbs, James (2017) I am a Karate American egg. [Creative Performance or Reading]
Multimedia
Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]
Music
Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)
Stabb, Walter (2017) Creative Madness in Song. [Video]
narrative
Brown, Christopher (2018) Coccolith. [Video]
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Screenwriting strategies in Marguerite Duras's script for 'Hiroshima, Mon Amour' (1960). Journal of Screenwriting, 1 (1). pp. 149-173. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.1.1.149/1)
Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509208.2019.1593027)
naturalism
Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509208.2019.1593027)
Nazisploitation
Fiddler, Michael ORCID: 0000-0002-0695-6770 and Banwell, Stacy ORCID: 0000-0001-7395-2617 (2018) ‘Forget about all your taboos’: transgressive memory and Nazisploitation. Studies in European Cinema. ISSN 1741-1548 (Print), 2040-0594 (Online) (doi:https://doi.org/10.1080/17411548.2018.1456188)
Netflix
Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Young Oh, Min (2023) Chicken Run: Dawn of the Nugget is a fast-paced slapstick extravaganza. The Conversation. ISSN 2201-5639
New ways to approach adaptation
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Adaptation and creative writing: Brokeback Mountain on the London Underground. In: Cutchins, Dennis, Raw, Laurence and Welsh, James M., (eds.) Redefining Adaptation Studies. Scarecrow Press, pp. 45-55. ISBN 978-0810872981
Noise
Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)
Northern Ireland
McClean, Mairead (2009) For the record. [Creative Performance or Reading] (Unpublished)
Nuri Bilge
Adil, Alev (2007) Longing and (un)belonging: desire and displacement in the cinematic city. In: Inter: A European Cultural Studies Conference in Sweden, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS), 11-13 June 2007, Norrköping, Sweden.
object
Mroz, Matilda (2011) Sculptural form and immersive space: the case of Matthew Barney. In: Moving Image and Institution: Cinema and the Museum in the 21st Century, -11 July 2011, Fitzwilliam College, University of Cambridge. (Unpublished)
observation and obscurity
Fiddler, Michael ORCID: 0000-0002-0695-6770 (2009) Spaces of observation and obscurity: cinematic prisons of light and dark. Prison Service Journal, 185. pp. 8-12. ISSN 0300-3558
oedipalisation
Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.
oral history
McClean, Mairead (2009) For the record. [Creative Performance or Reading] (Unpublished)
Panay
Brown, Christopher (2017) “Even If You Have Nothing, You Should Keep Filming”: An Interview with Cheng Yu-Chieh on 'Wawa No Cidal' (2015). Senses of Cinema (82). ISSN 1443-4059
Parker
Hobbs, James (2015) Motion In Form II. [Show/Exhibition]
participatory
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]
pastoralism
Aling, Michael ORCID: 0000-0002-9714-235X (2015) Digital Cottage Industries. [Artefact]
Patrick McCabe
Stabb, Walter (2019) Europe Endless. [Video]
Pedagogy
Gritton, Jim, Stewart, Jill ORCID: 0000-0002-3031-8082 , Jeavons, Charlotte, Mehmet, Nevin and La Placa, Vincent (2016) Movies in the classroom: Lessons for curriculum design. Compass: Journal of Learning and Teaching, 8 (12). ISSN 2044-0073 (Print), 2044-0081 (Online) (doi:https://doi.org/10.21100/compass.v8i12.272)
perception
Thompson, Ian ORCID: 0000-0002-7143-8013 (2024) The soundtrack as an acoustic environment: some insights from soundscape research. In: Filimowicz, Michael, (ed.) The Routledge Handbook of Sound Design. Routledge Handbooks . Routledge - Focal Press Book, London; Oxford, UK, pp. 139-156. ISBN 978-1032351476; 978-1032351575; 978-1003325567 (doi:https://doi.org/10.4324/9781003325567)
Performance
Brown, Christopher (2017) Performance enhancement: identity, surface aesthetics, and the direction of actors in Yang Yang 陽陽 (Cheng Yu-Chieh, 2009). Asian Cinema, 28 (1). pp. 23-37. ISSN 1059-440X (Print), 2049-6710 (Online) (doi:https://doi.org/10.1386/ac.28.1.23_1)
Hobbs, James (2017) I am a Karate American egg. [Creative Performance or Reading]
Hobbs, James (2015) Motion In Form II. [Show/Exhibition]
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]
personal and social skills
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Adaptation and creative writing: Brokeback Mountain on the London Underground. In: Cutchins, Dennis, Raw, Laurence and Welsh, James M., (eds.) Redefining Adaptation Studies. Scarecrow Press, pp. 45-55. ISBN 978-0810872981
philosophy
Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.
