Items where Faculty / School / Research Centre / Research Groups is "Literature & Drama Research Group"
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- University Structure (74)
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- Literature & Drama Research Group (74)
- Faculty of Liberal Arts & Sciences (74)
2023
Civale, Susan and Sheridan, Claire (2023) Romantic novels 1817 and 1818: introduction. Romantic Textualities, 24. pp. 11-24. ISSN 1748-0116 (Online) (doi:https://doi.org/10.18573/romtext.100)
2022
King, Andrew
ORCID: 0000-0003-2348-4231
(ed.)
(2022)
Work and the Nineteenth-Century press: living work for living people.
Routledge, New York and London.
ISBN 978-1032346557; 978-1032346540; 978-1003323204
2021
Derbyshire, Henry
ORCID: 0000-0002-1373-1166
(2021)
The Theatre of the Absurd as professional network in Pinter’s early career.
Harold Pinter: Stages, Networks, Collaborations.
Methuen Drama Engage
.
Bloomsbury.
ISBN 9781350133624
Hodgson, Andrew, Snajdr, Rosemary
ORCID: 0000-0002-2096-1242
and Clarke, Chris (eds.)
(2021)
Praxis.
Dostoyevsky Wannabe Originals
.
Dostoyevsky Wannabe, Manchester.
ISBN 978-1838015664
King, Andrew
ORCID: 0000-0003-2348-4231
(2021)
Intro-/Inter-: Laurel Brake and the political epistemology of the introduction 1990–2016.
Journal of Victorian Culture (JVC), 26 (3).
pp. 338-339.
ISSN 1355-5502 (Print), 1750-0133 (Online)
(doi:https://doi.org/10.1093/jvcult/vcab012)
King, Andrew
ORCID: 0000-0003-2348-4231
(2021)
Welcome.
Victorian Popular Fictions, 3 (1):1.
pp. 1-3.
ISSN 2632-4253
(doi:https://doi.org/10.46911/JFAN9805)
Lopes Ramos, Jorge
ORCID: 0000-0003-4868-9700
, Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim
(2021)
Slippages in perception: an interview with ZU-UK.
[Audio]
Snailham, Fiona (2021) My sister haunts me: sororal spectres and the “Otherness” of female sexual desire in the mid-nineteenth century ghost story. Women's Writing, 28 (4). pp. 529-547. ISSN 0969-9082 (Print), 1747-5848 (Online) (doi:https://doi.org/10.1080/09699082.2021.1985290)
Snajdr, Rosie
ORCID: 0000-0002-2096-1242
(2021)
Whorl the prudident slipt.
Veer2
.
Veer Books, London.
ISBN 978-1911567196
2020
King, Andrew
ORCID: 0000-0003-2348-4231
(2020)
Welcome.
Victorian Popular Fictions, 2 (2):1.
pp. 1-2.
ISSN 2632-4253
(doi:https://doi.org/10.46911/DZGG6238)
Maravala, Persis-Jadé and Bucknall, Joanna (2020) TAIT Scholar Episode 1 with Persis-Jadé Maravala: TAIT (Talking About Immersive Theatre) podcast. [Audio]
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2020)
Uncovering New Voices at the Royal Court Theatre- Interview with Vicky Featherstone.
In: Galea, Marco and Musca, Szabolcs, (eds.)
Redefining Theatre Communities – International Perspectives on Community-Conscious Theatre-Making.
Intellect, Bristol.
ISBN 9781789380767
Oxley, Natasha
ORCID: 0000-0003-0011-7113
(2020)
Children as Co-creators in Chiffchaff Children's Theatre Productions: defining methodology and evidencing children's role in the creative process.
In: Talking TYA, 8-10 October 2020, Online.
(Unpublished)
Weston, Daniel Peter (2020) Manifestos and Poetics/Poets on Writing. In: Gortschacher, Wolfgang and Malcolm, David, (eds.) A Companion to Contemporary British and Irish Poetry, 1960-2015. Wiley-Blackwell, Chichester, UK, pp. 97-105. ISBN 978-1118843208; 978-1118843253; 978-1118843215 (doi:https://doi.org/10.1002/9781118843215.ch2b.1)
2019
Allain, Paul, Bennett-Worth, Stacie Lee, Camilleri, Frank, McLaughlin, James
ORCID: 0000-0002-2146-6884
and Wilson, Thomas
(2019)
Editorial.
Theatre, Dance and Performance Training, 10 (2).
pp. 165-168.
