Items where Subject is "PL Languages and literatures of Eastern Asia, Africa, Oceania"
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Up a level- Library of Congress Subject Areas (21199)
- P Language and Literature (941)
- PL Languages and literatures of Eastern Asia, Africa, Oceania (22)
- P Language and Literature (941)
adaptations
Adeyemi, Sola (2013) Translated gain: colonial power as an agent of postcolonial conquests. In: 2013 Classical Association Conference, 3-6 April 2013, University of Reading, UK. (Unpublished)
African and African-American Writing
Baillie, Justine 
ORCID: https://orcid.org/0000-0002-0056-9155
(2017)
Global Morrison: Toni Morrison and the Transnation.
In: Global Morrison: An International Conference, 27-28 June 2017, University of Greenwich, London.
(Submitted)
African fiilm
Solanke, Adeola (2015) Dazzling Mirage. [Play, Short Story or Poetry]
African film
Solanke, Adeola (2015) African Film and Social Change Conference. In: African Film and Social Change Conference, 7-8 November 2015, University of Westminster, 35 Marylebone Road, London NW1 5LS.
African novel
Adeyemi, Sola (2013) Interpreting the interpreters: the narratives of the postcolony in Wole Soyinka’s The Interpreters. In: Lindfors, Bernth and Davis, Geoffrey V., (eds.) African Literatures and Beyond. A Florilegium. Cross/Cultures - Readings in the Post/Colonial Literatures in English (168). Editions Rodopi B.V., Amsterdam, The Netherlands / New York, NY, pp. 29-38. ISBN 9789042037380
African performance aesthetics
Adeyemi, Sola (2013) Performing identities: re-creation and representation of African performance aesthetics. In: 50 Years of Theatre in the African Academy, 28-30 Aug 2013, University of Ibadan, Nigeria. (Unpublished)
African theatre
Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955
Adeyemi, Sola (2011) Once Upon Four Robbers: the magic of subversion (introduction). In: Osofisan, Femi, (ed.) Once Upon Four Robbers. Mosuro Publishers, Ibadan, Nigeria, pp. 6-15. ISBN 9783613693
Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951
Adeyemi, Sola and Olasope, Olakunbi (2012) Fracturing the insularity of the global state: war and conflict in Moira Buffini’s Welcome to Thebes. In: 2012 Classical Association Conference, 11-14 April 2012, University of Exeter, UK. (Unpublished)
apartheid
Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731
arts
Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731
biography
Garsten, Nicky (2009) Hwee Hwee Tan (1974- ). In: Smyth, David, (ed.) Southeast Asian Writers. Dictionary of Literary Biography, 348 . Gale, Farmington Hills, MI, USA, pp. 291-295. ISBN 9780787681661
Garsten, Nicky (2009) Philip Jeyaretnam (1964- ). In: Smyth, David, (ed.) Southeast Asian Writers. Dictionary of Literary Biography, 348 . Gale, Farmington Hills, MI, USA, pp. 84-89. ISBN 9780787681661
Black British drama
Adeyemi, Sola (2013) Performing identities: re-creation and representation of African performance aesthetics. In: 50 Years of Theatre in the African Academy, 28-30 Aug 2013, University of Ibadan, Nigeria. (Unpublished)
Black British performance culture
Adeyemi, Sola (2013) Negotiating identities: Britishness and mapping of culture in Dipo Agboluaje’s The Christ of Coldharbour Lane. In: What is African Theatre and Performance? 2013 AfTA Annual International Conference, 11-14 July 2013, Goldsmiths, University of London & University of Derby, UK. (Unpublished)
cinema
Solanke, Adeola (2015) African Film and Social Change Conference. In: African Film and Social Change Conference, 7-8 November 2015, University of Westminster, 35 Marylebone Road, London NW1 5LS.
