Skip navigation

Items where Subject is "PN1993 Motion Pictures"

Items where Subject is "PN1993 Motion Pictures"

Up a level
Export as [feed] RSS
Group by: Creators | Item Type | Uncontrolled Keywords
16mm film 1950's adaptation Adaptation of literature and film adaptation studies aesthetics aesthetics duration African fiilm African film agency and memory in Polish AIDS American Civil War appropriation architecture Architecture film and animation archive Archive Derrida Art Artists film Asia Asian Cinema audiences' technology audiovisual Barney Beauty belonging binaural audio binaural sound Biopic body box office success and failure Brexit Brief Encounter British social realism censorship Cheng Yu-Chieh China cinema cinema adaptations cinema and landscape cinematic city cinematic prisons Cinematic realism cinematography coccolith Colbourne Cold War Colin MacCabe Communism Composition Counsell cratfsmanship creative writing cultural exchange Cultural Studies Cultural studies New Labour culture Curated Curating Russian Film Curation Curriculum Design Dario Argento Dariusz Baliszewski David Lynch Death Derrida Diagrams diaspora diegesis digital and physical world digital cinema digital technology digital workflow displacement distribution Diversity Dunkirk duration DVD labels Editing Establishment European Cinema Evgenii Bauer Expanded Cinema Experimental Cinema experimental film Fatih Akin feminism film film adaptations film aesthetics Film Africa Festival Film Art film history film music Film portrait Film Studies film theory Film Video Art Filmmaking films game-design games gender General Sikorski genre Genre filmmaking geopolitics giallo globalisation Glyka gravity health Hiroshima Mon Amour historical artefacts historical films history Hobbs Hollywood Hollywood cinema Holocaust film Home Army Hong Kong horror film identity Image immersive imprisonment independent independent cinema indexicality film theor Installation installation art interactive Interior Design Interiors internment Irish literature Japan John Berger Katyn Katyn massacre Katyn massacres Language law films law students Leadership legal classroom legal education legal practice LGBT light and dark literature live performance LUX Mapplethorpe Marguerite Duras Masculinity landscape massacre memorial memorials memory Mental Health Michael Winterbottom mimesis misogynism mourning Multi-Media Multimedia Music narrative naturalism Nazisploitation New ways to approach adaptation Noise Northern Ireland Nuri Bilge object observation and obscurity oedipalisation oral history Panay Parker participatory pastoralism Patrick McCabe Pedagogy Performance personal and social skills philosophy play text Poland Polish cinema Polish film theory Politics Pollution portrayal of legal profession portrayal of the law Post-Critical Redroom Scenography Set Design post-porduction postcolonialism Posthumanisms postmodernism Power practice-as-research prison architecture prison film producing psychoanalysis Public Engagement Public Health Public Impact Queer Ramsgate realism Remission representation of prisons review Revolution Rhetorical realism Rita Duffy ruin Russian and Ukrainian films and novels Russian cinema Russian Film Sadiconazista Screening screenplay screenwriting script sculpture Sculpture Sound Service User Engagement Sexuality Short Film Sikorski silent film site specific Skolimowski Social Projects Socialist realism society Socio-political contexts Sociology Song Sound Sound Art Sound Design Soundtrack South Africa space Spectacle Stalin stigma suffering Swimming pool Taiwanese cinema Tarkovsky texture the archive The Girl on the Train theatre Tilda Swinton time trans-national translation translation studies trauma tunnels Twin Peaks UK distributors uncanny Verisimilitude Video games Vlastaras Wajda war war films Wawa No Cidal Ways of Seeing Wellbeing William Shakespeare y Polish cinema
Number of items at this level: 362.

16mm film

Hobbs, James (2015) Motion In Form II. [Show/Exhibition]

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Hobbs, James (2015) Utopia/Dystopia. [Show/Exhibition]

Hobbs, Jim (2015) One Hundred Foot III. [Show/Exhibition]

1950's

McClean, Mairead (2009) For the record. [Performance] (Unpublished)

adaptation

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) The Girl On The Train: Why adapting the ultimate commuting novel makes perfect sense in a world of Brief Encounters. The Huffington Post.

Adaptation of literature and film

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Adaptation and creative writing: Brokeback Mountain on the London Underground. In: Cutchins, Dennis, Raw, Laurence and Welsh, James M., (eds.) Redefining Adaptation Studies. Scarecrow Press, pp. 45-55. ISBN 978-0810872981

adaptation studies

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624

aesthetics

Mroz, Matilda (2010) Tarkovsky’s Mirror: “The elusive charm of recognition”. In: Memory and Post-War Russian Cinema: Film Critics on the Front Lines (A symposium in honour of Maia Turovskaya), 4-5 Nov 2010, Trinity College, University of Cambridge. (Unpublished)

aesthetics duration

Mroz, Matilda (2011) Sculptural form and immersive space: the case of Matthew Barney. In: Moving Image and Institution: Cinema and the Museum in the 21st Century, -11 July 2011, Fitzwilliam College, University of Cambridge. (Unpublished)

African fiilm

Solanke, Adeola (2015) Dazzling Mirage. [Play, Short Story or Poetry]

African film

Solanke, Adeola (2015) African Film and Social Change Conference. In: African Film and Social Change Conference, 7-8 November 2015, University of Westminster, 35 Marylebone Road, London NW1 5LS.

agency and memory in Polish

Mroz, Matilda (2012) Secrets and spies: Communist histories in recent Polish cinema. In: Suffering, Agency, and Memory in Polish, Russian, and Ukrainian Films. Memory at War Conference, 22- 23 Mar 2012, Theologisch Instituut, Groningen, Netherlands. (Unpublished)

AIDS

Tran, Danielle (2016) Visible and invisible trauma: locating AIDS within a gendered framework in Darrell James Roodt’s Yesterday. Safundi, 17 (4). pp. 434-446. ISSN 1753-3171 (Print), 1543-1304 (Online) (doi:https://doi.org/10.1080/17533171.2016.1223615)

American Civil War

Collins, John Roy (2006) Reel wars: Cold War, civil rights and Hollywood's changing interpretation of the American Civil War 1945-75. MPhil thesis, University of Greenwich.

appropriation

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)

architecture

Brown, Christopher (2018) Coccolith. [Video]

Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)

Architecture film and animation

Aling, Michael ORCID: 0000-0002-9714-235X (2015) Digital Cottage Industries. [Artefact]

archive

Mroz, Matilda (2013) Traces and copies in audiovisual archives: the case of General Sikorski. In: Archiving the History of Polish Exile in Great Britain, 22 Feb 2013, University of Manchester, UK. (Unpublished)

Archive Derrida

Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. In: Europe East and West: Film, History, and Mourning, 18 May 2010, King's College, University of Cambridge. (Unpublished)

Art

Hobbs, James (2015) Utopia/Dystopia. [Show/Exhibition]

Hobbs, Jim (2015) One Hundred Foot III. [Show/Exhibition]

Mroz, Matilda (2011) History in Polish film and new media. In: University of Central Lancashire Guest Lecture, 30 Mar 2001, UCLAN, Preston, UK. (Unpublished)

Artists film

Hobbs, James (2015) Motion In Form II. [Show/Exhibition]

Asia

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)

Asian Cinema

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Distributing Asian cinema, Past and present: Definitions from DVD labels. In: Magnan-Park, Aaron Han Joon, Marchetti, Gina and Tan, See Kam, (eds.) The Palgrave Handbook of Asian Cinema. Literature, Cultural and Media Studies . Palgrave Macmillan. ISBN 978-1349958214 (doi:https://doi.org/10.1057/978-1-349-95822-1)

audiences' technology

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

audiovisual

Pettit, Zoë ORCID: 0000-0002-1909-8947 (2009) Connecting cultures: cultural transfer in subtitling and dubbing. In: Díaz Cintas, Jorge, (ed.) New Trends In Audiovisual Translation. Topics in Translation . Multilingual Matters, Bristol, UK, pp. 47-60. ISBN 9781847691545

