Items where Greenwich Author is "Derbyshire, Harry"
2022
    Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas 
ORCID: https://orcid.org/0000-0002-3437-1702, O'Thomas, Mark 
ORCID: https://orcid.org/0000-0001-9264-8813 and Knapper, Daniel (eds.)
  
(2022)
Comparative Drama.
    
      
      
    
    
    
      Special Issue on London's Theatre: Places, Communities, Futures, 56
       (1&2).
    
    University of Western Michigan, Michigan, USA.
     ISBN 56, Number 1 & 2, Spring & Summer 2022
     ISSN 0010-4078 (Online)
  
  
	
    Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166, Holden, Nicholas 
ORCID: https://orcid.org/0000-0002-3437-1702 and O'Thomas, Mark 
ORCID: https://orcid.org/0000-0001-9264-8813
  
(2022)
Introduction - There's no place like London: theatrical landscapes of a city in recovery.
    Comparative Drama, 56 (1&2):1.
     pp. 1-11.
     ISSN 0010-4078
  
  
	 (doi:10.1353/cdr.2022.0000)
    Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166
  
(2022)
‘Creating change where it matters the most’: artistic directorship and representation in the London theatre.
    Comparative Drama, 56 (1-2).
     pp. 199-226.
     ISSN 0010-4078
  
  
	 (doi:10.1353/cdr.2022.0008)
2021
    Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166
  
(2021)
The Theatre of the Absurd as professional network in Pinter’s early career.
    
      
      
	Harold Pinter: Stages, Networks, Collaborations.
      
    
    
    
      Methuen Drama Engage
      .
    
    Bloomsbury.
     ISBN 9781350133624
    
  
  
	
2020
    Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166 and Hodson, Loveday
  
(2020)
Engaging with human rights: truth and reconciliation and hang.
    
      
	In: Adiseshiah, Sian and Bolton, Jacqueline, (eds.)
      
      
	Debbie Tucker Green: Critical Perspectives.
      
    
    
    
    Palgrave Macmillan, pp. 89-108.
     ISBN 978-3030345808
    
  
  
	
2019
    Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166
  
(2019)
'Let Battle Commence!': The Wesker Controversies.
    
      
	In: Etienne, Anne and Saunders, Graham, (eds.)
      
      
	Arnold Wesker: Fragments and Visions.
      
    
    
    
    Intellect.
    
    
  
   (In Press)
	
    Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166
  
(2019)
“Four-square behind the sputum”: dramatic form, female characters and implacable politics in Restoration and Summer.
    
      
	In: Nicolás Román, Susana, (ed.)
      
      
	Women in Edward Bond.
      
    
    
    
      Transatlantic Studies in British and North American Culture
      .
    
    Peter Lang.
     ISBN 978-3631773659
    
  
  
	 (doi:10.3726/b15005)
2016
    Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166
  
(2016)
Caryl Churchill’s 21st Century Poetics: Theatre form and feminism from far away to Ding Dong the Wicked.
    Journal of Contemporary Drama in English, 4 (2).
     pp. 367-384.
     ISSN 2195-0164 (Online)
  
  
	 (doi:10.1515/jcde-2016-0021)
2015
    Derbyshire, Henry ORCID: https://orcid.org/0000-0002-1373-1166
  
(2015)
'Introduction' to Sucker Punch by Roy Williams.
    
      
      
	Sucker Punch.
      
    
    
    
      Methuen Drama Modern Classics
      .
    
    Bloomsbury Methuen Drama, London, UK, pp. 3-24.
     ISBN 9781472574350
    
  
  
	
2013
    Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166
  
(2013)
‘The Artist is the Hero of the Story’: Harold Pinter's Moonlight as a case study in reception.
    New Theatre Quarterly, 29 (3).
     pp. 209-219.
     ISSN 0266-464X (Print), 1474-0613 (Online)
  
  
	 (doi:10.1017/S0266464X13000419)
    Lilley, Heather and Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166
  
(2013)
Reperforming memories: Using the reminiscence theatre archive as a resource for new intergenerational work.
    Journal of Applied Arts & Health, 4 (2).
     pp. 191-205.
     ISSN 2040-2457 (Print), 2040-2465 (Online)
  
  
	 (doi:10.1386/jaah.4.2.191_1)
2009
    Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166
  
(2009)
Pinter as celebrity.
    
      
	In: Raby, Peter, (ed.)
      
      
	The Cambridge Companion to Harold Pinter.
      
    
    
    
    Cambridge University Press, Cambridge, UK, pp. 266-282.
     ISBN 9780521886093
    
  
  
	 (doi:10.1017/CCOL9780521886093.017)
2008
    Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166 and Hodson, Loveday
  
(2008)
Performing injustice: human rights and verbatim theatre.
    Law and Humanities, 2 (2).
     pp. 191-211.
     ISSN 1752-1483
  
  
	
    Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166
  
(2008)
[In Backpages 18.1] The culture of new writing.
    Contemporary Theatre Review, 18 (1).
     pp. 131-134.
     ISSN 1048-6801 (Print), 1477-2264 (Online)
  
  
	 (doi:10.1080/10486800701868254)
    Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166
  
(2008)
Pinter and style.
    Brand Literary Magazine, 2 (Autumn).
     pp. 107-111.
     ISSN 1754-0593
  
  
	
2007
    Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166
  
(2007)
Roy Williams: representing multicultural Britain in Fallout.
    Modern Drama, 50 (3).
     pp. 414-434.
     ISSN 0026-7694 electronic 1712-5286
  
  
	
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