clan praises
Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731
classical literature
Adeyemi, Sola (2013) Translated gain: colonial power as an agent of postcolonial conquests. In: 2013 Classical Association Conference, 3-6 April 2013, University of Reading, UK. (Unpublished)
colonialism
Adeyemi, Sola (2013) When drama comes a-cooling: re-assessing Femi Osofisan’s dramatic ideology. In: Igweonu, Kene and Okagbue, Osita, (eds.) Performative Inter-Actions in African Theatre 2: Innovation, Creativity and Social Change. Cambridge Scholars Publishing, Newcastle-Upon-Tyne, UK, pp. 144-157. ISBN 9781443853804
conflict
Adeyemi, Sola and Olasope, Olakunbi (2012) Fracturing the insularity of the global state: war and conflict in Moira Buffini’s Welcome to Thebes. In: 2012 Classical Association Conference, 11-14 April 2012, University of Exeter, UK. (Unpublished)
criticism and interpretation
Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731
cultural studies
Adeyemi, Sola (ed.) (2012) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. In: Adeyemi, Sola, Omoera, Osakue and Binebai, Benedict, (eds.) Alpha Crownes Publishers Ltd, Rochester, UK. ISBN 9780956683731
culture
Adeyemi, Sola (2013) Interpreting the interpreters: the narratives of the postcolony in Wole Soyinka’s The Interpreters. In: Lindfors, Bernth and Davis, Geoffrey V., (eds.) African Literatures and Beyond. A Florilegium. Cross/Cultures - Readings in the Post/Colonial Literatures in English (168). Editions Rodopi B.V., Amsterdam, The Netherlands / New York, NY, pp. 29-38. ISBN 9789042037380
Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731
diaspora
Adeyemi, Sola (2013) Negotiating identities: Britishness and mapping of culture in Dipo Agboluaje’s The Christ of Coldharbour Lane. In: What is African Theatre and Performance? 2013 AfTA Annual International Conference, 11-14 July 2013, Goldsmiths, University of London & University of Derby, UK. (Unpublished)
Diaspora theory
Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155
(2017)
Global Morrison: Toni Morrison and the Transnation.
In: Global Morrison: An International Conference, 27-28 June 2017, University of Greenwich, London.
(Submitted)
drama
Adeyemi, Sola (2011) Once Upon Four Robbers: the magic of subversion (introduction). In: Osofisan, Femi, (ed.) Once Upon Four Robbers. Mosuro Publishers, Ibadan, Nigeria, pp. 6-15. ISBN 9783613693
Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951
Adeyemi, Sola (2013) When drama comes a-cooling: re-assessing Femi Osofisan’s dramatic ideology. In: Igweonu, Kene and Okagbue, Osita, (eds.) Performative Inter-Actions in African Theatre 2: Innovation, Creativity and Social Change. Cambridge Scholars Publishing, Newcastle-Upon-Tyne, UK, pp. 144-157. ISBN 9781443853804
Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731
early plays
Adeyemi, Sola (2013) When drama comes a-cooling: re-assessing Femi Osofisan’s dramatic ideology. In: Igweonu, Kene and Okagbue, Osita, (eds.) Performative Inter-Actions in African Theatre 2: Innovation, Creativity and Social Change. Cambridge Scholars Publishing, Newcastle-Upon-Tyne, UK, pp. 144-157. ISBN 9781443853804
Euripides
Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700
Femi Osofisan
Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955
Adeyemi, Sola (2011) Once Upon Four Robbers: the magic of subversion (introduction). In: Osofisan, Femi, (ed.) Once Upon Four Robbers. Mosuro Publishers, Ibadan, Nigeria, pp. 6-15. ISBN 9783613693
Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951
Adeyemi, Sola (2013) When drama comes a-cooling: re-assessing Femi Osofisan’s dramatic ideology. In: Igweonu, Kene and Okagbue, Osita, (eds.) Performative Inter-Actions in African Theatre 2: Innovation, Creativity and Social Change. Cambridge Scholars Publishing, Newcastle-Upon-Tyne, UK, pp. 144-157. ISBN 9781443853804
Feminism
Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155
(2017)
Global Morrison: Toni Morrison and the Transnation.