Barney

Mroz, Matilda (2011) Sculptural form and immersive space: the case of Matthew Barney. In: Moving Image and Institution: Cinema and the Museum in the 21st Century, -11 July 2011, Fitzwilliam College, University of Cambridge. (Unpublished)

Beauty

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

belonging

Adil, Alev (2007) Longing and (un)belonging: desire and displacement in the cinematic city. In: Inter: A European Cultural Studies Conference in Sweden, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS), 11-13 June 2007, Norrköping, Sweden.

binaural audio

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

binaural sound

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Art/Poetry/Short Story Performance or Reading]

Biopic

Nwonka, Clive James (2016) Hunger as political epistemology. Studies in European Cinema, 13 (2). pp. 134-148. ISSN 1741-1548 (doi:https://doi.org/10.1080/17411548.2016.1210300)

body

Mroz, Matilda (2012) Borys Lankosz’s Rewers. In: Europe East and West: Film, History and Mourning Seminar, 13 June 2012, Keynes Hall, King’s College, University of Cambridge. (Unpublished)

Mroz, Matilda (2007) Fracturing the marble façade: Visceral excavation in Andrzej Wajda’s 'Man of Marble'. Senses of Cinema, 43. ISSN 1443-4059

Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. In: Europe East and West: Film, History, and Mourning, 18 May 2010, King's College, University of Cambridge. (Unpublished)

box office success and failure

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Minecraft the Movie: How will the adaptation respond to the challenge of creativity? The Huffington Post.

Brexit

Stabb, Walter (2019) Europe Endless. [Video]

Brief Encounter

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) The Girl On The Train: Why adapting the ultimate commuting novel makes perfect sense in a world of Brief Encounters. The Huffington Post.

British social realism

Nwonka, Clive James (2014) 'You’re what’s wrong with me’: Fish Tank, The selfish giant and the language of contemporary British social realism. New Cinemas: Journal of Contemporary Film, 12 (3). ISSN 1474-2756 (doi:https://doi.org/10.1386/ncin.12.3.205_1)

censorship

Mroz, Matilda (2011) History in Polish film and new media. In: University of Central Lancashire Guest Lecture, 30 Mar 2001, UCLAN, Preston, UK. (Unpublished)

Cheng Yu-Chieh

Brown, Christopher (2017) “Even If You Have Nothing, You Should Keep Filming”: An Interview with Cheng Yu-Chieh on 'Wawa No Cidal' (2015). Senses of Cinema (82). ISSN 1443-4059

China

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)

cinema

Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.

Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832

Garcia, Mark (2018) REDroom REDux. [Video] (Submitted)

Gritton, Jim, Stewart, Jill, Jeavons, Charlotte, Mehmet, Nevin and La Placa, Vincent (2016) Movies in the classroom: Lessons for curriculum design. Compass: Journal of Learning and Teaching, 8 (12). ISSN 2044-0073 (Print), 2044-0081 (Online) (doi:https://doi.org/10.21100/compass.v8i12.272)

Solanke, Adeola (2015) African Film and Social Change Conference. In: African Film and Social Change Conference, 7-8 November 2015, University of Westminster, 35 Marylebone Road, London NW1 5LS.

cinema adaptations

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Minecraft the Movie: How will the adaptation respond to the challenge of creativity? The Huffington Post.

cinema and landscape

Aling, Michael ORCID: 0000-0002-9714-235X (2015) Digital Cottage Industries. [Artefact]

cinematic city

Adil, Alev (2007) Longing and (un)belonging: desire and displacement in the cinematic city. In: Inter: A European Cultural Studies Conference in Sweden, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS), 11-13 June 2007, Norrköping, Sweden.

cinematic prisons

Fiddler, Michael ORCID: 0000-0002-0695-6770 (2009) Spaces of observation and obscurity: cinematic prisons of light and dark. Prison Service Journal, 185. pp. 8-12. ISSN 0300-3558

Cinematic realism

Nwonka, Clive James (2016) Hunger as political epistemology. Studies in European Cinema, 13 (2). pp. 134-148. ISSN 1741-1548 (doi:https://doi.org/10.1080/17411548.2016.1210300)

cinematography

Mroz, Matilda (2012) Borys Lankosz’s Rewers. In: Europe East and West: Film, History and Mourning Seminar, 13 June 2012, Keynes Hall, King’s College, University of Cambridge. (Unpublished)

coccolith

Brown, Christopher (2018) Coccolith. [Video]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509208.2019.1593027)

Colbourne

Hobbs, James (2015) Motion In Form II. [Show/Exhibition]

Cold War

Collins, John Roy (2006) Reel wars: Cold War, civil rights and Hollywood's changing interpretation of the American Civil War 1945-75. MPhil thesis, University of Greenwich.

Colin MacCabe

Stabb, Walter (2019) Europe Endless. [Video]

Communism

Mroz, Matilda (2007) Fracturing the marble façade: Visceral excavation in Andrzej Wajda’s 'Man of Marble'. Senses of Cinema, 43. ISSN 1443-4059

Composition

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Counsell

Hobbs, James (2015) Motion In Form II. [Show/Exhibition]

cratfsmanship

Petković, Dušan (2017) Weathering the maelstrom: the effect of digital workflows on craft identity in independent cinema. PhD thesis, University of Greenwich.

creative writing

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Adaptation and creative writing: Brokeback Mountain on the London Underground. In: Cutchins, Dennis, Raw, Laurence and Welsh, James M., (eds.) Redefining Adaptation Studies. Scarecrow Press, pp. 45-55. ISBN 978-0810872981

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Analysing the screenplay: A comparative approach. In: Nelmes, Jill, (ed.) Analysing The Screenplay. Routledge, London, pp. 237-251. ISBN 978-0415556347

cultural exchange

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624

Cultural Studies

Nwonka, Clive (2015) Diversity pie: rethinking social exclusion and diversity policy in the British film industry. Journal of Media Practice, 16 (1). pp. 73-90. ISSN 1468-2753 (doi:https://doi.org/10.1080/14682753.2015.1015802)

Cultural studies New Labour

Nwonka, Clive James (2014) 'You’re what’s wrong with me’: Fish Tank, The selfish giant and the language of contemporary British social realism. New Cinemas: Journal of Contemporary Film, 12 (3). ISSN 1474-2756 (doi:https://doi.org/10.1386/ncin.12.3.205_1)

culture

Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.

Pettit, Zoë ORCID: 0000-0002-1909-8947 (2009) Connecting cultures: cultural transfer in subtitling and dubbing. In: Díaz Cintas, Jorge, (ed.) New Trends In Audiovisual Translation. Topics in Translation . Multilingual Matters, Bristol, UK, pp. 47-60. ISBN 9781847691545

Curated

Hobbs, Jim (2015) One Hundred Foot III. [Show/Exhibition]

Curating Russian Film

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Adapting Russian and Soviet Film Heritage for Public Audiences in Europe and the UK. [Show/Exhibition]

Curation

Christie, Ian, Korolkova, Maria ORCID: 0000-0002-1784-3675 and Waddell, Justine (2017) A World to Win: A Century of Revolution on Screen. [Show/Exhibition]

Curriculum Design

Gritton, Jim, Stewart, Jill, Jeavons, Charlotte, Mehmet, Nevin and La Placa, Vincent (2016) Movies in the classroom: Lessons for curriculum design. Compass: Journal of Learning and Teaching, 8 (12). ISSN 2044-0073 (Print), 2044-0081 (Online) (doi:https://doi.org/10.21100/compass.v8i12.272)

Dario Argento

Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.

