McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884, Turner, Jane, Weston, Sarah and Condron, Aiden (2024) Editorial. Theatre, Dance and Performance Training, 15 (2):1. pp. 135-142. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2024.2365586)

McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884, Weston, Sarah, Turner, Jane and Condron, Aiden (2024) Special Issue: Theatre, Dance and Performance Training, Volume 15, Issue 2 (2024). Taylor and Francis Group - Routledge, Abingdon, UK.

McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884 (2022) Ghost transmissions: concrete objects and ephemeral encounters. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex.

McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:10.1080/2040610X.2022.2091733)

Allain, Paul, Bennett-Worth, Stacie Lee, Camilleri, Frank, McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884 and Wilson, Thomas (2019) Editorial. Theatre, Dance and Performance Training, 10 (2). pp. 165-168. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625628)

Maravala, Persis Jade, McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625626)

McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625623)

McLaughlin, James A. ORCID: https://orcid.org/0000-0002-2146-6884 (2019) Reinscribing the Self: Performer Training as Cultural Pentimento. In: Embodied/Embodying Performer Training: Practices and Practicalities: TaPRA Performer Training Working Group Interim Event, 24 April 2019, University of South Wales, Cardiff Campus, The ATRiuM. (Unpublished)

McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884 (2018) Phantom scripts: The censor’s archive and the phantom scripts of improvisation. Performance Research, 23 (2). pp. 105-109. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:10.1080/13528165.2018.1464767)

McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884 (2014) The Spontaneity Drain: The social pressures that shaped and then exiled Keith Johnstone's improvisation. In: Comedy and Society Symposium, 22 November 2014, School of Drama, Music and Screen, University of Hull.

McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)

McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884 (2014) The Subjective Ethics of Meisner’s Repetition Exercise: The incompatibility of objective morality and the performative moment. In: Obligations in Contemporary Theatre and Performance Practices, 30-31 January 2014, The University of Exeter, New North Rd, Thornlea, Exeter EX4 4LA.