Music performance; Improvisation; Comprovisation; Vocals; Archive; Collection

Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe (2017) Care! Object Beneath. [Creative Performance or Reading]

Performance, site-specific, composition, sound art, sound design, improvisation, music, vocals, electronic music

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2019) Collaborations with Breathing Space Collective. [Creative Performance or Reading]

Sound design, Improvisation, Installation, Durational composition, Maximalism, Site-specific, Time

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Creative Performance or Reading]

data, bus timetable, generative composition, electronic music, composition, sound art, installation, sonic art

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) Arrival Time. [Show/Exhibition]

electro-acoustic, improvisation, tintinnabuli, spatial diffusion

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013, Shiell, Stephen and Wilson, Richard (2015) BELL - REF documentation. [Composition]

music, sound recording, sonic art, music download, electroacoustic, sound studies, binaural, immersion

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2018) Sonos Localia. Ian Thompson.

sound art, greenwich, enderby wharf, overtime, field recording, electro-acoustic, Queens House, ecoacoustics

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2014) Litus Expromo. [Show/Exhibition]

soundscape ecology, freshwater fauna, hydrophone, sound art, public engagement, constructivist research

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 and Sparkes, Sarah (2018) The Cosmic Pond - REF documentation. [Show/Exhibition]

soundscape; filmmaking; embodied listening; perception; acoustic environment; sound design practice

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2024) The soundtrack as an acoustic environment: some insights from soundscape research. In: Filimowicz, Michael, (ed.) The Routledge Handbook of Sound Design. Routledge Handbooks . Routledge - Focal Press Book, London; Oxford, UK, pp. 139-156. ISBN 978-1032351476; 978-1032351575; 978-1003325567 (doi:10.4324/9781003325567)

soundscape; sound design; soundscape research

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2021) The soundscape approach: new opportunities in sound design practice. In: Filimowicz, Michael, (ed.) Doing Research in Sound Design. Sound Design, 1 . Focal Press, Oxford, pp. 214-239. ISBN 978-0429356360 ; 978-0367404895 (doi:10.4324/9780429356360-12)

video art, digital art, video, audiovisual

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 and Sparkes, Sarah (2019) Participation in EMPIRE II, an international touring exhibition, 2017 - 2019. [Show/Exhibition]

vocal, performance, audio streaming, diffusion, sound, sound design, music, improvisation, Blackpool

Breating Space, (Collective) and Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2016) RISE. [Creative Performance or Reading]