play text
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Analysing the screenplay: A comparative approach. In: Nelmes, Jill, (ed.) Analysing The Screenplay. Routledge, London, pp. 237-251. ISBN 978-0415556347
Poland
Mroz, Matilda (2012) Borys Lankosz’s Rewers. In: Europe East and West: Film, History and Mourning Seminar, 13 June 2012, Keynes Hall, King’s College, University of Cambridge. (Unpublished)
Mroz, Matilda (2011) History in Polish film and new media. In: University of Central Lancashire Guest Lecture, 30 Mar 2001, UCLAN, Preston, UK. (Unpublished)
Mroz, Matilda (2013) Katyń in Poland. In: Remembering Katyń, 22 Mar 2013, Warsaw, Poland. (Unpublished)
Polish cinema
Mroz, Matilda (2007) Fracturing the marble façade: Visceral excavation in Andrzej Wajda’s 'Man of Marble'. Senses of Cinema, 43. ISSN 1443-4059
Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. Studies in Eastern European Cinema, 1 (2). pp. 153-165. ISSN 2040-350X (Print), 2040-3518 (Online) (doi:https://doi.org/10.1386/seec.1.2.153_1)
Mroz, Matilda (2009) 'Walkover'. Senses of Cinema, 51. ISSN 1443-4059
Polish film theory
Mroz, Matilda (2013) Traces and copies in audiovisual archives: the case of General Sikorski. In: Archiving the History of Polish Exile in Great Britain, 22 Feb 2013, University of Manchester, UK. (Unpublished)
Politics
Nwonka, Clive (2015) Diversity pie: rethinking social exclusion and diversity policy in the British film industry. Journal of Media Practice, 16 (1). pp. 73-90. ISSN 1468-2753 (doi:https://doi.org/10.1080/14682753.2015.1015802)
Nwonka, Clive James (2016) Hunger as political epistemology. Studies in European Cinema, 13 (2). pp. 134-148. ISSN 1741-1548 (doi:https://doi.org/10.1080/17411548.2016.1210300)
Nwonka, Clive James (2014) 'You’re what’s wrong with me’: Fish Tank, The selfish giant and the language of contemporary British social realism. New Cinemas: Journal of Contemporary Film, 12 (3). ISSN 1474-2756 (doi:https://doi.org/10.1386/ncin.12.3.205_1)
Pollution
Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832
popular culture
Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2022) The lawyer in popular film. New Law Journal, 172 (7988). p. 22. ISSN 0306-6479 (Print), 2046-2239 (Online)
portrayal of legal profession
Pawlowski, Mark ORCID: 0000-0002-5473-5809 and Greer, Sarah (2009) Film and literature in the legal classroom. The Law Teacher, 43 (1). pp. 49-61. ISSN 0306-9400 (Print), 1943-0353 (Online) (doi:https://doi.org/10.1080/03069400802703144)
portrayal of the law
Pawlowski, Mark ORCID: 0000-0002-5473-5809 and Greer, Sarah (2009) Film and literature in the legal classroom. The Law Teacher, 43 (1). pp. 49-61. ISSN 0306-9400 (Print), 1943-0353 (Online) (doi:https://doi.org/10.1080/03069400802703144)
Post-Critical Redroom Scenography Set Design
Garcia, Mark (2018) REDroom REDux. [Video] (Submitted)
post-porduction
Petković, Dušan (2017) Weathering the maelstrom: the effect of digital workflows on craft identity in independent cinema. PhD thesis, University of Greenwich.