ISSN 1944-3927 (Print), 1944-3919 (Online)
(doi:https://doi.org/10.1080/19443927.2019.1625628)
Derbyshire, Henry
ORCID: 0000-0002-1373-1166
(2019)
“Four-square behind the sputum”: dramatic form, female characters and implacable politics in Restoration and Summer.
In: Nicolás Román, Susana, (ed.)
Women in Edward Bond.
Transatlantic Studies in British and North American Culture
.
Peter Lang.
ISBN 978-3631773659
(doi:https://doi.org/10.3726/b15005)
King, Andrew
ORCID: 0000-0003-2348-4231
(2019)
Publishing and marketing.
In: Berensmeyer, Ingo, Beulens, Gert and Demoor, Marysa, (eds.)
The Cambridge Handbook of Literary Authorship.
Cambridge University Press, Cambridge, pp. 415-428.
ISBN 978-1107168657
(doi:https://doi.org/10.1017/9781316717516)
King, Andrew
ORCID: 0000-0003-2348-4231
(2019)
Victorian Popular Fictions Today: “feel these words as mama does!”.
Victorian Popular Fictions, 1 (1):1.
pp. 6-34.
ISSN 2632-4253 (Online)
King, Andrew
ORCID: 0000-0003-2348-4231
(2019)
Welcome.
Victorian Popular Fictions, 1 (1).
pp. 1-5.
ISSN 2632-4253
King, Andrew
ORCID: 0000-0003-2348-4231
(2019)
Welcome to Issue 1.2 (Autumn 2019).
Victorian Popular Fictions, 1 (2).
pp. 1-2.
ISSN 2632-4253 (Online)
McLaughlin, James
ORCID: 0000-0002-2146-6884
(2019)
The trainee speaks: the potential role of the blog in training discourse.
Theatre, Dance and Performance Training, 10 (2).
pp. 289-291.
ISSN 1944-3927 (Print), 1944-3919 (Online)
(doi:https://doi.org/10.1080/19443927.2019.1625623)
McLaughlin, James A.
ORCID: 0000-0002-2146-6884
(2019)
Reinscribing the Self: Performer Training as Cultural Pentimento.
In: Embodied/Embodying Performer Training: Practices and Practicalities: TaPRA Performer Training Working Group Interim Event, 24 April 2019, University of South Wales, Cardiff Campus, The ATRiuM.
(Unpublished)
Pheby, Alexander (2019) Mordew. Galley Beggar Press, Norwich.
2018
King, Andrew
ORCID: 0000-0003-2348-4231
(2018)
Cassell's Illustrated Family Paper.
In: Morrison, Kevin A., (ed.)
Companion to Victorian Popular Fiction.
McFarland, Jefferson, North Carolina, USA.
ISBN 978-1476669038
King, Andrew
ORCID: 0000-0003-2348-4231
(2018)
Excessive reference: “proximity” and personality in nineteenth-century crime fiction.
In: Measure and Excess: INCS International Conference, 13-15 June 2018, Universita di Roma 3, Rome, Italy.
King, Andrew
ORCID: 0000-0003-2348-4231
(2018)
The Family Herald.
In: Morrison, Kevin A., (ed.)
Companion to Victorian Popular Fiction.
McFarland, Jefferson, North Carolina, USA.
ISBN 978-1476669038
King, Andrew
ORCID: 0000-0003-2348-4231
(2018)
History of the British and Irish Magazine.
Oxford Bibliographies in Communication.
(doi:https://doi.org/10.1093/OBO/9780199756841-0198)
King, Andrew
ORCID: 0000-0003-2348-4231
(2018)
The London Journal.
In: Morrison, Kevin A., (ed.)
Companion to Victorian Popular Fiction.
McFarland, Jefferson, North Carolina, USA.
ISBN 978-1476669038
King, Andrew
ORCID: 0000-0003-2348-4231
(2018)
Penny Fiction Periodicals.
In: Morrison, Kevin A., (ed.)
Companion to Victorian Popular Fiction.
McFarland, Jefferson, North Carolina, USA.
ISBN 978-1476669038
King, Andrew
ORCID: 0000-0003-2348-4231
(2018)
Reynolds's Miscellany.
In: Morrison, Kevin A., (ed.)
Companion to Victorian Popular Fiction.
McFarland, Jefferson, North Carolina, USA.
ISBN 978-1476669038
King, Andrew
ORCID: 0000-0003-2348-4231
(2018)
Serial Marketing: Ouida in the 1860s.
In: Open University History of Books and Reading with Institute of English Studies, 5 March 2018, Senate House, University of London.
(Unpublished)
King, Andrew
ORCID: 0000-0003-2348-4231
(2018)
Series and Serials.
