Immersive, participatory, public space, games, intimacy, theatre, performance, interactive, privilege‌

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700, Dunne-Howrie, Joseph, Maravala, Persis Jadé and Simon, Bart (2020) The post-Immersive manifesto. International Journal of Performance Arts and Digital Media, 16 (2). pp. 196-212. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:10.1080/14794713.2020.1766282)

Liveness; immersive theatre; LARP; Games

Stenros, Jaakko, Simon, Bart, Hughes, Lynn, Zisels Lopes Machado Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Maravala, Persis Jadé (2021) Understanding Liveness in immersive theatre, LARP and Games. In: DIGRA 2022, 7th - 11th July 2022, Krakow, Poland. (Unpublished)

Performance training; VR; interactive performance; liveness; hybrid; palliative care; maternal care; instruction-based; ZU-UK; tambor de mina; system collapse; catabolic crisis; trauma-sensitivity

Guillery, Kesia, Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Maravala, Persis-Jadé (2023) 'Goodnight, Sleep Tight': training performers as palliative carers in an age of system collapse. Performance Research: A Journal of the Performing Arts, 27 (6-7). pp. 212-220. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:10.1080/13528165.2022.2198865)

VR; touch; participatory performance; post-immersive; Unity; liveness; care; loneliness; disabled-led

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Maravala, Persis-Jadé (2019) Rose Bruford College International Symposium, ‘Interactive experiences: playful junctions and journeys across borders’. In: Rose Bruford College International Symposium, ‘Interactive Experiences: Playful junctions and journeys across borders’, 15th - 17th April 2019, Rose Bruford College, London.

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Maravala, Persis-Jadé (2016) Goodnight, Sleep Tight [Live Performance]. [Creative Performance or Reading]

accessibility; adaptation; amplification; Augusto Boal; body; Brazil; class; community; Covid-19; digital; DJ Dolores; embodiment; entrainment; headphone theatre; immersive; industrial; Jerzy Grotowski; layering; London; Para Active; phones; post-punk; privilege; race; rave; ritual; Silvia Mercuriali; site-specific; technique; technology; The Gallery; translation; UK; University of Greenwich; Zygmunt Molik

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700, Maravala, Persis-Jadé, Radosavljevic, Duška, Pitrolo, Flora and Bano, Tim (2021) Slippages in perception: an interview with ZU-UK. [Audio]

experiential theatres; praxis-based approaches; training; 21st Century; theatre artists

Zisels Lopes Machado Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700, Maravala, Persis Jadé and Guillery, Kesia (2022) The significance of ‘role-play’ and ‘instruction-based performance’ as modes of teaching, collaborating, and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge- Taylor & Francis Group, London. ISBN 978-1032036038 (doi:10.4324/9781003188179)

immersive theatre

Bucknall, Joanna, Lansley, Oliver, Maravala, Jade, Maravala, Persis Jadé, Thorpe, Joseph, Cross, Ruth, Zisels Lopes Machado Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700, Watkins, Bertie, Kingston, Owen and Seager, James (2023) Possible futures round-table discussion with Joanna Bucknall, Oliver Lansley, Persis Jadé Maravala, Jorge Lopes Ramos, Joseph Thorpe, Ruth Cross, Bertie Watkins, Owen Kingston and James Seager. In: Bucknall, Joanna, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury Publishing - Methuen Drama, London, pp. 177-204. ISBN 978-1350269330; 978-1350269361; 978-1350269347; 978-1350269354 (doi:10.5040/9781350269361)

immersive theatre; ZU-UK; podcast; immersive

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Bucknall, Joanna (2017) TAIT Episode 20 with Jorge Lopes Ramos: TAIT (Talking About Immersive Theatre) podcast. [Audio]

immersive, interactive, participatory, technology, games

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Maravala, Persis Jade (2017) A dramaturgy of participation: participatory rituals, immersive environments, and interactive gameplay in hotel Medea. In: Frieze, James, (ed.) Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance. Palgrave Macmillan, London, UK, pp. 151-169. ISBN 978-1137366030 (doi:10.1057/978-1-137-36604-7_12)

immersive; participatory; interactive; theatre; performance; audiences' technology; game-design; binaural audio

Zisels Lopes Machado Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Audience Testimonies from Binaural Dinner Date [Live Performance]. [Video]

immersive; theatre; performance; arts; contemporary

Maravala, Persis Jadé and Zisels Lopes Machado Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 (2023) Post-immersive interventions with ZU-UK. In: Bucknall, Joanna Jayne, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury - Methuen Drama, London, pp. 151-176. ISBN 978-1350269330

interactive performance, digital technology, performance, psychophysical training, grotowski, zu-uk

Maravala, Persis Jade, McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2019.1625626)

interactive theatre; participatory theatre; audio experience; instruction-based performance; intimacy; interactive technology; bone-conducting headphones

Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]

interactive, participatory, binaural, childhood, VR, technology, 360 video, mixed reality, immersive, theatre & games, intimacy, liveness

Dunne, Joseph, Zisels Lopes Machado Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Maravala, Persis Jade (2018) Good night, sleep tight (remix). International Journal of Performance Arts and Digital Media, 14 (2). pp. 215-223. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:10.1080/14794713.2018.1505385)

interactive; immersive; participatory; theatre; binaural sound; performance; games.

