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Items where Author is "O'Thomas, Mark"

Items where Author is "O'Thomas, Mark"

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"royal court theatre" academic research adaptation Adaptation of literature and film adaptation studies Alexander Hamilton American Musical Anti-intellectualism artistic directors arts funding austerity impact biopolitics books box office success and failure Brazil Brazilian playwriting Brexit Brief Encounter British Council British Drama British working-class life Capitalism cinema adaptations Cock communities contemporary British playwriting covid creative writing cultural diplomacy cultural exchange cultural politics Donald Trump drama drama and theatre: general interest elves entertainment Essex's rightwing materialism europe Fernando Pessoa film film studies Filter bubble Foucault funding gender heterotopia Higher Education Funding Council (HEFCE) hip hop theatre housing identity politics international international impact introduction jazz LBTGQ community liberalism London mass communication media metoo metrosexuality Michael Gove Migrant East End families Mike Bartlett Mike Pence musical theatre musicology National Theatre Nationalism neoliberalism New ways to approach adaptation new writing Office for Students (OfS) pandemic performance studies personal and social skills play text playwriting popular performances posthumanism REF reviews royal court royal court theatre screenplay seasonal cheer Socio-political contexts Stage student success students TEF The Girl on the Train theatre theatre translation trans-national transhumanism translation translation studies translation theory universities Video games wast end
Number of items: 129.

"royal court theatre"

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2022) Rita, Sue and #Metoo: the Royal Court Theatre, London, and liberalism. Comparative Drama, 56 (1&2). pp. 157-178. ISSN 0010-4078 (doi:10.1353/cdr.2022.0006)

academic research

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2016) Ten reasons why parents should value academics. The Huffington Post.

adaptation

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2016) The Girl On The Train: Why adapting the ultimate commuting novel makes perfect sense in a world of Brief Encounters. The Huffington Post.

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:10.1386/jafp.6.1.55_1)

Adaptation of literature and film

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2010) Adaptation and creative writing: Brokeback Mountain on the London Underground. In: Cutchins, Dennis, Raw, Laurence and Welsh, James M., (eds.) Redefining Adaptation Studies. Scarecrow Press, pp. 45-55. ISBN 978-0810872981

adaptation studies

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624

Alexander Hamilton

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) Why Hamilton's arrival In London should not be written off as just another mega-musical. The Huffington Post.

American Musical

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

Anti-intellectualism

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2016) Ten reasons why parents should value academics. The Huffington Post.

artistic directors

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

arts funding

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2016) Translating austerity: Theatrical responses to the financial crisis. Twenty-First Century Drama: What Happens Now. Palgrave Macmillan, pp. 129-148. ISBN 978-1137484024 (doi:10.1057/978-1-137-48403-1_7)

austerity impact

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2016) Translating austerity: Theatrical responses to the financial crisis. Twenty-First Century Drama: What Happens Now. Palgrave Macmillan, pp. 129-148. ISBN 978-1137484024 (doi:10.1057/978-1-137-48403-1_7)

biopolitics

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) Humanum ex machina: Translation in the post-global, posthuman world. Target. International Journal of Translation Studies, 29 (2). pp. 284-300. ISSN 0924-1884 (Print), 1569-9986 (Online) (doi:10.1075/target.29.2.05oth)

books

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2016) What are you reading? Times Higher Education. ISSN 0049-3929

box office success and failure

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2016) Minecraft the Movie: How will the adaptation respond to the challenge of creativity? The Huffington Post.

Brazil

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2012) The Ritual/ O Ritual. Conexões. British Council, São Paulo.

Brazilian playwriting

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2014) Stages of the Loss: translation as contamination. How The Ritual made it to the Royal National Theatre. Theatre Research International, 39 (2). pp. 120-132. ISSN 0307-8833 (Print), 1474-0672 (Online) (doi:10.1017/S0307883314000042)

Brexit

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2018) There’ll always be an England – Butlins, Brexit and the Heterotopic Body. Journal of European Popular Culture, 9 (1). pp. 33-41. ISSN 2040-6134 (doi:10.1386/jepc.9.1.33_1)

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) My Country: a play about Brexit that tries to break the bubble but disappoints. The Conversation. ISSN 2201-5639

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2016) Ten reasons why parents should value academics. The Huffington Post.

