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Items where Subject is "PL Languages and literatures of Eastern Asia, Africa, Oceania"

Items where Subject is "PL Languages and literatures of Eastern Asia, Africa, Oceania"

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Group by: Creators | Item Type | Uncontrolled Keywords
adaptations African and African-American Writing African fiilm African film African novel African performance aesthetics African theatre apartheid arts biography Black British drama Black British performance culture cinema clan praises classical literature colonialism conflict criticism and interpretation cultural studies culture diaspora Diaspora theory drama early plays eighteenth-century poetry elegy Euripides Femi Osofisan Feminism Film Film Africa Festival gender Globalisation Globe Theatre Greek drama health history history and criticism Hwee Hwee Tan Identity ideology interculturalism Language Learning and Teaching literature Masquerade myth myth of origin mythology national theatre neocolonialism Nigeria Nigerian history Nigerian drama Nigerian literature (english) Nigerian poetry (English) Nigerian theatre Nollywood Nomkhubulwana ododo orientalism performance Philip Jeyaretnam Phillis Wheatley Peters playwriting politics politics of voice post colonial literature postcolonial African theatre postcolonial studies postcolonialism practice-led research race religion Renegade Theatre rhetoric ritual screenwriting Shakespeare society South Africa subversion subverting identity formations Sunday Enessi technical theatre theatre theatre heritage tradition translation Ubuntu voice Winter's Tale Wole Soyinka Yoruba language Yoruba mythology Zulu
Number of items at this level: 122.

adaptations

Adeyemi, Sola (2013) Translated gain: colonial power as an agent of postcolonial conquests. In: 2013 Classical Association Conference, 3-6 April 2013, University of Reading, UK. (Unpublished)

African and African-American Writing

Baillie, Justine ORCID logoORCID: https://orcid.org/0000-0002-0056-9155 (2017) Global Morrison: Toni Morrison and the Transnation. In: Global Morrison: An International Conference, 27-28 June 2017, University of Greenwich, London. (Submitted)

African fiilm

Solanke, Adeola (2015) Dazzling Mirage. [Play, Short Story or Poetry]

African film

Solanke, Adeola (2015) African Film and Social Change Conference. In: African Film and Social Change Conference, 7-8 November 2015, University of Westminster, 35 Marylebone Road, London NW1 5LS.

African novel

Adeyemi, Sola (2013) Interpreting the interpreters: the narratives of the postcolony in Wole Soyinka’s The Interpreters. In: Lindfors, Bernth and Davis, Geoffrey V., (eds.) African Literatures and Beyond. A Florilegium. Cross/Cultures - Readings in the Post/Colonial Literatures in English (168). Editions Rodopi B.V., Amsterdam, The Netherlands / New York, NY, pp. 29-38. ISBN 9789042037380

African performance aesthetics

Adeyemi, Sola (2013) Performing identities: re-creation and representation of African performance aesthetics. In: 50 Years of Theatre in the African Academy, 28-30 Aug 2013, University of Ibadan, Nigeria. (Unpublished)

African theatre

Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955

Adeyemi, Sola (2011) Once Upon Four Robbers: the magic of subversion (introduction). In: Osofisan, Femi, (ed.) Once Upon Four Robbers. Mosuro Publishers, Ibadan, Nigeria, pp. 6-15. ISBN 9783613693

Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951

Adeyemi, Sola and Olasope, Olakunbi (2012) Fracturing the insularity of the global state: war and conflict in Moira Buffini’s Welcome to Thebes. In: 2012 Classical Association Conference, 11-14 April 2012, University of Exeter, UK. (Unpublished)

apartheid

Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731

arts

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

biography

Garsten, Nicky (2009) Hwee Hwee Tan (1974- ). In: Smyth, David, (ed.) Southeast Asian Writers. Dictionary of Literary Biography, 348 . Gale, Farmington Hills, MI, USA, pp. 291-295. ISBN 9780787681661

Garsten, Nicky (2009) Philip Jeyaretnam (1964- ). In: Smyth, David, (ed.) Southeast Asian Writers. Dictionary of Literary Biography, 348 . Gale, Farmington Hills, MI, USA, pp. 84-89. ISBN 9780787681661

Black British drama

Adeyemi, Sola (2013) Performing identities: re-creation and representation of African performance aesthetics. In: 50 Years of Theatre in the African Academy, 28-30 Aug 2013, University of Ibadan, Nigeria. (Unpublished)