Dariusz Baliszewski

Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. Studies in Eastern European Cinema, 1 (2). pp. 153-165. ISSN 2040-350X (Print), 2040-3518 (Online) (doi:https://doi.org/10.1386/seec.1.2.153_1)

David Lynch

Garcia, Mark (2018) REDroom REDux. [Video] (Submitted)

Death

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Derrida

Mroz, Matilda (2013) Traces and copies in audiovisual archives: the case of General Sikorski. In: Archiving the History of Polish Exile in Great Britain, 22 Feb 2013, University of Manchester, UK. (Unpublished)

Diagrams

Garcia, Mark (2018) REDroom REDux. [Video] (Submitted)

diaspora

Adil, Alev (2007) Longing and (un)belonging: desire and displacement in the cinematic city. In: Inter: A European Cultural Studies Conference in Sweden, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS), 11-13 June 2007, Norrköping, Sweden.

diegesis

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509208.2019.1593027)

digital and physical world

Wallis, Jillian (2016) The Pub Under the Stairs. [Performance]

digital cinema

Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. In: Europe East and West: Film, History, and Mourning, 18 May 2010, King's College, University of Cambridge. (Unpublished)

digital technology

Petković, Dušan (2017) Weathering the maelstrom: the effect of digital workflows on craft identity in independent cinema. PhD thesis, University of Greenwich.

digital workflow

Petković, Dušan (2017) Weathering the maelstrom: the effect of digital workflows on craft identity in independent cinema. PhD thesis, University of Greenwich.

displacement

Adil, Alev (2007) Longing and (un)belonging: desire and displacement in the cinematic city. In: Inter: A European Cultural Studies Conference in Sweden, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS), 11-13 June 2007, Norrköping, Sweden.

distribution

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Moving from Japanese film distribution to production: An interview with Third Window Films’ Adam Torel. Bright Lights Film Journal. ISSN 0147-4049 (Online)

Diversity

Nwonka, Clive (2015) Diversity pie: rethinking social exclusion and diversity policy in the British film industry. Journal of Media Practice, 16 (1). pp. 73-90. ISSN 1468-2753 (doi:https://doi.org/10.1080/14682753.2015.1015802)

Dunkirk

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509208.2019.1593027)

duration

Wallis, Jillian (2016) The Pub Under the Stairs. [Performance]

DVD labels

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Distributing Asian cinema, Past and present: Definitions from DVD labels. In: Magnan-Park, Aaron Han Joon, Marchetti, Gina and Tan, See Kam, (eds.) The Palgrave Handbook of Asian Cinema. Literature, Cultural and Media Studies . Palgrave Macmillan. ISBN 978-1349958214 (doi:https://doi.org/10.1057/978-1-349-95822-1)

Editing

Garcia, Mark (2018) REDroom REDux. [Video] (Submitted)

Establishment

Hobbs, James (2017) I am a Karate American egg. [Art/Poetry/Short Story Performance or Reading]

European Cinema

Mroz, Matilda (2009) [Book Review] Contemporary European Cinema by Mary P. Wood. London: Hodder Arnold, 2007, 200 pp., ISBN 978-0340761366. The European Legacy: Toward New Paradigms, 14 (7). pp. 881-929. ISSN 1084-8770 (Print), 1470-1316 (Online) (doi:https://doi.org/10.1080/10848770903363961)

Evgenii Bauer

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)

Expanded Cinema

Hobbs, James (2017) I am a Karate American egg. [Art/Poetry/Short Story Performance or Reading]

Hobbs, James (2015) Motion In Form II. [Show/Exhibition]

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Experimental Cinema

Hobbs, Jim (2015) One Hundred Foot III. [Show/Exhibition]

experimental film

Brown, Christopher (2018) Coccolith. [Video]

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hobbs, James (2015) Motion In Form II. [Show/Exhibition]

Hobbs, James (2015) Utopia/Dystopia. [Show/Exhibition]

Fatih Akin

Adil, Alev (2007) Longing and (un)belonging: desire and displacement in the cinematic city. In: Inter: A European Cultural Studies Conference in Sweden, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS), 11-13 June 2007, Norrköping, Sweden.

feminism

Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.

film

Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.

Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509208.2019.1593027)

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)

Mroz, Matilda (2012) Borys Lankosz’s Rewers. In: Europe East and West: Film, History and Mourning Seminar, 13 June 2012, Keynes Hall, King’s College, University of Cambridge. (Unpublished)

Mroz, Matilda (2011) History in Polish film and new media. In: University of Central Lancashire Guest Lecture, 30 Mar 2001, UCLAN, Preston, UK. (Unpublished)

Mroz, Matilda (2013) Katyń in Poland. In: Remembering Katyń, 22 Mar 2013, Warsaw, Poland. (Unpublished)

Mroz, Matilda (2010) Tarkovsky’s Mirror: “The elusive charm of recognition”. In: Memory and Post-War Russian Cinema: Film Critics on the Front Lines (A symposium in honour of Maia Turovskaya), 4-5 Nov 2010, Trinity College, University of Cambridge. (Unpublished)

Solanke, Adeola (2015) Dazzling Mirage. [Play, Short Story or Poetry]

Tran, Danielle (2016) Visible and invisible trauma: locating AIDS within a gendered framework in Darrell James Roodt’s Yesterday. Safundi, 17 (4). pp. 434-446. ISSN 1753-3171 (Print), 1543-1304 (Online) (doi:https://doi.org/10.1080/17533171.2016.1223615)

film adaptations

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)

film aesthetics

Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. Studies in Eastern European Cinema, 1 (2). pp. 153-165. ISSN 2040-350X (Print), 2040-3518 (Online) (doi:https://doi.org/10.1386/seec.1.2.153_1)

Film Africa Festival

Solanke, Adeola (2015) Dazzling Mirage. [Play, Short Story or Poetry]

Film Art

Stabb, Walter S. (2016) The Seasons In Quincy: Four Portraits of John Berger. [Video]

film history

Collins, John Roy (2006) Reel wars: Cold War, civil rights and Hollywood's changing interpretation of the American Civil War 1945-75. MPhil thesis, University of Greenwich.

Dawson, Andrew (2009) Hollywood for historians. Historical Insights: Focus on Teaching . History at the Higher Education Academy, Coventry, UK. ISBN 978-1-905165-520

film music

Mroz, Matilda (2011) Wajda’s Katyn across generational and national boundaries. In: The Language of Art and Music: "An International Symposium on the Potential for Artistic Expression to Cross Cultural Barriers and the Relationship between Art, Culture, and International Relations", 17 - 20 Feb 2011, Institute for Cultural Diplomacy, Berlin. (Unpublished)

Film portrait

Stabb, Walter S. (2016) The Seasons In Quincy: Four Portraits of John Berger. [Video]

Film Studies

Nwonka, Clive (2015) Diversity pie: rethinking social exclusion and diversity policy in the British film industry. Journal of Media Practice, 16 (1). pp. 73-90. ISSN 1468-2753 (doi:https://doi.org/10.1080/14682753.2015.1015802)

Nwonka, Clive James (2016) Hunger as political epistemology. Studies in European Cinema, 13 (2). pp. 134-148. ISSN 1741-1548 (doi:https://doi.org/10.1080/17411548.2016.1210300)

Nwonka, Clive James (2014) 'You’re what’s wrong with me’: Fish Tank, The selfish giant and the language of contemporary British social realism. New Cinemas: Journal of Contemporary Film, 12 (3). ISSN 1474-2756 (doi:https://doi.org/10.1386/ncin.12.3.205_1)

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624

film theory

Mroz, Matilda (2010) Cinema and memorial practices in post-war Poland. In: East European Memory Studies Research Group 2009-10, 10 Feb 2010, King's College, University of Cambridge, UK. (Unpublished)

Film Video Art

Garcia, Mark (2018) REDroom REDux. [Video] (Submitted)

Filmmaking

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Moving from Japanese film distribution to production: An interview with Third Window Films’ Adam Torel. Bright Lights Film Journal. ISSN 0147-4049 (Online)

films

Pawlowski, Mark ORCID: 0000-0002-5473-5809 and Greer, Sarah (2009) Film and literature in the legal classroom. The Law Teacher, 43 (1). pp. 49-61. ISSN 0306-9400 (Print), 1943-0353 (Online) (doi:https://doi.org/10.1080/03069400802703144)

game-design

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

games

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Art/Poetry/Short Story Performance or Reading]

gender

Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.