In: Global Morrison: An International Conference, 27-28 June 2017, University of Greenwich, London.
(Submitted)
Film
Solanke, Adeola (2015) Dazzling Mirage. [Play, Short Story or Poetry]
Film Africa Festival
Solanke, Adeola (2015) Dazzling Mirage. [Play, Short Story or Poetry]
Globalisation
Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155
(2017)
Global Morrison: Toni Morrison and the Transnation.
In: Global Morrison: An International Conference, 27-28 June 2017, University of Greenwich, London.
(Submitted)
Globe Theatre
Adeyemi, Adesola (2013) Ìtàn Ògìnìntìn, The Winter's Tale: Shakespeare meets Yoruba gods. In: Banham, Martin, Gibbs, James, Hutchison, Yvette, Osofisan, Femi and Plastow, Jane, (eds.) African Theatre: Shakespeare in and out of Africa. African Theatre (12). James Currey / Boydell & Brewer Ltd., Woodbridge, UK, pp. 48-60. ISBN 9781847010803
Greek drama
Adeyemi, Sola and Olasope, Olakunbi (2012) Fracturing the insularity of the global state: war and conflict in Moira Buffini’s Welcome to Thebes. In: 2012 Classical Association Conference, 11-14 April 2012, University of Exeter, UK. (Unpublished)
health
Solanke, Adeola (2015) African Film and Social Change Conference. In: African Film and Social Change Conference, 7-8 November 2015, University of Westminster, 35 Marylebone Road, London NW1 5LS.
history
Adeyemi, Adesola (2013) Ìtàn Ògìnìntìn, The Winter's Tale: Shakespeare meets Yoruba gods. In: Banham, Martin, Gibbs, James, Hutchison, Yvette, Osofisan, Femi and Plastow, Jane, (eds.) African Theatre: Shakespeare in and out of Africa. African Theatre (12). James Currey / Boydell & Brewer Ltd., Woodbridge, UK, pp. 48-60. ISBN 9781847010803
Adeyemi, Sola and Olasope, Olakunbi (2012) Fracturing the insularity of the global state: war and conflict in Moira Buffini’s Welcome to Thebes. In: 2012 Classical Association Conference, 11-14 April 2012, University of Exeter, UK. (Unpublished)
history and criticism
Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731
Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731
Hwee Hwee Tan
Garsten, Nicky (2009) Hwee Hwee Tan (1974- ). In: Smyth, David, (ed.) Southeast Asian Writers. Dictionary of Literary Biography, 348 . Gale, Farmington Hills, MI, USA, pp. 291-295. ISBN 9780787681661
Identity
Adeyemi, Sola (2013) Negotiating identities: Britishness and mapping of culture in Dipo Agboluaje’s The Christ of Coldharbour Lane. In: What is African Theatre and Performance? 2013 AfTA Annual International Conference, 11-14 July 2013, Goldsmiths, University of London & University of Derby, UK. (Unpublished)
ideology
Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955
interculturalism
Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700
Language Learning and Teaching
Benati, Alessandro (2016) Theory, Research and Pedagogy in Learning and Teaching Japanese Grammar. Palgrave Macmillan, London, UK. ISBN 978-1137498915
literature
Adeyemi, Sola (ed.) (2012) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. In: Adeyemi, Sola, Omoera, Osakue and Binebai, Benedict, (eds.) Alpha Crownes Publishers Ltd, Rochester, UK. ISBN 9780956683731
Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951
Adeyemi, Sola (2013) When drama comes a-cooling: re-assessing Femi Osofisan’s dramatic ideology. In: Igweonu, Kene and Okagbue, Osita, (eds.) Performative Inter-Actions in African Theatre 2: Innovation, Creativity and Social Change. Cambridge Scholars Publishing, Newcastle-Upon-Tyne, UK, pp. 144-157. ISBN 9781443853804
