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Items where Author is "Hill, Andrew"

Items where Author is "Hill, Andrew"

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Abstract ambisonics art audience audiovisual augmented bauer coccolith Composition Concrete contemporary composition Context Context-based composition diegesis Dunkirk electroacoustic electroacoustic music Expanded Cinema experimental experimental film film gong gravity history immersive media installation interpretation Listening location locative loudspeaker orchestra LUX map mimesis Mimetic multichannel diffusion music narrative naturalism Noise non-place Norway NOTAM object based audio past Pedagogy perception performance phenomena phenomenology Post-acousmatic Quiet Real realism recording recordings silent film Sonic art sound sound art sound design Sound image Sound-image soundscapes soundtrack space spatial audio surround surround sound theatre third order trumpet Virtual visual music
Number of items: 149.

Abstract

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771816000297)

ambisonics

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 1st Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

art

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

audience

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Dots/Digits: Action/Reaction. In: IMR - Institute for Musical Research, 7 April 2016, Sheffield, UK. (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Unpacking audiovisual phenomena. In: Seeing Sound - Four (Practice-Led Research Symposium), 9-10 April 2016, Bath Spa University, UK. (Unpublished)

audiovisual

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) VOID. [Composition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2017) (I)MAGESOUND(S) - expanded audiovisual practice. eContact!, 19 (2).

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Unpacking audiovisual phenomena. In: Seeing Sound - Four (Practice-Led Research Symposium), 9-10 April 2016, Bath Spa University, UK. (Unpublished)

augmented

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2014) Sounds of the Cultural Quarter - Application. [Artefact]

bauer

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]

coccolith

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:10.1080/10509208.2019.1593027)

Composition

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771816000297)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Unpacking audiovisual phenomena. In: Seeing Sound - Four (Practice-Led Research Symposium), 9-10 April 2016, Bath Spa University, UK. (Unpublished)

Concrete

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771816000297)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2013) Abstracted Journeys. [Composition]

contemporary composition

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]

Context

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771816000297)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)

Context-based composition

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771816000297)

diegesis

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:10.1080/10509208.2019.1593027)

Dunkirk

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:10.1080/10509208.2019.1593027)

electroacoustic

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 1st Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) VOID. [Composition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Dots/Digits: Action/Reaction. In: IMR - Institute for Musical Research, 7 April 2016, Sheffield, UK. (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Unpacking audiovisual phenomena. In: Seeing Sound - Four (Practice-Led Research Symposium), 9-10 April 2016, Bath Spa University, UK. (Unpublished)

Landy, Leigh, Younie, Sarah, Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Wolf, Motje (2014) The EARS 2 pedagogical project - an eLearning environment to introduce learners to sound-based music. In: King, Andrew and Himonides, Evangelos, (eds.) Proceedings of the Sempre MET2014: Researching Music, Education, Technology: Critical Insights. International Music Education Research Centre (iMerc), pp. 129-134. ISBN 978-1905351299

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2014) Sounds of the Cultural Quarter - Application. [Artefact]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2013) Abstracted Journeys. [Composition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 Stille Lyd: Part I – NOTAM. [Composition]

electroacoustic music

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

Expanded Cinema

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2017) (I)MAGESOUND(S) - expanded audiovisual practice. eContact!, 19 (2).

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

experimental

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) VOID. [Composition]

experimental film

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

film

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:10.1080/10509208.2019.1593027)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) VOID. [Composition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2017) (I)MAGESOUND(S) - expanded audiovisual practice. eContact!, 19 (2).

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

gong

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]

gravity

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:10.1080/10509208.2019.1593027)

history

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2014) Sounds of the Cultural Quarter - Application. [Artefact]

immersive media

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

installation

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

interpretation

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Dots/Digits: Action/Reaction. In: IMR - Institute for Musical Research, 7 April 2016, Sheffield, UK. (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Unpacking audiovisual phenomena. In: Seeing Sound - Four (Practice-Led Research Symposium), 9-10 April 2016, Bath Spa University, UK. (Unpublished)

Listening

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771816000297)

location

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2014) Sounds of the Cultural Quarter - Application. [Artefact]

locative

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2014) Sounds of the Cultural Quarter - Application. [Artefact]

loudspeaker orchestra

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)

LUX

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

map

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2014) Sounds of the Cultural Quarter - Application. [Artefact]

mimesis

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:10.1080/10509208.2019.1593027)

