Adil, Alev (2004) Venus infers. NE Publications, London. ISBN 978-0954731502Full text not available from this repository.
These poems mark the fault lines of myth, dream and memory, of a doubled identity emerging from the clash of war, desire and the cacophony of the city. 1974/Dead Sister , a narrative poem with a cast that includes Lewis Carroll’s Alice, Freud’s Dora, the Lady of Shalott, Ophelia, Esther, female cowboys and other deposed goddesses is ‘an autobiography’ of an imaginary dead twin. Alev Adil delineates the traces of a sense of displacement, but while the poems mark those frenetic uncertainties and erasures they celebrate the plenitude of new stories, epistemologies and possibilities born out of falling into fracture (the fracture of memory, gender, identity, culture) more than they mourn any loss.
Venus Infers is haunted by the deities of ancient Greek myths and their contemporary manifestations. Eurydice is hiding out in Hackney, sometimes glimpsed on the Jubilee Line; Ariadne remembers her ancient palace as she prowls the endless corridors of a London hotel; Penelope still waits for peace in the ruins of Marash/Varosha. Cyprus often features in these poems, both as a landscape for myth and as a site for contemporary, and contested, memories. [From the Author]
|Uncontrolled Keywords:||poetry, Alev Adil,|
|Subjects:||P Language and Literature > PN Literature (General)|
|School / Department / Research Groups:||School of Humanities & Social Sciences|
Faculty of Architecture, Computing & Humanities > School of Humanities & Social Sciences
School of Humanities & Social Sciences > Department of Communications & Creative Arts
Faculty of Architecture, Computing & Humanities > School of Humanities & Social Sciences > Department of Communications & Creative Arts
Faculty of Architecture, Computing & Humanities
|Last Modified:||22 Sep 2015 17:45|
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