Masquerade
Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700
myth
Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731
myth of origin
Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731
mythology
Adeyemi, Sola and Olasope, Olakunbi (2012) Fracturing the insularity of the global state: war and conflict in Moira Buffini’s Welcome to Thebes. In: 2012 Classical Association Conference, 11-14 April 2012, University of Exeter, UK. (Unpublished)
national theatre
Adeyemi, Sola and Olasope, Olakunbi (2012) Fracturing the insularity of the global state: war and conflict in Moira Buffini’s Welcome to Thebes. In: 2012 Classical Association Conference, 11-14 April 2012, University of Exeter, UK. (Unpublished)
neocolonialism
Adeyemi, Sola (2013) Interpreting the interpreters: the narratives of the postcolony in Wole Soyinka’s The Interpreters. In: Lindfors, Bernth and Davis, Geoffrey V., (eds.) African Literatures and Beyond. A Florilegium. Cross/Cultures - Readings in the Post/Colonial Literatures in English (168). Editions Rodopi B.V., Amsterdam, The Netherlands / New York, NY, pp. 29-38. ISBN 9789042037380
Nigeria
Adeyemi, Sola (ed.) (2012) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. In: Adeyemi, Sola, Omoera, Osakue and Binebai, Benedict, (eds.) Alpha Crownes Publishers Ltd, Rochester, UK. ISBN 9780956683731
Nigerian history
Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731
Nigerian drama
Adeyemi, Sola (2010) Language and accessibility in Femi Osofisan’s drama. In: Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro, (eds.) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK, pp. 187-202. ISBN 978-0956683700
Nigerian literature (english)
Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731
Nigerian poetry (English)
Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731
Nigerian theatre
Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700
Nollywood
Adelugba, Dapọ, Adeyemi, Sola and Oni, Duro (eds.) (2010) Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683700
Nomkhubulwana
Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731
ododo
Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731
orientalism
Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955
performance
Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731
Philip Jeyaretnam
Garsten, Nicky (2009) Philip Jeyaretnam (1964- ). In: Smyth, David, (ed.) Southeast Asian Writers. Dictionary of Literary Biography, 348 . Gale, Farmington Hills, MI, USA, pp. 84-89. ISBN 9780787681661
playwriting
Adeyemi, Sola (2013) When drama comes a-cooling: re-assessing Femi Osofisan’s dramatic ideology. In: Igweonu, Kene and Okagbue, Osita, (eds.) Performative Inter-Actions in African Theatre 2: Innovation, Creativity and Social Change. Cambridge Scholars Publishing, Newcastle-Upon-Tyne, UK, pp. 144-157. ISBN 9781443853804
politics
Adeyemi, Sola (2006) Making colours, remaking life: subversion in the writing of Femi Osofisan. In: Adeyemi, Sola, (ed.) Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth African Studies Series (78). Bayreuth Breitinger, Bayreuth, Germany, pp. 123-131. ISBN 3927510955
Adeyemi, Sola (2011) Once Upon Four Robbers: the magic of subversion (introduction). In: Osofisan, Femi, (ed.) Once Upon Four Robbers. Mosuro Publishers, Ibadan, Nigeria, pp. 6-15. ISBN 9783613693
Adeyemi, Sola (ed.) (2006) Portraits for an eagle: a festschrift in honour of Femi Osofisan. In: Adeyemi, Sola, (ed.) Bayreuth African Studies 78 . Bayreuth Breitinger, Bayreuth, Germany. ISBN 9783927510951
