authenticity

Vlachos, Peter ORCID: https://orcid.org/0000-0002-4870-9006 and Mueser, Daniela (2018) “Almost like being there?”: A conceptualisation of live-streaming theatre. International Journal of Event and Festival Management, 9 (2). pp. 183-203. ISSN 1758-2954 (doi:10.1108/IJEFM-05-2018-0030)

blogs

Davidson, Rob (2011) Web 2.0 as a marketing tool for conference centres. International Journal of Event and Festival Management, 2 (2). pp. 117-138. ISSN 1758-2954 (doi:10.1108/17582951111136559)

brand experience

Fernandes, Jovan and Krolikowska-Adamczyk, Ewa ORCID: https://orcid.org/0000-0002-0739-2110 (2023) The festival customer experience: a conceptual framework. International Journal of Event and Festival Management, 14 (1). pp. 23-40. ISSN 1758-2954 (doi:10.1108/IJEFM-11-2021-0083)

broadcast

Vlachos, Peter ORCID: https://orcid.org/0000-0002-4870-9006 and Mueser, Daniela (2018) “Almost like being there?”: A conceptualisation of live-streaming theatre. International Journal of Event and Festival Management, 9 (2). pp. 183-203. ISSN 1758-2954 (doi:10.1108/IJEFM-05-2018-0030)

conference venues

Davidson, Rob (2011) Web 2.0 as a marketing tool for conference centres. International Journal of Event and Festival Management, 2 (2). pp. 117-138. ISSN 1758-2954 (doi:10.1108/17582951111136559)

customer experience

Fernandes, Jovan and Krolikowska-Adamczyk, Ewa ORCID: https://orcid.org/0000-0002-0739-2110 (2023) The festival customer experience: a conceptual framework. International Journal of Event and Festival Management, 14 (1). pp. 23-40. ISSN 1758-2954 (doi:10.1108/IJEFM-11-2021-0083)

digital environment

Fernandes, Jovan and Krolikowska-Adamczyk, Ewa ORCID: https://orcid.org/0000-0002-0739-2110 (2023) The festival customer experience: a conceptual framework. International Journal of Event and Festival Management, 14 (1). pp. 23-40. ISSN 1758-2954 (doi:10.1108/IJEFM-11-2021-0083)

digital technology

Vlachos, Peter ORCID: https://orcid.org/0000-0002-4870-9006 and Mueser, Daniela (2018) “Almost like being there?”: A conceptualisation of live-streaming theatre. International Journal of Event and Festival Management, 9 (2). pp. 183-203. ISSN 1758-2954 (doi:10.1108/IJEFM-05-2018-0030)

event design

Fernandes, Jovan and Krolikowska-Adamczyk, Ewa ORCID: https://orcid.org/0000-0002-0739-2110 (2023) The festival customer experience: a conceptual framework. International Journal of Event and Festival Management, 14 (1). pp. 23-40. ISSN 1758-2954 (doi:10.1108/IJEFM-11-2021-0083)

Facebook

Davidson, Rob (2011) Web 2.0 as a marketing tool for conference centres. International Journal of Event and Festival Management, 2 (2). pp. 117-138. ISSN 1758-2954 (doi:10.1108/17582951111136559)

festival experience

Fernandes, Jovan and Krolikowska-Adamczyk, Ewa ORCID: https://orcid.org/0000-0002-0739-2110 (2023) The festival customer experience: a conceptual framework. International Journal of Event and Festival Management, 14 (1). pp. 23-40. ISSN 1758-2954 (doi:10.1108/IJEFM-11-2021-0083)

FlickR

Davidson, Rob (2011) Web 2.0 as a marketing tool for conference centres. International Journal of Event and Festival Management, 2 (2). pp. 117-138. ISSN 1758-2954 (doi:10.1108/17582951111136559)

hybrid events

Vlachos, Peter ORCID: https://orcid.org/0000-0002-4870-9006 and Mueser, Daniela (2018) “Almost like being there?”: A conceptualisation of live-streaming theatre. International Journal of Event and Festival Management, 9 (2). pp. 183-203. ISSN 1758-2954 (doi:10.1108/IJEFM-05-2018-0030)

Linkedin

Davidson, Rob (2011) Web 2.0 as a marketing tool for conference centres. International Journal of Event and Festival Management, 2 (2). pp. 117-138. ISSN 1758-2954 (doi:10.1108/17582951111136559)

live streaming

Vlachos, Peter ORCID: https://orcid.org/0000-0002-4870-9006 and Mueser, Daniela (2018) “Almost like being there?”: A conceptualisation of live-streaming theatre. International Journal of Event and Festival Management, 9 (2). pp. 183-203. ISSN 1758-2954 (doi:10.1108/IJEFM-05-2018-0030)

meeting planers

Davidson, Rob (2011) Web 2.0 as a marketing tool for conference centres. International Journal of Event and Festival Management, 2 (2). pp. 117-138. ISSN 1758-2954 (doi:10.1108/17582951111136559)

opera

Vlachos, Peter ORCID: https://orcid.org/0000-0002-4870-9006 and Mueser, Daniela (2018) “Almost like being there?”: A conceptualisation of live-streaming theatre. International Journal of Event and Festival Management, 9 (2). pp. 183-203. ISSN 1758-2954 (doi:10.1108/IJEFM-05-2018-0030)

social environment

Fernandes, Jovan and Krolikowska-Adamczyk, Ewa ORCID: https://orcid.org/0000-0002-0739-2110 (2023) The festival customer experience: a conceptual framework. International Journal of Event and Festival Management, 14 (1). pp. 23-40. ISSN 1758-2954 (doi:10.1108/IJEFM-11-2021-0083)

social Media

Davidson, Rob (2011) Web 2.0 as a marketing tool for conference centres. International Journal of Event and Festival Management, 2 (2). pp. 117-138. ISSN 1758-2954 (doi:10.1108/17582951111136559)

theatre

Vlachos, Peter ORCID: https://orcid.org/0000-0002-4870-9006 and Mueser, Daniela (2018) “Almost like being there?”: A conceptualisation of live-streaming theatre. International Journal of Event and Festival Management, 9 (2). pp. 183-203. ISSN 1758-2954 (doi:10.1108/IJEFM-05-2018-0030)

user-generated content

Davidson, Rob (2011) Web 2.0 as a marketing tool for conference centres. International Journal of Event and Festival Management, 2 (2). pp. 117-138. ISSN 1758-2954 (doi:10.1108/17582951111136559)

Web 2.0 applications

Davidson, Rob (2011) Web 2.0 as a marketing tool for conference centres. International Journal of Event and Festival Management, 2 (2). pp. 117-138. ISSN 1758-2954 (doi:10.1108/17582951111136559)

YouTube

Davidson, Rob (2011) Web 2.0 as a marketing tool for conference centres. International Journal of Event and Festival Management, 2 (2). pp. 117-138. ISSN 1758-2954 (doi:10.1108/17582951111136559)