Browse by Journal Title
Ana Mendieta
Bowes, Simon ORCID: https://orcid.org/0000-0002-9189-0322
(2019)
Dirt in the lens: on matter and memory in photographic performance.
Performance Research, 24 (6).
pp. 38-46.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:10.1080/13528165.2019.1686583)
Andy Smith johnsmith
Bowes, Neil Simon ORCID: https://orcid.org/0000-0002-9189-0322
(2019)
Notes towards a theatre of assemblages.
Performance Research, 24 (4).
pp. 28-34.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:10.1080/13528165.2019.1641320)
Animism
Bowes, Simon ORCID: https://orcid.org/0000-0002-9189-0322
(2019)
Dirt in the lens: on matter and memory in photographic performance.
Performance Research, 24 (6).
pp. 38-46.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:10.1080/13528165.2019.1686583)
Cassils
Bowes, Simon ORCID: https://orcid.org/0000-0002-9189-0322
(2019)
Dirt in the lens: on matter and memory in photographic performance.
Performance Research, 24 (6).
pp. 38-46.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:10.1080/13528165.2019.1686583)
censorship
McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884
(2018)
Phantom scripts:
The censor’s archive and the phantom scripts of improvisation.
Performance Research, 23 (2).
pp. 105-109.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:10.1080/13528165.2018.1464767)
Claude Cahun
Bowes, Simon ORCID: https://orcid.org/0000-0002-9189-0322
(2019)
Dirt in the lens: on matter and memory in photographic performance.
Performance Research, 24 (6).
pp. 38-46.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:10.1080/13528165.2019.1686583)
comedy
McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884
(2018)
Phantom scripts:
The censor’s archive and the phantom scripts of improvisation.
Performance Research, 23 (2).
pp. 105-109.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:10.1080/13528165.2018.1464767)
Duration
Bowes, Simon ORCID: https://orcid.org/0000-0002-9189-0322
(2019)
Dirt in the lens: on matter and memory in photographic performance.
Performance Research, 24 (6).
pp. 38-46.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:10.1080/13528165.2019.1686583)
Elizabeth Grosz
Bowes, Neil Simon ORCID: https://orcid.org/0000-0002-9189-0322
(2019)
Notes towards a theatre of assemblages.
Performance Research, 24 (4).
pp. 28-34.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:10.1080/13528165.2019.1641320)
Bowes, Simon ORCID: https://orcid.org/0000-0002-9189-0322
(2019)
Dirt in the lens: on matter and memory in photographic performance.
Performance Research, 24 (6).
pp. 38-46.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:10.1080/13528165.2019.1686583)
Hannah Arendt
Bowes, Neil Simon ORCID: https://orcid.org/0000-0002-9189-0322
(2019)
Notes towards a theatre of assemblages.
Performance Research, 24 (4).
pp. 28-34.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:10.1080/13528165.2019.1641320)
Henri Bergson
Bowes, Simon ORCID: https://orcid.org/0000-0002-9189-0322
(2019)
Dirt in the lens: on matter and memory in photographic performance.
Performance Research, 24 (6).
pp. 38-46.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:10.1080/13528165.2019.1686583)
improvisation
McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884
(2018)
Phantom scripts:
The censor’s archive and the phantom scripts of improvisation.
Performance Research, 23 (2).
pp. 105-109.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:10.1080/13528165.2018.1464767)
Intuition
Bowes, Simon ORCID: https://orcid.org/0000-0002-9189-0322
(2019)
Dirt in the lens: on matter and memory in photographic performance.
Performance Research, 24 (6).
pp. 38-46.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:10.1080/13528165.2019.1686583)
Isanbelle Stengers
Bowes, Simon ORCID: https://orcid.org/0000-0002-9189-0322
(2019)
Dirt in the lens: on matter and memory in photographic performance.
Performance Research, 24 (6).
pp. 38-46.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:10.1080/13528165.2019.1686583)
John Berger
Bowes, Simon ORCID: https://orcid.org/0000-0002-9189-0322
(2019)
Dirt in the lens: on matter and memory in photographic performance.
Performance Research, 24 (6).
pp. 38-46.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:10.1080/13528165.2019.1686583)
Judith Butler
Bowes, Neil Simon ORCID: https://orcid.org/0000-0002-9189-0322
(2019)
Notes towards a theatre of assemblages.
Performance Research, 24 (4).
pp. 28-34.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:10.1080/13528165.2019.1641320)
keith johnstone
McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884
(2018)
Phantom scripts:
The censor’s archive and the phantom scripts of improvisation.
Performance Research, 23 (2).
pp. 105-109.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:10.1080/13528165.2018.1464767)
Manuel DeLanda
Bowes, Neil Simon ORCID: https://orcid.org/0000-0002-9189-0322
(2019)
Notes towards a theatre of assemblages.
Performance Research, 24 (4).
pp. 28-34.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:10.1080/13528165.2019.1641320)
Performance
Bowes, Neil Simon ORCID: https://orcid.org/0000-0002-9189-0322
(2019)
Notes towards a theatre of assemblages.
Performance Research, 24 (4).
pp. 28-34.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:10.1080/13528165.2019.1641320)
Bowes, Simon ORCID: https://orcid.org/0000-0002-9189-0322
(2019)
Dirt in the lens: on matter and memory in photographic performance.
Performance Research, 24 (6).
pp. 38-46.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:10.1080/13528165.2019.1686583)
Research
Bowes, Neil Simon ORCID: https://orcid.org/0000-0002-9189-0322
(2019)
Notes towards a theatre of assemblages.
Performance Research, 24 (4).
pp. 28-34.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:10.1080/13528165.2019.1641320)
Bowes, Simon ORCID: https://orcid.org/0000-0002-9189-0322
(2019)
Dirt in the lens: on matter and memory in photographic performance.
Performance Research, 24 (6).
pp. 38-46.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:10.1080/13528165.2019.1686583)
writing and performance
McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884
(2018)
Phantom scripts:
The censor’s archive and the phantom scripts of improvisation.
Performance Research, 23 (2).
pp. 105-109.
ISSN 1352-8165 (Print), 1469-9990 (Online)
(doi:10.1080/13528165.2018.1464767)