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Items where Author is "McLaughlin, James"

Items where Author is "McLaughlin, James"

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ab lines acting Arts and Culture blogging censorship chicago improv festival comedy creative incubator Creative Industries creativity digital technology digital training drama embodiment ethics games grotowski higher education Human Ecology Economics improv bandits improvisation interactive performance Keith Johnstone levinas lineage lord chamberlain meisner technique Meisner training Pedagogy performance performer training phenomenology psychophysical psychophysical training Public Policy radical repetition repression spontaneity surveillance technology Theatre training Viola Spolin web 2.0 writing and performance zu-uk
Number of items: 66.

ab lines

McLaughlin, James ORCID: 0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

acting

McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)

Arts and Culture

McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

blogging

McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)

censorship

McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:https://doi.org/10.1080/2040610X.2022.2091733)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) Phantom scripts: The censor’s archive and the phantom scripts of improvisation. Performance Research, 23 (2). pp. 105-109. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2018.1464767)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Spontaneity Drain: The social pressures that shaped and then exiled Keith Johnstone's improvisation. In: Comedy and Society Symposium, 22 November 2014, School of Drama, Music and Screen, University of Hull.

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)

chicago improv festival

McLaughlin, James ORCID: 0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

comedy

McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) Phantom scripts: The censor’s archive and the phantom scripts of improvisation. Performance Research, 23 (2). pp. 105-109. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2018.1464767)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

creative incubator

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Spontaneity Drain: The social pressures that shaped and then exiled Keith Johnstone's improvisation. In: Comedy and Society Symposium, 22 November 2014, School of Drama, Music and Screen, University of Hull.

Creative Industries

McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

creativity

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Spontaneity Drain: The social pressures that shaped and then exiled Keith Johnstone's improvisation. In: Comedy and Society Symposium, 22 November 2014, School of Drama, Music and Screen, University of Hull.

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)

digital technology

Maravala, Persis Jade, McLaughlin, James ORCID: 0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625626)

digital training

Allain, Paul, Bennett-Worth, Stacie Lee, Camilleri, Frank, McLaughlin, James ORCID: 0000-0002-2146-6884 and Wilson, Thomas (2019) Editorial. Theatre, Dance and Performance Training, 10 (2). pp. 165-168. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625628)

drama

McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

embodiment

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Subjective Ethics of Meisner’s Repetition Exercise: The incompatibility of objective morality and the performative moment. In: Obligations in Contemporary Theatre and Performance Practices, 30-31 January 2014, The University of Exeter, New North Rd, Thornlea, Exeter EX4 4LA.

ethics

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Subjective Ethics of Meisner’s Repetition Exercise: The incompatibility of objective morality and the performative moment. In: Obligations in Contemporary Theatre and Performance Practices, 30-31 January 2014, The University of Exeter, New North Rd, Thornlea, Exeter EX4 4LA.

games

McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:https://doi.org/10.1080/2040610X.2022.2091733)

grotowski

Maravala, Persis Jade, McLaughlin, James ORCID: 0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625626)

higher education

McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)

Human Ecology Economics

McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

improv bandits

McLaughlin, James ORCID: 0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

improvisation

McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Ghost transmissions: concrete objects and ephemeral encounters. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex.

McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:https://doi.org/10.1080/2040610X.2022.2091733)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) Phantom scripts: The censor’s archive and the phantom scripts of improvisation. Performance Research, 23 (2). pp. 105-109. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2018.1464767)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Spontaneity Drain: The social pressures that shaped and then exiled Keith Johnstone's improvisation. In: Comedy and Society Symposium, 22 November 2014, School of Drama, Music and Screen, University of Hull.

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)

interactive performance

Maravala, Persis Jade, McLaughlin, James ORCID: 0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625626)

Keith Johnstone

McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:https://doi.org/10.1080/2040610X.2022.2091733)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) Phantom scripts: The censor’s archive and the phantom scripts of improvisation. Performance Research, 23 (2). pp. 105-109. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2018.1464767)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Spontaneity Drain: The social pressures that shaped and then exiled Keith Johnstone's improvisation. In: Comedy and Society Symposium, 22 November 2014, School of Drama, Music and Screen, University of Hull.

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)

levinas

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Subjective Ethics of Meisner’s Repetition Exercise: The incompatibility of objective morality and the performative moment. In: Obligations in Contemporary Theatre and Performance Practices, 30-31 January 2014, The University of Exeter, New North Rd, Thornlea, Exeter EX4 4LA.

lineage

McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Ghost transmissions: concrete objects and ephemeral encounters. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex.

lord chamberlain

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)

meisner technique

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Subjective Ethics of Meisner’s Repetition Exercise: The incompatibility of objective morality and the performative moment. In: Obligations in Contemporary Theatre and Performance Practices, 30-31 January 2014, The University of Exeter, New North Rd, Thornlea, Exeter EX4 4LA.

