Klikova, Deborah ORCID: https://orcid.org/0000-0001-9883-2646 (2021) Defining the beats in the TV sitcom. In: Batty, Craig and Taylor, Stayci, (eds.) Script Development. Springer - Palgrave Macmillan, Cham, Switzerland, pp. 205-218. ISBN 978-3030487133; 978-3030487126 (doi:10.1007/978-3-030-48713-3_13)

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Abstract

The sitcom is distinguished from drama or soap opera by having what is described as a closed or “circular” narrative structure wherein the plot returns to the original stasis, defined by Curtis as the re-situation (1982). In my book Situation Comedy, Character, and Psychoanalysis: On the Couch with Lucy, Basil, and Kimmie (2018), I analysed character behaviour to argue that the protagonist, in their attempt to dispel or deny the incident that has triggered the story, shapes the narrative in a way that reflects the “entrapment” of the show’s characters, a defining characteristic of this form of comedy (Mills 2005; Mintz 1985). While I argued that the sitcom begins with character, I now extend that premise to posit that the comedy emerges from the character’s reaction/actions to events that threaten their sense of self articulated at an early stage of script development: the beat sheet. In this chapter, I critically examine a beat sheet from one of my own pilots, At the Bar (2016), to determine how beats inform the shape of the narrative structure in this form of comedy.

Item Type:	Book Section
Uncontrolled Keywords:	sitcom; beats; narrative structure
Subjects:	P Language and Literature > PN Literature (General) > PN1990 Broadcasting P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater
Faculty / School / Research Centre / Research Group:	Faculty of Liberal Arts & Sciences Faculty of Liberal Arts & Sciences > School of Stage and Screen
Last Modified:	16 May 2023 08:57
URI:	http://gala.gre.ac.uk/id/eprint/42512

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