Brown, Christopher and Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Stories of a ruined space: filmic and sonic approaches to practice-as-research. Media Practice & Education, 19 (3). pp. 313-325. ISSN 2574-1136 (Print), 2574-1144 (Online) (doi:10.1080/25741136.2018.1519989)

Brown, Christopher (2018) Coccolith. [Video]

Brown, Christopher (2017) Performance enhancement: identity, surface aesthetics, and the direction of actors in Yang Yang 陽陽 (Cheng Yu-Chieh, 2009). Asian Cinema, 28 (1). pp. 23-37. ISSN 1059-440X (Print), 2049-6710 (Online) (doi:10.1386/ac.28.1.23_1)

Brown, Christopher (2017) “Even If You Have Nothing, You Should Keep Filming”: An Interview with Cheng Yu-Chieh on 'Wawa No Cidal' (2015). Senses of Cinema (82). ISSN 1443-4059

Brown, Christopher (2015) Remission. [Video]

Brown, Christopher (2015) Soap. [Video]

Brown, Christopher and Hirsch, Pam (eds.) (2014) The Cinema of the Swimming Pool. New Studies in European Cinema, 17 . Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern, Switzerland. ISBN 9783034317832

Mroz, Matilda (2014) The aesthetics of overflow: Tarkovsky’s Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pamela, (eds.) The Cinema of the Swimming Pool. New Studies in European Cinema (17). Peter Lang AG, Oxford / Bern / Berlin / Bruxelles / Frankfurt am Main / New York / Wien, pp. 169-180. ISBN 978-3034317832

Brown, Christopher (2013) Homosexuality in Dog Day Afternoon (1975): Televisual surfaces and a 'natural' man. Film Criticism, 37 (1):3. pp. 35-54. ISSN 0163-5069

Brown, Christopher (2012) Mad About the Boy? Hollywood stardom and masculinity subverted in The Swimmer. Quarterly Review of Film and Video, 29 (4). pp. 356-364. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:10.1080/10509201003667226)