Meisner training

McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Ghost transmissions: concrete objects and ephemeral encounters. In: TaPRA 2022 (Theatre and Performance Research Association), 12th - 14th September 2022, University of Essex.

Pedagogy

McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)

performance

Maravala, Persis Jade, McLaughlin, James ORCID: 0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625626)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

performer training

Allain, Paul, Bennett-Worth, Stacie Lee, Camilleri, Frank, McLaughlin, James ORCID: 0000-0002-2146-6884 and Wilson, Thomas (2019) Editorial. Theatre, Dance and Performance Training, 10 (2). pp. 165-168. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625628)

phenomenology

McLaughlin, James ORCID: 0000-0002-2146-6884 (2017) Stepping off the Cliff: The sharp divide between training and performance in improvised comedy. In: Theatre and Performance Research Association Annual Conference (TaPRA 2017 Performer Training Working Group), 30 August - 1 September, New Adelphi, Peel Park campus, University of Salford.

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Subjective Ethics of Meisner’s Repetition Exercise: The incompatibility of objective morality and the performative moment. In: Obligations in Contemporary Theatre and Performance Practices, 30-31 January 2014, The University of Exeter, New North Rd, Thornlea, Exeter EX4 4LA.

psychophysical

McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)

psychophysical training

Maravala, Persis Jade, McLaughlin, James ORCID: 0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625626)

Public Policy

McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Spontaneity Drain: The social pressures that shaped and then exiled Keith Johnstone's improvisation. In: Comedy and Society Symposium, 22 November 2014, School of Drama, Music and Screen, University of Hull.

radical

McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:https://doi.org/10.1080/2040610X.2022.2091733)

repetition

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Subjective Ethics of Meisner’s Repetition Exercise: The incompatibility of objective morality and the performative moment. In: Obligations in Contemporary Theatre and Performance Practices, 30-31 January 2014, The University of Exeter, New North Rd, Thornlea, Exeter EX4 4LA.

repression

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Spontaneity Drain: The social pressures that shaped and then exiled Keith Johnstone's improvisation. In: Comedy and Society Symposium, 22 November 2014, School of Drama, Music and Screen, University of Hull.

spontaneity

McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:https://doi.org/10.1080/2040610X.2022.2091733)

surveillance

McLaughlin, James ORCID: 0000-0002-2146-6884 (2014) The Censor Without, The Censor Within: The Resistance of Johnstone’s Improv to the Social and Political Pressures of 1950s Britain. In: Theatre and Performance Research Association Annual Conference (TaPRA), 2014, 3-5 September, 2014, Royal Holloway, University of London, Egham Campus, TW20 0EX. (Unpublished)

technology

Allain, Paul, Bennett-Worth, Stacie Lee, Camilleri, Frank, McLaughlin, James ORCID: 0000-0002-2146-6884 and Wilson, Thomas (2019) Editorial. Theatre, Dance and Performance Training, 10 (2). pp. 165-168. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625628)

Theatre

McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) System or Ecology: A Critique of the Creative Industries. In: Performer Training Working Group, Theatre and Performance Research Association, 05 September 2018 - 07 September 2018, University of Aberystwyth. (Unpublished)

training

McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)

Viola Spolin

McLaughlin, James ORCID: 0000-0002-2146-6884 (2022) Radical improvisation part 1: the liberation of the individual. Comedy Studies, 13 (2):5. pp. 175-185. ISSN 2040-610X (Print), 2040-6118 (Online) (doi:https://doi.org/10.1080/2040610X.2022.2091733)

web 2.0

McLaughlin, James ORCID: 0000-0002-2146-6884 (2019) The trainee speaks: the potential role of the blog in training discourse. Theatre, Dance and Performance Training, 10 (2). pp. 289-291. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625623)

writing and performance

McLaughlin, James ORCID: 0000-0002-2146-6884 (2018) Phantom scripts: The censor’s archive and the phantom scripts of improvisation. Performance Research, 23 (2). pp. 105-109. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2018.1464767)

zu-uk

Maravala, Persis Jade, McLaughlin, James ORCID: 0000-0002-2146-6884 and Lopes Machado Ramos, Jorge ORCID: 0000-0003-4868-9700 (2019) ZU-UK – Training for interactive performance. Theatre, Dance and Performance Training, 10 (2). pp. 245-249. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:https://doi.org/10.1080/19443927.2019.1625626)

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