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Items where Author is "McLaughlin, James"

Items where Author is "McLaughlin, James"

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ab lines acting agency Arts and Culture blogging censorship chicago improv festival comedy creative incubator Creative Industries creativity dance digital technology digital training drama embodiment ethics games grotowski higher education Human Ecology Economics improv bandits improvisation inequality interactive performance Keith Johnstone levinas lineage lord chamberlain meisner technique Meisner training MeToo Pedagogy performance performance training performer training phenomenology power psychophysical psychophysical training Public Policy radical repetition repression spontaneity surveillance technology theatre Theatre Dance Performance Training training Viola Spolin web 2.0 writing and performance zu-uk
Number of items: 75.

ab lines

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

acting

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625623)

agency

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884, Turner, Jane, Weston, Sarah and Condron, Aiden (2024) Editorial. Theatre, Dance and Performance Training, 15 (2):1. pp. 135-142. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2024.2365586)

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884, Weston, Sarah, Turner, Jane and Condron, Aiden (2024) Special Issue: Theatre, Dance and Performance Training, Volume 15, Issue 2 (2024). Taylor and Francis Group - Routledge, Abingdon, UK.

Arts and Culture

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

blogging

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625623)

censorship

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:10.1080/2040610X.2022.2091733)

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2018) Phantom scripts: The censor’s archive and the phantom scripts of improvisation. Performance Research, 23 (2). pp. 105-109. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:10.1080/13528165.2018.1464767)

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2014) The Spontaneity Drain: The social pressures that shaped and then exiled Keith Johnstone's improvisation. In: Comedy and Society Symposium, 22 November 2014, School of Drama, Music and Screen, University of Hull.

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)

chicago improv festival

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

comedy

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2018) Phantom scripts: The censor’s archive and the phantom scripts of improvisation. Performance Research, 23 (2). pp. 105-109. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:10.1080/13528165.2018.1464767)

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

creative incubator

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2014) The Spontaneity Drain: The social pressures that shaped and then exiled Keith Johnstone's improvisation. In: Comedy and Society Symposium, 22 November 2014, School of Drama, Music and Screen, University of Hull.

Creative Industries

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

creativity

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2014) The Spontaneity Drain: The social pressures that shaped and then exiled Keith Johnstone's improvisation. In: Comedy and Society Symposium, 22 November 2014, School of Drama, Music and Screen, University of Hull.

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)

dance

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884, Turner, Jane, Weston, Sarah and Condron, Aiden (2024) Editorial. Theatre, Dance and Performance Training, 15 (2):1. pp. 135-142. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2024.2365586)

digital technology

Maravala, Persis Jade, McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID logoORCID: https://orcid.org/0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625626)

digital training

Allain, Paul, Bennett-Worth, Stacie Lee, Camilleri, Frank, McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 and Wilson, Thomas (2019) Editorial. Theatre, Dance and Performance Training, 10 (2). pp. 165-168. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625628)

drama

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625623)

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

embodiment

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2014) The Subjective Ethics of Meisner’s Repetition Exercise: The incompatibility of objective morality and the performative moment. In: Obligations in Contemporary Theatre and Performance Practices, 30-31 January 2014, The University of Exeter, New North Rd, Thornlea, Exeter EX4 4LA.

ethics

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2014) The Subjective Ethics of Meisner’s Repetition Exercise: The incompatibility of objective morality and the performative moment. In: Obligations in Contemporary Theatre and Performance Practices, 30-31 January 2014, The University of Exeter, New North Rd, Thornlea, Exeter EX4 4LA.

games

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:10.1080/2040610X.2022.2091733)

grotowski

Maravala, Persis Jade, McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID logoORCID: https://orcid.org/0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625626)

higher education

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625623)

Human Ecology Economics

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

improv bandits

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

improvisation

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2022) Ghost transmissions: concrete objects and ephemeral encounters. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex.

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:10.1080/2040610X.2022.2091733)

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2018) Phantom scripts: The censor’s archive and the phantom scripts of improvisation. Performance Research, 23 (2). pp. 105-109. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:10.1080/13528165.2018.1464767)

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2014) The Spontaneity Drain: The social pressures that shaped and then exiled Keith Johnstone's improvisation. In: Comedy and Society Symposium, 22 November 2014, School of Drama, Music and Screen, University of Hull.

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)

inequality

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884, Weston, Sarah, Turner, Jane and Condron, Aiden (2024) Special Issue: Theatre, Dance and Performance Training, Volume 15, Issue 2 (2024). Taylor and Francis Group - Routledge, Abingdon, UK.

interactive performance

Maravala, Persis Jade, McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID logoORCID: https://orcid.org/0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625626)

Keith Johnstone

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:10.1080/2040610X.2022.2091733)

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2018) Phantom scripts: The censor’s archive and the phantom scripts of improvisation. Performance Research, 23 (2). pp. 105-109. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:10.1080/13528165.2018.1464767)

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2014) The Spontaneity Drain: The social pressures that shaped and then exiled Keith Johnstone's improvisation. In: Comedy and Society Symposium, 22 November 2014, School of Drama, Music and Screen, University of Hull.

