Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702 and O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2022) Introduction - There's no place like London: theatrical landscapes of a city in recovery. Comparative Drama, 56 (1&2):1. pp. 1-11. ISSN 0010-4078 (doi:10.1353/cdr.2022.0000)

Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166 (2021) The Theatre of the Absurd as professional network in Pinter’s early career. Harold Pinter: Stages, Networks, Collaborations. Methuen Drama Engage . Bloomsbury. ISBN 9781350133624

Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166 and Hodson, Loveday (2020) Engaging with human rights: truth and reconciliation and hang. In: Adiseshiah, Sian and Bolton, Jacqueline, (eds.) Debbie Tucker Green: Critical Perspectives. Palgrave Macmillan, pp. 89-108. ISBN 978-3030345808

Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166 (2019) 'Let Battle Commence!': The Wesker Controversies. In: Etienne, Anne and Saunders, Graham, (eds.) Arnold Wesker: Fragments and Visions. Intellect. (In Press)

Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166 (2019) “Four-square behind the sputum”: dramatic form, female characters and implacable politics in Restoration and Summer. In: Nicolás Román, Susana, (ed.) Women in Edward Bond. Transatlantic Studies in British and North American Culture . Peter Lang. ISBN 978-3631773659 (doi:10.3726/b15005)

Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166 (2016) Caryl Churchill’s 21st Century Poetics: Theatre form and feminism from far away to Ding Dong the Wicked. Journal of Contemporary Drama in English, 4 (2). pp. 367-384. ISSN 2195-0164 (Online) (doi:10.1515/jcde-2016-0021)

Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166 (2015) 'Introduction' to Sucker Punch by Roy Williams. Sucker Punch. Methuen Drama Modern Classics . Bloomsbury Methuen Drama, London, UK, pp. 3-24. ISBN 9781472574350