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Group by: Creators | Item Type | Uncontrolled Keywords | No Grouping
Abstract art technology body performance Composition Concrete Context Context-based composition creative computing Listening Mimetic Real Sound Virtual xenofeminism
Number of items: 14.

Abstract

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771816000297)

art technology

Troisi, Anna ORCID logoORCID: https://orcid.org/0000-0002-6868-4424 (2018) OB-scene, a live audio/visual performance for photoplethysmograph and female body. Organised Sound, 23 (3). pp. 270-276. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771818000171)

body performance

Troisi, Anna ORCID logoORCID: https://orcid.org/0000-0002-6868-4424 (2018) OB-scene, a live audio/visual performance for photoplethysmograph and female body. Organised Sound, 23 (3). pp. 270-276. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771818000171)

Composition

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771816000297)

Concrete

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771816000297)

Context

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771816000297)

Context-based composition

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771816000297)

creative computing

Troisi, Anna ORCID logoORCID: https://orcid.org/0000-0002-6868-4424 (2018) OB-scene, a live audio/visual performance for photoplethysmograph and female body. Organised Sound, 23 (3). pp. 270-276. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771818000171)

Listening

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771816000297)

Mimetic

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771816000297)

Real

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771816000297)

Sound

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771816000297)

Virtual

Hill, Andrew ORCID logoORCID: https://orcid.org/0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771816000297)

xenofeminism

Troisi, Anna ORCID logoORCID: https://orcid.org/0000-0002-6868-4424 (2018) OB-scene, a live audio/visual performance for photoplethysmograph and female body. Organised Sound, 23 (3). pp. 270-276. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771818000171)

This list was generated on Sat Dec 21 15:54:03 2024 UTC.