Adeyemi, Sola (2013) When drama comes a-cooling: re-assessing Femi Osofisan’s dramatic ideology. In: Igweonu, Kene and Okagbue, Osita, (eds.) Performative Inter-Actions in African Theatre 2: Innovation, Creativity and Social Change. Cambridge Scholars Publishing, Newcastle-Upon-Tyne, UK, pp. 144-157. ISBN 9781443853804
Adeyemi, Sola and Olasope, Olakunbi (2012) Fracturing the insularity of the global state: war and conflict in Moira Buffini’s Welcome to Thebes. In: 2012 Classical Association Conference, 11-14 April 2012, University of Exeter, UK. (Unpublished)
post colonial literature
Adeyemi, Sola (2013) Interpreting the interpreters: the narratives of the postcolony in Wole Soyinka’s The Interpreters. In: Lindfors, Bernth and Davis, Geoffrey V., (eds.) African Literatures and Beyond. A Florilegium. Cross/Cultures - Readings in the Post/Colonial Literatures in English (168). Editions Rodopi B.V., Amsterdam, The Netherlands / New York, NY, pp. 29-38. ISBN 9789042037380
Adeyemi, Sola (2013) When drama comes a-cooling: re-assessing Femi Osofisan’s dramatic ideology. In: Igweonu, Kene and Okagbue, Osita, (eds.) Performative Inter-Actions in African Theatre 2: Innovation, Creativity and Social Change. Cambridge Scholars Publishing, Newcastle-Upon-Tyne, UK, pp. 144-157. ISBN 9781443853804
postcolonial African theatre
Adeyemi, Sola (2011) Introduction. African Performance Review, 5 (1). pp. 6-8. ISSN 1750-4848
postcolonial studies
Adeyemi, Sola (2013) Performing identities: re-creation and representation of African performance aesthetics. In: 50 Years of Theatre in the African Academy, 28-30 Aug 2013, University of Ibadan, Nigeria. (Unpublished)
postcolonialism
Adeyemi, Sola (2013) Translated gain: colonial power as an agent of postcolonial conquests. In: 2013 Classical Association Conference, 3-6 April 2013, University of Reading, UK. (Unpublished)
practice-led research
Adeyemi, Sola (2011) Introduction. African Performance Review, 5 (1). pp. 6-8. ISSN 1750-4848
religion
Adeyemi, Sola (2011) Once Upon Four Robbers: the magic of subversion (introduction). In: Osofisan, Femi, (ed.) Once Upon Four Robbers. Mosuro Publishers, Ibadan, Nigeria, pp. 6-15. ISBN 9783613693
Renegade Theatre
Adeyemi, Adesola (2013) Ìtàn Ògìnìntìn, The Winter's Tale: Shakespeare meets Yoruba gods. In: Banham, Martin, Gibbs, James, Hutchison, Yvette, Osofisan, Femi and Plastow, Jane, (eds.) African Theatre: Shakespeare in and out of Africa. African Theatre (12). James Currey / Boydell & Brewer Ltd., Woodbridge, UK, pp. 48-60. ISBN 9781847010803
ritual
Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731
screenwriting
Solanke, Adeola (2015) African Film and Social Change Conference. In: African Film and Social Change Conference, 7-8 November 2015, University of Westminster, 35 Marylebone Road, London NW1 5LS.
Solanke, Adeola (2015) Dazzling Mirage. [Play, Short Story or Poetry]
Shakespeare
Adeyemi, Adesola (2013) Ìtàn Ògìnìntìn, The Winter's Tale: Shakespeare meets Yoruba gods. In: Banham, Martin, Gibbs, James, Hutchison, Yvette, Osofisan, Femi and Plastow, Jane, (eds.) African Theatre: Shakespeare in and out of Africa. African Theatre (12). James Currey / Boydell & Brewer Ltd., Woodbridge, UK, pp. 48-60. ISBN 9781847010803
society
Solanke, Adeola (2015) African Film and Social Change Conference. In: African Film and Social Change Conference, 7-8 November 2015, University of Westminster, 35 Marylebone Road, London NW1 5LS.
