Items where Greenwich Author is "O'Thomas, Mark"
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2022
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2022)
Rita, Sue and #Metoo: the Royal Court Theatre, London, and liberalism.
Comparative Drama, 56 (1&2).
pp. 157-178.
ISSN 0010-4078
(doi:https://doi.org/10.1353/cdr.2022.0006)
Derbyshire, Henry
ORCID: 0000-0002-1373-1166
, Holden, Nicholas
ORCID: 0000-0002-3437-1702
, O'Thomas, Mark
ORCID: 0000-0001-9264-8813
and Knapper, Daniel (eds.)
(2022)
Comparative Drama.
Special Issue on London's Theatre: Places, Communities, Futures, 56
(1&2).
University of Western Michigan, Michigan, USA.
ISBN 56, Number 1 & 2, Spring & Summer 2022
ISSN 0010-4078 (Online)
Derbyshire, Henry
ORCID: 0000-0002-1373-1166
, Holden, Nicholas
ORCID: 0000-0002-3437-1702
and O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2022)
Introduction - There's no place like London: theatrical landscapes of a city in recovery.
Comparative Drama, 56 (1&2):1.
pp. 1-11.
ISSN 0010-4078
(doi:https://doi.org/10.1353/cdr.2022.0000)
2020
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2020)
Uncovering New Voices at the Royal Court Theatre- Interview with Vicky Featherstone.
In: Galea, Marco and Musca, Szabolcs, (eds.)
Redefining Theatre Communities – International Perspectives on Community-Conscious Theatre-Making.
Intellect, Bristol.
ISBN 9781789380767
2018
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2018)
There’ll always be an England – Butlins, Brexit and the Heterotopic Body.
Journal of European Popular Culture, 9 (1).
pp. 33-41.
ISSN 2040-6134
(doi:https://doi.org/10.1386/jepc.9.1.33_1)
2017
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2017)
Humanum ex machina: Translation in the post-global, posthuman world.
Target. International Journal of Translation Studies, 29 (2).
pp. 284-300.
ISSN 0924-1884 (Print), 1569-9986 (Online)
(doi:https://doi.org/10.1075/target.29.2.05oth)
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2017)
My Country: a play about Brexit that tries to break the bubble but disappoints.
The Conversation.
ISSN 2201-5639
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2017)
Introduction to Cock by Mike Bartlett.
Cock.
Modern Classics
.
Methuen, London, pp. 5-18.
ISBN 9781474229630
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2017)
Why Hamilton's arrival In London should not be written off as just another mega-musical.
The Huffington Post.
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2017)
Introduction.
In: O'Thomas, Mark
ORCID: 0000-0001-9264-8813
, (ed.)
Mike Barlett's Cock.
Bloomsbury Academic, London, pp. 5-18.
ISBN 978-1474229630
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2017)
The TEF and student success – Why participation is key to learning and teaching.
TEF: Voices from the sector.
2016
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2016)
Elf: Christmas cheer amid the darkness.
Times Higher Education.
ISSN 0049-3929
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2016)
Ten reasons why parents should value academics.
The Huffington Post.
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2016)
Minecraft the Movie: How will the adaptation respond to the challenge of creativity?
The Huffington Post.
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2016)
What are you reading?
Times Higher Education.
ISSN 0049-3929
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2016)
The Girl On The Train: Why adapting the ultimate commuting novel makes perfect sense in a world of Brief Encounters.
The Huffington Post.
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2016)
Translating austerity: Theatrical responses to the financial crisis.
Twenty-First Century Drama: What Happens Now.
Palgrave Macmillan, pp. 129-148.
ISBN 978-1137484024
(doi:https://doi.org/10.1057/978-1-137-48403-1_7)
2015
Aston, Elaine and O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2015)
Royal Court: International.
Studies in International Performance book series (STUDINPERF)
.
Palgrave Macmillan, London.
ISBN 978-1137461827
2014
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2014)
Stages of the Loss: translation as contamination. How The Ritual made it to the Royal National Theatre.
Theatre Research International, 39 (2).
pp. 120-132.
ISSN 0307-8833 (Print), 1474-0672 (Online)
(doi:https://doi.org/10.1017/S0307883314000042)
2013
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2013)
Translation, theatre practice and the jazz metaphor.
Journal of Adaptation in Film & Performance, 6 (1).
pp. 55-64.
ISSN 1753-6421
(doi:https://doi.org/10.1386/jafp.6.1.55_1)
Aston, Elaine Frances and O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2013)
Imagining with others: the transformative process of the Royal Court Theatre's international department.
In: Amine, Khalid and Roberson, George F., (eds.)
Performing Transformations.
Collaborative Media International, Denver, Amherst, Tangier, pp. 38-46.
ISBN 978-0982440964
2012
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2012)
The Ritual/ O Ritual.
Conexões.
British Council, São Paulo.
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2012)
Rewriting The Book of Disquiet.
Word & Text: A Journal of Literary Studies & Linguistics, 2 (2).
pp. 173-179.
ISSN 2069-9271
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2012)
The only was is... Basildon.
Times Higher Education.
ISSN 0049-3929
2010
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2010)
Analysing the screenplay: A comparative approach.
In: Nelmes, Jill, (ed.)
Analysing The Screenplay.
Routledge, London, pp. 237-251.
ISBN 978-0415556347
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2010)
Turning Japanese: translation, adaptation, and the ethics of trans-national exchange.
In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.)
Adaptation Studies: New Approaches.
Fairleigh Dickinson University Press, pp. 46-60.
ISBN 978-0838642627
ISSN 0838642624
O'Thomas, Mark
ORCID: 0000-0001-9264-8813
(2010)
Adaptation and creative writing: Brokeback Mountain on the London Underground.
In: Cutchins, Dennis, Raw, Laurence and Welsh, James M., (eds.)
Redefining Adaptation Studies.
Scarecrow Press, pp. 45-55.
ISBN 978-0810872981