In: Morrison, Kevin A., (ed.)
Companion to Victorian Popular Fiction.
McFarland, Jefferson, North Carolina, USA.
ISBN 978-1476669038
King, Andrew
ORCID: 0000-0003-2348-4231
(2018)
"Suicide".
In: Morrison, Kevin A., (ed.)
Companion to Victorian Popular Fiction.
McFarland, Jefferson, North Carolina, USA.
ISBN 978-1476669038
King, Andrew
ORCID: 0000-0003-2348-4231
(2018)
What is "Victorian popular fiction"?
In: War and Peace: the 10th Annual Conference of the Victorian Popular Fiction Association, 3-7 July 2018, Senate House, University of London.
(Unpublished)
McLaughlin, James
ORCID: 0000-0002-2146-6884
(2018)
Phantom scripts:
The censor’s archive and the phantom scripts of improvisation.
Performance Research, 23 (2).
pp. 105-109.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:https://doi.org/10.1080/13528165.2018.1464767)
McLaughlin, James
ORCID: 0000-0002-2146-6884
(2018)
System or Ecology: A Critique of the Creative Industries.
In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth.
(Unpublished)
Pheby, Alexander (2018) Dreams of the Dead - IX. [Play, Short Story or Poetry]
Solanke, Adeola (2018) BBC Radio 3: In Tune: Interview about The Court Must Have a Queen. BBC.
Solanke, Adeola (2018) BBC Radio London interview - Ade Solanke. BBC.
Solanke, Adeola (2018) Cast info - The Court Must Have a Queen by Ade Solanke. [Dataset]
Solanke, Adeola (2018) Clip from The Court Must Have a Queen by Ade Solanke. [Video]
Solanke, Adeola (2018) Daily Programme - Hampton Court Palace. [Dataset]
Solanke, Adeola (2018) Information sheet - The Court Must Have a Queen. [Dataset] (Submitted)
Solanke, Adeola (2018) What's happening in Black British history? IX - Workshop Agenda. In: What's Happening in Black British History, November 8th, 2018, Senate House, Malet Street, London.
Weston, Daniel (2018) Two contemporary poets and the Ted Hughes bestiary. The Ted Hughes Society Journal, 7 (1). pp. 89-101. ISSN 2051-7270
Weston, Daniel Peter (2018) The environment in British fiction and non-fiction prose since 1945. Oxford Research Encyclopedia of Literature. Oxford University Press, Oxford.
Young, Jennifer (2018) Why stationers don't collaborate. In: International Shakespeare Conference, 22 - 27 Jul 2018, Shakespeare Institute, Stratford Upon Avon. (Unpublished)
2017
Holden, Nicholas
ORCID: 0000-0002-3437-1702
(2017)
'Making New Theatre Together': Developing writers' and creating community in the first writers' group at the Royal Court and its legacy within the Young Writers' Programme.
Theatre History Studies, 36.
pp. 248-265.
ISSN 0733-2033 (Print), 2166-9953 (Online)
(doi:https://doi.org/10.1353/ths.2017.0011)
King, Andrew
ORCID: 0000-0003-2348-4231
(2017)
Colby Prize Lecture part 1 (and final): Periodical Collaborations - Past, Present and Future.
In: Research Society for Victorian Periodicals, 27-29 July 2017, Freiburg, Germany.
King, Andrew
ORCID: 0000-0003-2348-4231
(2017)
Detective Fiction Session 2: "Detection and Sensation”: Part 1: ‘Why Henry Dunbar?’.
[Video]
King, Andrew
ORCID: 0000-0003-2348-4231
(2017)
Detective Fiction: Introduction Part 1: “Edgar Allan Poe & How to Read (Clues)”.
[Video]
King, Andrew
ORCID: 0000-0003-2348-4231
(2017)
Detective Fiction: Introduction Part 2: “Time for Detection”.
[Video]
King, Andrew
ORCID: 0000-0003-2348-4231
(2017)
Detective Fiction: Introduction Part 3: “Discourse and the Interpretation of Texts”.
[Video]
King, Andrew
ORCID: 0000-0003-2348-4231
(2017)
Henry Dunbar Part 2.
[Video]
King, Andrew
ORCID: 0000-0003-2348-4231
(2017)
Henry Dunbar Part 3.
[Video]
King, Andrew
ORCID: 0000-0003-2348-4231
(2017)
Henry Dunbar Part 4.
[Video]
Lopes Ramos, Jorge
ORCID: 0000-0003-4868-9700
and Bucknall, Joanna
(2017)
TAIT Episode 20 with Jorge Lopes Ramos: TAIT (Talking About Immersive Theatre) podcast.