postcolonialism
Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)
Posthumanisms
Garcia, Mark (2018) REDroom REDux. [Video] (Submitted)
postmodernism
Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. Studies in Eastern European Cinema, 1 (2). pp. 153-165. ISSN 2040-350X (Print), 2040-3518 (Online) (doi:https://doi.org/10.1386/seec.1.2.153_1)
Power
Hobbs, James (2017) I am a Karate American egg. [Creative Performance or Reading]
practice-as-research
Brown, Christopher (2018) Coccolith. [Video]
prison architecture
Fiddler, Michael ORCID: 0000-0002-0695-6770 (2007) Projecting the prison: the depiction of the uncanny in The Shawshank Redemption. Crime Media Culture, 3 (2). pp. 192-206. ISSN 1741-6590 (doi:https://doi.org/10.1177/1741659007078546)
prison film
Fiddler, Michael ORCID: 0000-0002-0695-6770 (2007) Projecting the prison: the depiction of the uncanny in The Shawshank Redemption. Crime Media Culture, 3 (2). pp. 192-206. ISSN 1741-6590 (doi:https://doi.org/10.1177/1741659007078546)
producing
Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Moving from Japanese film distribution to production: An interview with Third Window Films’ Adam Torel. Bright Lights Film Journal. ISSN 0147-4049 (Online)
production studies
Pallant, Christopher ORCID: 0000-0002-1308-2565 (2022) Beyond Bagpuss: A History of Smallfilms Animation Studio. British Film Institute (BFI) . Bloomsbury Publishing, London. ISBN 978-1839022388; 1839022388; 978-1839022395; 978-1839022418; 978-1839022401
Pallant, Christopher ORCID: 0000-0002-1308-2565 and Holliday, Christopher (eds.) (2022) Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Bloomsbury Open Access, Film & Media Studies 2023 . Bloomsbury Academic, New York. ISBN 978-1501373961; 978-1501351228; 978-1501351204; 978-1501351211
Pallant, Christopher ORCID: 0000-0002-1308-2565 , Humberstone, Nigel and Humberstone, Klive (2023) Revisiting the production of Watership Down through the Arthur Humberstone Animation Archive. In: Lester, Catherine, (ed.) Watership Down: Perspectives On and Beyond Animated Violence. Bloomsbury Open Access, Film & Media Studies 2023 . Bloomsbury Academic, New York, pp. 41-59. ISBN 978-1501376993; 978-1501376979; 978-1501376986; 978-1501376955
psychoanalysis
Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.
Public Engagement
Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Adapting Russian and Soviet Film Heritage for Public Audiences in Europe and the UK. [Show/Exhibition]
Public Health
Gritton, Jim, Stewart, Jill ORCID: 0000-0002-3031-8082 , Jeavons, Charlotte, Mehmet, Nevin and La Placa, Vincent (2016) Movies in the classroom: Lessons for curriculum design. Compass: Journal of Learning and Teaching, 8 (12). ISSN 2044-0073 (Print), 2044-0081 (Online) (doi:https://doi.org/10.21100/compass.v8i12.272)
Public Impact
Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Adapting Russian and Soviet Film Heritage for Public Audiences in Europe and the UK. [Show/Exhibition]
Queer
Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832
Ramsgate
Brown, Christopher (2018) Coccolith. [Video]
realism
Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509208.2019.1593027)
Remission
Brown, Christopher (2015) Remission. [Video]
representation of prisons
Fiddler, Michael ORCID: 0000-0002-0695-6770 (2009) Spaces of observation and obscurity: cinematic prisons of light and dark. Prison Service Journal, 185. pp. 8-12. ISSN 0300-3558
review