Brief Encounter

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2016) The Girl On The Train: Why adapting the ultimate commuting novel makes perfect sense in a world of Brief Encounters. The Huffington Post.

British Council

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2012) The Ritual/ O Ritual. Conexões. British Council, São Paulo.

British Drama

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

British working-class life

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2012) The only was is... Basildon. Times Higher Education. ISSN 0049-3929

Capitalism

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

cinema adaptations

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2016) Minecraft the Movie: How will the adaptation respond to the challenge of creativity? The Huffington Post.

Cock

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) Introduction to Cock by Mike Bartlett. Cock. Modern Classics . Methuen, London, pp. 5-18. ISBN 9781474229630

communities

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2020) Uncovering New Voices at the Royal Court Theatre- Interview with Vicky Featherstone. In: Galea, Marco and Musca, Szabolcs, (eds.) Redefining Theatre Communities – International Perspectives on Community-Conscious Theatre-Making. Intellect, Bristol. ISBN 9781789380767

contemporary British playwriting

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) Introduction. In: O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813, (ed.) Mike Barlett's Cock. Bloomsbury Academic, London, pp. 5-18. ISBN 978-1474229630

covid

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702 and O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2022) Introduction - There's no place like London: theatrical landscapes of a city in recovery. Comparative Drama, 56 (1&2):1. pp. 1-11. ISSN 0010-4078 (doi:10.1353/cdr.2022.0000)

creative writing

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2010) Analysing the screenplay: A comparative approach. In: Nelmes, Jill, (ed.) Analysing The Screenplay. Routledge, London, pp. 237-251. ISBN 978-0415556347

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2010) Adaptation and creative writing: Brokeback Mountain on the London Underground. In: Cutchins, Dennis, Raw, Laurence and Welsh, James M., (eds.) Redefining Adaptation Studies. Scarecrow Press, pp. 45-55. ISBN 978-0810872981

cultural diplomacy

Aston, Elaine and O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2015) Royal Court: International. Studies in International Performance book series (STUDINPERF) . Palgrave Macmillan, London. ISBN 978-1137461827

cultural exchange

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624

cultural politics

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2016) Translating austerity: Theatrical responses to the financial crisis. Twenty-First Century Drama: What Happens Now. Palgrave Macmillan, pp. 129-148. ISBN 978-1137484024 (doi:10.1057/978-1-137-48403-1_7)

Donald Trump

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) My Country: a play about Brexit that tries to break the bubble but disappoints. The Conversation. ISSN 2201-5639

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) Why Hamilton's arrival In London should not be written off as just another mega-musical. The Huffington Post.

drama

Hand, Richard J. and O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (eds.) (2023) American Horror Story and Cult Television: Narratives, Histories and Discourses. Anthem Press. ISBN 978-1785279331

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2022) Rita, Sue and #Metoo: the Royal Court Theatre, London, and liberalism. Comparative Drama, 56 (1&2). pp. 157-178. ISSN 0010-4078 (doi:10.1353/cdr.2022.0006)

drama and theatre: general interest

Hand, Richard J. and O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (eds.) (2023) American Horror Story and Cult Television: Narratives, Histories and Discourses. Anthem Press. ISBN 978-1785279331

elves

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2016) Elf: Christmas cheer amid the darkness. Times Higher Education. ISSN 0049-3929

entertainment

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2018) There’ll always be an England – Butlins, Brexit and the Heterotopic Body. Journal of European Popular Culture, 9 (1). pp. 33-41. ISSN 2040-6134 (doi:10.1386/jepc.9.1.33_1)

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2016) Elf: Christmas cheer amid the darkness. Times Higher Education. ISSN 0049-3929

Essex's rightwing materialism

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2012) The only was is... Basildon. Times Higher Education. ISSN 0049-3929

europe

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2016) Translating austerity: Theatrical responses to the financial crisis. Twenty-First Century Drama: What Happens Now. Palgrave Macmillan, pp. 129-148. ISBN 978-1137484024 (doi:10.1057/978-1-137-48403-1_7)