[Audio]
McLaughlin, James
ORCID: 0000-0002-2146-6884
(2017)
Stepping off the Cliff: The sharp divide between training and performance in improvised comedy.
In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.
Morton, John
ORCID: 0000-0002-9089-7450
(2017)
Researching a single journalist: Alfred Austin.
In: Easley, Alexis, King, Andrew
ORCID: 0000-0003-2348-4231
and Morton, John
ORCID: 0000-0002-9089-7450
, (eds.)
Researching the Nineteenth-Century Periodical Press: Case Studies.
Routledge, pp. 14-29.
ISBN 978-1409468851
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2017)
Introduction to Cock by Mike Bartlett.
Cock.
Modern Classics
.
Methuen, London, pp. 5-18.
ISBN 9781474229630
2016
Morton, John
ORCID: 0000-0002-9089-7450
(2016)
Science in neo-Victorian poetry.
Victoriographies, 6 (2).
pp. 131-146.
ISSN 2044-2416 (Print), 2044-2424 (Online)
(doi:https://doi.org/10.3366/vic.2016.0228)
2015
King, Andrew
ORCID: 0000-0003-2348-4231
(2015)
Ouida (Marie Louise Ramé).
In: Feluga, Dino, Gilbert, Pamela and Hughes, Linda K., (eds.)
The Encyclopedia of Victorian Literature.
Wiley-Blackwell, Hoboken, New Jersey.
ISBN 9781118405383
(doi:https://doi.org/10.1111/b.9781118405383.2015.x)
King, Andrew
ORCID: 0000-0003-2348-4231
(2015)
The ideal reader: Nineteenth-century women's transatlantic fiction, love, knowledge and silence.
In: American Studies Research Seminar, 22 April, 2015, University of East Anglia, UK.
(Unpublished)
Solanke, Adeola (2015) Dazzling Mirage. [Play, Short Story or Poetry]
Solanke, Adeola (2015) Play - East End Boys, West End Girls by Ade Solanke. [Creative Performance or Reading]
Weston, Daniel Peter (2015) Nature writing and the environmental imagination. In: James, David, (ed.) The Cambridge Companion to British Fiction since 1945. Cambridge University Press, Cambridge, pp. 110-126. ISBN 978-1107562714 (doi:https://doi.org/10.1017/CCO9781139628754.009)
2014
Jordan, Jane and King, Andrew
ORCID: 0000-0003-2348-4231
(2014)
How to read Ouida:"A Dog of Flanders".
In: Lecture presenting Ouida and Victorian Popular Culture, 26 Feb 2014, University of Kingson, Kingston upon Thames, Surrey, UK.
(Unpublished)
King, Andrew
ORCID: 0000-0003-2348-4231
(2014)
If it doesn't hurt it isn't real: realism, Dickens, journalism.
In: Public lecture series, 3-12 Nov 2014, University of Macerata, Italy.
(Unpublished)
King, Andrew
ORCID: 0000-0003-2348-4231
(2014)
New women, new publishing? Women and print culture 1890-1914.
In: Public lecture series, 3-12 Nov 2014, University of Macerata, Italy.
(Unpublished)
King, Andrew
ORCID: 0000-0003-2348-4231
(2014)
Sex and the city: Victorian women, power, periodicals and shopping.
In: Public lecture series, 3-12 Nov 2014, University of Macerata, Italy.
(Unpublished)
King, Andrew
ORCID: 0000-0003-2348-4231
(2014)
The vicissitudes of biography; or, how to welcome an Other - Le vicissitudini del raccontare una vita; o come accogliere un Altro.
In: Visiting Scholar Open Day, 11 November, 2014, University of Macerata, Italy.
McLaughlin, James
ORCID: 0000-0002-2146-6884
(2014)
The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain.
In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX.
(Unpublished)
McLaughlin, James
ORCID: 0000-0002-2146-6884
(2014)
The Spontaneity Drain: The social pressures that shaped and then exiled Keith Johnstone's improvisation.
In: Comedy and Society Symposium, 22 November 2014, School of Drama, Music and Screen, University of Hull.
McLaughlin, James
ORCID: 0000-0002-2146-6884
(2014)
The Subjective Ethics of Meisner’s Repetition Exercise: The incompatibility of objective morality and the performative moment.
In: Obligations in Contemporary Theatre and Performance Practices, 30-31 January 2014, The University of Exeter, New North Rd, Thornlea, Exeter EX4 4LA.