Tran, Danielle (2016) Visible and invisible trauma: locating AIDS within a gendered framework in Darrell James Roodt’s Yesterday. Safundi, 17 (4). pp. 434-446. ISSN 1753-3171 (Print), 1543-1304 (Online) (doi:https://doi.org/10.1080/17533171.2016.1223615)

General Sikorski

Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. Studies in Eastern European Cinema, 1 (2). pp. 153-165. ISSN 2040-350X (Print), 2040-3518 (Online) (doi:https://doi.org/10.1386/seec.1.2.153_1)

genre

Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.

Genre filmmaking

Fiddler, Michael ORCID: 0000-0002-0695-6770 and Banwell, Stacy ORCID: 0000-0001-7395-2617 (2018) ‘Forget about all your taboos’: transgressive memory and Nazisploitation. Studies in European Cinema. ISSN 1741-1548 (Print), 2040-0594 (Online) (doi:https://doi.org/10.1080/17411548.2018.1456188)

geopolitics

Adil, Alev (2007) Longing and (un)belonging: desire and displacement in the cinematic city. In: Inter: A European Cultural Studies Conference in Sweden, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS), 11-13 June 2007, Norrköping, Sweden.

giallo

Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.

globalisation

Mroz, Matilda (2009) [Book Review] Contemporary European Cinema by Mary P. Wood. London: Hodder Arnold, 2007, 200 pp., ISBN 978-0340761366. The European Legacy: Toward New Paradigms, 14 (7). pp. 881-929. ISSN 1084-8770 (Print), 1470-1316 (Online) (doi:https://doi.org/10.1080/10848770903363961)

Glyka

Hobbs, James (2017) I am a Karate American egg. [Art/Poetry/Short Story Performance or Reading]

gravity

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509208.2019.1593027)

health

Solanke, Adeola (2015) African Film and Social Change Conference. In: African Film and Social Change Conference, 7-8 November 2015, University of Westminster, 35 Marylebone Road, London NW1 5LS.

Hiroshima Mon Amour

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Screenwriting strategies in Marguerite Duras's script for 'Hiroshima, Mon Amour' (1960). Journal of Screenwriting, 1 (1). pp. 149-173. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.1.1.149/1)

historical artefacts

Wallis, Jillian (2016) The Pub Under the Stairs. [Performance]

historical films

Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. Studies in Eastern European Cinema, 1 (2). pp. 153-165. ISSN 2040-350X (Print), 2040-3518 (Online) (doi:https://doi.org/10.1386/seec.1.2.153_1)

history

Mroz, Matilda (2007) Fracturing the marble façade: Visceral excavation in Andrzej Wajda’s 'Man of Marble'. Senses of Cinema, 43. ISSN 1443-4059

Mroz, Matilda (2011) History in Polish film and new media. In: University of Central Lancashire Guest Lecture, 30 Mar 2001, UCLAN, Preston, UK. (Unpublished)

Mroz, Matilda (2013) Katyń in Poland. In: Remembering Katyń, 22 Mar 2013, Warsaw, Poland. (Unpublished)

Hobbs

Hobbs, James (2017) I am a Karate American egg. [Art/Poetry/Short Story Performance or Reading]

Hobbs, James (2015) Motion In Form II. [Show/Exhibition]

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Hobbs, James (2015) Utopia/Dystopia. [Show/Exhibition]

Hobbs, Jim (2015) One Hundred Foot III. [Show/Exhibition]

Hollywood

Dawson, Andrew (2009) Hollywood for historians. Historical Insights: Focus on Teaching . History at the Higher Education Academy, Coventry, UK. ISBN 978-1-905165-520

Hollywood cinema

Collins, John Roy (2006) Reel wars: Cold War, civil rights and Hollywood's changing interpretation of the American Civil War 1945-75. MPhil thesis, University of Greenwich.

Holocaust film

Fiddler, Michael ORCID: 0000-0002-0695-6770 and Banwell, Stacy ORCID: 0000-0001-7395-2617 (2018) ‘Forget about all your taboos’: transgressive memory and Nazisploitation. Studies in European Cinema. ISSN 1741-1548 (Print), 2040-0594 (Online) (doi:https://doi.org/10.1080/17411548.2018.1456188)

Home Army

Mroz, Matilda (2010) Cinema and memorial practices in post-war Poland. In: East European Memory Studies Research Group 2009-10, 10 Feb 2010, King's College, University of Cambridge, UK. (Unpublished)

Hong Kong

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)

horror film

Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.

identity

Adil, Alev (2007) Longing and (un)belonging: desire and displacement in the cinematic city. In: Inter: A European Cultural Studies Conference in Sweden, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS), 11-13 June 2007, Norrköping, Sweden.

Brown, Christopher (2017) Performance enhancement: identity, surface aesthetics, and the direction of actors in Yang Yang 陽陽 (Cheng Yu-Chieh, 2009). Asian Cinema, 28 (1). pp. 23-37. ISSN 1059-440X (Print), 2049-6710 (Online) (doi:https://doi.org/10.1386/ac.28.1.23_1)

McClean, Mairead (2009) For the record. [Performance] (Unpublished)

Image

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

immersive

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Art/Poetry/Short Story Performance or Reading]

imprisonment

McClean, Mairead (2009) For the record. [Performance] (Unpublished)

independent

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Moving from Japanese film distribution to production: An interview with Third Window Films’ Adam Torel. Bright Lights Film Journal. ISSN 0147-4049 (Online)

independent cinema

Petković, Dušan (2017) Weathering the maelstrom: the effect of digital workflows on craft identity in independent cinema. PhD thesis, University of Greenwich.

indexicality film theor

Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. In: Europe East and West: Film, History, and Mourning, 18 May 2010, King's College, University of Cambridge. (Unpublished)

Installation

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

installation art

Mroz, Matilda (2011) Sculptural form and immersive space: the case of Matthew Barney. In: Moving Image and Institution: Cinema and the Museum in the 21st Century, -11 July 2011, Fitzwilliam College, University of Cambridge. (Unpublished)

interactive

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Art/Poetry/Short Story Performance or Reading]

Interior Design

Garcia, Mark (2018) REDroom REDux. [Video] (Submitted)

Interiors

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)

internment

McClean, Mairead (2009) For the record. [Performance] (Unpublished)

Irish literature

Stabb, Walter (2019) Europe Endless. [Video]

Japan

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Moving from Japanese film distribution to production: An interview with Third Window Films’ Adam Torel. Bright Lights Film Journal. ISSN 0147-4049 (Online)

John Berger

Stabb, Walter S. (2016) The Seasons In Quincy: Four Portraits of John Berger. [Video]

Katyn

Etkind, Alexander, Finnin, Rory, Blacker, Uilleam, Fedor, Julie, Lewis, Simon, Mälksoo, Maria and Mroz, Matilda (2012) Remembering Katyn. Polity Press, Cambridge, UK. ISBN 9780745655765