Mroz, Matilda (2009) [Book Review] Contemporary European Cinema by Mary P. Wood. London: Hodder Arnold, 2007, 200 pp., ISBN 978-0340761366. The European Legacy: Toward New Paradigms, 14 (7). pp. 881-929. ISSN 1084-8770 (Print), 1470-1316 (Online) (doi:https://doi.org/10.1080/10848770903363961)
Revolution
Christie, Ian, Korolkova, Maria ORCID: 0000-0002-1784-3675 and Waddell, Justine (2017) A World to Win: A Century of Revolution on Screen. [Show/Exhibition]
Rhetorical realism
Nwonka, Clive James (2016) Hunger as political epistemology. Studies in European Cinema, 13 (2). pp. 134-148. ISSN 1741-1548 (doi:https://doi.org/10.1080/17411548.2016.1210300)
Rita Duffy
Stabb, Walter (2019) Europe Endless. [Video]
ruin
Brown, Christopher (2018) Coccolith. [Video]
Russian and Ukrainian films and novels
Mroz, Matilda (2012) Secrets and spies: Communist histories in recent Polish cinema. In: Suffering, Agency, and Memory in Polish, Russian, and Ukrainian Films. Memory at War Conference, 22- 23 Mar 2012, Theologisch Instituut, Groningen, Netherlands. (Unpublished)
Russian cinema
Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)
Russian Film
Christie, Ian, Korolkova, Maria ORCID: 0000-0002-1784-3675 and Waddell, Justine (2017) A World to Win: A Century of Revolution on Screen. [Show/Exhibition]
Sadiconazista
Fiddler, Michael ORCID: 0000-0002-0695-6770 and Banwell, Stacy ORCID: 0000-0001-7395-2617 (2018) ‘Forget about all your taboos’: transgressive memory and Nazisploitation. Studies in European Cinema. ISSN 1741-1548 (Print), 2040-0594 (Online) (doi:https://doi.org/10.1080/17411548.2018.1456188)
samurai cinema (chanbara)
Wroot, Jonathan ORCID: 0000-0002-6827-728X (2023) Ichi (2008). Female stars and gender representations in the Zatoichi franchise. In: Chan, Felicia, Elliott, Fraser and Willis, Andrew, (eds.) Women in East Asian Cinema: Gender Representations, Creative Labour and Global Histories. Edinburgh University Press, UK, pp. 79-92. ISBN 978-1399504942; 978-1399504928; 1399504924
Screening
Hobbs, James (2015) Utopia/Dystopia. [Show/Exhibition]
Hobbs, Jim (2015) One Hundred Foot III. [Show/Exhibition]
screenplay
Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus (eds.) (2023) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . The Palgrave Handbook of Screenwriting Studies, Cham. ISBN 978-3031207693
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Analysing the screenplay: A comparative approach. In: Nelmes, Jill, (ed.) Analysing The Screenplay. Routledge, London, pp. 237-251. ISBN 978-0415556347
screenwriting
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2023) Collaboration, cooperation and authorship in screenwriting aka how many people does it take to create an author? In: Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . Palgrave, Cham, pp. 73-92. ISBN 978-3031207693 (doi:https://doi.org/10.1007/978-3-031-20769-3_4)
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Screenwriting strategies in Marguerite Duras's script for 'Hiroshima, Mon Amour' (1960). Journal of Screenwriting, 1 (1). pp. 149-173. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.1.1.149/1)
Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus (eds.) (2023) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . The Palgrave Handbook of Screenwriting Studies, Cham. ISBN 978-3031207693
Solanke, Adeola (2015) African Film and Social Change Conference. In: African Film and Social Change Conference, 7-8 November 2015, University of Westminster, 35 Marylebone Road, London NW1 5LS.
