Archive Derrida, body, Sikorski, digital cinema, indexicality film theor,y Polish cinema

Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. In: Europe East and West: Film, History, and Mourning, 18 May 2010, King's College, University of Cambridge. (Unpublished)

Bergson, duration, Tarkovsky, pool, aesthetics, temporality, texture

Mroz, Matilda (2014) The aesthetics of overflow: Tarkovsky’s Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pamela, (eds.) The Cinema of the Swimming Pool. New Studies in European Cinema (17). Peter Lang AG, Oxford / Bern / Berlin / Bruxelles / Frankfurt am Main / New York / Wien, pp. 169-180. ISBN 978-3034317832

Cinema censorship, Poland, Wajda monument, war

Mroz, Matilda (2010) Cinema and censorship in post-war Poland. In: Darwin College Humanities and Social Sciences Group series, 25 May 2010, Darwin College, University of Cambridge, UK. (Unpublished)

Katyn massacre, film, Poland, trauma, memorial, history

Mroz, Matilda (2013) Katyń in Poland. In: Remembering Katyń, 22 Mar 2013, Warsaw, Poland. (Unpublished)

Katyn massacres, trauma, memorial, film music

Mroz, Matilda (2011) Wajda’s Katyn across generational and national boundaries. In: The Language of Art and Music: "An International Symposium on the Potential for Artistic Expression to Cross Cultural Barriers and the Relationship between Art, Culture, and International Relations", 17 - 20 Feb 2011, Institute for Cultural Diplomacy, Berlin. (Unpublished)

Katyn, massacre, memory, Stalin

Etkind, Alexander, Finnin, Rory, Blacker, Uilleam, Fedor, Julie, Lewis, Simon, Mälksoo, Maria and Mroz, Matilda (2012) Remembering Katyn. Polity Press, Cambridge, UK. ISBN 9780745655765

Memory, memorials, Home Army, mourning, film theory

Mroz, Matilda (2010) Cinema and memorial practices in post-war Poland. In: East European Memory Studies Research Group 2009-10, 10 Feb 2010, King's College, University of Cambridge, UK. (Unpublished)

Polish cinema, memory, digital film theory, history

Mroz, Matilda (2010) Cinematic histories in contemporary Poland. In: Memory at War Inaugural Workshop, 4-5 Jun 2010, King's College, University of Cambridge, UK. (Unpublished)

Polish film theory, archive, Derrida

Mroz, Matilda (2013) Traces and copies in audiovisual archives: the case of General Sikorski. In: Archiving the History of Polish Exile in Great Britain, 22 Feb 2013, University of Manchester, UK. (Unpublished)

Polish-Jewish relations, contemporary, Polish, visual culture

Mroz, Matilda (2013) Neighbours: Polish-Jewish relations in contemporary Polish visual culture. In: Bangert, Axel, Gordon, Robert S.C. and Saxton, Libby, (eds.) Holocaust Intersections: Genocide and Visual Culture at the New Millennium. Legenda / Maney Publishing, Oxford, UK, pp. 132-147. ISBN 9781907975028

Skolimowski, Polish Cinema

Mroz, Matilda (2009) 'Walkover'. Senses of Cinema, 51. ISSN 1443-4059

Tarkovsky, aesthetics, texture, memory, film, time

Mroz, Matilda (2010) Tarkovsky’s Mirror: “The elusive charm of recognition”. In: Memory and Post-War Russian Cinema: Film Critics on the Front Lines (A symposium in honour of Maia Turovskaya), 4-5 Nov 2010, Trinity College, University of Cambridge. (Unpublished)

Wajda, Polish cinema, Communism, history, body

Mroz, Matilda (2007) Fracturing the marble façade: Visceral excavation in Andrzej Wajda’s 'Man of Marble'. Senses of Cinema, 43. ISSN 1443-4059

body, Socialist realism, Poland, film, cinematography

Mroz, Matilda (2012) Borys Lankosz’s Rewers. In: Europe East and West: Film, History and Mourning Seminar, 13 June 2012, Keynes Hall, King’s College, University of Cambridge. (Unpublished)

cinematic memorial, Bazin, film theory, time, Warsaw Uprising

Mroz, Matilda (2009) Cinema and memorial practice: Bazin encounters Kanal. In: Polish Cinema in an International Context, 3 Dec 2009, Cornerhouse, Manchester, UK. (Unpublished)

history, film, Poland, art, memory, war, trauma, censorship

Mroz, Matilda (2011) History in Polish film and new media. In: University of Central Lancashire Guest Lecture, 30 Mar 2001, UCLAN, Preston, UK. (Unpublished)

installation art, texture, object, sculpture, aesthetics duration, Barney

Mroz, Matilda (2011) Sculptural form and immersive space: the case of Matthew Barney. In: Moving Image and Institution: Cinema and the Museum in the 21st Century, -11 July 2011, Fitzwilliam College, University of Cambridge. (Unpublished)

review, European Cinema, globalisation

Mroz, Matilda (2009) [Book Review] Contemporary European Cinema by Mary P. Wood. London: Hodder Arnold, 2007, 200 pp., ISBN 978-0340761366. The European Legacy: Toward New Paradigms, 14 (7). pp. 881-929. ISSN 1084-8770 (Print), 1470-1316 (Online) (doi:https://doi.org/10.1080/10848770903363961)

suffering, agency and memory in Polish, Russian and Ukrainian films and novels

Mroz, Matilda (2012) Secrets and spies: Communist histories in recent Polish cinema. In: Suffering, Agency, and Memory in Polish, Russian, and Ukrainian Films. Memory at War Conference, 22- 23 Mar 2012, Theologisch Instituut, Groningen, Netherlands. (Unpublished)

temporality, film analysis, cinema

Mroz, Matilda (2012) Temporality and film analysis. Edinburgh University Press, Edinburgh, UK. ISBN 9780748643462

the archive, postmodernism, film aesthetics, historical films, Polish cinema, Dariusz Baliszewski, General Sikorski

Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, The General, and the archive. Studies in Eastern European Cinema, 1 (2). pp. 153-165. ISSN 2040-350X (Print), 2040-3518 (Online) (doi:https://doi.org/10.1386/seec.1.2.153_1)

trauma, memory, mourning, Polish cinema, Wajda Memorial

Mroz, Matilda (2014) The monument and the sewer: memory and death in Wajda’s Kanal (1957). Historical Journal of Film, Radio and Television, 34 (4). pp. 528-545. ISSN 0143-9685 (Print), 1465-3451 (Online) (doi:https://doi.org/10.1080/01439685.2014.903035)