Adeyemi, Sola (2013) When drama comes a-cooling: re-assessing Femi Osofisan’s dramatic ideology. In: Igweonu, Kene and Okagbue, Osita, (eds.) Performative Inter-Actions in African Theatre 2: Innovation, Creativity and Social Change. Cambridge Scholars Publishing, Newcastle-Upon-Tyne, UK, pp. 144-157. ISBN 9781443853804

Adeyemi, Sola (2013) Interpreting the interpreters: the narratives of the postcolony in Wole Soyinka’s The Interpreters. In: Lindfors, Bernth and Davis, Geoffrey V., (eds.) African Literatures and Beyond. A Florilegium. Cross/Cultures - Readings in the Post/Colonial Literatures in English (168). Editions Rodopi B.V., Amsterdam, The Netherlands / New York, NY, pp. 29-38. ISBN 9789042037380

Adeyemi, Sola (2013) Performing identities: re-creation and representation of African performance aesthetics. In: 50 Years of Theatre in the African Academy, 28-30 Aug 2013, University of Ibadan, Nigeria. (Unpublished)

Adeyemi, Sola (2013) Negotiating identities: Britishness and mapping of culture in Dipo Agboluaje’s The Christ of Coldharbour Lane. In: What is African Theatre and Performance? 2013 AfTA Annual International Conference, 11-14 July 2013, Goldsmiths, University of London & University of Derby, UK. (Unpublished)

Adeyemi, Sola (2013) Translated gain: colonial power as an agent of postcolonial conquests. In: 2013 Classical Association Conference, 3-6 April 2013, University of Reading, UK. (Unpublished)

Adeyemi, Sola (2013) Colonial Alienation and the Ideology of Resistance: Femi Osofisan's Tegonni (An African Antigone). African Performance Review, 7 (2). pp. 18-34. ISSN 1750-4848

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S., (eds.) A gazelle of the Savanah : Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria : Theatre, Culture, Literature, Art. Alpha Crownes Publishers, Rochester, UK, pp. 435-445. ISBN 978-0956683731

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

Adeyemi, Sola and Olasope, Olakunbi (2012) Fracturing the insularity of the global state: war and conflict in Moira Buffini’s Welcome to Thebes. In: 2012 Classical Association Conference, 11-14 April 2012, University of Exeter, UK. (Unpublished)

Adeyemi, Sola (ed.) (2012) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. In: Adeyemi, Sola, Omoera, Osakue and Binebai, Benedict, (eds.) Alpha Crownes Publishers Ltd, Rochester, UK. ISBN 9780956683731

Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731

Adeyemi, Sola (2011) Once Upon Four Robbers: the magic of subversion (introduction). In: Osofisan, Femi, (ed.) Once Upon Four Robbers. Mosuro Publishers, Ibadan, Nigeria, pp. 6-15. ISBN 9783613693

Adeyemi, Sola (2011) The Soho experiment: Oladipo Agboluaje and the re(New) - Direction of black British theatre. In: Performative Inter-Actions: Innovation, Creativity & Enterprise in African Theatre. 2011 Annual International Conference of the African Theatre Association, 21-23 July 2011, Swansea Metropolitan University, Wales, UK. (Unpublished)

Adeyemi, Sola (2011) Introduction. African Performance Review, 5 (1). pp. 6-8. ISSN 1750-4848

Adeyemi, Sola (2011) Language and accessibility in Femi Osofisan's drama. In: Oni, Duro and Adeyemi, Sola, (eds.) Developments in the Theory and Practice of Contemporary Nigerian Drama and Theatre: A Festschrift in Honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK, pp. 187-202. ISBN 9780956683700

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

Adeyemi, Sola (2010) Language and accessibility in Femi Osofisan’s drama. In: Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro, (eds.) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK, pp. 187-202. ISBN 978-0956683700

Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955

Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951