Black British performance culture

Adeyemi, Sola (2013) Negotiating identities: Britishness and mapping of culture in Dipo Agboluaje’s The Christ of Coldharbour Lane. In: What is African Theatre and Performance? 2013 AfTA Annual International Conference, 11-14 July 2013, Goldsmiths, University of London & University of Derby, UK. (Unpublished)

cinema

Solanke, Adeola (2015) African Film and Social Change Conference. In: African Film and Social Change Conference, 7-8 November 2015, University of Westminster, 35 Marylebone Road, London NW1 5LS.

clan praises

Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731

classical literature

Adeyemi, Sola (2013) Translated gain: colonial power as an agent of postcolonial conquests. In: 2013 Classical Association Conference, 3-6 April 2013, University of Reading, UK. (Unpublished)

colonialism

Adeyemi, Sola (2013) When drama comes a-cooling: re-assessing Femi Osofisan’s dramatic ideology. In: Igweonu, Kene and Okagbue, Osita, (eds.) Performative Inter-Actions in African Theatre 2: Innovation, Creativity and Social Change. Cambridge Scholars Publishing, Newcastle-Upon-Tyne, UK, pp. 144-157. ISBN 9781443853804

conflict

Adeyemi, Sola and Olasope, Olakunbi (2012) Fracturing the insularity of the global state: war and conflict in Moira Buffini’s Welcome to Thebes. In: 2012 Classical Association Conference, 11-14 April 2012, University of Exeter, UK. (Unpublished)

criticism and interpretation

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

cultural studies

Adeyemi, Sola (ed.) (2012) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. In: Adeyemi, Sola, Omoera, Osakue and Binebai, Benedict, (eds.) Alpha Crownes Publishers Ltd, Rochester, UK. ISBN 9780956683731

culture

Adeyemi, Sola (2013) Interpreting the interpreters: the narratives of the postcolony in Wole Soyinka’s The Interpreters. In: Lindfors, Bernth and Davis, Geoffrey V., (eds.) African Literatures and Beyond. A Florilegium. Cross/Cultures - Readings in the Post/Colonial Literatures in English (168). Editions Rodopi B.V., Amsterdam, The Netherlands / New York, NY, pp. 29-38. ISBN 9789042037380

Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731

diaspora

Adeyemi, Sola (2013) Negotiating identities: Britishness and mapping of culture in Dipo Agboluaje’s The Christ of Coldharbour Lane. In: What is African Theatre and Performance? 2013 AfTA Annual International Conference, 11-14 July 2013, Goldsmiths, University of London & University of Derby, UK. (Unpublished)

Diaspora theory

Baillie, Justine ORCID logoORCID: https://orcid.org/0000-0002-0056-9155 (2017) Global Morrison: Toni Morrison and the Transnation. In: Global Morrison: An International Conference, 27-28 June 2017, University of Greenwich, London. (Submitted)

drama

Adeyemi, Sola (2011) Once Upon Four Robbers: the magic of subversion (introduction). In: Osofisan, Femi, (ed.) Once Upon Four Robbers. Mosuro Publishers, Ibadan, Nigeria, pp. 6-15. ISBN 9783613693

Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951

Adeyemi, Sola (2013) When drama comes a-cooling: re-assessing Femi Osofisan’s dramatic ideology. In: Igweonu, Kene and Okagbue, Osita, (eds.) Performative Inter-Actions in African Theatre 2: Innovation, Creativity and Social Change. Cambridge Scholars Publishing, Newcastle-Upon-Tyne, UK, pp. 144-157. ISBN 9781443853804

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

early plays

Adeyemi, Sola (2013) When drama comes a-cooling: re-assessing Femi Osofisan’s dramatic ideology. In: Igweonu, Kene and Okagbue, Osita, (eds.) Performative Inter-Actions in African Theatre 2: Innovation, Creativity and Social Change. Cambridge Scholars Publishing, Newcastle-Upon-Tyne, UK, pp. 144-157. ISBN 9781443853804

eighteenth-century poetry

Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2024) Phillis Wheatley Peters’ crowded elegies. In: Symposium: "Minority Identity and Religious Experience", 14th May, 2024, Queen Mary University of London, London, UK.

Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2023) “Suspend the sigh, dear Sir”: subverting gender in Phillis Wheatley Peters’ elegies. In: English Literature Seminar Series, Keele University, 9th October, 2023, School of Humanities and English Literature, Keele University. (Unpublished)

elegy

Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2024) Phillis Wheatley Peters’ crowded elegies. In: Symposium: "Minority Identity and Religious Experience", 14th May, 2024, Queen Mary University of London, London, UK.

Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2023) “Suspend the sigh, dear Sir”: subverting gender in Phillis Wheatley Peters’ elegies. In: English Literature Seminar Series, Keele University, 9th October, 2023, School of Humanities and English Literature, Keele University. (Unpublished)

Euripides

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

Femi Osofisan

Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955

Adeyemi, Sola (2011) Once Upon Four Robbers: the magic of subversion (introduction). In: Osofisan, Femi, (ed.) Once Upon Four Robbers. Mosuro Publishers, Ibadan, Nigeria, pp. 6-15. ISBN 9783613693

Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951

Adeyemi, Sola (2013) When drama comes a-cooling: re-assessing Femi Osofisan’s dramatic ideology. In: Igweonu, Kene and Okagbue, Osita, (eds.) Performative Inter-Actions in African Theatre 2: Innovation, Creativity and Social Change. Cambridge Scholars Publishing, Newcastle-Upon-Tyne, UK, pp. 144-157. ISBN 9781443853804

Feminism

Baillie, Justine ORCID logoORCID: https://orcid.org/0000-0002-0056-9155 (2017) Global Morrison: Toni Morrison and the Transnation. In: Global Morrison: An International Conference, 27-28 June 2017, University of Greenwich, London. (Submitted)

Film

Solanke, Adeola (2015) Dazzling Mirage. [Play, Short Story or Poetry]

Film Africa Festival

Solanke, Adeola (2015) Dazzling Mirage. [Play, Short Story or Poetry]

gender

Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2023) “Suspend the sigh, dear Sir”: subverting gender in Phillis Wheatley Peters’ elegies. In: English Literature Seminar Series, Keele University, 9th October, 2023, School of Humanities and English Literature, Keele University. (Unpublished)

Globalisation

Baillie, Justine ORCID logoORCID: https://orcid.org/0000-0002-0056-9155 (2017) Global Morrison: Toni Morrison and the Transnation. In: Global Morrison: An International Conference, 27-28 June 2017, University of Greenwich, London. (Submitted)

Globe Theatre

Adeyemi, Adesola (2013) Ìtàn Ògìnìntìn, The Winter's Tale: Shakespeare meets Yoruba gods. In: Banham, Martin, Gibbs, James, Hutchison, Yvette, Osofisan, Femi and Plastow, Jane, (eds.) African Theatre: Shakespeare in and out of Africa. African Theatre (12). James Currey / Boydell & Brewer Ltd., Woodbridge, UK, pp. 48-60. ISBN 9781847010803

Greek drama

Adeyemi, Sola and Olasope, Olakunbi (2012) Fracturing the insularity of the global state: war and conflict in Moira Buffini’s Welcome to Thebes. In: 2012 Classical Association Conference, 11-14 April 2012, University of Exeter, UK. (Unpublished)

health

Solanke, Adeola (2015) African Film and Social Change Conference. In: African Film and Social Change Conference, 7-8 November 2015, University of Westminster, 35 Marylebone Road, London NW1 5LS.

history

Adeyemi, Adesola (2013) Ìtàn Ògìnìntìn, The Winter's Tale: Shakespeare meets Yoruba gods. In: Banham, Martin, Gibbs, James, Hutchison, Yvette, Osofisan, Femi and Plastow, Jane, (eds.) African Theatre: Shakespeare in and out of Africa. African Theatre (12). James Currey / Boydell & Brewer Ltd., Woodbridge, UK, pp. 48-60. ISBN 9781847010803

Adeyemi, Sola and Olasope, Olakunbi (2012) Fracturing the insularity of the global state: war and conflict in Moira Buffini’s Welcome to Thebes. In: 2012 Classical Association Conference, 11-14 April 2012, University of Exeter, UK. (Unpublished)

history and criticism

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

Hwee Hwee Tan

Garsten, Nicky (2009) Hwee Hwee Tan (1974- ). In: Smyth, David, (ed.) Southeast Asian Writers. Dictionary of Literary Biography, 348 . Gale, Farmington Hills, MI, USA, pp. 291-295. ISBN 9780787681661