Fernando Pessoa

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2012) Rewriting The Book of Disquiet. Word & Text: A Journal of Literary Studies & Linguistics, 2 (2). pp. 173-179. ISSN 2069-9271

film

Hand, Richard J. and O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (eds.) (2023) American Horror Story and Cult Television: Narratives, Histories and Discourses. Anthem Press. ISBN 978-1785279331

film studies

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624

Filter bubble

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) My Country: a play about Brexit that tries to break the bubble but disappoints. The Conversation. ISSN 2201-5639

Foucault

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2018) There’ll always be an England – Butlins, Brexit and the Heterotopic Body. Journal of European Popular Culture, 9 (1). pp. 33-41. ISSN 2040-6134 (doi:10.1386/jepc.9.1.33_1)

funding

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

gender

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) Introduction. In: O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813, (ed.) Mike Barlett's Cock. Bloomsbury Academic, London, pp. 5-18. ISBN 978-1474229630

heterotopia

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2018) There’ll always be an England – Butlins, Brexit and the Heterotopic Body. Journal of European Popular Culture, 9 (1). pp. 33-41. ISSN 2040-6134 (doi:10.1386/jepc.9.1.33_1)

Higher Education Funding Council (HEFCE)

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) The TEF and student success – Why participation is key to learning and teaching. TEF: Voices from the sector.

hip hop theatre

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

housing

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

identity politics

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) Introduction. In: O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813, (ed.) Mike Barlett's Cock. Bloomsbury Academic, London, pp. 5-18. ISBN 978-1474229630

international

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2020) Uncovering New Voices at the Royal Court Theatre- Interview with Vicky Featherstone. In: Galea, Marco and Musca, Szabolcs, (eds.) Redefining Theatre Communities – International Perspectives on Community-Conscious Theatre-Making. Intellect, Bristol. ISBN 9781789380767

international impact

Aston, Elaine and O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2015) Royal Court: International. Studies in International Performance book series (STUDINPERF) . Palgrave Macmillan, London. ISBN 978-1137461827

introduction

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702 and O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2022) Introduction - There's no place like London: theatrical landscapes of a city in recovery. Comparative Drama, 56 (1&2):1. pp. 1-11. ISSN 0010-4078 (doi:10.1353/cdr.2022.0000)

jazz

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:10.1386/jafp.6.1.55_1)

LBTGQ community

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) Why Hamilton's arrival In London should not be written off as just another mega-musical. The Huffington Post.

liberalism

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2022) Rita, Sue and #Metoo: the Royal Court Theatre, London, and liberalism. Comparative Drama, 56 (1&2). pp. 157-178. ISSN 0010-4078 (doi:10.1353/cdr.2022.0006)

London

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2022) Rita, Sue and #Metoo: the Royal Court Theatre, London, and liberalism. Comparative Drama, 56 (1&2). pp. 157-178. ISSN 0010-4078 (doi:10.1353/cdr.2022.0006)

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702 and O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2022) Introduction - There's no place like London: theatrical landscapes of a city in recovery. Comparative Drama, 56 (1&2):1. pp. 1-11. ISSN 0010-4078 (doi:10.1353/cdr.2022.0000)

mass communication

Hand, Richard J. and O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (eds.) (2023) American Horror Story and Cult Television: Narratives, Histories and Discourses. Anthem Press. ISBN 978-1785279331

media

Hand, Richard J. and O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (eds.) (2023) American Horror Story and Cult Television: Narratives, Histories and Discourses. Anthem Press. ISBN 978-1785279331

metoo

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2022) Rita, Sue and #Metoo: the Royal Court Theatre, London, and liberalism. Comparative Drama, 56 (1&2). pp. 157-178. ISSN 0010-4078 (doi:10.1353/cdr.2022.0006)

metrosexuality

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) Introduction. In: O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813, (ed.) Mike Barlett's Cock. Bloomsbury Academic, London, pp. 5-18. ISBN 978-1474229630

Michael Gove

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2016) Ten reasons why parents should value academics. The Huffington Post.

