Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 1st Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:10.1080/10509208.2019.1593027)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) VOID. [Composition]

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2017) (I)MAGESOUND(S) - expanded audiovisual practice. eContact!, 19 (2).

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771816000297)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Dots/Digits: Action/Reaction. In: IMR - Institute for Musical Research, 7 April 2016, Sheffield, UK. (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Unpacking audiovisual phenomena. In: Seeing Sound - Four (Practice-Led Research Symposium), 9-10 April 2016, Bath Spa University, UK. (Unpublished)

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)

Landy, Leigh, Younie, Sarah, Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Wolf, Motje (2014) The EARS 2 pedagogical project - an eLearning environment to introduce learners to sound-based music. In: King, Andrew and Himonides, Evangelos, (eds.) Proceedings of the Sempre MET2014: Researching Music, Education, Technology: Critical Insights. International Music Education Research Centre (iMerc), pp. 129-134. ISBN 978-1905351299

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2014) Sounds of the Cultural Quarter - Application. [Artefact]

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2013) Abstracted Journeys. [Composition]

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 Stille Lyd: Part I – NOTAM. [Composition]