Arnold Wesker, controversy

Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166 (2019) 'Let Battle Commence!': The Wesker Controversies. In: Etienne, Anne and Saunders, Graham, (eds.) Arnold Wesker: Fragments and Visions. Intellect. (In Press)

Caryl Churchill; Feminism; Contemporary playwriting

Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166 (2016) Caryl Churchill’s 21st Century Poetics: Theatre form and feminism from far away to Ding Dong the Wicked. Journal of Contemporary Drama in English, 4 (2). pp. 367-384. ISSN 2195-0164 (Online) (doi:10.1515/jcde-2016-0021)

Edward Bond, Restoration, Summer, Caryl Churchill, Sarah Kane

Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166 (2019) “Four-square behind the sputum”: dramatic form, female characters and implacable politics in Restoration and Summer. In: Nicolás Román, Susana, (ed.) Women in Edward Bond. Transatlantic Studies in British and North American Culture . Peter Lang. ISBN 978-3631773659 (doi:10.3726/b15005)

Harold Pinter, Theatre of the Absurd

Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166 (2021) The Theatre of the Absurd as professional network in Pinter’s early career. Harold Pinter: Stages, Networks, Collaborations. Methuen Drama Engage . Bloomsbury. ISBN 9781350133624

Harold Pinter, celebrity

Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166 (2009) Pinter as celebrity. In: Raby, Peter, (ed.) The Cambridge Companion to Harold Pinter. Cambridge University Press, Cambridge, UK, pp. 266-282. ISBN 9780521886093 (doi:10.1017/CCOL9780521886093.017)

Harold Pinter, dramatic style,

Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166 (2008) Pinter and style. Brand Literary Magazine, 2 (Autumn). pp. 107-111. ISSN 1754-0593

London; theatre; pandemic; covid; introduction

Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702 and O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 (2022) Introduction - There's no place like London: theatrical landscapes of a city in recovery. Comparative Drama, 56 (1&2):1. pp. 1-11. ISSN 0010-4078 (doi:10.1353/cdr.2022.0000)

London; theatre; wast end; musical theatre; new writing; royal court; playwriting; hip hop theatre; British Drama; American Musical; Capitalism; neoliberalism; housing; funding; artistic directors

Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas ORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark ORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.) (2022) Comparative Drama. Special Issue on London's Theatre: Places, Communities, Futures, 56 (1&2). University of Western Michigan, Michigan, USA. ISBN 56, Number 1 & 2, Spring & Summer 2022 ISSN 0010-4078 (Online)

Roy Williams, contemporary playwriting, black British drama

Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166 (2015) 'Introduction' to Sucker Punch by Roy Williams. Sucker Punch. Methuen Drama Modern Classics . Bloomsbury Methuen Drama, London, UK, pp. 3-24. ISBN 9781472574350

archive, intergenerational, memory, oral history, reminiscence, student performance

Lilley, Heather and Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166 (2013) Reperforming memories: Using the reminiscence theatre archive as a resource for new intergenerational work. Journal of Applied Arts & Health, 4 (2). pp. 191-205. ISSN 2040-2457 (Print), 2040-2465 (Online) (doi:10.1386/jaah.4.2.191_1)

debbie tucker green, human rights

Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166 and Hodson, Loveday (2020) Engaging with human rights: truth and reconciliation and hang. In: Adiseshiah, Sian and Bolton, Jacqueline, (eds.) Debbie Tucker Green: Critical Perspectives. Palgrave Macmillan, pp. 89-108. ISBN 978-3030345808

human rights, verbatim theatre, plays

Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166 and Hodson, Loveday (2008) Performing injustice: human rights and verbatim theatre. Law and Humanities, 2 (2). pp. 191-211. ISSN 1752-1483

multiculturalism, black-on-black violence, Damilola Taylor, ethnicity, institutional racism, Roy Williams, subcultural identity,

Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166 (2007) Roy Williams: representing multicultural Britain in Fallout. Modern Drama, 50 (3). pp. 414-434. ISSN 0026-7694 electronic 1712-5286

theatre criticism, reputation, reviewers, cultural studies

Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166 (2013) ‘The Artist is the Hero of the Story’: Harold Pinter's Moonlight as a case study in reception. New Theatre Quarterly, 29 (3). pp. 209-219. ISSN 0266-464X (Print), 1474-0613 (Online) (doi:10.1017/S0266464X13000419)

theatre, plays, creative writing,

Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166 (2008) [In Backpages 18.1] The culture of new writing. Contemporary Theatre Review, 18 (1). pp. 131-134. ISSN 1048-6801 (Print), 1477-2264 (Online) (doi:10.1080/10486800701868254)

theatre; artistic directors; representation

Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166 (2022) ‘Creating change where it matters the most’: artistic directorship and representation in the London theatre. Comparative Drama, 56 (1-2). pp. 199-226. ISSN 0010-4078 (doi:10.1353/cdr.2022.0008)