Article

Adeyemi, Sola (2013) Colonial Alienation and the Ideology of Resistance: Femi Osofisan's Tegonni (An African Antigone). African Performance Review, 7 (2). pp. 18-34. ISSN 1750-4848

Adeyemi, Sola (2011) Introduction. African Performance Review, 5 (1). pp. 6-8. ISSN 1750-4848

Book Section

Adeyemi, Sola (2013) When drama comes a-cooling: re-assessing Femi Osofisan’s dramatic ideology. In: Igweonu, Kene and Okagbue, Osita, (eds.) Performative Inter-Actions in African Theatre 2: Innovation, Creativity and Social Change. Cambridge Scholars Publishing, Newcastle-Upon-Tyne, UK, pp. 144-157. ISBN 9781443853804

Adeyemi, Sola (2013) Interpreting the interpreters: the narratives of the postcolony in Wole Soyinka’s The Interpreters. In: Lindfors, Bernth and Davis, Geoffrey V., (eds.) African Literatures and Beyond. A Florilegium. Cross/Cultures - Readings in the Post/Colonial Literatures in English (168). Editions Rodopi B.V., Amsterdam, The Netherlands / New York, NY, pp. 29-38. ISBN 9789042037380

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731

Adeyemi, Sola (2011) Once Upon Four Robbers: the magic of subversion (introduction). In: Osofisan, Femi, (ed.) Once Upon Four Robbers. Mosuro Publishers, Ibadan, Nigeria, pp. 6-15. ISBN 9783613693

Adeyemi, Sola (2011) Language and accessibility in Femi Osofisan's drama. In: Oni, Duro and Adeyemi, Sola, (eds.) Developments in the Theory and Practice of Contemporary Nigerian Drama and Theatre: A Festschrift in Honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK, pp. 187-202. ISBN 9780956683700

Adeyemi, Sola (2010) Language and accessibility in Femi Osofisan’s drama. In: Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro, (eds.) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK, pp. 187-202. ISBN 978-0956683700

Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955

Edited Book

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

Adeyemi, Sola (ed.) (2012) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. In: Adeyemi, Sola, Omoera, Osakue and Binebai, Benedict, (eds.) Alpha Crownes Publishers Ltd, Rochester, UK. ISBN 9780956683731

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951

Conference or Conference Paper

Adeyemi, Sola (2013) Performing identities: re-creation and representation of African performance aesthetics. In: 50 Years of Theatre in the African Academy, 28-30 Aug 2013, University of Ibadan, Nigeria. (Unpublished)

Adeyemi, Sola (2013) Negotiating identities: Britishness and mapping of culture in Dipo Agboluaje’s The Christ of Coldharbour Lane. In: What is African Theatre and Performance? 2013 AfTA Annual International Conference, 11-14 July 2013, Goldsmiths, University of London & University of Derby, UK. (Unpublished)

Adeyemi, Sola (2013) Translated gain: colonial power as an agent of postcolonial conquests. In: 2013 Classical Association Conference, 3-6 April 2013, University of Reading, UK. (Unpublished)

Adeyemi, Sola and Olasope, Olakunbi (2012) Fracturing the insularity of the global state: war and conflict in Moira Buffini’s Welcome to Thebes. In: 2012 Classical Association Conference, 11-14 April 2012, University of Exeter, UK. (Unpublished)

Adeyemi, Sola (2011) The Soho experiment: Oladipo Agboluaje and the re(New) - Direction of black British theatre. In: Performative Inter-Actions: Innovation, Creativity & Enterprise in African Theatre. 2011 Annual International Conference of the African Theatre Association, 21-23 July 2011, Swansea Metropolitan University, Wales, UK. (Unpublished)