Katyn massacre

Mroz, Matilda (2013) Katyń in Poland. In: Remembering Katyń, 22 Mar 2013, Warsaw, Poland. (Unpublished)

Katyn massacres

Mroz, Matilda (2011) Wajda’s Katyn across generational and national boundaries. In: The Language of Art and Music: "An International Symposium on the Potential for Artistic Expression to Cross Cultural Barriers and the Relationship between Art, Culture, and International Relations", 17 - 20 Feb 2011, Institute for Cultural Diplomacy, Berlin. (Unpublished)

Language

Hobbs, James (2017) I am a Karate American egg. [Art/Poetry/Short Story Performance or Reading]

law films

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2020) Law, Camera, Action! New Law Journal, 170 (7906). p. 22. ISSN 0306-6479

law students

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2020) Law, Camera, Action! New Law Journal, 170 (7906). p. 22. ISSN 0306-6479

Leadership

Gritton, Jim, Stewart, Jill, Jeavons, Charlotte, Mehmet, Nevin and La Placa, Vincent (2016) Movies in the classroom: Lessons for curriculum design. Compass: Journal of Learning and Teaching, 8 (12). ISSN 2044-0073 (Print), 2044-0081 (Online) (doi:https://doi.org/10.21100/compass.v8i12.272)

legal classroom

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2020) Law, Camera, Action! New Law Journal, 170 (7906). p. 22. ISSN 0306-6479

legal education

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2020) Law, Camera, Action! New Law Journal, 170 (7906). p. 22. ISSN 0306-6479

legal practice

Pawlowski, Mark ORCID: 0000-0002-5473-5809 (2020) Law, Camera, Action! New Law Journal, 170 (7906). p. 22. ISSN 0306-6479

LGBT

Brown, Christopher (2015) Remission. [Video]

light and dark

Fiddler, Michael ORCID: 0000-0002-0695-6770 (2009) Spaces of observation and obscurity: cinematic prisons of light and dark. Prison Service Journal, 185. pp. 8-12. ISSN 0300-3558

literature

Pawlowski, Mark ORCID: 0000-0002-5473-5809 and Greer, Sarah (2009) Film and literature in the legal classroom. The Law Teacher, 43 (1). pp. 49-61. ISSN 0306-9400 (Print), 1943-0353 (Online) (doi:https://doi.org/10.1080/03069400802703144)

live performance

Wallis, Jillian (2016) The Pub Under the Stairs. [Performance]

LUX

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Mapplethorpe

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Marguerite Duras

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Screenwriting strategies in Marguerite Duras's script for 'Hiroshima, Mon Amour' (1960). Journal of Screenwriting, 1 (1). pp. 149-173. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.1.1.149/1)

Masculinity landscape

Brown, Christopher (2015) Remission. [Video]

massacre

Etkind, Alexander, Finnin, Rory, Blacker, Uilleam, Fedor, Julie, Lewis, Simon, Mälksoo, Maria and Mroz, Matilda (2012) Remembering Katyn. Polity Press, Cambridge, UK. ISBN 9780745655765

memorial

Mroz, Matilda (2013) Katyń in Poland. In: Remembering Katyń, 22 Mar 2013, Warsaw, Poland. (Unpublished)

Mroz, Matilda (2011) Wajda’s Katyn across generational and national boundaries. In: The Language of Art and Music: "An International Symposium on the Potential for Artistic Expression to Cross Cultural Barriers and the Relationship between Art, Culture, and International Relations", 17 - 20 Feb 2011, Institute for Cultural Diplomacy, Berlin. (Unpublished)

memorials

Mroz, Matilda (2010) Cinema and memorial practices in post-war Poland. In: East European Memory Studies Research Group 2009-10, 10 Feb 2010, King's College, University of Cambridge, UK. (Unpublished)

memory

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Screenwriting strategies in Marguerite Duras's script for 'Hiroshima, Mon Amour' (1960). Journal of Screenwriting, 1 (1). pp. 149-173. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.1.1.149/1)

Etkind, Alexander, Finnin, Rory, Blacker, Uilleam, Fedor, Julie, Lewis, Simon, Mälksoo, Maria and Mroz, Matilda (2012) Remembering Katyn. Polity Press, Cambridge, UK. ISBN 9780745655765

McClean, Mairead (2009) For the record. [Performance] (Unpublished)

Mroz, Matilda (2010) Cinema and memorial practices in post-war Poland. In: East European Memory Studies Research Group 2009-10, 10 Feb 2010, King's College, University of Cambridge, UK. (Unpublished)

Mroz, Matilda (2011) History in Polish film and new media. In: University of Central Lancashire Guest Lecture, 30 Mar 2001, UCLAN, Preston, UK. (Unpublished)

Mroz, Matilda (2010) Tarkovsky’s Mirror: “The elusive charm of recognition”. In: Memory and Post-War Russian Cinema: Film Critics on the Front Lines (A symposium in honour of Maia Turovskaya), 4-5 Nov 2010, Trinity College, University of Cambridge. (Unpublished)

Mental Health

Stabb, Walter (2017) Creative Madness in Song. [Video]

Michael Winterbottom

Adil, Alev (2007) Longing and (un)belonging: desire and displacement in the cinematic city. In: Inter: A European Cultural Studies Conference in Sweden, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS), 11-13 June 2007, Norrköping, Sweden.

mimesis

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509208.2019.1593027)

misogynism

Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.

mourning

Mroz, Matilda (2010) Cinema and memorial practices in post-war Poland. In: East European Memory Studies Research Group 2009-10, 10 Feb 2010, King's College, University of Cambridge, UK. (Unpublished)

Multi-Media

Hobbs, James (2017) I am a Karate American egg. [Art/Poetry/Short Story Performance or Reading]

Multimedia

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Music

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Stabb, Walter (2017) Creative Madness in Song. [Video]

narrative

Brown, Christopher (2018) Coccolith. [Video]

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Screenwriting strategies in Marguerite Duras's script for 'Hiroshima, Mon Amour' (1960). Journal of Screenwriting, 1 (1). pp. 149-173. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.1.1.149/1)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509208.2019.1593027)

naturalism

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509208.2019.1593027)

Nazisploitation

Fiddler, Michael ORCID: 0000-0002-0695-6770 and Banwell, Stacy ORCID: 0000-0001-7395-2617 (2018) ‘Forget about all your taboos’: transgressive memory and Nazisploitation. Studies in European Cinema. ISSN 1741-1548 (Print), 2040-0594 (Online) (doi:https://doi.org/10.1080/17411548.2018.1456188)

New ways to approach adaptation

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Adaptation and creative writing: Brokeback Mountain on the London Underground. In: Cutchins, Dennis, Raw, Laurence and Welsh, James M., (eds.) Redefining Adaptation Studies. Scarecrow Press, pp. 45-55. ISBN 978-0810872981

Noise

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Northern Ireland

McClean, Mairead (2009) For the record. [Performance] (Unpublished)

Nuri Bilge

Adil, Alev (2007) Longing and (un)belonging: desire and displacement in the cinematic city. In: Inter: A European Cultural Studies Conference in Sweden, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS), 11-13 June 2007, Norrköping, Sweden.

object

Mroz, Matilda (2011) Sculptural form and immersive space: the case of Matthew Barney. In: Moving Image and Institution: Cinema and the Museum in the 21st Century, -11 July 2011, Fitzwilliam College, University of Cambridge. (Unpublished)

observation and obscurity

Fiddler, Michael ORCID: 0000-0002-0695-6770 (2009) Spaces of observation and obscurity: cinematic prisons of light and dark. Prison Service Journal, 185. pp. 8-12. ISSN 0300-3558

oedipalisation

Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.

oral history

McClean, Mairead (2009) For the record. [Performance] (Unpublished)