Identity

Adeyemi, Sola (2013) Negotiating identities: Britishness and mapping of culture in Dipo Agboluaje’s The Christ of Coldharbour Lane. In: What is African Theatre and Performance? 2013 AfTA Annual International Conference, 11-14 July 2013, Goldsmiths, University of London & University of Derby, UK. (Unpublished)

ideology

Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955

interculturalism

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

Language Learning and Teaching

Benati, Alessandro (2016) Theory, Research and Pedagogy in Learning and Teaching Japanese Grammar. Palgrave Macmillan, London, UK. ISBN 978-1137498915

literature

Adeyemi, Sola (ed.) (2012) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. In: Adeyemi, Sola, Omoera, Osakue and Binebai, Benedict, (eds.) Alpha Crownes Publishers Ltd, Rochester, UK. ISBN 9780956683731

Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951

Adeyemi, Sola (2013) When drama comes a-cooling: re-assessing Femi Osofisan’s dramatic ideology. In: Igweonu, Kene and Okagbue, Osita, (eds.) Performative Inter-Actions in African Theatre 2: Innovation, Creativity and Social Change. Cambridge Scholars Publishing, Newcastle-Upon-Tyne, UK, pp. 144-157. ISBN 9781443853804

Masquerade

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

myth

Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731

myth of origin

Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731

mythology

Adeyemi, Sola and Olasope, Olakunbi (2012) Fracturing the insularity of the global state: war and conflict in Moira Buffini’s Welcome to Thebes. In: 2012 Classical Association Conference, 11-14 April 2012, University of Exeter, UK. (Unpublished)

national theatre

Adeyemi, Sola and Olasope, Olakunbi (2012) Fracturing the insularity of the global state: war and conflict in Moira Buffini’s Welcome to Thebes. In: 2012 Classical Association Conference, 11-14 April 2012, University of Exeter, UK. (Unpublished)

neocolonialism

Adeyemi, Sola (2013) Interpreting the interpreters: the narratives of the postcolony in Wole Soyinka’s The Interpreters. In: Lindfors, Bernth and Davis, Geoffrey V., (eds.) African Literatures and Beyond. A Florilegium. Cross/Cultures - Readings in the Post/Colonial Literatures in English (168). Editions Rodopi B.V., Amsterdam, The Netherlands / New York, NY, pp. 29-38. ISBN 9789042037380

Nigeria

Adeyemi, Sola (ed.) (2012) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. In: Adeyemi, Sola, Omoera, Osakue and Binebai, Benedict, (eds.) Alpha Crownes Publishers Ltd, Rochester, UK. ISBN 9780956683731

Nigerian history

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

Nigerian drama

Adeyemi, Sola (2010) Language and accessibility in Femi Osofisan’s drama. In: Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro, (eds.) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK, pp. 187-202. ISBN 978-0956683700

Nigerian literature (english)

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

Nigerian poetry (English)

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

Nigerian theatre

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

Nollywood

Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700

Nomkhubulwana

Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731

ododo

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

orientalism

Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955

performance

Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731

Philip Jeyaretnam

Garsten, Nicky (2009) Philip Jeyaretnam (1964- ). In: Smyth, David, (ed.) Southeast Asian Writers. Dictionary of Literary Biography, 348 . Gale, Farmington Hills, MI, USA, pp. 84-89. ISBN 9780787681661

Phillis Wheatley Peters

Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2024) Phillis Wheatley Peters’ crowded elegies. In: Symposium: "Minority Identity and Religious Experience", 14th May, 2024, Queen Mary University of London, London, UK.

Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2023) “Suspend the sigh, dear Sir”: subverting gender in Phillis Wheatley Peters’ elegies. In: English Literature Seminar Series, Keele University, 9th October, 2023, School of Humanities and English Literature, Keele University. (Unpublished)

playwriting

Adeyemi, Sola (2013) When drama comes a-cooling: re-assessing Femi Osofisan’s dramatic ideology. In: Igweonu, Kene and Okagbue, Osita, (eds.) Performative Inter-Actions in African Theatre 2: Innovation, Creativity and Social Change. Cambridge Scholars Publishing, Newcastle-Upon-Tyne, UK, pp. 144-157. ISBN 9781443853804

politics

Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955

Adeyemi, Sola (2011) Once Upon Four Robbers: the magic of subversion (introduction). In: Osofisan, Femi, (ed.) Once Upon Four Robbers. Mosuro Publishers, Ibadan, Nigeria, pp. 6-15. ISBN 9783613693

Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951

Adeyemi, Sola (2013) When drama comes a-cooling: re-assessing Femi Osofisan’s dramatic ideology. In: Igweonu, Kene and Okagbue, Osita, (eds.) Performative Inter-Actions in African Theatre 2: Innovation, Creativity and Social Change. Cambridge Scholars Publishing, Newcastle-Upon-Tyne, UK, pp. 144-157. ISBN 9781443853804

Adeyemi, Sola and Olasope, Olakunbi (2012) Fracturing the insularity of the global state: war and conflict in Moira Buffini’s Welcome to Thebes. In: 2012 Classical Association Conference, 11-14 April 2012, University of Exeter, UK. (Unpublished)

Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2024) Phillis Wheatley Peters’ crowded elegies. In: Symposium: "Minority Identity and Religious Experience", 14th May, 2024, Queen Mary University of London, London, UK.

politics of voice

Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2023) “Suspend the sigh, dear Sir”: subverting gender in Phillis Wheatley Peters’ elegies. In: English Literature Seminar Series, Keele University, 9th October, 2023, School of Humanities and English Literature, Keele University. (Unpublished)

post colonial literature

Adeyemi, Sola (2013) Interpreting the interpreters: the narratives of the postcolony in Wole Soyinka’s The Interpreters. In: Lindfors, Bernth and Davis, Geoffrey V., (eds.) African Literatures and Beyond. A Florilegium. Cross/Cultures - Readings in the Post/Colonial Literatures in English (168). Editions Rodopi B.V., Amsterdam, The Netherlands / New York, NY, pp. 29-38. ISBN 9789042037380

Adeyemi, Sola (2013) When drama comes a-cooling: re-assessing Femi Osofisan’s dramatic ideology. In: Igweonu, Kene and Okagbue, Osita, (eds.) Performative Inter-Actions in African Theatre 2: Innovation, Creativity and Social Change. Cambridge Scholars Publishing, Newcastle-Upon-Tyne, UK, pp. 144-157. ISBN 9781443853804

postcolonial African theatre

Adeyemi, Sola (2011) Introduction. African Performance Review, 5 (1). pp. 6-8. ISSN 1750-4848

postcolonial studies

Adeyemi, Sola (2013) Performing identities: re-creation and representation of African performance aesthetics. In: 50 Years of Theatre in the African Academy, 28-30 Aug 2013, University of Ibadan, Nigeria. (Unpublished)

postcolonialism

Adeyemi, Sola (2013) Translated gain: colonial power as an agent of postcolonial conquests. In: 2013 Classical Association Conference, 3-6 April 2013, University of Reading, UK. (Unpublished)

practice-led research

Adeyemi, Sola (2011) Introduction. African Performance Review, 5 (1). pp. 6-8. ISSN 1750-4848

race

Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2023) “Suspend the sigh, dear Sir”: subverting gender in Phillis Wheatley Peters’ elegies. In: English Literature Seminar Series, Keele University, 9th October, 2023, School of Humanities and English Literature, Keele University. (Unpublished)

religion

Adeyemi, Sola (2011) Once Upon Four Robbers: the magic of subversion (introduction). In: Osofisan, Femi, (ed.) Once Upon Four Robbers. Mosuro Publishers, Ibadan, Nigeria, pp. 6-15. ISBN 9783613693

Renegade Theatre

Adeyemi, Adesola (2013) Ìtàn Ògìnìntìn, The Winter's Tale: Shakespeare meets Yoruba gods. In: Banham, Martin, Gibbs, James, Hutchison, Yvette, Osofisan, Femi and Plastow, Jane, (eds.) African Theatre: Shakespeare in and out of Africa. African Theatre (12). James Currey / Boydell & Brewer Ltd., Woodbridge, UK, pp. 48-60. ISBN 9781847010803

rhetoric

Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2024) Phillis Wheatley Peters’ crowded elegies. In: Symposium: "Minority Identity and Religious Experience", 14th May, 2024, Queen Mary University of London, London, UK.

ritual

Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731

screenwriting

Solanke, Adeola (2015) African Film and Social Change Conference. In: African Film and Social Change Conference, 7-8 November 2015, University of Westminster, 35 Marylebone Road, London NW1 5LS.