South Africa
Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731
Sunday Enessi
Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731
technical theatre
Adeyemi, Sola (ed.) (2012) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. In: Adeyemi, Sola, Omoera, Osakue and Binebai, Benedict, (eds.) Alpha Crownes Publishers Ltd, Rochester, UK. ISBN 9780956683731
theatre
Adeyemi, Sola (ed.) (2012) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. In: Adeyemi, Sola, Omoera, Osakue and Binebai, Benedict, (eds.) Alpha Crownes Publishers Ltd, Rochester, UK. ISBN 9780956683731
Adeyemi, Sola, Binebai, Benedict and Osaku, Omoera S. (eds.) (2012) A gazelle of the savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria: theatre, culture, literature, art. Alpha Crownes Publishers, Rochester, UK. ISBN 978-0956683731
theatre heritage
Adeyemi, Sola (2013) Performing identities: re-creation and representation of African performance aesthetics. In: 50 Years of Theatre in the African Academy, 28-30 Aug 2013, University of Ibadan, Nigeria. (Unpublished)
tradition
Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731
translation
Adeyemi, Sola (2013) Translated gain: colonial power as an agent of postcolonial conquests. In: 2013 Classical Association Conference, 3-6 April 2013, University of Reading, UK. (Unpublished)
Ubuntu
Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731
Winter's Tale
Adeyemi, Adesola (2013) Ìtàn Ògìnìntìn, The Winter's Tale: Shakespeare meets Yoruba gods. In: Banham, Martin, Gibbs, James, Hutchison, Yvette, Osofisan, Femi and Plastow, Jane, (eds.) African Theatre: Shakespeare in and out of Africa. African Theatre (12). James Currey / Boydell & Brewer Ltd., Woodbridge, UK, pp. 48-60. ISBN 9781847010803
Wole Soyinka
Adeyemi, Sola (2013) Interpreting the interpreters: the narratives of the postcolony in Wole Soyinka’s The Interpreters. In: Lindfors, Bernth and Davis, Geoffrey V., (eds.) African Literatures and Beyond. A Florilegium. Cross/Cultures - Readings in the Post/Colonial Literatures in English (168). Editions Rodopi B.V., Amsterdam, The Netherlands / New York, NY, pp. 29-38. ISBN 9789042037380
Adeyemi, Sola (2011) Introduction. African Performance Review, 5 (1). pp. 6-8. ISSN 1750-4848
Yoruba language
Adeyemi, Adesola (2013) Ìtàn Ògìnìntìn, The Winter's Tale: Shakespeare meets Yoruba gods. In: Banham, Martin, Gibbs, James, Hutchison, Yvette, Osofisan, Femi and Plastow, Jane, (eds.) African Theatre: Shakespeare in and out of Africa. African Theatre (12). James Currey / Boydell & Brewer Ltd., Woodbridge, UK, pp. 48-60. ISBN 9781847010803
Yoruba mythology
Adeyemi, Adesola (2013) Ìtàn Ògìnìntìn, The Winter's Tale: Shakespeare meets Yoruba gods. In: Banham, Martin, Gibbs, James, Hutchison, Yvette, Osofisan, Femi and Plastow, Jane, (eds.) African Theatre: Shakespeare in and out of Africa. African Theatre (12). James Currey / Boydell & Brewer Ltd., Woodbridge, UK, pp. 48-60. ISBN 9781847010803
Zulu
Adeyemi, Sola (2012) Performing myths, ritualising modernity: dancing for Nomkhubulwana and the reinvention of Zulu tradition. In: Omoera, Osakue S., Adeyemi, Sola and Bineba, Benedict, (eds.) A Gazelle of Savannal Sunday Ododo and the Framing of Techno- Cultural Performance in Nigeria: Theatre, Culture, Literature, Art. Alpha Crownes Publishers Ltd, Rochester, UK, pp. 435-445. ISBN 9780956683731