Ballet, Dance, Performance

Sporton, Gregory (2016) Reviews. Scene, 4 (2). pp. 173-178. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.2.173_5)

Dance, Opera, Theatre, Reviews

Sporton, Gregory (2017) Reviews. Scene, 5 (1). pp. 83-88. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.1.83_5)

Mime, Performance

Sporton, Gregory (2016) Review from London International Mime Festival. Scene, 4 (1). pp. 89-90. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.4.1.89_5)

Performance, Dance, Lecture

Sporton, Gregory (2017) The Sporton Professorial Inaugural. [Creative Performance or Reading]

Soviet Union, Russia, ballet

Sporton, Gregory (2007) Power as nostalgia: the Bolshoi Ballet in the new Russia. In: Barnett, Dennis and Skelton, Arthur, (eds.) Theatre and Performance in Eastern Europe: The Changing Scene. Scarecrow Press, Lanham, Maryland, USA, pp. 3-12. ISBN 9780810860230

Soviet Union, ballet, Bolshoi, socialist realism,

Sporton, Gregory (2012) The conservative revolution: the Bolshoi archives. Scene, 1 (1). pp. 85-98. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.1.1.85_1)

animation

Sporton, Gregory (2010) The Watertower. [Show/Exhibition]

art

Sporton, Gregory (2011) The "e" Prefix: e-Science, e-Art & the New Creativity. Malaysia Art Gallery Guide. pp. 30-33. ISSN 2231-914X

ballet, choreography, theatre design, Cocteau

Sporton, Gregory (2009) Design as action: Jean Cocteau and the Ballets Russes. In: White, Christine A., (ed.) Directors and Designers. Intellect Books, Bristol, UK, pp. 231-240. ISBN 9781841502892

creativity, e-culture, e-art, e-science

Sporton, Gregory (2009) The "e" prefix: e-Science, e-Art & the new creativity. Digital Humanities Quarterly, 3 (4). ISSN 1938-4122

dance, performance, documentation

Sporton, Gregory (2018) The Life of a Dance: Double Take Part II. In: Proceedings from the Document Academy. University of Akron, pp. 1-10.

digital creativity, digital arts, creativity, creative practice

Sporton, Gregory (2015) Digital creativity: Something from nothing. Palgrave Macmillan UK, London, UK. ISBN 9781137486400

internet art, youtube, moving image,

Sporton, Gregory (2009) The active audience: the network as a performance environment. In: Oddey, Alison and White, Christine A., (eds.) Modes of Spectating. Intellect Books, Bristol, UK, pp. 61-72. ISBN 9781841502397

motion capture apparatus

Birmingham City University, Perry Barr, Birmingham, West Midlands B42 2SU (2010) MotivePro: a motion capture apparatus. WO/2010/084348.

new media art, internet, Second Life, digital technology

Sporton, Gregory (2010) EP: VV East Side Projects: virtualised and visualised. [Show/Exhibition]

performance, dance, physicality, dualism

Sporton, Gregory (2017) The Body and the Intellectual. Scene, 5 (2). pp. 115-126. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.2.115_1)

performance, dance, theatre

Sporton, Gregory (2018) To a Simple Rock ‘n’ Roll [...] Song, Michael Clark Company, Barbican Theatre, London, 24 October 2017. Scene, 5 (2). pp. 139-140. ISSN 2044-3714 (doi:https://doi.org/10.1386/scene.5.2.139_5)

supercomputing, creative computing, network technologies

Sporton, Gregory and Sharl, Robert (2006) Ultra parallelism: the grid, the supercomputer and the creative artist. In: Gibbon, Joan and Winwood, Kaye, (eds.) Hothaus papers: perspectives and paradigms in media arts. Vivid/Article Press, Birmingham, UK, pp. 102-108.

virtual reality, serious games, installation art

Sporton, Gregory and Makiola, Iona (2011) The Watertower: augmented reality gaming for heritage. In: Beale, Katy, (ed.) Museums At Play – Games, Interaction and Learning. MuseumsEtc., Edinburgh, UK and Boston, USA, pp. 347-357. ISBN 9781907697142