Solanke, Adeola (2015) Dazzling Mirage. [Play, Short Story or Poetry]
screenwriting research
Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus (eds.) (2023) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . The Palgrave Handbook of Screenwriting Studies, Cham. ISBN 978-3031207693
screenwriting studies
Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus (eds.) (2023) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . The Palgrave Handbook of Screenwriting Studies, Cham. ISBN 978-3031207693
script
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Screenwriting strategies in Marguerite Duras's script for 'Hiroshima, Mon Amour' (1960). Journal of Screenwriting, 1 (1). pp. 149-173. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.1.1.149/1)
script development
Davies, Rosamund ORCID: 0000-0001-8645-8271 (2023) Collaboration, cooperation and authorship in screenwriting aka how many people does it take to create an author? In: Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . Palgrave, Cham, pp. 73-92. ISBN 978-3031207693 (doi:https://doi.org/10.1007/978-3-031-20769-3_4)
Davies, Rosamund ORCID: 0000-0001-8645-8271 , Russo, Paolo and Tieber, Claus (eds.) (2023) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . The Palgrave Handbook of Screenwriting Studies, Cham. ISBN 978-3031207693
sculpture
Mroz, Matilda (2011) Sculptural form and immersive space: the case of Matthew Barney. In: Moving Image and Institution: Cinema and the Museum in the 21st Century, -11 July 2011, Fitzwilliam College, University of Cambridge. (Unpublished)
Sculpture Sound
Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]
Service User Engagement
Stabb, Walter (2017) Creative Madness in Song. [Video]
Sexuality
Brown, Christopher (2015) Remission. [Video]
Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832
Short Film
Hobbs, James (2015) Utopia/Dystopia. [Show/Exhibition]
Sikorski
Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. In: Europe East and West: Film, History, and Mourning, 18 May 2010, King's College, University of Cambridge. (Unpublished)
silent film
Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)
site specific
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2016) The Pub Under the Stairs. [Creative Performance or Reading]
Skolimowski
Mroz, Matilda (2009) 'Walkover'. Senses of Cinema, 51. ISSN 1443-4059
Smallfilms
Pallant, Christopher ORCID: 0000-0002-1308-2565 (2022) Beyond Bagpuss: A History of Smallfilms Animation Studio. British Film Institute (BFI) . Bloomsbury Publishing, London. ISBN 978-1839022388; 1839022388; 978-1839022395; 978-1839022418; 978-1839022401
Snow White
Pallant, Christopher ORCID: 0000-0002-1308-2565 and Holliday, Christopher (eds.) (2022) Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Bloomsbury Open Access, Film & Media Studies 2023 . Bloomsbury Academic, New York. ISBN 978-1501373961; 978-1501351228; 978-1501351204; 978-1501351211
Social Projects
Stabb, Walter (2017) Creative Madness in Song. [Video]
Socialist realism
Mroz, Matilda (2012) Borys Lankosz’s Rewers. In: Europe East and West: Film, History and Mourning Seminar, 13 June 2012, Keynes Hall, King’s College, University of Cambridge. (Unpublished)
society
Solanke, Adeola (2015) African Film and Social Change Conference. In: African Film and Social Change Conference, 7-8 November 2015, University of Westminster, 35 Marylebone Road, London NW1 5LS.