Migrant East End families

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2012) The only was is... Basildon. Times Higher Education. ISSN 0049-3929

Mike Bartlett

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) Introduction to Cock by Mike Bartlett. Cock. Modern Classics . Methuen, London, pp. 5-18. ISBN 9781474229630

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) Introduction. In: O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813, (ed.) Mike Barlett's Cock. Bloomsbury Academic, London, pp. 5-18. ISBN 978-1474229630

Mike Pence

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) Why Hamilton's arrival In London should not be written off as just another mega-musical. The Huffington Post.

musical theatre

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) Why Hamilton's arrival In London should not be written off as just another mega-musical. The Huffington Post.

musicology

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:10.1386/jafp.6.1.55_1)

National Theatre

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2014) Stages of the Loss: translation as contamination. How The Ritual made it to the Royal National Theatre. Theatre Research International, 39 (2). pp. 120-132. ISSN 0307-8833 (Print), 1474-0672 (Online) (doi:10.1017/S0307883314000042)

Nationalism

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2018) There’ll always be an England – Butlins, Brexit and the Heterotopic Body. Journal of European Popular Culture, 9 (1). pp. 33-41. ISSN 2040-6134 (doi:10.1386/jepc.9.1.33_1)

neoliberalism

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

New ways to approach adaptation

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2010) Adaptation and creative writing: Brokeback Mountain on the London Underground. In: Cutchins, Dennis, Raw, Laurence and Welsh, James M., (eds.) Redefining Adaptation Studies. Scarecrow Press, pp. 45-55. ISBN 978-0810872981

new writing

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

Office for Students (OfS)

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) The TEF and student success – Why participation is key to learning and teaching. TEF: Voices from the sector.

pandemic

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702 and O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2022) Introduction - There's no place like London: theatrical landscapes of a city in recovery. Comparative Drama, 56 (1&2):1. pp. 1-11. ISSN 0010-4078 (doi:10.1353/cdr.2022.0000)

performance studies

Hand, Richard J. and O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (eds.) (2023) American Horror Story and Cult Television: Narratives, Histories and Discourses. Anthem Press. ISBN 978-1785279331

personal and social skills

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2010) Adaptation and creative writing: Brokeback Mountain on the London Underground. In: Cutchins, Dennis, Raw, Laurence and Welsh, James M., (eds.) Redefining Adaptation Studies. Scarecrow Press, pp. 45-55. ISBN 978-0810872981

play text

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2010) Analysing the screenplay: A comparative approach. In: Nelmes, Jill, (ed.) Analysing The Screenplay. Routledge, London, pp. 237-251. ISBN 978-0415556347

playwriting

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

Aston, Elaine and O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2015) Royal Court: International. Studies in International Performance book series (STUDINPERF) . Palgrave Macmillan, London. ISBN 978-1137461827

Aston, Elaine Frances and O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Amine, Khalid and Roberson, George F., (eds.) Performing Transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-46. ISBN 978-0982440964

popular performances

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2018) There’ll always be an England – Butlins, Brexit and the Heterotopic Body. Journal of European Popular Culture, 9 (1). pp. 33-41. ISSN 2040-6134 (doi:10.1386/jepc.9.1.33_1)

posthumanism

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) Humanum ex machina: Translation in the post-global, posthuman world. Target. International Journal of Translation Studies, 29 (2). pp. 284-300. ISSN 0924-1884 (Print), 1569-9986 (Online) (doi:10.1075/target.29.2.05oth)

REF

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) The TEF and student success – Why participation is key to learning and teaching. TEF: Voices from the sector.

reviews

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2016) What are you reading? Times Higher Education. ISSN 0049-3929

royal court

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2016) Translating austerity: Theatrical responses to the financial crisis. Twenty-First Century Drama: What Happens Now. Palgrave Macmillan, pp. 129-148. ISBN 978-1137484024 (doi:10.1057/978-1-137-48403-1_7)

royal court theatre

Aston, Elaine and O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2015) Royal Court: International. Studies in International Performance book series (STUDINPERF) . Palgrave Macmillan, London. ISBN 978-1137461827

Aston, Elaine Frances and O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Amine, Khalid and Roberson, George F., (eds.) Performing Transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-46. ISBN 978-0982440964

screenplay

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2010) Analysing the screenplay: A comparative approach. In: Nelmes, Jill, (ed.) Analysing The Screenplay. Routledge, London, pp. 237-251. ISBN 978-0415556347

seasonal cheer

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2016) Elf: Christmas cheer amid the darkness. Times Higher Education. ISSN 0049-3929

Socio-political contexts

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2010) Adaptation and creative writing: Brokeback Mountain on the London Underground. In: Cutchins, Dennis, Raw, Laurence and Welsh, James M., (eds.) Redefining Adaptation Studies. Scarecrow Press, pp. 45-55. ISBN 978-0810872981

Stage

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) My Country: a play about Brexit that tries to break the bubble but disappoints. The Conversation. ISSN 2201-5639

student success

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) The TEF and student success – Why participation is key to learning and teaching. TEF: Voices from the sector.

students

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2016) Ten reasons why parents should value academics. The Huffington Post.

