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Baillie, Justine ORCID: 0000-0002-0056-9155 (2003) Contesting ideologies: Deconstructing racism in African-American fiction. Women: A Cultural Review, 14 (1):2. pp. 20-37. ISSN 0957-4042 (Print), 1470-1367 (Online) (doi:https://doi.org/10.1080/0957404032000081683)

Baillie, Justine ORCID: 0000-0002-0056-9155 (2015) Diaspora, gender and agency in Toni Morrison's "Paradise". In: Diasporas, First Postcolonial Studies Association Convention, 11 - 13 September 2015, University of Leicester. (Unpublished)

Baillie, Justine ORCID: 0000-0002-0056-9155 (2007) "Dread and Love": Postcolonial theory and practice in Toni Morrison's 'Playing in the Dark' and 'Song of Solomon' and William Faulkner's 'Go Down, Moses'. Critical Engagements, 1 (1). pp. 166-187. ISSN 1754-0984

Baillie, Justine ORCID: 0000-0002-0056-9155 (2025) Fitzgerald, modernism, and race. In: Rattray, Laura and Wagner-Martin, Linda, (eds.) Bloomsbury Handbook to F. Scott Fitzgerald. Bloomsbury Handbooks . Bloomsbury Academic, London; New York, pp. 15-27. ISBN 978-1350429642; 1350429635-10 (In Press)

Baillie, Justine ORCID: 0000-0002-0056-9155 (2009) 'From margin to centre: Postcolonial identities and Barack Obama's "Dreams from My Father"'. In: Lives in Relation Life Writing Conference, 30 October 2009, University of Lincoln, Lincoln. (Unpublished)

Baillie, Justine ORCID: 0000-0002-0056-9155 (2017) Global Morrison: Toni Morrison and the Transnation. In: Global Morrison: An International Conference, 27-28 June 2017, University of Greenwich, London. (Submitted)

Baillie, Justine ORCID: 0000-0002-0056-9155 (2020) Morrison and the transnation: Toni Morrison, God Help the Child and The Origin of Others and Zadie Smith, Swing Time. Contemporary Women's Writing, 13 (3). pp. 287-306. ISSN 1754-1476 (Print), 1754-1484 (Online) (doi:https://doi.org/10.1093/cww/vpaa009)

Baillie, Justine ORCID: 0000-0002-0056-9155 (2010) Narrating postcolonial identities in Zora Neale Hurston's "Dust Tracks on a Road" and Barack Obama's "Dreams from My Father". In: Transformations of Narrative in the Postcolonial Era, AHRC Research Project, Pinter Centre, Goldsmiths, University of London. (Unpublished)

Baillie, Justine ORCID: 0000-0002-0056-9155 (2004) '"Outside the raced house": Language, heterotopia and diaspora politics in Toni Morrison's Paradise'. In: Gothic Voyages, 9 - 11 July 2004, The Mona Bismarck Centre, Paris. (Unpublished)

Baillie, Justine ORCID: 0000-0002-0056-9155 (2015) Reading Toni Morrison, Beloved. In: Reading Toni Morrison's Beloved: First Lecture of the Bank of America's Cultural Program, June 2015, Bank of America Head Office, Holborn, London with satellite link to Bank of America Headquarters in South Carolina, USA.

Baillie, Justine ORCID: 0000-0002-0056-9155 (2017) Space and Place in Colson Whitehead, The Underground Railroad (2016). In: 27th Annual British Commonwealth and Postcolonial Studies Conference, 16-17th February 2018, Desota Savannah, Georgia, USA. (Submitted)

Baillie, Justine ORCID: 0000-0002-0056-9155 (2022) Toni Morrison’s female epistemology: post-nationalism, diaspora, and postcolonial futures in Tar Baby, Mouth Full of Blood, and Paradise. In: Reames, Kelly and Wagner-Martin, Linda, (eds.) The Bloomsbury Handbook to Toni Morrison. Handbook Series . Bloomsbury Academic, London, New York, New Delhi, Oxford and Sydney, pp. 75-89. ISBN 978-1350239920; 978-1350239937; 978-1350239944

Baillie, Justine ORCID: 0000-0002-0056-9155 (2003) '"Two ways to belong in America": Immigrant identity in Bharati Mukherjee's Jasmine'. In: The American Modern: Varieties of Modernism and Modernity, 16 December 2003, Goldsmiths, University of London. (Unpublished)

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Stenke, Katarina ORCID: 0000-0003-4006-3826 (2024) Crowded elegies: Phillis Wheatley Peters’ critique of identity. In: Oxford Talks: Eighteeth-Century Literature and Culture Research Seminar, University of Oxford, 20th February, 2024, Mansfield College, University of Oxford. (Unpublished)