Socio-political contexts
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Adaptation and creative writing: Brokeback Mountain on the London Underground. In: Cutchins, Dennis, Raw, Laurence and Welsh, James M., (eds.) Redefining Adaptation Studies. Scarecrow Press, pp. 45-55. ISBN 978-0810872981
Sociology
Nwonka, Clive (2015) Diversity pie: rethinking social exclusion and diversity policy in the British film industry. Journal of Media Practice, 16 (1). pp. 73-90. ISSN 1468-2753 (doi:https://doi.org/10.1080/14682753.2015.1015802)
Nwonka, Clive James (2014) 'You’re what’s wrong with me’: Fish Tank, The selfish giant and the language of contemporary British social realism. New Cinemas: Journal of Contemporary Film, 12 (3). ISSN 1474-2756 (doi:https://doi.org/10.1386/ncin.12.3.205_1)
Song
Stabb, Walter (2017) Creative Madness in Song. [Video]
Sound
Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)
Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509208.2019.1593027)
Sound Art
Garcia, Mark (2018) REDroom REDux. [Video] (Submitted)
Sound Design
Garcia, Mark (2018) REDroom REDux. [Video] (Submitted)
sound design practice
Thompson, Ian ORCID: 0000-0002-7143-8013 (2024) The soundtrack as an acoustic environment: some insights from soundscape research. In: Filimowicz, Michael, (ed.) The Routledge Handbook of Sound Design. Routledge Handbooks . Routledge - Focal Press Book, London; Oxford, UK, pp. 139-156. ISBN 978-1032351476; 978-1032351575; 978-1003325567 (doi:https://doi.org/10.4324/9781003325567)
soundscape
Thompson, Ian ORCID: 0000-0002-7143-8013 (2024) The soundtrack as an acoustic environment: some insights from soundscape research. In: Filimowicz, Michael, (ed.) The Routledge Handbook of Sound Design. Routledge Handbooks . Routledge - Focal Press Book, London; Oxford, UK, pp. 139-156. ISBN 978-1032351476; 978-1032351575; 978-1003325567 (doi:https://doi.org/10.4324/9781003325567)
Soundtrack
Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)
South Africa
Tran, Danielle (2016) Visible and invisible trauma: locating AIDS within a gendered framework in Darrell James Roodt’s Yesterday. Safundi, 17 (4). pp. 434-446. ISSN 1753-3171 (Print), 1543-1304 (Online) (doi:https://doi.org/10.1080/17533171.2016.1223615)
space
Brown, Christopher (2018) Coccolith. [Video]
Fiddler, Michael ORCID: 0000-0002-0695-6770 (2007) Projecting the prison: the depiction of the uncanny in The Shawshank Redemption. Crime Media Culture, 3 (2). pp. 192-206. ISSN 1741-6590 (doi:https://doi.org/10.1177/1741659007078546)
Wallis, Jillian ORCID: 0000-0002-5004-9262 (2016) The Pub Under the Stairs. [Creative Performance or Reading]
Spectacle
Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832
spectatorship
Pallant, Christopher ORCID: 0000-0002-1308-2565 (ed.) (2021) Animation: Critical and Primary Sources. Animation: Critical and Primary Sources, I-IV . Bloomsbury Academic USA, New York. ISBN 978-1501305757; 1501305751
Stalin
Etkind, Alexander, Finnin, Rory, Blacker, Uilleam, Fedor, Julie, Lewis, Simon, Mälksoo, Maria and Mroz, Matilda (2012) Remembering Katyn. Polity Press, Cambridge, UK. ISBN 9780745655765
stigma
Tran, Danielle (2016) Visible and invisible trauma: locating AIDS within a gendered framework in Darrell James Roodt’s Yesterday. Safundi, 17 (4). pp. 434-446. ISSN 1753-3171 (Print), 1543-1304 (Online) (doi:https://doi.org/10.1080/17533171.2016.1223615)
stop animation
Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Young Oh, Min (2023) Chicken Run: Dawn of the Nugget is a fast-paced slapstick extravaganza. The Conversation. ISSN 2201-5639
stop motion
Gingrich, Oliver ORCID: 0000-0002-1656-0032 and Young Oh, Min (2023) Chicken Run: Dawn of the Nugget is a fast-paced slapstick extravaganza. The Conversation. ISSN 2201-5639
suffering