Zisels Lopes Machado Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Maravala, Persis Jadé (2017) Binaural Dinner Date [Live Performance]. [Creative Performance or Reading]

multiplayer; serious game; games for change; sustainability; sustainable consumption; ethical consumption; shopping centre; audio game; instruction-based; instruction; participatory performance

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700, Spira, David and Law, Peih-Gee (2022) RADIO GHOST - Beyond Screens: ‘Radio Ghost’ IndieCade 2022 Award Nominee - Podcast episode. [Video]

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700, Maravala, Persis-Jadé, Guillery, Kesia and Andrade Pires, Carlos Eduardo ORCID: https://orcid.org/0000-0003-3754-3714 (2022) RADIO GHOST - Lumen Prize Interactive Award. Winner - video submission. [Video]

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 (2022) RADIO GHOST - Lumen Prize shortlisted artists conversation (Digital Art Salon London at The Magazine, Serpentine North Gallery). [Video]

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700, Maravala, Persis-Jadé, Guillery, Kesia, Pires, Carlos Eduardo ORCID: https://orcid.org/0000-0003-3754-3714, Martin-Ortega, Olga ORCID: https://orcid.org/0000-0002-1779-0120 and Karanasiou, Argyro ORCID: https://orcid.org/0000-0002-3268-4019 (2022) RADIO GHOST. [Audio]

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Maravala, Persis-Jadé (2021) DECELERATION - audio-led walking experience. [Audio] (Unpublished)

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700, Maravala, Persis-Jadé, Khaled, Rilla and Laning, Tim (2021) Gaming for Good: sustainable consumption and production in a data driven world. In: A Nudge and a Push Webinar Series: Towards Ethical Sustainability in an Era of (Invisible) Data, 28th April - 9th June 2021, Online & University of Greenwich.

participatory performance; immersive experience; interactive technology; VR/XR; affective touch; empathy; haptic technology; health simulation; mental healthcare training; digital mental health therapy

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700, Maravala, Persis-Jade, Guillery, Kesia, Pires, Carlos Eduardo ORCID: https://orcid.org/0000-0003-3754-3714 and Flight, Ross (2023) Within Touching Distance [Live Performance]. [Creative Performance or Reading]

participatory theatre; binaural audio; post-immersive; pervasive experience; intimacy; ‘hacking the familiar’

Guillery, Kesia, Zisels Lopes Machado Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700, Maravala, Persis-Jade and Simon, Bart (2024) Liveness, audio mixing and participatory theatre: hacking the familiar in 'Binaural Dinner Date'. In: O’Dwyer, Néill, Scott, Joanne and Young, Gareth W., (eds.) XR Performance: Scenographic Explorations. Bloomsbury Methuen. (In Press)

participatory theatre; serious games; slow science; climate crisis; mental health

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 (2023) Strategies for Slowing Down. In: Humanity Summit, 19th - 22nd, Sep 2023, Padrão dos Descobrimentos, Lisbon, Portugal.

practice as research; PARKE Cafe; knowledge exchange; research dissemination

Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137, Boddington, Ghislaine ORCID: https://orcid.org/0000-0003-0448-579X, Zisels Lopes Machado Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Andrade Pires, Carlos Eduardo ORCID: https://orcid.org/0000-0003-3754-3714 (2022) Practice as research and knowledge exchange café’s (PARKE): methodologies to connect beyond academia. The Culture Capital Exchange - UKRI, London.

role-play; instruction; participation; pedagogy; games

Guillery, Harriet, Maravala, Persis Jadé and Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 (2022) The significance of 'role-play' and 'instruction-based performance' as modes of teaching, collaborating and performing with/for participating audiences. In: Lewis, William W. and Bartley, Sean, (eds.) Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. Routledge, New York and Oxon, pp. 1-7. ISBN 978-1032036038; 978-1032036045; 1003188176; 978-1003188179 (doi:10.4324/9781003188179-11)

sound; collaboration; body; theatre sound; Grotowski; participatory theatre; interactive technology; entrainment; liveness; Live sound editing; instruction-based performance; public space; Art as activism; agency; playtesting; Arts & Health; Care; lived experience

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.