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Items where Author is "Derbyshire, Henry"

Items where Author is "Derbyshire, Henry"

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American Musical Arnold Wesker artistic directors black British drama British Drama Capitalism Caryl Churchill Contemporary playwriting controversy covid debbie tucker green Edward Bond Feminism funding Harold Pinter hip hop theatre housing human rights introduction London musical theatre neoliberalism new writing pandemic playwriting Restoration Roy Williams royal court Sarah Kane Summer theatre Theatre of the Absurd wast end
Number of items: 37.

American Musical

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

Arnold Wesker

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166 (2019) 'Let Battle Commence!': The Wesker Controversies. In: Etienne, Anne and Saunders, Graham, (eds.) Arnold Wesker: Fragments and Visions. Intellect. (In Press)

artistic directors

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

black British drama

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166 (2015) 'Introduction' to Sucker Punch by Roy Williams. Sucker Punch. Methuen Drama Modern Classics . Bloomsbury Methuen Drama, London, UK, pp. 3-24. ISBN 9781472574350

British Drama

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

Capitalism

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

Caryl Churchill

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166 (2019) “Four-square behind the sputum”: dramatic form, female characters and implacable politics in Restoration and Summer. In: Nicolás Román, Susana, (ed.) Women in Edward Bond. Transatlantic Studies in British and North American Culture . Peter Lang. ISBN 978-3631773659 (doi:10.3726/b15005)

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166 (2016) Caryl Churchill’s 21st Century Poetics: Theatre form and feminism from far away to Ding Dong the Wicked. Journal of Contemporary Drama in English, 4 (2). pp. 367-384. ISSN 2195-0164 (Online) (doi:10.1515/jcde-2016-0021)

Contemporary playwriting

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166 (2016) Caryl Churchill’s 21st Century Poetics: Theatre form and feminism from far away to Ding Dong the Wicked. Journal of Contemporary Drama in English, 4 (2). pp. 367-384. ISSN 2195-0164 (Online) (doi:10.1515/jcde-2016-0021)

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166 (2015) 'Introduction' to Sucker Punch by Roy Williams. Sucker Punch. Methuen Drama Modern Classics . Bloomsbury Methuen Drama, London, UK, pp. 3-24. ISBN 9781472574350

controversy

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166 (2019) 'Let Battle Commence!': The Wesker Controversies. In: Etienne, Anne and Saunders, Graham, (eds.) Arnold Wesker: Fragments and Visions. Intellect. (In Press)

covid

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702 and O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2022) Introduction - There's no place like London: theatrical landscapes of a city in recovery. Comparative Drama, 56 (1&2):1. pp. 1-11. ISSN 0010-4078 (doi:10.1353/cdr.2022.0000)

debbie tucker green

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166 and Hodson, Loveday (2020) Engaging with human rights: truth and reconciliation and hang. In: Adiseshiah, Sian and Bolton, Jacqueline, (eds.) Debbie Tucker Green: Critical Perspectives. Palgrave Macmillan, pp. 89-108. ISBN 978-3030345808

Edward Bond

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166 (2019) “Four-square behind the sputum”: dramatic form, female characters and implacable politics in Restoration and Summer. In: Nicolás Román, Susana, (ed.) Women in Edward Bond. Transatlantic Studies in British and North American Culture . Peter Lang. ISBN 978-3631773659 (doi:10.3726/b15005)

Feminism

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166 (2016) Caryl Churchill’s 21st Century Poetics: Theatre form and feminism from far away to Ding Dong the Wicked. Journal of Contemporary Drama in English, 4 (2). pp. 367-384. ISSN 2195-0164 (Online) (doi:10.1515/jcde-2016-0021)

funding

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

Harold Pinter

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166 (2021) The Theatre of the Absurd as professional network in Pinter’s early career. Harold Pinter: Stages, Networks, Collaborations. Methuen Drama Engage . Bloomsbury. ISBN 9781350133624

hip hop theatre

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

housing

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

human rights

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166 and Hodson, Loveday (2020) Engaging with human rights: truth and reconciliation and hang. In: Adiseshiah, Sian and Bolton, Jacqueline, (eds.) Debbie Tucker Green: Critical Perspectives. Palgrave Macmillan, pp. 89-108. ISBN 978-3030345808

introduction

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702 and O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2022) Introduction - There's no place like London: theatrical landscapes of a city in recovery. Comparative Drama, 56 (1&2):1. pp. 1-11. ISSN 0010-4078 (doi:10.1353/cdr.2022.0000)

London

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702 and O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2022) Introduction - There's no place like London: theatrical landscapes of a city in recovery. Comparative Drama, 56 (1&2):1. pp. 1-11. ISSN 0010-4078 (doi:10.1353/cdr.2022.0000)

musical theatre

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

neoliberalism

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

new writing

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

pandemic

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702 and O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2022) Introduction - There's no place like London: theatrical landscapes of a city in recovery. Comparative Drama, 56 (1&2):1. pp. 1-11. ISSN 0010-4078 (doi:10.1353/cdr.2022.0000)

playwriting

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

Restoration

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166 (2019) “Four-square behind the sputum”: dramatic form, female characters and implacable politics in Restoration and Summer. In: Nicolás Román, Susana, (ed.) Women in Edward Bond. Transatlantic Studies in British and North American Culture . Peter Lang. ISBN 978-3631773659 (doi:10.3726/b15005)

Roy Williams

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166 (2015) 'Introduction' to Sucker Punch by Roy Williams. Sucker Punch. Methuen Drama Modern Classics . Bloomsbury Methuen Drama, London, UK, pp. 3-24. ISBN 9781472574350

royal court

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

Sarah Kane

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166 (2019) “Four-square behind the sputum”: dramatic form, female characters and implacable politics in Restoration and Summer. In: Nicolás Román, Susana, (ed.) Women in Edward Bond. Transatlantic Studies in British and North American Culture . Peter Lang. ISBN 978-3631773659 (doi:10.3726/b15005)

Summer

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166 (2019) “Four-square behind the sputum”: dramatic form, female characters and implacable politics in Restoration and Summer. In: Nicolás Román, Susana, (ed.) Women in Edward Bond. Transatlantic Studies in British and North American Culture . Peter Lang. ISBN 978-3631773659 (doi:10.3726/b15005)

theatre

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702 and O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 (2022) Introduction - There's no place like London: theatrical landscapes of a city in recovery. Comparative Drama, 56 (1&2):1. pp. 1-11. ISSN 0010-4078 (doi:10.1353/cdr.2022.0000)

Theatre of the Absurd

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166 (2021) The Theatre of the Absurd as professional network in Pinter’s early career. Harold Pinter: Stages, Networks, Collaborations. Methuen Drama Engage . Bloomsbury. ISBN 9781350133624

wast end

Derbyshire, Henry ORCID logoORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID logoORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID logoORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

This list was generated on Sun Dec 22 13:43:13 2024 UTC.