Mroz, Matilda (2012) Secrets and spies: Communist histories in recent Polish cinema. In: Suffering, Agency, and Memory in Polish, Russian, and Ukrainian Films. Memory at War Conference, 22- 23 Mar 2012, Theologisch Instituut, Groningen, Netherlands. (Unpublished)
Swimming pool
Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832
Taiwanese cinema
Brown, Christopher (2017) “Even If You Have Nothing, You Should Keep Filming”: An Interview with Cheng Yu-Chieh on 'Wawa No Cidal' (2015). Senses of Cinema (82). ISSN 1443-4059
Brown, Christopher (2017) Performance enhancement: identity, surface aesthetics, and the direction of actors in Yang Yang 陽陽 (Cheng Yu-Chieh, 2009). Asian Cinema, 28 (1). pp. 23-37. ISSN 1059-440X (Print), 2049-6710 (Online) (doi:https://doi.org/10.1386/ac.28.1.23_1)
Tarkovsky
Mroz, Matilda (2010) Tarkovsky’s Mirror: “The elusive charm of recognition”. In: Memory and Post-War Russian Cinema: Film Critics on the Front Lines (A symposium in honour of Maia Turovskaya), 4-5 Nov 2010, Trinity College, University of Cambridge. (Unpublished)
texture
Mroz, Matilda (2011) Sculptural form and immersive space: the case of Matthew Barney. In: Moving Image and Institution: Cinema and the Museum in the 21st Century, -11 July 2011, Fitzwilliam College, University of Cambridge. (Unpublished)
Mroz, Matilda (2010) Tarkovsky’s Mirror: “The elusive charm of recognition”. In: Memory and Post-War Russian Cinema: Film Critics on the Front Lines (A symposium in honour of Maia Turovskaya), 4-5 Nov 2010, Trinity College, University of Cambridge. (Unpublished)
the archive
Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. Studies in Eastern European Cinema, 1 (2). pp. 153-165. ISSN 2040-350X (Print), 2040-3518 (Online) (doi:https://doi.org/10.1386/seec.1.2.153_1)
the bind
Klika (Klikova), Deborah ORCID: 0000-0001-9883-2646 (2024) Comedy and language. In: Screen writing Research Network Conference 2024 “Conversation Beyond Script”, 10th - 14th Sep, 2024, Palacký University, Olomouc Czechia Republic. (Unpublished)
Klika (Klikova), Deborah ORCID: 0000-0001-9883-2646 (2023) The bind in film comedy. In: Screenwriting Research Network (SRN) conference 2023: Gender and the Female Gaze, 20th - 23rd Sep, 2023, Stephens College, Columbia, Missouri. (Unpublished)
The Girl on the Train
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) The Girl On The Train: Why adapting the ultimate commuting novel makes perfect sense in a world of Brief Encounters. The Huffington Post.
theatre
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]
Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]
thematic
Klika (Klikova), Deborah ORCID: 0000-0001-9883-2646 (2024) Comedy and language. In: Screen writing Research Network Conference 2024 “Conversation Beyond Script”, 10th - 14th Sep, 2024, Palacký University, Olomouc Czechia Republic. (Unpublished)
Tilda Swinton
Stabb, Walter S. (2016) The Seasons In Quincy: Four Portraits of John Berger. [Video]
time
Mroz, Matilda (2010) Tarkovsky’s Mirror: “The elusive charm of recognition”. In: Memory and Post-War Russian Cinema: Film Critics on the Front Lines (A symposium in honour of Maia Turovskaya), 4-5 Nov 2010, Trinity College, University of Cambridge. (Unpublished)
trans-national
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624
translation
Pettit, Zoë ORCID: 0000-0002-1909-8947 (2009) Connecting cultures: cultural transfer in subtitling and dubbing. In: Díaz Cintas, Jorge, (ed.) New Trends In Audiovisual Translation. Topics in Translation . Multilingual Matters, Bristol, UK, pp. 47-60. ISBN 9781847691545
translation studies
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624
trauma
Mroz, Matilda (2011) History in Polish film and new media. In: University of Central Lancashire Guest Lecture, 30 Mar 2001, UCLAN, Preston, UK. (Unpublished)