Mimetic

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771816000297)

multichannel diffusion

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)

music

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Dots/Digits: Action/Reaction. In: IMR - Institute for Musical Research, 7 April 2016, Sheffield, UK. (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Unpacking audiovisual phenomena. In: Seeing Sound - Four (Practice-Led Research Symposium), 9-10 April 2016, Bath Spa University, UK. (Unpublished)

Landy, Leigh, Younie, Sarah, Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Wolf, Motje (2014) The EARS 2 pedagogical project - an eLearning environment to introduce learners to sound-based music. In: King, Andrew and Himonides, Evangelos, (eds.) Proceedings of the Sempre MET2014: Researching Music, Education, Technology: Critical Insights. International Music Education Research Centre (iMerc), pp. 129-134. ISBN 978-1905351299

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2013) Abstracted Journeys. [Composition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 Stille Lyd: Part I – NOTAM. [Composition]

narrative

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:10.1080/10509208.2019.1593027)

naturalism

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:10.1080/10509208.2019.1593027)

Noise

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

non-place

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) VOID. [Composition]

Norway

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

NOTAM

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 Stille Lyd: Part I – NOTAM. [Composition]

object based audio

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

past

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2014) Sounds of the Cultural Quarter - Application. [Artefact]

Pedagogy

Landy, Leigh, Younie, Sarah, Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Wolf, Motje (2014) The EARS 2 pedagogical project - an eLearning environment to introduce learners to sound-based music. In: King, Andrew and Himonides, Evangelos, (eds.) Proceedings of the Sempre MET2014: Researching Music, Education, Technology: Critical Insights. International Music Education Research Centre (iMerc), pp. 129-134. ISBN 978-1905351299

perception

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Dots/Digits: Action/Reaction. In: IMR - Institute for Musical Research, 7 April 2016, Sheffield, UK. (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Unpacking audiovisual phenomena. In: Seeing Sound - Four (Practice-Led Research Symposium), 9-10 April 2016, Bath Spa University, UK. (Unpublished)

performance

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 1st Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2017) (I)MAGESOUND(S) - expanded audiovisual practice. eContact!, 19 (2).

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)

phenomena

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Unpacking audiovisual phenomena. In: Seeing Sound - Four (Practice-Led Research Symposium), 9-10 April 2016, Bath Spa University, UK. (Unpublished)

phenomenology

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Dots/Digits: Action/Reaction. In: IMR - Institute for Musical Research, 7 April 2016, Sheffield, UK. (Unpublished)

Post-acousmatic

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)

Quiet

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 Stille Lyd: Part I – NOTAM. [Composition]

Real

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771816000297)

realism

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:10.1080/10509208.2019.1593027)

recording

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]

recordings

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2014) Sounds of the Cultural Quarter - Application. [Artefact]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2013) Abstracted Journeys. [Composition]

silent film

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]

Sonic art

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

sound

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:10.1080/10509208.2019.1593027)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2017) (I)MAGESOUND(S) - expanded audiovisual practice. eContact!, 19 (2).

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771816000297)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Dots/Digits: Action/Reaction. In: IMR - Institute for Musical Research, 7 April 2016, Sheffield, UK. (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)

Landy, Leigh, Younie, Sarah, Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Wolf, Motje (2014) The EARS 2 pedagogical project - an eLearning environment to introduce learners to sound-based music. In: King, Andrew and Himonides, Evangelos, (eds.) Proceedings of the Sempre MET2014: Researching Music, Education, Technology: Critical Insights. International Music Education Research Centre (iMerc), pp. 129-134. ISBN 978-1905351299

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2014) Sounds of the Cultural Quarter - Application. [Artefact]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2013) Abstracted Journeys. [Composition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 Stille Lyd: Part I – NOTAM. [Composition]

sound art

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

sound design

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)

Sound image

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)

Sound-image

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

soundscapes

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2014) Sounds of the Cultural Quarter - Application. [Artefact]

soundtrack

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

space

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) VOID. [Composition]

spatial audio

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)

surround

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)

surround sound

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

theatre

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)

third order

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 1st Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

trumpet

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 1st Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Virtual

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771816000297)

visual music

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2016) Unpacking audiovisual phenomena. In: Seeing Sound - Four (Practice-Led Research Symposium), 9-10 April 2016, Bath Spa University, UK. (Unpublished)

This list was generated on Sun Dec 22 13:33:17 2024 UTC.