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)

levinas

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2014) The Subjective Ethics of Meisner’s Repetition Exercise: The incompatibility of objective morality and the performative moment. In: Obligations in Contemporary Theatre and Performance Practices, 30-31 January 2014, The University of Exeter, New North Rd, Thornlea, Exeter EX4 4LA.

lineage

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2022) Ghost transmissions: concrete objects and ephemeral encounters. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex.

lord chamberlain

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)

meisner technique

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2014) The Subjective Ethics of Meisner’s Repetition Exercise: The incompatibility of objective morality and the performative moment. In: Obligations in Contemporary Theatre and Performance Practices, 30-31 January 2014, The University of Exeter, New North Rd, Thornlea, Exeter EX4 4LA.

Meisner training

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2022) Ghost transmissions: concrete objects and ephemeral encounters. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex.

MeToo

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884, Weston, Sarah, Turner, Jane and Condron, Aiden (2024) Special Issue: Theatre, Dance and Performance Training, Volume 15, Issue 2 (2024). Taylor and Francis Group - Routledge, Abingdon, UK.

Pedagogy

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625623)

performance

Maravala, Persis Jade, McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID logoORCID: https://orcid.org/0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625626)

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625623)

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

performance training

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884, Turner, Jane, Weston, Sarah and Condron, Aiden (2024) Editorial. Theatre, Dance and Performance Training, 15 (2):1. pp. 135-142. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2024.2365586)

performer training

Allain, Paul, Bennett-Worth, Stacie Lee, Camilleri, Frank, McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 and Wilson, Thomas (2019) Editorial. Theatre, Dance and Performance Training, 10 (2). pp. 165-168. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625628)

phenomenology

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2014) The Subjective Ethics of Meisner’s Repetition Exercise: The incompatibility of objective morality and the performative moment. In: Obligations in Contemporary Theatre and Performance Practices, 30-31 January 2014, The University of Exeter, New North Rd, Thornlea, Exeter EX4 4LA.

power

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884, Weston, Sarah, Turner, Jane and Condron, Aiden (2024) Special Issue: Theatre, Dance and Performance Training, Volume 15, Issue 2 (2024). Taylor and Francis Group - Routledge, Abingdon, UK.

psychophysical

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625623)

psychophysical training

Maravala, Persis Jade, McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID logoORCID: https://orcid.org/0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625626)

Public Policy

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2014) The Spontaneity Drain: The social pressures that shaped and then exiled Keith Johnstone's improvisation. In: Comedy and Society Symposium, 22 November 2014, School of Drama, Music and Screen, University of Hull.

radical

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:10.1080/2040610X.2022.2091733)

repetition

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2014) The Subjective Ethics of Meisner’s Repetition Exercise: The incompatibility of objective morality and the performative moment. In: Obligations in Contemporary Theatre and Performance Practices, 30-31 January 2014, The University of Exeter, New North Rd, Thornlea, Exeter EX4 4LA.

repression

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2014) The Spontaneity Drain: The social pressures that shaped and then exiled Keith Johnstone's improvisation. In: Comedy and Society Symposium, 22 November 2014, School of Drama, Music and Screen, University of Hull.

spontaneity

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:10.1080/2040610X.2022.2091733)

surveillance

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)

technology

Allain, Paul, Bennett-Worth, Stacie Lee, Camilleri, Frank, McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 and Wilson, Thomas (2019) Editorial. Theatre, Dance and Performance Training, 10 (2). pp. 165-168. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625628)

theatre

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884, Turner, Jane, Weston, Sarah and Condron, Aiden (2024) Editorial. Theatre, Dance and Performance Training, 15 (2):1. pp. 135-142. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2024.2365586)

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

Theatre Dance Performance Training

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884, Weston, Sarah, Turner, Jane and Condron, Aiden (2024) Special Issue: Theatre, Dance and Performance Training, Volume 15, Issue 2 (2024). Taylor and Francis Group - Routledge, Abingdon, UK.

training

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625623)

Viola Spolin

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:10.1080/2040610X.2022.2091733)

web 2.0

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625623)

writing and performance

McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 (2018) Phantom scripts: The censor’s archive and the phantom scripts of improvisation. Performance Research, 23 (2). pp. 105-109. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:10.1080/13528165.2018.1464767)

zu-uk

Maravala, Persis Jade, McLaughlin, James ORCID logoORCID: https://orcid.org/0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID logoORCID: https://orcid.org/0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625626)

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