Mroz, Matilda (2013) Katyń in Poland. In: Remembering Katyń, 22 Mar 2013, Warsaw, Poland. (Unpublished)
Mroz, Matilda (2011) Wajda’s Katyn across generational and national boundaries. In: The Language of Art and Music: "An International Symposium on the Potential for Artistic Expression to Cross Cultural Barriers and the Relationship between Art, Culture, and International Relations", 17 - 20 Feb 2011, Institute for Cultural Diplomacy, Berlin. (Unpublished)
Tran, Danielle (2016) Visible and invisible trauma: locating AIDS within a gendered framework in Darrell James Roodt’s Yesterday. Safundi, 17 (4). pp. 434-446. ISSN 1753-3171 (Print), 1543-1304 (Online) (doi:https://doi.org/10.1080/17533171.2016.1223615)
tunnels
Brown, Christopher (2018) Coccolith. [Video]
Twin Peaks
Garcia, Mark (2018) REDroom REDux. [Video] (Submitted)
UK distributors
Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Distributing Asian cinema, Past and present: Definitions from DVD labels. In: Magnan-Park, Aaron Han Joon, Marchetti, Gina and Tan, See Kam, (eds.) The Palgrave Handbook of Asian Cinema. Literature, Cultural and Media Studies . Palgrave Macmillan. ISBN 978-1349958214 (doi:https://doi.org/10.1057/978-1-349-95822-1)
uncanny
Fiddler, Michael ORCID: 0000-0002-0695-6770 (2007) Projecting the prison: the depiction of the uncanny in The Shawshank Redemption. Crime Media Culture, 3 (2). pp. 192-206. ISSN 1741-6590 (doi:https://doi.org/10.1177/1741659007078546)
Uncertain Kingdom
Mo, Lab Ky (2021) The Uncertain Kingdom: British People. [Video]
Verisimilitude
Fiddler, Michael ORCID: 0000-0002-0695-6770 and Banwell, Stacy ORCID: 0000-0001-7395-2617 (2018) ‘Forget about all your taboos’: transgressive memory and Nazisploitation. Studies in European Cinema. ISSN 1741-1548 (Print), 2040-0594 (Online) (doi:https://doi.org/10.1080/17411548.2018.1456188)
Video games
O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Minecraft the Movie: How will the adaptation respond to the challenge of creativity? The Huffington Post.
Vlastaras
Hobbs, James (2017) I am a Karate American egg. [Creative Performance or Reading]
Wajda
Mroz, Matilda (2007) Fracturing the marble façade: Visceral excavation in Andrzej Wajda’s 'Man of Marble'. Senses of Cinema, 43. ISSN 1443-4059
war
Mroz, Matilda (2011) History in Polish film and new media. In: University of Central Lancashire Guest Lecture, 30 Mar 2001, UCLAN, Preston, UK. (Unpublished)
war films
Collins, John Roy (2006) Reel wars: Cold War, civil rights and Hollywood's changing interpretation of the American Civil War 1945-75. MPhil thesis, University of Greenwich.
Wawa No Cidal
Brown, Christopher (2017) “Even If You Have Nothing, You Should Keep Filming”: An Interview with Cheng Yu-Chieh on 'Wawa No Cidal' (2015). Senses of Cinema (82). ISSN 1443-4059
Ways of Seeing
Stabb, Walter S. (2016) The Seasons In Quincy: Four Portraits of John Berger. [Video]
Wellbeing
Gritton, Jim, Stewart, Jill ORCID: 0000-0002-3031-8082 , Jeavons, Charlotte, Mehmet, Nevin and La Placa, Vincent (2016) Movies in the classroom: Lessons for curriculum design. Compass: Journal of Learning and Teaching, 8 (12). ISSN 2044-0073 (Print), 2044-0081 (Online) (doi:https://doi.org/10.21100/compass.v8i12.272)
William Shakespeare
Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)
world cinema
Wroot, Jonathan ORCID: 0000-0002-6827-728X (2023) Ichi (2008). Female stars and gender representations in the Zatoichi franchise. In: Chan, Felicia, Elliott, Fraser and Willis, Andrew, (eds.) Women in East Asian Cinema: Gender Representations, Creative Labour and Global Histories. Edinburgh University Press, UK, pp. 79-92. ISBN 978-1399504942; 978-1399504928; 1399504924
y Polish cinema
Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. In: Europe East and West: Film, History, and Mourning, 18 May 2010, King's College, University of Cambridge. (Unpublished)