Panay

Brown, Christopher (2017) “Even If You Have Nothing, You Should Keep Filming”: An Interview with Cheng Yu-Chieh on 'Wawa No Cidal' (2015). Senses of Cinema (82). ISSN 1443-4059

Parker

Hobbs, James (2015) Motion In Form II. [Show/Exhibition]

participatory

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Art/Poetry/Short Story Performance or Reading]

pastoralism

Aling, Michael ORCID: 0000-0002-9714-235X (2015) Digital Cottage Industries. [Artefact]

Patrick McCabe

Stabb, Walter (2019) Europe Endless. [Video]

Pedagogy

Gritton, Jim, Stewart, Jill, Jeavons, Charlotte, Mehmet, Nevin and La Placa, Vincent (2016) Movies in the classroom: Lessons for curriculum design. Compass: Journal of Learning and Teaching, 8 (12). ISSN 2044-0073 (Print), 2044-0081 (Online) (doi:https://doi.org/10.21100/compass.v8i12.272)

Performance

Brown, Christopher (2017) Performance enhancement: identity, surface aesthetics, and the direction of actors in Yang Yang 陽陽 (Cheng Yu-Chieh, 2009). Asian Cinema, 28 (1). pp. 23-37. ISSN 1059-440X (Print), 2049-6710 (Online) (doi:https://doi.org/10.1386/ac.28.1.23_1)

Hobbs, James (2017) I am a Karate American egg. [Art/Poetry/Short Story Performance or Reading]

Hobbs, James (2015) Motion In Form II. [Show/Exhibition]

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Art/Poetry/Short Story Performance or Reading]

personal and social skills

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Adaptation and creative writing: Brokeback Mountain on the London Underground. In: Cutchins, Dennis, Raw, Laurence and Welsh, James M., (eds.) Redefining Adaptation Studies. Scarecrow Press, pp. 45-55. ISBN 978-0810872981

philosophy

Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.

play text

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Analysing the screenplay: A comparative approach. In: Nelmes, Jill, (ed.) Analysing The Screenplay. Routledge, London, pp. 237-251. ISBN 978-0415556347

Poland

Mroz, Matilda (2012) Borys Lankosz’s Rewers. In: Europe East and West: Film, History and Mourning Seminar, 13 June 2012, Keynes Hall, King’s College, University of Cambridge. (Unpublished)

Mroz, Matilda (2011) History in Polish film and new media. In: University of Central Lancashire Guest Lecture, 30 Mar 2001, UCLAN, Preston, UK. (Unpublished)

Mroz, Matilda (2013) Katyń in Poland. In: Remembering Katyń, 22 Mar 2013, Warsaw, Poland. (Unpublished)

Polish cinema

Mroz, Matilda (2007) Fracturing the marble façade: Visceral excavation in Andrzej Wajda’s 'Man of Marble'. Senses of Cinema, 43. ISSN 1443-4059

Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. Studies in Eastern European Cinema, 1 (2). pp. 153-165. ISSN 2040-350X (Print), 2040-3518 (Online) (doi:https://doi.org/10.1386/seec.1.2.153_1)

Mroz, Matilda (2009) 'Walkover'. Senses of Cinema, 51. ISSN 1443-4059

Polish film theory

Mroz, Matilda (2013) Traces and copies in audiovisual archives: the case of General Sikorski. In: Archiving the History of Polish Exile in Great Britain, 22 Feb 2013, University of Manchester, UK. (Unpublished)

Politics

Nwonka, Clive (2015) Diversity pie: rethinking social exclusion and diversity policy in the British film industry. Journal of Media Practice, 16 (1). pp. 73-90. ISSN 1468-2753 (doi:https://doi.org/10.1080/14682753.2015.1015802)

Nwonka, Clive James (2016) Hunger as political epistemology. Studies in European Cinema, 13 (2). pp. 134-148. ISSN 1741-1548 (doi:https://doi.org/10.1080/17411548.2016.1210300)

Nwonka, Clive James (2014) 'You’re what’s wrong with me’: Fish Tank, The selfish giant and the language of contemporary British social realism. New Cinemas: Journal of Contemporary Film, 12 (3). ISSN 1474-2756 (doi:https://doi.org/10.1386/ncin.12.3.205_1)

Pollution

Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832

portrayal of legal profession

Pawlowski, Mark ORCID: 0000-0002-5473-5809 and Greer, Sarah (2009) Film and literature in the legal classroom. The Law Teacher, 43 (1). pp. 49-61. ISSN 0306-9400 (Print), 1943-0353 (Online) (doi:https://doi.org/10.1080/03069400802703144)

portrayal of the law

Pawlowski, Mark ORCID: 0000-0002-5473-5809 and Greer, Sarah (2009) Film and literature in the legal classroom. The Law Teacher, 43 (1). pp. 49-61. ISSN 0306-9400 (Print), 1943-0353 (Online) (doi:https://doi.org/10.1080/03069400802703144)

Post-Critical Redroom Scenography Set Design

Garcia, Mark (2018) REDroom REDux. [Video] (Submitted)

post-porduction

Petković, Dušan (2017) Weathering the maelstrom: the effect of digital workflows on craft identity in independent cinema. PhD thesis, University of Greenwich.

postcolonialism

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)

Posthumanisms

Garcia, Mark (2018) REDroom REDux. [Video] (Submitted)

postmodernism

Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. Studies in Eastern European Cinema, 1 (2). pp. 153-165. ISSN 2040-350X (Print), 2040-3518 (Online) (doi:https://doi.org/10.1386/seec.1.2.153_1)

Power

Hobbs, James (2017) I am a Karate American egg. [Art/Poetry/Short Story Performance or Reading]

practice-as-research

Brown, Christopher (2018) Coccolith. [Video]

prison architecture

Fiddler, Michael ORCID: 0000-0002-0695-6770 (2007) Projecting the prison: the depiction of the uncanny in The Shawshank Redemption. Crime Media Culture, 3 (2). pp. 192-206. ISSN 1741-6590 (doi:https://doi.org/10.1177/1741659007078546)

prison film

Fiddler, Michael ORCID: 0000-0002-0695-6770 (2007) Projecting the prison: the depiction of the uncanny in The Shawshank Redemption. Crime Media Culture, 3 (2). pp. 192-206. ISSN 1741-6590 (doi:https://doi.org/10.1177/1741659007078546)

producing

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Moving from Japanese film distribution to production: An interview with Third Window Films’ Adam Torel. Bright Lights Film Journal. ISSN 0147-4049 (Online)

psychoanalysis

Balmain, Colette Jane (2004) Genre, gender, giallo: the disturbed dreams of Dario Argento. PhD thesis, University of Greenwich.

