Hockham, David ORCID: 0000-0001-9362-1137 (2021) Responding to Creation Theatre’s Time Machine: a production moved to Zoom in light of COVID-19. PARtake: The Journal of Performance as Research, 3 (2). pp. 1-6. ISSN 2472-0860 (doi:https://doi.org/10.33011/partake.v3i2.541)

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Abstract

Using Creation Theatre’s TheTime Machine (2020) as a reference point, this review reflects on how the theatre-hybrid form of “Zoom performance” creates new audience development and participation opportunities compared to live theatre performance. This piece is partnered with an interview recording with Jonathan Holloway, the Time Machine's Playwright.

Item Type:	Article
Uncontrolled Keywords:	Zoom performance; digital performance; digital; Zoom; hybrid theatre online; UK COVID-19; pandemic performance; review
Subjects:	H Social Sciences > H Social Sciences (General) P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater T Technology > T Technology (General)
Faculty / School / Research Centre / Research Group:	Faculty of Liberal Arts & Sciences Faculty of Liberal Arts & Sciences > Drama, Theatre & Performance (DTP)
Related URLs:	Publisher Publisher
Last Modified:	30 Mar 2023 15:00
URI:	http://gala.gre.ac.uk/id/eprint/39123

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