TEF

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) The TEF and student success – Why participation is key to learning and teaching. TEF: Voices from the sector.

The Girl on the Train

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2016) The Girl On The Train: Why adapting the ultimate commuting novel makes perfect sense in a world of Brief Encounters. The Huffington Post.

theatre

Hand, Richard J. and O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (eds.) (2023) American Horror Story and Cult Television: Narratives, Histories and Discourses. Anthem Press. ISBN 978-1785279331

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702 and O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2022) Introduction - There's no place like London: theatrical landscapes of a city in recovery. Comparative Drama, 56 (1&2):1. pp. 1-11. ISSN 0010-4078 (doi:10.1353/cdr.2022.0000)

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2020) Uncovering New Voices at the Royal Court Theatre- Interview with Vicky Featherstone. In: Galea, Marco and Musca, Szabolcs, (eds.) Redefining Theatre Communities – International Perspectives on Community-Conscious Theatre-Making. Intellect, Bristol. ISBN 9781789380767

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) My Country: a play about Brexit that tries to break the bubble but disappoints. The Conversation. ISSN 2201-5639

theatre translation

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2014) Stages of the Loss: translation as contamination. How The Ritual made it to the Royal National Theatre. Theatre Research International, 39 (2). pp. 120-132. ISSN 0307-8833 (Print), 1474-0672 (Online) (doi:10.1017/S0307883314000042)

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:10.1386/jafp.6.1.55_1)

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2012) The Ritual/ O Ritual. Conexões. British Council, São Paulo.

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2012) Rewriting The Book of Disquiet. Word & Text: A Journal of Literary Studies & Linguistics, 2 (2). pp. 173-179. ISSN 2069-9271

trans-national

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624

transhumanism

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) Humanum ex machina: Translation in the post-global, posthuman world. Target. International Journal of Translation Studies, 29 (2). pp. 284-300. ISSN 0924-1884 (Print), 1569-9986 (Online) (doi:10.1075/target.29.2.05oth)

translation

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2017) Humanum ex machina: Translation in the post-global, posthuman world. Target. International Journal of Translation Studies, 29 (2). pp. 284-300. ISSN 0924-1884 (Print), 1569-9986 (Online) (doi:10.1075/target.29.2.05oth)

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2016) Translating austerity: Theatrical responses to the financial crisis. Twenty-First Century Drama: What Happens Now. Palgrave Macmillan, pp. 129-148. ISBN 978-1137484024 (doi:10.1057/978-1-137-48403-1_7)

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2014) Stages of the Loss: translation as contamination. How The Ritual made it to the Royal National Theatre. Theatre Research International, 39 (2). pp. 120-132. ISSN 0307-8833 (Print), 1474-0672 (Online) (doi:10.1017/S0307883314000042)

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:10.1386/jafp.6.1.55_1)

Aston, Elaine Frances and O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Amine, Khalid and Roberson, George F., (eds.) Performing Transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-46. ISBN 978-0982440964

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2012) Rewriting The Book of Disquiet. Word & Text: A Journal of Literary Studies & Linguistics, 2 (2). pp. 173-179. ISSN 2069-9271

translation studies

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Albrecht-Crane, Christa and Cutchins, Dennis, (eds.) Adaptation Studies: New Approaches. Fairleigh Dickinson University Press, pp. 46-60. ISBN 978-0838642627 ISSN 0838642624

translation theory

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:10.1386/jafp.6.1.55_1)

universities

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2016) Ten reasons why parents should value academics. The Huffington Post.

Video games

O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2016) Minecraft the Movie: How will the adaptation respond to the challenge of creativity? The Huffington Post.

wast end

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

This list was generated on Sun Feb 8 08:27:57 2026 UTC.