Public Engagement

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Adapting Russian and Soviet Film Heritage for Public Audiences in Europe and the UK. [Show/Exhibition]

Public Health

Gritton, Jim, Stewart, Jill, Jeavons, Charlotte, Mehmet, Nevin and La Placa, Vincent (2016) Movies in the classroom: Lessons for curriculum design. Compass: Journal of Learning and Teaching, 8 (12). ISSN 2044-0073 (Print), 2044-0081 (Online) (doi:https://doi.org/10.21100/compass.v8i12.272)

Public Impact

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2020) Adapting Russian and Soviet Film Heritage for Public Audiences in Europe and the UK. [Show/Exhibition]

Queer

Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832

Ramsgate

Brown, Christopher (2018) Coccolith. [Video]

realism

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509208.2019.1593027)

Remission

Brown, Christopher (2015) Remission. [Video]

representation of prisons

Fiddler, Michael ORCID: 0000-0002-0695-6770 (2009) Spaces of observation and obscurity: cinematic prisons of light and dark. Prison Service Journal, 185. pp. 8-12. ISSN 0300-3558

review

Mroz, Matilda (2009) [Book Review] Contemporary European Cinema by Mary P. Wood. London: Hodder Arnold, 2007, 200 pp., ISBN 978-0340761366. The European Legacy: Toward New Paradigms, 14 (7). pp. 881-929. ISSN 1084-8770 (Print), 1470-1316 (Online) (doi:https://doi.org/10.1080/10848770903363961)

Revolution

Christie, Ian, Korolkova, Maria ORCID: 0000-0002-1784-3675 and Waddell, Justine (2017) A World to Win: A Century of Revolution on Screen. [Show/Exhibition]

Rhetorical realism

Nwonka, Clive James (2016) Hunger as political epistemology. Studies in European Cinema, 13 (2). pp. 134-148. ISSN 1741-1548 (doi:https://doi.org/10.1080/17411548.2016.1210300)

Rita Duffy

Stabb, Walter (2019) Europe Endless. [Video]

ruin

Brown, Christopher (2018) Coccolith. [Video]

Russian and Ukrainian films and novels

Mroz, Matilda (2012) Secrets and spies: Communist histories in recent Polish cinema. In: Suffering, Agency, and Memory in Polish, Russian, and Ukrainian Films. Memory at War Conference, 22- 23 Mar 2012, Theologisch Instituut, Groningen, Netherlands. (Unpublished)

Russian cinema

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)

Russian Film

Christie, Ian, Korolkova, Maria ORCID: 0000-0002-1784-3675 and Waddell, Justine (2017) A World to Win: A Century of Revolution on Screen. [Show/Exhibition]

Sadiconazista

Fiddler, Michael ORCID: 0000-0002-0695-6770 and Banwell, Stacy ORCID: 0000-0001-7395-2617 (2018) ‘Forget about all your taboos’: transgressive memory and Nazisploitation. Studies in European Cinema. ISSN 1741-1548 (Print), 2040-0594 (Online) (doi:https://doi.org/10.1080/17411548.2018.1456188)

Screening

Hobbs, James (2015) Utopia/Dystopia. [Show/Exhibition]

Hobbs, Jim (2015) One Hundred Foot III. [Show/Exhibition]

screenplay

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Analysing the screenplay: A comparative approach. In: Nelmes, Jill, (ed.) Analysing The Screenplay. Routledge, London, pp. 237-251. ISBN 978-0415556347

screenwriting

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Screenwriting strategies in Marguerite Duras's script for 'Hiroshima, Mon Amour' (1960). Journal of Screenwriting, 1 (1). pp. 149-173. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.1.1.149/1)

Solanke, Adeola (2015) African Film and Social Change Conference. In: African Film and Social Change Conference, 7-8 November 2015, University of Westminster, 35 Marylebone Road, London NW1 5LS.

Solanke, Adeola (2015) Dazzling Mirage. [Play, Short Story or Poetry]

script

Davies, Rosamund ORCID: 0000-0001-8645-8271 (2010) Screenwriting strategies in Marguerite Duras's script for 'Hiroshima, Mon Amour' (1960). Journal of Screenwriting, 1 (1). pp. 149-173. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:https://doi.org/10.1386/josc.1.1.149/1)

sculpture

Mroz, Matilda (2011) Sculptural form and immersive space: the case of Matthew Barney. In: Moving Image and Institution: Cinema and the Museum in the 21st Century, -11 July 2011, Fitzwilliam College, University of Cambridge. (Unpublished)

Sculpture Sound

Hobbs, James (2018) Nature Morte - Installation version as part of the exhibition "Granular: The Material Properties of Noise". [Show/Exhibition]

Service User Engagement

Stabb, Walter (2017) Creative Madness in Song. [Video]

Sexuality

Brown, Christopher (2015) Remission. [Video]

Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832

Short Film

Hobbs, James (2015) Utopia/Dystopia. [Show/Exhibition]

Sikorski

Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. In: Europe East and West: Film, History, and Mourning, 18 May 2010, King's College, University of Cambridge. (Unpublished)

silent film

Korolkova, Maria ORCID: 0000-0002-1784-3675 (2021) Frames, veils, and windows: Modern cinematic set design in early Russian films by Evgenii Bauer. In: Kirkham, Pat and Lichtman, Sarah, (eds.) Screen Interiors: From Country Houses to Cosmic Heterotopias. Bloomsbury Visual Arts, London, pp. 187-204. ISBN 978-1350150584 (doi:https://doi.org/10.5040/9781350150614.ch-009)

site specific

Wallis, Jillian (2016) The Pub Under the Stairs. [Performance]

Skolimowski

Mroz, Matilda (2009) 'Walkover'. Senses of Cinema, 51. ISSN 1443-4059

Social Projects

Stabb, Walter (2017) Creative Madness in Song. [Video]

Socialist realism

Mroz, Matilda (2012) Borys Lankosz’s Rewers. In: Europe East and West: Film, History and Mourning Seminar, 13 June 2012, Keynes Hall, King’s College, University of Cambridge. (Unpublished)

society

Solanke, Adeola (2015) African Film and Social Change Conference. In: African Film and Social Change Conference, 7-8 November 2015, University of Westminster, 35 Marylebone Road, London NW1 5LS.

Socio-political contexts

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Adaptation and creative writing: Brokeback Mountain on the London Underground. In: Cutchins, Dennis, Raw, Laurence and Welsh, James M., (eds.) Redefining Adaptation Studies. Scarecrow Press, pp. 45-55. ISBN 978-0810872981

Sociology

Nwonka, Clive (2015) Diversity pie: rethinking social exclusion and diversity policy in the British film industry. Journal of Media Practice, 16 (1). pp. 73-90. ISSN 1468-2753 (doi:https://doi.org/10.1080/14682753.2015.1015802)

Nwonka, Clive James (2014) 'You’re what’s wrong with me’: Fish Tank, The selfish giant and the language of contemporary British social realism. New Cinemas: Journal of Contemporary Film, 12 (3). ISSN 1474-2756 (doi:https://doi.org/10.1386/ncin.12.3.205_1)

Song

Stabb, Walter (2017) Creative Madness in Song. [Video]

Sound

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: 0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:https://doi.org/10.1080/10509208.2019.1593027)

Sound Art

Garcia, Mark (2018) REDroom REDux. [Video] (Submitted)

Sound Design

Garcia, Mark (2018) REDroom REDux. [Video] (Submitted)

Soundtrack

Hill, Andrew ORCID: 0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

South Africa

Tran, Danielle (2016) Visible and invisible trauma: locating AIDS within a gendered framework in Darrell James Roodt’s Yesterday. Safundi, 17 (4). pp. 434-446. ISSN 1753-3171 (Print), 1543-1304 (Online) (doi:https://doi.org/10.1080/17533171.2016.1223615)

space

Brown, Christopher (2018) Coccolith. [Video]

Fiddler, Michael ORCID: 0000-0002-0695-6770 (2007) Projecting the prison: the depiction of the uncanny in The Shawshank Redemption. Crime Media Culture, 3 (2). pp. 192-206. ISSN 1741-6590 (doi:https://doi.org/10.1177/1741659007078546)

Wallis, Jillian (2016) The Pub Under the Stairs. [Performance]

Spectacle

Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832

Stalin

Etkind, Alexander, Finnin, Rory, Blacker, Uilleam, Fedor, Julie, Lewis, Simon, Mälksoo, Maria and Mroz, Matilda (2012) Remembering Katyn. Polity Press, Cambridge, UK. ISBN 9780745655765

stigma

Tran, Danielle (2016) Visible and invisible trauma: locating AIDS within a gendered framework in Darrell James Roodt’s Yesterday. Safundi, 17 (4). pp. 434-446. ISSN 1753-3171 (Print), 1543-1304 (Online) (doi:https://doi.org/10.1080/17533171.2016.1223615)

suffering

Mroz, Matilda (2012) Secrets and spies: Communist histories in recent Polish cinema. In: Suffering, Agency, and Memory in Polish, Russian, and Ukrainian Films. Memory at War Conference, 22- 23 Mar 2012, Theologisch Instituut, Groningen, Netherlands. (Unpublished)