Solanke, Adeola (2015) Dazzling Mirage. [Play, Short Story or Poetry]

Shakespeare

Adeyemi, Adesola (2013) Ìtàn Ògìnìntìn, The Winter's Tale: Shakespeare meets Yoruba gods. In: Banham, Martin, Gibbs, James, Hutchison, Yvette, Osofisan, Femi and Plastow, Jane, (eds.) African Theatre: Shakespeare in and out of Africa. African Theatre (12). James Currey / Boydell & Brewer Ltd., Woodbridge, UK, pp. 48-60. ISBN 9781847010803

society

Solanke, Adeola (2015) African Film and Social Change Conference. In: African Film and Social Change Conference, 7-8 November 2015, University of Westminster, 35 Marylebone Road, London NW1 5LS.

South Africa

Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731

subversion

Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2024) Phillis Wheatley Peters’ crowded elegies. In: Symposium: "Minority Identity and Religious Experience", 14th May, 2024, Queen Mary University of London, London, UK.

subverting identity formations

Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2023) “Suspend the sigh, dear Sir”: subverting gender in Phillis Wheatley Peters’ elegies. In: English Literature Seminar Series, Keele University, 9th October, 2023, School of Humanities and English Literature, Keele University. (Unpublished)

Sunday Enessi

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

technical theatre

Adeyemi, Sola (ed.) (2012) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. In: Adeyemi, Sola, Omoera, Osakue and Binebai, Benedict, (eds.) Alpha Crownes Publishers Ltd, Rochester, UK. ISBN 9780956683731

theatre

Adeyemi, Sola (ed.) (2012) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. In: Adeyemi, Sola, Omoera, Osakue and Binebai, Benedict, (eds.) Alpha Crownes Publishers Ltd, Rochester, UK. ISBN 9780956683731

Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731

theatre heritage

Adeyemi, Sola (2013) Performing identities: re-creation and representation of African performance aesthetics. In: 50 Years of Theatre in the African Academy, 28-30 Aug 2013, University of Ibadan, Nigeria. (Unpublished)

tradition

Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731

translation

Adeyemi, Sola (2013) Translated gain: colonial power as an agent of postcolonial conquests. In: 2013 Classical Association Conference, 3-6 April 2013, University of Reading, UK. (Unpublished)

Ubuntu

Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731

voice

Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2024) Phillis Wheatley Peters’ crowded elegies. In: Symposium: "Minority Identity and Religious Experience", 14th May, 2024, Queen Mary University of London, London, UK.

Winter's Tale

Adeyemi, Adesola (2013) Ìtàn Ògìnìntìn, The Winter's Tale: Shakespeare meets Yoruba gods. In: Banham, Martin, Gibbs, James, Hutchison, Yvette, Osofisan, Femi and Plastow, Jane, (eds.) African Theatre: Shakespeare in and out of Africa. African Theatre (12). James Currey / Boydell & Brewer Ltd., Woodbridge, UK, pp. 48-60. ISBN 9781847010803

Wole Soyinka

Adeyemi, Sola (2013) Interpreting the interpreters: the narratives of the postcolony in Wole Soyinka’s The Interpreters. In: Lindfors, Bernth and Davis, Geoffrey V., (eds.) African Literatures and Beyond. A Florilegium. Cross/Cultures - Readings in the Post/Colonial Literatures in English (168). Editions Rodopi B.V., Amsterdam, The Netherlands / New York, NY, pp. 29-38. ISBN 9789042037380

Adeyemi, Sola (2011) Introduction. African Performance Review, 5 (1). pp. 6-8. ISSN 1750-4848

Yoruba language

Adeyemi, Adesola (2013) Ìtàn Ògìnìntìn, The Winter's Tale: Shakespeare meets Yoruba gods. In: Banham, Martin, Gibbs, James, Hutchison, Yvette, Osofisan, Femi and Plastow, Jane, (eds.) African Theatre: Shakespeare in and out of Africa. African Theatre (12). James Currey / Boydell & Brewer Ltd., Woodbridge, UK, pp. 48-60. ISBN 9781847010803

Yoruba mythology

Adeyemi, Adesola (2013) Ìtàn Ògìnìntìn, The Winter's Tale: Shakespeare meets Yoruba gods. In: Banham, Martin, Gibbs, James, Hutchison, Yvette, Osofisan, Femi and Plastow, Jane, (eds.) African Theatre: Shakespeare in and out of Africa. African Theatre (12). James Currey / Boydell & Brewer Ltd., Woodbridge, UK, pp. 48-60. ISBN 9781847010803

Zulu

Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731

This list was generated on Thu Jun 4 03:54:47 2026 UTC.