Papadaki, Elena ORCID: https://orcid.org/0000-0002-6653-4334 (2019) Between the art canon and the margins: historicizing technology-reliant art via curatorial practice. Arts, 8 (3):121. ISSN 2076-0752 (doi:10.3390/arts8030121)

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Abstract

This article explores curatorial practice that has technology-reliant works at its epicentre, arguing that for an efficient methodology to historicize the latter there needs to be a reconfiguration of the curatorial scope and a holistic approach to viewing and documenting exhibitions. Based on theoretical research and install decisions of recent years, the ways in which curatorial practice can be reconfigured within the art canon to inform art history, as well as to accommodate developments in exhibition practices are examined.

Item Type:	Article
Uncontrolled Keywords:	curatorial practice, technology-reliant works, digital arts, exhibition histories, exhibition documentation
Subjects:	N Fine Arts > NX Arts in general
Faculty / School / Research Centre / Research Group:	Faculty of Liberal Arts & Sciences Faculty of Liberal Arts & Sciences > School of Design (DES)
Last Modified:	30 Apr 2020 13:53
URI:	http://gala.gre.ac.uk/id/eprint/25383

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