Swimming pool

Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832

Taiwanese cinema

Brown, Christopher (2017) “Even If You Have Nothing, You Should Keep Filming”: An Interview with Cheng Yu-Chieh on 'Wawa No Cidal' (2015). Senses of Cinema (82). ISSN 1443-4059

Brown, Christopher (2017) Performance enhancement: identity, surface aesthetics, and the direction of actors in Yang Yang 陽陽 (Cheng Yu-Chieh, 2009). Asian Cinema, 28 (1). pp. 23-37. ISSN 1059-440X (Print), 2049-6710 (Online) (doi:https://doi.org/10.1386/ac.28.1.23_1)

Tarkovsky

Mroz, Matilda (2010) Tarkovsky’s Mirror: “The elusive charm of recognition”. In: Memory and Post-War Russian Cinema: Film Critics on the Front Lines (A symposium in honour of Maia Turovskaya), 4-5 Nov 2010, Trinity College, University of Cambridge. (Unpublished)

texture

Mroz, Matilda (2011) Sculptural form and immersive space: the case of Matthew Barney. In: Moving Image and Institution: Cinema and the Museum in the 21st Century, -11 July 2011, Fitzwilliam College, University of Cambridge. (Unpublished)

Mroz, Matilda (2010) Tarkovsky’s Mirror: “The elusive charm of recognition”. In: Memory and Post-War Russian Cinema: Film Critics on the Front Lines (A symposium in honour of Maia Turovskaya), 4-5 Nov 2010, Trinity College, University of Cambridge. (Unpublished)

the archive

Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. Studies in Eastern European Cinema, 1 (2). pp. 153-165. ISSN 2040-350X (Print), 2040-3518 (Online) (doi:https://doi.org/10.1386/seec.1.2.153_1)

The Girl on the Train

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) The Girl On The Train: Why adapting the ultimate commuting novel makes perfect sense in a world of Brief Encounters. The Huffington Post.

theatre

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

Zisels Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Art/Poetry/Short Story Performance or Reading]

Tilda Swinton

Stabb, Walter S. (2016) The Seasons In Quincy: Four Portraits of John Berger. [Video]

time

Mroz, Matilda (2010) Tarkovsky’s Mirror: “The elusive charm of recognition”. In: Memory and Post-War Russian Cinema: Film Critics on the Front Lines (A symposium in honour of Maia Turovskaya), 4-5 Nov 2010, Trinity College, University of Cambridge. (Unpublished)

trans-national

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624

translation

Pettit, Zoë ORCID: 0000-0002-1909-8947 (2009) Connecting cultures: cultural transfer in subtitling and dubbing. In: Díaz Cintas, Jorge, (ed.) New Trends In Audiovisual Translation. Topics in Translation . Multilingual Matters, Bristol, UK, pp. 47-60. ISBN 9781847691545

translation studies

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624

trauma

Mroz, Matilda (2011) History in Polish film and new media. In: University of Central Lancashire Guest Lecture, 30 Mar 2001, UCLAN, Preston, UK. (Unpublished)

Mroz, Matilda (2013) Katyń in Poland. In: Remembering Katyń, 22 Mar 2013, Warsaw, Poland. (Unpublished)

Mroz, Matilda (2011) Wajda’s Katyn across generational and national boundaries. In: The Language of Art and Music: "An International Symposium on the Potential for Artistic Expression to Cross Cultural Barriers and the Relationship between Art, Culture, and International Relations", 17 - 20 Feb 2011, Institute for Cultural Diplomacy, Berlin. (Unpublished)

Tran, Danielle (2016) Visible and invisible trauma: locating AIDS within a gendered framework in Darrell James Roodt’s Yesterday. Safundi, 17 (4). pp. 434-446. ISSN 1753-3171 (Print), 1543-1304 (Online) (doi:https://doi.org/10.1080/17533171.2016.1223615)

tunnels

Brown, Christopher (2018) Coccolith. [Video]

Twin Peaks

Garcia, Mark (2018) REDroom REDux. [Video] (Submitted)

UK distributors

Wroot, Jonathan ORCID: 0000-0002-6827-728X (2018) Distributing Asian cinema, Past and present: Definitions from DVD labels. In: Magnan-Park, Aaron Han Joon, Marchetti, Gina and Tan, See Kam, (eds.) The Palgrave Handbook of Asian Cinema. Literature, Cultural and Media Studies . Palgrave Macmillan. ISBN 978-1349958214 (doi:https://doi.org/10.1057/978-1-349-95822-1)

uncanny

Fiddler, Michael ORCID: 0000-0002-0695-6770 (2007) Projecting the prison: the depiction of the uncanny in The Shawshank Redemption. Crime Media Culture, 3 (2). pp. 192-206. ISSN 1741-6590 (doi:https://doi.org/10.1177/1741659007078546)

Verisimilitude

Fiddler, Michael ORCID: 0000-0002-0695-6770 and Banwell, Stacy ORCID: 0000-0001-7395-2617 (2018) ‘Forget about all your taboos’: transgressive memory and Nazisploitation. Studies in European Cinema. ISSN 1741-1548 (Print), 2040-0594 (Online) (doi:https://doi.org/10.1080/17411548.2018.1456188)

Video games

O'Thomas, Mark ORCID: 0000-0001-9264-8813 (2016) Minecraft the Movie: How will the adaptation respond to the challenge of creativity? The Huffington Post.

Vlastaras

Hobbs, James (2017) I am a Karate American egg. [Art/Poetry/Short Story Performance or Reading]

Wajda

Mroz, Matilda (2007) Fracturing the marble façade: Visceral excavation in Andrzej Wajda’s 'Man of Marble'. Senses of Cinema, 43. ISSN 1443-4059

war

Mroz, Matilda (2011) History in Polish film and new media. In: University of Central Lancashire Guest Lecture, 30 Mar 2001, UCLAN, Preston, UK. (Unpublished)

war films

Collins, John Roy (2006) Reel wars: Cold War, civil rights and Hollywood's changing interpretation of the American Civil War 1945-75. MPhil thesis, University of Greenwich.

Wawa No Cidal

Brown, Christopher (2017) “Even If You Have Nothing, You Should Keep Filming”: An Interview with Cheng Yu-Chieh on 'Wawa No Cidal' (2015). Senses of Cinema (82). ISSN 1443-4059

Ways of Seeing

Stabb, Walter S. (2016) The Seasons In Quincy: Four Portraits of John Berger. [Video]

Wellbeing

Gritton, Jim, Stewart, Jill, Jeavons, Charlotte, Mehmet, Nevin and La Placa, Vincent (2016) Movies in the classroom: Lessons for curriculum design. Compass: Journal of Learning and Teaching, 8 (12). ISSN 2044-0073 (Print), 2044-0081 (Online) (doi:https://doi.org/10.21100/compass.v8i12.272)

William Shakespeare

Lee, Adele (2010) 'Chop-socky Shakespeare'?!: The Bard onscreen in Hong Kong. Shakespeare Bulletin, 28 (4). pp. 459-480. ISSN 0748-2558 (Print), 1931-1427 (Online) (doi:https://doi.org/10.1353/shb.2010.0031)

y Polish cinema

Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. In: Europe East and West: Film, History, and Mourning, 18 May 2010, King's College, University of Cambridge. (Unpublished)

This list was generated on Thu Dec 2 12:24:14 2021 UTC.